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| 1. Cinderella (Disney) Director: Hamilton Luske, Wilfred Jackson, Clyde Geronimi | |
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Amazon.com Reviews (50)
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| 2. Star Wars - Episode II, Attack of the Clones Director: George Lucas | |
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Reviews (1926)
First, I would open the movie where the main character of the movie -The Jedi- freefalls some 10,000 stories in a sprawling metropolis, all the while narrowly missing multitudes of careening hovercrafts which literally filled the sky, only to finally land safely inside one of them just in the nick of time, nanoseconds before he was about to slam into the ground. Secondly, I would include the most bland, personality-less, emotionally-uninspiring actors and actresses I could find. Also, I would incorporate pseudo-Greek cultural and archeological elements throughout the movie (which had no relevancy to the sci-fi theme of the movie) so as to confuse the viewer as to what planet...or planets the movie was taking place in...or what universe and epoch(s) for that matter. I'd include several pseudo-romantic scenes where there wasn't an iota of emotion or chemistry between the two love birds and whose forced, stimulated 'romantic scenes' seemed to serve no purpose, either. I would then attempt to completely destroy...annhilate the original Star Wars's sacred notion of the force -as being stimulated and channeled by spirituality and mind over matter- and any drama associated with it as well. MY notion would be that the measure of one's force can be determined by analyzing mitochondrial DNA samples to tally the number of antibodies present in the protoplasm. Next, I would blow away the concept of the original Star Wars's wimpy 2-jedi battle scenes with an epic magnitude-12 mega battle scene which consisted of 10,000 jedis and 100,000 jedi foes engaged in flipping-through the-air somersault kung fu moves that render the likes of "Crouching Tiger, Hidden Dragon" and all '70s special-effects-laden Chinese kung fu flics obsolete. You thought that Luke Skywalker jumping 10 feet out of a carbon freeze container was cool? Could Luke Skywalker stay airborne for 10 seconds all the while throwing barrages of backroundhouse kicks and punches? Screw that punchless Luke Skywalker single-blade lightsaber. Behold, I introduce the double-edged light saber which all jedis are equipped with. FULLY FUNCTIONAL AND OPERATIONAL. Only an elite and intelligent class of human being can be a jedi? Not anymore. Any living, crawling, oozing intelligence-devoid parasite, wingless bat or orc -of any gender-can be a jedi. Finally, I would end the movie with Kung Fu/Force-Master Yoda defeating the Master Evil Jedi with triple and quintuple cartwheel backroundhouse kicks and punches, while airborne, and lightning-fast Tae Kwan Do slaps and curled finger combinations that would put Jackie Chan to shame. The very last scene of the movie would end with the Evil Jedi Master becoming so angry, because of his defeat, that his head grew to the size of a large balloon, then exploded with the force of 20 grenades. Maybe I'd include that scene only in the UNCUT version. The result: The sci-fi sequel to "Big Trouble in Little China" -Big Trouble in Little Greece: Attack Of The Kung Fu Robots...or as some people may prefer to call it -Star Wars II: Attack Of The Clones.
Best Parts: That's it. Everything else in these films is an utter joke. I could go on for many paragraphs, but I'll spare you. You gotta realize that there was a reason George didn't direct Empire or Jedi. He's an awful director. He has no ear for dialogue. The newer digital film process looks really awful. Only good ol' George could manage to waste the talents of Christopher Lee, Sam Jackson, Ewan McGregor, and Natalie Portman. And I think Hayden Christensen is the only other actor who possesses Keanu Reeves' atrocious wooden technique. His Anakin doesn't possess darkness, just stupidity. I hope Lucas gets a tumor in that fat double chin of his. If you don't like it, sue me. He's destroyed the meaning of my childhood favorites, so the hell with him. Do you really think the next film is going to make up for it? Only if it's about four hours long and is directed by someone else.
