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The most famous and sublime treatment of the gunfight at the O.K. Corral, John Ford's My Darling Clementine is by any measure one of the most classically perfect Westerns ever made. Henry Fonda plays a hard, serious Wyatt Earp leading a cattle drive west with his brothers when a stopover in the wild town of Tombstone ends in the murder of his youngest brother. Wyatt takes up the badge he had turned down earlier and tames the wide-open town with his brothers (Ward Bond and Tim Holt), all the while waiting for the wild Clantons (led by Walter Brennan's ruthless Old Man Clanton) to make a mistake. Victor Mature delivers perhaps his finest performance as the tubercular gambler Doc Holliday, an alcoholic Eastern doctor escaping civilization in the Wild West. Ford takes great liberties with history, bending the story to fit his ideal of the West, a balance of social law and pioneer spirit. Though the film reaches its climax in the legendary gunfight between the Earps (with Doc Holliday) and the Clantons, the most powerful moment is the moving Sunday morning church social played out on the floor of the unfinished church. As Earp dances with Clementine (Cathy Downs)--Fonda's stiff, self-conscious movements showing a man unaccustomed to such social interaction--Ford's camera frames them against the open sky: the town and the wilderness merge into the new Eden of the West for a brief moment. --Sean Axmaker ... Read more

Reviews (38)

Shakespeare in Tombstone
Of the many movies that I love and own, this is one of the DVDs I would grab if the house was on fire.

My Darling Clementine is fundamentally about the shootout at the OK Corral, arguably the most famous 30 seconds in American history. But in John Ford's loving hands, the story takes its time getting there and, in the process, becomes as graceful and easily beautiful a piece of film-making as you will ever see.

In this age when movie goers prize realism, sheer violence, and de-mythology, Ford has become something of a whipping boy for those who point out the glaring historical inaccuracies present in Hollywood's traditional portrayal of the American West. These folks miss the larger picture and are the poorer for their narrow, fashionable view. In this archetypal story of Wyatt Earp, Doc Holiday, and the Clanton family, Ford was not interested in historical detail. He was creating legends, not historical accounts for the archives.

Ford was a film maker. When a movie lover approaches a Ford film, it becomes necessary to give oneself over to the power of film. Once one does that, tremendous pleasures await. Such as: the townspeople of Tombstone having a dance around the skeletal frame of a half-built church while the huge, flat buttes of Monument Valley tower in the background; or Henry Fonda as Earp watching with great sympathy as Victor Mature (Doc Holiday) recites Hamlet's suicide soliloquy in a barroom (as hokey as this sounds, it is Fonda's expression that will move you, I guarantee).

Other images worth mentioning: Fonda/Earp walking alone through the rain of Tombstone at night; or the final shot of Clementine (meaningless in the film other than as a perfect symbol of all the things men love but can never have) standing framed against the Arizona sky and a picket fence - or the way Walter Brennan as Old Man Clanton, flashes through his scenes like a rattler's hiss.

Loving a John Ford Western is a bit like believing in a religion: it requires a leap of faith - a belief in something that might not be tangible reality, but is instead an ideal no less worthy of love.

This DVD is an absolute must for Ford fans, Western fans, or movie lovers. As an extra bonus, the special feature commentary by Ford biographer, Scott Eyman, is absolutely superb. Mr. Eyman's concise and rich commentary is nearly as enjoyable as the film itself. All in all, a real treasure for John Ford fans. -Mykal Banta

Ford and Fonda at their Finest
"My Darling Clementine" has to rank as one of John Ford's three or four finest films, as well as one of Henry Fonda's finest performances. It is only incidentally about the Gunfight at the OK Corral--rather than attempt a factual retelling of the gunfight, Ford uses the story of the Earps, Doc Holliday, and the Clantons to illustrate the sacrifices that have to be made in order for the West to be civilized.

This theme of sacrifice runs through many of Ford's Westerns--see also "Wagonmaster" and "The Searchers," for example. In order for the malevolent lawlessness symbolized by the Clantons to be driven out, there are some others, not malevolent themselves, who are nevertheless doomed by their inability to adapt to civilization (Doc Holliday). Wyatt represents those who must give up something they love--any hope of a future with Clementine Carter--in order to continue doing things that need doing.

As previous reviewers have noted, Ford's account is a far cry from the historical events of the OK Corral gunfight. His biggest alteration of history is to change the relationship between Wyatt Earp and Doc Holliday from friendship to antagonism that is somewhat softened by mutual respect, and eventually evolves into alliance. The genuine tension between Wyatt and Doc strengthens the film.

The cast is very strong. Henry Fonda's performance as Wyatt is magnificent. Walter Brennan is equally superb as the malevolent Old Man Clanton, while Victor Mature's consumptive Doc Holliday is, if not memorable, very competent. A number of Ford regulars such as Ward Bond, Russell Simpson, and Jane Darwell provide solid support. The awkward slapstick humor of some of Ford's other films is not a big factor in this one, which is another plus.

Ford was the master of filming outdoor pictures in black and white. Several scenes, such as the dance at the church, are visually stunning.

Of the half dozen or more films about the OK Corral gunfight, this is by far the finest, with "Tombstone" a respectable, but distant second. I highly recommend it to all.

A Really Good Movie
MY DARLING CLEMENTINE

There has been a number of movies made about the gunfight at OK Corral, however this one happens to be my favorite.
I personally enjoy classic black and white movies and I am an avid fan of Victor Mature, who plays Doc Holliday in this movie.
One thing that makes this movie especially interesting is the development of the characters, for example, Wyatt Earp's misgivings about the town, the apparent conflict between Chihuahua (Doc Hollidays's girlfriend, played by Linda Darnell) and Wyatt Earp (played by Henry Fonda) and the conflict between Doc Holliday and Clementine (played by Cathy Downs), all of which add a human element to this film.
I highly recommend adding this film to your collection.

Beautifully Paced Western
I have always put"My Darling Clementine" in my top-ten westerns as do some critics,and after viewing it recently on the excellent DVD version I am considering it to be the best! The alternative version on the disc might not be to everyones taste but westerns should be slow paced(check out the excellent "Open Range")not just shoot-ups added for padding every 20 minutes or so. One of the best scenes in this movie or any other western is the excellent dance scene,especially the moment when Henry Fonda asks Kathy Downes to dance. Definetely Ford at his best and Victor Mature,s best hour as well. Kudos to all for a well produced DVD package

Ford Prints the Legend - Sublimely
This is arguably the best Western by the best director of Westerns in the history of the genre. Ostensibly the story of the gunfight at the O.K. Corral, the legendary John Ford gives us a vision of the Old West that is violent yet idealized, frightening yet warm, grim yet majestic. Ford has often been called a visual poet, and the sublime "My Darling Clementine" is perhaps the best example of visual poetry that anyone has ever put to celluloid.

Forget about comparing this film to actual historical events. While Ford knew Wyatt Earp from his early Hollywood days when Ford was a prop boy, and he claimed that Earp told him how the gunfight really happened, he also said he wasn't trying to make a documentary when he directed "Clementine". The "facts", whatever they may be, don't matter here. As the newspaperman tells Senator Ransom Stoddard in Ford's "The Man Who Shot Liberty Valance", "When the legend becomes fact, print the legend."

Henry Fonda's Earp is the classic Ford hero, somewhat distant and removed from society, quietly confident and basically nonviolent, but nevertheless commanding the utter respect of others (partly because of his reputation which has preceded him, and its inherent threat of violence). And, most importantly, he is ultimately unable to share in the peace and security that he makes possible for others. Next to his portrayal of Tom Joad in Ford's "The Grapes Of Wrath", this is perhaps Fonda's finest performance. He has never appeared more cool and comfortable in a role, as he laconically and assuredly inhabits the lawless frontier town of Tombstone.

