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| 21. Entrapment Director: Jon Amiel | |
![]() | list price: $9.98
(price subject to change: see help) Asin: 6305622833 Catlog: Video Sales Rank: 96173 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (168)
ENTRAPMENT starts off on the right foot. The film's early scenes are interesting and demand attention. However, about thirty minutes later, the movie takes an unexpected twist into territory it should not have entered: romantic entaglement with bad dialogue and no chemistry. Even though Sean Connery is pushing 75, he's still considered by many to be one of the sexiest men alive. Catherine Zeta-Jones is a beautiful young woman and attracts the eye of many men. Nevertheless, just because two people are physically attractive does not mean that there will be any chemistry between them. In this film the chemistry between Connery and Zeta-Jones is like the chemistry between the same sides of a magnet: instead of uniting, the two objects pull away from each other. Of course, it doesn't help that the movie is full of bad dialogue and many of the emotional scenes of Zeta-Jones are totally forced with no reality or logic to them at all. The screenwriters should have kept to the basics instead of relying on dazzling special effects to save the film. There are a few good action scenes, especially at the beginning. However, towards the end even those are so blown out of proportion that you begin wondering when the masked superhero will arrive that can match Connery's superhuman skills and foil his evil plans. Overall, ENTRAPMENT is a movie that had a lot of potential, but ending up getting entrapped by itself.
Zeta is actually an insurance detective, Virginia Baker trying to find, the person responsible for a couple of burglary crimes in the area. She suspects Mack (Sean Connery aka Robert MacDougal) is the person behind it, but rather than try to bring him in, she decides to get the man's confidence, and convinces him to try to pull of a big heist thus implicating Mac some more and Mack is not an idiot, and he distrusts her from their very first meeting. The acting and special effects and stunts are also great including the culminating There are some problems with the film however. Virginia is young and naive and Now on to the dvd itself: The DVD is very well done and contains a great * Deleted scenes The deleted scenes in the movie are actually quite good, in fact, I think they were alot better than a couple of the scenes in the finished draft of the movie. One great deleted scene is the car chase that Mack and Virginia get into while trying to dodge a couple of hitman that are tracking them down. The scene has a great climax at the end that has you guessing what's going to happen next. The scene is actually in the film, but what you get in the finished movie is actually Needless to say, I think this scene was great and should have been put in the original film. Other features in the DVD include: *Special commentary on the film itself The commentary is teriffic, the director Jon Amiel, provides a lot of great insights and fact into the characters and Catherine Zeta herself, that fans may not *Alternate ending to the film!!! The alternate ending in the film is actually very similiar to the original ending *Special trailers of the film Entrapment from head to toe is one of the best heist/thriller movies in quite a long time. It gets predictable in a couple of areas, but the film is entertaining from beginning to Rent the DVD and enjoy it, along with the film itself.
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| 22. Tune in Tomorrow Director: Jon Amiel | |
![]() | list price: $9.94
our price: $9.94 (price subject to change: see help) Asin: 6301948246 Catlog: Video Sales Rank: 28003 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (13)
Peter Falk stars as a 1950's script writer for a New Orleans radio station's soap operas. Apparently he dislikes Albanians and allows his radio soap operas to take strange detours into jokes at the expense of Albanians. The movie also has a movie within a movie involving a romance between 36-year old Barbara Hershey and 21-years young Keanu Reeves. The real star of the movie is the city of New Orleans and the amazing soundtrack of Wynton Marsalis. He really did a hell of a job with his compositions, but hey the guy is from New Orleans -- who better to set loose to write a soundtrack about his home city.
