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| 181. Amazing Stories - Book One Director: Paul Bartel, Joe Dante, Bob Clark (III), William Dear, Matthew Robbins, Danny DeVito, Graham Baker, Burt Reynolds, Paul Michael Glaser, Bob Balaban, Robert Markowitz, Kevin Reynolds, Mick Garris, Nick Castle, Ken Kwapis, Norman Reynolds, Phil Joanou, Clint Eastwood, Tobe Hooper, Timothy Hutton | |
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Amazon.com Kevin Costner plays the pilot of an American bomber running raidsinto German airspace. During a dogfight with Nazis, a piece ofenemy aircraft wedges itself into the hull of Costner's rig and jams thehatch of the ball turret gunner. The shootout cripples the landing mechanism,and the net effect is that the gunner (Casey Siemaszko) is stuck in histransparent shell, unable to get back up into the body of the plane andcertain to die horribly during an imminent, emergency landing.Spielberg keeps tightening the screws, brilliantly directing a handful of goodactors (Kiefer Sutherland is in the mix) in a tight spacerapidly filling with dread and grief. While it has to be said that theresolution of "The Mission" may well be the most improbable turn of events in television history, everything up to that point is as exciting as TV can get. Also on Book 1 is "The Wedding Ring," starring real-life spousesDanny DeVito and Rhea Perlman as a married couple who spice up their 10thyear together after DeVito, playing a costumer in a wax museum, gives hismousy bride a ring that belonged to a black-widow killer. Perlman, cast as a beleaguered waitress exploited by a callous boss, gets a personality makeover whenever she dons the ring, becoming insatiable in bed and a convincing femme fatale everywhere else. The only problem is that she's soon chasing herterrified husband around with a large kitchen knife, imbued with more thanthe sexy spirit of the ring's previous owner. Directed by DeVito, this cute episode works best as a different kind of vehicle for Perlman, who reallydoes make the screen sizzle. --Tom Keogh Reviews (4)
...and the DeVito episode is pretty good too. :)
Kiefer Sutherland, a more serious character and close companion, always keeps an eye out and protects his friend nomatter the cost. On one mission in flight over enemy lands, the plane is hit my enemy fire. The good news is they can make it back to base. But the tragedy is, the door to the bellygunner is stuck and the landing wheels are jammed. Sutherland has a tremendous decision to make, and is faced with a hard decision of his life. In a tension mounting climax, you see how the dreams and ambitions of one man can change the lives of the others around him forever. Absolutely great. The other story, The Ring, is funny as all get out. If the decision had been left to me, I wouldn't have stuck these two stories together because they are so different. I would wait a half an hour between the two so you can get the most out of them. Devito and Pearlman have a hard lesson to learn about love, and what it takes to rekindle it. Good stuff.
The gunner, being a cartoonist, frantically draws his airplane, while John Williams them races and flares. He draws his plane, and adds a pair of balloony, cartoon tires to the landing gear, which results in an impressive bending of animation and live action, for the time. And thus, the B-17 lands safely, and the gunner is united with his lady, and the crew lives happily ever after.
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| 182. The Man Who Came to Dinner Director: William Keighley | |
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Reviews (15)
First of all, the film version comes across and formless and rambling. It's never clear what the central story is: is it the obnoxious houseguest vs. the owners of the house, or is it his secretary's love-affair, or is it something else? On stage, the division of the play into separate acts imposed a sense of order onto all of this, but in the movie its just stitched together. What's more, the movie adds brief scenes - Whiteside arriving in the town, the secretary skating with her boyfriend - that distract from the plot without adding anything. Almost every good scene is defeated by incompetent choice of camera shots. Close-ups are brought in at inappropriate moments. The rhythm of the film is constantly in flux. Monty Wooley does not, in my opinion, play the leading role very consistently. Some of the supporting performances are dreadful: the nurse, the young writer/newspaperman (one of the worst actors I've ever seen). Bette Davis is not bad, but her chemistry with Wooley is erratic; sometimes she laughs gently at him, other times she takes a hard-bitten cynical approach to his behavior. The problem is less with her than with the direction. Ann Sheridan and Billy Burke give the only really satisfying performances. Bette Davis herself complained: "I felt the film was not directed in a very imaginative way. For me it was not a happy film to make--that it was a success, of course, did make me happy."
