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| 21. Pokemon - The Final Badge (Vol. 20) Director: Masamitsu Hidaka, Kunihiko Yuyama | |
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Description Reviews (7)
In short, this video is great. Now, after Mewtwo came and went in the first series, we will all just have to sit back, relax, and await his return in Johto. "But still..." Gary's voice dropped to almost a whisper, a slight tremble in his countenance. "No one will ever defeat the Pokémon that I saw..."
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| 22. Pokemon - Water Blast (Vol. 18) Director: Masamitsu Hidaka, Kunihiko Yuyama | |
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Amazon.com Reviews (2)
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| 23. Pokemon - Picture Perfect (Vol. 17) Director: Masamitsu Hidaka, Kunihiko Yuyama | |
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Amazon.com Reviews (4)
What I didn't like was that J+J can't get along with B+C. Luckily, my fanfics fixed that.
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| 24. Ju Dou Director: Yimou Zhang, Fengliang Yang | |
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Reviews (17)
In some ways this visually stunning, psychologically brutal film about paternity and the old social order of China was Director Zhang Yimou's "practice" for the making two years later of his masterpiece, the afore mentioned, Raise the Red Lantern, one the greatest films ever made. The theme of patriarchal privilege is similar, and in both films Gong Li portrays a young concubine required to bear a son and heir to a cruel and ageing man of means. Even though the setting in both films is China in the twenties before the rise of Communism, both films very much annoyed the ageing leadership of Communist China and were censured (Ju Dou was actually banned), ostensibly for moral reasons, but more obviously because of the way they depicted elderly men in positions of power. Ju Dou is the lesser film only in the sense that Sirius might outshine the sun were the two stars placed side by side. Both films are masterpieces, but for me Ju Dou was difficult to watch because of the overt cruelty of the master, whereas in Raise the Red Lantern, Yimou chose to keep the more brutal aspects of the story off camera. In a sense, then, Raise the Red Lantern is the more subtle film. It is also a film of greater scope involving more characters, infused with an underlining sense of something close to black humor. (The very lighting of the lanterns was slyly amusing as it ironically pointed to the subjugation.) In Ju Dou there is virtually no humor and the emphasis is on the physical brutality of life under the patriarchal social order. Ju Dou is beaten and tortured while we learn that Jin-shan tortured his previous wives to death because of their failure to bear him an heir. The terrible irony is that it is Jin-shan who is sterile. He feels shamed in the eyes of his ancestors because the Wang line will die out with him. But a child is finally born through Ju Dou's illicit affair with Tianqing. (Note that this conjoining in effect saves Ju Dou's life.) Jin-shan thinks the infant is his son and briefly all is serenity. However, while two may live happily ever after, three will not. Notice too that now that Jin-shan has an heir, nephew Tianqing will inherit nothing. Will they kill Jin-shan? Will fortuitous events put him out of the picture? Will they find happiness? Will the boy learn the truth about his paternity? Yimou's artistry does not allow superficial resolution, you can be sure. Note the two significant turns the film takes early on. One comes after Ju Dou discovers that Tianqing has been spying on her through a peep hole as she goes about her bath. At first she is mortified, and then sees this as a chance to show him the scars from the torture she endures daily, and then she shows him her body to allure him. The other turn comes as the child pronounces his first words by calling the old man "Daddy." Instantly Jin-shan, now confined to a wooden bucket that serves as a wheelchair, divines a deep psychological plan to realize his revenge. He embraces the child as his own, hoping to turn the boy against the illicit couple. The strength of the film is in the fine acting, the beautiful sets, the gorgeous camera work, and in the unsentimental story that does not compromise or cater to saccharin or simplistic expectations. Yimou is a visual master who turns the wood gear- and donkey-driven dye mill of the 1920s into a tapestry of brilliant color and texture. Notable is the fine work that he does with the two boys who play the son at different ages. He has them remain virtually mute throughout and almost autistically cold. Indeed part of the power of this film comes from the depiction of the character of the son who grows up to hate who he is and acts out his hatred in murderous violence toward those around him. Zhang Yimou is one of the few directors who can bring simultaneously to the silver screen the power of an epic and the subtlety of a character study. His films are more beautiful than the most lavish Hollywood productions and as artistically satisfying as the best in world cinema. The only weakness in the film is perhaps the ending which is played like a Greek tragedy for cathartic effect. One senses that Yimou and co-director Yang Fengliang in choosing the terminus were not entirely sure how this tale should end and took what might be seen as an easy way out.
