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This cute movie by William Dear stars John Lithgow as a family man who befriends a Sasquatch (a.k.a. Bigfoot) and brings the friendly monster's oversized, hairy self into his Seattle home. Mayhem and comedy ensue, but things take a heavier turn when a hunter (David Suchet) gets on the creature's trail. Everything hinges on the relationship between Lithgow's character and Harry (the Sasquatch), and that relationship is really quite effective and touching. Don Ameche is a hoot as an old guy who has dreamed of meeting Bigfoot all his life and finally gets the glorious chance. --Tom Keogh ... Read more

Reviews (16)

This is a Cute Movie! It Should Be on DVD!
I saw Harry and The Hendersons in a movie theater and I thought it was a cute movie. John Lithgow and the rest of the cast were really good and I think this a nice movie for the whole family. It is about a family who discovers and befriends a sasquatch (Bigfoot) who they name Harry. Lookout for David Suchet (Poirot) as a unscrupulous hunter out to bag Bigfoot. I saw this movie long before I started watching Poirot and I didn't know who David Suchet was back then but he did a good job playing the villain. I recommend this movie and I think it should be put out on DVD (Widescreen).

"Harry" stands tall among most other family-oriented movies!
Hilarious, genuinely touching and perfectly acted entertainment! John Lithgow once again shows just how talented he is in his portrayal of George Henderson, the poor beleagured "owner" of this huge creature that he mistakenly believes that he has killed by accident. Lithgow can, of course, portray a wide range of emotions very well, and his many talents are greatly used in this wonderful story. Melinda Dillon as wife Nancy is the perfect match for George, and does a fabulous job, as always. Watch for a hilarious turn by Lainie Kazan as the goofy, nosey next-door neighbor--what a hoot! Don Ameche brings his usual excellence to the roll of a non-believing believer who has searched his whole life for what poor George has stumbled upon quite by accident. The dinner table scene when he comes face-to-face with the real thing will put a lump in your throat every time you watch it! And if you aren't familiar with David Suchet away from the outstanding "Poirot" series on PBS, wait until you see his turn as the sleazy, nasty hunter determined to bag the ultimate trophy--Harry! Additionally, it's no surprise that awards were won by the individuals responsible for the incredible make-up job that was necessary to convincingly portray the huge, massive Sasquatch. He's incredibly real and absolutely believable. Can't recommend this movie enough--buy it, rent it or borrow it today and watch this one with your family around you. You won't be sorry!

Funny funny movie!
I love this film. Its part of the magic "trio" of cult classic films: including "Kazaam" and "Ghost dad."

This movie is about a family who is visited by big foot. The acting in this movie is amazing! The charcters responded so realisticly.

I know this is supposed to be a comedy, but the actors responded so realistcly to having a big foot living in their house. Thats the way I would have acted if it was really happening to me.

Well, not much can be said about this movie. It basicly speakes for it itself.

ENJOY

Let's Get Harry
Awful "What-If?" movie about bigfoot and a family who takes it in after accidentally running it over with their car. HARRY AND THE HENDERSONS was produced by Spielberg's production company during a period when quite a few movies were being produced in the vain of Disney-esque family fare. The costume/special effects of bigfoot (played by Kevin Peter Hall) are impressive. However, when bigfoot has that smiling,dumb grin on its/his? face (especially in close-ups with teeth showing and all) it is sickening beyond reproach. John Lithgow, Melinda Dillon(A CHRISTMAS STORY), and Don Ameche (COCOON),hold the cast together in this harmless, emotionally light, shallow kiddie movie, but it doesn't go anywhere. Pro-Wrestler and part-time actor "Andre the Giant" (THE PRINCESS BRIDE) played bigfoot on an episode of THE SIX MILLION DOLLAR MAN and it was much more satisfying,entertaining and inventive than this forgettable film.

"It's A Major Discovery. We Have To Take It Home!"
HARRY AND THE HENDERSONS is a cross between a cryptozoologist's, X-FILESs, dream film and a Hallmark special off Lifetime. It is THE FAMILY MAN meets THE MOTHMAN. And, if you like big, harry sasquatches and functional, happy families that take them in, well this is the flick for you.

This family film has E.T. written all over it. You've got cute, loveable kids and a furry, caring, mythical creature. The parents just don't know what to do when they slam into the sasquatch while driving through the forest on vacation and apparently kill him in his Bigfoot tracks. However, when they strap the creature to the car-roof to drive him to a local fairy-tale vet's office, he turns out to be not only fictitious, but also very much alive. The rollicking tale and fun that follows can only be stopped by, you guessed it, a Bigfoot hunter with the wrong motivation in mind.

All kidding aside, I loved this flick when I was a kid. We had a VHS copy of the film, and my brothers and I wore it out something nuts. HARRY AND THE HENDERSONS is a family film. It's great for children and people who have yet to accept the fact that unicorns, Bigfeet and the Loch Ness Monster are "pretend." Meanwhile, you and your friends might enjoy picking this monster up from video stores on a rainy night when you just feeling like laughing at extreme silliness. I mean, c'mon guys, we're talking about some folks that run over a sasquatch and take it back to suburbia where it becomes a part of the family. If that won't make you laugh, I just don't know what will. I'm laughing just thinking about it. The part when Harry gets into the car and his head makes the roof bulge up, because he's so tall and big and strong..... golly that's just the best!

Well, John Lithgow (FOOTLOSE; SHREK) may be one of the best banjo players this side of Uranus, but all that fingerpicking sure doesn't get in the way of his fathering/acting skills. He's constantly caught between doing what he thinks would be best for his family and his compassion for imaginary, Harries. However, when Jacques LaFleur (David Suchet - GREYSTOKE; A PERFECT MURDER), a hunter out for Bigfoot blood, starts sniffing the sasquatch trail, Harry and co. are forced to recruit Dr. Wallace Wrightwood (Don Ameche - TRADING PLACES; COCOON), a Bigfoot enthusiast, and flee to the hills to save Harry. Isn't that a unique tail?

While the film is a winner in many ways, one can't escape the fact that Bigfoot is not a real creature! This staggering statement can't be ignored. Throughout the film, you just can't help but laugh and comment, "Hang on just a darn second! Now, that's not real. There's no such thing as Bigfoot." And, then you'd laugh out loud and smack yourself on the knee.

Overall, HARRY AND THE HENDERSONS is a must-own rental for anyone with a flare for cheesy movies about nonsensically impossible creatures and the families they love. ... Read more

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You may be surprised to discover that the director of the Lethal Weapon movies and scary horror flick The Omen, Richard Donner, also produced and directed this classic children's adventure (which, by the way, was written by Donner's screen-wizard friend Steven Spielberg). Then again you may not. The Goonies, like Donner's other movies, is the same story of good versus evil. It has its share of bad guys (the Fratelli brothers and their villainous mother), reluctant-hero good guys (the Walsh bothers and their gang of friends), and lots of corny one-liners. Like in an old-fashioned Hardy Boys or Nancy Drew plot, the Goonies need to solve a problem: a corrupt corporate developer has bought out their neighborhood and plans to flatten all their homes. Luckily, the beloved gang stumbles on a treasure map. In the hopes of finding the treasure to buy back their houses, the Goonies embark on their quest through underground passages, aboard pirate ships, and behind waterfalls. This swashbuckling and rollicking ride was also a great breeding ground for a couple of child actors who went on to enjoy numerous successes in adulthood: Sean Astin (Rudy, Encino Man) and Martha Plimpton (Pecker, 200 Cigarettes). --Samantha Allen Storey ... Read more

Reviews (338)

Nothing Will Never Surpass The Goonies!
Like many before me, I grew up with The Goonies. I ran around my house as a young one, trying to act like Mouth, or doing the Truffle Shuffle to entertain friends (I lacked on the truffle, but I could do the shuffle).

The Goonies holds something that every kid should find magical, even though the only magic in the movie is the magic of friendship. Steven Spielberg wrote the story about a group of friends who are about to lose their houses so a country club can be built where they leave. They come upon a treasure map that supposedly has a legend behind it, and leads to a great treasure. Mikey and his colorful bunch of friends set up to go in search of the treasure not knowing the villianist trio, the Fratellis, are also out for the treasure. Along the way, chaos ensues, friendships go stronger, and they meet a creature who has nothing but love to share and Baby Ruths to eat.

The characters are all likable . . . are all lovable, and the actors who portray them made them all that they were. The Fratellis are even, in some ways, likable throughout the movie, but in the end, they get what they were asking for. The directing, of course, is awesome. None like it actually. And the sets are amazing. Especially the pirate ship set. That was too awesome, and enough to satisfy any adventure lover.

The DVD should satisfy any Goonies fan with the word of all the extras to be on it. And I'm ready to see the infamous deleted octopus scene. I hope it's on there. I believe I read somewhere that some of the cast had gotten together to do a commentary. Now there's wishful hoping that that did happen!

"SLOTH LOVE CHUNK!" And Josh loves this movie.

best movie!
When my sister and I were introduced to THE GOONIES about 10 years ago, by our dad, we fell in love with it. My sister and I have watched this movie literally 100 times, and no matter how many times we've seen it, we still continue to get captured into the excitement, adventure and fun the movie holds. For Christimas this year, we got the movie on DVD and its better then ever. Including the original movie, it has a commentary with the cast of the movie, a music video the cast did with Cyndi Lauper, outtakes, the orginial trailer and a look at the making of the goonies. Whenever our friends come over, we ask them, "Have you ever seen 'the goonies'?" And if they hadn't, we introduce them to our favorite movie.
When Mikey (Sean Astin) and his friends, the goonies, encounter a treasure map, they embark on the adventure of a lifetime. With characters like Mouth,(Corey Feldman), Data (Ke Huy Kuan), Chunk (Jeff Cohen) and Mikey's older brother, Brand (Josh Brolin), and the girl goonies, Andy(Kerri Green) and Stef(Martha Plimpton) the jokes are endless. As they out run the bad guys, dodge the booby traps, and find the treasure of One-eyed-Willy, its a thrill a minute adventure that will capture the hearts of young and old for generations to come.

Pinchers of peril!!! The Ultimate Goonie DVD experience!
Growing up in the 80's - The Goonies was one of the most incredible movies for me. It captures all of the childhood joy and want of adventure and excitement that a normal day just doesn't bring. This movie, while it is clearly an "80's" flick, does not appear dated in any way. It still has that spark that gave it life nearly 20 years ago.

That said, here's what you get with this DVD and here's why you should buy it today:

The movie itself is enough however...

The deleted scenes are a lot of fun. We finally get to see the ever-fabled "Octopus" scene. For years, I would scratch my head when Data said "The Octopus was really scary!" Huh? What Octopus? Well, he's in this DVD. You also realize why the scene was cut out. Let's just say the animatronics weren't all that great.

Those old music videos starring Cyndi Lauper and various classic WWF wrestlers are here too. Remember Rock "n" Wrestling? I found myself saying "oh yeah....I remember that!" Watch for a cameo of Susanna Hoffs from the Bangles in the video!

The DVD commentary is a lot of fun! While almost every new DVD has a commentary in place, it almost always bores one to tears with the director or a star just kind of droning their way through the movie. Often, the major stars don't even do the commentary (great example is Rocky - where the commentary features everyone but Stallone himself!) This commentary has all of the original Goonie stars plus Richard Donner. There's a lot of joking around and the stories they tell are funny and don't go off the subject. Note: Sean Astin disappears about halfway through the flick. Also, beware Corey Feldman who talk over everyone to further perpetuate that he is the biggest glory hog in show business.

Enough already. This is such a great movie and the special features are ones that you'll actually watch more than once! Buy the DVD already!

Goonies Never Say Die!
What can I say? This movie has it all! Action, Suspense, Romance, Sean Astin pre Samwise Gamgee. What more could you want?

Steven Spielberg brings a story about a misfit group of kids who set out to save their home. It all hinges on finding the treasure of One-Eyed Willie, a famous pirate who was rumored to have hid his treasure somewhere around where they live.

Throw in a mafia family who has recently broken out of jail, a treasure map, a Baby Ruth, and a wonderful dance called the Truffle Shuffle and you've got an instant classic!!

