Amazon.com

Don't waste this one on your children: buy it for yourself. A spectacular adaptation of the Anna Sewell novel, this is faithful to the source material but creates a life of its own on the screen. Told from the point of view of the horse, it recalls a time and a place that could be both beautiful and cruel. Black Beauty faced both hardship and kindness as he passed through the hands of many owners throughout his life. Some are generous, but the agonies endured by the title character may be too harsh for small children. Unfortunately, director Caroline Thompson did not resurrect her magical touch a few years later with another animal tale, Buddy. --Rochelle O'Gorman ... Read more

Reviews (39)

A movie to be enjoyed by all.
I've been watching Black Beauty since it came out in 1994 when I was 9. The enchanting cinematography, thoughtful narration and beautiful horses stick in your mind long after the movies is finished. I've worn the tape out and recently bought it on DVD. I watched it immediately with friends who made fun of me. 19 and in love with a horsey movie?? Luckily I forced them to watch it and they were soon engrossed in the fabulous story. I have never read the book, but anyone who dislikes this movie because it isn't "true" to the novel is a sad person indeed. This is a great movie that can be enjoyed by horse lovers or even people who aren't that fond of horses. A good movie is a good movie, and Black Beauty will remain a timeless classic.

Beautiful movie for horse-lovers!
Black Beauty was one of the best movies I've ever seen! Docs Keepin Time was an excellent "actor". There was inhumane treatment of the animals and Ginger was so tragic. The horses had no say in anything and were abused yet they tried to please their masters. With kind masters they flourished and the ending was beautiful. The music was evocative and everything it this movie made me cry. (It was also an excellent book.)

The Best Movie Of All Time
Just like the first reviewer I have been watching this movie since I was 9 years old back in 1994. I am nighteen now and haven't seen the movie for a while but still remember it dearly as it was my most favorite movie on my shelf as a child and teen. I still have it even though it's worn quite a bit but I will show it to my kids. The movie always brings me to tears. I quote the first reviewer, "A good movie is a good movie, and Black Beauty will remain a timeless classic."

A bit boring. 15th april 2004.
Kids would probably enjoy it. It was quite good the first time i watched it then i thought it was a kiddy film, but anyone would normally like these sorts of films. Not me it isn't my type.

I'm sure kids will love it but adults be prepared
I love horses and will watch almost any movie with them in it. But because I work with them I am also sensitive to their correct portrayals in film.

Although lovingly filmed, with very pretty scenery, nice settings and good actors, this movie was disappointing. It was not its faithfulness to the book I call into question - a good movie adaptation will always have changes - but the style in which they were done.
Alan Cummings as the voice of Black Beauty was given an overly saccharine script in my opinion. Instead of giving the animal a realistic viewpoint, it was a whiny and naive portrayal. In a bizarre twist, Ginger was portrayed as Beauty's love interest, which I found completely incomprehensible, since Black Beauty is a) a gelding and b) it detracts from the true meaning of the story, which was that Ginger, a close companion during the best days of their youth together, was squandered and brought low by mens' cruelty.
I also found it jarring that none of the other horses were given voices of their own, especially the likes of Ginger and Merrylegs. They are portrayed interacting together at several points, yet while Black Beauty "speaks" during those times, he never refers to them speaking to him, nor do they ever speak directly in the film. It makes for an odd sense of dislocation, as you watch two horses acting out a scene together while the voice of one is reiterating the present happenings - without giving the other a viewpoint.

Despite the fact that it is Black Beauty's story, this film also succumbs to giving him a human character with whom he forms a "deep" relationship. I find it irritating that most movies whose main characters are supposed to be animals usually resort to enlarging or inventing a human character for them to have a special relationship with - presumably to give the story significance, or substance, to the audience. If the story is being told correctly, the audience should identify with the main character directly, not only through a human relationship.

Lastly, while some scenes were well done - notably Black Beauty's first experience with shoes - most of the horse scenes looked fake. Few and far between are the movies that portray horses in realistic ways. This is not one of them. The scenes with Ginger in pasture, when the two of them were reunited, were so obviously staged. Two horses, facing off camera, were being signalled to rear several times in a row. They were not even facing each other.
The action of the horses in harness was also lacking in realism. Neither horse traveled well in harness and when the bearing rein was supposedly put on, cranking their heads up, you couldn't tell the difference. When Ginger is stretching her neck out, supposedly in sympathy, it is another obvious horse trick - someone is holding a treat for her just off camera and she's stretching out her neck to get it.
Also, Doc's Keeping Time, the main equine actor, was signalled to perform an irritating trick of tossing his head around and up and down to indicate emotions. This is a bad habit for a horse to pick up and most people discourage it; beyond that it was irritating to watch because I knew it was a bad habit and therefore unrealistic, again, to the portrayal. Horses don't toss their heads around in that fashion when exhibiting such emotions.

Picturing Black Beauty lying down while he narrates his tale was also extremely irritating to me. Most horses do not lie down naturally or often; it was an unrealistic attempt to elicit an empathetic reaction from the audience. The only thing I could think was that a horse would never stay for long in that position.

The comic touches also fell flat. In addition, while I admire greatly any horse with the training and ability to perform such a demanding role, Doc's Keeping Time was the wrong physical type. The Black Beauty of that era was a thoroughbred and it is that type of horse which is needed to perform the roles of being a hunter and carriage horse with the correct style for the period. Doc's Keeping Time is an American Quarter Horse, and again, while I admire him greatly, the filmmakers should have spent some extra time or research finding an animal that better fit the role's requirements.
But the ending of the film was surprisingly good. For whatever reason, it touches an emotional chord. I recommend the film highly for children but for adults looking for a good horse movie - it will be amusing but probably disappointing. ... Read more

Amazon.com

Talk about cultural curios. That's exactly how Tickle Me wasregarded when it was released in 1965, the same year as the Beatles'Help! There was a musical revolution going on, but you wouldn't have known it from this would-be comedy, in which the King plays a rodeo championforced to take a job on a combination dude ranch/fat farm. Naturally, all of the women tumble at his feet; even when he's pitching hay, he's liable to burst intohip-swiveling song. What little plot there is deals with his romance with the ranch's exercise instructor (Jocelyn Lane), who happens to hold the key to afortune in gold hidden in a nearby ghost town. Nary a recognizable Elvis hit isto be heard in the score, and as for his acting, well, Elvis looks as though hehappened to be wandering past the set and was pressed into service at the last minute. --Marshall Fine ... Read more

Reviews (19)

Pure Elvis delight!
"Tickle Me" might be underrated by movie censors, but it's funny, full of good songs, beautiful women, and some good fight scenes. Elvis is singing rodeo rider Lonnie Beale who, until the next rodeo season starts, is hired by Vera Radford (Julie Adams) who owns a spa/dude ranch called "Circle 'Z'". Lonnie takes an interest in the aerobics instructor Pam (Jocelyn Lane). Pam has a will that thugs are looking for because it is linked to $100,000 in gold left to her by her grandfather that is stored in a nearby ghost town. Lonnie is caught kissing the boss which upsets Pam. The next rodeo season begins. Lonnie can't keep it straight. After a long rodeo season, she still isn't speaking to him. Lonnie, Stanley (Jack Mullaney), and Pam end up at the ghost town and have to spen the night in the hotel. All night guys in goon masks, beast masks, a ghost in a rocker try to frighten away the hapless trio. They soon take down these thugs and learn they were from the ranch and were the suspicious ones. They find the money, and take down the sheriff who was behind it all. Lonnie and Pam marry in the end...with Stanley accidentally getting a free ride in the back of the jeep in the washtub. Elvis looks handsome and tough in "Tickle Me" and something you should see at least once. Go for more if you enjoy it!