Contrasting Wyatt's sanguine pragmatism, Doc Holliday (Victor Mature) is a haunted, tragic outcast who has uprooted himself from civilization and drifted West. We learn that Doc was once a surgeon (the real Doc Holliday was a dentist, another negligible historical discrepancy), a valuable, functioning member of society, his career presumably cut short by alcoholism, consumption and undisclosed ghosts, which apparently still haunt him.

The Clanton family provides the reason for Wyatt's accepting the job as marshal of Tombstone, by murdering his youngest brother, James, and making off with the Earp brothers' cattle. The miscreant Clantons, like the Cleggs family in Ford's "Wagonmaster", are the personification of evil, demented and motherless. The leader of their clan, known only as "Pa" (ominously played by Walter Brennan), would like nothing better than for Tombstone to remain open and lawless and free for the taking.

Clementine Carter (Cathy Downs) appears as a civilizing angel from the East, who has come to rescue Doc from himself and bring him back to Boston (Ford's eternal bastion of Civilization in the worst sense, invariably inhabited by bigoted grotesques - though Miss Carter seems to have been spared this characterization). The tempestuous Chihuahua (Linda Darnell), who wants to run away with Doc to Mexico, embodies the wild, open frontier.

While the climax naturally takes place at the O.K. Corral, the centerpiece of the film, as in many Ford films, is a dance. Its prelude unfolds majestically as Wyatt and Clementine meet in the lobby of the hotel and begin a stately walk toward the framework of the unfinished "first church of Tombstone", the sound of a tolling church bell and the strains of one of Ford's old favorite hymns, "Shall We Gather at the River" growing louder as the couple approaches the assembled congregation. Like many great moments in great films, the beauty of several elements melding flawlessly to create this sequence defies verbal description.

The church, to Ford, helps legitimize the existence of a community, not only for religious reasons, but as a place where people can come together in fellowship, providing a foundation for that community's future existence. The dance, which takes place on the physical foundation of the unfinished church, is the turning point of the film, and provides possibly the most transcendent moment in all of Ford's work. It is the embodiment of the spiritual establishment of a real and lasting community, which, until the arrival of Wyatt and Clementine, and all that they stand for, had no solid foundation.

Ford's use of comedy, often criticized for its broadness (but of which he was nevertheless proud), is sparing and deft in "Clementine". It is gentler and more restrained than his usual comedic fare, as in the humorous references to the aroma of the eau de toilette which the enthusiastic proprietor of the Bon Ton Tonsorial Parlor has applied to Wyatt's freshly shaven and coiffed person: "I love your town in the morning, Marshal", says Clementine, as she and Wyatt step out onto the front porch of the hotel; "the scent of the desert flower . . ." "That's me," corrects Wyatt, adding, explanatorily, "Barber." There is also the justly praised bit of business of Wyatt doing his seated "dance" on the front porch of the hotel, as he, somewhat passive aggressively, ignores the shrewish admonishments of Chihuahua. This casual, reportedly spontaneous creation of Fonda's (or Ford's, depending on the source) succinctly captures the essence of the relationship between the two characters.

Ford's innately masterful sense of composition and lighting, which he displayed throughout his career, is magnificently displayed in "Clementine". The sweeping diagonal of the bar in the saloon as Wyatt walks to the door after Chihuahua's operation; the expressionistic shadows which constantly envelop the doomed Holliday's face; the somber, monumental tableau of Wyatt and Morgan, bending over the dead body of their brother Virgil in the street at night; all of these images resonate indefinitely in the viewer's memory, and all reveal a visual master in his prime.

Many of the reassuringly familiar faces of Ford's legendary "stock company" are faithfully present, as was nearly always the case - with slight variations - over the years. Ward Bond, Jane Darwell, Russell Simpson, Mae Marsh, J. Farrell MacDonald and the ever-present, ever-endearing Francis Ford, John's older brother and former mentor (and a veteran of Hollywood from its infancy), all add their warm, familial qualities, counterbalancing the darker aspects of the film.

Of all the Westerns I've seen, "My Darling Clementine" is the most eloquent, the most understatedly awe-inspiring - the most poetic.

John Ford printed the legend. Sublimely. ... Read more

Amazon.com essential video

John Ford's beautiful, heartfelt drama about a close-knit family of Welsh coal miners is one of the greatest films of Hollywood's golden age--a gentle masterpiece that beat Citizen Kane in the Best Picture race for the 1941 Academy Awards. The picture also won Oscars for Best Director (Ford), Best Supporting Actor (Donald Crisp), Best Art Direction, and Best Cinematography; all of those awards were richly deserved, even if they came at the expense of Kane and Orson Welles. Based on the novel by Richard Llewellyn, the film focuses its eventful story on 10-year-old Huw (Roddy McDowall), youngest of seven children to Mr. and Mrs. Morgan (Donald Crisp, Sarah Allgood), a hardy couple who've seen the best and worst of times in their South Wales mining town. They're facing one of the worst times as Mr. Morgan refuses to join a miners union whose members have begun a long-term strike. Family tensions grow and Huw must learn many of life's harsher lessons under the tutelage of the local preacher (Walter Pidgeon), who has fallen in love with Huw's sister (Maureen O'Hara). As various crises are confronted and devastating losses endured, How Green Was My Valley unfolds as a rich, moving portrait of family strength and integrity. It's also a nod to a simpler, more innocent time--and to the preciousness of memory and the inevitable passage from youth to adulthood. An all-time classic, not to be missed. --Jeff Shannon ... Read more

Reviews (38)

BRING KLEENEX - A POIGNANT TEAR JERKER
"How Green Was My Valley" is a story about the celebration and disillusionment of family. It takes place in a Welsh mining town (actually a Twentieth Century-Fox set built in California) and centers on the Morgan family, mum, dad and five adult sons and one child, played brilliantly by Roddy McDowell. The whole story is seen through McDowell's eyes. Director John Ford cuts a masterful swath in telling this tale. Maureen O'Hara and Walter Pigeon, as the ill-fated lovers, are superb. Donald Crisp and Sara Allgoode are brilliant as the elders of the Morgan clan. This is a wonderful, timeless film to share with your family and friends. A genuine classic in every sense.
The transfer from Fox is pretty much the same as the previously issued DVD. Contrast levels seema bit low at times but the black and white picture is pretty much pristine, especially when it comes to the stunning close ups. The remixed soundtrack is a bit too aggresive in its side channel output, often drowning out the more soft spoken bits of dialogue with music. Not to worry. The film's original mono audio is also included and it is properly balanced. Dialogue, though dated in fidelity is nevertheless well represented. On this incarnation we get a documentary on the making of the movie that is all too brief and some theatrical trailers that don't add anything to the enjoyment of the over-all film experience. BOTTOM LINE: If you have the previously issued DVD you might want to think twice before going out and rebuying this title again. The extras aren't worth it.

Forever a One-of-a-Kind Classic
Welsh Author Richard Llewellyn's classic (1940), in 1941 won an Oscar at the Academy Awards over 'Citizen Kane' for Best Picture. Also to recieve an award for Best Supporting Actor, Donald Crisp and Best Director, John Ford. Ford had previously won an Academy Award for Best Director in 1935 for 'The Informer' and in 1940 for 'The Grapes of Wrath.' With this track record it a wonder that the 1941 film's success claimed all the awards at the Oscars. Ford went on later to capture again the Best Director category in 1952 for 'The Quiet Man.'

