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| 141. The Shaggy D.A. Director: Robert Stevenson | |
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Amazon.com Reviews (7)
Wilby Daniels tries to recover the stolen Borgia ring that transforms him into a dog as he's running for District Atty. Don't miss Conways hilarious scene in the Warehouse with the Security Guard..."the sannifran in the rectafrazzins condensing" One of my top four fav's from the once-great, no longer palatable Disney Company.
"Blackbeard's Ghost" 1969, and Dean Jones has starred in many | |
| 142. Grace and Glorie Director: Arthur Allan Seidelman | |
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| 143. The Car Director: Elliot Silverstein | |
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I first read the book when it came out in 1977, I was 11 or 12. Smokey and The Bandit was on the big screen, I was about 4 years from driving legally, and I could hardly wait. I have always been a huge George Barris fan as well, and swore that some day I would own a Batmobile replica or the real thing. I currently work in the movie industry and have two cars that I want to rent to production: a 67 Parisienne 2+2 Convertible and a 72 Cutlass Supreme Convertible. That aside, more about the movie: The cinematography was incredible for 1977, but the Director needed a helping hand. Too many shots were either sped up for effect or cut short, thereby eliminating suspense and mystery. More background on the car itself should have been displayed, as well as condensing the story line to include fewer people. I think the plot was lost in too many sub-plots that teased the viewer into thinking there was more of a story line than was actually there. The fact that the ending was left wide open for a sequal was lost to all but the most avid viewers. Then again, in the 70's we had The Omen series to deal with, so maybe it's time for a re-make. I would like to be a huge part of that if anyone is thinking of doing it! Just send me an email if you're in Toronto!
"The Car" is so extravangantly cheesy as to be almost surreal. To really understand the greatness of "The Car," one must compare it to John Carpenter's "Christine," another haunted car film based on one of Stephen King's weakest novels. I've seen "Christine" once and really don't care to view it again. I've seen "The Car" many times and will watch it every chance I get. Accurately noted by several reviewers, "The Car" is really "Jaws" on land. This souped up automobile is a sleek black Lincoln possessing a fog horn and a bumper the size of Wilford Brimley's mustache. It runs over bikers, hitchhikers and tuba players with hungry ease, tormenting the local yokel police force with demonic glee. The cast is the key here, with small town policemen James Brolin, John Marley and Ronnie Cox joining forces with dynamite expert R.G. Armstrong to corner The Car and blow it kingdom come. These actors have been around the block a few times in films far better than "The Car," but their experienced presence adds a note (albeit a small one) of respectability to the precedings. But before this salty crew goes after the metallic Beezlebub beast, The Car must terrorize a high school band, Brolin's hometown squeeze Kathleen Lloyd (whatever happened to her?) and several unlucky travelers in the wrong place at the wrong time. Needless-to-say, car insurance companies were left mightily frustrated after The Car paid a visit to Santa Ynaz. I don't know why The Car likes to drive in the desert, just as I don't know why it seems to have a crush on James Brolin, teasing him unmercifully while slowly picking off his crew one by one. I do know that the car chases in this film are tremendously exciting. The direction and editing is crisp. Leonard Rosenman's musical score is above average. And the final confrontation, while laughable in its epic excess, is memorable. "The Car" is a fun movie, glorious in a "B" movie comic book kind of way. It's "Creature From the Black Lagoon," "The Omen," "Jaws" and "Smokey and the Bandit" all rolled into one hilariously transcendent package. It is celluloid pulp fiction, with the nutritional value of a whopper and fries. Please grill the onions.