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| 3. The Red Balloon Director: Albert Lamorisse | |
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Amazon.com Reviews (63)
It is a shame that the DVD is so grainy and the sound so poor, the copy I have is actually a Korean DVD which is no problem as you can turn off the Korean subtitles. It would seem, as some reviewers have suggested, that this DVD was made from a copy of the film stock that was dragged through the streets. It is still watchable but it is a crime that this film masterpiece should be in such a poor state on DVD. Someone has to step up and remaster this film for DVD so that it can continue to reach children in future generations.
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| 4. Lady and the Tramp Director: Hamilton Luske, Clyde Geronimi, Wilfred Jackson | |
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Amazon.com Reviews (65)
This Limited Edition DVD, brings nothing in Bonus Features, this title really needs a much better release and it will get it since it has been officially announced as part of the Platinum Edition line, which will give the title a much better release.
Mykenna Tremblay age #12 ... Read more | |
| 5. Star Wars - Episode IV, A New Hope Director: George Lucas | |
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Reviews (283)
From Hero Luke Skywalker's symbolic journey from his home Tatooine to the moment of victory at the finale, we are greeted with a myriad of fantastic characters, especially Han Solo, played by a pre-Indy Harrison Ford and his buddy Chewbacca, flying around in their Millenium Falcon. And the ultimate incarnation of evil, Darth Vader. British veteran actors Alec Guiness and Peter Cushing are excellent as a wise yet ageing "Old Ben" Kenobi and Vader respictively. And that, more than anything, is what made TPM so hollow. While the action was good, the lack of good characters was disappointing. But AOTC has regained much of the sense of adventure that this film started off.
George Lucas was at his creative peak in the "Hope," and it shows. The special effects are used to help paint the world in which the characters live. They don't distract and they don't take away from the actors' performances. The trench run with the Death Star can still live today with modern special effects laden scenes. And the actors are so convincing in their roles, unlike some in the prequels. Alec Gunniess leads the cast with his Shakesperian wisdom, and the cool Harrison Ford is just , well, cool. Also Mark Hamill is great, as is Carrie Fischer as princess Leia. And who can forget Chewie? Star Wars still delivers, watch and enjoy.
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| 6. Star Wars - Episode I, The Phantom Menace (Widescreen Edition Boxed Set) Director: George Lucas | |
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Amazon.com Among the host of new characters, there are a few familiar walk-ons. Wewitness the first meeting between R2-D2 and C-3PO, Jabba the Hutt looksyounger and slimmer (but not young and slim), and Yoda is as crabby asever. Natalie Portman's stately Queen Amidala sports hairdos that makePrincess Leia look dowdy and wields a mean laser. We never bond withJedi Knight Qui-Gon Jinn (Liam Neeson), and Obi-Wan's day is yet to come. Jar Jar Binks, a crossbetween a Muppet, a frog, and a hippie, provides many of the movie's lighter moments, while Sith Lord DarthMaul is a formidable force. Baby-faced Anakin Skywalker (Jake Lloyd) looks too youngand innocent to command the powers of the Force or wield a lightsaber (much less transmute into the future Darth Vader), but hisboyish exuberance wins over skeptics. Near the end of the movie, Palpatine, the new leader of the Republic,may be speaking for fans eagerly awaiting Episode II when hepats young Anakin on the head and says, "We will watch your career withgreat interest." Indeed! --Tod Nelson Reviews (2449)
Anyway - this is an awesome and incredibly well done DVD. Lots and lots of extras. Great commentary by Lucas, the producer, the sound man, etc. Interview with the composer. Lots and lots and LOTS of background materials on the making of the film, and the entire process of putting it together from initial writing to final production, and the making of the DVD itself. The image of the movie is *very* crisp and clean. The deleted scenes are a nice addition to the movie. I am very impressed (and surprised, to be cynical about it) that Lucas has given us the full-featured DVD the first time out, and not offered us one scaled down DVD version, only to offer us a better version in a year, and then the full-scale one a year after that, like he's constantly done with the VHS versions of his movies. Thank you, Lucas, for taking care of your fans this time, and not trying to pad your pockets a few times before giving the fans what they *really* want. Quality-wise, this is absolutely one of the most loaded, best-featured DVDs I have in my collection. (as a p.s. - after hearing Lucas' commentary, and talking about some things coming up in the next movies, I have realized that a few things I criticized about this movie actually make sense oin terms of the upcoming story-line. However, I still think that, overall, the writing for this movie was only a cut above old b-movies)