Elvis Presley works at a ranch in Tickle Me
The company of this movie is Allied Artists. During the 60's, Allied Artists was in the red. And they figured if they could make thier own Elvis Presley movie, they might get out of the red, and keep making movies.

Lonnie Beale (Elvis Presley) is a rodeo cowboy. He hits a town and gets a job at a dude ranch. He was disovered by a woman named Vera Radford (Julie Adams). She puts him in with a man named Stanley Potter (Jack Mullaney). Lonnie falls for another worker named Pam Merritt (Jocelyn Lane).

The staff complains to Vera when Lonnie starts singing and takes away the girls away from working with them. But when Pam catchs Lonnie kissing his boss, she gets mad with him. Turning the rodeo season, Lonnie calls Pam and hangs up on him. When Stanley shows up, he asks Lonnie why he hasn't been writing her, and Lonnie says "What is this a ham sandwich?" The letter got marked Return to Sender. But when Lonnie and Stanley find Pam they check into a hotel. The late Gene Siskel aways loved to ask, "Is this movie better of a documentary of the same actors having lunch?" Watch out if somebody askes you what you are watching, and if you say Tickle Me, you might get tickled. I recommend this film if you have resevations.

The `Butt' of the Elvis Filmography
If you want the primest footage of the posterior of the lovely Merry Anders, who appears in tight hot pants [about 7 years before such pants got into vogue} then get this film. Her plush, plumeflous backside is the only reason for the one star! Otherwise, this is one the dorks on Mystery Science Theater 3000 will never get a hold of, even thought it's perfect for them, because Priscilla will never, ever let them!

Tickle Me...Usual Elvis Fare with a Slight Twist.
To paraphrase an Elvis quote about his movies..."I'm sick of singing to the guys I beat up...." A mindless, forgettable Elvis flick with forgettable songs. The title itself is mindless! However, it is entertaining nontheless. The Pelvis plays a rodeo star(Lonnie Beale) who is hired as a part-time ranch hand/entertainer at a western health resort with lots of women running around in tight half-tops and skimpy shorts. He befriends one of the health instructors, Pam Merritt (Austrian actress,Jocelyn Lane) who is involved in a search for hidden treasure at a nearby ghost town. Her great-grandfather has left her a letter/treasure map and certain baddies want that letter. There are the usual Elvis-movie type fistfights and the usual segues into song with girls oggling Elvis and guys green with envy. The plot is atypical Elvis boy-gets-girl, gets-her-mad, and has-to-win-her-back storytelling. However, the last part of the movie which involves the search for treasure at the ghost town could have been the inspiration for the all the plots of the SCOOBY-DOO cartoons. Overall, a fun forgettable Elvis movie, with good comedic moments, lots of pretty girls,fisticuffs, decent songs, and the usual Elvis charm.

Presley and "Tickle Me" Stink
I know not why Elvis Presley is big star. He look silly with big sideburns and very tall hair on head. He sings very stupid songs. This movie "tickle me" is very ridiculous. Me from Japan and I dont understand why Presley so popular. He is what Americans call hick. Me think he stinks very large. ... Read more

Amazon.com essential video

After Elvis Presley got out of the army in 1960, he was instantly ushered into this Paramount movie about an Oklahoma singer who (surprise) gets out of the army and wants to open a club. Making a potentially lucrative bet that he can seduce a cabaret singer (Juliet Prowse), Elvis instead falls in love. Refurbished from his rockabilly roots into a slicker model for early-'60s pop, the Elvis of this movie is the one who made almost 30 more just like it. The songs include the title track, plus "It's Not Good Enough for You," "Tonight Is So Right for Love," and "Wooden Heart." Directed by Norman Taurog, a studio veteran who made his first film in 1928 and worked numerous times with Presley as well as Jerry Lewis. --Tom Keogh ... Read more

Reviews (10)

A very entertaining, feel good comedy/musical starring Elvis
This is one of Elvis's earlier films and it was filmed just right after his honorable discharge from the Army and believe me...it's one of his best work in Hollywood! The soundtrack is equally special as Elvis and the rest of the cast deliver excellent performances. Sure it's another love story of how Elvis's character falls for Juliet Prowse's character but having the story involve the U.S.Army and Germany as the backdrops add a special touch to this "Elvis Flick". It's a great ensemble cast as other characters are well written in the plot. The music is of Elvis at his best in Hollywood and the songs flow perfectly with the story (not cheesy or korny as in many musicals!). Note a special moment in the movie is when Elvis sings "Wooden Heart" to a puppet at a puppet show. Anyways, I've watched G.I.Blues many many times and it definately is an entertaining movie for the whole family. I'm in the military and this is a top 10 favorite movie of all time in my list!!!

Elvis Presley's first film after the army
G.I. Blues has to be the only Elvis Presley film that his name appears more than the opening and end credits (if there are any). And that happens when a man who during Elvis Presley's 2nd song in the movie decides to play an Elvis Presley song on the jukebox. Tulsa McCauley (Elvis Presley) dreams of opening his own nightclub in America with his two army buddies Cookey (Robert Ivers) and Rick (James Douglas). The songs that Elvis Presley sings include G.I. Blues, Tonight is So Right For Love, Wooden Heart, and Blue Suede Shoes. Even though, he got out of the army, a few months before filming this movie. And he had to get back into an army uniform. This was the first of 9 movies that Elvis was directed by

G. I Blues
Fantastic movie if you are an Elvis fan.
If you are not an Elvis fan, why bother?
I'm not really sure why so many people insist on giving a synopsis of the film since we all know the plot, we just want to know what people think of it.
I think the female role could have gone to someone else, as I never rated Juliet Prowse, no sparks there at all (the woman could dance, though, I'll give her that!) Ann Margret and Elvis were wonderful together, for obvious reasons and were a joy to watch. Nevertheless, GI Blues remains my favourite Elvis film, nonsense though it may be!

G.I. King
I enjoyed this film. Sure Elvis sings a number of songs, some good, some just plan silly. He plays the same good-hearted character after the girl. His buddies help him along the way. He gets the girl. If you love Elvis it's worth the rent, if you only want to watch a story with fewer songs I would recommend Change of Habit.