It centers around a young writer (Reeves) who becomes smitten with his world-weary older aunt (well, aunt-by-marriage -- they are not blood relatives). Barbara Hershey plays the aunt, who plays the lovely 36-year-old divorcee who finds herself attracted to this sweet 21-year-old young man. She thinks she wants someone "older" and "dull," so she can have some stability in her life. But, as her sister tells her later -- "You won't change. You're too wild." So she ends up falling for this younger man who has dreams of being a writer in Paris. Their romance is sweet and heartfelt, but the true hilarity comes in the form of Peter Falk, who plays an extremely eccentric radio serial writer who is manipulating the whole town with his sensational writing. The town loves the tabloid-like melodrama he interjects into the plots; they are completely hooked. And Falk gets a lot of his ideas for the story by setting up Reeves and Hershey -- encouraging their romance (and then lifting big parts of their conversations to each other and putting it in the radio show). He also manipulates the whole town by targeting Albanians. Over and over, Albanian jokes. Albanian slander. The Albanians in town take notice! The absurdity of the overripe plots of the radio serial are absolutely *hilarious*. We are taken into the "world" of the radio serial plot, where actors Peter Gallagher, Dan Hedaya, Elizabeth McGovern, John Larroquette, and Hope Lange play the "fictional" characters come to life in everyone's imaginations. These scenes are particularly hilarious, especially when you learn to wait for the Albanian jokes to emerge. And you *know* that they will! One thing I will confess when I first heard about this movie: I was puzzled how they got the "incestuous" romance between Reeves' character and his "aunt" to work without creeping us all out. But, the "incest" thing quickly dispelled early in the movie. She's just an "aunt-in-law," of a sort. Not a "real" aunt. The story wouldn't have worked had she been a flesh-and-blood aunt, because we would have been too aware of the stigma that would exist in such a relationship. This was a sweet, unusual movie. I really enjoyed it. I recommend it. It's silly, slapstick, and wait for the wretched Albanian jokes! ... Read more | |
| 23. The Core Director: Jon Amiel | |
![]() | list price: $12.95
(price subject to change: see help) Asin: B0000AZT2F Catlog: Video Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (137)
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| 24. The Storyteller - Theseus and the Minotaur/Orpheus and Eurydice Director: Steve Barron, Paul Weiland, Jon Amiel, Peter Smith, Jim Henson, Charles Sturridge | |
![]() | list price: $12.95
(price subject to change: see help) Asin: B00003OKRH Catlog: Video Sales Rank: 24441 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com John Madden (Shakespeare in Love) directs the tale of "Theseus and the Minotaur." A young man reunites with his father, King Aegeus, but is cursed by his witch of a stepmother (literally). When Theseus tries to stop the regular sacrifice to the half-bull, half-man Minotaur, a new curse awaits the young prince. The magical musician Orpheus (Art Malik) finds his muse in "Orpheus and Eurydice." Unfortunately, she soon dies and goes to Hades where Orpheus follows, attempting to win her soul from the devil himself. By nature, the Greek myth episodes are a bit more mature and downbeat (ages 8 and up), yet give the audience lasting impressions of oft-quoted tales. --Doug Thomas Reviews (38)
Already the possessor of the equally praiseworthy Storyteller series on DVD, I can only echo the sentiments of previous reviewers: the entire Henson Greek Myth series deserves to be out on DVD.
C.A.M.
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| 25. The Man Who Knew Too Little Director: Jon Amiel | |
![]() | list price: $4.95
(price subject to change: see help) Asin: B00004RF80 Catlog: Video Sales Rank: 86852 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (60)
Murray plays a very funny underachiever who just so happens to get involved with international intrigue, yet he thinks he is involved in a one night reality TV program. His straight side kick in the movie is Joanne Whalley playing Lori. Murray is a crack up throughout the film thinking he is in a movie and thinking that all of the spies and diplomats are actors staying in character.....he is the funniest since Groundhog Day in this. I feel he is better than 'What About Bob.' Peter Gallagher plays his brother and the funniest interaction he has is with an actual police officer where Gallagher, who funded Murray's intended movie romp, thinks he is talking with an actor and as he gets angrier he just gets funnier. The movie has a lot of funny scenes that I laughed throughout. I thought the first part of the movie was little slow in developing but as soon as he got the call for what he thought was the reality show, things really took off. I laughed and laughed as he got chased, shot at, tortured and then all through it he thinks he is in a show. If there is a movie you want to share with friends for a nice fun evening this it.
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| 26. Tune in Tomorrow - Spanish Dubbed Director: Jon Amiel | |
![]() | list price: $9.94
(price subject to change: see help) Asin: 6301952650 Catlog: Video Sales Rank: 81358 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (13)
Peter Falk stars as a 1950's script writer for a New Orleans radio station's soap operas. Apparently he dislikes Albanians and allows his radio soap operas to take strange detours into jokes at the expense of Albanians. The movie also has a movie within a movie involving a romance between 36-year old Barbara Hershey and 21-years young Keanu Reeves. The real star of the movie is the city of New Orleans and the amazing soundtrack of Wynton Marsalis. He really did a hell of a job with his compositions, but hey the guy is from New Orleans -- who better to set loose to write a soundtrack about his home city.