Most movie-goers and critics who have seen both, 'Citizen Kane' and 'How Green Was My Valley' in comparation choose 'Citizen Kane' as the greatest American film in movie history. According to the American Film Institute (AFI) had been selected as one of the top 100 films of all time. Was it such a disappointment at the 1941 Oscars that left 'Citizen Kane' empty-handed in it's artistic achievement? Concerning at the time the approach of the film's story and Orson Welles are not to go unnoticed. The differences that probably considered at the time, that 'Citizen Kane' approach was a more documentary-type looking at the life of a newspaper mogul. Whereas, 'How Green Was My Valley' is a narrative look at one Welsh family seen through the eyes of the 10-year-old son. My guess that's what the public can relate to more of family values at a time in the early 40s just after the Great Depression and the beginning of World War II. That's what 'The Grapes of Wrath' did. It related to real people the same as 'How Green Was My Valley.' Maybe 'Citizen Kane' in some public's point-of-view at that time left a bad taste in their mouth. Or, maybe we can all just relate more in our life experiences. Isn't that what life and art is all about? If you've read Llewellyn's book you can hear the Welsh speak and the events that affect the Morgan family like that of a soap opera. The same is geniously done in the film.

Ford does a beautiful job creating this memorable drama about a loving, spiritual Welsh family of coal miners. It's gentle portrayal well deserves it's reward in this coming-of-age story in the best and worst times that hold a family together. A true masterpiece, that Hollywood could use as an example in their film notebooks of how a great film is made. There's a great cast that makes a great movie. There's plenty here. The story focuses on the events as seen through the eyes of 10 year old Huw Morgan (Roddy McDowell). His father and mother (Donald Crisp and Sarah Allgood) and five other brothers has seen the best and worst times when tensions of a miner's union causes some turmoil between the Morgan family members and the other villagers as they begin a long strike. Huw Morgan also learns the tougher side of life under the guardianship of local preacher, Mr. Gruffydd (Walter Pidgeon). Mr. Gruffydd has also developed permanent affections towards Huw's sister, Angharad (Maureen O'Hara). Crises arise throughout the film, like the cruel schoolmaster, the bully and the unfortunate accident of a fall causing Hwu to lose the use of his legs are endured. Even when the family are separated because of change or tragic loss the story just unfolds into a moving, lush family portrait of durable strength and sound morals. It was a time that was simple and innocent. The fondness of memory and the journey from childhood to adulthood we all have in common. Such a beautiful classic to cherish. If you like to read more about Richard Llewellyn's work try, 'None But the Lonely Heart.' You may also enjoy in the same gnere as this film, 'The Corn is Green' with Bette Davis.

Unforgettable Hollywood Classic Of The First Order
"Timeless",is perhaps the best word to use in describing producer Darryl F. Zanuck's beautifully assembled tribute to the Welsh Coal Mining Family that became a well deserved winner of five Academy Awards including Best Picture in 1941. I never fail to be totally moved by this quite simple story of love, devotion to one's family, and pulling together in times of adversity. Those are indeed timeless themes just as applicable nowadays as they were when Richard Llewellyn first wrote his acclaimed novel. Among the many things that make this film a viewing experience to treasure is to see 13 year old Roddy McDowall, give a subtle, beautifully wrought performance way beyond his young years as youngest son Huw Morgan through whose eyes the story unfolds. The film indeed has something for everyone from a fine literate script, low key believable performances and one of the finest outdoor sets from Hollywood's heyday where an entire Welsh village was constructed on a hillside in California. The film is rightly still regarded as one of Hollywood's greatest achievements in storytelling and has a rare sensitivity about it despite the often harsh themes explored during its running time.

"How Green Was My Valley", unfolds through the thoughts of sixty year old Huw Morgan and we are taken back to the time of his childhood in the small Welsh village that is dominated by the Coal Mine that is the chief source of survival for most of the men in the town. Huw is the much younger son of no nonsense "salt of the earth", parents Gwilym and Beth Morgan (Donald Crisp and Sara Allgood), who have raised their brood of five sons and one daughter to be honest, non complaining, God fearing pillars of the community. Integrity of the soul and a belief in the basic good of mankind are the mottos by which the Morgan's live their everyday lives. The film traces the various happy and tragic occasions that colour the families life in the valley from the marriage of oldest son Ivor (Patric Knowles)to sweet Bronwyn (Anna Lee), to the tragedy and divisions caused to the community by a crippling strike that turns friend against friend and in the Morgan's case, Father against son. We also witness young Huw's adjusting to going to a school outside the valley were he must contend with bullies and a sadistic teacher, on his journey to eventual manhood. All the characters encounter either physical or emotional heartbreak along the way as we see Ivor killed in a mining accident widowing Bronwyn with a young child, many of the Morgan boys being forced to seek work else where as the mine retrenches more of its workers, and Huw and Mrs. Morgan almost dying after falling into a freezing river. We witness the budding romance of daughter Angharad(Maureen O'Hara ), with the local minister Mr. Gruffydd (Walter Pidgeon), being destroyed when Angharad is forced into a loveless marriage with the son of the mine owner. The story ends on the final sad note with the death of Morgan family head Gwilym in another mining accident. All is not gloom in this story however as it never is entirely in real life and along the way there are many joyous celebrations of the human spirit and of people supporting others in need. Mr. Gruffydd's devotion to young Huw inspires him to overcome his accident in the river and to walk again which in turn inspires Mrs. Morgan in her recovery as well. Town hypocrisy and gossip are also tackled when vivous rumours about Angharad's affection for Gruffydd despite being married, raises the preacher's indignation to the level where he turns it back on the "un christian", individuals spreading the gossip during a church service.

In "How Green Was My Valley", we constantly see the human spirit rise above adversity to go on and face the next challenge. John Ford directed this film with an eye for detail, sentiment and human emotion without sacrificing the strong themes present here. He does a masterful job with the individual performances he gets from the actors who deliver some of the best work many of them ever did. Donald Crisp as the stern but loving head of the family richly deserved his Academy Award for Best Supporting Actor that year and Walter Pidgeon and Maureen O'Hara as the illfated lovers are nothing short of brilliant with every emotion expressed by the two being of a sincerity and believability that comes from assured playing and strong direction. Character actors Anna Lee, Barry Fitzgerald and especially Sara Allgood are also superlative in their work and are immortalised in these roles forever for their fine work. Roddy McDowall is of course the very heart and soul of "How Green Was My Valley", and rarely has a child's part been so centrally placed as the "emotional crossroads", of a story as here. McDowall displays a maturity in his playing that never fails to amaze me and he brings to life the sensitive youngest son of the Morgans who loves his home and family, like no other could. Twentieth Century Fox paid great attention to detail to make this film one of their biggest productions for 1941. The recreation of Welsh mining life is done with great attention to detail right down to the use of the famous Welsh Singers to provide the voices for the men singing on their way home from another day in the mines. The recreation of the Welsh Village also still stands as one of the outstanding achievements of Hollywood technical know how in it's heyday.

For a journey to a simpler and seemingly more sincere time then John Ford's classic "How Green Was My Valley", is unsurpassed entertainemnt of the old Hollywwod school. The phrase, "they dont make them like this anymore", could most definately be applied to this classic. It will bring tears, laughter, and inspiration as no modern film possibly could and this is what makes viewing this film such a special experience. Treat yourself to a viewing of it soon, you wont regret it.