First post-Army film was a box-office smash!
"G.I. Blues" was #2 on the top grossing films at the box office when it was released. The storyline is Elvis plays Tulsa MacLean. Him and his Army buddies are about to get out of the army and look forward to opening up their own nightclub back in Oklahoma. Along the way, Tulsa is caught up in a bet that sees if he can date the enticing and cold-as-ice Cafe Europa dancer Lili (Juliet Prowse). Tulsa and Lili go further than that: they take a modest cruise to across the river to a puppet show where Tulsa sings "Wooden Heart". They both ride above a vineyard in a cablecar where again he breaks into "Pocketful of Rainbows." Then Tulsa is asked to baby-sit for a buddy who ran away to get married, and he's caught in a tight situation. Him and Lili reunite and spend the night with each other baby-sitting "Tiger". The bet is easily won. When Lili finds out, she's steamed! Little does she know that Tulsa really was Marla and Rick's baby-sitter. Tulsa and Lili come back together after an unexpected proposal, and following is an all-American Armed Forces Show finale where Tulsa and the rest of the memebers of the armed forces sing "Did'ja Ever?". ... Read more

Reviews (4)

Delightful ghost story based on a classic tale
Based on a short story by non other than the legendary Oscar Wilde this version of the "The Canterville Ghost" makes really delightful viewing boasting top notch production values, a superb cast in fine form, and a terrific look that gives the film an appealing and enjoyable appearance.

Being in theory a ghost story the story is full of much well seasoned comedy and really is a film suitable for the whole family to enjoy. I tend to watch this film around Christmas each year and never fail to enjoy the high spirited carryings on of Charles Laughton in what I feel is one of his most appealing roles. "The Canterville Ghost", set in one of those far off misty castles that only MGM could cunger up, tells the story of how Sir. Simon de Canterville through an act of cowardice is walled up in a room of the castle and is doomed to walk the face of the earth for all eternity unless a relative can commit an act of bravery to lift the curse from him. The story jumps ahead a few centuries to the present (1944) where the castle is occupied by visiting soldiers involved in the war. Among them is Sir. Simon's distant relative Cuffy Williams (Robert Young at his most endearing) who is the one selected to perform the brave deed to free his ancestor from his ghostly imprisonment. The tale is an amusing one as Laughton's character first tries to scare and then win over his cynical relative to help him. Charles Laughton is wonderful as the cowardly ghost appearing out of nowhere, screaming, rattling chains and showing his own failings only too obviously. He is surrounded by a terrific supporting cast beginning with gifted child actress Margaret O'Brien as Lady Jessica de Canterville the present owner of the castle. O'Brien, at the peak of her career around this time with triumphs in "Journey for Margaret", and "Meet Me in St. Louis", is a cute delight as the spunky little girl who is not afraid of Laughton's over the top bellowing and corny scare tactics. Robert Young in his last MGM film is also in top form as the young soldier who first is in danger of falling into the same habits as Sir. Simon but who in the end comes through to succeed in freeing his ancestor from his ghostly sentence by an unselfish act of bravery.

"The Canterville Ghost" is about as English a tale as you can get and came along during the war years when all things British were revered in Hollywood. Keeping company with such British outings as "Mrs. Miniver", and "The White Cliffs of Dover", "Canterville' also boasts a superb supporting cast of stalwart British performers so popular in Hollywood during these years. Headed by Laughton himself the film contains great work by the likes of Reginald Owen, Una O'Connor and Peter lawford who give just that right British feel to a production which because of the war had to be filmed in the USA. Technically the film is a superb achievement with Laughton's ghostly special effects a remarkable effort. The sight of Laughton disappearing through walls and flying across a room remind one of that great 1930's ghost story "Topper". Being a product of MGM the film boasts top flight production values in every department and has superb settings with the castle interiors appearing wonderfully spooky and beautiful on the eye.

Among the many versions filmed of "The Canterville Ghost", I feel this is by far the best. Centred on Charles Laughton's unforgettable ghost the production is enjoyable and a fun way to spend a couple of hours. Before computers created all the special effects this film proved what the old Hollywood was capable of achieving. A totally delightful film to be enjoyed by the whole family.

A Charming Bit of Hollywood Fluff
Very, very loosely based on a short story by Oscar Wilde--so loosely that he is probably turning in his grave--THE CANTERVILLE GHOST is nonetheless a charming bit of 1940s Hollywood fluff about an English ghost who runs afoul of American pragmatism. In the film version, the Americans arrive in the form of WWII soliders, including Robert Young, who are billeted at a notoriously haunted castle where they encounter a legendary spectre much given to theatrical materializations.

Although the story is very, very slight, the cast makes it enjoyable. Child star Margaret O'Brien gives a typically enjoyable performance as the unwilling heiress to the castle, and Robert Young and his fellow actors mug their way through the script with entertaining aplomb. The greatest pleasure, however, is Charles Laughton as the ghost, which he plays most delightfully. The emphasis is on comedy rather than ghostly thrills, and although the comedy is quite mild it is expertly done. THE CANTERVILLE GHOST will never make any one's short list of "great cinematic art," but both grown-ups and kids alike will have a good time with it; recommended for an old fashioned family night.

How could it miss?
This is a movie that could cure a rainy day. Great story, great cast, fun SFX (even by modern standings). I think this is the kind of movie they're trying to make again, with mixed success. Funny without being coarse, outrageously sentimental without being cloying, and, my goodness--the "chemistry"! Entertainment you don't have to feel guilty about enjoying.

Very Enjoyable!
By far the Best version of the many made of Canterville Ghost! Robert Young plays his part so well! And the little girl is an inspiration! Many laughs! ... Read more

Reviews (21)

Now isnt that him???
The first time I saw this movie ,someone told me that there is actually a scene in which Mario Lanza does indeed appear.... after about the third time, I think I found it....It is the scene in the cathedral after the King dies and the Prince is singing "I'll walk with God". Not the close up, mind you, but the very long wide angle shot. That said, regardless of why Lanza was fired or quit or got too fat(All stories that go around).This is a delightful old fashioned film. Edmund Purdom does an admirable job(especially of the dubbed songs)in a really tough turn.Ann Blyth is a perfect Kathy and the supporting cast is among the best.What a hoot to see Richard Anderson and John Ireland as the leaders of the rival corps. I dont suppose they could really sing either,but...
An all around good time!

Beautiful music...Heartbreaking Story
I will not recap the story behind this beautiful musical....other reviewers have done this well. All I want to say is be prepared to be delighted by the music and destroyed by the ending of the story. No matter how many times I've seen The Student Prince I end up a whimpering mess at it's conclusion. Very bittersweet and all too real, impossible love situations destroy me. That look on Ann Blyth's face, as the Prince she loves but cannot have visits her one last time, haunts me well after the film concludes, at which time I'm crying like a baby. In fact, as I write these sentences I'm crying again!! Too bad that Mario Lanza was not given the acting role (for whatever reason). We do get to hear his glorious singing voice dubbed with actor Edmund Purdom doing a credible acting job. But it is the radiant Ann Blyth (with her own beautiful singing voice) that steals the show for me, and I'm a gay man!! I only hope the DVD will follow soon.
Recommended for all lovers of romance. Have the tissues ready for the ending.

Mario's Voice and Edmund's Body
Mario Lanza was slated to star in this great movie. Unfortunately, he gained a lot of weight and was replaced - not just directorial differences, but Lanza's eating/drinking were taking him over - a sad by-product of fame for some. Edmund Purdom is not Lanza but he does make a handsome prince. When I first saw the close-ups, I noticed that the synching wasn't quite in-synch...but one soon forgives and forgets. This is a lovely story with outstanding music - in all, a delight.

excellent musical.
"The Student Prince," with Ann Blyth and Mario Lanza is a wonderful and beautiful film. I so enjoy it. It's colorful such a great fairytale and some of the best songs. Mario Lanza and Ann Blyth are great actors abd singers. The costumes and scenery deserve a award. A must see film well worth watching many times.