Also, look for the line about battling the octopus in the end, then think about the octopus battle. Something doesn't add up does it??

I like some types of Korn...............
but this movie was way too corny for my tastes. This movie managed to use every single cliché that ever existed. This ranges from the group of misfits going on an adventure to save their home from evil corporate rich people to mobsters with guns to a pirate treasure cave filled with booby traps to a fat kid who saves the day to a disfigured grotesque monster suddenly gaining human knowledge and capabilities and rebelling against it's owners to love between two 13 year olds. The reason that I gave this movie two stars is because there are worse films than this one and one scene was funny. Other than that, I do not recommend this film to anyone who likes hardy boys and other meaningless kids detective stories. ... Read more

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Think A Summer Place, and you'll probably be humming Max Steiner's wonderfully romantic instrumental theme song, a hand-holding hit in 1959. The movie itself is similarly irresistible, a colorful soap opera about the passions of a pair of dewy-eyed teens and their straying parents. At an island resort in Maine, Sandra Dee and Troy Donahue (the reigning teen idols of the day) fall hard for each other. What they don't know is that her father (Richard Egan) and his mother (Dorothy McGuire), lovers 20 years earlier, have rekindled their affair. Both, inconveniently, have spouses, which is what makes this a soap opera. Lovers of camp will find much to savor in the incredible '50s attitudes, and in the innocence of supervirgin Dee ("Johnny, have you been bad with girls?"). Yet the sincerity of writer-director Delmer Daves, cowriter of An Affair to Remember, comes shining through the corn; and the grown-up affair anticipates The Bridges of Madison County by 30 years. --Robert Horton ... Read more

Reviews (29)

Just remember the ending...it's the part everyone remembers.
This super teen movie from 1959 is still a great date movie today. Sandra Dee and Troy Donahue play innocent teens whose parents are having an affair. The kids fall in love, spend some time at the beach, and everything is great...until Sandra gets some bad news from the doctor....

Dee and Donahue were the perfect teenage couple then, and they are still adorable. This film was considered quite racy when it was released; it's more PG today, but still dramatic, intense, and thought-provoking. The stars are such a pleasure to watch; they were so young and beautiful. And could anyone ever forget that gorgeous theme music? It IS the music of young love. This is still a great movie to watch with someone you love...or a bowl of popcorn!

The original 'teen date' movie.
Two teenagers in love(Sandra Dee and Troy Donahue) strive to be "good" and do the "right thing" by not going "all the way". This slick, colorful Hollywood soap opera about love and heartache among teens and their elders may have dated too much to have significant meaning to some tastes. Still arresting, however, as a look at 1950's lifestyles and values. This was, in its day, a box-office smash, and indeed, the premier teen date movie. The magnificent score by Max Steiner is still hauntingly beautiful, and was also big hit when the film was initially released. Yes, the realistic subject matter of the film itself has been glamorized and Hollywoodized, but it's so well-handled by the cast that it hardly matters. Sandra Dee and Troy Donahue light up the screen as the young lovers. And Dorothy McGuire and Richard Egan are sensational as the older set trying to rekindle the flame. The strong performances by this amazing quartet, and, of course, Max Steiner's enchanting title tune, make this rise far above the ordinary Hollywood fluff.

Where is the DVD
This is definitely one of the best teen movies ever made. Every time I hear the beautiful theme song it takes me back to my own innocent youth. I sincerely hope that Amazon will be offering the movie again, in the DVD format.

Great theme music
I have yet to watch the movie, but here is my encounter with its theme music more than **20** years ago, in China!

I first heard the music from my university radio station in the early 1980's. I was attracted to it immediately --- the music (no words) was so beautiful and so touching to the young minds. And the good thing is that the station broadcasted it once every day for a long period of time, as the signing off music. That was very appropriate because the ending of the music is vey gentle, fading gradually, like a wind drifting, drifting, until it disappears in the horizon.

At that time, I didn't know who wrote the music, or which country it came from, I even didn't know its title! And the strange thing is that, after I graduated, never once had I ever heard the music again!

Recently I found I have to try hard to recall the melody. So I took my rescue effort: I sang pieces of the music to a librarian in my local public library, who kindly helped me find the music. Only then did I know that the song is calld "A Summer Place"! and it's a love song!

WHERE IS THE DVD!!???
This needs to be on DVD. I have worn out my VHS copy!!! PLEASE PLEASE PLEASE release this on DVD!!! ... Read more

Reviews (223)

The Citizen Kane of musicals
So many films in my collection are "important", "serious", "disturbing", or "great", and as much as I treasure them (films like Citizen Kane, Vertigo, and Ran), there is only so much self-importance a person can take before the pores fairly scream out for something just plain fun; something slight, buoyant, silly, and full of energy. Singin' in the Rain is just that kind of movie. The funny part is, I generally HATE musicals!

In 1951, Gene Kelly and Stanley Donen took a collection of songs by Arthur Freed and Nacio Herb Brown and - assisted by a pitch-perfect screenplay from the writing team of Adolph Green and Betty Comden - sculpted one of the great classic fusions of popular cinematic art and precision dance craft. It is the Citizen Kane of musicals: a virtual catalog of musical film technique, executed flawlessly.

But that alone would not be enough to separate Singin' in the Rain from the kind of musical I can't stand (which is to say, just about every other musical ever made). No, what makes this one special is that it knows what it is and celebrates it. It never for a moment asks you to forget you're watching a movie and then grinds to a screeching halt for the musical number. Instead, it deconstructs itself before your very eyes (and ears) as a razor-sharp, self-aware satire of the movie industry - as well as a joyous expression of the pure ecstasy of great song and dance. In that sense, it is one of the few so-called musicals that actually achieves a genuine symbiosis of drama, music, and kinetic performance art.

If all this sounds rather gushing and pretentious, so be it. This is great film-making. It is Rolex Oyster Perpetual film-making. This DVD edition sparkles with ultra-saturated colors, digitally remixed Dolby 5.1 sound, and some terrific extras (even if you're not particularly into musicals).

My favorite sequence is the eerily fluid dance work between Gene Kelly and Cyd Charisse against a Dali-esque background near the end of the film. Charisse is spellbinding as she trails a gravity-defying veil that must be 30 feet long. It hangs in the air, suspended by wind machines as she uses her extraordinary dance skill (and fantastic legs) to affect a wordless seduction of Kelly's naive, love-struck hero. Great stuff.

Even if you don't think of yourself as the "musical type", give Singin' in the Rain a try. After all that heavy, bitter, existential cinema, it makes one helluva fine dessert.

THE GREAT AMERICAN MUSICAL
Once upon a time there was a place called HOLLYWOOD. It wasn't just a town or even an industry, it was a state of mind. They didn't call the studios Dream Factories for nothing. This film is the epitome of the musical art and craft. This is a real "Movie Movie," made entirely on the MGM lot. The real creme de la creme of MGM contributed to it's creation; produced by Arthur Freed, starring Gene Kelly (with a brilliant turn by the dazzling ,long-legged Cyd Charisse), contract players like Debbie Reynolds and Kathleen Freeman (still going strong, currently appearing on Broadway in "The Full Monty") with costumes by my favorite designer Walter Plunkett (Gone With The Wind, 7 Brides For 7 Brothers, etc). Check out the sumptuous designs for the "Beautiful Girls" number and the outrageous spider dress at the opening night party. The real lowdown is that Jean Hagen and Donald O'Connor practically steal the show from the leads in possibly the best performances of their careers. This film is pure joy. The script by Comden and Green is not only clever but actually goofs on a real period of transition of the American film from silent to talkie.It is also a brilliant job of recycling a trunkload of old songs. This happy film has the courage to do what American musicals and comedies do best: be silly and make you forget you troubles for an hour and a half. Next time you are in bed with the flu or trying to get over a miserable love affair, take a look at Singing In The Rain. It can't help but curl up the corners of your mouth and drive the clouds away.

Wonderful Musical with Terrific Dancing -- a Trifle Dated
"Singin' in the Rain" is the definitive Hollywood musical, and charms and delights our 21st century audiences despite the (very few) characteristics of the genre that don't hold up quite so well.

There are so many high points to this movie -- the amazing cast, the songs, the choreography, and, most surprisingly, the satirical send-up of Hollywood and the "star system."

The plot is well-known. Silent film star couple, Don Lockwood (Gene Kelly, who also co-directed with Stanley Donen) and Lina Lamont (Jean Hagen) are America's sweethearts. At a Hollywood premiere of their latest romance, breathless fans ignore sidekick Cosmo Brown (Donald O'Connor, in perhaps the best sidekick performance in film history) and scream in delight as Lockwood and Lamont pander to their adoration. Nobody, however, seems to notice that the gorgeous Lamont never speaks . . .

Her imposed silence Lamont has a voice that recalls a cat with its tail caught in a wringer, although Lamont is such a "dumb blonde" (bless Hagen -- nobody ever played this stereotype better!) that she is blissfully unaware of her screech. No matter, 'cause it's the silent film era, right? Wrong! Progress brings in "The Jazz Singer" and the era of "talkies." No longer will clever staging of press events suffice.

Soon, Don Lockwood is staring career meltdown in the face as the first Lockwood-Lamont "talkie" sends the audience into hysterics. Not only is Lamont's screech audibly offensive, they can't keep the sound synchronized to the film, and the sound editing even when in synch is as amateurish as a high-school film production.

What to do? Fortunately, Lockwood had fallen for young, beautiful Kathy Selden (a teenage Debbie Reynolds), a starlet in the making. Cosmo comes up with the idea of dubbing Selden's voice for Lamont's, and all is fixed . . . or not. Lamont, an imbecile but smart enough to know her value, insists on ruining Selden's career to preserve her own . . . and so on and so forth.

The plot, ingenious as it is, is really secondary. The main delight in this movie is the amazing dancin' and singin' that the performers offer up. While most of it is pretty silly, campy stuff (particularly the Kelly-O'Connor set pieces), they simply dazzle. Kelly is the most robust, athletic dancer of his generation, and O'Connor, well, the man doesn't have a bone in his body. While the movie's most famous scene comes from Kelly splashing in puddles during the title track, the most amazing dance number has to be O'Connor's comic flailings in "Make 'Em Laugh," where he runs up walls, flirts with a mannequin, and generally pulls out all stops.

Debbie Reynolds does a magnificent job keeping up with these two giants, and is generally a pleasure to watch, even though she's clearly outclassed as a hoofer.

While some great old films seem to get better with age (think "Casablanca," "Gone With the Wind," and "Citizen Kane"), "Singin' in the Rain" is an American classic that does not hold up quite so well in some minor respects. For example, when breaking into choreographed step, Kelly, O'Connor, and Reynolds sometimes appear too rigid, with smiles frozen on their faces, which is incongruous to those raised on more modern musicals like "Moulin Rouge," where the dancers take a more naturalistic, emotional approach to their dancing. The dancing in "Singin'" holds up, but the performers were constrained by the expectations of their audiences, which somehow demanded that the performers "look pleasant" while dancing.

Still, "Singin' in the Rain" remains one of the best tonics to a foul mood ever . . . I defy you to watch this movie and not feel a smile creeping over your face.

The Best Musical Comedy Ever Produced!
I fell in love with this film when I was seven years old; I watched it on a B&W television on "The Early Show" in NY (circa 1957 or 1958). I didn't know who any of the stars were - it didn't matter. It was magic to me. From the Hollywood opening (dignity, always dignity), the romp of the elocution lessons (Moses supposes his toes are roses!), and the trial and mostly error of trying to record the sound ("I can't make love to a BUSH!") when the gorgeous leading lady has a voice that rivals nails on a blackboard, all the way to the grown man dancing in the rain and the final rising curtain - pure magic. In glorious black and white - at the time, I didn't even know it HAD colour! I decided then and there, this was my absolute all-time favourite movie. (One of the highlights of my adult life was seeing this wonder on a full, big screen at a revival in the 1970s.) I have seen many films since then; I have reviewed them for friends & family, written reviews for a monthly entertainment publication. I have an extensive collection of my own (VHS & DVD). I know a lot more about films and production values now.