When Lucas made the first trilogy he was a relativly unknown up-and-comming writer/director full of desire and well, "hunger" to make his mark. That drive lead to the masterpieces of pop culture we know as ANH and ESB. By ROTJ his edge was already waning but thankfully it was the last one... or so we thought. By the time TPM came out he lost it completely and produced a quite mediocre if at best ordinary film. Living like a king for the past 20+ years made him not "hungry and full of desire" but fat and content. He lost his edge. Peter Jackson's LOTR Trilogy is so much better than Lucas' last 2 efforts for this same reason. Jackson has the "eye of the tiger"! Lucas HAS to get his edge back. Most agree AOTC is better than TPM but not by much. Will episode 3 prove that Lucas got it back?? If only reality played out like the fantasy of Rocky III and Lucas brings home a REAL winner....
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| 7. One Hundred and One Dalmatians Director: Hamilton Luske, Wolfgang Reitherman, Clyde Geronimi | |
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Description Reviews (12)
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| 8. Peter Pan Director: Clyde Geronimi, Wilfred Jackson, Hamilton Luske | |
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Amazon.com Reviews (98)
PETER PAN is about the boy who could never grow up and after chasing his shadow in the bedroom of Wendy, John and Michael, he invites the 3 to fly with him to Neverland. It's a wonderful story of adventure, fun and flying. All children will enjoy this one. Now again, my reason for taking a star off is obviously for the derogatory and stereotypical depiction of Native Americans in this movie. Regardless that this movie was made in 1953 still doens't make it right. As parents, it really should be the responsibilty of the parents to explain and to teach children the right way. I will say that every child should enjoy PETER PAN, but afterwards every parent should take the time to explain to the children that making fun of another culture is wrong. Either way it goes, if you're looking for other great Disney classics look for BEAUTY AND THE BEAST SPECIAL EDITION, THE FOX AND THE HOUND, ROBIN HOOD, SLEEPING BEAUTY and CINDERELLA. Also check out some of the new Disney's like MONSTERS INC and TOY STORY and TOY STORY 2.
There are defensible reasons for this, I suppose. Drama requires talking, but characters who stand around gabbing bring an animated film to a dead stop. I also suspect that Disney simply didn't understand the story in the first place. It wasn't until the Ashman/Menken era that Disney films finally developed any dramatic focus. It's unfortunate, because "Peter Pan" starts off well enough. The late Sammy Fain's "Second Star from the Right," played over the title cards, has one of the most-ravishing melodies in the history of American popular music. (Look for the albums "Bibbidi Bobbidi Bach" and "Heigh-Ho! Mozart" for superb "classical" arrangements of Disney tunes.) The "You Can Fly" sequence is inspired (and can you name any other pop song with an accelerando passage?). But everything quickly bogs down thereafter, with Captain Hook's machinations providing the only fun. There just aren't enough good things in the Disney "Peter Pan" to make up for its failure to treat the source material in an honest and serious fashion.
Peter Pan, the title character, is a spry, charming lad who loves his carefree existence. He is, however, upstaged by his companion, the delightfully naughty Tinker Bell, a temperamental pixie who literally sees red when Wendy accompanies Peter Pan to Never Land. Captain Hook and his shadow, the crocodile, the sniveling Smee, the beautiful mermaids, and the stoic Tiger Lily are the characters who stand out in this movie. Wendy and her brothers, John and Michael are okay and basically come along for the ride. The sprightly song "You Can Fly!-You Can Fly!-You Can Fly!" is just one of the memorable tunes for which Peter Pan is fondly remembered.
