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| 1. Joseph Director: Roger Young | |
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Description Reviews (39)
This film is Biblically accurate, well-acted, and the producer and director are to be praised for the sound Biblical reasearch! Although some of the sexually explicit (though historically accurate) scenes should be screened from the very young, this film is an ideal platform from which teens can search out characteristics of moral uprightness in a character of whom the Bible has not one negative thing to say! Kingsley (as he did in 'Moses') steals the show, and Mercurio does an admirable job as Joseph. Only Leslie Ann Warren (Potipher's wife) seems to strain as an actor, nevertheless, her performance detracts little from the drama. Especially capable are the actors portraying Joseph's wicked brothers, with Vincenzo Nicoli sterling is his performance as the wicked Simeon. Having watched the film dozens of times with adults--as well as with my middle-schoolers in the classroom, I can say that the greatest of Bible stories is captured in all its power, pathos, and glory. Although creating a few anachronistic vignettes (such as Joseph's 'foreshadowing' Christ's "My God, my God..." speech from the Egyptian prison), the film also captures all of the great ironies of the Joseph story. When Mercurio tenderly reveals himself as the second most powerful man in the ancient world--to the brothers who hated him as a youth, the words 'I am Joseph' will not fail to bring even the most calloused heart to tears. As my students synthesized the thirty or so characteristics of moral goodness extant in Joseph into an essay, one asked why no such heroes existed today. The question revealed both the effectiveness of this presentation, and the dearth of role models in our society. 'Joseph' is both gripping in narration, and brilliant its direction. It is faithful to Scripture and well-acted. It is THE finest of the TNT productions to date, of which only one ('Jacob') was a failure. Everyone will appreciate this wonderful story of forgiveness, but those those who are looking for the 'hidden things of Christ' cannot miss the poignant messianic threads which are so skillfully woven through the life of Joseph. HIGHLY RECOMMENDED!
Included in this film, and intrinsic to Joseph's life are the stories of Tamar and Judah, and the horrific tale his sister Dinah, both done effectively.The only parts that are less than first-rate are the scenes in Pharoah's court; almost campy in costuming and acting, they can provide some amusement in the midst of all the drama. Stefano Dionisi is a most unlikely and modern looking Pharoah, and has the ultimate babe for a wife, the pulchritudinous Monica Bellucci. The entire film though, is always mentally and visually entertaining, and has much spiritual content. As with so much of the Old Testament, there are allegories that run through its narrative that point to the New Testament, and the story of Joseph has much of this symbolism. Filmed in Quarzazate, Morocco, with its exotic ancient structures and landscapes, the cinematography by Rafaele Mertes is wonderful; this is a way above average production for television, and a film about a man who "does nothing against his conscience even on pain of death" is worth watching again and again.
Sometimes it's nice to read the bible story first and then follow it up with seeing the movie. Movie very well done! Highly recommend! ... Read more | |
| 2. Remember The Titans Director: Boaz Yakin | |
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Description Reviews (209)
Boone's determination to win is only outmatched by his drive for racial harmony within the team and coaching staff. By forcing his players to interact he creates bonds and friendships. Throughout all of this he knows he must win or his tenure as head coach will be short lived. He must not only battle the racial tension in the team, but in the town as well. Only his sheer will can guide his team to the promised land. The movie is an outstanding piece of cinema. It adresses a social issue with raw emotional power. It teaches a lesson without screaming it in your face. The acting is without a doubt full of some of the best performances of the year to not have been recognized by Oscar and the likes. While Denzel Washington and Will Patton are phenomenal the show is stolen by the members of the team. Watch this film and you will get the point. An emotional five star film worth watching again and again.
However, once it started, I was captivated by it. The movie is made even better based on the fact it is based on a true story. The jist of it is this... Herman Boone, played by Denzel Wahsinton perfectly, takes over as new head coach at a high school that has been desegregated. Naturally, the town has mixed reactions. We watch as Boone, uses tactics that neither the players, the parents, the townsfolk or even his assistant coaches like to force the players to not only become a team but also respect each other as people. We watch as friendships form, and as a team forms. Eventually we watch as the winning football team, and essentially Boone brings the town together. This movie brings something to the table for everyone. I laughed, I cried, I even cheered during the games. A must see!
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| 3. Lassiter Director: Roger Young | |
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Reviews (3)
The film is a fairly entertaining romp but there are problems with the script and some of the actors seem to be miscast. The movie does have many excellent sets and Tom Selleck gives a strong performance as Lassiter. The supporting cast includes Jane Seymour, Laura Hutton and Bob Hoskins. Hoskins is particularly good in the role of Inspector John Becker.
