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| 1. National Treasure Director: Jon Turteltaub | |
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Amazon.com Reviews (266)
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| 2. The Wizard of Oz Director: Richard Thorpe, King Vidor, Victor Fleming | |
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Reviews (339)
A true masterpiece! Excellent polt, characters, music and more. It holds an emotional presents that will touch everyone's heart and wish they were in the Land of Oz! See it and live through the magic of this timeless classical film of wonders.
The DVD extras are a mind-boggling embarrassment of riches. The "Making Of" documentary hosted by the incomparable Angela Lansbury is worth the price of the DVD alone, but there's so much more: an international poster gallery, interviews with cast members, deleted scenes, production stills, radio clips, etc, etc. There's enough material to keep even the most casual viewer fascinated for hours, and a true Oz buff will be occupied for days! If you only bought a DVD player to watch this one disc, it would well be worth the expense. Treat yourself, and fall in love with this classic film again ... for the first time.
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| 3. Beauty and the Beast (Disney) Director: Gary Trousdale, Kirk Wise | |
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Reviews (332)
Beauty and the Beast really is one of Disney's top 4 animated films. How they managed to combine a massive cast of characters into the main plot is amazing. Beast is one of my favorite Disney characters after re-watching this. There's so much emotion inside of him. Anger, rage, pity, ambition, and love. You'll really care for him from the moment he appears on screen. Belle is possibly the most humble heroine to date. She doesn't see that she's beautiful, but just cares for helping others and reading books. The supporting cast is just as good. Gaston, the villain, is just a....well I can't use the word. You can bet your money you'll feel the same way. But the characters are just the icing on the cake. The story is what the strong point's always been. Disney did a great job adding so much more to it, whereas the original didn't focus on anyone but Belle and the Beast really. But I'm sure you all know the story, so I'll just get into the features on this DVD. On the first disc, you get 3 different versions of the film- theatrical, work in progress, and special edition. The theatrical is what you saw in theaters or on the home video release. Work in progress is mostly drawings in black and white while the voices and everything else is put in. The special edition has a few lines changed here and there, and the added musical "Human Again" into the film. Personally, I hated "Human Again". It comes right after and before other songs in the film, making you want them to just get on with the story. Plus the animation in it really stands out since it's newer and has those annoying shadows on every character that you see in so many made for video animated movies. There's also a commentary track that adds a lot of depth and information, and a game that unlocks another game. People complain about the picture quality of the movie, but it's not that bad. On a scale of one to ten, I'd give it a 7.5. The second disc has a well done documentary on the making of Beauty and the Beast, story origins of a few other Disney movies, art galleries, music videos, more games, and much more. Amazon lists that the Broadway Musical is on this, but it isn't. It's mentioned in the documentary, that's all. This sets the standard for extras on Disney special editions of their movies. It's too bad The Lion King has nothing compared to this. Either way, if you like Disney at all...or just movies, you should go for this while you can. It's a masterpiece, and getting harder to find.
Despite the animated characters, I felt like I was watching an old musical. The movie opens with a scene reminiscent of "The Sound of Music," with our heroine, Belle, singing on a hilltop about wanting more out of life. The "Be Our Guest" scene, featuring a Lumiere (the Maurice Chevalier-inspired singing candlestick), dancing dishes and champagne corks popping like fireworks, reminded me of the Busby Berkely musical extravaganzas of the '30s. A big appeal for me is that Belle is a much different heroine than the Disney princesses of my childhood. Belle isn't looking for a man to rescue her from her life of drudgery. She loves to read and longs for a more interesting life. She already has the "town catch," Gaston, wanting to court her, but she's having none of it. Belle's escape from "her provincial life" begins when her father, a kooky inventor, doesn't return from his travels. (He has sought shelter from a snow storm in a spooky enchanted castle and is being held prisoner by the Beast.) Belle tracks down her father and, out of concern for his ailing health, takes his place in captivity. The Beast, who has been placed under a spell, wonders if Belle might be "the one"--the young woman whose love will return him to his original human form. The enchanted furniture, candlestick, clock and dishes added lots of fun characters to the traditional story. Cogsworth, a stuffy clock, and Lumiere, the match-making candlestick are a great comic duo. Cogsworth's romantic advice to Beast about wooing Belle is especially funny: Give her "flowers, chocolates, promises you don't intend to keep." Gaston, meanwhile, wants to woo and wed Belle himself. He sings about his he-man attributes in one of the funniest ode to a redneck that I've ever heard: "I use antlers in all of my decorating," Gaston sings about himself. When Gaston realizes that Belle loves the Beast instead of him, he stirs up an angry mob to head to the castle. In another twist on the traditional fairy tale ending, Belle ultimately rescues the Beast--not the other way around. "Beauty and the Beast" is a delightful classic whether you are a child or a grownup who knows how to feel like a child at times.
