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| 61. Welcome to Woop Woop Director: Stephan Elliott | |
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Reviews (23)
Fleeing from danger in New York, the lead character (Johnathon Schaech) makes it to Australia, only to walk into a much bleaker situation - a kind of time-warp - where Daddy-O is the law, the judge, and the executioner. Rule number one: no-one escapes from Woop Woop. Unfairly criticized as vulgar and offensive, many have missed what this film is all about. Properly understood, however, this makes for highly entertaining (if somewhat foreboding) viewing. Great stuff!
This film is a disgrace. Yes, I know it is supposed to be a comedy, and satirical, and rediculous, but it falls woefully short of at least the first two. Rates: Should be recalled and burned immediately. ... Read more | |
| 62. Star Trek - The Original Series, Episode 42: The Trouble With Tribbles Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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Amazon.com Reviews (14)
David Gerrold, who wrote this episode, also wrote one of the more interesting Star Trek non-fiction books detailing how he came to write the episode and how his script came to be filmed. An excellent behind-the-scenes book for aspiring Star Trek writers. If you love this episode, then you owe it to yourself to also check out not only Gerrold's book but the Deep Space 9 episode "Trials and Tribbulations," where Sisko, Worf, O'Brien and Bashir go back in time and re-live the original Star Trek episode to preserve the time-line. That episode is worth it just for the double-take everybody does when they see how different Worf looks like from the "original" Klingons. That episode was definitely my type of homage. Oh, and the "sequel" on "Star Trek: The Animated Series" was that the best episode of that short-lived cartoon series as well.
Tidbits: The fight scene was supposedly pinched en masse from a prior film. Recognize the Klingon? He was Trelane from The Squire of Gothos, played by William Campbell.
This was David Gerrold's first professional sale as a writer and remains one of his finest episodes of science fiction television (However, his best probably is the Babylon 5 episode "Believers".). ... Read more | |
| 63. Amazing Stories - Book One Director: Paul Bartel, Joe Dante, Bob Clark (III), William Dear, Matthew Robbins, Danny DeVito, Graham Baker, Burt Reynolds, Paul Michael Glaser, Bob Balaban, Robert Markowitz, Kevin Reynolds, Mick Garris, Nick Castle, Ken Kwapis, Norman Reynolds, Phil Joanou, Clint Eastwood, Tobe Hooper, Timothy Hutton | |
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Amazon.com Kevin Costner plays the pilot of an American bomber running raidsinto German airspace. During a dogfight with Nazis, a piece ofenemy aircraft wedges itself into the hull of Costner's rig and jams thehatch of the ball turret gunner. The shootout cripples the landing mechanism,and the net effect is that the gunner (Casey Siemaszko) is stuck in histransparent shell, unable to get back up into the body of the plane andcertain to die horribly during an imminent, emergency landing.Spielberg keeps tightening the screws, brilliantly directing a handful of goodactors (Kiefer Sutherland is in the mix) in a tight spacerapidly filling with dread and grief. While it has to be said that theresolution of "The Mission" may well be the most improbable turn of events in television history, everything up to that point is as exciting as TV can get. Also on Book 1 is "The Wedding Ring," starring real-life spousesDanny DeVito and Rhea Perlman as a married couple who spice up their 10thyear together after DeVito, playing a costumer in a wax museum, gives hismousy bride a ring that belonged to a black-widow killer. Perlman, cast as a beleaguered waitress exploited by a callous boss, gets a personality makeover whenever she dons the ring, becoming insatiable in bed and a convincing femme fatale everywhere else. The only problem is that she's soon chasing herterrified husband around with a large kitchen knife, imbued with more thanthe sexy spirit of the ring's previous owner. Directed by DeVito, this cute episode works best as a different kind of vehicle for Perlman, who reallydoes make the screen sizzle. --Tom Keogh Reviews (4)
...and the DeVito episode is pretty good too. :)
Kiefer Sutherland, a more serious character and close companion, always keeps an eye out and protects his friend nomatter the cost. On one mission in flight over enemy lands, the plane is hit my enemy fire. The good news is they can make it back to base. But the tragedy is, the door to the bellygunner is stuck and the landing wheels are jammed. Sutherland has a tremendous decision to make, and is faced with a hard decision of his life. In a tension mounting climax, you see how the dreams and ambitions of one man can change the lives of the others around him forever. Absolutely great. The other story, The Ring, is funny as all get out. If the decision had been left to me, I wouldn't have stuck these two stories together because they are so different. I would wait a half an hour between the two so you can get the most out of them. Devito and Pearlman have a hard lesson to learn about love, and what it takes to rekindle it. Good stuff.
The gunner, being a cartoonist, frantically draws his airplane, while John Williams them races and flares. He draws his plane, and adds a pair of balloony, cartoon tires to the landing gear, which results in an impressive bending of animation and live action, for the time. And thus, the B-17 lands safely, and the gunner is united with his lady, and the crew lives happily ever after.