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| 4. Innocent Man Director: Peter Yates | |
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Reviews (11)
David Rasche and Richard Young do a fine job as the crooked detectives that frame him. I have recommended this to many people since many Selleck fans are not even aware of it. Whether you like Selleck or not you will enjoy this film if you like movies like "The Fugitive","US Marshals", and "Shawshank Redemption". It is being released on DVD soon and you can bet I pre-ordered a copy. ... Read more | |
| 5. Raise the Red Lantern Director: Yimou Zhang | |
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Reviews (56)
The plot has been well documented, although this is one of those movies where the less you know going in the better. Suffice to say the first thing you'll want to do once the movie is over is to watch it again. It is disappointing to see a number of very mediocre movies receiving 4 and 5 stars simply because they shun the standard Hollywood formula, as if mainstream automatically equals bad and independent automatically equals good. The mediocrity of these films becomes apparent when compared to indy films of the highest caliber, such as Raise the Red Lantern. Highly, highly recommended.
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| 6. Moses Director: Roger Young | |
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Reviews (15)
This film is the best version of the Exodus story to date. It is far superior to 'Ten Commandments', which stressed the spectacular at the expense of the accurate. This TNT version--while not quite as good as 'Joseph', is extremely accurate in its depiction of ancient Egyptian history. It stresses the Egyptian background of Moses' life, and doesn't just portray him as simply Hebrew alone. How nice to see Moses pictured as a highly trained soldier (which he surely was) in growing up in the Pharaoh's court! Especially novel is the portrayal of Moses' lisp, which could be a very accurate interpretation of the Biblical narrative's 'slow of speech'. While a bit more emphasis could've been placed on the fact that the plagues were specific judgments upon Egyptian gods, the film does a fine job in nearly every other respect. The next to last meeting between Moses and the Pharaoh ("MY name resounds in all the earth--and I let YOU live"!) is exceptionally well written, and the final meeting is wonderful. Moses speaks volumes in his silence! The parting of the Red Sea is pretty darn good (though the crossing is mysteriously speedy--even for an epic!), and the fact that the Hebrews crossed it 'on dry ground' is an excellent addition which most miss in the Bible, not to mention the film! Great job, here! The 'pillars of fire' which hold back the Egyptians are depicted as lightning, and this part is a real highlight! The film assumes Ramases and Mernepta are the major Pharaohs of the period. This might cause a little confusion to more conservative believers who place the Exodus earlier (1445 BC), and the Pharaoh as Thutmoses III. It will be especially confusing to 'Prince of Egypt' admirers, since Ramases there is Moses' friend, instead of the Pharaoh-father. All in all, this is a film well worth watching. Unlike 'Joseph' however, which never had a dull moment, 'Moses' is considerably less interesting after the crossing of the Red Sea. But it does fair justice to the Bible, and the acting is superb. One could hardly ask too much more from Hollywood!
Filmed in sub-saharan Quarzazate and Agadir, Morocco, it is visually beautiful, with the excellent cinematography by Raffaele Mertes; I like the neutral palette, and the artifacts and costuming that give it an authentic look of ancient times. Added to the atmosphere is the wonderful score by Marco Frisina.
Films I've seen in the past about Biblical characters have often tended to come across as a bit formal or contrived feeling. I thought the portrayal of how the people lived had a more natural look and feel to it, instead of looking more like actors simply trying to portray past ways of living. The film gave me a better sense of what Moses and the people of Israel went through in their journey from slaves to free people reaching the Promised Land. There were many difficult choices to make and some chose unwisely. I was touched by the portrayal of Moses' grieving when the people rebelled and God dealt with them. It brought tears to my eyes at the end when Moses, before he died, was standing on the top of the mountain looking down at the Promised Land. I thought it was an excellent portrayal of Moses and his fulfillment of God's destiny for him.
