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| 21. Goosebumps - Welcome to Dead House Director: Brian R.R. Hebb, Timothy Bond, David Winning, Craig Pryce, Randy Bradshaw, Ron Oliver | |
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Description Reviews (8)
The story stems around a shady real estatesalesman... whom offers a can't refuse deal to a unsuspecting familyfrom 'out of town'. Unknown to the family, Dark Falls was the victimof some type of hazardous chemical spill a while back, causing theexisting residents to become 'living dead'. Unfortunately for these'living dead' corpses, they are dependent on 'the living' fornourishment. Thus, they use this one piece of real estate property -AKA Dead House - as 'bait' to unsuspecting family's in order tofeed. Without disclosing the whole storyline, I must say the thingwith the dog at the end adds a nice touch...
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| 22. Man From U.N.C.L.E. - Vol. 2, The Gazebo in the Maze Affair/The Yukon Affair Director: Michael Ritchie, Alvin Ganzer, Richard Donner, Don McDougall, Tom Gries, George Waggner, Herschel Daugherty, Michael O'Herlihy, Jud Taylor, Otto Lang, John Brahm, Don Medford, Charles F. Haas, Ron Winston, John Newland, Vincent McEveety, Boris Sagal, Theodore J. Flicker, James Sheldon, Sherman Marks | |
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Reviews (7)
The second title brings back the squire, minus his wife, for a less clever episode. It's okay, but it definitely lacks the sparkle of the first. However, Illya manages to kiss the cute little Eskimo, and both agents wind up in the hospital. Not as clever or as imaginative as the Gazebo affair, but not as silly as some of the third season episodes, either.
Episode 27 "The Gazebo in the Maze Affair": A long time ago, Napoleon and Illya stopped the plan of Squire G. Emory Partridge (George Sanders) to control a small country in South America. Now he wants revenge. He kidnaps Illya and lures Napoleon to his manor in Eastsnout. He captures Napoleon and wants to have Napoleon and Illya convince Mr. Waverly come to Eastsnout to try to bring UNCLE down. They refuse though and Partridge, together with his wife Edith (Jeanette Nolan), torture Napoleon and Illya. Peggy Durance (Bonnie Franklin) helps them escape fortunately. The only thing is, the dungeon is right in the center of a maze in which it is filled with all sorts of deadly traps.* Great episode with a great plot. In the second season of UNCLE, they made it so Partridge returned again, in The Yukon Affair. I definitely prefer this first one with Partridge though. The part when Napoleon, Illya, and Peggy are trying to get out of the maze is really exciting, especially with Partridge, his henchman, and a wolf looking for them. Episode 43 "The Yukon Affair": Sqire G. Emory Partridge (George Sanders) has returned and has acquired in Alaska a large quantity of Quadrillenium X, a very heavy metal with high magnetic powers which THRUSH wants. Napoleon and Illya are sent there to try to stop him but are immediately captured by Eskimos, but are saved by the chief's daughter Murphy (Tianne Gabrielle). Partridge and his niece Victoria (Marion Thompson) again capture them though. Will Napoleon and Illya be able to escape and find the cache of Quadrillenium X? * Weak and stupid plot, not very high up in my list of favorite UNCLE episodes. The scene in the beginning where Illya and Napoleon are in UNCLE headquarters is the best part of the whole episode, the rest is just too silly.
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| 23. Touched By an Angel - 1st & 100th Episodes (Collectors' Edition) Director: Michael Shultz, Victor Lobl, Terrence O'Hara, Timothy Bond, Stuart Margolin, Kevin Dowling, John Behring, Jeff Kanew, Bethany Rooney, Gene Reynolds, Max Tash, John Dye, Armand Mastroianni, Chuck Bowman, Nancy Malone, Burt Brinckerhoff, Robert Visciglia Jr., Ricardo Méndez Matta, Sandor Stern, Bruce Bilson (II) | |
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Reviews (27)
If you never buy any other Touched By An Angel videos or if you never watch another episode, make sure you get this one!
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| 24. The Unnamable Director: Jean-Paul Ouellette | |
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Reviews (10)
The setting is perfect as it takes place in an old big house which has supposedly been haunted for years by the most terrifying creature. The creature is so terrifying it doesn't even have a name, hence, The Unnamable. A few college students, from nearby Miskatonic University decide to go and explore the big, creepy house. They soon will find out that would be the biggest mistake of their lives. As with all Lovecraftian films there is some nice gorey scenes and some startling moments. Also The Unnamable is one of the most frightening creatures you'll ever see. I feel, however, The Unnamable is lacking compared to the other Lovecraft movies I've seen (mentioned up above). The acting in The Unnamable is really pretty poor, the picture is very dark and is hard to see exactly what is going on in some places (I only saw the VHS version) , and we only get to see the creature for about the last 10-15 minutes of the movie. All and all The Unnamable is a good movie and if you're a fan of Lovecraft films I don't think you'll be disappointed.