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| 64. Montana Director: Raoul Walsh, Ray Enright | |
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Description Reviews (2)
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| 65. Operation Petticoat Director: Blake Edwards | |
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Amazon.com Reviews (33)
And to top it off the Boat ends up with stranded Army Nurses all this makes for a great movie -- how the submarine ends up pink and how they torpedo an enemy truck I will leave to you find out. Do yourself a favor and get this movie. What a hoot!-- K.K. Dunn (Submarine Veteran), Kansas City
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| 66. Experiment in Terror Director: Blake Edwards | |
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Amazon.com Reviews (11)
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| 67. Sleepless in Seattle (Special Edition) Director: Nora Ephron | |
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Reviews (117)
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| 68. The Bridges of Madison County Director: Clint Eastwood | |
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Amazon.com essential video Reviews (122)
I never was a fan of love stories, and this movie also tries to send a message that true love only happens once in a lifetime, and it doesn't involve marriage. I don't like the fact that this movie portrays an affair as being more sacred then marriage. I can understand that Franchesca was bored and needed a change, but don't you think she went a little too far? The movie drags, REALLY drags! The opening sequence with her children going through her personal files is so slow that you keep forgetting why you are watching this movie. Most of the scenes are long and very tiring. The rest of the movie yields much of the same, and only the change between scenes keeps you from dosing off. I have been to Iowa, and I agree that the scenery is nice and peaceful, but maybe too peaceful. Clint Eastwood does fill in a good role as Kincaid, and I can understand if he was trying to open up to a new audience, that being women. This movie does show us the Romeo side of Dirty Harry I guess. There is nothing wrong with trying something new, but I hope Eastwood never does anything like this again.
"Bridges" stars the glorious Meryl Streep as Francesca Johnson, an Italian war bride turned unhappy '60's Iowa farm wife, who falls deeply into romantic love with National Geographic photographer Robert Kincaid (Eastwood) while her husband and teenage children are away for four days at an out-of-state fair. She must then decide whether or not to abandon her family in order to spend the rest of her days with the love of her life. The story is really as simple as that, as the true joy of this film is not in surprising and witty plot machinations but in watching two mature and interesting people TALK and RELATE to each other in a realistic manner, something you just don't see in American films any more. Actually, everything in this film is hauntingly memorable, from the amazing Streep's Oscar-nominated performance and Eastwood's nuanced and vanity-free work as Kincaid (Witness the nasty, ageist, and unnecessary comments about Eastwood's nude scenes in some of the previous comments and you'll know what I mean about "vanity-free"), to Corley's wonderful work as the daughter and Jim Haynie's nearly silent, though equally memorable turn as Francesca's dull, taciturn but unfailingly decent lump of a husband. Only Slezak overplays his hand as Francesca's son, making him overbearing, unlikeable and unsympathetic. The film is beautifully shot and stunningly edited by Eastwood regulars Jack N. Green and Joel Cox, making the Iowa landscape and the title bridges vital characters in the film. In fact, Eastwood and company create an indelible sense of time and place; after viewing this film you may actually feel you've been transported to 1960's Winterset, Iowa. Even Lennie Niehaus' obligatory jazz score works incredibly well, even though I would bet jazz wasn't exactly a radio stalwart in the midwest at that particular time. In fact, it's a testament to how good the film is that an interlude at a black jazz nightclub doesn't come across as implausible until later, when you may wonder where exactly in Iowa such a place would exist. My only disappointment with "The Bridges of Madison County" was that it faired so poorly during awards season. Eastwood, LaGravanese, Green and the film all deserved Oscar nominations, but when the nominations came, only Streep received one. This in spite of the fact that 1995 was a weak year for Hollywood films, with two authentic classics ("Apollo 13" and "Babe") duking in out with three incredibly overrated pictures (Mel Gibson's eventual Oscar winner "Braveheart," "Sense and Sensibility" and the already forgotten Italian treacle "Il Postino"). LaGravanese in particular was shamelessly snubbed for Adapted Screenplay, since his adaption was a substantial improvement over the source material while eventual winner Emma Thompson's "Sense..." script added little to Jane Austen's masterpiece. My guess is Waller's original novel was so horrible that the Academy didn't want to be associated with it in spite of the masterful work that went into this adaptation. Oh, well-- So, considering this glowing review, you may wonder why it only ranks a *** rating? Simple. I'm rating the DVD, and it is a true disappointment: the only Eastwood directorial effort not available in a widescreen transfer, which is puzzling considering Warner Home Video has released all other titles in its Eastwood catalog exclusively in widescreen. My guess is they're waiting for next year's tenth anniversary to release a special edition with making-of features, interviews and widescreen presentation. One can only hope. Until then, this print will have to do. So enjoy, and grab a hanky. You'll need it.