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| 7. The Thief Who Came to Dinner Director: Bud Yorkin | |
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Description Reviews (1)
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| 8. Danielle Steel's Jewels Director: Roger Young | |
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Reviews (11)
Why? For one, Anthony Andrews is the perfect fit for his role. For fans of Andrews, one only has to remember that he played King Edward VIII in The Woman He Loved and what an excellent job he did in that role. He was also stunning in The Scarlet Pimpernel and Ivanhoe, and period pieces seem to suit this well-trained actor. Annette O'Toole is also well-cast as the strong-willed American woman who falls in love with the man in line for the crown (granted, he is 13th in line for the throne). The story provides all the Steel conventions, but it does not seem old-hand when staged in this movie. Even if you are not a fan of Steel's work, the story is compelling. Other Danielle Steel adaptations pale in comparison to Jewels. This is by far the best adaptation of her work. The blossoming of love, the separation of war, the agony of loss, the trials and tribulations of parenthood, the reinvention of one's self, the survival of one family. Great entertainment!
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| 9. Breaking Away Director: Peter Yates | |
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Reviews (77)
But having an affinity for things Italian or for bike racing is not necessary in order to enjoy this 25-year-old classic. What is necessary is an appreciation for small things and memories about the mysterious period between adolescence and adulthood. If that describes you, then chances are you'll enjoy this touching film. Amid the praise I should say that the DVD package is only average: the original trailer and teaser are there, but it would have been nice to have some commentary from director Peter Yates, some of the actors, or from critics who were fans of the film. A "Making of Breaking Away" mini feature would have also been a welcome addition. One note: Breaking Away is a very American film, and so I'm not so sure how much of it will hit home with foreign viewers.
The main character is irrepressible Dave Stohler (Dennis Christopher) who decides that he wants to be an Italian international bicycle racing star, even though he has never been out of his home town and doesn't happen to be Italian. He pours himself into the role of becoming Italian and becoming a star-quality cyclist. His loving parents are bewildered and worry if their son will ever be normal. He doesn't want to be normal; he wants to be outstanding. This movie does a wonderful job of blending comedy, character development, and action. After watching it, you feel like you were there and you knew these people. I was inspired by this film to look for other Dennis Christopher movies (e.g., "California Dreaming") but none even approached this one. "Breaking Away", with the multiple meanings to its title, is one of the most likable movies I've ever seen. A great pick-me-up if you're down in the dumps.
Mike (Dennis Quaid), the leader of the group, clings to his friends as reminders of his days as high school quarterback and fears they will prove to be his best. Moocher is eager for adulthood and is planning to marry his girlfriend. The only problem is he cannot keep a job! Cyril (Daniel Stern) is resigned to the fact he may never leave Bloomington, but remains buoyant regardless. Dave Stohler is the main character, he knows exactly what he wants to be, an Italian Cyclist. There is only one problem- he isn't Italian! Dave learns through a young woman he meets and eventually through his father that simply being Dave is more than good enough, and that he must embrace his natural talents and the future. There have been countless "coming of age" pictures, but this one is the most enjoyable! DVD: The production values of the DVD leave something to be desired and therefore I only give the product 4 stars. The lack of 5.1 surround is a disappointment, as well as the quality of the video. A commentary track featuring the four leads would have been an interesting addition. The only extras are a couple of trailers.
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| 10. Don Quixote Director: Peter Yates | |
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Description Reviews (9)
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| 11. One Special Night Director: Roger Young | |
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Reviews (6)
I made a copy of the movie from one of the two different TV showings and have watched it over and over again, including most recently as a hint of the holidays start to ring throughout the air. I recommend it as a wonderful movie to view and add to any collection.
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| 12. Bloodline Director: Terence Young | |
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Reviews (9)
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| 13. Eleni Director: Peter Yates | |
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Reviews (10)
At its first showing, it was picketted and closed after one day only to reopen two days later away from the city center, which was when I saw it. It completely absorbed my interest and I felt a new sympahthy for the people who lived through those times (many of whom I knew). It;s a great movie and should be more widely shown!