And it was terrific seeing young Ronny Cox in this movie too, fresh off his broke-arm, drowned-in-the-river portrayal in "Deliverance." (At one point in "The Car," we see Cox weeping -- and you just have to think he was actually upset from watching Brolin's performance on the set, which so easily enabled him to produce tears.) "The Car" (a film FAR superior to Kill Dozer, though the concept is the same) was James Brolin's peak, the apex of his entire acting portfolio. There really was nothing left for him to do after this, but marry Barbra and witness her incomparable participation in the aging process. ... Read more | |
| 144. Adventures of Young Indiana Jones, Chapter 22 - Hollywood Follies Director: Michael Schultz | |
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Here, though, the liberties taken are so great that, although there are some fascinating character development moments, the weakness of plot premise prevents us from getting lost in the story. It is simply too fantastic a leap of faith to believe that Indiana Jones would somehow get involved with Hollywood's nascent film industry. Worse, even if one could forgive Indy's presence in Hollywood, the historical figures he meets are far too conveniently placed in the plot for us to revel in their discovery. On the other hand, the Indy on display here is very much Indiana Jones. There is a level of resourcefulness and cunning which sometimes makes us think we're watching Ford, not Flanery. At once this film suffers from the series' worst quality (implausibly putting Indy at George Lucas' historical mercy) and benefits from its best (giving Flanery some moments to show us the glint in Harrison Ford's eye). Thus, though the premise of the story is deeply flawed, we do care about the relationships Indy forges here. The entire first hour is very much foreshadowing for his relationship with Belloch (and other rogue archaeologists) from the theatrical film series. Likewise, the untenable romantic relationship lays the groundwork for the Professor Jones we see in "Raiders": a man who would probably like to commit to a woman, but who can't quite seem to get there because the kind of woman he likes has a very full plate herself. Overall then, the film lives up to its full title. It is very much about both "Hollywood Follies" and "Young Indiana Jones". ... Read more | |
| 145. Caroline? Director: Joseph Sargent | |
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Reviews (8)
I'm surprised this movie is not yet on DVD. We have a couple of VHS copies at my library and they have been checked out nearly 400 times. This movie is almost never on the shelf.
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| 146. Top Gun Director: Tony Scott | |
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Amazon.com essential video Reviews (209)
Anyone born around 1980 will remember how everyone was doing that double high five and saying 'talk to me Goose' to the kid next to them in class. Certainly one of my all time favourites - entertaining stuff. ... Read more | |
| 147. The Prince of Tides Director: Barbra Streisand | |
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Conroy must have realised limitations of a film in comparison with the book. "The Prince of Tides" book is rather thick and to make a two-hour movie out of it is difficult. The film "Cider House Rules" was also criticised of being too thin in comparison with the book -- and, in fact, the author John Irving himself wrote the script. Romantic side is highlighted over a complex, dark family story, with Streisand enjoying the starring female role to the full. She does so alongside the great performance by Nick Nolte, who plays Tom Wingo, a teacher from American South hiding much of his painful past until he gets familiar with New York psychiatrist Susan Lowenstein (Streisand). The film love story between Wingo and Lowenstein is one of the most memorable of the past decades, yet the picture also encompasses deep social undertones -- suicide, hypocrisy, lack of family understanding. There is a couple of memorable scenes; the most special one comes when Wingo finally lets the demons of the past out -- this is acting at its best on both Nolte's and Streisand's part. Although some other films also attempted something similar (e.g. "Good Will Hunting", with Matt Damon and Robin Williams), it never was so powerful as here. The ending is bittersweet, not typically romantic but ultimately inevitable and logical for the story. Beautiful cinematography and great musical score to a large extent made this film to achieve five stars in my book. I know I will keep on returning to "The Prince of Tides" video.
As anyone who has read the book can attest, the characters of Tom and Lila Wingo would seem to be extremely challenging (if not almost unplayable) roles, both of which are brimming with contradictions and hidden emotions. However, Nick Nolte and Kate Neligan find the perfect balance in their portrayals, which earned them both well-dissevered Oscar nominations. Blythe Danner, Jason Gould, and Melinda Dillion all also turn in memorable performances, even though Dillion's Savannah (a lead character in the novel) has precious little screentime due to the film's structure. Barbra also gives an affecting portrayal, however, the director's chair is where she really shines this time. With it's moving storyline, compelling characters, and breathtakingly beautiful cinematography, THE PRINCE OF TIDES is film that will continue enchant audiences for years to come. About the DVD: The picture quality and sound are excellent, although it's disappointing that the many extras (which included a featurette, deleted scenes, a gag reel, and Streisand's full-length commentary track) that were included on Criterion's special edition laserdisc release are not found on this DVD. The film's original trailer and teaser are included, but I hope that all of the extras from the laserdisc will someday make their way to DVD.