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| 69. The Outer Limits: Zanti Misfits Director: James Goldstone, Felix E. Feist, Byron Haskin, Leonard Horn, László Benedek, Abner Biberman, John Brahm, Paul Stanley, Gerd Oswald, Charles F. Haas, Leslie Stevens, Leon Benson, Robert Florey, John Erman, Alan Crosland Jr. | |
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Reviews (16)
"The Zanti Misfits" is one of the most intense of the series' two-year run. An inspired touch is the Zanti convicts: ants with human faces. While the episode reuses the same models (due to a tight budget, no doubt), it still holds the tension from the first sight of the inhabitants of the prison ship until the last all-out battle with the U.S. military. Michael Tolan, Robert Sampson, Olive Deering, and a young Bruce Dern bring realism to their respective roles of the human characters involved in the Zanti government's machinations. Nothing like "The Outer Limits" has been seen on television since. One can be grateful that "the video revolution" enables a new audience to discover this landmark program.
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| 70. Roots Director: John Erman, Gilbert Moses, David Greene, Marvin J. Chomsky | |
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Reviews (2)
It takes you to Africa, then brings you back to slavery. It shows the will of Kunte Kinte and how it could not be broken during his enslavement. This film is one of a kind you you don't know anything about slavery until you've seen ROOTS ... Read more | |
| 71. Gross Anatomy Director: Thom Eberhardt | |
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Reviews (14)
Matt Modine has to be one of the most underrated actors in Hollywood. In this film, his development is staggering. From the moment you see him, you think "this kid is special". To see this beauty materialize during the course of the movie is unforgettable. The film does a superb job of juxtaposing Christine Lahti's character (Dr. Woodruff) with Modine's. You can understand her dream of making her "best students into top doctors" and how Modine may fit this role. Modine's medical partners do a fine job of depicting some of the other practical problems that first year medical students may face. Overall, this is a highly entertaining film that will leave the thoughtful viewer thinking about his own character development, perhaps juxtaposing it against one of the several fine characters in this film.
This movie has Matthew Modine playing a first year medical student named Joe Slovak. He's the antithesis of everything that a stereotypical med student is perceived to be. He's laid back, worldly, handsome, and not especially self-serving. At first I thought his character would be in the style of Robin Williams in "Patch Adams", where he'd end up being the rebel who believed that medicine lacked humanity and would lead a crusade to somehow change things for the better. However, he doesn't really seem to care about people enough to make such a change. While this apathetic lack of motivation might be realistic, it certainly doesn't make for a colorful character in a movie. He is surrounded by four other med students who, as any movie about medical school would require, are all driven to excel and are vilified as a result. The movie tells how these five people worked together to get through their first year in school. All the typical elements are here: cut-throat competitiveness, jealousy, elitism, ways of dealing with stress, and of course, the obligatory subplot involving the budding romance between two lab partners. If you're thinking about going to medical school, don't use this movie to decide whether it's a good idea. It won't sway your opinion in any particular direction. However, aside from the way in which the characters are skewed, this movie will give you a good idea of what medical school might be like. Though, if you're just looking for a movie to provide you with entertainment, this isn't what you want. Go watch "Patch Adams" instead. It's of the same genre, and it's better. Unless you're medically inclined, I don't recommend this movie.
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| 72. Poltergeist-The Legacy Director: Allan Eastman, Mario Azzopardi, William Fruet, Jerry Ciccoritti, George Mendeluk, Jim Kaufman, Martin Cummins, Mike Rohl, Ken Girotti, Derek de Lint, Stuart Gillard, Rafal Zielinski, Neill Fearnley, Gary Sherman, Garner Simmons, Brenton Spencer, Michael Robison, Gilbert M. Shilton, Graeme Lynch, Brad Turner | |
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Reviews (13)
As stated the show is excellent, the cast (meaning the original) are great together. The pilot is a little creepy but well worth the watch, and if you can catch the rest of the show currently in reruns on Scifi it gets even better! With the exception of two blondes and a redhead that should have never come about...Watch it, love it and join the rest of us ptl fans!
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| 73. High Plains Drifter Director: Clint Eastwood | |
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Amazon.com essential video Reviews (53)
Eastwood is portraying a gunman wreaking vengeance on an entire Western town for standing by while a gang of nasties brutally kills the sheriff. One gets the impression, at the end, that he is the reincarnation of the murdered sheriff, himself. This is, in no way, intended as a criticism: Eastwood, like John Wayne, Humphrey Bogart, Clark Gable and a host of other fine actors, always plays himself. His stock in trade is his "tough guy" impression, and he does it flawlessly. His films are always well-done, and he always plays the same basic part, which his audience obviously loves. Joseph (Joe) Pierre | |
| 74. Captain America Director: Elmer Clifton, John English | |
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| 75. Tecumseh:The Last Warrior Director: Larry Elikann | |
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Description Reviews (13)
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