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| 161. To Live Director: Yimou Zhang | |
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Reviews (68)
The story, like Chen Kaige's "Farewell My Concubine" (also a portrayl of Chinese history, with more emphasis on the people than the history), follows people through the Communist Revolution, the Great Leap Forward, and the Cultural Revolution, all highly influential events in Modern Chinese history. (If you are unfamiliar with these events, the first is when the Communists took over China; the GLF is when the country tried to increase production through very extreme measures and failed horribly; the Cultural Revolution was an entire social reorganization aimed to stir up the passions of the people and to weed out Capitalists.) Anyhoo, the people are Jiazhen (Gong Li) and Fugui (You Ge), husband and wife. In the beginning, Fugui bets away his entire family fortune, which eventually saves them from being labelled Capitalists by the Communists. More events transpire - including two tragic deaths that could have destroyed Jiazhen and Fugui's family for good - until finally thirty years of revolution and tragedy bring them to the 1970's. In addition to the beauty of the film, the soundtrack by Zhao Jiping is incredible, and almost makes me cry from its sheer power. This film is truly a winner!
It illustrates to what lengths people had to adapt and convert to in order to survive under Communist rule (especially during the cultural revolution). Old friends and even family had to form divisive lines between themselves in order to save themselves from possible prosecution. The acting and the interactions of the three main protagonists Li Gong, You Ge and Deng Fei are masterful and stirring. To Live is as good a film representing that time period as any other. Definitely on the same plateau as Farewell My Concubine
Aside from the political overtones, this is also a masterful study of overcoming loss and adversity that transcends cultural or political boundaries. While my students almost invariably complain about the subtitles at the beginning of the showing, by the end, they have been completely drawn in, and are laughing and crying on cue. If this isn't the true test of a great flick, I don't know what is. A masterpiece, and one that everyone should see.
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| 162. Hillbillys in a Haunted House Director: Jean Yarbrough | |
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Reviews (12)
Not much to say here some country singers playing honest to goodness country entertainers wind up staying the night in a house that everyone in town believes is haunted. It's not, it's run by spies or something masterminded by the hot Asian chick, who also has Lou Chaney Jr. (aka The Wolf Man) as a henchman. There is also the skinny, corpse like dude who floats around the movie like a ghastly fart. The directing is imaginative with the dream sequences. This movie also pulls in country acts by showing them on the television. Yeah right, way to break up a non-existant plot. Even if you like old time country Hee Haw music, this movie is a stretch.
There is a conspiracy involving an agency named M.O.T.H.E.R. and a villain named Dr. Fu. There is a guy in a gorilla suit (George Barrows, perhaps?) Best of all is the television broadcast that Jeepers watches to help him go to sleep in which the hilariously scowling faces of the villains haunt poor Jeepers while a bad C&W song is being performed. Needless to say, John Carradine wins the contest for chewing the scenery. His scowls and eyebrow twitches never fail to make me laugh. There are silly subplots about spies and the like, and homage is paid to Ed Wood in the 'timeless' day/night location shots (and continuity gaffes of positively Woodsian proportions.) Finally arriving in Nashville, the last fifteen or so minutes of the film are good old C&W stage acts like Merle Haggard, Sonny James, Molly Bee, and Marcella Wright. If you like Country music, particularly the vintage stuff, or you just like goofy, nonsensical movies that make you laugh, though sometimes you aren't sure why, this film is for you.
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| 163. Formula 51 Director: Ronny Yu | |
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Reviews (38)
Mr. Jackson (The coolest cat in movies today) plays Elmo McElroy, a Pharmacological genius who has been trapped in a state of indentured servitude for 30 years, toiling away making designer drugs for sleazebag drug-kingpin The Lizard (Played by the extra-crispy Meat Loaf). He's created a perfectly legal drug, (Made from ordinary household objects) which he calls POS-51, supposedly 51 times more potent than Heroin and Cocaine. After breaking loose from The Lizard, Elmo makes his way to Liverpool to sell the formula on his own, and finally start living the good life. Unfortunately, The Lizard has sent assassin Dawn/Dakota (The adorable Emily Mortimer) after him; First to kill him, later to keep him safe until he can coerce him into giving up the formula. THEN kill him.... The film plays like a hybrid of Quentin Tarentino, Monty Python, and Hong Kong action flicks, with a distinctly British flavor injected into it by actors Ricky Tomlinson, Robert Carlysle, and Rhys Ifans, all of whom are excellent. Director Ronny Yu is comfortable mixing genres, as shown by the fast-paced action scenes and the laugh-out-loud comedy. I'll never forget the scene in the lab with the skinheads.....Jackson, is, of course, excellent. I haven't had this much fun at the movies in a LONG time; Can't wait for the DVD!