In 1991, I was appalled by Ms. Streisand's miniskirts and in particular her pink sweater cut SO low in the back. The wardrobe wasn't appropriate for one Dr. Lowenstein. The wardrobe was clearly a vehicle for one reluctantly aging pop star. Also, the music was so loud, so epic at times that I literally had to cover my ears. In one scene Blythe Danner left the room, but you could still see her reflection in a picture on a wall, waiting for her cue. I loved the first half of the book, hated the second. The movie was like fingernails scraping down a chalk board from the time I entered the theater. ... Read more | |
| 148. Patch Adams Director: Tom Shadyac | |
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"Patch Adams" is one of the best all around movies I've ever seen and in my opinion, it's Robin Williams's best movie by far. Like usual Robin Williams is hilarious while he's doing his antics in the movie, especially when he uses a skeleton to talk to the woman he likes. But even better, he does his humorous tricks in the movie and gets to know the patients and the other people with a real passion and understanding that shines through and makes this Robin Williams's best effort ever, in my opinion. Going to the doctor might not be such a hassle or a burden if there were more doctors like Patch Adams. "Patch Adams" is an inspirational and heartwarming movie that I recommend anybody to watch. Whether you like comedy movies, drama, or any type of movie, I recommend giving "Patch Adams" a try. It's hard to put into words how great this movie really is.
Williams stars as patch adams a guy who comes to work for a hospital with several patients who are either very ill or whose doctors have done little to improve their condition. adams though, knows that the way to improve their patients is not through medicine but through goodness and happiness. in adams case, he brings laughter and joy using an unusual brand of humor. In several instances, adams dresses and acts like a clown complete with a red nose. He entertains the dying patients in the hospital with his gentle heart and breathes new life and hope into them. ''You treat a disease, you win or lose, you treat a patient, i'll guarantee you ll win'' that great lines is Adams philosophy toward treating patients. He sees that one of the main reasons the doctors have failed in improving their patients conditions is because several of the doctors are cold-blooded and unfeeling. The doctors fail to get know their patients intimately and fail most of all to make their patients happy. several of william's colleagues a guy named mitch and a girl name annie are skeptical at first, but after witnessing the improvement in the patients, they see that adams is just what the doctor ordered. However, not all the people in the hospital is happy with adams. The main boss of the hospital (obviously jealous with adams amazing ability to relate and bring joy the patients) wants adams to quit or be fired from the hospital. i liked this movie very much not only because of williams performance but because of the message. in today's age with greedy HMO's, high medical costs and unfeeling customers service, todays patients don't really get the high quality medical care. Many doctors are rude and impatient with the patients, Nurses fail to get there patients personally and so forth. Of course not all Doctors and Hospitals are cold-blooded are bad, but it would stupid to say that all of them are good, because they are not. If you turn on the news, there's always a news segment chronicle the bad service of a hospital or doctor, or a lawsuit against both. So the movie is very fact based. It's actually based on the 1970's real life events of Hunter ''Patch'' Adams (Robin Williams), who founded the Gesundheit Clinic. If you're a Williams fan, you'll love it.
Robin Williams was at his peak when he made this film; he was brilliant as a therapist with cancer patients and other terminally ill adults and children. A couple years ago in downtown Knoxville, I quite by chance encountered a person out on the street (actually coming out of a coffee shop) dressed as a clown with a big, red nose. I asked, "Are you Patch Adams?" and was given a business card with a sketch of 'Poppy' on which he was quoted in 2000, "A smile from the heart is the essence of the universal language and shows our love of people." It turns out his name is Wes Flener, a respiratory therapist from LaGrange, KY, here to entertain at a seminar at a local hospital. When I suggested that he visit the patients over at Children's Hospital across the street from his local destination, he presented me with a card "Good for One Laugh." This movie follows the daily interaction between Patch, his associates, and the patients who need his help. Allowing the mentally challenged and disturbed Larry to join the mountain retreat as a resident was a monumental mistake. PATCH ADAMS is an unforgettable story based on truth.