BEAUTY AND THE BEAST has no down moments, with each fresh plot advancement heralded by stunningly effective animation and song. This film was a deserved nominee for Best Picture in 1991, and with repeated viewings, one may rest assured that the alternately gloomy and resplendent halls of the Beast will eternally resonate with the same cachet that gives Tara, Oz, or Rick's Cafe a ticket that allows the bearer to see just how awesome the human spirit can be.
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| 4. The Sacketts Director: Robert Totten | |
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Amazon.com Reviews (8)
L'Amour did a bunch of books on the Sackett family of Tennessee, and this is a sort of compilation of some of them. Tell Sackett is the oldest brother (Sam Elliott), Orrin is the middle one (Tom Selleck), and Tyrell was the youngest (Jeff Osterhage). All played their parts very well. The bad guys included (but were not limited to) Jack Elam, Slim Pickens and L.Q.Jones. Mercedes McCambridge played Ma Sackett. Gilbert Roland played a Spanish (read Mexican) land-owner who the anglos were trying to push off his land in the new territory of New Mexico. I liked the way everyone played their parts, but particularly Sam Elliot, when he was strolling drunkenly down the main street of Pugatorie, singing quietly to himself in his deep bass, "That's the way she goes, first your money and then your clothes..." just before he caught the guy who was trying to roll him, and shaved him with an Arkansas toothpick with a foot-long blade. Shaved his mustache clean off! This is a wonderful L'Amour Western. I hope you like it as much as I did. Joseph (Joe) Pierre
Wish I could say it was. It's too long by about a third, which gives it a plodding, almost boring feel in places. It's obvious why this excessive padding had to happen. This was a TV project, not a theatrical movie, and they had to make it long enough to cover two nights viewing. With a few exceptions the actors seem to be pretty much just going thru their paces, waiting for somebody else to seize the moment. The one exception to this was Glenn Ford - he did a superb job. Of the other actors, Sam Elliot was probably the most believable. The movie is very predictable for the most part. The obligatory love interests for all 3 Sacketts, for example. Then there is the final showdown: 3 good-guy brothers, with best buddy, take on the bad guy brothers, accompanied by numerous backup bad guys. In and around the livery stable, no less. Did the Sacketts change their first names to Wyatt, Morgan, and Virgil, with Doc thrown in for good measure? Then all four good guys stroll triumphantly down the street, side by side. Couldn't see Gary Cooper anywhere, tho. Also a good part of the script is devoted to building up the racist, rich Anglo as number one bad guy, and the suspense builds as he prepares for war against the Spanish speaking citizens of Santa Fe. Then a couple of his hired guns sing like canaries to Sheriff Sacket and racist rich Anglo bad guy is meekly led off in handcuffs by the Feds, and this entire plot switcheroo happens and is over within about a minute. Soaring plot line ends with a resounding thud. And his more beautiful than life blonde daughter? One of the Sackett love interests? What happens to her? Left standing on the sidewalk as daddy is led away........ Hollywood abandoning a damsel in distress? Heresy....... Most disappointing, tho, for me, was the lack of attention paid to historical accuracy, especially for a Louis project. Model 1873 and 1892 Winchesters in 1869? Don't think so..... It IS well filmed, with gorgeous settings. All in all, this is an ok movie, but could and should have been so much more.