Lanza Was Right... the Directing is Terrible!
This is the worst film to feature Lanza in any way. Lanza and the Director just couldn't get along and I can see why. The Director has poor Edmund walking his wooden way through this film while incongruously opening his mouth and emitting all of the unrestrained passion of Lanza's voice. Lanza wanted to play the Prince evolving from a disciplined Prussian into a passionate lover. The Director would not allow the metamorphosis. Lanza would have been great in this role, but he just couldn't tolerate what he thought (correctly, I believe) was the absurd juxtaposition of the sometimes sentimental other times pleading or romantic music/lyrics... with the Director's insistence that the lead be played almost devoid of emotion. It was Director vs. Mario and the result was that this is the film marks the beginning of the tragic end of Lanza's painfully brief career. ... Read more

Reviews (3)

Only for the die-hard fan
As a devoted fan of the Wonder Years, I must say that I was disappointed in this video collection. Not only is the quality poor (fading in and out, scratchiness, etc.) but there are only two episodes per video (on this one and on vol. 1). I appreciate the early episodes, but they definitely made a mistake by passing up some of the gems of the later seasons ("The Lake"/cara episode, "Goodbye", anything with Becky Slater...and of course, the 2-part series finale). Unless you're desperate and this is truly your only option, I would recommend holding out until something better comes along.

My review
The episodes on this video both really make you think. Not only are they both amusing, they also capture your heart. "My Father's Office" is a father-son episode, in which Kevin goes to work with his father and uncovers a few mysteries of the life of his father. He learns a few reasons why his father is the way he is. "Angel" is a funnier episode than the first, but it still manages to have a moral at the end and make you think. In it Karen, Kevin's older sister, has a new boyfriend, that Kevin discovers is cheating on her and Kevin tries to find ways to get rid of him. So if you're a Wonder Years fan, I reccommend you add this great video to your collection!

A fabulous trip down memory lane!
The Wonder Years is a show about innocence in a time not so innocent. The naration parallel to the beautiful script and hilarious acting, make the trip down memory lane a lot easier to swallow. Which, I assume, is it's initiative. As for these two episodes, the first is a must see. For those who had a father figure, this is a must see. It may make you want to reconsider the relationship with your son, or daughter. The other episode is another classic in a very classy t.v. show that will hopefully teach you as much as it has taught me about myself and my past. ... Read more

Reviews (1)

A Movie Lover's Delight
While it takes many liberties with the Baum story, it is a great movie. For Oz purists like myself, it would have been nice to see more of the original story in this movie (like Oz being real and not a dream!), but this movie is, on its own, wonderful. With a beautiful score (including "Over the Rainbow"), very funny dialogue, an amazing cast, special effects, and a charming story, who can ask for anything more?
What the movie does not lose is the magic of the Oz books, and it is this magic that has kept the movie fresh for over 60 years. And it almost wasn't this way. The movie, in its planning stages, almost turned into a starring vehicle, with Shirley Temple as Dorothy, and Fanny Brice or a similar commedienne as Glinda, at another time an operetta; in both cases it would have certainly lost any of the original Oz material.
Anyone who likes this movie should purchase the "Making of" video, which sheds light on the creation of this classic, and includes tons of deleted footage, home movies of backstage goings-on, and more! ... Read more

Reviews (19)

Elvis at his best
Elvis came of age as a dramatic character actor in his third film, utilising his innate animalism as the primary character's motivation. As Vince Everett, a violent young man imprisoned for man-slaughter, Elvis plays the character with ease, at once tender, surly, arrogant and humble. The film studio's motivation may have been to exploit the rock'n'roll bandwagon for all it was worth (this was 1957 after all - rock was just a "passing fad") but Elvis rose to a greater challenge - to prove that he could pass muster as a big-screen actor, AND fly the rock'n'roll flag. He succeeded - brilliantly.

Even if the direction is a little staid at times, and the storyline was an old one even then, the film brought rock'n'roll squarely into the adult marketplace, where it stayed.
Alex Romero's imaginative choreography of the title number(with not a little help from Elvis himself), risque dialogue ("that ain't tactics honey, it's just the beast in me") and the bleak, anti-social central character (the Hollywood stereotype of youth during the 50s - see "The Wild One" and "Blackboard Jungle") combined to create an iconic portrayal of the "Rock Rebel".
"Jailhouse Rock" remains the template for the cinematic fusion of rock music and drama.

The King at his cinematic best
A dynamic presentation of Elvis' true acting skills and some great songs. In an ironic reflection of real life, Vince Everett's [Elvis' character] cellmate plays a manipulative con, taking control of Elvis' talent - much like Elvis' real manager - "Colonel" Tom Parker.
Best seen in widescreen mode, the DVD offers both that opportunity, plus the standard full-screen pan & scan version.
A must-see movie, whether or not you are a fan of the King.

kick ass
elvis is the best musician ever im only 19 and i think hes awesome my role model

dodi
Purchased the tape recently and have enjoyed watching it several times. I haven't been a real fan of Elvis until recently and now I can't get enough. So far this is the first movie of him that I have seen. I think his acting was fine and I loved the songs in the movie. Looking foeward to the other movies I have also purchased. I prefer him in his younger years than in the seventies. I think it was a tragedy for him to have died so young. I wish I had paid more attention to him in the seventies while I was younger and he was still alive.

a very hot rock and roll movie
elvis at his very best, before his army days....
the sound track recordings for the movie and the
r.c.a. record are very good...

see this, and elvis will win you over..!! ... Read more

Reviews (2)

this episode
This video has two episodes that are highly ranked of my favorite episodes. The seal is my second favorite. BUY THIS DVD!!!!!!!!!!!!!!!!

Tense, as usual
Of the two episodes in this video, the best is The Seal. It is always great to watch the IMF in action. In The Seal, an ancient and sacred seal has been stolen from an obscure country and in the interest of obtaining their favor in the Cold War, it is the team's duty to return the seal.

While this is an earlier episode, you can tell the show was hitting its stride. All the elements are there: timed sequences, the fake accents, a magician, hiding in equipment to gain entrances, fake ids and what is always best - watching the team psych out their prey.

I do not recall having seen this episode and I was surprisingly tense watching this show...there is so much going on and you know there is always the unexpected surprise. This show had everything including a trained cat! Don't miss it. ... Read more

Reviews (4)

Marcello at his best!
This is a heart-wrenching but beautiful film about a lonely but hopeful Sicilian pensioner who happily chats to his long-deceased wife and thinks his five adult children, who have moved to live separate lives in the mainland, are all huge successes. When his children disappoint him by not agreeing to a family reunion beach-side holiday in Sicily, he packs his bag and boards a train to go visit each of them, for the very first time. As he travels to Naples, Rome, and Milan, trying to surprise each child with his visit, he is the one surprised to find that as the film's ironic title suggest "Everybody is not Fine". Despite the bittersweet realities Matteo Scuro is faced with, the film has much humour and the character of Matteo, charmingly played by the legendary Marcello Mastroianni, is totally enchanting. Entertaining film that will make you think about life, about our expectations of those we love, and about what's really important.

wonderful movie
Very good movie! Quite moving, done with good humour. Highly recommended.