Mark Kinsey Stephenson and Charles King are Miskatonic College students interested in "the unnamable." Their lesser-aware student brethren are more interested in either scaring the two witless or getting some on Friday night, and one of them scopes out the local haunted house for both purposes, becoming the first of many meals for the thing that's lived there since the seventeenth century. This is nothing you haven't seen before, but it's pretty well done. Ouelette improved the mix on the much better-produced sequel, which actually had something of a budget. The principals are good in their roles, but the script is pretty thin even for this kind of thing. Katrin Alexandre does an amazing job portraying the nasty demon-thing in the house, even if it doesn't fully reveal itself until the last gruesome ten minutes of the movie. It's got a good - if cheap and repetitive - music score, and is nicely photographed. Hardly great, and not as good as its own sequel, but worth watching if you like this kind of thing.
It is kind of a hoot to see the University of California Los Angeles' own sunny quad pass for the miasmic, claustrophobic campus of Lovecraft's Miskataonic University, but even so this is pretty standard kids-trapped-in-haunted-house-fare. The sequel (with Maria Ford and Julie Strain as the demon) is considerably better. ... Read more | |
| 25. Adventures of Young Indiana Jones, Chapter 10 - The Phantom Train of Doom Director: Mike Newell, Sydney Macartney, Bille August, Nicolas Roeg, Carl Schultz, Terry Jones, Robert Young (III), Gavin Millar, Jim O'Brien, René Manzor, Joe Johnston, Vic Armstrong, Gillies MacKinnon, Dick Maas, Peter MacDonald, Deepa Mehta, Simon Wincer, David Hare | |
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Reviews (8)
The second half seems slow when compared with the first, but doesn't end up being anticlimatic. Von Lettow was really great as the stodgy German general, who reminds Indy of his father (see review title). The German woman who manages to shampoo and condition her hair out in the wilds was, in my opinion, a yawner. But she didn't figure in all that prominantly, so it wasn't too bad. Five stars for all the times I was able to say, "I remember this part!"
The second continues all of the wit and humor, yet adds a thoughtful look at Indy's search for father figures to replace his own estranged father, Prof Henry Jones Sr. Quick, some lead a crusade to persuade Viacom (Paramount's parent company) that either of their networks CBS or UPN needs to make more Young Indy movies! We'll all be right behind you!
Hour One has us meeting a very young Indy, indeed. This Indy is a relatively new inductee into the Belgian Army fresh off the boat to East Africa. Indy here is, well, uptight--more uptight than even the younger, River Phoenix portrayal. He likes plans, orders. He hasn't learned yet to say, "I don't know, I'm making this up as I go along". But the group of older soldiers he meets in East Africa soon teach him the value of flexibility. They teach him, in short, how to improvise. In the process, we're shuttled along on a rollicking great adventure. Hour Two largely reverses Hour One and shows us--and Indy--that improvisation can only successfully begin from a position of discipline. Demonstrating the point is a finely-acted General Von Lettow Vorbeck, Commander of the German forces in East Africa, who variously plays captive and captor. It is a fascinating study in the relative values of luck and strategy. Lucas' choice of von Lettow, along with the apparently accurate 'elderly regiment', is, to my mind, what Lucas should've been doing in most of the episodes. By chosing people who are at once historically important, yet relatively unknown to modern audiences, Indy's association with them doesn't feel so blatantly contrived as in other episodes. Also, by concentrating almost exclusively on Von Lettow in the second hour, we really get a chance to understand the character in a way we never did in, say, "Mystery of the Blues", where historical figures virtually flooded the plot. Here, with just the single villain, we have an enjoyable game of cat and mouse, somewhat akin to "Silence of the Lambs", where we at once dislike and admire our antagonist. What Hour Two ultimately says, then, is that, while fortune does indeed favor the bold, heroic outcomes are largely the result of ordinary hard work. Ford's Indy has obviously learned the lesson well. For all the action and adventure we see in the films, there's also a lot of study and hard work before Indy ever dons the leather jacket. It is, for the audience, a lesson far more valuable than the history on offer.