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| 5. Ever After - A Cinderella Story Director: Andy Tennant | |
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Reviews (14)
David Rehak
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| 6. Where the Red Fern Grows Director: Norman Tokar | |
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Reviews (35)
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| 7. Blue Hawaii Director: Norman Taurog | |
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Reviews (27)
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| 8. Livin' For Love - The Natalie Cole Story Director: Robert Townsend | |
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Description Reviews (2)
Diahann Carroll is fantastic as Maria Cole, Natalie's strict disciplinarian mother, and James McDaniel captures the gentle and understanding man that Nat Cole was perfectly, even though his role is not a large one. The two young actresses who play Natalie as a child are enchanting, and Theresa Randle as the young adult Natalie pulls out all the stops for a Emmy-deserving performance. One of the most touching and true scenes in the movie is when Natalie, playing herself, has to break the news to her young son right before a concert that his father has passed away, then she goes on stage and dedicates her hit song "Our Love" to her former husband. The emotion is very real, and you can tell that Natalie was reliving the pain she must've felt then. Also at the very end of the film, you see real footage of Natalie singing the smash "Unforgettable" with Nat on video at the 1992 Grammy awards. Another heart-touching moment. It also shows the ups and downs of the music industry and how certain situations are handled and overcome. A phenomenal story. Highly recommended! Now if only we can bring Nat's story to the screen....
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| 9. Play Time Director: Dale Trevillion | |
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Reviews (15)
Monique Parent seems to get most of the attention on the Internet, but Jennifer Burton is hotter and a better actress in this movie. She seems to drive what story there is.
With the Finnigan Element 2 (HR-ICPMS), boron can now be quantified at much lower values with a detection limit less than 1ppt using hot plasma and low resolution. Arriving at this detection limit was not without its problems. Our HR-ICPMS is not a dedicated instrument, and is periodically used to analyze solution matrices with high boron, silicon, and phosphorous levels. Boron has a tendency to exhibit memory effects, making it a challenge to measure boron at trace levels following other analyses. Aspirating a dilute solution of nitric acid, hydrogen peroxide, and hydrofluoric acid has proven to be an efficient way to remove and control boron's memory effect in the nebulizer, spray chamber, and torch. Other steps taken to improve the measurement of low-level boron in ultrapure water will be discussed in the presentation.
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| 10. 28 Days Director: Betty Thomas | |
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Reviews (79)
Bullock is Gwen Cummings, an alcoholic, pill popping journalist who is sentenced to spend 28 days in a rehab center she drunkenly steals a limo and crashes it into a house. Leaving behind her boozy British boyfriend Jasper (superbly played by Domonic West), Gwen soon finds the support and understanding of her eccentric and often hilarious new neighbors. There's Eddie (Viggo Mortensen), the washed up baseball player who'll sleep with anyone; Oliver (Mike O'Malley), the wisecracking Park Avenue pot addict; Andrea (Azura Skye), a young woman addicted to drugs and a preposterous soap opera called "Santa Cruz," which she eventually turns everyone on to; and Gerhardt (Alan Tudyk), the wacky German. "28 Days," unlike an "Erin Brokovich" where one star dominates, is an ensemble film that allows a variety of talents to shine. And with a cast of this caliber, sometimes that shine rivals the stars themselves in brightness. Despite many humorous moments, it's the dramatic aspects of "28 Days" that make it great. When Gwen becomes so desperate for her pills that she jumps out the window to get some she threw away earlier, the obsessiveness and despair of dependency are captured at their most vivid. Then there's her troubled relationship with her sister Lily (sensitively portrayed by Elizabeth Perkins), who can't decide whether she wants to give up on the woman who has never been there for her, or stand by her in the hope that she will reform, risking having her heart broken yet again. It's because Bullock and screenwriter Susannah Grant have made Gwen such a likable character that these situations have real bite. Sine we can't decide whether we love her or hate her, we keep watching the movie on the edge of our seats, searching for something that will proove to us once and for all what Gwen Cummings is. The movie wisely avoids giving us a straight answer to that and many other questions, allowing the viewer instead to make their own decisions and create their own relationaships with the characters and the things they encounter. "28 Days" is a triumph for all involved. There's nothing better for a cynical critic like me then proof on the screen that films moving stories with engaging characters are still being made. Perhaps the best news of all is the resurrection of Sandra Bullock's career after three flops in a row. If she continues to show such wise judgement in choosing her projects, this poor man's Julia Roberts may be topping the A-list once again.