I Love This Movie
The first time I watched this movie I was blown away. I have seen nearly all of Ford's major films, but only the Grapes of Wrath astounded me quite on this level. Everything about this film is beautiful. Roddy McDowell's performance is excellent and memorable. The little town feels alive and real.

Passionate Family Brings Tear to Watchers of
This is a captivating film about the Morgans, a simple coal mining family: strict rules, a pot of weeks' shillings, sorrows, love, and hardships. Roddy McDowall (who gives a frightningly strange and disturbing performance and jerks the most tears) is Huw Morgan, a young boy: quiet, meek, the epitome of childhood. His father is the blunt, strong Gwilym Morgan (an Oscar-winning performance by the great Donald Crisp), a father of six boys and the head of his household who almost loses contact with his sons beause of their different opinions through the new era. His mother is Beth (an Oscar-nominated performance by the funny Sara Allgood), a good-hearted mother, a poineer in a new era of thought and wisdom. Then we come to Angharad Morgan, his beautiful sister played wonderfully by Maureen O'Hara. Angharad has the same meekness and childness as her brother though already a grown woman. Angharad and the church's preacher, Mr. Gruffydd (Walter Pidgeon), have a love at first sight relationship even though he tells her they could never marry which devestates her into marrying her father's boss's son. Anna Lee plays Bronwyn, Huw's tragic brother Ivor (Patric Knowles)'s beautiful wife who Huw has a huge crush on. It is a great movie, a big tearerker, and a movie that'll make you glad for all the things avaliable to us today. The film's cast rounds out with Barry Fitzgerald ("Going My Way"), John Loder, and Rhys Williams as Dai Bando. I'd really give it 4.5 out of 5 stars or 9 out of 10 stars. ... Read more

Reviews (3)

Seige
I always enjoyed watching this show and this is one of my favoret eposides. When Vicents thinks he's losing Cathering it seem to tear him up on the inside. I wish this show was availble on DVD!!!!

Beauty & the Beast: Siege
We in England have had this series back in the Eighties but are unable to get VHS tapes over here.
WE can not see them because we use PAL system.
But if they were on DVD we would buy every single Episode ever made as we are AVID fans

Is Catherine Falling for Someone Else?
Vincent goes through considerable emotional agony in this episode as Catherine appears to be falling in love with the handsome, extremely wealthy businessman, Elliot Burch. Meanwhile Vincent tries to assist some old people who are being threatened with violence as they stand in the way of some big real estate development plans. He enlists Catherine's help in defending the old people. While the way in which Catherine's relationship with Elliot Burch is resolved is something of a cop-out, it does not detract much from the power of the ending, which utilizes a Shakespeare sonnet that one could think (if one didn't know better) was written for the series.

In 1998 I conducted a poll among Beauty and the Beast fans asking them to rate the 44 episodes of the first two seasons on a 1-to-10 scale. 31 fans participated. "Siege" finished 15th out of the 44 episodes.

I placed "Siege" 18th in my own personal 1-through-44 rank-ordering of the episodes. ... Read more

Reviews (5)

A different film than "ALWAYS"
"A guy named Joe" (AGNJ) should not be compared to Spielberg's "Always", because they are different pictures. AGNJ in the first half is about flying and Spencer Tracy's love for IT, not so much Irene Dunne. Its highly amusing to see him die by crashing into a German aircraft carrier when the Germans never put one into service. In Always, you really do sense that Richard Dreyfuss loves Holly Hunter. Its Irene Dunne's character that is stuck on Joe, and its wonderful to see her in the movie maintaing her professional poise as a ferry pilot while Van Johnson is hitting on her. In fact, I know a young woman who reminds me exactly of her, who holds a deep loss in her heart but maintains a professional bearing.

Its Van Johnson who makes her want to live again, and in the best scene of the movie, she realizes he ain't gonna make it when he's assigned a suicide attack mission in his P-38. What's amazing is this in the 1940s, but Irene Dunne jumps into his P-38 and flies the mission INCLUDING dropping bombs and firing machine guns at the enemy. Its startling to see and you don't see any feminists rushing to praise this picture. Its because she's a professional, a sexy woman AND a warrior, not a bitter man-hater. Like I suspect many from "America's greatest generation" she knew the enemy had to be defeated or else tyranny would rule the earth and instead of complaining pitched in and helped. Her goal was to help not be a female version of a male "Top Gun" egotist. Ahhh, that we had more women like her today!

Not his greatest, but still interesting
This movie is sort of like the flying-ace version of Angels on My Shoulder. It's unusual for a Spencer Tracy film in that he dies in the first half of the movie, goes to heaven, comes back to earth to help rookie pilots, and doesn't get his girl. Instead, Van Johnson, the young flyer he's sent to shepherd, gets her and they live happily ever after, presumably.

There are some unusual aspects to the plot. Tracy is assigned to assist Van Johnson during training, but Johnson isn't the sort of guy Tracy would normally hang out with or even like. For example, we're told he's rich and just inherited 4 million dollars. When Johnson gets sent to New Guinea to fly in the south Pacific, he meets Irene Dunne, Tracy's former love, and Johnson starts putting moves on her, another reason for Tracy to dislike his assigned pilot.

But Johnson turns out to be a better guy for Irene than Tracy was, and Tracy even seems to sense or realize that, and at the end of the film, he finally lets her go.

There are some nicely done battle scenes in the movie, and the one where Dunne takes up the P38 and successfully completes a solo suicide mission Van Johnson was sent to do is notable in that this was a long time before women's lib. Dunne shows that she can fly as well as any man, and along with the scene where Tracy goes down taking out the German aircraft carrier (which the Germans never had), is one of the two most climactic battle scenes in the movie. Dunne shows she can be as good as any man, but still feminine, a role contemporary feminists don't seem to approve of.

All in all a decent movie with some interesting aspects to the characters and plot. Big Steve says go see it (or in this case, buy it) and don't Bogart the popcorn.

A Bit Sad but a Well Done Movie!
A Guy Named Joe was a well done movie! There are some some very sad parts (e.g Pete Dies in Air Mission). Pete becomes an Angel who guides young piolits on there missions. Pete becomes jealous at first, but things work out in the end. (Don't ask me why its not called A Guy Named Pete)

A great love story with a lot of great aircraft pics
Yellow Airplane Book, Video, and Toy Review: If you would like to see some great flying scenes showing the AT-6 Texan or the P-38 Lightning combined with a beautiful human interest story, you will love this film. C. Jeff Dyrek

i search this movie for more time
I'd like to buy this movie "A guy named Joe" but have a problem. It's no available by the PAL system,usually in Spain. Can you help me to buy a copy in this system. Thanks for all. ... Read more

Reviews (2)

Two episodes
It should be noted that this 95 minute video contains two episodes: "To Reign in Hell," (the episode described by the professional review) and "Orphans," one of the best eps of the series. The compelling stories, the consummate acting of Ron Perlman and Tony Jay, the beautiful sets, and the whole concept of B&B are all great reasons to own this video.

super
i think that this is the best show in the whole wide world. It was on the Sci-Fi channel but they took it off. I think they should bring it back because this show is so good and awesome and ragin'. Please e-mail me if you agree and don't say that this show no good b/c it doesn't ... Read more

Reviews (6)

Excellent early depiction of Chicano life
Very interesting to see 1942 Hollywood's depiction of Chicano life.The neighborhoods looked realistic enough, like an earlier version of Mi Familia's barrio.
Spencer Tracy was excellent as Pilon. Unfortunately, a real lack of Latino actresses and actors at the time.