Wonderful, moving, intelligent!
This English-subtitled Italian film is the perfect film to entertain the whole family, except for perhaps younger children. In this film, you will feel pain, joy, wonder, and a feeling somewhere in-between as you travel with an elderly and charming Sicilian man from Sicily to the mainland. You will understand a bit more clearly the Sicilian family system and how it plays out- the importance placed upon extraordinarily close family relationships and honour within the family unit. This film will remind you of your Sicilian grandparents and refresh your appreciation for a simpler, more beautiful life.

another Mastroianni hit
A touching story of an elderly man who goes on an excursion to visit his five grown children. It is a touching story of a man slowly losing touch with reality and slipping back into the past. The more he finds that his children are not quite telling him the truth about their lives, the more his memories darken and become more sinister. It is a touching yet disturbing tale that keeps you guessing about not only the true lives of the children, but whether or not the father can handle that truth. ... Read more

Reviews (73)

The Monsters Are Due on Maple Street 2 KA
Rod Serling was a very odd person. He went to school to become a P.E. Teacher and ended up wrighting over one hundred stories for T.V. One of these stories is Monsters Are Due on Maple Street. This story, as you've probably guessed, takes place on Maple Street. The characters Charlie, the annoying, smart-mouthed neighbor, and Steve, the actually intelligent neighbor, are two of the lead characters in the story. I think that if Charlie had only listened to Steve a lot of bad things wouldn't have happened.
I don't think this story was very realistic. In a real neighborhood people would go crazy just because the power went out and they certainly wouldn't think it was aliens that did it. People would say, "Oh, there goes the power again." Not "The electricity's off!!"(669). Oh no! The powers out! What are we going to do? (sarcastically) The electricity goes out in our neighborhood at least once every other month. Most people would be in side all day so only about three people would have seen the U.F.O. and they would have been kids. Who would believe them? I think the people in the story really over reacted.
There were a few parts of the story that were unbelievable, like when Mr. Goodman's car started. That was really weird. I really didn't see that coming. There was also when Pete Van Horn got shot. I didn't think anything like that would happen. I knew the ending couldn't be happy. The Twilight Zone never is. The stories always seem to be so tragic. What was Rod Serling thinking? He must have been a troubled child. Any way; I can't believe that Charlie actually thought that Pete Van Horn was a monster. "You killed him Charlie. You shot him dead!"(679) How dumb could he be?
I didn't really pick this story. Ms. Chabot told us to read it. I liked it though. I think it's funny to watch old science fiction shows. I laugh at the cheesy acting and the corny special effects. You can see the strings holding them in the air. I thought it was funny how one little boy made all the neighbors think that aliens were attacking their neighborhood. Nobody would believe that now-days. Maybe people were more easily convinced of those things fifty years ago.
I think the video Monsters Are Due on Maple Street and the teleplay Monsters Are Due on Maple Street are a lot the same. They used most of the same lines and used the same camera angles. Just like this line, "What was that? A meteor?" The story took a lot longer to read though. The video was only a few minutes. The book took days. It had more detail than the video did. Just like when they showed the space ship. You could see at least five strings coming off of it. Every body in the class laughed. It was really funny.

4jk
Rod Serling was a former boxer and a future PE teacher. He takes a path uncommon to jocks and science fiction. He wrote a movie called "The Monsters Are Due On Maple Street." The characters in this movie are: Charlie the wise-cracker know it all, Steve the wise one, Don the laid back one, Tommy the kid who knows what's gonna happen, Sally his mother, and Pete Van Horn a scientist. You don't here a lot about Pete Van Horn because he leaves Maple Street at the beginning of the movie because he goes to another neighborhood to see if the power is on there. It all happens on Maple Street, USA.

My feelings as I read this book were that I couldn't understand why everybody was fighting and blaming each other. It's like you wanna yell " Jiminy Christmas." It's like what Rod serling said, "The tools of conquest do not necessarily come with bombs and explosions and fallout. There are weapons that are simply thoughts, attitudes, and prejudice to be found only in the minds of men. For the record, prejudice can kill and suspicion can destroy and a thoughtless frightened search for scapegoat has a fallout all its own for the children... and the children yet unborn.
Pg [684.]

I wonder why the town is so peaceful, now and days you see kids about 13-16 on the street smoking, drinking and doing drugs. You might see parents telling there kids there grounded and then later you see the kids sneaking out the window. I mean come on who in the right mind would believe that? "Maple Street, U.S.A., late summer. A tree-lined little world of front porch gliders, hopscotch, the laughter of children, and the bell of an ice cream vendor." Pg [668.]

My favorite part of The Monsters are Due on Maple Street, is when everybody was accusing each other of who where the aliens. Everybody was bickering and fussing about this and that and everything that was going on. Tommy came running up the street yelling an alien is coming, so Charlie took his shotgun and shot what was coming up the street. It was Pete Van Horn, Charlie shot Pete Van Horn. [He swings the gun around to point it toward the sidewalk. The dark figure continues to walk towards them. The group stands there, fearful, apprehensive, mothers clutching children, men standing in front of wives. Charlie slowly raises the gun. As the figure gets closer and closer he suddenly pulls the trigger. The sound of it explodes in the stillness. There is a long angle shot looking down at the figure, who suddenly lets out a small cry, stumbles forward onto his knees and then falls forward on his face. Don, Charlie and Steve race forward over to him. Steve is there first and turns the man over. Now the crowd gathers around them.] Pg 679.

I felt that the book was good. It was very weird I wonder what's going to happen to all of the other people in the book. I wonder if the aliens are going to take over the whole world. Like hypnotizing all of the animals in the whole world to attack and kill all the people in the world except for one person to tell them how all humans lived and the aliens will all move down to earth and start living like humans. Then the whole world will never be the same again. Are you wondering what happened to that one guy? Well they kept him alive, and hypnotize him to think that the aliens are really humans and he married an alien, which he thought was a human. Are you wondering what happened to the animals? Well there alive to but the aliens experimented on them and mixed all of them up. It is freaky dude. I just hope that one of you aren't the one left not killed, because if I were I would just not feel right but I couldn't feel right because I would be hypnotized. Well I change my mind I would want to be the one left behind because I would act like I was hypnotized then I would get some weapons and kill all the aliens in the world. Then I would search all over the world and try to find pieces of the people that were killed then I would go to a lab and clone everybody so that all the people in the world would be back to life but they would be clones but I still would be happy because all of my friends, teachers, family members and other people in the world would be alive. But before I could clone people I would have to read the manual on how to work the cloning machine, then after I read that I would have to read the manual on how to clone people. Then I would fix all the animals back together. Wow! Sorry got off the subject there. Well the book was good I like it a lot I hope you like it to. So you have to read "Monsters are Due on Maple Street"