Mothers love their children but in our decadent, face paced, greed driven society I so often find myself off course, yelling and snappish at the slightest thing. In other words, God forgive me for not conveying that love and for taking our time together for granted. This movie takes place during the Greek Civil War in the late 1940's. God help us to cease all wars and fighting. 28,000 children were taken from their homes and sent to work in communist camps. This story shares the sacrifice and love of a brave woman and truly devoted mother, Eleni. ... Read more | |
| 14. Bullitt Director: Peter Yates | |
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Amazon.com essential video Reviews (104)
The plot is tight, economical and well crafted....taciturn, moody Detective Frank Bullitt (McQueen) is charged with the protection of a key witness vital to an upcoming trial involving Mafia connections. Whilst hidden away in a supposed secure location, the witness and his police guard are brutally gunned down by unknown assailants. The heat is turned up on Bullitt by his tough Captain (Simon Oakland) and the manipulative, opportunistic politician Walter Chalmers (Robert Vaughn) to come up with the right answers fast ! Between the draining investigation, Bullitt struggles to maintain his relationship with his cultured, sensitive girlfriend, Cathy (Jacqueline Bisset) Primarily coming from a TV series background, Englishman Peter Yates (directing his fourth movie) did a commendable job as director on "Bullitt"...producing a complex, intense crime thriller with a unique style that would ultimately influence many other films. Yates would later to go onto direct Robert Mitchum in the excellent "sleeper" crime film "The Friends of Eddie Coyle" ! And of course "Bullitt" is reknowned for it's now legendary car chase between Frank Bullitt's 390 GT Mustang and the two hitmen in their black, Dodge Charger 440 Magnum barrelling through the city streets and highways of San Francisco....just don't pay too much attention to how many times they pass that slow-moving, green VW Beetle !! The DVD transfer is excellent in both sound and picture quality, and the Limited Edition Set with the extra goodies (Single sheet poster, shooting draft, lobby cards etc.) is a real bonus for keen film fans !! One of my favourite cop thrillers....McQueen sizzles on screen !!
The good and the bad: True, there is a high-speed car chase in part through the hilly streets of San Francisco. Is it "the best ever" chase? Depends on how you look at it. Plus - It was very high speed. Plus - It had a cool-looking Mustang fastback vs a big GTO. Negative - They pass the same VW 4 times, and another car 2 times (why? if not intentional, then very poor continuity) Negative - double-shifting or not, there are about 97 too many gear changes, and some of those are at top speed on the flat stretch near the end. Neg - the bad guys lose too many hubcaps. Still, it's fairly exciting. However, though not car vs car, I think the chase in "The French Connection" is as good if not better. As for the drama, some of it seemed a bit drawn out. Lt. Frank Bullitt is supposed to protect the state's witness "Ross" against the Chicago "Organization". Ross and one cop are shot, and Ross is later killed in the hospital, where Bullitt is hanging out. Bullitt does not want the prosecutor who gave him the assignment (Robert Vaughan) to know Ross died, so he will have time to find the killers. Turns out Ross may not be who the cops think he is, and this leads to a good foot-chase across the airport runways and the airport itself. Some of the police procedure as portrayed in the movie is rather shoddy - such as handling a lot of evidence, then asking for it to be fingerprinted, etc. The pretty: Bullitt has a girlfriend played by Jaqueline Bisset, who gives him grief for his callous attitude. This sets up the final scene of the movie where Bullitt ambiguously questions his existence. Otherwise, her appearance in the movie is useless. Good acting by McQueen and Vaughan. Look for Robert Duval, Georg Sanford Brown, Norman fell, Simon Oakland and a few other names. The jazzy score by Lalo Schifrin sounds like a bad TV movie. Wide-screen movie has decent picture and sound quality. DVD extras include a short behind the scenes documentary, text-based cast/crew/location info, list of awards, and a trailer. In short - Not the best cop movie, not the best McQueen movie, and not the best chase. Watchable but not a stand out. ... Read more | |
| 15. From Russia with Love Director: Terence Young | |
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Reviews (136)
The story may appear simplistic but if you let your concentration lapse you'll miss key information to understanding the plot. Because there is more dialogue it helps to own this movie so you can watch it again. Everything becomes much clearer after a repeat viewing. This was the first 007 DVD I bought because it's one of my favourite Connery Bonds. It features ice-cold assassin Red Grant (Robert Shaw), and one of the best bond girls ever ('James, will you make love to make all the time in England?'). Pedro Armendáriz fits the role of 007's ally Kerim Bey very nicely. From Russia With Love doesn't overwelm you with a main villain's secret fortress blowing to pieces, nor does it have a heart-pounding car chase scene. The real action is between the characters and within the story.
Q makes an apperance with the first of many gadgets that Bond will call on during his lifetime. We also get to see his Bentley before it's famous replacement in the next film. The three modes of transport (air,sea,rail) and exotic locations are to the fore and of course, the Bond Girl, this time Lotte Lyna. ... Read more | |
| 16. Year of the Comet Director: Peter Yates | |
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Reviews (5)
This movie has been compared to Romancing the stone, and I think that is a fare comparison. If you buy this movie, you will love it.