Actually a decent adaptation of Steinbeck's novel
John Steinbeck's novel was adapted to the big screen in this 1942 film directed by Victor Fleming. "Tortilla Flat" is a small fishing village in which there is not much money and actually working is the last thing anybody wants to do. Danny (John Garfield) inherits two houses and tries to woo the lovely Dolores Sweets Ramirez (Hedy Lamarr). His friend Pilon (Spencer Tracy) moves in with several of his friends (Akim Tamiroff & Sheldon Leonard). Pilon plans to rob "The Pirate" (Frank Morgan) of his money, until he learns the money is being saved to buy a candlestick for St. Francis. Pilon's interest then turns to Dolores as well and the contest is on to see who will end up with the lovely lady. This is actually a decent adaptation of Steinbeck's novel, which manages to capture some of the earthy, amoral spirit of these Mexican-Americans without slipping into caricature. Morgan received an Oscar nomination for Best Supporting Actor for his performance, the best in the film. The screenplay by John Lee Mahin and Benjamin Glazer deserves special mention for actually providing some continuity to the incidents from Steinbeck's novel.

An Outstanding Translation from Book Form
It's true that it's nearly impossible to make John Steinbeck's stories into movies. I had the advantage of having read Tortilla Flat before seeing this movie version. In cinema you have the visual facet of storytelling. You cannot go verbatim into film. Some things get mis-translated. Those who had a hand in making this film knew exactly where to take it. That or it was plain old blind luck. I could tell they knew the story well. They knew how to retell it in movie form. That was their strength. Black and white is like alchemy for many nowadays, but back then it was already a refined art. For the whole movie i hadn't noticed that it was in black and white. You don't yearn for color when all the elements of lighting, composition, tonal range, everything, tricks your mind into perceiving color. All of the characters were engaging and alive. The story took me in, into Monterey. It's a story of people who have very little, but in their friendships are more well off than the very wealthy. If you watch this movie before you read the book, it is just as well. You won't miss much by not reading the book. The movie is that good.

IT HAPPENED IN MONTEREY
This simple Steinbeck story takes place in the Monterey, California of the early forties. A little slow and drawn-out, the story involves Tracy and Garfield and their paisano friends and their adventures. Garfield's inheritance of two houses bring him instant respectability yet estranges him from Tracy and his other pals. Both Tracy and Garfield vie for the affections of lovely Lamarr and become near-enemies in the process. An entertaining little picture which has Garfield unfortunately miscast as Danny (his Spanish accent was pretty unconvincing) and the part lacked the dynamism for which Garfield was famous for.

I read the book, too-- this is a movie! MGM's masterpiece
I read the book also like the critic below me but this is a film and one of MGM's finest. It is a wonder to behold. Spencer Tracy's performance as the hapless Pilon is a highlite and John Garfield as Danny is a performance to treasure. Buying this movie off of Amazon was a refreshment. It has always been one of my favorite films and will always be. The comments below mine is from an old book-crone from a person who spends time looking at the negative points of the film and cannot sit back and enjoy a real classic.

Victor Fleming's direction ("Gone With the Wind", "The Wizard of Oz") is truly fashioned in its true existential film about the life of the "paisanos" and Hedy Lammar's performance as "Sweets" Ramirez is her best. See this movie. ... Read more

Reviews (4)

Star triangle highlights an African safari
A great white hunter finds himself in a love triangle with a lusty, earthy brunette and a prissy, proper blonde who just happens to be married in this beautiful Technicolor adventure filmed on location in several African countries. Clark Gable is in top form as the fearless hunter who knows natives, the jungle and animals but is not as confident when it comes to relationships with women. Gable's Vic spars on good terms with Ava Gardner's Kelly but falls hard for Grace Kelly's straitlaced Mrs. Nordley who smolders inwardly with sexual desire ignited by the virile master hunter. Gardner's likeable Kelly makes a play for Vic but he's too smitten with Mrs. Nordsley to really notice her. The vast, beautiful vistas of the "dark continent" are a viewer's delight and the percussive instruments and plaintive chants of the warriors from the various tribes add realism and urgency to an excellent film.

African love story
Mogambo was essentially a convoluted love story set against the glorious and picturesque backdrop of the African savannah.

A somewhat aged looking Clark Gable in his typical macho style played Victor Marswell a safari leader and procurer of wild animals for zoos and circuses based in Kenya. Arriving at Gable's complex unexpectedly in search of a recently departed maharajah is the raven haired beauty Ava Gardner. Gardner, a wordly chorus girl from New York and Gable imediately hit it off. Things are proceeding swimmingly until the arrival of the next safari clients, the Nordleys. Professor Nordley played by Donald Sinden is an anthropologist interested in gorillas. His wife the prim, proper and lovely Grace Kelly rues her loveless marriage and is smitten with Gable. Gable returns her advances and soon we are in the midst of a love quadrangle.

The heat is turned up as the group goes on safari to gorilla country and passions percolate. All the while they are fleeing from hostile natives, chasing a plethora of wild and exotic animals and travelling through some of the most scenic country imaginable.

The interplay among the main characters as well as the supporting cast was very amusing. The settings and cinematography was first rate. The satisfying conclusion ties up the plot into a neat little package.

Simply wonderful!
Mogambo is a must-see! I didn't think it was going to be so great, I was just going to see the film because Clark Gable was in it. But Ava Gardner was magnificent, she was sexy and beautiful. Grace Kelly was great for the role as the married gal. Clark Gable was of course the hunk that everyone loves! The film keeps you in your seat from the first scene to the last. Just watch it, you'll love it!

African adventure with Gable and Grace.
If Clark Gable had not been a star before Mogambo, he would have been afterward. This is the kind of stuff that creates action heroes. You name it, it's got it ... adventure, romance, and intrigue. Sadly, it's the kind of picture which could never get made today. The characters in this story are the real thing ... the plot doesn't have to develop their personalities. It's a bigger-than-life scenario with ole big ears as the great white hunter, and the future Princess as the impressionable wife of an anthropologist. The only twist is that before the dashing couple arrives, another flame ignities our hero's fire. When they throw the whole gang into an ill-timed safari, all you-know-what breaks loose. The action doesn't interfere with the plot, and vice versa. Just about the time you think it might becoming a love story, it's action time. The movie keeps you interested from the first shot to the happy ending. What would you expect from a Gable and Grace movie? ... Read more

Reviews (2)

Where There's Smoke, There's Fire
This is a good movie it starts out in Angel Grove High. A firefighter is coming for Fire Safety Week. He picks Aisha to be Fire Safety Captain for the week and she takes it way too far. When a flaming monster shows up, Aisha tries to fight it alone, causing even more trouble. Will the Power Ranger ever save the day?

Great White Ranger
I have watched every single episode of Mighty Morphin Power Rangers except for one i cant even rember which one it was but anyway this video is one of the best episodes yet i really really i mean really hope they put season 1 2 3 on vhs or video cause that would be great ... Read more

Reviews (39)

So Many Favourites In One Film!!
Henry Fonda stars in one of his most famous roles as Mr. Roberts, an officer on board a cargo ship, a man who underestimates his importance and the respect he is shown by an appreciative crew. The reason they admire him so much is because he stands up to their dictatorial captain, played ferociously by James Cagney. Fonda brings a lot of dignity and quiet strength to his character. The great William Powell is Fonda's confidant and ship's doctor, and Powell plays him with wisdom and class. Jack Lemmon, as Ensign Pulver, gets many of the film's best laughs, as he broadly plays the officer who is a lot of talk, but not much action. Mister Roberts combines humour, honesty, and drama very well, giving the viewer a real sense of the camaraderie onboard the ship. We also see how the human spirit can triumph under difficult conditions. And it's also a great chance to see four of Hollywood's greatest actors in one film, each one showing what they did so well. This is one to watch.