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| 11. Sling Blade Director: Billy Bob Thornton | |
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Amazon.com Reviews (138)
Billy Bob's portrayal of "Karl", a retarded man who killed his mother and lover as a child, is one of the best characters ever on screen. With his high-water pants, bad haircut, underslung grin and gravelly voice, he's not someone you'll soon forget. A finely acted film, even the smallest parts were well-done. Suprisingly, John Ritter (an actor who I can not normally watch), gave the finest performance of his career as a gay store manager. Dwight Yoakum was great as the abusive boyfriend, and Lucas Black was good as the kid. J.T Walsh, Robert Duvall, and James Hampton are also in it. This is not a Disney type plot, and there is a fair amount of swearing and yelling, and some violence. It all is natural to the story however, and the dialogue is some of the best you'll hear anywhere. I don't give out 5 stars to movies very often. Mmm-hmmm.
Writted and Directed by Billy Bob Thornton (All the Pretty Horses, Daddy and Then), which is based on his Play, which also he win for an Oscar for Best Adatped Screenplay. Thornton was also nominated for Best Actor. This independent film has First-Rate Performances by all. J.T. Walsh, James Hampton and Brent Briscoe appears in Small Roles-including Oscar-Winner:Robert Duvall. This film is touching, sad and funny also. This is a real one of a kind, unique film. A true classic of the 90's-A Winner. Grade:A+.
Thornton's Karl Childers became one of the Icons of American cinema, and I still hear people doing Karl's gravel-throated mumble which gets an immediate look of recognition from the people around. Karl is an essentially good man who is mentally challenged. He recognizes good and bad in others, and he seems to understand his place in the world, even if the intricacies of complex human relationships pass by him as unnoticed as the ozone layer. As the movie opens we learn that Karl is being held in a State Mental Hospital many years after he has killed a couple of people he thought were doing wrong. I'd say more here, but I think it might spoil some of your enjoyment of the movie to learn more - so just watch the movie! We also learn that Karl is being released because they've "cured him". He goes back to his home town with all his worldly belongings in a sack. A kindly Doctor from the institution gets him a job as a lawn-mower mechanic and he meets a little boy who is friendly to him. This is a movie of characters, and simply describing them would not do the characters justice. Karl is a simple man with a pretty well-developed sense of right and wrong. The little boy has lost his father, and the boy's mother, Linda, (portrayed in a wonderfully understated performance by Natalie Canerday) has taken up with a hard drinking, bad-mouthing redneck played by Dwight Yoakam. The late John Ritter is almost unrecognizable playing the soft-spoken crew-cut manager of the store where Linda works. Ritter's Vaughan is devoted to Linda and the little boy, Frank (played by Lucas Black), but Vaughan is also a homosexual in a small town in the south, and his social status is precarious. There are many serious and tender and hilarious and moving scenes, and most of them involve Billy Bob's Karl. For example, there is one scene where Vaughan invites Karl to the diner where Vaughan proceeds to pour his heart out to the uncomprehending Karl. Vaughan goes on about the difficulties he has had in life, and with his father, and being a homosexual. The entire time Karl sits silently, eating his "french-fried 'taters". Vaughan finally pauses and says "You always seem to be deep in thought. Tell me, what are you thinking right now?" This movie will stick with you long after you have seen it. Highly recommended.