I am not sure I am willing to call "Ju Dou" director Yimou Zhang's best film (co-directed by Yang Fengliang), but like all of his films it is fascinating to watch. It does make the best use of the Technicolor equipment China bought from the U.S., especially as they work on dying all that fabric. The bright colors are truly spectacular. Although "Ju Dou" was the first Chinese film to be nominated for the Best Foreign Film Oscar, it was banned in China by the government. The assumption is because since the film is about an impotent old man ruining the lives of those under him the people would see it as a metaphor for a nation ruled by a bunch of old men. This is one of those take it or leave it levels of symbolism since the film is obviously not didactic.
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| 25. Pokemon - The Sisters of Cerulean City (Vol. 3) Director: Masamitsu Hidaka, Kunihiko Yuyama | |
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Reviews (22)
BASIC PLOT: SERIES OPINIONS: DVD: OVERALL:
The Waterfowers of Cerulean City - Ash arrives at the Cerulean City Gym, but when he enters it, there does not seem to be any sign of a Gym Leader. In fact, a water ballet is being preformed! Will Ash find the Gym Leader and earn his next badge? The Path to the Pokemon League - Heading for Vermilion City, Ash stops by an unauthorized Gym, with a leader who has won 98 matches in a row! Can Ash beat this powerful trainer? Either way, he learns an important lesson about Pokemon. The School of Hard Knocks - The three friends stop while in a deep forest for a rest, when Ash finds a group of boys bullying another. Ash later learns that these boys go to the Pokemon Seminar School, the most well respected Pokemon School in the region. But can Ash figure out why so many of the students are so unhappy? The video/audio is no more, no less than you could ask for on a TV show. Overall, a great buy for a fan of the series. Followed by "Poke-Friends".
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| 26. Pokemon - The Movie 2000 Director: Kunihiko Yuyama, Michael Haigney | |
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Amazon.com Reviews (81)
However, I'm pleased to say that this film is generally much better than the first Pokemon movie. The plot involves a Pokemon collector called Laurence III who wants to capture the three Legendary birds Articuno. Zapdos and Moltres - or the Gods of Ice, Lightning and Fire as they're called here. Unfortunately, this creates a huge problem with Earth's weather patterns, causing violent storms and snow, and it is left up to Ash to get them back, and return things to normal. There are some little hints to the possibility of an Ash/Misty romance in this film - when Ash arrives on the island at the beginning of the movie, a girl called Melody kisses Ash on the cheek which makes Misty really jealous, as well as some other cute moments. Sadly, in spite of an improved plot I believe that, as before, the choice of music stands out as the film`s downfall and the producers haven`t learnt from the mistakes they made in the first film. Apart from a few exceptions ("The Legend Comes To Life" is a wonderful track), this movie replicates the same pop-styled rubbish used in the First Movie. The remix of the TV theme song ("Pokemon World" performed by Youngstown & Nobody's Angel) is absolutely horrible, with a scratchy beat and synthesized vocals. The campaign to ban vocoders starts here... Next time round, I would like to see a better choice of music which is less pop-orientated, but I`m not holding my breath... Overall though, in spite of the terrible soundtrack, this is a major improvement on the First Movie which I think any Pokemon fan should add to their collection.