P.S. The claim that this movie is an allegory to the JFK years is easily refutable, since this movie was made in 1953, while the play is over a century old. ... Read more | |
| 9. Eddie and the Cruisers II: Eddie Lives! Director: Jean-Claude Lord | |
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| 10. Sesame Street - Learning About Letters Director: Bob Schwarz, Jon Stone, Eva Saks, Jim Henson, Randall Balsmeyer, Stan Lathan | |
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Amazon.com Reviews (14)
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| 11. Fantasia Director: T. Hee, Norman Ferguson, Wilfred Jackson, Ben Sharpsteen, Ford Beebe, Jim Handley, Paul Satterfield, Hamilton Luske, James Algar, Samuel Armstrong, Bill Roberts | |
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Reviews (158)
The first disk is the original FANTASIA, which Disney describes as restored. This is not strictly true. First and foremost, the restoration of visual elements is sloppy at best, with the film plagued by streaks and blips, and at least one sequence ("Dance of the Hours") appears to be slightly cropped. That aside, portions of the Deems Taylor narration have been completely lost, and these have been rerecorded by Tim Matheson--and Matheson's voice is not a good match for Taylor and the sychronization is poorly done. Lastly, one selection ("Pastoral") has been censored: a brief image, which would be considered racist by today's standards, has been deleted from the sequence. Even so, it is still FANTASIA, and it overcomes all of these liabilities. The animation, which was created by hand and photographed through a number of laborious processes, shows Disney Studios at the height of its powers. Every one is certain to have their favorites among the selections (mine are "Dance of the Hours" and "Night on Bald Mountain"), but every selection is brilliantly conceived and executed, and although the content varies from sequence to sequence the overall style of the film hangs together in a most remarkable way. FANTASIA was, is, and will no doubt will forever remain a touchstone in animation art. Unfortunately, the same cannot be said of the second disk, FANTASIA 2000. This particular film is extremely uneven, the sequences lack the same cohesive style that held the original FANTASIA together, and the entire film is beset by a series of often obnoxious "celebrity" introductions that give the film the feel of a made-for-TV variety show. Still, some of the visual ideas are very impressive, and while they are too few to offset the portions of the film that do not work, they still make FANTASIA 2000 mildly entertaining. Both the FANTASIA and FANTASIA 2000 disks include documentaries and commentary tracks on each film. The third disk, called "The Fantasia Legacy," is a bonus packed with interviews, archieval footage, and sketches that show how each sequence in both films was developed and then filmed. Some of this material is redundant, for it is included on the documentaries on the first two disks, but most of it is unique to this disk alone. Disney originally saw FANTASIA as a film that could be re-released with a mix of old and new selections every few years, and the most interesting material on the "Legacy" disk is a restored "Clair de Lune" (made for and then cut from the original FANTASIA) and various storyboard ideas for future sequences. The only way one can obtain the "Legacy" disk is to purchase this three disk package--and therein lies the rub. The original FANTASIA is brilliant, and even in its so-so state it is worthy of a place in any DVD library. FANTASIA 2000, however, is trivial, occasionally interesting but not greatly memorable and not a piece that one would normally go out of the way to purchase. And the price for the three disk package is quite steep. If you are a Disney fan who must have every scrap of material available, I would recommend the investment this package requires. But if your primary interest is the original FANTASIA, you are much better off simply purchasing a DVD of that film alone--the other two disks are simply not worth the expense. Purchasers should alos remember that the original FANTASIA does not often appeal to very young children, and if the purchase is being made for a child you are likely to be disappointed in their response. Final thought: the original FANTASIA is brilliant, FANTASIA 2000 is so-so, and the bonus disk is for hardcore fans. This pricey package is recommended to the latter only.