"Singin'in the Rain" remains my all-time favourite film. (No surprise, this.) It's not just another one of "those MGM musicals." It was released in 1952. Dated stuff? Not a bit. Unlike the marvelous "An American in Paris," which was done as a contemporary film to its time, "Singin' in the Rain" is a period film, and it's based in fact.

This film (which started out to be a western for Howard Keel) takes a fond and loving look at the birthpains of the sound film (the "talkies). Set in 1927, with authentic equipment from MGM's own history (Debbie Reynolds drives Andy Hardy's old jalopy, the microphones are real), it details the frantic efforts to get on the sound bandwagon - no one was completely sure of the new technology. What makes the plot classic is the basis in fact. Many silent stars had totally unacceptable voices or speech (too nasal, unintelligible foreign accents, too high, too low, etc.) for sound production. The songs used were true to the period.

Then we have the performers. Jean Hagen was nominated for an Academy Award for her role of Lina Lamont. The character (whose voice you don't hear for the first 10+ minutes of the film, although she's on-screen) is a one-of-a-kind. [Side note: the voice dubbing Lina's line is actually Hagen's normal voice, not that of Debbie Reynold's Kathy Selden.] Reynolds does an admirable job - it couldn't have been easy keeping up with her two male co-stars. It's still a joy to see Donald O'Connor's "Make 'em Laugh," and wonderful to see Gene Kelly teamed with a good male partner for "Fit as a Fiddle" and "Moses". Gene Kelly is, and always shall be, the best and this was done at his peak.

Of course, for anyone who has been living in the back of a cave under a rock (or too young to appreciate it), the title number is a delight. It looks like one continuous take, it is so smooth. This was not the first appearance of the song, but it's the one we all remember. The sheer exuberance of Kelly's performance carries us right along with him.

The extras with this set are valued items for anyone like me who is interested in the backstory of the era and this film in particular. And don't fuss for a widescreen version. This is the way it was. And now it always will be.

Thoroughly entertaining musical
I have to say first of all that I am *not* at all a fan of musicals (or comedies for that matter) - I am a drama fan. I have seen a few musicals here and there over the years and tried to like them - such as 1964's "My Fair Lady" and 1961's "West Side Story." I liked both of them *somewhat,* but not too much - because I have always strongly preferred films that are realistic --> in real life, people don't burst into song when they are in one particular circumstance or another. Yet, I couldn't help enjoying myself with a smile on my face as I watched this film that landed so high (#10) on AFI's list of the top 100 American films of all time. Donald O'Connor, in particular, as Cosmo, was so perfectly cast in his role. The film was at times hilarious and at times wonderfully romantic. I definitely would recommend everyone to try this film out. B+. ... Read more

Reviews (79)

Wolfmans Got Nards & I Can't Wait For The DVD To Be Released
This is a great scary movie for kids and adults alike...
This little-known GEM of a film & one of my favorites with mostly a cast of unknowns. Stephen Macht (Graveyard Shift& many other stephen King films) & Jason Hervey (older brother, Wayne on Wonder Years) are familiar faces. A great kids frightfest that has the Creature From The Black Lagoon, Mummy, Wolfman, Frankenstein & a really hot & sexy Dracula with his female coven!

A passel of oddball kids fight the dark forces of evil in their small neighborhood with the help of Frankenstein & Scary German Guy (an old Germanic man that is a neighbor). Great plot, cool special effects, some excellent one liners & some wonderful child acting all make for a terrifc family frightfest! Check out the teacher in the beginning of the movie. The kids call her "Meow Mix" because her head is shaped like a cat's head! Great oddball writing in this movie makes it scary & funny!

Wonderful story! I just can't wait for this to come out on DVD!

The movie i have loved since i was a kid!
Monster Squad has so many good things about it its hard to find things wrong with it. It brings many life lessons with it. Here are the ten lessons i learned:
1.German people are scary, especially the "scary german guy".
2.Wolfman has "nards".
3.The kid who smokes and wears a leather jacket is the coolest guy in the town.
4.Don't mess with the fat kid.
5.The Creature from the Black Lagoon is no match for a twelve gauge.
6.Make a clubhouse next to a house where a hot chick lives so you can spy on her when she undresses.
7.The mummy in your closet isn't real and even if he is your dad will never see him any ways.
8.The army is always late.
9.Free movies await the person who lives close enough to a drive in.
10.monster squad is a classic.
Well I think I've said enough, so buy it already and have fun laughin at crude 80's sayings and ridiculus fat jokes.

Monsteriffic!!!
Classic Monsters, Gang of Middle Schoolers fighting Evil, Great SPFX, One of my most favorite movies ever. Reminds me somewhat of the Goonies, (1 fat kid , 1 obsessive cumplusive kid, 1 young adult, and the rest is history)

wolfman gots nards!!!
this is the best movie ever. its funny the movie is older then me but its my favorite movie.

but its abut these group of kids who have to stop dracula from taking ova the world.

but it has all the monster classics. so if you like drac and the other creaures of the night, watch it!

Mummy Came In My House.
This is one of the best 80's movies ever. cleverly developed. The dialog in this film is also fantastic. "wolfmans got nards."
A must have movie. You'll love evey rsecond of it. ... Read more

Reviews (169)

"Scuusssssseeee Me?"
Holes is a brilliant book by the fantastic Louis Sachar. Now its the utlimate book adaption and family film. Many films based on books, rarly compare, but this won me and many others over.
This movie has a fantastic cast as well. Let me start off with my favortie cast memeber. Sigourney Weaver is AWESOME as the mean spirted warden. She lights up the screen and you find yourself begging for more Sigourney. Shia LaBeouf is great at Stanley Yelnats and brings humor and heart to the screen. Patricia Arquette is great as Kissin Kate Barlow and totally embodies her perfectly. The rest of the cast I will mention in the following review.
When a famous pair of sneakers falls from the sky and lands in Stanleys hands, he finds himself in court with the decision of jail or Camp Green Lake. His family (except his mom) quickly blame this on Stanleys dirty rotten pig stealing greatgrandfather. Well, hes never been to camp so thats better than jail. He is sentenced to 18 months at Camp Green Lake to build character. Once there, he realizes he is not in any normal camp. He also finds out that there is no lake, and the place is not green. He is in the middle of the desert, and Camp Green Lake has the only water source for 100 miles. It doesnt take long, before MR.SIR (Jon Voight, who perfectly acts out this odd character) takes Stanley's bags and gives him his work clothes and his relaxation clothes and explains to him that every morning he will be required to dig one hole 5 feet deep and 5 feet wide to turn around his bad character.
The movie continues to explain how something fishy is going on at Camp Green Lake, and explains Stanley's greatgrandfathers curse, and the life of Kissin Kate.
I bought this film without seeing it and i am pleased. It is a fantastic movie for kids and adults. Its funny and extremely heart-warming. Dont miss this one.

Remains remarkably faithful to the book!
I read "Holes" several years back for a children's literature course I took in college. I highly enjoyed it! It was one of the best books I read in that class.

So when they introduced the movie, I was quite interested. Part of me was hopeful it would turn out well, the other part of me was skeptical that it would be anywhere near as good as the book. However, my fears were dashed. This movie was FABULOUS!

The story jumps back and forth a little between three different tales -- the story of Elya Yelnats, the main character's "no good, dirty-rotten, pig-stealing great-great-grandfather"; the story of Stanley Yelnats IV himself; and the story of a legendary outlaw, Kissing Kate Barlow. The three stories are interwoven quite ingeniously. In some cases, you aren't completely sure what the connection will be, but then when you find out, it fits perfectly.

The story IS slightly altered, of course, as most books-brought-to-movies tend to be. But it very much keeps the spirit of the original book. The boys are very believable -- I especially love Zero! Sigourney Weaver makes a wonderfully nasty warden. And John Voigt does a wonderful insane portrayal of Mr. Sir.

This movie will keep you laughing and curious throughout. And if you enjoyed the book, you'll like this film!

Adults can watch it with their kids and all actually enjoy!
The wildly popular novel for youngsters "Holes" gets turned into a movie that is completely in keeping with the spirit of the book.

The young cast bring to life the beloved characters at Camp Green Lake, where convicted juvenile delinquents are sent to toil in broiling Texas sun. It was great to see X-Ray, Zero, Armpit and of course Caveman brought to life. The adult parts are played by Jon Voight, Sigourney Weaver and Tim Blake Nelson, and they look like they're having a WORLD of fun playing the malicious staff at Camp Green Lake. The story is not insulting to kids, and adults can watch it and be entertained the entire length of the movie. Vignettes back at Caveman's home where Stanley Yelnats the second and third live under the curse incurred from the first Stanley Yelnats, and trips back in time where that first Stanley was cursed by European VooDoo Woman Eartha Kitt as well as the back-story around Kissin' Kate and her treasure all add to the viewing pleasure.

The DVD comes with just the right amount of supplemental features, interviews and commentaries.

Not many "children's movies" are as appropriate for all ages. Highly recommended.

if you don't like this movie - shame on you!
This is a movie for the entire family to watch and love with its humorous and clever plot, based on the hit book "Holes" by Louis Sachar, who also writes the screenplay for this. The movie is about a twelve-year-old boy named Stanley Yelnats who's family has been cursed due to his "no-good, rotten, pig of a grandfather". He's walking along the road when a fantastic pair of shoes fly out of nowhere. He thinks his luck has finally started, when he finds police chasing him and in a courtroom because those shoes were the greatest basketballer player's of all time, and it was for a charity event where the money raised would be given to homeless children. He is sent to Camp Greenlake, where once was a beautiful lake, which is now a dry and scorching desert. Deadly adventures befall him there as he makes a friendship with Zero, a mysterious, shy boy. Their adventures lead them to a hidden treasure that belongs to Stanley... If you want to findout more, watch the film!

Girls' movies are better
I liked the movie, which Stanley stole a pair of shoes that fell from the sky and landed on his head. Then he got sent to the courtroom and the judge asked him: "Your choices: Camp Green Lake or Jail?" Then Stanley decided to go to Camp Green Lake because he never been into any Camp before. Camp Green Lake is a camp for bad boys, because they're too young to go to jail. When he got sent to Camp Green Lake, he had to dig one hole each day, and each hole must be 5 feet deep and 5 feet in diameter. I think this movie is OK, but I like girls' movies better, like "The Parent Trap", "The Lizzie McGuire Movie", "What A Girl Wants". ... Read more

Reviews (3)

Wrapping candy, fake nose on fire, having a baby and more!
This second volume in the "Best of 'I Love Lucy'" collection begins with two of the show's classic comedy moments. "Job Switching" (Episode #36, September 15, 1952), is the classic episode of "I Love Lucy" that I always show to my television classes so they know what a classic sit com looks like. Ricky is tired of the way Lucy spends money without regard for where it comes from, so the boys and girls switch places: Lucy and Ethel will get jobs and Ricky and Fred will do the household chores. One of the greatest moments in television history comes when Lucy and Ethel have to work a conveyor belt in a candy factory. Elvia Allman is the supervisor ("Let 'er roll!") and Amanda Milligan, an actual candy dipper at the Farmer's Market in Hollywood is, uh, the candy dipper. Meanwhile, Ricky is ironing stockings and making rice while Fred bakes a cake. "L.A. at Last" (Episode #114, February 7, 1955) finds Lucy and the Mertzes heading for the famous Brown Derby restaurant while Ricky heads to the movie studio to begin working on "Don Juan." Here is where Lucy has her legendary encounter with William Holden in the booth behind her. Tired of being gawked at while trying to eat, Holden decides to stare at Lucy instead, making her so nervous she end up setting her false nose on fire. To set the record straight: Lucy getting her nose on fire WAS in the script, but her decision to dunk her nose into the coffee was an AD-LIB (she was supposed to take the nose off before dunking it).