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| 164. Here Come the Co-Eds Director: Jean Yarbrough | |
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Reviews (5)
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| 165. The Dentist Director: Brian Yuzna | |
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Reviews (31)
Corbin Bernsen ("Major League") plays Dr. Allan Finestone, a man who's got it all; a beautiful wife (Linda Hoffman), a luxurious estate, and a fine practice as the Beverly Hills Dentist. However, after catching his wife cheating on him, Finestone goes over the edge and begins a day treating (or should I say TORTURING?) his patients in numerous bloody ways. Eventually, he gets even with his love as well, by pulling out all her teeth WITHOUT NOVACAINE! (Here's where things REALLY get freaky!) Next in line for an appointment... a snobbish IRS agent, two picky dental assistants, and the poolman! Each one met with their own unique ways of demise for a horror flick. Low-budget has never been THIS good! (WARNING: This movie contains shocking material of blood and gore involving dentistry and may be too scary for minors. Do NOT see this movie before you go to the Dentist or you may be diagnosed with dentaphobia! However, if you are a gore hound, this is definately the one to own in your horror library! But remember, YOU'VE BEEN WARNED!) All actors (especially Bernsen) and actresses did an excellent job with their roles and it all almost seems and feels so realistic as if this could really happen! The music is also very stylish and creepy and fits quite well with this very rare gem. Every time I watch that one scene with the little boy though, I start to shudder by the experience of how even a normal appointment can be a nightmare! That's why I thought it was good and original that the filmakers chose the dental category in order to make a horror movie, considering that most of us are afraid to go to the Dentist as it already is! OVERALL: I GIVE IT A 10/10 FOR THE NIGHTMARISH AND GROSTESQUE ATMOSPHERE SEEN THROUGH THE EYES OF YOUR EVERYDAY DENTIST. (Not to mention the clever plot) You want a movie that will frighten you and keep you up all night trembling in fear, watch this film alone! (I DARE you!) I also reccomend it's sequel, "The Dentist 2: Brace Yourself" while not being as good as the first, it makes a fine addition for a good sequel. And remember, "Brush three times a day and no candy!"
Alan Phinestone is teetering on the edge of insanity. But after he catches his gorgeous wife Brooke messing around with the pool guy, it pushes him over the edge. He cuts his wife's tongue out, yanks out all of her teeth (with no painkillers, OUCH) and then starts in on his regular patients, in particular the cute little preteen who has been waiting for a long time to get her braces taken off. I refused to even THINK about going to a dentist for about 7 years after seeing this and there is still a few parts of it that I cannot watch to this day. Excellent!
Dr. Feinstone (Corbin Bernsen) appears to have the perfect life. He owns a thriving practice in the suburbs, drives a nice car, is married to a beautiful woman named Brooke (Linda Hoffman), and works hard to earn the respect of his many patients. You couldn't ask for a better existence, yet sinister seeds of discontent begin building in the mind of Dr. Feinstone. Little things, like a lost pair of cufflinks, send him into a dither. Too, the threat of an impending IRS audit conducted by the seedy Marvin Goldblum (Earl Boen) weighs on the dentist's mind like an anvil. What's worse, Feinstone concludes that his wife is cheating on him with Matt (Michael Stadvec), the guy who comes around to clean the pool. Any two of these problems could easily send the most even keeled amongst us shrieking into the abyss, but Feinstone has another problem, a problem that he thinks about aloud only when alone in the car or safely ensconced in his plush office. Apparently, the idea of decay is starting to assume a sublime importance in the mind of our fair dentist. He's beginning to understand that plaque often clings to every aspect of the human condition, that cavities can affect the soul as often as it does teeth. Feinstone, as a trained dentist and healer, soon believes he must do whatever is necessary to remove the decay afflicting the people around him. Healing is often a painful process. When the dentist confirms that his wife is indeed cheating on him, he takes steps to insure that such acts will never happen again. When Agent Goldblum insists on receiving a free checkup as part of a far-reaching bribe, Feinstone teaches a lesson the G-man will not soon forget. And for all those employees with the temerity to question the boss's directives, well, there are ways to deal permanently with such insolence. What Feinstone doesn't seem to realize, much to the everlasting chagrin of those individuals around him, is that the decay he so fears has effectively sunk its wormy tendrils deep into his mind. Take the case of April Reign (Christa Sauls), a beauty queen seeking advice on how to brighten her smile. Feinstone's actions towards this ravishing woman are so despicable, so outside the boundaries of what comprises a healer, that