Thank you, Mr. Roberts
When Henry Fonda received the Kennedy Center honors in the late 70's, as part of his tribute, the Naval Academy glee club sang. Red River Valley saluted Grapes of Wrath, but the highlight was Anchors Away, when the Midshipman director of the glee club turned about face, saluted and said "Thank you, Mr. Roberts." As each Middie left the stage, he saluted and former Lt (jg) Fonda returned each one. Mr. Fonda was reported to have said that that was the greatest honor he received in a truly distinguished career.

This movie has that impact--it is a salute to "all those brave men who sailed from Apathy to Tedium, with an occasional side trip to Monotony" (I hope I have this right). When he died, the network news tribute was a dark screen and the sound track as Dolan and the others, having learned just what Mr. Roberts had done for them, each repeated those magic words "Good night, Mr. Roberts."

This is my favorite movie, one which I have watched at least 100 times. With marvelous performances by William Powell (Doc), James Cagney (the Captain), and Jack Lemmon (Ensign Pulver), as well as a fine supporting cast, this is a "must have" selection.

Review is of DVD - Not the movie
Given the "classic" status of this movie, it seems meaningless to discuss the content for this review. Thus, I will stick to reviewing Warner Brothers DVD release of the film.

First, I commend them for the inclusion of the excerpt of an Ed Sullivan "Toast of the Town" (1948) tribute episode featuring the movie's stars. This was really interesting viewing.

However, for the movie itself....this is the worst Warner release I have seen since "National Velvet". The picture frequently becomes out of focus, and the picture is often very undefined throughout the whole movie. There are a couple of places in the movie where the picture jumps, as if the film from which the transfer was taken "skipped a sprocket".

Overall, this is an embarassing release of a classic movie....despite the great extras which are included. Warner needs to go back to the drawing board on this one.

I love this movie!
The film "Mister Roberts" has everything.

Great Story, great cast, great meaning. If I had my choice of only a dozen movies to recommend to anyone, this would be one of them.

After fifty years, it's still an inspiring story of how sometimes small, seemingly insignificant details and the consideration of the human factor contribute to effective leadership.

In fact, this film is still in use as a motivational tool in the U.S. Naval Services.

I highly recommend this movie.

One of my favorite movies
I loved this movie when I saw it many years ago, it's timeless and still funny after all these years. I'm so glad it's available on DVD and now part of my movie collection. ... Read more

Reviews (1)

delicious Joan Fontaine
Here the shy Joan Fontaine (Rebecca) shows a different face. An insatisfied wife, she dismissed his old husband and falls for the handsome pirate Louis Jourdan.

I see that Oppenheimer is the writer of this movie. Indeed I find some similarities with "The Advertures of Don Juan", with Errol Flynn. ... Read more

Amazon.com

Previously filmed in 1933 (as Island of Lost Souls) and 1977, the classic H.G. Wells story was filmed again for this graphic 1996 version. The film was roasted by critics, but it's an utterly fascinating failure, largely due to the performances of David Thewlis, Val Kilmer, and especially Marlon Brando in the title role as a mad (and in this case outrageously bizarre) scientist whose experiments in crossbreeding humans with animals have gone terribly awry. Thewlis plays the wayward scholar who is rescued at sea by Kilmer and brought to Moreau's island to discover the doctor's unnatural "children." Fairuza Balk plays Moreau's half-cat daughter, but it's Brando and Kilmer (in one scene doing a killer Brando impersonation) who steal the show, along with the astounding makeup effects created by Stan Winston. A guilty pleasure by any measure, this movie has definite cult-favorite potential. --Jeff Shannon ... Read more

Reviews (60)

Not terrible, not great
I owned a copy for a while and watched it several times. I did keep thinking it could have been so much more, but I was entertained to a certain extent. The acting was good in places. The bad animal costumes was distracting at times and I'm sure they could do the special effects so much better now. It's worth a rental.

Bad adaptation
The original book by H.G. Wells is perhaps one of the best books I've ever read (not the top, but up there). The visuals I got that book, from the animals chanting the law to the narrator's chase through the forest, chilled me the way no movie could. Speaking of which...

This movie is nothing like the book, except for the fact that a guy is stranded on an island with a man who claims to have the name Moreau and is a doctor. The book had a lot to say about our society and the inner beast, but the movie is basically violence accompanied by a corny love story that was just as unnecessary. It wasn't romantic, you have to wonder why Fairuza Balk looked more human than the other animal-people, and you also have to wonder why Doctor Moreau didn't consider her the "perfect human" that this film claims the doctor was looking for.

The animal designs in general were pretty awful. They're all almost the same - it's basically "Planet of the Apes" with spotted and striped apes. The people in "Cats" looked more feline than the character Cheetah. There was probably very little creativity put behind this aspect of the film.

Making the doctor some thing of a sadist dictator is a bad turn as well. The first film adaptation, "The Island of Lost Souls," portrayed the doctor as a sadist dictator as well. H.G. Wells was alive at the time and hated that portrayal, and I'm certain he would abhor this film version. Much of the doctor's wit and wisdom is lost in the screenplay, which is sad considering Marlon Brando has some amazing acting talent and would have been a perfect choice to play the title character. In fact, most of the actors have amazing potential but are wasted with a bad script. The hero is perhaps the only hammy one of the group, and his character's only highlight is at the end when he turns the villains against each other.

The last five minutes try to make up for H.G. Well's symbolism, as if the writers thought, "Wow that was some badass action, awe darn we forgot the plot!" Sadly, its too little too late. If they had taken out the mutant rats, the catgirl, and the script, they might have had some thing, but unfortunately all efforts are wasted.

Tragically underrated
I can't stress enough how important it is for anyone considering seeing this movie to ignore the heaps of negative reviews here. Most justify their opinions by calling this film strange, grotesque, or both. Both are fitting, but there's alot more to this film than that, and those two things in themselves are not necessarily reason to dislike a film. Quite the contrary, when Hollywood is so overrun with unchallenging, unoriginal fodder.

I could praise the movie on any number of levels. Every actor here carries his or her eccentric role with a perfectly tasteful care not to go over the top or become too cartoonish. The dialogue is free of fluff and carries quite an element of eloquence, which is fitting when considering the overall dramatic intent. On a more basic level, the creature effects used on the half human, half animal hybrid creations inhabiting Moreau's Island are handled by none other than Stan Winston and done very well, and the soundtrack is appropriately eerie, with tribal drumming used in parts to enhance the mood. And, of course, the themes explored here, despite their familiarity (the power of instnct, and the danger of playing God), are driven home with potent efficiency, probably thanks to the extreme and sometimes bizzare nature in which they're handled.

The fact that this movie carries such a human element with it is what I really like about it. It's easy to feel for the man-beasts, tragic abominations intelligent enough to know they're nothing but the waste products of a madman's search for genetic perfection. The protagonist, as well, benefits from the fact that he is very much an introvert and probably speaks less than Val Kilmer, who is less vital to the plot. His quiet observation helps add to the realism and mold a film which could have easily been a silly mess into a moving, artfully crafted piece of work.