Usually I like to watch a movie twice or even three times when I intend to review it. This one I just can't bring myself to give another chance. Monty Wooley was the star and so aggravating and predominating that Bette Davis' brilliant performance as his secretary was shadowed beyond recall. The best part that didn't involve Bette Davis was the climax when the lady got put into the mummy case. The only other good part that I recall was the skating scene with Bette and Boyfriend. That is all I can bring myself to say about this. Watch it if you like, but I advise you to rent it first. Then you can make your own judgement.
The Stanley's of Mesalia, Ohio are quite honored to have the famous critic and radio personality Sheridan Whiteside come to dinner. Whiteside, an irascible, elitist, buzzard of a man is less thrilled. When he slips on On a more serious note (though still played for laughs, of course), he meddles in the nascent love affair between his devoted secretary (Bette Davis) and a local newspaper man (Richard Travis), who just happens to The whole thing is as madcap and zany as it gets, but the film is completely dominated by Monty Woolley as Whiteside. Woolley had played the role on Broadway too, a role that George S. Kaufman and Moss Hart If Florence Nightingale ever had the misfortune to take care of you, she would have forgotten about founding the Red Cross, would have quit Even less politically correct is a cameo by Jimmy Durante as a lecherous vaudevillian. But if these antiquated bits don't entertain you, there's a thoroughly modern homosexual subtext to the whole affair that's sure to It begins with Woollcott, who at one point conceived a mad passion for Harpo Marx, unrequited we're told. Meanwhile, Woolley was Cole Porter's cruising partner, though the two supposedly parted ways because Today's viewers can be excused for finding this classic both hoary and whorey, but it remains great cruzzardly fun and it's worth seeing just for Woolley's brilliant performance. GRADE : B ... Read more | |
| 183. The Autobiography of Miss Jane Pittman Director: John Korty | |
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Amazon.com essential video Reviews (18)
The excellent script that traces the 110 years of the title character includes many of the critical points in the life of African-Americans from Reconstruction on to the Civil Rights struggle of the early 1960's. This is history that is informative as well as entertaining. As an educator by profession, I heartily recommend this film to be a staple in every media center's video library. Timeless and relevant, "The Autobiography of Miss Jane Pittman" is an undeniable masterpiece!
Read the book (or listen to it on tape), and then watch the movie. Awesome. Having read the book after seeing the movie several times, I felt like I had been ripped off and couldn't believe the book ended at a dead end. Thanks to the movie, my mood is repaired.
But I will mention one thing about the movie that I believe definitively places the movie above the book. I will not describe this thing so that those who have read the book, but haven't seen the movie, will have it spoiled for them. The book ends at a particular point, I believe an unfortunate point, resulting in a dead ending. But the movie continues where the book leaves off, and the sequence of scenes is wonderful, truly pulling together the movie in a truly powerful ending. Finally, I believe the movie is better than Roots (the series). And if you are interested in Roots, the book is better than the series.