we immediately recognize the dentist has lost his battle against decay before the war has even started. In a way, we should pity Dr. Feinstone even as the police uncover the bloody horrors in his office and his house. Very few of us appreciate the role dentists play in society. We fear them or make fun of them instead of lauding the brave men and women who undertake such a taxing occupation. "The Dentist" is a remarkably fun film as well as an effective horror picture. Corbin Bernsen, never a personal favorite of mine, does an amazing turn as the deranged dentist. Even better are the grotesqueries parading across the screen, the reckless drillings, scrapings, extractions, and other assorted dental skills employed to gory effect by Feinstone as he attempts to stem the spread of decay. What he does to Agent Goldblum is downright horrific. "The Dentist" succeeds in many respects, none more so than in writer Gordon's and director Yuzna's brilliant maneuver to extend the idea of tooth decay to society at large. Isn't every nasty attribute of the human race really in essence a form of decay? And if it is, how does a healer go about eradicating the tartar of immorality? It must drive physicians, dentists, and other health care specialists utterly bonkers when they see patients refuse to follow advice that keeps a body and mind fit. Feinstone is obviously insane, but it's to the film's credit that we see why he loses his mind. Don't expect to see much in the way of extras on the DVD of "The Dentist." Two trailers, for Peter Jackson's "Dead Alive" and one for this movie, and cast filmographies are the only things you get. Too bad. A commentary track from Yuzna, Gordon, and Bernsen might have been a nice touch. If you fear the dentist, this movie will probably give you the sweats. Personally, I'm thinking of giving the film to my dentist as a Christmas present. ... Read more | |
| 166. Addams Family:Meets a Beatnik/Art Director: Jean Yarbrough, Stanley Z. Cherry, Arthur Hiller, Sidney Salkow, Sidney Lanfield, Nat Perrin, Arthur Lubin, Jerry Hopper, Sidney Miller | |
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| 167. Hard Justice Director: Greg Yaitanes | |
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Reviews (4)
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| 168. Spike Jones: The Best of Spike Jones, Vol. 2 Director: Bud Yorkin | |
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Reviews (2)
GREAT, esp. Stranger in Paradise and Indian Love Call must be seen to be believed -- and even THEN you won't believe it! The usual sight gags and silly slapstick; more skits than the first vol. Enjoy!
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| 169. Divorce American Style Director: Bud Yorkin | |
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Reviews (2)
Dr Jacques COULARDEAU ... Read more | |
| 170. Bride of Chucky Director: Ronny Yu | |
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Amazon.com Reviews (179)
I also thought that the music was perfect for this movie. Instead of using a creepy musical score, they used songs from Rob Zombie and other metal groups. The features on the dvd were very good. The audio commentary with Jennifer Tilly (Tiffany), Brad Dourif (Chucky), and Don Mancini (the movie's writer) were both informative and funny. I won't give the ending away, but let's just say that it was unexpected. It was gross and sick...but it was also a perfect ending that will lead to the next Chucky movie.
What places this movie a cut above the usual moronic slasher flick is an OUTSTANDING performance by Jennifer Tilly as Chucky's "bride" Tiffany. I had never seen her in a starring role before, and the whole time she was on the screen I kept asking "Who IS this chick? She's great!!" and couldn't wait to look up her name in the closing credits. -- Definitely not the usual quality of acting you'd expect in this type of B-movie. After she meets her demise and is transformed into a doll, the film becomes more predictable and gradually descends more to the level of your standard Chucky flick. The late great John Ritter's talents seem wasted here in a pretty cardboard role, and unfortunately the two teen leads are never more than the typical generic "kids in distress". But director Ronny Yu does seem to have some notion of his film's place within the horror genre, and there's a wonderful and inspired nod to classic horror and "The Bride of Frankenstein" during Tiffany's transformation sequence. Nice little touches like this, and the fact that this movie does not take itself too seriously and often seems more like a parody of the slasher/Chucky genre, made it even more enjoyable for me. I hear that Jennifer Tilly will also be involved in the sequel currently filming, "Child's Play 5: Seed of Chucky", which should make it interesting. But I actually wish they'd go back and do a PRE-quel to this movie, focusing on living woman Tiffany's life before bringing back Chucky. -- She is one deliciously twisted, mean and sexy momma! This movie has not made me a Chucky fan, but it definitely has made a new fan of Jennifer Tilly out of me. In conclusion, if you're looking for a fun, mindless and light movie just to waste a couple of hours on, this one isn't bad.