It centers around a young writer (Reeves) who becomes smitten with his world-weary older aunt (well, aunt-by-marriage -- they are not blood relatives). Barbara Hershey plays the aunt, who plays the lovely 36-year-old divorcee who finds herself attracted to this sweet 21-year-old young man. She thinks she wants someone "older" and "dull," so she can have some stability in her life. But, as her sister tells her later -- "You won't change. You're too wild." So she ends up falling for this younger man who has dreams of being a writer in Paris. Their romance is sweet and heartfelt, but the true hilarity comes in the form of Peter Falk, who plays an extremely eccentric radio serial writer who is manipulating the whole town with his sensational writing. The town loves the tabloid-like melodrama he interjects into the plots; they are completely hooked. And Falk gets a lot of his ideas for the story by setting up Reeves and Hershey -- encouraging their romance (and then lifting big parts of their conversations to each other and putting it in the radio show). He also manipulates the whole town by targeting Albanians. Over and over, Albanian jokes. Albanian slander. The Albanians in town take notice! The absurdity of the overripe plots of the radio serial are absolutely *hilarious*. We are taken into the "world" of the radio serial plot, where actors Peter Gallagher, Dan Hedaya, Elizabeth McGovern, John Larroquette, and Hope Lange play the "fictional" characters come to life in everyone's imaginations. These scenes are particularly hilarious, especially when you learn to wait for the Albanian jokes to emerge. And you *know* that they will! One thing I will confess when I first heard about this movie: I was puzzled how they got the "incestuous" romance between Reeves' character and his "aunt" to work without creeping us all out. But, the "incest" thing quickly dispelled early in the movie. She's just an "aunt-in-law," of a sort. Not a "real" aunt. The story wouldn't have worked had she been a flesh-and-blood aunt, because we would have been too aware of the stigma that would exist in such a relationship. This was a sweet, unusual movie. I really enjoyed it. I recommend it. It's silly, slapstick, and wait for the wretched Albanian jokes! ... Read more | |
| 27. Sommersby Director: Jon Amiel | |
![]() | list price: $9.94
(price subject to change: see help) Asin: 6302787467 Catlog: Video Sales Rank: 71233 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (23)
This movie is not accurate in all its historical details, for instance, everyone is too clean and well-washed to have been working in the hot fields all day, given the state of personal hygiene at the time. And Gere is just TOO handsome and manly to have spent half a dozen years withering away in a cell as a civil war POW. And the townspeople are soooo easily moved to community action. They are just a mite too credulous given the war-time setting. But if you prefer dreamy historical romance to stark reality, you will indeed enjoy this film. The narrative progresses without any slow spots from the moment the opening credits roll and we see Gere aka Sommersby burying his dead partner. Then he walks and walks, through the lush scenery of the war-ravaged south, until the viewer is as ready for "home" as he must have been relieved to finally arrive. Greeted like a treasured hero by the townspeople, he is then taken in by a skeptical wife despite not a word between them for six years. With great tact and consideration, Jack Sommersby proceeds to court his wife, leading to many tantalizing moments and lots of significant looks between them. In the meantime, he devises a plan to buy seeds to grow burley tobacco in overgrown fields on the Sommersby estate, using the labor of the townspeople. They will not be sharecroppers, but owners, and even the "coloured folk" will have the option to buy, which later leads to a KKK cross-burning scene. Complications result from the fact that, during her husband's long absence, Laurel Sommersby had been keeping company with Orrin, another veteran, and although she tells her husband she hadn't been kissed, the rival lover hovers in jealous rage, and when his chance comes to do harm to Jack Sommersby, he takes it. All along, Laurel finds herself wondering "Who is this man in my kitchen?" because before he went away 6 years ago, her husband was a no-good drinker and gambler who abused her and didn't love her. The man who returns to her is wholly changed, a considerate lover, a caring father, a responsible member of the community. Is he really Jack Sommersby, or an imposter? When the tobacco crops are growing well and standing tall in the fields, the married lovers are delighting in their happiness, and just after the first baby is born, two federal marshalls arrive to carry Jack away to Nashville be tried for murder. I won't give away the ending, but I cried and cried all through the last 20 minutes or so of this touching romantic film. You never do find out if "Sommersby" is himself or not. Either way, he has changed for the better. This is definitely an enjoyable film. If you are a fan of romantic historical romance, you will enjoy this delicious love story.
But it's not just a romance, there is a tinge of mystery. Jack Sommersby, we assume from what we see on the screen, was not a nice person before the war. He comes back a changed man -- is it indeed Jack Sommersby -- or is it someone else? For those who enjoy a good period romance movie, this is an excellent choice. If you enjoy a good cry, again, an excellent choice.