1. Toccata & Fugue - Rousing music, good choice for opening. But I'm not a big fan of abstract animation. 2. Nutcraker Suite - Although most people like the Sorcorer's Apprentice best, I like this one the best. The music is so catchy! This peice's fantasy characters make me feel like a little kid again. 3. The Sorcorer's Apprentice - Ummm . . . Its O.K. Its good to own since its hisotric in Micky Mouse history. 4. Rite of Spring - This segment rocked! Why doesn't anyone like it? If featured breakthrough technology for the '40s! And the dinosaurs were so accurately drawn according to science at that time! 5. Intermission & Sound Track - Was this stuff necisary? 6. Pastoral Symphony - Great music, mythological characters. I guess it depends on your conscience for wether or not to like this one. 7. Dance of the Hours - LOL! This piece was great! I never knew Fantasia had the "Camp Granada" song! And the hippos and croc are so cool! 8. Night on Bald Mountain - Disney went overboard on this one. It's pretty demonic. It's up to you one wether to watch that one or not. I know he wanted the biggest battle of good vs. but this was too much. 9. Ava Maria - Kinda hokey and religous. It's alright. but the multi-plain camera was put to good use.
Other than that, Fantasia is a masterpiece. While it didn't really help Disney out much financially, the animation that accompanies the music is flawless. You really admire the artists that worked on each short. While it took hundreds to work on one piece at a time, now it'd only take a couple of guys on a computer with the latest animation software a few days. It's funny that most of this looks better than a lot of recent Disney films. The colors, smoothness of the animation, and how it blends with the music is just breath taking. The picture is as good as you're going to get for a movie this old. There's very little grain and dust on the print, and you'll hardly notice it with all the beauty on-screen. The audio is crisp and clear, so go nuts turning it up. The special features are ok. The commentary is made up of interviews and clips from Walt and others. When some people speak on it, there's a little bit of static, which doesn't matter since it's taken from an early source. It's not going to interfere with hearing anything they say, but I just thought I'd mention it. It's still a very interesting commentary track. I listen to it from time to time and always learn something new. The documentary is pretty cool too, though a lot of it I've already heard from other Disney specials and such. If you want the real goods as far as extras go, get the Fantasia Anthology edition. The third disc on that sucker is amazing. So if you're really expecting the "uncut" version, you'll be disappointed. I doubt it'll ever be released unless somehow Leonard Maltin can get that put out too. I mean, if he can get the Donald Nazi short put out in the newest wave of Disney Treasures, he's gotta have SOME chance of giving us the original Fantasia. Pick this up before it's out of print for another 10 years. It's a film to pass down the generations.
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| 12. Pinocchio Director: Hamilton Luske, Ben Sharpsteen | |
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Amazon.com essential video Reviews (107)
Last night I watched Pinocchio, Disney's second feature-length film and in my opinion one of the studio's best features. Based on the 19th century book by Carlo Collodi, but not half as unpleasant, Pinocchio combines winning animation with great humor and excitement. There are songs, but they're never like the huge production numbers that last four minutes and feature the voice of some up-and-coming princess of pop (who'll be gone in a year) that the studio later adopted with the applicable exception of When you Wish Upon a Star. The movie takes a sadastic, cruel, heartless little wooden boy (Collodi's character) and turns him into an interesting, 3-dimensional kid with a good heart but who is weak-willed and doesn't always listen to reason. The animation makes brilliant use of the multiplane camera, featuring a sprawling opening sequence in which the viewer practically sees the entire village at night. The characters are colorful and fun (I especially love Honest John Foulfellow and his sidekick Gideon) and the story has never a dull moment. This film is a reminder of the sort of efforts Disney put into their films; the man himself had a great storytelling passion that was lost in later works (Alice in Wonderland, 101 Dalmations). Pinocchio was never as famous as some of the others, and this is unfortunate because it is his masterpiece.