But Lucy could make you cry as well as laugh. "Lucy is Enciente" (Episode #45, December 8, 1952) finds Lucy feeling run down and visiting the doctor, who tells her that she is going to have a baby. Having dreamed of this moment for over a decade of marriage, Lucy wants the moment to be absolutely perfect when she tells Ricky so Ricky is passed a note that there is a woman in the audience who wants to tell her husband that they are expecting and wants Ricky to sing "Rock A Bye Baby." Ironically, when Lucy and Desi were filming the climax, they got caught up in their own emotions when th and both started crying. The scene was considered ruined until it was screened and they discovered it was impossible not to cry watching the happy couple. This final scene is one of the most beautiful moments in television history. Just thinking about it gets you choked up.

"The Ballet" (Episode #19, February 18, 1952) is one of the better episodes where Lucy tries to get into show business. Ricky has an opening for a ballet singer and a burlesque comic in his show. So, of course, Lucy tries out for both parts. Finally, there is my favorite Ethel episode, "Ethel's Hometown" (Episode #112, January 31, 1955). On their way to Hollywood the Ricardos and Mertzes stop in Ethel's hometown of Albuquerque, where they discover that everyone things that the former Ethel Mae Potter is the big celebrity. As Ethel performs her famous number "Short'nin' Bread," the other three upstage her behind her back. For some reason, living outside Albuquerque when I first saw this one just added to the enjoyment. Go figure. Get both of the volumes in the "Best of 'I Love Lucy'" collection and you will have what most everybody agrees are the four funniest moments in Lucy history PLUS the biggest tear jerker!

All "I Love Lucy" episodes celebrate 50th Anniversary.
In this decade, every episode of "I Love Lucy" will be celebrating its 50th Anniversary. Every episode is still funny as funny as it was when they first aired. The shows are good. The shows are wholesome. They are healing and warm and will make you feel good. Buy them on VHS or DVD today.

Ethel May Potter- We Never Forgot 'Er!
This is a great video that showcases the genius of Lucille Ball in her first television series, "I Love Lucy (CBS, 1951-1957)!

The first episode "Job Switching" is a classic. The men and women change places, with Ricky & Fred being the homemakers, and Lucy & Ethel getting a job. This episode is famous for the scene in which Lucy stuffs her face with chocolates.

Another episode on this volume, "LA at Last" is also a classic. In this episode, Lucy meets William Holden at a famous restaurant in less-then-favorable conditions. Ricky later brings him home, and hilarity ensures. Lucy even sets her (plastic) nose on fire!

"The Ballet" and "Lucy is Enceintre" also two great episodes.

Last, but certainaly not least, is "Ethel's Hometown". The gang, on their way to LA, stops at Ethel's hometown (Also Vivivan Vances) of Alberque (I know I mispelled that :D). Her father and the town are in an uproar of happiness over seeing her, since they believe she is going to be in a movie, when in reality it's Ricky. The gang takes great measures to humiliate Ethel, and hilarity ensues! So remember, "Ethel May Potter-We Never Forgot 'Er!") ... Read more

Reviews (27)

ROMERO
Esta película fue filmada por el director Australiano John Lawless Duigan. Él nació en Inglaterra en 1949 pero se mudó a Australia en 1961 para vivir junto a su padre australiano. A él le gusta mucho dirigir películas sobre los jóvenes y sus confusiones durante esa etapa de vida. También le gusta dirigir películas sobre diferentes culturas y la política de algunos países. Él ha filmado varias películas pero algunas que son bien conocidas son "Sirens" en 1994, "Flirting" en 1991, "The Year My Voice Broke" en 1987 y "Trespassers" en 1976. Sus últimas dos películas son "Paranoid" en 2000 y "Molly" en 1999. No solamente es director de películas sino también es escritor, productor y actor de filmografía. John Duigan es más conocido en otros países que en los Estados Unidos porque ha sido el director de una sola película estadounidense "Romero" en 1989 pero como quiera ha sido reconocido como un buen director de filmografía. La película "Romero" está basada en la vida real del arzobispo Oscar Romero de El Salvador quien sufrió una transformación de carácter cuando se dio cuenta de la opresión social de la mayoría de las personas viviendo en su país. La opresión que estaba ocurriendo era por la mayor parte de la oligarquía quienes tenían poder sobre la mayoría del pueblo salvadoreño. Romero (Raúl Julia) siendo "amigo" de la oligarquía no se había dado cuenta de la opresión que estaba ocurriendo hasta que tomó su puesto de arzobispo y después del asesinato de su mejor amigo el padre Rutillo Grande (Richard Jordan). Después de que el arzobispo Romero se dio cuenta de lo que estaba pasando él decidió empezar una concientización en el pueblo salvadoreño por medio de la teología de la liberación. Esta teología ayudó al pueblo a ver que en sus vidas no tenían que sufrir, que Cristo es parte de todos, los pobres no tenían que vivir reprimidos, que cada quien tenía que hacer algo para combatir su opresión, y también que los pobres y ricos tenían los mismos derechos en decidir cómo vivir su vida. El arzobispo Romero fue asesinado en 1980 por militares porque el se había convertido en una persona que demandaba la paz en su país, luchaba por los derechos de los pobres, y quien se había involucrado políticamente contra el gobierno salvadoreño. Sus esfuerzos ayudaron a traer una concientización en su pueblo pero su país no ha podido cambiar el gobierno militar que todavía existe en El Salvador. Esta película me encantó pero es muy lamentable que no había podido atraer la atención del mundo. El contenido de la película fue un poco gráfico pero ayudó a que la audiencia sintiera todos los problemas que estaban pasando en El Salvador. Fue muy triste saber que el arzobispo Romero había sido asesinado por una causa tan noble y humanista para salvar a su pueblo. Recomiendo esta película a todas las personas del mundo para que se den cuenta de las cosas que pasan en otros países por medio de la mala política que existe en algunos países.

Powerful Story of Conversion to the Poor
Oscar Romero, Archbishop of El Salvador, had the courage to live the teaching of Jesus, even though this meant alienating the rich and powerful who oppressed, tortured, murdered, and defrauded the poor of that nation. He stood in the pulpit of the national cathedral and urged soldiers to obey their Lord and disobey commands of oppression. He paid for this, taking a bullet to the heart while blessing the wine during mass.

This movie portrays the story of a quiet, bookish man who stood in the gap between the machine of dehumanizing globalization and the children of Jesus. We watch him wrestle with discovering an authentic Christian response to the injustices and oppression prevalent in El Salvador. We see him reprimand all those who would practice violence, whether as military authority, rebels, or institutionalized violence that robs people of their humanity and ability to feed their families.

The movie was filmed in Mexico, not Hollywood. Raul Julia deserved an Oscar for his performance as Romero. Mexican extras bring a feeling of authenticity that could not have been realized in Hollywood. The telling manages to avoid most of the "splatter" depictions of violence that most box office draws include, and by so doing, makes the violence even more heinous.

This is a powerful story, whether you are Christian or Pagan, Marxist or Capitalist. It is superbly told. This is the story of a person finding his authentic place in the midst of a struggle for justice.

(If you'd like to discuss this review or video in more depth, please click on the "about me" link above and drop me an email. Thanks!)

THE ROAD IS NARROW, AND DOWN THE MIDDLE
The most unlikely of heroes, Romero, with owlish glasses and demeanor, is reluctantly thrust into a role much like Thomas More almost five centuries earlier.

20th century El Salvador, like 16th century England, is enduring bloodshed and havoc. Insurgent Communist rebels compete with paramilitary squads and the oligarchy for control of the tiny Central American nation. Priests and the flock they lead are caught in the middle. Those who cry for justice are photographed and marked for extinction because they speak the language of Marxism.

Archbishop Romero recognizes that Marxists and the ruling oligarchy are merely obverse sides of the same coin-- ideologies who rule by force contrary to the the rule of God.

He is equally harsh with Communist sympathizers as he is with the paramilitary squads who rape, torture and execute advocates of justice and human rights.

Like a nail driven into wood, Romero meets each new situation, bewildered at first, but rising to the occasion with increasing faith, anger and determination.

In one scene, he arrives at a church which has been turned into an army barracks. He announces that he has come to remove the Blessed Sacrament. A belligerent soldier responds by unloading a round of bullets into the tabernacle and shatters the crucifix hanging above the altar. Romero stands transfixed, astonished at the utter desecration, then leaves. He pauses outside where a crowd has gathered, unsure as he himself is what he will do next.

Suddenly, collecting the courage to face the evil that expelled him, he wheels around. He brushes past the insolent soldier and stoops to gather the consecrated wafers in trembling hands. The soldier fires another round above Romero's head. Undeterred by the gunfire, the intimidation, and the soldier who shoves Romero with his boot, he completes his work then exits.

But he isn't finished. He returns yet again to restore the church to its rightful owner--the people of God. The soldiers in their turn stare blandly at the audacity of this meek soldier of God who dares to stand up to their jackbooted authority and in his turn expel evil.

Archbishop Romero fights every battle his Redeemer once fought: the apathy of the elite, the treachery of those in power, and betrayal within his own ranks. One of his own priests reveals that he carries a weapon. Romero angrily and loudly denounces him because "You lose God just as the others have!" Another parishioner denounces Romero for betraying their class by "forcing" her baby to be baptized along with "all those indians."

This video should stand next to A Man For All Seasons. Raul Julia, like Paul Scofield, has memorably portrayed one of the Church's most celebrated martyrs. Julia carries a heavy load, but the entire cast contributes

A hero's tale.
In a country that was troubled by injustice and murders, the ruling elite gave Romero a powerful job as an archbishop. The reason why he was given this job, was that they believed that Romero would stick by the rules, and never fight against the cruelty and the injustice that the people of El Salvador had to endure.

How wrong they were! In this film we are allowed to witness how Romero gets more and more involved in the fight for justice and freedom for all citizens. In the end he has to pay with his life, as he is being murdered in front of the altar during a church service.

Accurate, well acted, and well worth watching!
Archbishop Oscar Romero is one of my personal heros, for the faith and courage he showed in standing up when he saw people being oppressed and speaking against those attrocities.

Raul Julia is an excellent actor and he captures this role beautifully, it is an inspiring story of going from a milquetoast bishop to a fighter for the people.

Well worth it! ... Read more

Reviews (275)

One Super DVD
Faster than a speeding bullet. More powerful than a locomotive. Able to leap the tallest building in a single bound. The world's greatest superhero has finally arrived on DVD with "Superman: The Movie" Special Edition. The film focuses on the young survivor of the doomed world of Krypton. After crash-landing on earth, the young alien is adopted by a caring farm couple and grows up with amazing superhuman abilities. Moving to Metropolis, he uses his incredible powers to protect the people and fight injustice. "Superman- the Movie" is probably the best superhero movie to date. The story is quite entertaining but does lose some strength during the second half though it still manages to preserve its entertainment value. The film contains some great performance by Christopher Reeve, Gene Hackman, Margot Kidder and Marlon Brando as Jor-El. The cast also includes Jackie Cooper, Terence Stamp and Ned Beatty. From daring rescues to superhuman feats of strength, the film contains some impressive action sequence and terrific visual effects.

The DVD honors the Man of Steel like it should. The comic book film is presented in 2.35:1 anamorphic widescreen format. The DVD contains a sharp video transfer and a fine 5.1 Dolby Digital sound with great surround effects. This amazing DVD features an audio commentary with director Richard Donner and consultant Tom Mankiewicz, additional footage including an extended sequence inside Lex Luther's underground gauntlet, behind-the-scenes documentaries, theatrical trailers, deleted scenes and DVD-ROM extras. With such a striking DVD presentation, "Superman" earns an "A".

Super features, super options, JUST PLAIN SUPER!
I enjoyed the Superman DVD. 25 years after this movie came out and seeing it so many times on TV with pan and scan, the newly remastered print blows everything out of the water. The music only option works for the title sequence and hearing the extra tracks on Side B adds to the genius that was John Williams soundtrack.

The audio is remastered and put on a surround sound system instead of the setup I have at home would shake your house to the core. The extra scenes were a good touch as well. Behind the scenes added the great touch of mystique that was Superman. Having Marc McClure host the BTS stuff added a bit of credibility.

Until Spider-Man last year and Batman in 1989, this was the film on which Superheroes were judged. The Hulk disappointed and Daredevil and X-2 were moderate hits.