1VJ
"The Monsters are Due on Maple Street," is a classical episode of the Twilight Zone. I like how it showed that we can be prejudice and suspicious. It's also interesting how all the "monsters", or aliens, had to do was flick on and off a few lights to scare the people. Then the rest was the peoples own doing. The movie is very dramatic, and is almost exactly the same as the teleplay. The fact that it is in black and white makes it even more intense, in my opinion. The video and the teleplay both had the same scene of fright where the lights go out and nothing works. This then goes on to mass confusion, foreshadows the coming of aliens, and shows the weak points of the human race.
The plot advances with chaos. The people get scared and confused. They blame each other for having something they don't. This causes mass confusion and general panic. Things only get worse after that. One thing happens after another. The suspicious grows and the people get paranoid, until someone is killed. This person was Pete Van Horn. "You killed him, Charlie. You shot him dead!" (679)
As the plot advances they also foreshow what will come. The aliens are the ones who cause all the lights to fail, but the humans are the ones who became suspicious. This foreshadows the doom of the humans. The aliens plan to go from Maple Street to Maple Street and do the same to cause the fall of humans. "Then I take this place... this Maple Street...is not unique."
Rod Sterling's theme for "Monsters are due on Maple Street" is you shouldn't be too quick to judge people. Or be suspicious of people who have things you don't. Chaos supports this theme in showing how easily we can become suspicious of others. Then from there chaos and mayhem come. The theme could also be a kind of moral. "They pick the most dangerous enemy they can find... and it is them selves" (682) I think this quote is a good quote to describe the theme.
I think "Monsters are due on Maple Street" is really great. It has a wonderful plot. When I read the teleplay, I thought it was just like the other Twilight Zones. (I have seen a few others. One was about a man being in isolation.) I really enjoyed the Monsters are due on Maple Street. The teleplay was almost exactly like the movie or visa versa. My favorite part in this one was at the end where the sudden quietness is shocking. Then the aliens come and start talking, and it fades out to Sterling's face and he said his "And this is the Twilight Zone." I also like the beginning/ending songs. In conclusion I think the teleplay and the movie were both equally interesting.

The Monsters Are Due on Maple Street 1KC
" The Monsters Are Due on Maple Street"

Rod Serling, a screenplay writer for MGM in the 1950's wrote many famous science fiction teleplays, movies, Broadway shows, and television entertainment shows. Serling has won multiple Emmy awards for his work. He wrote 92 twilight zone episodes that were aired on CBS. They became one of America's most recognized, and most popular television series.
Some of Serling's most famous writings include: "The Monsters Are Due on Maple Street" and "Time Enough at Last". "Time Enough at Last" was written in 1959. I do not know when "The Monsters Are Due on Maple Street" was written but I assume it was around 1959.
Rod Serling died on June 28th, 1975. He died during a coronary bypass operation in Rochester, New York. Rod Serling's stories of aliens and super natural happenings are entertaining for all to this day. His name will live on in science fiction history forever.
"The Monsters are Due on Maple Street", a teleplay and television entertainment show, was written by Serling in the nineteen fifties'. I love how Serling describes les Goodman's car starting up with no one in it (673). This event brings chaos and unproven assumptions. Other things, such as flickering lights, happen all down Maple Street. They are mostly all blamed on Les Goodman because of his insomnia. These things bring complete and utter chaos.
Confusion breaks free when all of the lights and appliances down Maple Street turn off and stop working (668-669). This advances the plot to confusion. Chaos doesn't come until Les Goodmans' car starts up with no one inside. People turn wild as new and crazy things happen down Maple Street. Sound effects in this section of the teleplay are screams, crying, and gunfires.
Other crazy things happen down Maple Street. Lights flicker, appliances turn on and off, and again chaos starts up (683). Mostly these things are blamed on Les Goodman. They think he is an alien because his insomnia sometimes wakes him up. So to occupy himself he takes walks at night and claims to be looking at stars. But the families all down Maple Street think he is looking for his alien friends. This foreshadows who is behind all of the chaos and confusion.
I thought Rod Serling's teleplay, "The Monsters are Due on Maple Street", was very realistic when referring to human nature. Even though it is believed that alien or outer space life forms are not real. The car starting then produces this assumption.
I thought it was interesting how Serling never gave a definite ending to "The Monsters Are Due on Maple Street". He never gives a definite ending to the teleplay. I just assumed the chaos went on until every human life on Maple Street was dead or confused for their lifetime. Even though I am not into science fiction writings, I really enjoyed "The Monsters Are Due on Maple Street". I would call this science fiction movie and teleplay one of the best from the 1950's.

1OE
The Monsters Due On Maple Street

"The Monsters Due On Maple Street" was probably the only kind of movie that was supposed to be scary back then. Since I'm in the year 2003 that movie was pretty dumb, but back in that time it must have been awesome. The aliens looked really dumb with those two antennas. I liked seeing all the fake shooting and killing. I can now see how far we have come with movies since then. The movie was confusing until the alien started to talk. They told their plan of taking over the Earth by flickering some lights and making some stuff mess up. When they said that, it put all the pieces of the movie together, and foreshadowed that the human race would end because of prejudice.
I think the way he ended the movie was great. He told about the plan and makes you think, could that happen to us? That is how he advanced the plot, he told the story about the alien's plan and then had them talk and tell how everybody is the same. He had the aliens take off saying they were going to take over the world just by sitting down. Then left for another place to terrorize.
When the aliens talk it foreshadows the Earth in complete destruction. Dying because of them assuming that their friends are the enemy, when really they are the most dangerous because they terrorize people as innocent as them. When the aliens talk they say the theme of how people can be so prejudice. "They find the most dangerous enemy they can find............and it's themselves" (682). It is the probably the best and easiest plan the aliens have ever come up with.
The theme in this story is not to be prejudice. My part advanced the theme by talking. The aliens tell their plan about using prejudice to destroy the humans. As much as that sounded stupid, it was smart. The aliens could actually make their plan work, and that is what The Monsters Due Maple Street shows. About everyone has a little bit of prejudice inside him. After reading the story, realizing the theme, and thinking about it, you will think could that happen to me?
The book and movie are so close to each other. You can read from the book and they will say almost all of the same lines in the movie. That is what helps me relate to the movie. I can just see if the picture was same in the movie as in my mind. In other movies they are far off from the book, so it changes the whole view of the story. The author picked a great way to show how everyone can be so prejudice. When I read the story I also was prejudice. I thought Charlie was the alien, but as I found out nobody was. That surprised me a lot. This was the first book that showed that nobody was the bad guy, and that made the story's end great. ... Read more

Reviews (6)

HOW AM I SUPPOSED TO USE A GRENADE THAT WONT WORK
JUMPING JACKS is a great film-I've watched it twice since I rented it-its so funny-like when Jerry falls out of the plane at the end-and when he lands on Deans parachute-hilarious!

JUMPING JACKS is about a nightclub entainter who mistakenly gets
a letter to join the army and takes someone elses name-and also
is afraid to parajump!

One of my favorite scenes is when Dean is singing the parachute jump and when Jerry is running on the beds-and-actually any scene with Jerry is enjoyable!

Another great scene is the start-with Jerry and a dame singing
I cant resist a boy in a uniform-that trick uniform was great!