Pros: NONE Cons:
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| 27. Come Blow Your Horn Director: Bud Yorkin | |
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Amazon.com essential video Reviews (3)
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| 28. Warriors of Virtue Director: Ronny Yu | |
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Reviews (17)
My son has a collection of action figures from movies and video games and the Roos are the best. Their design is so strikingly unexpected! The action sequences are shot very artfully - all these leaves floating in the streams of Power, the resolved fighting of these who HAVE to fight, the total absence of JackyChanesque "funny" grimaces. My son and nephew were obsessed by the movie for days, confronting each other with these - You came uninvited! - - Come on and pla-ay!!!- phrases, having their try at the art of flying kicks. The film is kind, the baddies are redempted at the end but all that with the minimal level of saccharine preaching. I want to thank the Law brothers and Ronny Yu, stuntmen and designers, who made the miracle happen. I've bought the VHS and later the DVD, recommended the film to all my friends who have sons - I want to let the people behind that film know that their effort is very much appreciated.
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| 29. The Deep Director: Peter Yates | |
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Reviews (12)
There are also more exciting sequences such as an encounter with a deadly eel and of course, the wet t-shirt swim at the beginning. "The Deep" is one of the most exciting and suspenseful adventure movies ever made. Yes, it does have great underwater scenery (mostly at the beginning) and the background music goes perfect with the movie. Although the wet t-shirt by Jacqueline Bisset might be what's best known about the movie, this is actually a great movie. It's one of my favorites. As for the DVD, it's not big at all on extras. You do get to select from subtitles in several different languages, there's a scene selection, and best of all, both the widescreen and full screen versions are included in this DVD's one disc. Unfortunately, the sound quality isn't very good. While your current volume setting might be too loud or just right on one of your DVDs, it will probably be too low for "The Deep". The picture quality is good enough though. If you're a fan of the movie, "The Deep", I do recommend adding the DVD to your growing collection.
Very good underwater scenes if you think 70's ... A must for Horror , Mystery , Adventure , Thriller lovers ...
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| 30. Into Thin Air Director: Roger Young | |
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Reviews (2)
Honest, likeable, and repsonsible 19-year-old Brian Walker (Tate Donavan) just "falls off the map" while driving his van to college in Colorado from his home in Ottawa, Ontario. Despite valiant efforts by his mother and brother (Ellen Burstyn and Sam Robards), no one in the law enforcement community has the time or inclination to thoroughly investigate one of the thousand missing kid cases. This leads to Burstyn and Robards teaming up with a private investigator (Robert Prosky) to finally find Brian's van, and ultimately Brian. Burstyn, Prosky, Robards, Patricia Smith (as Prosky's wife), and even Donovan (with limited screen time) are all magnificent. John Dennis Johnston is especially creepy as the man who kidnaps Brian. Although we all know what the ultimate outcome will be, the suspense and heartbreak are still palpable every step of the way - particularly in the last 15 minutes of the film. This is a top notch TV movie.
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| 31. To Live Director: Yimou Zhang | |
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Reviews (68)
The story, like Chen Kaige's "Farewell My Concubine" (also a portrayl of Chinese history, with more emphasis on the people than the history), follows people through the Communist Revolution, the Great Leap Forward, and the Cultural Revolution, all highly influential events in Modern Chinese history. (If you are unfamiliar with these events, the first is when the Communists took over China; the GLF is when the country tried to increase production through very extreme measures and failed horribly; the Cultural Revolution was an entire social reorganization aimed to stir up the passions of the people and to weed out Capitalists.) Anyhoo, the people are Jiazhen (Gong Li) and Fugui (You Ge), husband and wife. In the beginning, Fugui bets away his entire family fortune, which eventually saves them from being labelled Capitalists by the Communists. More events transpire - including two tragic deaths that could have destroyed Jiazhen and Fugui's family for good - until finally thirty years of revolution and tragedy bring them to the 1970's. In addition to the beauty of the film, the soundtrack by Zhao Jiping is incredible, and almost makes me cry from its sheer power. This film is truly a winner!
It illustrates to what lengths people had to adapt and convert to in order to survive under Communist rule (especially during the cultural revolution). Old friends and even family had to form divisive lines between themselves in order to save themselves from possible prosecution. The acting and the interactions of the three main protagonists Li Gong, You Ge and Deng Fei are masterful and stirring. To Live is as good a film representing that time period as any other. Definitely on the same plateau as Farewell My Concubine
Aside from the political overtones, this is also a masterful study of overcoming loss and adversity that transcends cultural or political boundaries. While my students almost invariably complain about the subtitles at the beginning of the showing, by the end, they have been completely drawn in, and are laughing and crying on cue. If this isn't the true test of a great flick, I don't know what is. A masterpiece, and one that everyone should see.