Superman still stands the test of time, no matter what your views.

Spider-Man has kind of surpassed it...
Well now that we have seen the two Spider-Man movies, I tend to belive that they are now the standards by which other comic book films (both Marvel and DC) will have to live up to now. In a way, Superman is now kind of the odd film out. It works better as an origin story in how Clarke Kent becomes Superman and Chris Reeve's effective perfomance in the title role still works, In the comics, Lex Luthor has always been a one dimensional cartoon character, the only time that he was an effective villian was when Gene Hackman played him in this movie. The final scenes of Superman turning the Earth backward to save lois lane, are what they are. It might be a bit far fetched to put in a movie, but that does not stop audiences from enjoying it. and it doesn't stop me from watching it over and over again.

Born on Krypton, raised by the Kents on Earth, Becomes Hero
The Man of Steel flys into the spectactular motion picture, Based The DC Comic and also appearing in Action Comics, Christopher Reeve stars as Clark Kent.Reporter in Metropolis,Illnois for the newspaper the Daily Planet,And trouble emerges Clark Kent flys to the rescue as Superman, a blue suited red caped powerful wonder. He takes on Lex Luthor played Gene Hackman and falls for Lois Lane played Margot Kidder and Marlon Brand as the Krytonian father of Superman Jor EL. This Film is a Great Superhero movie and great film all around, probably the most imaginative thing the Man of Steel has been in. Superman began as the comic, then a radio show, several 1950s B movies, TV show and in 1978 the true Superman ovie. Superman is imaginative in everthing because hes an imaginative character. A pop culture icon on screen and in everthing else. the Special Effects are incredible, This a Super high flying ride. You Want a good superhero movie before Batman and Spider-Man this is it. If it wasn't for this classic we would'nt have superhero movies like Spider-Man 1&2,Batman,Hulk and X-Men 1&2. Thank Hollywood for making a great superhero film that lauched other superhero films. A thrilling Film of one of the greatest heroes of the 20th century, The Man of Steel, SUPERMAN.

Release Superman into our 21st century!
Very bad film.
They released Spiderman into the 21st century, why not Superman?
I've always found him to be the most appealing comic book character. He is sure for an amazing performance.
RELEASE HIM INTO OUR CENTURY! ... Read more

Reviews (4)

Vitameatavegamin, Grape Stomping, Harpo Marx and more!
Volume 1 of the "Best of 'I Love Lucy'" starts off with the classic "Lucy Does a TV Commercial" (Episode #30, May 5, 1952), Ricky is set to host a TV variety show and Lucy wants to do a live commercial for (all together now) Vitameatavegamin. Although she fails to win Ricky's support after staging a mock show inside their television set, Lucy arranges to get the gig anyhow. She starts off great, but the problem is that Vitameatavegamin contains 23% alcohol and with each rehearsal Lucy gets progressively drunker and funnier. Lucille Ball considered this the best bit, and one of the hardest, she ever did. Next we have the wonderful grape vat scene from "Lucy's Italian Movie" (Episode #150, April 16, 1956). The Ricardos are in Europe when an Italian movie producer tells Lucy that he wants her in his new film, "Grapola Pungente." Finding out the title translates as "bitter grapes," Lucy takes this literally and heads for the nearest vineyard where she has a memorable encounter with Teresa Tirelli stomping grapes in a vat. So right off the start, you have TWO of the THREE funniest Lucy routines (and the Candy Factory sketch is on Volume 2)!

The other three episodes might not all be classics, but they are still very, very funny. "Lucy Does the Tango" (Episode #173, March 11, 1957), finds the Ricardos and Mertzes investing in 200 laying hens. All you need to do is hear the situation and you know that Lucy is going to end up with end up with egg on her face. Okay, egg on everything. In "The Freezer" (Episode #29, April 28, 1952), Lucy and Ethel buy a new walk-in freezer. But when they grossly overestimate its capacity, they are suddenly in the meat business. Of course, as soon as you see that walk-in freezer you know Lucy is going to get locked in it. Finally, we have Lucy's legendary encounter with "Harpo Marx" (Episode #125, May 9, 1955), which showcases Lucille Ball's physical comedy in a great scene with the beloved silent Marx Brother. The mirror sequence between the two was apparently a pain to shoot (and reshoot), but worth the effort just to see the two famous "redheads" go at it.

All "I Love Lucy" episodes celebrate 50th Anniversary.
In this decade, every episode of "I Love Lucy" will be celebrating its 50th Anniversary. Every episode is still funny as funny as it was when they first aired. The shows are good. The shows are wholesome. They are healing and warm and will make you feel good. Buy them on VHS and DVD today.

Best of Lucy Volume 1
This tape is a great with 5 of the top 10 episodes.

In Lucy Does a Commercial, laugh your self silly as Lucy asks if you "pop out at parties" and "are unpoopular".

In Lucy's Italian Movie, see Lucy soak up the local "blue" color.

In Lucy Does the Tango, The chicken business gets the best of the fantastic foursome. Wait until the finih of the dance.

In The Freezer, learn how big 2 sides of beef really is and see Lucy the Ice Queen.

In Harpo Marx see the talents of lots of stars drop by to visit Lucy and Ethal's friend Caroline while Lucy does "other things".Then see the real Harpo Marx and "Lucy Marx" mirror each other.

lucy
i personally have not seen the video yet. with the 50th anniversary of the show and all and because lucille ball was a wounderfull actress and she did it so beautifley. so if this is dedicated to the women of comedy. it will be the best video yet. Lucy would have enjoyed it so why dont you? ... Read more

Amazon.com

Best known for light, entertaining musicals such as Singin' in the Rain, director Stanley Donen grew more adventurous (and less successful) in the latter stages of his career, but this edgy romantic comedy from 1967 has proven to be one of Donen's best, most enduring films. Jumping back in forth in time, the film chronicles the marital ups and downs of a stylish British couple (Albert Finney and Audrey Hepburn) as they travel on various vacations over the course of their 12-year marriage. The separate vignettes combine to form a collage of joys and pains as the young couple struggles to maintain their fading marital bliss. In this regard, the film is refreshingly sophisticated in its treatment of the difficulties of long-term commitment, and with Hepburn and Finney in the leads, great performances are drawn from the acerbic wit of Frederick Raphael's screenplay. Fashion mavens will also marvel at Hepburn's astonishing wardrobe of late-'60s fashion--she's a showcase for summer couture, looking fantastic in everything from candy-striped bellbottoms to hip sunglasses and outrageously stylish hats. Some of the melodrama clashes with forced comedy (such as tiresome running gags or a cartoonish portrayal of crass American tourists), but that doesn't stop Two for the Road from being timelessly appealing and truthful to the challenge of lasting love. --Jeff Shannon ... Read more

Reviews (56)

A true classic.
TWO FOR THE ROAD had been nearly forgotten except by a few film buffs until Audrey Hepburn's untimely death. People are discovering it and finding it ageless for a number of reasons. The theme of a marriage changing through the years is a well-understood premise. It could be predictable were it not for the wonderful acting by the entire cast, primarily Albert Finney and Ms. Hepburn. Eleanor Bron and William Daniels are a terrific pair of American snobs who join them through a period of their adventure in marriage. The ingenious filmic vehicle(s) that moves the characters through various periods in time is unexpected and beautifully manuevered by the film's tender and loving director, Stanley Donen. Anyone who accuses Donen of being a one trick pony (Singin' in the Rain) should SEE THIS FILM!

Memory Lane Is A Bumpy Road
Some films from the Sixties have dated more than others. I loved this film when it first came out and for years had many pleasant memories of it. Some years ago, my English wife and I travelled across France by road from Calais to the Med and throughout the journey I had images of this film constantly re-playing in my head. So I looked forward to seeing it again after a long time. I don't know whether the times have changed that much, or I have. What once seemed witty, relevant, truthful, charming and modern now strikes me as a somewhat pretentious mess. I seem to remember more comedy than there actually is in the film. The scenes of the crumbling marriage are much too stark a contrast to the lighter tone of other scenes. Moving the storyline back and forth in time is not a problem, but the frequently uncertain tone is. Is it a comedy? A drama? A comedy/drama? A drama/comedy? Who knows? Certainly not Stanley Donen who was so much more assured directing Audrey Hepburn in Charade. Audrey is Audrey, even in the dramatic scenes. Albert Finney bounces between being a latter day Tom Jones and an upmarket Jimmy Porter. The chemistry between the two is marginal. The sequence with Eleanor Bron and William Daniels - two wonderful performers in other circumstances - now seems strained and tedious. The only saving graces are the French countryside and Henry Mancini's music (one of his best scores). Maybe someone seeing the film for the first time will enjoy it more. I remember once hearing that Meg Ryan wanted to do a re-make of Two For The Road. Lets pray to the gods of cinema that it never happens.

Fantastic!!
OK, this movie is just great!! It puts you in such a good mood and brings you to another land. I see there are a few people who made negative comments about the movie.... They are insane!! Two For The Road is a wonderful movie!! I recommend everyone watch it!! My boyfriend who has completely different taste than me even loved it!! Must see!!

If not the best romantic film ever made one of the five top!
Stanley Donen made an unforgettable film and futhermore a model film .
This is a film you'll enjoy always , for many reasons.
The script is supported by a creative edition , a road movie told at different narrative lines , where past present and future are mixed to create a excellent gaze about a simple couple in a road between England and French with thw forrest , the sea as powerful background.
The couple Hepburn - Finney was a hit. Both of them in the peak of his creative powers .

Delightful , a true song for the life and the love , and despite the crucial emotional croosroad at the end , it gives us amazing dialogues and funny situations.
In my opinion , behind Singin'in the rain , consider this one as the major work of this legendary film maker!

A rocky marriage, and a look back at a happier yesterday
When Mark and Joanna Wallace see a pair of newlyweds in a car, amid a throng of rice-flinging well-wishers, the following exchange is heard.

Joanna: They don't look very happy.
Mark: Why should they? They just got married.

It's clear that the Wallaces' marriage has seen better days from that cynical observation. Joanna is sick of seeing her successful architect husband at the beck and call of a certain Maurice, her husband's jaded indifference and extramarital affairs. That leads to an introspective look at their past, given by a series of questions is posed. Where did it all go wrong? You haven't been happy since the day we met, have you? Why do we keep on with this farce? Is it worth it? And of course, how long is this going to go on? These also seem to reflect Hepburn's own marriage to Mel Ferrer, which would last for one more year.

The series of flashbacks, told non-linearly, takes the viewer seeing how Mark and Joanna first met, their travels with another married couple, and the time when they had their first child, when Mark's preoccupation in his career rather than his family reveals the first cracks appearing in their marriage. And the film's running gag involves Mark unable to find his passport, because Joanna has taken it from him. This comes into play as the one consistent thing in their relationship, and a reminder of the past.

By far, the days when Max and Joanna hitchhike across France are the happiest. Sure, they are on a strict budget, being rained on, and a temperamental MG auto, which has a destructive sendoff when it finally poops out. But they were like a couple of kids without a care in the world, having fun. "What kind of people eat without saying a word to each other?" The answer is married people, they say during their romantic period. Years later, when their marriage is on the rocks, they make the same observation, only this time it's about themselves.

David, Joanna's extramarital lover, puts perspective on things when he tells her "there comes a time when one must grow, when the old things aren't amusing anymore." So what does one do when the old things include marriage or being together? Does one stick it out and become more miserable and self-denying, or does one call it a day? What's clear is that promises of never disappointing one another, that the marriage will be one of heaven, and the magic disappears once things don't become personal anymore, but driven by something else.

The transitions between the different times can be differentiated in the car driven, Joanna's hairstyle, dress, and how happy Mark and Joanna are. Donen's sudden jump cuts from present to the various pasts are effective and creative.

Audrey Hepburn is wonderful as usual, and there's growth in the kind of character she plays. Joanna is a variation of Anna (Roman Holiday) or Sabrina, full of fun and laughter, but she also represents a departure from those genteel characters. Scenes where it's apparent she's nude under the covers--unheard of for Audrey Hepburn, right? And her playing an adulterous woman who humiliates her husband? Albert Finney does well as Mark, and his manners of speech range from the comical Bogart-like voice during their premarital trek to a tired weariness.