are, anything you heart desires will come to you." You've heard this song on the Disneyland and Superbowl commercials, but do you remember where it came from? It came from this cartoon, Pinocchio, Walt Disney's second feature to "Snow White and the Seven Dwarfs" in 1940. I repeat 1940!! Wow and to this day ,Pinocchio still stands out as one of the greatest movies of all time. This opinion is about the 60th anniversay VHS of Pinocchio with THX sound and Remastered visual footage. It even has a bonus at the end about the making of Pinocchio!!! Wow. This was a Christmas gift for my best friend and she loved it, and I can see why. Pinocchio is filled with dazzling animation,music and filled with so much fun and happyness that at the end of the movie , you will feel like wishing upon a star youreself. Pinocchio is about a wooden puppet made by toymaker Geppeto (Christian Rub) who wants his own son. Geppeto makes one wish, to have his own son. Geppeto gets his wish when the Blue Fairy brings Pinocchio to life!!! It took nearly 700 animators and technicians to bring Pinocchio to life and the hard work definitely shows!!! People can say whatever they want about Disney current movies, true they lack a certain magic unlike their cherish cartoon like Pinocchio, but Disney is one of a few companies that has a SOLID record of making Cartoon Classics that are loved by everyone. The fairy brings Pinocchio to life and promises to Pinoccho (voice of Dickie Jones) that he will remain a real boy if he follows the basic principles that every boy should have. He has to be loyal, truthful and above fair. She assigns Jiminy Cricket (Cliff Edwards) to be Pinocchio's conscience. Well it sounds easy at first, but living up to these values is the real challenge here and Pinocchio tries his best to follow them,but since he has just being turned into a boy he doesnt yet know right from wrong. This is where we meet characters like ,J. Worthington Foulfellow, Stromboli and Barker who take advantage of the young boy. Jiminy Cricket and the fairy save Pinocchio from his judgement calls ,but yet Pinocchio doesnt learn to tell the truth and when he lies his nose starts to grow like a Christmas tree. :-) Meanwhile Geppeto is looking for Pinocchio and ends up being captured by a giant whale Monstro!!! Pinocchio saves Geppeto in a brillian animation sequence and Pinocchio by displaying bravery ends up being a real boy permanently. It's a classic, I can say more but I dont want to spoil it for anyone In an age, where moral, brilliant, wholesome cartoons are scarce you look back to the classics and Pinocchio will forever stand out as one of the greatest classics ever made by Walt Disney who has left his print in the world and in children's hearts. Go out and buy this for youre children
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| 13. Sesame Street - Learning to Share Director: Bob Schwarz, Jon Stone, Eva Saks, Jim Henson, Randall Balsmeyer, Stan Lathan | |
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Firstly the "sharing" message is delivered in a heavy way with very few songs to liven it up. Then the newsreader/interviewer format used doesn't work at all - it is just incredibly boring. Even the introduction of familiar characters like Jack and Jill and the Three Little Pigs cannot save this dud. I think it may even teach children to be more selfish and "MINE" oriented than they were before they watched it. Elmo constantly talks about Elmo's train, and it's clear that he absolutely hates to share. At the end he only agrees to share due to purely selfish reasons (otherwise Zoe won't play with him anymore), and he tries to share as little as possible (as little as Zoe will let him get away with). This DVD portrays sharing as a strict case of quid pro quo - I'll give you a cookie, but ONLY IF you give me half your glass of milk. Never mind that I have lots of cookies (more than I can eat). I think sharing should be portrayed as motivated by friendship, affection and caring, not only selfish "what's in it for me?" thinking.