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| 32. Return of the Living Dead 3 Director: Brian Yuzna | |
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Reviews (62)
It's about a couple of young adults who are lovers, the boy's girlfriend gets hurt in a motorcycle accident and dies, the boy has a father who works in the military with a experimental corporation that brings the dead back to life. The Boy decides to take his girlfriend to a lab using an experimental gas to bring her back to life but it works, unfortunately she is a kinky Zombie that eats brains and turns people into brain-munching ghoul. Very entertaining and extremely gory sequel with great make-up effects, a very sexy undead girl, and original story that makes this a must see for fans of Zombie flicks. Watch this movie in the unrated uncut version with extra gore, not for the squeamish! Also recommended: Resident Evil, Ghosts of Mars, Return of the Living Dead, Day of the Dead, Dead Alive, From Dusk Till Dawn, Re-Animator, Aliens, Lucio Fulci's Zombie, Evil Dead, Evil Dead II, Phantasm, Bride of Re-Animator, Scanners, Let Sleeping Corpses Lie, City of the Living Dead, Nightmare City, Hellraiser, Toxic Avenger, Bad Taste, An American Werewolf in London, Idle Hands, Total Recall and The Beyond.
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| 33. A Knight in Camelot Director: Roger Young | |
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Amazon.com Reviews (4)
If it is the same I saw it on TV back in April or May of 1999. Found it funny and refreshing and seeing Whoopi at her comedy best. I would like to see it again but the price is to high at the moment. ... Read more | |
| 34. In Society Director: Erle C. Kenton, Jean Yarbrough | |
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Reviews (5)
"In Society" joins that long list of comic films in which the madcaps encounter the world of high society and proceed to destroy it, although this one is not as anarchistic as "Animal Crackers." With Abbott & Costello it is always a series of unintentional accidents. The destruction of the bathroom is the best sequence in the film, which also includes the classic burlesque piece "Fleugel Street," where Lou tries to deliver hats to the Pioneer Hat company and everybody he meets beats him up and breaks a hat. The original story for "In Society" was written by Hugh Wedlock, Jr. and Howard Snyder, who used to write gags for Jack Benny. John Grant, Edmund L. Hartmann and Hal Fimberg got screenplay credit for turning the story into more of a workable Abbott & Costello movie. The female romantic interest Marion Hutton, the sister of actress Betty Hutton, had been a singer with the Glenn Miller orchestra and had introduced "Chattanooga Choo Choo" and "Don't Sit Under the Apple Tree." Oh, final note: Arthur Treacher, the screen's greatest Butler, plays Pipps the Butler in this film.
There is also a special effects error in this film that most people don't notice. Watch the car chase carefully during the part where a car is hanging from the ladder truck. At one point you will see that car defy the law of gravity.