This is not a good film. It is a horror movie that is so over the top on ridiculousness that it borders on comedy. I never thought I would see Chucky the killer doll, who I feared so much as a child, in a love scene. Seeing Tiffany the killer doll making cookies for Chucky while they're holding a couple hostage is quite amusing. The domestic dispute that develops between the dolls shortly after this is just hilarious. This movie isn't for everyone. You'll enjoy this if you were a fan of Jason X, Freddy vs. Jason or the Evil Dead movies. If you have a dark sense of humor you'll probably love this movie. ... Read more | |
| 171. Bonanza:Spanish Grant/Bitter Water Director: Chris Christenberry, Alvin Ganzer, Don McDougall, Lee H. Katzin, John Rich, William F. Claxton, Dick Moder, Gerald Mayer, James Neilson, Arthur H. Nadel, Charles F. Haas, Joseph Pevney, Jean Yarbrough, Leo Penn, Robert L. Friend, Robert Gordon, Irving J. Moore, William Upton (II), Lewis Allen, Nicholas Colasanto | |
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| 172. Double Tap Director: Greg Yaitanes | |
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Reviews (3)
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| 173. Death on Sun Mountain/Saga of Director: Chris Christenberry, Alvin Ganzer, Don McDougall, Lee H. Katzin, John Rich, William F. Claxton, Dick Moder, Gerald Mayer, James Neilson, Arthur H. Nadel, Charles F. Haas, Joseph Pevney, Jean Yarbrough, Leo Penn, Robert L. Friend, Robert Gordon, Irving J. Moore, William Upton (II), Lewis Allen, Nicholas Colasanto | |
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| 174. Bonanza:Badge Without Honor/Blood on Director: Chris Christenberry, Alvin Ganzer, Don McDougall, Lee H. Katzin, John Rich, William F. Claxton, Dick Moder, Gerald Mayer, James Neilson, Arthur H. Nadel, Charles F. Haas, Joseph Pevney, Jean Yarbrough, Leo Penn, Robert L. Friend, Robert Gordon, Irving J. Moore, William Upton (II), Lewis Allen, Nicholas Colasanto | |
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| 175. Bonanza:Fear Merchants/Last Viking Director: Chris Christenberry, Alvin Ganzer, Don McDougall, Lee H. Katzin, John Rich, William F. Claxton, Dick Moder, Gerald Mayer, James Neilson, Arthur H. Nadel, Charles F. Haas, Joseph Pevney, Jean Yarbrough, Leo Penn, Robert L. Friend, Robert Gordon, Irving J. Moore, William Upton (II), Lewis Allen, Nicholas Colasanto | |
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| 176. The Dentist II Director: Brian Yuzna | |
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Reviews (24)
Now that it's made it onto DVD, we can all experience this fun and thrilling so-bad-it's good rollercoaster ride and come to realize that not everything is as bad as we may think it is. Continuing where the first one left off, Allan (Corbin Bernsen) escapes the mental institution and makes his way to the beautiful, small town of paradise where he continues his practice as the local dentist. However, when a few of the townsfolk suspect something about the poor doctor, Allan's sanity cannot be maintained and his haunting past won't stay buried! Once again, it's time for a check-up and this time, there are NO RULES!!!! Can Allan be able to pull through and remain anonymous, or will his alter ego get the better of him? A nicely done B movie and even though it didn't make it to the theaters back in 1998, it was a pretty decent sequel nevertheless! Only one con I've noticed about this was that there are very few clever ways Mr. Bernsen tortures the patients and some of them are similar to those that have been done before in the first. The ending had quite a bizarre twist to it, but it had me laughing my head off at how bad something may seem can actually turn out to be so funny! This is a MUST HAVE to add to your horror collection, especially for all you gore hounds out there! BRACE YOURSELF FOR NON-STOP FUN!!!!