Two For The Road is also the last movie Hepburn did with director Stanley Donen (Funny Face, Charade). And upon a personal request from Hepburn, Henry Mancini does another winning theme song, fittingly sweet yet nostalgic. It sets a precedent for Audrey Hepburn, away from the innocent virgin roles of before. Despite this being an analysis of a marriage going sour, with moments of frustration and pain, there are moments of fun, and showing how despite changes, maybe being able to accept things as happened and moving with the future will save a rocky marriage such as the Wallaces. ... Read more

Reviews (72)

Nothing's as dangerous as a Yellowbeard....
Why don't they make more pirate movies? Probably because the mold was broken after Yellowbeard. I mean, Cutthroat Island was funny, but I don't think they meant it to be. Graham Chapman stars as the scurvy dog himself, and his supporting cast is wonderful, including Pythons John Cleese and Eric Idle, Cheech Marin & Tommy Chong, Peter Boyle, Kenneth Mars, Susanna York, the late great James Mason, the late great Madeline Kahn, the late great Goon Spike Milligan, the late great Beyond The Fringe alum Peter Cook, the late Sir Michael Horndern, and finally, the late great Marty Feldman in his last role. Feldman died in Mayheeco before this was finished, hence the disjointed ending, but he was wonderful while he lasted. This sprang from the fertile & addled brain of Who drummer Keith Moon, who died before it was made. David Bowie was on vacation in Mexico in the same area while this was filmed, and makes an uncredited cameo. John Cleese is wonderful as Blind Pew (Cleese: "'oi 'ave acute 'earing." Idle- "I don't care about your jewelry"). James Mason is a hoot, playing it straight as a brutal English captain. Cheech & Chong are great, although I half expected to see them launch into their classic shtick of "Buggery On The High Seas". If your sense of humor is twisted, get this movie. If your SOH is just silly, get it too. If you miss Marty Feldman half as much as I do, then that means I miss him twice as much as you. There's also a "Making Of Yellowbeard" program out there. Keep your eyes peeled for it, too, it is worth it.

Wild and Crazy Pirate Movie!
I'm a Monty Python fan and I also happen to like pirate movies so when this movie was shown unedited and commercial free on cable I taped it and just watched it the other day and though it's not my all time favorite pirate movie as a spoof of pirate movies it does have it's funny moments and three of my favorite Monty Python members, Graham Chapman, Eric Idle and John Cleese. The movie has a huge cast that also stars, Peter Boyle, Peter Cook, Madeline Kahn, James Mason, Marty Feldman, Martin Hewitt, Cheech and Chong and also look out for Bernard Fox who played Dr. Bombay in the classic television sitcom Bewitched. I wonder why this movie isn't on DVD yet. The station I taped the movie from played it in fullscreen and I would think that a movie like this had to have been filmed in widescreen so maybe a widescreen DVD will be available someday.

Okay but Not Great!
I watched Yellowbeard recently and well it was basically a funny movie though there were some hits and misses with the humor and the rape jokes got tiresome after awhile!

The Unknown Sidesplitter
The great groups of 20th century comedy are all here: Spike Milligan from The Goon Show, Peter Cook from Beyond the Fringe, Graham Chapman, Eric Idle, and John Cleese from Monty Python, Peter Boyle, Marty Feldman, Kenneth Marz, and Medeline Kahn from the Mel Brooks Art Players, Cheech and Chong -- plus British stalwarts like Michael Hordern and Peter Bull (in drag) -- plus James Mason in his rarely seen dry-as-dust comic mode -- plus an uncredited cameo by David Bowie. As a teenager, my daughter tested potential friends by showing them this movie and, if they loved it, they passed. A MUST for DVD.

One of the greatest of all time...
For fans of the Python, this is one of the greatest movies of all time. You will be in tears the entire time. Let's just hope someday they remaster and re-release it on DVD ... Read more

Amazon.com essential video

When this popular prison drama was released in 1994, some critics complained that the movie was too long (142 minutes) to sustain its story. Those complaints miss the point, because the passage of time is crucial to this story about patience, the squeaky wheels of justice, and the growth of a life-long friendship. Only when the film reaches its final, emotionally satisfying scene do you fully understand why writer-director Frank Darabont (adapting a novella by Stephen King) allows the story to unfold at its necessary pace, and the effect is dramatically rewarding. Tim Robbins plays a banker named Andy who's sent to Shawshank Prison on a murder charge, but as he gets to know a life-term prisoner named Red (Morgan Freeman), we realize there's reason to believe the banker's crime was justifiable. We also realize that Andy's calm, quiet exterior hides a great reserve of patience and fortitude, and Red comes to admire this mild-mannered man who first struck him as weak and unfit for prison life. So it is that The Shawshank Redemption builds considerable impact as a prison drama that defies the conventions of the genre (violence, brutality, riots) to illustrate its theme of faith, friendship, and survival. Nominated for seven Academy Awards including Best Picture, Actor, and Screenplay, it's a remarkable film that signaled the arrival of a promising new filmmaker--a film that many movie lovers count among their all-time favorites. --Jeff Shannon ... Read more

Reviews (692)

Triumphant celebration of the human spirit
First off, this reviewer regularly rates this movie as his personal favourite of all time. Why only four stars then? Because we are asked to rate the DVD, not the movie, and the criminal lack of DVD extras for one of the best films ever made is shameful. So, film five stars, DVD three - averaging out at 4. Maths lesson over, on with the review.

Based on the Stephen King novella ' Rita Hayworth and the Shawshank Redemption ' this really has become a modern day classic. Other films have grossed more, and may have a more immediate following, but Shawshank will endure for years, and become another 'Casablanca ' loved by generations to come.

The film tells the story of Andy Dufresne, sent to the maximum security prison of Shawshank for the murder of his wife and her lover. Played with an under-stated intelligence by Tim Robbins in a career defining turn, and supported by sterling performances from Morgan Freeman, Bob Gunton, William Sadler, Clancy Brown, and veteran James Whitmore. Morgan Freeman's work is particularly notable, not just for his performance ( let's face it, the man doesn't know how to give a bad one! ) but also for the fact that his is the voice of the film. His chocolate-rich tones were director Frank Darabont's choice for the voice-over of the film, as if his character Red is talking to us, and explaining the sub-text of the film. Voice overs often dont work ( Blade Runner being a prime example ) but this one does, perfectly.

Beginning at a slow pace, the film begins with the brutal de-humanising regime meted out to the 'Fresh Fish' as they begin their incarcaration in Shawshank. I remember suggesting my wife watch the film after I'd seen it, and she, being of a considerably more sensitive nature than me, found the early scenes difficult. If you too find the opening 45 minutes a tad heavy going, stick with it - the reward is worth it.

Eventually as we progress through the film, we see how Red's initial suspicion of Andy becomes a deep respect, and eventually a deep friendship, indeed it would be true to say that these two men love each other like brothers by the end. There are a few key scenes that really stick in the memory - the rooftop scene, the opera aria scene, the exam result scene - all of which enable us to begin to like these men, men we probably wouldn't have wanted in our homes before the film, but who we'd happily sit down to dinner with after.

The film's true emotional impact of course comes in the final third as we learn the truth about Andy's guilt or otherwise. True to many of King's works, there is a twist in the end which leaves us all stunned, and with a big stupid grin on our faces. The total and utter defeat of the dark forces in the film is accomplished with such applomb that you find yourself rooting for the bad guys - the prisoners, a bunch of murderers and misfits that two hours earlier you were deeply suspicious of. Indeed the last section of the film plays almost totally without our hero, and remains almost my favourite portion of it. By this time we are crying out for the final fulfilment of our hopes for the characters. It is to Frank Darabont's eternal credit that he accomplishes this in a scene without dialogue, and a sweeping panoramic withdrawl from the characters, leaving us with not a dry eye in the house, and a feel-good glow that lasts for days.

... while in [a local store] I noticed this man and wife trying to decide which DVD they would buy to view that evening. I pointed to Shawshank. "Ever seen this one?"
"No"
"Trust me" I said, "It's the best movie you've never seen." He bought it, and I like to think I made that man and wife cry, laugh and smile that evening.

To conclude, Warner Bros and Castle Rock - SHAME ON YOU! This movie deserves better. The Region 2 version rocks, so get busy, re-package, and give us fans the extras this classic deserves!

One true consensus !
To be honest, sometimes it seems odd that so much people write similar things about this magnificient film, but then again, everybody ,including myself ,wish to express and convey his thoughts and emotions in his/her special unique way.

Hence, I decided to take my time to write a few words . I hope you'll like them (The immediate reason for this is that I'm currently reading the novel,four years after seeing the movie for the first time).

Andy Dufresne. The name evokes nobel feelings in me whenever I hear it.Portrayed so wonderfully by Tim Robbins,it represents so much ; A man who had had everything,lost everthing and,finally, gained everything back.

His character is one of the most inspiring I've ever known. What a man ! An example of the strength of the human spirit, and one basic rule : diligence and patience with a little bit of luck and wisdom can get you anywhere . . . Even outside the walls of Shawshank state penitentiary...

If you've seen it once - see it again ! It never loses it's impact. Watch it whenever you're down and feeling like everything is going wrong .I bet it shall lift your spirit just a little bit higher ,and help you through the crisis .

Review of a review
Whoever wrote the following review, I've got to hand it to you for almost pulling my leg. This is funny stuff, I actually thought you were serious at first. I'm sure they're many ninnies who will put their DVD copy in now and think there's something wrong. Keep it up.

Anyhoo, The Shawshank Redemption is a great piece of work. Better on DVD than in the theaters (unless you get to take that special someone to the last row . Buy it if your internet connection just happens to be down. Of course that last statement was a joke.

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My third submission on this, if you are doubtful, check for yourself. I own the VHS of Shawshank. I recently purchased a DVD player and Shawshank was one of my first disks. I set both the disk and the tape up to play simultaneously, and flipped back and forth to compare the superb quality improvement of DVD. I was in for a surprise. The picture DOES NOT get wider-AS IT SHOULD-and the top and bottom of the picture of the DVD version are ERASED and replaced by the black bars. The other movie I found with this flaw is Jackie Brown. Check out the point where Bridget Fonda "services" Robert DeNiro. On the VHS widescreen version , her "buns" disappear. They are fully visable on the fullscreen version! The top and bottom have been erased on the widescreen version and the picture does not get any wider. I suspect more movies have this flaw. Now that we know what to look for, let's look!
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Great story, wondrously told and acted
At the heart of this extraordinary movie is a brilliant and indelible performance by Morgan Freeman as Red, the man who knows how to get things, the "only" guilty man at Shawshank prison. He was nominated by the Academy for Best Actor in 1995 but didn't win. (Tom Hanks won for Forrest Gump.) What Freeman does so beautifully is to slightly underplay the part so that the eternal boredom and cynicism of the lifer comes through, and yet we can see how very much alive with the warmth of life the man is despite his confinement. Someday Morgan Freeman is going to win an Academy Award and it will be in belated recognition for this performance, which I think was a little too subtle for some Academy members to fully appreciate at the time.

But Freeman is not alone. Tim Robbins plays the hero of the story, banker Andy Dufresne, who has been falsely convicted of murdering his wife and her lover. Robbins has a unique quality as an actor in that he lends ever so slightly a bemused irony to the characters he plays. It is as though part of him is amused at what he is doing. I believe this is the best performance of his career, but it might be compared with his work in The Player (1992), another excellent movie, and in Mystic River (2003) for which he won an Oscar as Best Supporting Actor.

It is said that every good story needs a villain, and in the Bible-quoting, Bible-thumping, massively hypocritical, sadistic Warden Samuel Norton, played perfectly by Bob Gunton, we have a doozy. I want to tell you that Norton is so evil that fundamentalist Christians actually hate this movie because of how precisely his vile character is revealed. They also hate the movie because of its depiction of violent, predatory homosexual behavior (which is the reason the movie is rated R). On the wall of his office (hiding his safe with its ill-gotten contents and duplicitous accounts) is a framed plaque of the words "His judgment cometh and that right soon." The irony of these words as they apply to the men in the prison and ultimately to the warden himself is just perfect. You will take delight, I promise.