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| 184. Mighty Morphin Power Rangers: Rocky Just Wants to Have Fun Director: John Weil, Paul Schrier, Jonathan Tzachor, Worth Keeter, Adrian Carr, David Blyth, Robert Radler, Armand Garabidian, John Blizek, John Stewart, Vickie Bronaugh, Terence H. Winkless, Robert Hughes (II), Shuki Levy, Larry Litton, Marco Garibaldi, Strathford Hamilton, Isaac Florentine, Jeffrey Reiner, Douglas Sloan | |
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Reviews (1)
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| 185. The Robe Director: Henry Koster | |
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Reviews (54)
An epic in its time due its being the first motion picture in Cinemascope, it remains a great testimony to the values and morals of its producers and director. I remember watching this movie as adolescent. Victor Mature, as Demetrius a Greek slave, stood out for me in this movie and in other movies (Demetrius and the Gladiators, Samson and Deliah) as the epitome of Christian virtue. Ironically, however the story plot was not about him, but he did play a very important supporting role, his story is in the sequel Demetrius and the Gladiators. Given that this film was an epic in its time 1953; it still has not lost the inspiration and awe of the strength of the test of faith, at least for me, that it inspired when I first saw it. This epic film was directed by Henry Koster, a German who also is known by the name Herman Kosterlitz. His works include A man called Peter (1955), Harvey (1950), and The bishop's Wife (1947). I believe that major premise that Koster was portraying to the public was that faith in Christ is worth both searching and dying for. No matter who you are there is hope for you in finding the Jesus of the Cross. While titled the Robe, the story really evolves around Marcellus (Richard Burton) a tribune in the service of Rome. He was ordered to crucify Jesus. He wins the robe while gambling at the foot of the cross, but when he touches it he becomes tortured in his mind. When overcome, he cries out "Where you there.?" Ironically the best that anyone can do for him is to send him on a quest to find the robe and destroy it, thinking that will bring his mind to rights. When he finds the Robe he finds peace of mind, through reconciliation to God through belief in the Christ who wore the Robe. Instead of destroying the Robe he instead joins the Christians in declaring God's love for humankind. The ending of the movie is magnificent! When brought to trial by Caligula (Jay Robinson) Marcellus is ordered to pledge allegiance to Rome and renounce his faith in Christ on the penalty of death. He does renew his pledge to Rome but refuses to renounce his faith in Christ. He is sentenced to death for his faith. The beginning of this story starts before Marcellus has to crucify Jesus, yet the cross, signified by the Robe itself is central to the story. Without it there would be no new life and faith in Christ to die for. Some have called it another story of the Crucifixion, yet I would say no. It is the continuation of the reality of the meaning of the crucifixion... i.e. the Love of God for humankind.
I always like a good fight sequence, and there is a brilliantly choreographed one between Marcellus and a centurion. It is the kind of swordplay great Shakespearean actors have perfected, and it is a delight to watch.
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| 186. Rumpole of the Bailey Vol 7 Director: Bill Hays, Herbert Wise, Tony Smith (III), John Gorrie, Martyn Friend, Mike Vardy, Michael Simpson, Robert Tronson, Julian Amyes, Rodney Bennett, Peter Hammond, Jim Goddard, Derek Bennett, Stuart Burge, Brian Farnham, Roger Bamford, James Cellan Jones, Robert Knights, Graham Evans (II), Donald McWhinnie | |
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| 187. Cool As Ice Director: David Kellogg | |
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Reviews (77)
Dr. Shawn E. Chase, P.E., J.D. D.V.M., M.D., MBA, OBgyN
Even the credits are ill phat. Naomi Campbell herself sings the opening song. How bad be that? This whole flick is slick with sick to the max. Yo. Vanilla Ice is the hero and we all be zeros. There will never again be a 'Nilla Ice. He was the coolest, he was the smoothest. He was cold. Cold as Ice.
Probably nothing. Still. I recently received a foriegn DVD release of the film and was THRILLED. From the action (Ice makes a jump on his bike so bad-a$$ that it makes a horse freak out!) to the dialogue ("Well, I'll see you.." "Yer seein' me NOW."), this is a WONDERFUL motion picture. See, I believe in a thing called a Happy Accident. Movies that are SO INCREDIBLY BAD that they actually end up being wonderful. There are TONS of bad movies, but very few Happy Accidents. Road House was one. Showgirls was another. Wild Things was the most recent. But Cool as Ice? BEST. HAPPY. ACCIDENT. EVER. What made it so great was that you could tell it wasnt MEANT to be bad. Someone actually thought they were writing a good movie!!! All in all... if you can find an old video store that has this? Rent it. If you have ANY type of sense of humor, you will NOT regret it.
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| 188. Power Rangers Wild Force - Lion Heart Director: Jonathan Tzachor, Tarou Sakamoto, Worth Keeter, Koichi Sakamoto, Terry Withrow | |
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Description Reviews (11)
LIONHEART DARKNESS AWAKENING CLICK, CLICK, ZOOM These three episodes are filled with action and suspense. Power Rangers Wild Force is one of the greatest Power Rangers incarnations that I have ever seen. Buy this video. You won't be disappointed.