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| 26. Goosebumps - The Werewolf of Fever Swamp Director: Brian R.R. Hebb, Timothy Bond, David Winning, Craig Pryce, Randy Bradshaw, Ron Oliver | |
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Reviews (9)
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| 27. Little Shop of Horrors Director: Frank Oz | |
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Amazon.com essential video Reviews (102)
The movie stars Rick Moranis in the role he was born to play: that of a geeky and timid New York City kid named Seymour, who works at a crummy florist shop way downtown along with Audrey (Ellen Greene), a blonde gal who sounds as if she's sucked in too much helium. Seymour is too shy to confess his love for Audrey, and his only way of dropping a hint is when he finds a mysterious plant at another flower shop and names it Audrey II. "I hope you don't mind," he tells her, and then he drops it by the front window of the store in hopes of drawing customers. It does. The first customer (Christopher Guest) enters with a cheerfully stupid grin and buys $50 worth of roses. "Do you have change for a hundred?" he asks. They don't. "Oh, well, then I guess I'll just have to buy one hundred dollars' worth!" Business starts to boom, and the plant starts to bloom, turning into a ferocious man-eater that demands a sacrifice of human blood from Seymour to crave its hunger. After a few weeks, Seymour is bone dry, unable to slice any more fingers open and feed his gargantuan plant. "Feed me, Seymour!" the talking plant bellows. Audrey has a new boyfriend who has been beating her up. He's a dentist, played by Steve Martin, and as he puts it, "I have a natural talent for causing people pain!" He likes to cause people intense pain, walking through his dentist's office and purposely knocking orderlies in the face with door handles and pulling teeth without applying sedatives. "Wait! I'm not numb!" a customer shouts during an introductory song. "Eh, shut up, open wide, here I come!" his dentist yells, starting to drill away. Steve Martin has played a dentist since, in the undoubtedly lesser but unjustly bashed "Novocaine" (2001). His outing as a pain-driven dentist in "The Little Shop of Horrors" is ten times better, and Martin is truly the highlight of the entire film, from the point when he is introduced riding his motorcycle to the job with a leather jacket (only to strip it off and reveal a white dentist's coat as he enters his office), to the part where Seymour enters his office with a gun in hopes of killing him and feeding him to his plant. Martin doesn't get what's going on, because he's wearing a comedically oversized laughing gas mask he invented that's making him chuckle like a moron. "What are you gonna do? Shoot me? Ha!" The laughing gas kills him before Seymour musters up the emotional strength to. Seymour drags the dentist's dead body home, chops him up and feeds him to Audrey II, but this is only the start of his worries, because soon the media frenzy centered around the wonderfully odd plant starts to drive him to insanity, as he desperately tries to juggle between keeping a clean conscience and keeping away the media. Then Audrey II reveals its true intentions - to take over the world with its offspring - and Seymour decides that it's time to stop Audrey II before it gets too far. "The Little Shop of Horrors" is such a wonderfully offbeat comedy it's almost impossible to dislike. It's one of my favorite comedies, the type of odd little film that doesn't promise to be very much at all but provides a lot. Frank Oz directed the film (based on Roger Corman's classic), and it was filmed on a visibly low budget, but that's okay, because it's supposed to be that way. It's part of the fun. All the stages are obviously just that, with poorly painted backgrounds of New York City and the skyline. You can literally see the cracks in the wall where the different stages meet with each other. And it's great! It makes the movie, and the movie knows it isn't anything special. At one point, Audrey has a dream sequence of living in a nice little Brady Bunch home, and we see Seymour cutting the lawn with a lawnmower. It's so cheesy and fake that it barely meets the quality standards of a children's television show - but, once again, it helps makes the movie. The movie has tons of cameos, too, including James Belushi, John Candy, Christopher Guest, Bill Murray, et al. And if the guest stars, dark humor, and delightful direction don't interest you, perhaps the songs will - because many of them are quite good. The highlight is "Suddenly Seymour," in which Seymour and Audrey have a duet, and Audrey's voice suddenly turns from meek to booming, overpowering Seymour's lyrics and pounding the stage. This is the definition of a cult film. Everything about it just strikes you as a cult film. But whereas "The Rocky Horror Picture Show" is a cult film for - in my opinion - sick people, "The Little Shop of Horrors" is a cult film for people who love comedy. It's all in good nature, with cheery little musical numbers every once and a while that are as funny as the songs in "The Blues Brothers," if not more so. But what makes the film particularly different from the rest is its deliciously dark humor - especially for a mainstream comedy like this. From the plant's adamant bloodlust to the shadowy image of Steve Martin slapping Audrey around behind a backlit stage prop, this is one of the funniest, darkest, and yet also cheerfully lightweight comedies ever.
The cast is perfectly matched to each character, the do wop Motown ala Crystals combined with Levi's rock out bass as "da plant" draws you onto the screen! One for today's generation, sophisticates and those who want to really enjoy a musical - when it's over, all you want to say is "Wasn't that a lot of fun!" Rent it, buy it, but ENJOY it.........