Here is some other information about the movie that may interest you. As most people know, it was adapted from a novella by Stephen King entitled "Rita Hayworth and the Shawshank Redemption." Rita Hayworth figures in the story because Red procures a poster of her for Andy that he pins up on the wall of his cell. The poster is a still from the film Gilda (1946) starring her and Glenn Ford. We see a clip from the black and white film as the prisoners watch, cheering and hollering when Rita Hayworth appears. If you haven't seen her, check out that old movie. She really is gorgeous and a forerunner of Marilyn Monroe, who next appears on Andy's wall in a still from The Seven Year Itch (1955). It's the famous shot of her in which her skirt is blown up to reveal her shapely legs. Following her on Andy's wall (and, by the way, these pinups figure prominently in the plot) is Rachel Welsh from One Million Years B.C. (1966). In a simple and effective device these pinups show us graphically how long Andy and Red have been pining away.

Frank Darabont's direction is full of similar devices that clearly and naturally tell the story. There is Brooks (James Whitmore) who gets out after fifty years but is so institutionalized that he can't cope with life on the outside and hangs himself. Playing off of this is Red's periodic appearance before the parole board where his parole is summarily REJECTED. Watch how this plays out at the end.

The cinematography by Roger Deakins is excellent. The editing superb: there's not a single dead spot in the whole movie. The difference between the good guys (Red, Andy, Brooks, etc.) and the bad guys (the warden, the guards, the "sisters," etc.) is perhaps too starkly drawn, and perhaps Andy is a bit too heroic and determined beyond what might be realistic, and perhaps the "redemption" is a bit too miraculous in how beautifully it works out. But never mind. We love it.

All in all this is a great story vividly told that will leave you with a true sense of redemption in your soul. It is not a chick flick, and that is an understatement. It is a male bonding movie about friendship and the strength of character, about going up against what is wrong and unfair and coming out on top through pure true grit and a little luck.

#2 RATED MOVIE ON THE IMDB (AND FOR A REASON !)
Great film with classic and quotable lines. The narration by Morgan Freeman is also superb. Many touching moments which is specially odd in a prsion movie.
Highly recommended. ... Read more

Reviews (88)

One of the Most Energetic Musicals of all Time
1954's "Seven Brides for Seven Brothers" is rough around the edges and that's just what the doctor ordered. Stanley Donen directed this rough and tumble highly acclaimed musical, set in Oregon in 1850. It was adapted from Stephen Vincent Benét's story "The Sobbin' Women" (based on Plutarch's The Rape of the Sabine Women) and perfectly integrates song, dance, and storytelling. Russ Tamblyn as one of Howard Keel's brothers and Julie Newmar as one of the potential brides are very memorable. Besides Michael Kidd's brilliant choreography (which almost goes without saying) is Cinematographer George Folsey's CinemaScope photography that captured both the grandeur of the land (shot on MGM's back lot!) and the brilliant and bawdy dance numbers. Unfortunately it was shot in Ansco Color and not Technicolor which makes the images less vivid. Yet it does not hinder the film. I saw a recent interview with Jane Powell and she believed that MGM thought they had a real dud on their hands. Boy, were they wrong. Of the DVD versions I prefer the original MGM issue which had a 2.55 to 1 aspect ratio. The Warner Studios version is 2.35 to 1. Both DVD versions remastered the original 4-track magnetic soundtrack to 5.1 Dolby Digital discrete channels. I find this sound remastering very annoying especially to stereophonic films made in the 50s and 60s. The sound on the hi-fi VHS tape is actually truer to the original film.

Singin' & dancin' & sobbin'
A "sleeper" when it was released in 1954, "Seven Brides for Seven Brothers" is still one of the freshest musicals ever made. With a pretty, spirited score by Gene de Paul and Johnny Mercer and rambunctious but carefully-controlled choreography by Michael Kidd, this modestly-budgeted movie surprised everyone by becoming an enormous hit, even being nominated for Best Picture. Based on a short story by Stephen Vncent Benet called "Sobbin' Women" (which was the film's working title), it tells the story of a frontier woman Millie (Jane Powell) courted by a backwoodsman Adam (Howard Keel). He takes her off to his rustic home, neglecting to tell her he has six untamed brothers to care for. Undaunted, Millie sets about domesticating the household, complete with readings from classical history, including the story of the Sabine women, which the boys take to heart. The musical was filmed in AnscoColor and CinemaScope, and the wide screen is utilized to great effect, especially in the barn-raising sequence. Letter-box is mandatory. DePaul and Mercer wrote some effective songs ("Wonderful Day", "When You're in Love", "Sobbin' Women") and the numbers blend into the story perfectly under Stanley Donen's smooth direction. Dresden-doll coloratura Powell and strapping baritone Keel make such an attractive couple it's odd M~G~M never co-starred them again. (Evidently a musical version of "Robin Hood" never got past the drawing board.) The brothers include New York City Ballet star Jacques d'Amboise and a non-dancer, the mysterious Jeff Richards, who may have been the handsomest man ever to appear on the screen, Rock Hudson notwithstanding. Among the brides is Julie Newmar, who a couple of seasons later would stupefy Broadway in "Li'l Abner".Bright and pleasantly aggressive, "Seven Brides for Seven Brothers" is right up there with Metro's best musicals.

Fun movie!
The movie Seven Brides for Seven Brothers is an excellent, fun, family movie with singing, dancing, romance, and even some action. It tells the story of seven brothers who all live together way out in the country. When the eldest brother, Adam, comes home from town one day with a wife, the other six brothers decide they want brides too. They have to battle the townsmen, however, who have already "spoken for the girls." This movie is full of fun and laughs, and I would highly recommend it.

Seven Brides for Seven Brothers
This is a great film, two wonderful singers. Good story line as well. My kids, my husband and myself all like this one! It is a good family film everyone will enjoy.

I LOVE THIS FILM SO MUCH
I mean who wouldnt love, not like, but love this incredible film. This was the first film that I watched when I was growing up. It is similar to pretty woman but reverse because here are 7 rough western thugs that in need of brides to tame them, after their oldest brother got married. Not only did the film have good actors and actresses that were too funny to ignore, but the music and dancing were just as good. I love it and can you believe all but one brother are still alive today? Wow!!!! ... Read more

Amazon.com

The era of Molly Ringwald's profitable collaboration with writer-producer-director John Hughes (Sixteen Candles, The Breakfast Club) was at its peak with this 1986 film (directed by Howard Deutch but in every sense part of the developing Hughes empire). Ringwald plays a high school girl on the budget side of the tracks, living with her warm and loving father (Harry Dean Stanton) and usually accompanied by her insecure best friend (Jon Cryer). When a wealthy but well-meaning boy (Andrew McCarthy) asks her out, her perspective is overturned and Cryer's character is threatened. As was the case in the mid-'80s, Hughes (who wrote the script and produced the film) brought his special feel for the cross-currents of adolescent life to this story. In its very commercial way, it is an honest, entertaining piece about growing pains. The attractive supporting cast (many of whom are much better known now) does a terrific job, and Ringwald and Cryer have excellent chemistry. --Tom Keogh ... Read more

Reviews (68)

John Hughes At His Best
Movies like this are what make one want to cry over the media-provoked labeling and fall of "The Brat Pack". The stars of the 1980s teen films were expected to form the next generation of great actors until Hollywood tore them apart and sent them scraping for whatever cable-movie parts they could get their hands on. Though Pretty in Pink was more-or-less the swan song of John Hughes'-masterminded films, to this day it continues to bring in fans to the genre with it's sweet and simple poor girl/rich guy romance and the social issues therein. Though star Molly Ringwald is occaisonally over-emotional in her portrayal of the girl from the wrong side of the tracks, it is not unfitting with her strong but somewhat neurotic character, Andie. Andrew McCarthy, though of greater acting capability than he displays here, still plays his rich but insecure Romeo (Blane) to a T, and is cute enough to make any teenage girl fall in love with him-despite the wierd eye thing. Annie Potts and Harry Dean Stanton are both memorable in their roles of somewhat bizzare parental-type figures, as is a young James Spader as Blane's perfectly condescending best friend. However it is Jon Cryer, as Andie's best and besotted friend Phil "Duckie" Dale who truly steals the show with what is surely one of the top performances of Cryer's varied career. Though on the outside this movie may appear to be pure teen fluff, the story has an endearing quality that will continually find it back in the VCR on any all night movie fest.

A girl from the wrong side of the tracks and her life
This movie set in the mid 80s era of brat-prack movies is a unique shining star. Molly Ringwald is Andie a girl from the wrong sides of the tracks who has romantic intrests from both sides of the spectrum; Duckie (Jon Cryer) who's puppy-dog love for her is both sweet and endearing to watch, and Blane (Andrew McCarthy) the rich guy who has everything going for him. What follows is Andie having to deal with this, the bitchy cheerleader type girls at school, her loving but dishonest father (Harry Dean Stanton) and through all this will she get an invatation to the prom? This is a great film, with both Blane, and Andie having to deal with their friends disagreeeing with their relationship. Steff (James Spader at one of his very best) Blane's best friend, who tries to make Blane try to decide between Andie and himself, when really he just wants his finger in the pie. Annie Potts as Iona, Andie's quirky older best friend is excellent and her weird and orginal costume changes throughout the movie are a highpoint. This is a emotionally raw film a rareity at the time it was made. If you ask me this should have swept the Oscar nominations with Molly Ringwald getting Best Actress, but hey regardless of the miss of Oscars watch this, it is a powerful film and a great piece of film making

Watch 16 Candles or The Breakfast Club, instead
Pretty in Pink is truly one of the worst bratpack movies ever made. Whiny Molly Ringwald has by this time thoroughly worn out her welcome; her perpetual pout, her eye-rolling and her generally sour disposition are extremely grating, all the moreso because she is in virtually every scene! The only interesting thing about Ringwald's "performance" is her ever-changing haircolor (throughout the movie, her hair goes from strawberry blonde to dark auburn to nearly chartreuse back to strawberry blonde, and so on. At least SOMETHING changed; her expression never did!).

Andrew McCarthy is the wimpiest "romantic hero" ever, and, like Molly, his expression never changes. "Must remain bland" was surely his mantra throughout filming.

Jon Cryer plays "Ducky" (did YOU go to high school with anybody who had a nickname like that???) like a spastic goofball. James Spader is wasted in a one-note role as "The Mean Snobby Guy." There's no end to the talent wasted in this film: Annie Potts and Harry Dean Stanton are also squandered in thankless, my-character-only-exists-to-showcase-Molly-Ringwald roles.

As if all that's not annoying enough, Molly's character is the richest "poor girl" ever, with her own lilac-colored Kharman Ghia, an endless supply of funky vintage dresses, petticoats, sweaters, granny boots, and hats (if you think she picked all that swag up at Salvation Army, you're crazy), and her own phone complete with answering machine (no big deal now, but it was in the '80s).

The cherry on top is the fact that the dress Molly cobbles together and "triumphantly" wears to Prom is ugly. Ugly, ugly, UGLY. That's not just my opinion, either: I saw this dog in the theater, and people LAUGHED when she made her entrance.

Bottom line: if you're in the mood for a bratpack movie, watch 16 Candles or Breakfast Club, instead.

One of the better Brat Pack movies.
Molly Ringwald did an good job in this film. The movie wasn't the best brat pack movie, but it is enjoyable. The supporting cast is okay, and the romance you are able to relate to. All, in all good, and heartfelt. See it, if you love teen romance movies.