No matter how often I watch this wonderful story, I am always left sighing at the end. Lucky for me DVDs have been invented, or for sure I would have worn out several tapes by now. "Sommersby" has got something for everyone. The romantic in you will love the deep and passionate love story. For those that love to try to solve a mystery,this is a good one. It's a period piece set post civil war, and has some excellent court-room drama as well. Jack Sommersby has left his small southern town of Vine Hill to fight in the Civil War. He hasn't been seen or heard from in over six years and is presumed dead. Then all of a sudden, one day he turns up to find his town ravaged by the effects of the war, and his lovely wife Laurel, now promised to another. He seems to pick up right where he left off though,renewing friendships,becoming very much a part of the everyday life in the town, and having his wife back where she belongs... in his bed.Up to now, we only get a little hint that someting is amiss..."Jethro", his faithful dog, doesnt seem to recognize him. As the story progresses,and Jack and Laurel fall more deeply in love then ever, we have more and more reason to believe that Jack is not who he says he is. Could he possibly be an imposter with an uncanny resemblence to Sommersby? Do the townfolk realize this and accept him at his word because he has brought a new hope and a new vitality to Vine Hill? And what about Laurel, did she know all along? When Jack Sommersby must stand trial for his life will the truth finally come out? Who is Jack Sommersby??? Richard Gere and Jodie Foster have an incredible chemistry and you will feel the intense love they share on screen. The supporting cast turn in outstanding performances as well. James Earl Jones as a black judge who must put up with the extreme prejudices of the witnesses,Bill Pullman as the jilted and vengeful fiancee,Frankie Faison the ex-slave now becoming a property owner, and young Brett Kelly who's love grows for his new found father all add greatly to the film. And of course,it is always a treat to see Wiiliam Windom make an appearance.The story based on the beautiful French film "The Return of Martin Guerre",is a fabulous remake. The musical score by Danny Elfman is one that will stay with you long after the view,and the photography of Philippe Rosselot is gorgeous.All under the expert direction of Jon Amiel make this one beautiful film. The DVD presents a beautiful picture in widescreen or a standard version.The color does justice to the lush farmlands. The sound in Dolby Surround(Stereo) is excellent. No special features other than a theatrical trailer. Languages and subtitles are English and French. "Sommersby" is a film that will leave you thinking about it and maybe sighing a little too.....enjoy...Laurie
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| 28. Tune in Tomorrow Director: Jon Amiel | |
![]() | list price: $9.94
(price subject to change: see help) Asin: B00000JN2G Catlog: Video Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (13)
Peter Falk stars as a 1950's script writer for a New Orleans radio station's soap operas. Apparently he dislikes Albanians and allows his radio soap operas to take strange detours into jokes at the expense of Albanians. The movie also has a movie within a movie involving a romance between 36-year old Barbara Hershey and 21-years young Keanu Reeves. The real star of the movie is the city of New Orleans and the amazing soundtrack of Wynton Marsalis. He really did a hell of a job with his compositions, but hey the guy is from New Orleans -- who better to set loose to write a soundtrack about his home city.
It centers around a young writer (Reeves) who becomes smitten with his world-weary older aunt (well, aunt-by-marriage -- they are not blood relatives). Barbara Hershey plays the aunt, who plays the lovely 36-year-old divorcee who finds herself attracted to this sweet 21-year-old young man. She thinks she wants someone "older" and "dull," so she can have some stability in her life. But, as her sister tells her later -- "You won't change. You're too wild." So she ends up falling for this younger man who has dreams of being a writer in Paris. Their romance is sweet and heartfelt, but the true hilarity comes in the form of Peter Falk, who plays an extremely eccentric radio serial writer who is manipulating the whole town with his sensational writing. The town loves the tabloid-like melodrama he interjects into the plots; they are completely hooked. And Falk gets a lot of his ideas for the story by setting up Reeves and Hershey -- encouraging their romance (and then lifting big parts of their conversations to each other and putting it in the radio show). He also manipulates the whole town by targeting Albanians. Over and over, Albanian jokes. Albanian slander. The Albanians in town take notice! The absurdity of the overripe plots of the radio serial are absolutely *hilarious*. We are taken into the "world" of the radio serial plot, where actors Peter Gallagher, Dan Hedaya, Elizabeth McGovern, John Larroquette, and Hope Lange play the "fictional" characters come to life in everyone's imaginations. These scenes are particularly hilarious, especially when you learn to wait for the Albanian jokes to emerge. And you *know* that they will! One thing I will confess when I first heard about this movie: I was puzzled how they got the "incestuous" romance between Reeves' character and his "aunt" to work without creeping us all out. But, the "incest" thing quickly dispelled early in the movie. She's just an "aunt-in-law," of a sort. Not a "real" aunt. The story wouldn't have worked had she been a flesh-and-blood aunt, because we would have been too aware of the stigma that would exist in such a relationship. This was a sweet, unusual movie. I really enjoyed it. I recommend it. It's silly, slapstick, and wait for the wretched Albanian jokes! ... Read more | |
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