If you choose to judge this movie as harshly as most have, then go ahead, but at least see it first with an open mind. I for one feel a movie this bold deserves every bit of respect.

one of the worst movies of 1996
come on people, 5 stars for this junk. yes it has Val Kilmer and Marlon Brando in it but they dont save it, not by a long shot. it starts off good but then when they get into all that beast and grotesque situations..it downs the movie big time and did we have to see that mother beast giving birth I mean come on now!! the only good part is when Kilmer's and Brando's characters die. a mess of a movie

zero stars
Yes folks, it really is THAT bad. Brando is funny playing a loon, but then he gets killed for no good reason. His mini-Brando sidekick is pitifully ugly, too; you feel sad looking at him. David Thewlis is a fine actor, but he has trouble reacting properly to the people in bad make-up and the computer generated mutant rats. Somehow, everything explodes in the end. This is a horrible film, not even so-bad-it's-good (like, say, Showgirls). ... Read more

Reviews (12)

Remarkable Performances
The first time I watched this movie, I knew I was going to love it. Jodie Foster is a *superb* actress and director. In fact, "Little Man Tate" is her directoral debut. Dianne Wiest also gives a wonderful performance in this movie as the psychologist with whom Fred Tate (a stunning performance by Adam Hann-Byrd) studies. A little overbearing at times, she really gave her character life. Dede Tate (Foster) is Fred's Mom who doesn't have a steady job and feels like she is competing with Jane (Wiest) for Fred's affection. She finally comes to the realization that her son is looking for one thing and one thing only: a Mom. So now it's up to her to prove that she is a good mom. This movie is definitely meant for anyone who likes these actors. I say that because they are all at their best in this brilliant movie. The commentary by Jodie Foster is also a great addition to the movie. This is one movie that I will not get tired of anytime soon.

Heart-warming, insightful
In a swift enjoyable story, Jodie Foster plays an adverage single parent, Dede Tate, trying to do what is best for her gifted son, Adam Hann-Byrd (Fred Tate). He's college-level genius who struggles with worldly issues and anxiety. But, his grades draw the attention of guru educationalist - - Dianne Wiest, playing Jane Grierson, who convinces Foster to let Little Tate move in with her, be embued in higher-education surroundings, adopt her diet and sophisticated habits. Where does that leave Mom? And how will that affect a little boy who feels cursed for having a brain? How far should a kid be pushed? Who gets to be the judge on what is better for the child? Terrific performances: Jodie Foster, Dianne Wiest, Harry Connick Jr., David Hyde Pierce, Debi Mazar

GOOD DIRECTIONAL DEBUT FOR JODIE FOSTER.
Jodie Foster is known as one of the best actresses in these days, but with 'Little Man Tate' she proved that she is capable of direct a good movie. 'Little Man Tate' is a simple story, but it has many interesting angles.

Basically it's the story of Fred Tate, a prodigious kid (expert in mathematics, physic, music and painting, among many other things), and the struggle of his mother Dede (Jodie Foster) to give his little son the possibility of enjoy a normal life without significant worries, like most of the 8 year old kids have. Eventually they meet Dr. Jane Grierson (Dianne Wiest), who sees in Fred a reflex of herself, and she tries to develop even more Fred's abilities and intelligence.

'Little Man Tate' is a movie with interesting and multidimensional characters, even though this is a little movie, almost independent cinema, it's interesting enough to see Jodie Foster's solid directional debut. The best performances in 'Little Man Tate' are: Adam Hann-Byrd as the little Fred Tate, he is the centerpiece of the plot and the movie, also Dianne Wiest is fine as Dr. Jane Grierson, her presence changes the life of Fred and his mom Dede. In 'Little Man Tate' Jodie Foster is adequate as an actress, but as a director she is even better.

Very Well Done
When this movie first came out, I saw it with a friend, and thought it was good. Little did I know, one day, I too would be faced with the difficult challenge of raising a gifted child. I watched this movie a few days ago, and I could relate to what that mother felt, and I could also see how my son feels when he is rejected by his peers and finds he has no place to fit in.

This is a movie worth seeing.

Geniuses Have Feelings Too
An excellent movie detailing the trials and tribulations of a grade school genius. Jodie Foster does a super job of acting and directing. Its nice to see her warmth and concern when trying to look out for her son's best interests. Also intriguing is Jodie Foster's struggles in relating to her son.

But beyond the fine acting is the story which depicts young Fred's struggles with fitting into a mainstream society. In spite of his great mental prowess, all young Fred would like is a playmate. While waiting to go on a television show, his most innocent bonding is with the makeup artist's little son. Fred is curious and genuine and wants to make friends. Unfotunately there are many difficult people out there who certainly try to limit his confidence in developing relationships. Its a series of attempts and little successes and failures that enable Fred to grow interactively. He sure has the intelect.

Anyway, engaging and charming this movie certainly is. Try it on to get perspective on what its like to be a child prodigy. ... Read more

Amazon.com essential video

"When the legend becomes fact, print the legend." That's more than the code of a newspaperman in The Man Who Shot Liberty Valance; it's practically the operating credo of director John Ford, the most honored of American filmmakers. In this late film from a long career, Ford looks at the civilizing of an Old West town, Shinbone, through the sad memories of settlers looking back. In the town's wide-open youth, two-fisted Westerner John Wayne and tenderfoot newcomer James Stewart clash over a woman (Vera Miles) but ultimately unite against the notorious outlaw Liberty Valance (Lee Marvin). Ford's nostalgia for the past is tempered by his stark approach, unusual for the visual poet of Stagecoach and The Searchers. The two heavyweights, Wayne and Stewart, are good together, with Wayne the embodiment of rugged individualism and Stewart the idealistic prophet of the civilization that will eventually tame the Wild West. This may be the saddest Western ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose. --Robert Horton ... Read more

Reviews (58)

"When the legend becomes fact, print the legend."
John Ford's "The Man Who Shot Liberty Valance" employs the time-tested storytelling device of playing off the idealist against the realist. When done right, engaging drama is created by the pairing of two such diametrically-opposed personas. However, when you up the ante by casting Jimmy Stewart and John Wayne to play the respective idealist and realist, you not only get engaging drama, but one heck of an entertaining film.

Attorney Ransome Stoddard (Stewart) is in a stagecoach destined for the western frontier. Before he reaches his destination, he and his fellow passengers are robbed by thief Liberty Valance (Lee Marvin). Stoddard tells Valance that society will punish him for his crimes but quickly learns that his words have little power in his new surroundings. Upon reaching the town Shinbone, Stoddard tries to bring civilized order to the untamed town but is told by Tom Doniphon (Wayne) that the ways of the Old West will die hard. Yet, both men eventually develop a bond of mutual respect for each other despite their differences. When Liberty Valance starts to terrorize Shinbone, Stoddard finds himself forced into a showdown with the outlaw - a confrontation that will in time become a legendary part of the small town's lore.

"The Man Who Shot Liberty Valance" is a fascinating depiction of an important period in American history when civilization started to make its way westward. This was a time when frontier justice started to give away to written law and the local political structure started to become formalized. Ideological differences between the new and the old naturally arose and the characters of Stoddard and Doniphon embodied in microcosm the differences each side held toward each other. The manner in which Libery Valance is defeated and the way it is remembered also is an interesting commentary on how larger-than-life the heroes of the Old West became when their exploits were recalled. Stewart and Wayne are outstanding in their roles as expected and Lee Marvin and Vera Miles chip in with great supporting turns. Life in the Old West was about much more than duels in the streets and "The Man Who Shot Liberty Valance" effectively illustrates this point.