This film will inspire, bring you joy and even, it could make you cry. A perfect blend of drama and sense of humor which you can find in this one fantastic movie. The script was well-written and very balance in terms of wit and sensibility. I commended Robin Williams who played the inspiring life of Dr. Patch Adams. His role as Dr. Adams is absolutely fantastic and his performance is incredibly superb! he truly justified the character he played as Dr. Adams...flambuoyant, compassionate and free-spirited person. You will see a different Williams in this unique character. ... Read more | |
| 149. Mighty Morphin Power Rangers: Goldar's Vice Versa Director: John Weil, Paul Schrier, Jonathan Tzachor, Worth Keeter, Adrian Carr, David Blyth, Robert Radler, Armand Garabidian, John Blizek, John Stewart, Vickie Bronaugh, Terence H. Winkless, Robert Hughes (II), Shuki Levy, Larry Litton, Marco Garibaldi, Strathford Hamilton, Isaac Florentine, Jeffrey Reiner, Douglas Sloan | |
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| 150. Tracey Takes On: Sex Romance Fantasy Director: Dennie Gordon, Thomas Schlamme, Michael Lange, Don Scardino, Michael McKean | |
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Amazon.com Reviews (3)
Whether it's a stereotypical portrayal of a middle-class "New York Jewish woman" fearing for the health of her heart-attack victim husband, an elderly Asian woman fulfilling her American Dream with her donut shop, or a small-time golf-pro who hesitates acknowledging her gay relationship to the world, Tracey Ullman takes on every possible viewpoint on the issues of Sex, Romance and Fantasy. The sketch about a woman reporting to the police that she had briefly been abducted by aliens is a gem! There are many great scenes in this batch of goodies cooked up by one of Britain's brainiest comedy stars. Tracey Ullman's gift for comedy rivals that of the up-and-coming "French & Saunders" team. Tracey Takes on receives a solid 5-star rating!*****
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| 151. Star Trek - The Next Generation, Episode 102: Darmok Director: Larry Shaw, David Carson, Gabrielle Beaumont, Timothy Bond, Kim Manners, LeVar Burton, Richard Compton, Jonathan West, Marvin V. Rush, Michael Vejar, Robert Becker, Chip Chalmers, Peter Lauritson, Joseph L. Scanlan, Alexander Singer, Robert Iscove, Gates McFadden, Winrich Kolbe, Robert Wiemer, Robert Legato | |
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Amazon.com Don't be put off by the premise. "Darmok" is one of the best episodes of TNG. It's action-packed and holds its own next to "The Best of Both Worlds, Part I," "Time's Arrow," and "Descent." Thanks to Joe Menosky's brilliant teleplay and Paul Winfield's solid acting, this uphill battle in futility shows what probably would happen when two truly alien races attempt to communicate. There is genuine desperation in Dathon's (Winfield) eyes when he attempts to explain "Darmok and Jalad at Tenagra" for what seems like the millionth time. Watching Picard struggle to understand is downright painful, as is the inevitable confrontation that follows. The viewer comes to care what happens to the Tamarians. We want to know this alien race; but at the same time, we also know we'll probably never comprehend them. In series television, it's almost unheard of for a show to depart from canon. TNG takes a huge chance with "Darmok" and the end result is worth watching again and again. --Kayla Riggney Reviews (15)
Episode 102 presents a culture in which this sort of idiom is carried to the extreme. The words are getting through, but the meaning is not. The struggle of the two captains, the alien and Picard, to bridge the gap is brilliant and fascinating. This is my favorite Star Trek episode of all time, of all generations. Magnificent.
Highly recommended.
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| 152. Bruce Almighty Director: Tom Shadyac | |
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The entire cast, particularly The Daily Show's Steve Carrell, is very good, and the script is quite funny. DVD extras are quite good: a commentary track with director Tom Shadyac; a 6-minute featurette on Carrey's comedy style; 6-1/2 minutes of outtakes; 30 minutes of deleted scenes with optional commentary; cast & crew info; a trailer; and a Chase MasterCard commercial (yikes!). The film can be heard or subtitled in English or French. Lots of fun, and generally suitable for the whole family -- your kids will love the scenes of the dog's conversion from chronic house-pee-er to toilet-using mutt!