A young man named Cole leaves his home in the wilderness to find his real parents. His journey leads him to the Wild Force Rangers, where he joins them in battling the evil Org as the Red Ranger. 420: DARKNESS AWAKENING (2/09/02) Master Org resurfaces, and begins plotting the destruction of mankind. The Rangers discover that they can combine their Wild Zords into the Wild Force Megazord. 421: CLICK, CLICK, ZOOM (2/16/02) The Camera Org makes Taylor invisible, and Cole races to defeat the monster to restore his teammate, as well as other citizens who have been zapped. 422: NEVER GIVE UP (2/23/02) To prove himself to the Rangers, Max stakes out a haunted temple, where he finds Bell Org. When he is captured, Danny overcomes his fear of heights to rescue him.
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| 189. Power Rangers Time Force - Dawn of Destiny Director: Koichi Sakamoto, Isaac Florentine, Judd Lynn, Yoshi Hosoya, Jonathan Tzachor, Kaizo Hayashi, Makoto Yokoyama, Worth Keeter | |
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Description Reviews (3)
FRAX'S FURY DAWN OF DESTINY FIGHT AGAINST FATE DESTINY DEFEATED These episodes are some of the best in all Power Rangers history. Sadly, these episodes were better than the Power Rangers Time Force finale. I recommend this video to Power Ranger fans and non-fans alike.
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| 190. Delta of Venus Director: Zalman King | |
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Description Reviews (17)
If you are looking for a simple sex film or a picture exploding with action, this is not the film for you. It moves at a purposefully slow pace, like generous foreplay, leading the audience through a series of visual and auditory climaxes. It will appeal mostly to women, but also to men who delight in the slow, attentive pleasuring of a woman. Although the R-rated version of the movie is well worth seeing, it does not compare to the unrated copy, which bursts with scenes that will propel any couple into a torrid evening of lovemaking.
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| 191. The Odyssey Director: Andrei Konchalovsky | |
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Reviews (156)
THE ODYSSEY has a very strong visual impact on the audience that watches it. It is full of action and suspense and the special effects are amazing, especially the scene where Poseidon was speaking to Odysseus through the waves. Also, the acting and costumes were realistic. The actors talked and wore clothes that were worn in that time. The soundtrack is also realistic to that time, The music on the soundtrack is mostly old Greek music. Overall, I give THE ODYSSEY five stars.
The story has an amazing plot, and the actors are pretty good. Some of the special effects were kind of lame but that wasn't the movies fault, it was their budget. This is really good for a TV miniseries. From the spooky lair of Syclla to the amazing Island of Ithaca, this movie really portrays the story well. It's very enjoyable, and I'm going to have to order the movie to keep! ... Read more | |
| 192. Used People Director: Beeban Kidron | |
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Reviews (8)
Pearl Berman (Shirley MacLaine) has just lost her husband. Together with her two daughters, mixed-up Norma (Marcia Gay Harden) and Bibby(Kathy Bates), she faces a life alone. Into her life comes Joe (Marcello Mastroianni), who wisks her off her feet, and introduces Pearl into a whole new life. Norma and Bibby become similarly transformed thanks to Joe's encouragement. The first-rate cast also includes Jessica Tandy, Sylvia Sidney and Doris Roberts. In the tradition of STEEL MAGNOLIAS and MERMAIDS comes this sunny funny fable of love, USED PEOPLE.