I'm Really Not a Fan of Westerns, But............
John Ford's "The Man Who Shot Liberty Valance" is a marvelous movie, regardless of how you feel about Westerns. This isn't a movie about outlaws, or something violent, but a study of the fight between old and new in our society. John Wayne's rugged cowboy represents the old, untamed west. Jimmy Stewart's refined and educated lawyer represents the order and civilized nature of a new west. Both clearly love the land they live on in different ways, and when the time comes to protect the people of the west from the evil Liberty Valance (played to perfection by Lee Marvin), they team up to save the day. In the end, Stewart's way of life, the way of progress, wins out. However, as can be seen by the memories the major characters have at the start of the film, the old west never really dies. The movie is just brilliant, with all the leads in top form, especially the forgotten Vera Miles as the woman both Wayne and Stewart love.

The law, or the gun

Director: John Ford
Format: Black and white
Studio: Paramount
Video Release Date: April 7, 1998

Cast:

John Wayne ... Tom Doniphon
James Stewart ... Ransom Stoddard (attorney)
Vera Miles ... Hallie Stoddard
Lee Marvin ... Liberty Valance
Edmond O'Brien ... Dutton Peabody (Editor of the Shinbone Star)
Andy Devine ... Marshal Link Appleyard
Ken Murray ... Doc Willoughby
John Carradine ... Maj. Cassius Starbuckle
Jeanette Nolan ... Nora Ericson
John Qualen ... Peter Ericson
Willis Bouchey ... Jason Tully (conductor)
Carleton Young ... Maxwell Scott
Woody Strode ... Pompey
Denver Pyle ... Amos Carruthers
Strother Martin ... Floyd
Lee Van Cleef ... Reese
Robert F. Simon ... Handy Strong
O.Z. Whitehead ... Herbert Carruthers
Paul Birch ... Mayor Winder
Joseph Hoover ... Charlie Hasbrouck (reporter for 'The Star')
Robert Donner
Larry Finley ... Bar X man
Shug Fisher ... Kaintuck (drunk)
Mario Arteaga ... Henchman
Sam Harris

Chuck Hayward ... Henchman
William Henry
Bryan 'Slim' Hightower ... Shotgun
Earle Hodgins ... Clute Dumphries
Stuart Holmes
Mike Edward Jauregui ... Drummer
Jack Kenny
Leonard Baker ... Man
Ted Mapes ... Highpockets
Montie Montana ... Politician on horseback
Bob Morgan ... Roughrider
Charles Morton ... Drummer
Jack Pennick ... Jack, Barman
Chuck Roberson ... Henchman
Buddy Roosevelt
Charles Seel ... President, election council
Slim Talbot
Charles Akins
Ralph Volkie ... Townsman
Max Wagner ... Poker game dealer
Blackie Whiteford
Jack Williams ... Henchman
Danny Borzage ... Townsman
Helen Gibson
Gertrude Astor
Anna Lee ... Mrs. Prescott (widow in stage holdup)
Jacqueline Malouf ... Lietta Appleyard
Eva Novak
Dorothy Phillips
Stephanie Pond-Smith

This movie is top heavy with some of the best stars in the business: John Wayne, James Stewart, Lee Marvin, Edmond O'Brien, Andy Devine, John Carradine, Denver Pyle and a host of lesser names. A classic tale of the old West, although it is in black and white--not a flaw for some of us.

The story is about a young lawyer, Ransom Stoddard (James Stewart) who comes West to practice law staright out of law school. He soon learns that in the West, the gun is more powerful than the law--although he is not willing to admit it, yet. He is robbed of all his money on the stagecoach, and discovers that almost everyone knows his robber, Liberty Valance, but no one, including the town Marshal, Link Appleyard (Andy Devine) is afraid to take on Liberty Valance. Everyone, that is, except Tom Doniphon (John Wayne), and he appears to be unwilling to get involved.

This sets up the conflict, and the story proceeds from there. This is a fine Western, entertaining, well acted (as one might expect) and well directed by John Ford, also as might be expected.

Joseph (Joe) Pierre

author of Handguns and Freedom...their care and maintenance
and other books

So what's all the fuss about?
I've been searching for the "best" western, and a couple of people recommended this one. It does bring up some interesting issues, but I'm still searching.

The movie, besides being stuffed with the usual cliches of the genre and the usual shoddy production values (obviously the whole thing was shot in a studio except for the train scenes at beginning and end), is a muddle.

What exactly is the message? It seems to be that we need to murder bad guys in order to control them, and that what passes for civilization is just a lie. This would seem to support the silly interpretation of the film as an allegory for our war on terror, but that doesn't quite work either. Liberty was out in the street and easily identifiable, whereas most terrorists are in hiding or are unknown. "Taking the law into our own hands" is what Valance's thugs try to do after he's killed, and look where it gets them.

Finally, neither way of life--the old Wild West nor the new more civilized West--looks like a very desirable condition. If we can believe this film (that is, take it as a metaphor), then in the old West everyone was too cowardly to stand up and face the bad guys except for the ineffectual representative of the new civilization, but Valance finally had to be shot from the shadows in a side street by the supposed "manly" John Wayne character--not a very nice allegory to base our country's behavior or character on.

However that may be, it's another second-rate Western. I'm beginning to believe that the whole genre is second-rate.

Jimmy Stewart and John Wayne's Definitive Western
John Wayne was never more of a tough cowboy than in this John Ford Masterpiece, Pilgrim, and James Stewart was never more the aw-shucks embodiment of educated idealism. Together they are rivals for Vera Miles, but they are also united against the outlaw who terrorizes the territory, Lee Marvin's Liberty Valance. Marvin is almost over the top as the evil Valance, but that is sort of the point - that he is a man universally recognized as evil. The question isn't "is Liberty Valance bad?" but rather which approach is more appropriate to combat him - fighting fire with fire (as exemplified by John Wayne's Tom Doniphon, the only man in the territory who is not intimidated by Liberty Valance) or whether "law and order" should prevail, as personified by Mr. Stewart's newly arrived Eastern Lawyer, Ransom Stoddard. The first time I saw this film the way that this central conflict was resolved surprised me - one of the biggest "twists" in the Western genre.

In my humble opinion it wasn't until Clint Eastwood's "Unforgiven" that another Western even approached the stature of The Man Who Shot Liberty Valance. ... Read more

Reviews (2)

Always enjoyable
He's a great character, just the kind that Bugs works best with.

I could go on about "modern American classics," but let's be real. These are cartoons. They're for fun. They ARE fun. That's all. Yosemite Sam is only one of many outstanding characters from WB, Mel Blanc, and the rest. Maybe he won't be the centerpiece of your library, but should be there anyway.

When I'm having a no-brain day, he's good company.

Varmint Raid
Yosemite Sam has been often underwritten as one of the villians of Bugs Bunny. But this collection stretches him to the fullest of limits.

The Good, The Bad, and The Ornery!, was the very first collection to respect Sam in his maddest of form. The collection features five of Sam's best cartoons, including Wild and Wooly Here, and Rabbit Every Monday. This collection also includes the only Yosemite Sam cartoon without Bugs Bunny, Honey's money. The cartoon was a remake from a Daffy Duck cartoon called His Bitter Half, and just as funny as the original.

Although Yosemite Sam has only been honored by Warner Brothers with only two video collections, he still has got that ornery touch, to get that rabbit! ... Read more

Description

They left the nightmare...and entered Hell. Captured Union soilders cope with life inside the Civil War's most notorious prisoner-of-war camp. A powerful, compeling tale of war and will, with Emmy Award-winning direction by John Frankenheimer and a cast including Frederic Forrest (Apocalypse Now) and William H. Macy (ER, Fargo) Year: 1996 Director: John Frankenheimer Starring:Jarrod Emick, Frederic Forrest, Ted Marcoux ... Read more

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