The BEST highlights in this film are: (1) BAGEL STREET. A hat salesman friend of the boys asks them the favor of returning a box of strawhats,sent to him by mistake by the manufacturer (one wonders WHY ANY0NE would ENTRUST A & C with such a task). On their way to deliever the hats,the pair run into a bunch of ZANIES. When Lou asks them directions to "BAGEL STREET", the lament to him the poor experiences they had their. However, when Costello mentions the name of the hat factory "SUSQUEHANNA HAT COMPANY" these people go BESERK and nearly destroy the box of strawhats as they take their FRUSTRATIONS out on Lou, who can do nothing but stand there and take the abuse. (2) The climatic chase scene. This scene uses chase footage from W.C. Fields' comedy "NEVER GIVE A SUCKER AN EVEN BREAK". The boys commandeer a hook-and-ladder fire truck, complete with aged fireman who has NEVER driven a firetruck before. UNKNOWN to them the ladder half of the truck is UNLOCKED, and as luck would have it, Costello IS RIDING in the cabin. As Lou climbs out onto the ladder, he begins to howl and whine as the truck goes through a series of ZANY curves and manoevers. (Roger Moore does a POOR imitation of this scene in his last 'JAMES BOND' film "A VIEW TO A KILL" ). But NO ONE does it BETTER than Lou Costello. ... Read more | |
| 35. Dr. No Director: Terence Young | |
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Reviews (153)
The movie begins with a British agent in Jamacia called Stranways and his secretary being murdered. Then back in London we are introduced to James Bond. James Bond is called to office, and we are introduced to his boss "M" and the flirting secretary Miss Moneypenny. Bond is told that Cape Canaveral is worried because their rockets are being toppled and they think the destructive energy waves are coming from Jamacia where Strangways was investigating the mysterious Dr. No before he was killed. Bond is sent to Jamacia, where is identity is quickly noticed by a photographer and a phony chauffeur who tries to kill him. Bond then meets up with CIA agent Felix Leiter and a local fisherman called Quarrel who are also investigating Dr. No and his island Crab Key. Bond's life is also on stake when a spider is released into his room. Bond discovers the Professor Dent is behind the spider attack and kills him, since he does not talk. Bond and Quarrel travel to Crab Key to hunt down Dr. No. Bond awakes on the island to find the alluring girl called Honey Ryder, who tells them that she collects shells on the island. Suspecting visitors, Dr. No's men fire on the beach to try to find Bond. Bond, Honey and Quarrel travel deeper into the island where Quarrel is killed and Bond and Honey are taken captive. They are taken to Dr. No's laboratory, where they finally meet him over dinner. Dr. No explains to Bond that he is a member of the greatest criminal organization called SPECTRE. His job has been to jam all radio signals to USA rockets in order to destroy each one. Dr. no leaves Bond in a cell to jam the upcoming rocket. Bond escapes and battles Dr. No in the nuclear laboratory, with Bond drowning Dr. No. The rocket is not harmed, and the entire islands lab explodes while Bond and Honey escape in a nearby boat., where they are picked up by Felix Leiter and the CIA. Dr. No was the movie that set the standard for all other 007 movies with the exotic locales, beautiful girls, dominating villians and the exciting, adventerous missions of agent James Bond 007!
However, Dr. No owes its success chiefly to two moments -- two of the greatest entrances in screen history. One is Honey Ryder's (Ursula Andress) entrance on the beach on Dr. No's Crab Key. Andress immediately became an object of desire for millions of red blooded males with her tanned sensuous body and skimpy bikini (in the book Dr. No, Ryder was naked). After 42 years and god knows how many sexy women, Andress' Ryder is still the standard. And unlike so many of the later Bond heroines, Andress' Ryder is a tough, intelligent woman who can take care of herself. When Bond promises he won't take the shells she sells to support herself, Andress answers, "I promise you you won't, either." Later, when she tells of killing her rapist with a black widow spider, even Bond recoils in mild shock. Andress' entrance opens the concluding act of the film and creates one of the more memorable Bond heroines of all time. The moment that defines the film and is probably one of the greatest moments in screen history is, of course, Sean Connery's entrance as James Bond. Legend has it that Ian Fleming was horrified when he met Sean Connery, but quickly changed his tune when he saw his entrance as James Bond onscreen. Connery says the famous line "Bond, James Bond" with such confidence and sex appeal, he instantly burns his mark into the series (which turned out to be a double edged sword when he tried to work outside the series). Next to Orson Welles' entrance in The Third Man, Connery's entrance in Dr. No is probably the best. Every time the clip is shown at the Academy Awards or other such award show, it still draws applause from the audience. It isn't a stretch to call it a landmark in film history.
Of course one cannot avoid the fact that James will have a large female fan base and the first and most famous of all "Bond Girls" the bikini clad, knife welding Ursula Andress. Special effects of the times were spectacular but today a little unbelievable. The DVD is absolutly full of information and worth it's price. A slightly light weight movie that has it's place in history as the first. ... Read more | |
| 36. Eyewitness Director: Peter Yates | |
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Amazon.com Reviews (1)
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| 37. Bliss Director: Lance Young | |
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Reviews (33)
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