Karl befriends a young boy named Frank, and the two are friends from the start. Both of them share some of the same emotional issues, but in Frank's case it is due to his mother's abusive boyfriend Doyle (played by Dwight Yoakam). Karl gets a job working on small engines at a local garage and lives there for a while, but Frank and his mother agree it would be good for Karl to live with them. From the first time Karl meets Doyle, he begins to see what a terrible person he is. Doyle is constantly belittling Frank and Vaughn (a friend of Frank's mother who is gay), and is verbally and physically abusive to Linda (Frank's mom). Karl appears to be a very simple man, but it is apparent that his mind is always at work analyzing the people around him. Doyle grows worse and worse, and Karl becomes increasingly fed up with him. Karl always remains calm no matter the situation, but we start to see that he is the only one who can make things better for Linda, Frank and Vaughn and that as the movie progresses Karl realizes something must be done. I will spare you the ending, but the final conflict revolves around Karl's love for Frank and Linda and with him making a choice, a choice that could send him back to the mental hospital. This is an incredible movie that deserves all of the notariety is has collected since its release. It won many awards, and deservingly so. There is a little bit of dark comedy here, some tragedy (like when Karl is talking about his brother he had to bury when he was just born), but most of all it is a disturbing examination of internal conflict in one simple man that really is a good guy at heart. It is pretty disturbing at times, so you have been warned. The movie is nothing short of perfect though and it is definately one that you need to see in your lifetime.
This movie will make you laugh, it will make you cry, it will make you cringe. But it won't let you go until you see it in its entirety, and question the fact - is it okay to kill if it's for a better cause? A must-see. ... Read more | |
| 12. Rock-A-Bye Baby Director: Frank Tashlin | |
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Moreover, this is not merely a comedy, but a musical, with songs that deserve the right to be as well remembered as any from "The Wizard of Oz" or "The Sound of Music". This, among other Jerry Lewis classics, should be issued on DVD, but until they are VHS still looks pretty good.
From the other reviews you know it's about a guy trying to take care of baby triplets on his own. It's an EXCELLENT family movie with a sweet story as Clayton Poole (Jerry Lewis) does everything in his power to take care of these little girls. Sure, it's hilarious but it also has a strong family theme as the Clayton, the babies' aunt and grandfather do whatever they can to do what's best for the babies. Even the mother realizes in the end that the babies are what's most important. There is definitely something for everyone in this movie. Why, oh why don't they put it on DVD???
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| 13. Who's Minding the Store Director: Frank Tashlin | |
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One of Norman's jobs is working in the women's shoe department. Mr. Quimby has hired a lady wrestler to come in and try on a pair of shoes much too small for her foot size. Norman tries to force the shoes on her feet and they end up getting knocked to the floor. She gets Norman in a headlock, picks him up and flings him over the counter. Looking closely, it's plain to see that it's Jerry and not a stunt double flying over the counter! After getting stomped on, Norman gets thrown into a huge rack of shoe boxes, which crash through the window and land on the same traffic cop who earlier got hit with the golf ball! In another scene, Norman is working in the men's clothing department on the morning that they're having a 50% off sale. As soon as the doors open, a crowd of stampeding women converge on the clothes, grabbing every article of clothing in sight. They even pull off most of Norman's clothes! There are many other departments Norman has to work in, all ending with disastrous results. My favorite scene involves a rich woman, carrying her Chihuahua and accompanied by her manservant, who is bringing an old vacuum to the store to be repaired. Mrs. Tuttle appears with Mr. Quimby to observe the proceedings. Norman rewires the vacuum to increase its suction. The vacuum becomes so powerful that it starts moving on its own, sucking up everything in sight, including the old lady's dog and Mrs. Tuttle's wig! Norman is unable to switch off the vacuum or even unplug it, so the vacuum's bag keeps getting bigger and bigger, and eventually floats up to the ceiling! Norman ends up climbing a ladder and sticking a knife into the bag. The resulting explosion of dirt and debris is hilarious, as the Chihuahua plops back into the old lady's arms. Norman puts the dirty, dust covered wig back on Mrs. Tuttle, who promptly fires him. Mr. Tuttle, accompanied by his daughter Barbara, come to Norman's aid and Norman finally learns that Barbara is the Tuttle's daughter. Proud and determined to make it on his own, Norman quits and goes back to being a dog walker. The last scene involves Norman walking a large number of dogs. First Barbara, then her father, and finally her mother go by also walking many dogs and wearing jackets that say I'M SORRY. They all round a corner out of sight. The next thing you hear are the screeching of brakes and the sounds of cars crashing. The last shot is of the poor traffic cop, surrounded by wrecked cars and barking dogs. "Who's Minding The Store?" is, without a doubt, one of the funniest movies Jerry Lewis has ever done!
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