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| 193. Honey, I Blew up the Kid Director: Randal Kleiser | |
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Album Details Reviews (14)
This movie realized that we probably saw enough of the shrinking and being lost in the backyard idea and decided to do the opposite. A few new characters were introduced in this movie to make things work. The most important being Wanyes new son Adam who is a 2 year old toddler and will be the focus of this latest instalment with the wacky inventor and his family. Wayne now is part of a big company who wants to use his size alteration invention for their own uses. The only problem is he can't get the growth part to work correctly. On a surprise visit to the lab with his two sons to do some extra work, 2 year old Adam accidently gets caught under the rays of the growth ray only to wind up growing very slowly over a long period of time. Before they can blink he has grown to over 100 feet tall and terrorizing Its a fun story that really has a lot of creative moments like His other son and the babysitter getting captured by the giant and stuck in his shirt pocked for most of the movie. They make it look really realistic with the giant baby towering over some famous Las Vegas casinos and the crowd reacting pretty realisticly. Kinda like one of those silly Godzilla movies but still with a Disney charm to it. It has a great story and a good climax and everything seems to end up happily ever after. Its defintely a movie that all ages would enjoy, some may not like it more then the first but this one relies more on fewer characters and a focus of one huge character compared to a lot of small characters. So its a fair tradeoff I feel and worked well. Unfortunatly though the movie has a few problems. One was that they totaly write out the daughter sending her to college, the neighbors too are not mentioned and they don't really show a lot in the way of the kid growing . He sorta just is one size one moment and bigger another. They could have done a little more with such things but those are minor problems. Bottom line. If you are looking for a fun, carefree and family safe movie. This is the one for you. If you liked the first or any of the "Honey I..." movies this is a must get for the colection. You won't be disapointed.
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| 194. Billy Two Hats Director: Ted Kotcheff | |
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| 195. Baby Doll Director: Elia Kazan | |
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Amazon.com essential video Reviews (5)
In the course of the story, we follow the sexually radiant young wife, who exudes a rampant erotic aura, an irresistible invitation to every one man within a few kilometres around; but her own husband is lost between fending off all males and the anticipation of sweet pleasures to come, in due course, so to speak. There emerges a business- like man from the old world, a Sicilian chevalier , (unbelievably, Elli Wallach!). True to the age-old virtues of a rural world, he treats the young woman with grace, and is playfully responsive to her tenacious call, without betraying the code of honour between men, not to take another man's wife-- unless... We then follow the desperate attempts of the husband to stay by his rights, property, husbandry and mastery of his house in front of an undisguised affront against his authority by both wife and intruder stranger, and even by the servant, who won't stand his abuse of power... To his rescue come the local police, who stay loyal to their unwritten law of allegiance between authorities, as it goes in their community.
This is essentially a renaissance story, of exposing the frail and unstable values of a society that no longer serves humanity, but is irrationally and grossly inhuman.
It says that love will sweep away all that garbage, love as a natural power will prevail.
This is a disturbing film, for it does not let one identify easily with any part of protagonists; they all stink, innocent though they are: it is the arrangement of relations between them that is all wrong, stale and eventually evil...They all suffer, none is happy.
Yet this powerful figure, the woman, as personified by that glorious Carol Baker, will persevere, cutting through the deadly misery of social arrangements, liberating life itself.
This film reminded me of early Ingmar Bergman. Kazan may well be a far better artist and certainly is a better storyteller than Bergman. But that renaissance theme, that is present in all the laborious erotic play, and that liberating affront to man's authority by the woman and her beloved, is common to both artists--and I think it is a Greek note.
This is a great, many faceted film which renders film-making as good a means of ideas, as any great book, and as pleasurable an art as the best pictures.
Is "Baby Doll" an aesthetically great film? No, it barely warrants 4 stars. The Director Elia Kazan had to do his best with little financial backing. The supposed summertime outdoor scenes were actually filmed during the cold months of the year. These actors had to exercise considerable self control to complete the movie. The temperatures were often slightly above freezing. Tennessee Williams may have written the script, but this is definitely not his greatest work. And yet, I strongly believe that "Baby doll" should be required viewing for all college students. Moreover, everyone should see "Baby Doll," released in 1956, at least once in their life. This might be the best movie to assist one to realize the mind boggling social changes the United States has undergone in the last 46 years. There is no nudity, no | |
| 196. Raid on Entebbe Director: Irvin Kershner | |
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Reviews (4)
This raid inspired other daring counterattacks against terrrorism. Less than year later Dutch commandos stormed a train and a school and rescued 160 hostages from terrorists. A few months later German forces liberated 86 hostages aboard a German Airliner that had been hijacked by Iranian terrorists. An amazing story done justice by a gripping film. This film should be rereleased on DVD as well as VHS. ... Read more | |
| 197. Duet for One Director: Andrei Konchalovsky | |
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