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| 17. Year of the Comet Director: Peter Yates | |
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Reviews (2)
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| 18. Who's on First Director: Jean Yarbrough | |
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Reviews (7)
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| 19. Hero Director: Yimou Zhang | |
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Reviews (59)
Unfortunately, money does not always buy happiness. Despite the beautiful imagery, the story is brazenly unoriginal, taking its principle technique from Kurasawa's 1950 breakout film Rashomon, and much of its wuxia energy from Ang Lee's Taiwanese sensation of 2000, Crouching Tiger Hidden Dragon. To the simple-minded, I think it fails as an action picture, and to the sophisticated, its moral push is far from certainly digestible. Neither do any of the actors succeed in endearing themselves to us. Its greatest strength is its beautiful imagery. I recently watched Alexander Nevsky, the famous Soviet propaganda film. Viewed today, its intent is obvious and clumsily applied. I watched Ying Xiong, or "Hero", well into the second hour before I realized that I was watching a modern version of that same old communist template. What are the messages here? I admit that even as an American, I cannot quickly digest these complex moral questions and make an immediate assessment as to their worthiness. For a Chinese person, I assume this film has been even more powerful. The pride evoked from its bold nationalist statement may further push them towards accord. Hence its value as propaganda has probably been quite strong. I think that ultimately the value of this film as a classic will be decided by the prevalent answer to these moral questions, and my suspicion is that history will not look favorably on the direction in which it pushes viewers to think.
It is very beautiful, and this is probably the first thing to be noticed. The various elements, actors, scenery and colors all combine to create a visual splendor. It is a very painterly movie, a feast for the eyes. Specifically, color is used to create moods and to differentiate the various storylines. If the visuals are painterly, then the Martial Arts are dancerly, along the same line as "Crouching Tiger, Hidden Dragon," to which inevitable comparisons must be drawn. The actors are equally beautiful as well, and "Hero, truly a feast for the eyes, could probably be enjoyed in this manner, without any dialog. Storywise, it is a variation on the familiar "Rashomon" theme of "what is the truth?" The same story is told and re-told, each time moving closer to the purity of truth, and with truth comes enlightenment. This is an intimate tale, a quiet verbal duel between an Emperor, so fearsome and lonely than no human can approach within one hundred paces of him, and a nameless subject, who might just be a true hero. Between them, a story is told of epic engagements, artists and warriors, and what is actually worth fighting and dying for. I won't spoil too much of the story, as part of "Hero's" strength and insight lies in discovery. That is not to say that it is full of surprises and twist endings, but rather that, like all Buddhist insight, the answer of the movies riddle lies as much in the viewer as in the actors.
The wire kung fu is meant to be an expression of the inner turmoils that play within the character's heart and mind. Suspending your belief in reality would have to take place to accept the incredibly artistic fight scenes in this movie or just about every other action movie ever made like Spiderman or ID4. At least enjoy the beautiful camera work and use of colors in this movie instead of thinking about "too many pretentious but self-indulgent thought-to-be poetically beautified scenes". The "peking opera styled slow talking dialogue" is used effectively in my opinion. JUSTAREADER may not be a fan of this type of dialog but everybody has their own opinion. Zhang Yimou used the story of the Qin Emperor only as an outlet much like Passions of the Christ. Many will not agree with the portrayal of the Qin Emperor in Hero or the portrayal of Christ in Passions but it made its point. I agree that the Qin Emperor is not as "benevolent" as Hero suggests but this is a fictional story meant to convey the conflicts of the characters - the sacrifices made for self and country and the eternal question "does the ends justify the means"? Boring movies don't move the audience and just passes 2 hours of their lives. It's the reaction I get after attempting to watch Dreamcatcher, Road Trip, or Day After Tommorrow. Great movies provoke a reaction from the audience. This is a great movie with great visuals and cinematography. It got a reaction out of the "love it" and "hate it" camp! It wasn't a simple "love it" or "hate it" review. Some of the best movies and music are derivatives of others. Example: Led Zeppelin and Aerosmith just borrowed from the blues and garage rock; Hero borrows from Rashomon; the list can go on and on forever. So to call Hero an unoriginal movie is an oxymoron because every movie copies from earlier movies. Not all westerners are "simple-minded". People who just want simple Kung Fu movie or action movie with no plot will be bored to death and will find the movie "too complicated for westerners." For those of us who want something more than movies like Garfield or Starsky & Hutch will more than likely enjoy Hero.
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| 20. Pokemon - Our Hero Meowth (Vol. 19) Director: Masamitsu Hidaka, Kunihiko Yuyama | |
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Amazon.com Reviews (6)
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