If you want to see Jim Carrey at his comic best, you will love this movie. Imagine what he can do and the havoc that he can create as THE ALL POWERFUL with almost no limitations on his abilities. (The trailers accurately relect this aspect of the film.) Where the movie disappoints in my opinion was its use of comedy to explore the issues which it raises about religion and its role in our lives, personal relationships, pursuit of happiness, and feelings of accomplishment. As you can imagine, Bruce at first refuses to believe that he has been endowed with extraordinary powers, then initially uses them for mundane personal purposes in several really funny incidents. After a few additional visits and consultations with Morgan Freeman, Bruce gradually comes to accept the fact that being almighty is more complicated and involves more responsibility than simply creating personal gratification. The next lesson also involves the fact that there are often unintended consequences which stem from good (as well as bad) intentions; one person's good fortune may cause problems for someone else. Despite the serious undertone, the comedic aspects of the incidents inevitably dominate the storyline. While comedy can be a wonderful way to enlighten as well as entertain, in many instances this film instead opts for complete farce. This aspect combines with the fact that many of the miracles are more like cheap magic tricks rather than almighty acts to lessen the potential of the film to be truly thoughtprovoking. (It also means that regardless of which faith you espouse, if you have strongly fundamentalist religious beliefs you may be offended by some aspects of this movie.) There were some great issues raised, but always implicitly with the exception of the role of free will; it appears that the filmmakers kept their story very bland to reamin as inoffensive as possible; but that seems at odds with a story about a man and his encounter with THE ALMIGHTY. This was an interesting movie that I want to see again to test my first reaction. I enjoyed the humor immensely; I watched it in a crowded theater and the entire audience laughed hysterically at times. Morgan Freeman was superb in a limited although central role, and Jennifer Aniston was perfect as the frustrated girlfriend. The dog was a lovable character as well. TWO IMPORTANT NOTES: first, don't leave when the credits start rolling, there are some subsequent great outtakes; second, pay particular attention to the signs held up periodically by Jack Jozefson (the homeless man) - they are not only wonderfully apropos but one of the methods by which the message of the story is subtly, if only silently, conveyed. So while I highly recommend this film, my four star rating relects the fact that the attempts to play for comedy and blandness kept it far from what could have been its six star potential.
In any case, the story was very clever. The notion that one wants to fire God because He is not living up to our expectations is a long standing concern. Mere mortals think that we could do a better job. In this story, though, God hands over his power to Bruce for him to use as he sees fit. There are two rules: (a) respect free-will; (b) and don't let anyone know you're God. The movie is quite clever in placing many highly religious symbols near Bruce. During a party a Golden-cafe is quite noticeable; a man Bruce helps says "God bless you" to Bruce, even though, according to the story, Bruce is God. Bruce learns that when he is granted God's powers he has a hard time dealing with the enormous number of things that God must do. Despite hearing many prayers, and hoping to respond to them, he has a hard time with this task. It is a task-intensive job. With unlimited powers, many people would probably feel as though they would be happy and could accomplish anything they wanted to. But with the burdens of responding to prayers and feeling invicible, Bruce still was not happy. His relationship with his girlfriend was falling apart, and he could not use his powers to make her love him. He had to do the right thing in order for that to happen. To do so, ironically, he had to become a mere mortal once again, subject to the dangerous of everyday life. And when one unfortunate incident does happen -- to be left unsaid for those who have not seen the movie -- his girlfriend falls in love with him again, perhaps, at first, out of sympathy. Michael ... Read more | |
| 153. The Mary Tyler Moore Show:Chuckles Bites The Dust Director: Mary Tyler Moore, Marjorie Mullen, Jerry Belson, John C. Chulay, Peter Baldwin, Mel Ferber, Stuart Margolin, Peter Bonerz, James Burrows (II), Norman Campbell, Hal Cooper, Herbert Kenwith, Jay Sandrich, Martin Cohan, Nancy Walker, Jerry London, George Tyne, Alan Rafkin, Jackie Cooper, Joan Darling | |
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In this show, a TV clown, who is grandmarshal of a parade shows up dressed like one of his characters. "A Giant Peanut" a rogue elefant unfortunatly breaks loose and the clown is killed when the elefant successfully tries to shell him. EVerybody in MArys office is at first shocked but then cannot help but laugh at the incident. MAry is shocked at their insensitivity. However when Mary attends the clowns funeral.........