Ellen Greene as the plucky Audrey, who also played the part on stage, Steve Martin as the sado-masochistic Dr. Orin Scrivello, DDS, Rick Moranis as the milquetoast Seymour, Vincent Gardenia as the crusty Mr. Mushnik & the voice of Levi Stubbs as the people-eating, mean green mother from outer-space, Audrey II. Bill Murray has a hilarious cameo as Arthur Denton, the pain loving dental patient. He screams CANDY BAAAAR whilst the dentist inflicts pain upon him! John Candy cameo as the radio announcer, Wink Wilkinson, Jim Belushi as Patrick Martin, Christopher Guest as the first flower shop customer. Great musical numbers from all, especially Ellen Greene who has one of the best set of pipes EVER! Great family movie with only mildly irreverent language. Happy Watching! ... Read more | |
| 28. Circle of Friends Director: Pat O'Connor | |
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Amazon.com Reviews (46)
this is a pretty straightforward and simplistic film. and my only complaint is that the film doesn't flesh out some things that i really would have liked fleshed out, and it had some loose strings left hanging in the end. for example, i loved eve and aidan as a couple, yet the film gave them pretty flat portrayals. on the one hand, you're left wanting to see more, but on the other hand, there is the possibility that the film could spread itself too thin in terms of plot. the movie was well cast. minnie driver is phenomenal. chris o'donnell doesn't get much credit. and my other favorite was the one who played eve. she really had spark! and alan cummings as the irrepressible sean walsh just makes me want to barf! all in all, the movie's plot is a little thin, but the cast and great scenery more than make up for it.
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| 29. Godzilla vs. King Ghidorah Director: Kazuki Omori | |
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Reviews (62)
So, what's the probelm? Time travel. People from the future (2204, to be exact) who've traveled back to 1992 to prevent Godzilla from destroying Japan by preventing him from being created in the first place by going back to 1944, where on Lagos Island during the Pacific War, the Godzillsaurous...you'll just have to see it. If you can get past (no pun intended; well, maybe a little) the time travel plot devise, you'll find GvsKG a lot of fun. Just don't look for great themes or moving performances with the exception of Yoshio Tsuchiya as Japanese businessman Yasauki Shindo, whose encounters with the stricken Godzillasaurous on Lagos Island, and then Godzilla in Shinjuku in Tokyo are actually well done and believable.
Humans from the future have come to Japan to warn that Godzilla will soon recover from the anti-nuclear bacteria and lay waste to Japan. The best way to stop him would be to go back to 1945 and move the godzillasaurus from the Marshal Islands before it can be mutated into Godzilla. They then go back to perform the deed. After that the dinosaur saves a troop of Japanese soldiers from the attacking Americans it is teleported to the Bering Strait. But the future humans leave behind three small bio-engineered creatures called dorats. Back in our present day Godzilla no longer exists (although there are no real changes). But now a new monster, King Gidorah, has risen. King Gidorah was created when the dorats were exposed to the radiation that originally created Godzilla. That the future humans are actually here to prevent Japan from becoming the number-one world power. With King Gidorah under their control they should be able to destroy Japan. The Japanese government decides to locate the godzillasaurus and expose it to enough radiation to recreate Godzilla. But a sunken nuclear sub has beat them to it. Godzilla lives and is bigger than ever. At about that time a schism opens among the future humans and two, a Japanese woman and an android, decide to help current Japan. Godzilla manages to defeat King Gidorah and blow off its middle head. But then Godzilla takes up where King Gidorah left off. Now Japans only hope is for the future humans to restore King Gidorah and defeat Godzilla. Back in the future King Gidorah is located and augmented into Mecha-King Gidorah who comes back to drive off Godzilla. In the end the two monsters plummet into the sea. This is a real fun one. I am glad Tri-Star Pictures was able to finally release this one in America after a long delay (although the portrayal of Americans is not too favorable).
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| 30. The Heist Director: Stuart Orme | |
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Description Reviews (6)
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| 31. The Competition Director: Joel Oliansky | |
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Amazon.com Reviews (16)
And the people are lovely. Is it just because it was made in 1980 that the absense of media seems so strong? They're just lovely people with personality. Even the Piano Teacher, who's slightly stereotypical, isn't made into a joke. You feel her contained ambition. That is, if you're a pianist. ... Read more | |
| 32. Goosebumps: Werewolf Skin Director: Brian R.R. Hebb, Timothy Bond, David Winning, Craig Pryce, Randy Bradshaw, Ron Oliver | |
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| 33. Housesitter Director: Frank Oz | |
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Amazon.com Reviews (19)
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| 34. Dr. Quinn Medicine Woman: For Better Or Worse Director: Alan J. Levi, Bobby Roth, Harry Harris, Roy Campanella II, Gwen Arner, Victor Lobl, Reza Badiyi, Lorraine Senna, Terrence O'Hara, Michele Lee, Steve Dubin, James Keach, Jerry London, Carl Binder, Gabrielle Beaumont, Rachel Feldman, Daniel Attias, Chuck Bowman, Richard T. Heffron, Jerry Jameson | |
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Amazon.com Reviews (5)
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| 35. Godzilla vs. Biollante Director: Kazuki Omori | |
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