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| 177. Petticoat Junction Director: Donald O'Connor, Jean Yarbrough, Peter Baldwin, Stanley Z. Cherry, Richard Whorf, Dick Moder, Charles Barton, James Sheldon, Sherman Marks, Richard L. Bare, Guy Scarpitta, Ezra Stone, Hollingsworth Morse, David Alexander, Elliott Lewis, Ralph Levy, Dick Wesson | |
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Description Spur Line to Shady Rest Please buy my Violets Reviews (4)
Spur Line to Shady Rest, and Please buy my Violets. They are plenty good, but, I bought the video without knowing what was on it. The Amazon discription leaves this data out. For $4.60, I took a chance, and as it turns out, I already have these particular episodes. You may, also.
Also included are the original commercials that accompanied the episodes and it is a great addition to any classic television video collection. ... Read more | |
| 178. Return of the Living Dead 3 Director: Brian Yuzna | |
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Reviews (62)
It's about a couple of young adults who are lovers, the boy's girlfriend gets hurt in a motorcycle accident and dies, the boy has a father who works in the military with a experimental corporation that brings the dead back to life. The Boy decides to take his girlfriend to a lab using an experimental gas to bring her back to life but it works, unfortunately she is a kinky Zombie that eats brains and turns people into brain-munching ghoul. Very entertaining and extremely gory sequel with great make-up effects, a very sexy undead girl, and original story that makes this a must see for fans of Zombie flicks. Watch this movie in the unrated uncut version with extra gore, not for the squeamish! Also recommended: Resident Evil, Ghosts of Mars, Return of the Living Dead, Day of the Dead, Dead Alive, From Dusk Till Dawn, Re-Animator, Aliens, Lucio Fulci's Zombie, Evil Dead, Evil Dead II, Phantasm, Bride of Re-Animator, Scanners, Let Sleeping Corpses Lie, City of the Living Dead, Nightmare City, Hellraiser, Toxic Avenger, Bad Taste, An American Werewolf in London, Idle Hands, Total Recall and The Beyond.
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| 179. Pokemon 3 - The Movie Director: Kunihiko Yuyama, Michael Haigney | |
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Reviews (63)
"Pikachu and Pichu", a mini movie that takes place in the big city where the Pichu bros. try their best to guide Pikachu back home before Ash Ketchum notices his Pokemon are missing. It's very funny to see those Pokemon fight against 1 obstacle after another. Ha! Ha! Ha! "Spell of the Unown", a major movie that takes place in the hilariously bizzare wasteland of Greenfield where everything turns to crystal. Sounds creepy does it? But not only that, you get to meet Entei, a legendary Fire-type Pokemon with the best Pokemon voice, unlike Mewtwo and Lugia which are just plain wimps. That's because those other 2 Pokemon that first existed in Pokemon 1 and 2 tend to have bad voices, but this one has a good voice. What I do like about this movie: "Pikachu and Pichu" has really huge laughs, unlike "Pikachu's Vacation" and "Pikachu's Rescue Adventure", plus it has more G/S Pokemon, which is superior. "Spell of the Unown" has really good animation, good laughs, and good voices, unlike "Mewtwo Strikes Back" and "The Power of One", plus it has 3 soundtracks that has you moving and grooving to the beat, along with 2 excellent looking Pokemon (Unown and Entei) and 3 forms of the final boss, Molly. What I don't like about this movie: "Pikachu and Pichu" may tend to get annoying and loud at times during the film. "Spell of the Unown" is a movie that could be too creepy for little kids, plus it's way too loud! Ahhh! I'm sure this review will help all of you, but I'll see ya in the Special movie, Mewtwo Returns on December 4, 2001. Good luck! You'll need it!
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| 180. Bonanza Director: Chris Christenberry, Alvin Ganzer, Don McDougall, Lee H. Katzin, John Rich, William F. Claxton, Dick Moder, Gerald Mayer, James Neilson, Arthur H. Nadel, Charles F. Haas, Joseph Pevney, Jean Yarbrough, Leo Penn, Robert L. Friend, Robert Gordon, Irving J. Moore, William Upton (II), Lewis Allen, Nicholas Colasanto | |
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Reviews (2)
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