Katie Couric (who is not an actress - bear with her) cuts in occasionally as a newscaster for "Cooperation Today" solving conundrums like how Jack & Jill can get up the hill, and how the 3 little pigs can keep themselves safe by helping them work together. A few vintage clips "What is Friend?" with Cookie Monster, and "Two Heads are Better than One" are included. Unfortunately, the rest of the music on this tape is not up to Sesame Street standards. Joe Raposo's "Share" by Elmo, Zoe, and Big Bird isn't too bad - but the Elmo's Train song is annoying, and the Cooperation Song is unpleasantly saccharin. That being said, my 3 year old preschooler was riveted to his seat, and cried for me to rewind it when it was over. He just started school, and is struggling with this issue - the video seemed to help him collect his thoughts. Again, as in "Big Bird Gets Lost," we had a great discussion afterwards. I'd definitely recommend this to parents whose kids are having a tough time learning to play.
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| 14. Star Wars - Episode IV, A New Hope (Special Edition) Director: George Lucas | |
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Amazon.com Reviews (283)
From Hero Luke Skywalker's symbolic journey from his home Tatooine to the moment of victory at the finale, we are greeted with a myriad of fantastic characters, especially Han Solo, played by a pre-Indy Harrison Ford and his buddy Chewbacca, flying around in their Millenium Falcon. And the ultimate incarnation of evil, Darth Vader. British veteran actors Alec Guiness and Peter Cushing are excellent as a wise yet ageing "Old Ben" Kenobi and Vader respictively. And that, more than anything, is what made TPM so hollow. While the action was good, the lack of good characters was disappointing. But AOTC has regained much of the sense of adventure that this film started off.
George Lucas was at his creative peak in the "Hope," and it shows. The special effects are used to help paint the world in which the characters live. They don't distract and they don't take away from the actors' performances. The trench run with the Death Star can still live today with modern special effects laden scenes. And the actors are so convincing in their roles, unlike some in the prequels. Alec Gunniess leads the cast with his Shakesperian wisdom, and the cool Harrison Ford is just , well, cool. Also Mark Hamill is great, as is Carrie Fischer as princess Leia. And who can forget Chewie? Star Wars still delivers, watch and enjoy.
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| 15. Sesame Street - Learning About Numbers Director: Bob Schwarz, Jon Stone, Eva Saks, Jim Henson, Randall Balsmeyer, Stan Lathan | |
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Amazon.com Reviews (10)
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| 16. Uncle Tom's Cabin Director: Stan Lathan | |
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| 17. Best of I Love Lucy Volume 2 Director: Ralph Levy, Marc Daniels, William Asher, James V. Kern | |
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But Lucy could make you cry as well as laugh. "Lucy is Enciente" (Episode #45, December 8, 1952) finds Lucy feeling run down and visiting the doctor, who tells her that she is going to have a baby. Having dreamed of this moment for over a decade of marriage, Lucy wants the moment to be absolutely perfect when she tells Ricky so Ricky is passed a note that there is a woman in the audience who wants to tell her husband that they are expecting and wants Ricky to sing "Rock A Bye Baby." Ironically, when Lucy and Desi were filming the climax, they got caught up in their own emotions when th and both started crying. The scene was considered ruined until it was screened and they discovered it was impossible not to cry watching the happy couple. This final scene is one of the most beautiful moments in television history. Just thinking about it gets you choked up. "The Ballet" (Episode #19, February 18, 1952) is one of the better episodes where Lucy tries to get into show business. Ricky has an opening for a ballet singer and a burlesque comic in his show. So, of course, Lucy tries out for both parts. Finally, there is my favorite Ethel episode, "Ethel's Hometown" (Episode #112, January 31, 1955). On their way to Hollywood the Ricardos and Mertzes stop in Ethel's hometown of Albuquerque, where they discover that everyone things that the former Ethel Mae Potter is the big celebrity. As Ethel performs her famous number "Short'nin' Bread," the other three upstage her behind her back. For some reason, living outside Albuquerque when I first saw this one just added to the enjoyment. Go figure. Get both of the volumes in the "Best of 'I Love Lucy'" collection and you will have what most everybody agrees are the four funniest moments in Lucy history PLUS the biggest tear jerker!