The people of the newsroom try to deal with the death in predicted ways. (heh heh) Lou and Murray can't help laughing; Ted is (snicker) bewildered; and Mary is simply horrified. Then, the funeral comes, and the famous line "A little song, a little dance, a little seltzer down your pants." And Mary ... just ... can't ... help herself. What makes this episode so memorable? Because we all know what that's like. We've all had a hard time controlling laughter during serious and/or embarrassing situations. One warning: Your memories of the funeral scene with (heh heh) sneak up at the most inopportune (chuckle) times. Anne M. Marble Reviewer, All About Romance ... Read more | |
| 154. Dukes of Hazzard: One Armed Bandits Director: Hollingsworth Morse, Denver Pyle, Gy Waldron, Ron Satlof, Hy Averback, Bob Kelljan, Allen Baron, Harvey S. Laidman, George Bowers, Jack Starrett, Ralph Riskin, Bob Sweeney, Gabrielle Beaumont, Arthur Marks, John Schneider, Bob Claver, Dick Moder, Don McDougall, James Sheldon, Tom Wopat | |
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If you are a Dukes fan, YOU MUST buy this episode. If not only to see how it all begins, if not only to see this classic American tale, but because TNN does such a hatchet job in cutting this one up in re-runs, you can't follow the plot and many of the episodes', and series', great scenes! But you can here, and you learn of the story between Bo and Jill Rae Dotson (Tisch Raye) that TNN doesn't show and are essential to the plot, which is based on a real life tale of a slot machine racket writer Gy Waldron discovered doing research creating Dukes. Raye, who would later marry in to French royalty and retire from acting, two years later landed a guest spot on Charlie's Angels in an episode entitled, "Moonshinin' Angels". This role unquestionably helped her land that one. From the opening scene, where a Hazzard Co. Patrol Car and the General Lee jump over a hill on Covington, Georgia's Elm Street, to the final joke of Rudy (played by Jason Lively, the son of Ernie Davis Lively, who played Dobro in this ep and appeared in three other Dukes eps as two other characters. Jason himself would be the focal point of the sixth season episode, "The Boar's Nest Bears") squirting flies on the General's rear windshield, this show is captivating. There is action, four, count 'em, FOUR car chases! But there is also drama, mischief, and a tale that really leaves no gaps. So many people think of The Dukes of Hazzard as a slapstick show, but that dumbed down feel of the show is absent here. Watching this makes you wonder how good Dukes would have been if they had continued to shoot in Georgia and followed Waldron's vision, rather than move the show to California and adopt hack writers from Gilligans Island and McHales Navy to "Hollywoodize" it. If you love the Dukes of Hazzard, this is a must for your library. You cannot enjoy the show in its proper context without seeing the above missing scenes! And if you're a southerner looking for a feel of rural southern life in the 1970's, look no further. This is it. "One Armed Bandits" is such a quality piece of television die-hard Dukes fans have been known to memorize every line of dialoge to it and travel to Covington and Conyers to check out shooting locations! Let's just say I still remember vividly watching this episode for the first time on its very first airing on Jan. 26, 1979, and I was seven at the time. For a memory like that to be imprinted on such a young mind, this episode must really be something special. You will agree after viewing it. Five stars do not do it justice. It should receive an infinite amount of stars.
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| 155. Barefoot in the Park Director: Gene Saks | |
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Amazon.com essential video Reviews (25)
Pauline Kael called this film, "a trifle and almost amusing in a harmlessly, pleasantly stupid way" (5001 Nights at the Movies). She missed the whole point of the film. You don't take a movie like this seriously. You let the charm of Jane Fonda, Robert Redford, and the bouyant Charles Boyer take you away. You just laugh and enjoy. The story of two young newlyweds is age old. You can see where Dharma and Greg get their inspiration, and the 90 minutes of this film are far better than any episode of that show. I immediately fell in love with Fonda's Corrie. Charles Boyer steals the movie. At times it is a bit dated (like Corrie's mom's advice about making a happy marriage), but that is no matter. If you want to smile and fall in love, see this film. It looks great on DVD. Do yourself a favor, ignore the junk playing at a theatre near you and enjoy this one at home as winter comes.
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