I hope that my video store will let me have the rented one-since its christmas!

Great movie!
I have always loved this movie, of course I have always been a Jerry Lewis fan. I have never been to crazy about Dean Martin and his singing but I guess without him in some of these movies Jerry wouldn't have been so funny. Even though Jerry carries himself well without Dean in alot of movies. My kids love Jerry Lewis now! This one is the best one that they made together in my opinion! Very funny!

A good performance
Really really like the paratroopers dancing around Dean Martins Singing. It's like where they left off on At war with the army. I would buy these two movies together.

Martin/Lewis' best film together (I think so, anyway)
Watch this movie and look around the jump towers at Fort Benning and you'll SEE NO BUILDING 4 INFANTRY HALL which wasn't built until 1964! One thing we should remember about films like this, though they be comedies, they are often filmed on location, with help from the U.S. Army and in so doing, they capture rare moments (like a jump tower mound with no Building 4 behind it!) that are lost forever. For example, at the film's end you see Martin/Lewis take part in a mass tactical parachute jump where you see C-82 aircraft with their rear clam shells removed to airdrop jeeps and artillery pieces...this footage alone makes this video worthwhile....where else can you find it?

O, yes its a very funny movie!

Airborne!

Martin and Lewis shine in the "Funniest" movie ever made!
My sister and I both agree that "Jumping Jacks" is our favorite movie! I fell in love with Jerry Lewis and Dean Martin the first time I saw them on the screen! Jumping Jacks will keep you 'laughing out loud' from the moment it begins, to its ending credits! Watch it, and enjoy! ... Read more

Reviews (199)

Probably the best movie about loving the movies
Rightfully known as a movie for people who love the movies, "Cinema Paradiso" ("Nuovo cinema Paradiso") is Giuseppe Tornatore's 1988 memoir of growing up in a small Sicilian town. A famous film director returns home for the first time in years to attend the funeral of an old man, but this bit of foreshadowing hardly prepares us for the depth of the tale. For the young Salvatore who is called Toto (Salvatore Cascio), the center of the universe is the local cinema and its projectionist Alfredo (Philippe Noiret). When we first see them together in the projection booth, Alfredo is editing out the kissing and other inappropriate scenes from a new film under the supervision of the local priest, Father Adelfio (Leopoldo Trieste) who rings a bell every time he finds something objectionable. The good father rings the bell a lot, to the dismay of the local citizens who bemoan the fact they have never seen a kiss on screen. Unlike most films featuring the cute kid and the grumpy old man, "Cinema Paradiso" presents the odd couple as kindred spirits from the very start. They both love the same thing: the movies. Even when the adolescent Salvatore (Marco Leonardi) discovers something else to love besides the movies in the form of a young woman named Elena (Agnese Nano), he is equally devote in his new obsession, standing outside her window for days in the pouring rain to impress her. Of course Salvatore loves not only the Cinema house but Alfredo as well, and when tragedy befalls them both he has to take his place in a new world while hanging on to the old. Finally, Alfredo has to kick Salvatore out of the nest and send him off into the world with the warning never to come back, because Salvatore's dreams will never be realized in the town of his birth. "Cinema Paradiso" is a film that captures both the pain as well as the joy of remembering the past. When the grown Salvatore (Jacques Perrin) opens up the gift left to him by the man who was much more than his father figure, we know immediately exactly what he has received. But that knowledge does not attract from the emotional impact of that glorious final montage.

One of the Best Films of the Last 20 Years
Guiseppe Tornatore's masterpiece proves for once, and for all, that you can indeed go home again. "Cinema Paradiso" is a timeless tribute to family, friendship and love as seen through the eyes of Toto, a filmmaker, who abandons his small town roots in search of that elusive "something more" in life. In a truly universal manner, Toto experiences success, failure, love and emptiness prior to the film's beautiful finale in which life's true meaning becomes clear to him. The childhood relationship between Toto and his father figure Alfredo, a projectionest at the local cinema, is the centerpiece of the film. Their ensuing lifelong friendship is simply priceless. The legendary Ennio Morricone's unforgettable score provides the perfect emotional backdrop . Overall, "Cinema Paradiso" is a stunning film that works on all levels. A word of warning: even the most macho of all macho will have trouble holding back tears during the film's remarkable final 15 minutes. Not to be missed!

Only one word that pops out when watching this: NOSTALGIA!!!
To make it short, this is the one and only movie that makes me cry every time I watch it. It's the kind of movie that melts your heart and keeps you thinking about it for days ahead. Also, I've never heard a soundtrack as beautiful as the one in this movie. It only helps bring out your tears more easily, especially in the last sequence.

A passion for film and filmmaking
I have not seen the "new Director's cut" version, and based on what the other reviewers have been saying, I'm so very glad. This movie has always had a special place in my film heart.

The theme of love has never really been so subtly and wonderfully dramatized. And the love is on so many levels: love for the opposite sex, love for filmmaking, love for family, love for one's hometown, etc. The plot is deceivingly simple and traditional but there are elements that are very unique. What particularly appeals to me isn't just the developing relationships among the main characters, but the relationships going on among the townsfolk. The extras are not anonymous here: all the patrons of the Cinema Paradiso have a slim storyline that are quite amusing. (In one sequence, a young couple are kissing. Next time we see them they're doing something more than just kissing. By the end of the film, they have a family in tow.)

Anyway, the story aside, CINEMA PARADISO is so gorgeously filmed, it's so pleasing to the eye that it's almost unbearable. This is a film for lovers of film and filmmaking.

Stay away from the director's cut
Cinema Paradiso is one of my favorite movies ever. This review is about the director's cut, it just ruins the whole movie. If you loved the original movie, don't watch this new version.

Cinema Paradiso is mainly a love story. But it's not about the relationship between Toto and Elena, it's about the relationship between Toto and Alfredo. The new version turns the whole move upside down. Not only the plot, but the characters too. Elena becomes the most important part of the story. And the character of Alfredo becomes a completely different person through the eyes of Toto. I don't want to give away anything about the "new" plot. But believe me, the director's cut and it's brand new 51 minutes changes the whole movie into -what a critic said, "mundane soup opera." ... Read more

Reviews (473)

Die Another Day
The title of Bond's twentieth foray onto the screen comes not from Ian Fleming but rather from the last line of a Houseman poem.Lee Tamahori directs the hero through the usual paces but by now the franchise seems a little dated. Sure there is a lot of action here but the film is a little weak (read farfetched) when it comes to plot.

In this film Bond must save the world from a mad North Korean colonial who has perfected what is essentially a death ray. The colonial wants to use his death beam in order to move into South Korea and then into the west.

All the usual Bond special features are here. We have car chase on ice, exotic locales, beautiful women but something feels like its missing. Halle Berry tries hard in this movie as NSA agent Jinx but she remains little more than eye candy. If there is a Bond girl to watch in this outing it is Rosamund Pike who plays double agent Miranda Pike.

The real treat here is the two DVD set by Universal which offers two commentaries, a trivia track, a great documentary, photo galleries and Madonna's video of the title song.

All in all not one of the best Bond movies but certainly worth its two hour running time.