The first episode "Job Switching" is a classic. The men and women change places, with Ricky & Fred being the homemakers, and Lucy & Ethel getting a job. This episode is famous for the scene in which Lucy stuffs her face with chocolates. Another episode on this volume, "LA at Last" is also a classic. In this episode, Lucy meets William Holden at a famous restaurant in less-then-favorable conditions. Ricky later brings him home, and hilarity ensures. Lucy even sets her (plastic) nose on fire! "The Ballet" and "Lucy is Enceintre" also two great episodes. Last, but certainaly not least, is "Ethel's Hometown". The gang, on their way to LA, stops at Ethel's hometown (Also Vivivan Vances) of Alberque (I know I mispelled that :D). Her father and the town are in an uproar of happiness over seeing her, since they believe she is going to be in a movie, when in reality it's Ricky. The gang takes great measures to humiliate Ethel, and hilarity ensues! So remember, "Ethel May Potter-We Never Forgot 'Er!") ... Read more | |
| 18. Sesame Street - Get Up and Dance Director: Bob Schwarz, Jon Stone, Eva Saks, Jim Henson, Randall Balsmeyer, Stan Lathan | |
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My daughter is 16 months and knows all the steps and songs. The first song is instructional, where you touch your toes, turn around, pull on your ears etc. After dancing with her, my daughter knows all her body parts!
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| 19. Ryan's Daughter Director: David Lean | |
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Of his pictures which history will remember well, Lean delivered at least one masterpiece ("Oliver Twist," 1948), which dared to risk anachronism when it evoked the prison camps of WWII in its workhouse boys' scabby, balding heads--not to mention Alec Guinness's frightening Fagin ("What right have you to butcher me!?"). He made two other first-rate pictures: "Great Expectations" (1946), a rare triumph of literary abbreviation, & "The Bridge on the River Kwai" (1957), the most melancholy meditation on suffering I've ever seen--like a paragraph from Dostoyevsky or Solzhenitsyn played deftly out to feature length. "Lawrence of Arabia" (1962) signalled, I think, the beginning of an elephantiasis in Lean's ambition--though it's been observed that "Lawrence's" minimalist compositions and love of "empty" screen-space may have primed audiences for later, more abstract adventures such as "2001: A Space Odyssey," and even "Apocalypse Now." Lean's respectful eye for and fascination with natural landscapes, especially as they dwarf people, and the psychologic import of that domination of scale, was often on ostentatious and useful display in his early and middle years. Later, this titanic style of framing became expected of Lean--not least, repeated viewings attest, by the man himself. It's as if he became trapped by his repute for monumentality, which was rarely less appropriate than here. "Ryan's Daughter," based on a parlor-scale melodrama by Robert Bolt, never has the chance to escape Lean's Olympian regard and withers on film like a bug caught in the projector gate. Never mind the performances, which are generally credible, nor the cinematography, which (in the only home video available, a wretched panned-&-scanned dub with horrible color balance) is typically assured work from Freddie Young. "Ryan's Daughter" is a failure from a man with a fading vision, and uninstructive ... unless the lesson is to tailor style to substance at all costs.
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| 20. Pay It Forward Director: Mimi Leder | |
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Description Reviews (205)
Paying it forward is about taking risks for others, risks that are hard, challenging, and scary. Trevor himself honors the courage it took his mother to forgive her mother for the childhood that caused her such pain. It takes courage -- and that is why the end is as powerful as it is. I won't spoil it, but I want to say that it was a statement that underscored the kind of courage it takes to change the world. I wasn't too crazy about the final scenes, they were anti-climactic and stretched the point. Still, it was a beautiful story and if only we could all make the effort to "pay it forward" who knows what kind of difference we could make?
It gives one a respect for living life each day to the fullest, no matter what circumstance we encounter. Life is truly a gift from GOD.
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