Die Another Day- So you'll live to die another day.
Die Another Day, the 20th Bond installment is for the most part entertaining. The best Bond film yet, well I'm not sure. Featuring a great cast including Halle Berry, Rick Yune, Toby Stephens, Rosamund Pike, Judi Dench and John Cleese as well as Diretor Lee Tamahori (Along Came A Spider, The Edge).
Pierce Brosnan reprises his role as the secret agent James Bond 007, which he still aces. Bond is trouble when he learns he's been betrayed, soon he embarks on a craz North Korean (Rick Yune) who has an accomplice, our villan Gustav Graves (Toby Stephens). Graves has a sophisticated weapon, a laser satellite and wants complete dominance over the world. The movie's plot isn't totally original or intelligent but it still works. Bond is on the trail with an assitant, our new, gorgeous Bond girl Halle Berry playing an NSA agent named Jinx. The film features a few remarkable sets and locations including a set consisting of ice. The gadgets aren't too amazing, mainly the car, the Aston Martin Vanquish with a unique invisibility mechanism. Gadget guru John Cleese and Judi Dench as "M" sparkle.
Die Another Day is rated PG-13 for Action Violence and Sexuality. The film is abundant in terms of violence, including gunplay, swordplay, a hovercraft and car chase and fistfights. There is also a decent amount of sexual innuendo, and non-explicit sexual situations but rather steamy and erotic. Worth seeing, I saw it in theatres and was glad I did and now own it on DVD. DVD has a lot of features and is a two-disc set. Purchase or atleast rent.

bond ,james bond
i love all james bond movies and this is a good action movie adventure and i love pierce brosnan then i am waiting bond 21 this movie is great

STILL LIFE IN BONDAGE
Who would have dreamed in 1963 that Dr. No would be the first of twenty James Bond films? There have been some misses in those 20 films (Moonraker, Octopussy, to name two), but overall the series has aged quite well, and moves into the 21st century quite adroitly.
While ON HER MAJESTY'S SECRET SERVICE remains my favorite Bond film, Pierce Brosnan has done well in his Bond role. He's dashing but vulnerable, and he is a good actor. He's joined in this technological brouhaha by the talented Halle Berry. While this is certainly not Halle's best performance, she shows the versatility and dedication that eventually led to her Oscar win in MONSTER'S BALL. She's a beautiful woman and she holds her own in the fight game too! Rosamund Pike is delightful as Ms. Frost, the double agent who battles Halle in the climax. Toby Stephens does a good job as Graves, but he's not the most memorable of the Bond villains. The action sequences and effects are stunning, except for the obvious blue screen used when Bond escapes from the supercar. And the laser in the sky threat has been used twice before in Bond movies: You Only Live Twice and Diamonds Are Forever. John Cleese is cool as Q; Madonna is silly in her cameo, and DIE ANOTHER DAY is one of the worst themes of any Bond movie. No one will ever replace John Barry as the master of the Bond themes. And it wouldn't hurt to see Judi Dench soften a little in her role as M. Nice touch in having B movie actor Michael Masden as the American NSA chief.
All in all, a worthy entry in the Bond series; if Brosnan and crew can keep up this kind of pace, we may see Bond hit 50!!!

Dreadful
Ridiculous effects, ridiculous story, ridiculous dialogue... And Halle Berry can't act to save her life. The fact that the producers wanted to make a spin-off series with her prove they don't know what they're doing! When the studio execs (the ones who axed the Jinx/Halle Berry movie) are the ones with taste and commons sense you know you're in trouble! ... Read more

Description

This delightfully entertaining romantic comedy stars Reese Witherspoon (LEGALLY BLONDE) as sophisticated Melanie Carmichael, a rising New York clothing designer who suddenly finds herself engaged to the city's most eligible bachelor. But this is no fairy tale romance for Melanie. She has skeletons in her fashion-filled closet that include Jake -- the backwoods husband she married in high school who refuses to divorce her. Determined to end their marriage and sever all ties with her past once and for all, Melanie returns to Alabama. But home starts to tug at her heartstrings, and what she thought she wanted may not be what she wants at all. ... Read more

Reviews (306)

reeseWITHERSPOON is the future of hollyWOOD!
A crowd pleasin' romantic comedy with a Reese Witherspoon happy ending. This was the best slice of bologna cake I've had in weeks. I liked the storyline of the film, it involves a young woman named Melony (Reese) who is ready to get married for a second time. Problem is she's gotta get divorced from her first husband. For that to happen she must leave her new life in New York and return to her old life in Alabama, where her husband remains. Besides Mrs. Witherspoon the film stars Josh Lucas (Reese's husband), Patrick Dempsey (Reese's husband to be), Fred Ward (Reese's daddy), Mary Kay Place (Reese's mom), Ethan Embry (Reese's friend Bobby Ray), & Candice Bergen (Partick's mom). One of the funniest lines in the movie is when up-tight Candice tells southern Mary Kay to go back to her double-wide and fry something. SWEET HOME ALABAMA is a delightful little movie that can be enjoyed by couples or single Reese fans like myself. Widescreen DVD features: 8 Deleted scences / Alternative ending with commentary intro / Director commentary of entire film / Dolby Digital 5.1 soundtrack / & more. Warning the alternative ending is awful, it's easy to see why it was changed. 4 stars.

Where the skies are so blue...
This movie shows you that no matter how far you go, you can never forget your roots.

Cliche'
Movie had promise...it had some comedic moments. Then it went down the typical romantic comedy trail. I like Reese Witherspoon...she could've done better.

MY FAVORITE MOVIE!!!!!
This was such a sweet, great movie. It was very innocent and fun, and it puts you in a great mood! (...) A must buy!

Sweet Home Alabama
Sweet Home Alabama DVD ~ Reese Witherspoon is an awesome movie about a woman that realizes that money, fame and shallow materialthings in life have no real value and that staying true to your roots is what matters most. I loved it. ... Read more

Amazon.com

This first theatrical outing for the ubiquitous Olsen twins is their take on The Parent Trap meets The Prince and the Pauper. One plays a foster child under the care of a single social worker (Kirstie Alley) whose marital status prevents her from adopting her favorite charge. The other is the neglected daughter of a "bazillionaire" (Steve Guttenberg), who's about to marry a gold-digging socialite (played nastily by Jane Sibbett, Ross's first ex-wife on TV's Friends). The foster kid comes to a charity camp abutting the rich girl's summer estate and--presto--the identical strangers meet, hatch a plan to solve both their dilemmas, and switch identities. Directed by Andy Tennant (Ever After), this PG-rated film features some decent G-rated chemistry between Alley and Guttenberg and surprisingly uncloying performances by Mary-Kate and Ashley. The rating is for mild language. (Ages 5 and up) --Kimberly Heinrichs ... Read more

Reviews (50)

A fun family movie
Amanda lives in an orphanage where her only real friend is her social worker. Alyssa is the only child of a multi-millionaire. But one summer, they meet by accident and hatch a daring plan. They switch places and try to get Amanda's social worker and Alyssa's dad to fall in love before he marries an awful woman. But when the fiancée figures out what's going on, can the girls pull it off?

Granted, this movie is a variation of The Parent Trap. And while there were a few unexpected twists, there really isn't anything new to the plot.