Pretty good 80's movie
This isn't really my favorite movie that John Hughes made, Sixteen Candles is my favorite, but this one is also pretty good..besides the ending. Molly Ringwald was SO much better with Duckie. Duckie is the best character in this, he's so funny. The part at the end when he's at the dance and he looks at you through the camera, it's priceless!! You got to check this movie out, it's a good one. ... Read more

Reviews (33)

The Hanging Tree
This is one of my very favorite Gary Cooper movies. It is a western and beautifully photographed. A very good story, with great supporting roles. I have asked for this movie for several years now. I would rather not buy a used movie. Why is this movies not available to buy on DVD. I'm sure western lovers as well as Gary Cooper fans would love to be able to buy this movie. It's not even shown on television. It's been years. Please, please put in a word for me to whoever has the power to re-release this excellent film!!!

Why no response?
Rather than add my identical comments to those already made relative to this outstanding movie, I'd like to know why there has been no response. What sets this movie apart from other great movies readily available to view on television or to buy? I, too, have been waiting a long, long time. When will we get an answer? Why hasn't Turner Movie Classics ever shown it? When will someone ever answer our questions? Why High Noon, for example, and not The Hanging Tree? Answer please!!!

fabulous movie
I have wonderful memories of this movie. The Hanging Tree is up there with High Noon. Please will someone put this great western on D.V.D. Its a beautifully filmed picture and Carl Malden plays a wonerful villian.

A Must See Film
I was first able to see this film on TV in 1990. I had heard about it for years, but had not seen it until then. After seeing it I had to have it for my personal collection. I tried to find the film on VHS. It was many years later that it was finally released to video. I recomend this film to any one who wants to see an excellent story, with excellent actors, excellent music, excellent film work and something worth keeping and to share with friends. A film that can be watched over and over. I hope it will be released to DVD soon. I believe that DVD allows everyone to see early films exactly as they were viewed in the theater when first shown.

Fantastic, under-appreciated movie
I saw "The Hanging Tree" when it was first released, many years ago,and I was absolutely taken with the movie: the actors, the scenery, the story. The song. I heard Marty Robbins sing it (at my request) at a club about 6 years later. I have only seen the movie on TV once, and that was years ago. It should be on DVD. Wonderful movie. ... Read more

Reviews (19)

Shakespeare in Hollywood.
Let me begin by saying that the 5 star rating is purely subjective. As you can see from the other reviews you either like this film or you don't. I LOVE this film. As an adaptation of Shakespeare's play it's not very good. Such is the case with other Shakespeare movies of this vintage (check out the 1934 ROMEO AND JULIET with Leslie Howard and Norma Shearer or the 1929 TAMING OF THE SHREW with Douglas Fairbanks and Mary Pickford). In fact the hostile reception this version received steered Hollywood clear of anything by Shakespeare for years. So much for Shakespeare in Hollywood. The fairy scenes are among the most magical I have ever seen in any film echoing their German origins while the Athenian scenes are as Hollywood as they come. F.W. Murnau's FAUST (the co-director William Dieterle played Valentine in FAUST) meets 42ND STREET (note the dance numbers). The performances by James Cagney, Olivia de Haviland, Ross Alexander, Jean Muir, and Victor Jory are quite good. Anita Louise is a lovely Titania and Mickey Rooney (12 at the time) is loud and mischievous. Just what I would expect Puck to be. Most of these performers were in Max Reinhardt's stage production which this film is based on. The tradesmen are vaudeville comics with the exception of Frank McHugh and are perfectly at home in this dual setting. Joe E. Brown and Hugh Herbert get to do their shticks while an unrecognizable Arthur Treacher gets to do nothing. A MIDSUMMERNIGHT'S DREAM is not for everyone and definitely not for Shakespeare purists. But if you approach it as a movie from the Golden Age of Hollywood and all that implies then it's much easier to enjoy. Postscripts for the historically curious (with apologies to Henry W. Simon). This was the film that brought Erich Wolfgang Korngold to Warner Brothers. His job was to arrange the well known music by Mendelssohn. The rest as they say is history. The part of the young Indian prince is played by Kenneth Anger of HOLLYWOOD BABYLON fame.

I liked the new one better
This wasn't a terible movie, but I liked the new version better. Some of the acting in this version was overdone; Anita Louise, who played Titania, sounded like she belonged in an opera house, and why did Mickey Rooney decide to portray Puck as a wild animal in human form? Olivia De Havilland did give a good portrayal of Hermia, however; I just wish she'd had more lines! James Cagney also gave a good portrayal of Bottom. In the new version, whoever played the man who played the woman in the play about Pyramus and Thisbe gave a much better performance than Joe E. Brown does here. Brown just plays it for laughs. For the most part, the acting in the new version was much better. I believe the special effects were innovative for the time period; it is easy to see that, but, unfortuanatly, they pale in comparison to all that has come since in special effects in movies. The sets weren't too bad, either. So, on the whole, there were pluses to this movie, but minuses, too. The new version had more pluses.

Puck steals the show!
This is not the type of movie I would normally watch - but it is a must-see! The dance numbers are awesome, and the real kick is watching the performance of Puck, which I only realized later was Mickey Rooney - he doesn't look 12, and I found myself wondering "how did they get him to act like that?".

The movie seems long at times, particulary in the party at the very end. But I wouldn't mind watching it again with someone -

The best to date
There have been criticisms here of Reinhardt's AMND as "un-Shakespearean," but truly: who among us would really want to sit in a theater with almost no props or backdrops, minimal costuming, men performing the women's parts, and audiences that were anything but quiet during the show? -For that's exactly what Shakespearean theater conditions amounted to. Our idea of Shakespeare derives simply from modern Masterpiece Theater style productions, which make a virtue of sober lucidity, and do a fine job of it, too.

But Reinhardt gives us a German High Romantic version of AMND, and displays a very different virtue, seldom seen in modern screen transcriptions of older works: a sense of well-conceived and executed style. You may not like his Mendelssohnian fairies, but their integration into the play--by choice of dialog, imaginative staging and costuming, brilliant special effects and incidental music--is consistent. Mendelssohn's music was in fact intended to accompany actual performances many years previously; and the ballet sequences built around it have a way of stopping time even today with their visionary beauty, a matter of movement, staging, lighting (the remarkable Hal Mohr), editing and effects. A book in fact could be written on Reinhardt's multi-level application of thematic materials, which is done in a manner that's far less boring than the way it sounds. This is a brilliant conception of Shakespeare, far from the "let's be different to grab attention" Shakespeare of punk Romeos that have fled across our screens in recent years.

The casting is generally very good. Mickey Rooney, in his first film role, displays all the remarkable energy and focus which were his greatest gifts. (What a shame the film industry kissed him off when he matured into a short, pudgy man, who was just as talented!) No prim, polite observer, his Puck is an elemental force, taking malicious delight in the strongly felt emotions of the humans that have come to the forest. Everything is brilliant, bright mockery: his deliberately garbled imitation of the speech and gestures of Lysander prior to the latter's magical sleep is a good example. This is not a Puck you would want call Robin Goodfellow, not unless you wanted to please him--and you most definitely would want to please him. It is a taut, kaleidoscopically varied performance.

The comic players are also well cast. James Cagney is superb as Bottom, particularly in the monologue that follows waking from what he considers "his dream." Hugh Herbert brings more variation to a giddy giggle, both for accompanying expression and meaning, than any other human being probably ever has. Frank McHugh is a delight as Peter Quince. Only Joe E Brown, as Flute, goes overboard, trying to steal the scene from others during their lines; but he makes up for it with a delightful Thisbe. Arthur Treacher is very much wasted, with nothing to say; and their are indications in the action that more may have been filmed, or at least planned of their material to film. Considerations of length and/or budget probably intervened.

Victor Jory, so well known even today for his villainous roles (especially in Flash Gordon serials), is a superbly dark Oberon: not sinister, but more of a somber Herne the Hunter type, in contrast to Anita Louise, who is all Elven gossamer. Presumably Reinhardt saw them as a balance of light and dark, perhaps with an overlay of contemporary Austrian psychoanalysis: masculine/dark/forceful against feminine/light/receptive. No, I don't buy the silly pop analysis of Men Are From Mars, Women From Venus; but in Reinhardt's AMND, we may be looking at an earlier incarnation of the same values, definitely presented on a more creative level. I don't buy into Reinhardt's portrayal of Oberon's followers as a bunch of anthrompomorphized bats, but I have to admit it works in context. This especially holds true for the ballet sequence where one bat follower symbolically forces a fairy follower of Titania to the ground, overshadows her, then bears her off, horizontal, her hands waving delicately in the air. I suppose we can only be thankful that the Hayes Office wasn't really paying attention to high prestige Art films.

The lovers are not quite as effective. All four are good, with Olivia de Haviland perhaps the best of the lot; but there's little sense of emotional depth in their performances, at least enough to draw forth Puck's disparaging remark about "what fools these mortals be." Some of this, again, may be due to the director's conception. Reinhardt clearly plays them more for laughs, cutting a fair amount of the four-way badinage, and deliberately staging at least one famous piece of it as a four-way, non-stop, unintelligble harrangue, in which opponents trade off to continue arguing. The quartet in Adrian Noble's 1996 AMND is to be preferred, here (though the staging is, IMO, awful).

To round out, I have to return to Reinhardt. He gave many of Hollywood's greatest talents during the 1920s-40s their apprenticeships. The contemporary notices for his productions are unanimous raves for his artistic insight, integrity, intelligence, directorial ability, and brillance of execution. Yet he would be no more than a footnote in some theatrical encyclopedia if it were not for this single film, made after Reinhardt escaped from the Nazis. A modest success in box offices at the time, Hollywood could not countenance the huge expenditure of resources on such a film, and Reinhardt was a respected pariah in the film community until his death in the early 1940s. But AMND lives on, and provides an excellent sense of what all the excitement was about this master visionary of theater...and potentially, cinema.

Mere Words Cannot Describe the Horror
Max Reinhardt was among the great theatrical impresarios of the early portion of the 20th Century, renowned primarily for the pageantry of his stage productions. His 1930s Los Angeles staging of William Shakespeare's A MIDSUMMER NIGHT'S DREAM was such a popular success that Hollywood studios went wild to lure Reinhardt into adapting his production to the screen. Strange to say, Warner Brothers--more at home with gangster movies, tough melodrama, and strident musicals--won the bid, and the result was this 1936 abomination.

Now, I won't go so far as to say this version of Shakespeare's famous fairy tale will actually make you run screaming from the room, but I will say that by the time it ends you may wish you had. Fairies flutter, flounce, and flop around to some of the most uninspired choreography imaginable; the score, lifted from the Mendelsson's most obvious works, could rot your teeth at twenty paces; the sets and costumes strive for a Parrish-like effect and instead come up with clunky Hollywood gloss. And need we mention that Shakespeare's gossamer script has been ripped to shreds?

The cast is simply horrendous. This was Olivia de Havilland's first film, and while she isn't memorably bad, neither is she memorably good--and that's really the highwater mark of the performances as a whole. James Cagney is terribly miscast, and Dick Powell behaves exactly as if he is about to launch into a Busby Berkley musical number. And then there is Mickey Rooney, who gives what must be single most abrasive performance in all of 1930s cinema. Only Joe E. Brown manages to emerge unscathed.

All in all, watching the 1936 Warner Brother's version of A MIDSUMMER NIGHT'S DREAM is akin to watching an alligator swallow an innocent, sweet-eyed fawn. You just can't quite believe that it is happening, right there, in front your own eyes. Now, if you have an interest in how Hollywood approached Shakespeare in the 1930s, you may actually want to sit through this movie once. But don't inflict it upon any one else. They won't thank you for it.

--GFT (Amazon.com Reviewer)-- ... Read more

Amazon.com

Kevin Costner might have had a hammerlock on baseball movies in the late 1980s with Bull Durham and Field of Dreams, but this 1987 HBO film with a few mid-level stars was (and still is) very good in its own way. William L. Petersen (Manhunter) is a player-manager for a 1950s minor-league team whose fortunes and hopes turn around during their battle for a championship. As with Bull Durham, this comedy has the feeling of taking place in a world larger than that of baseball, and thus provides useful perspective into why the game is so central in people's lives each spring. Another similarity is the farm-team milieu, a life of abridged hopes and stardom outside the Show--the thematic implication being that most of us have some kind of Show we can only admire from a distance. (Underscoring the point is a nice performance by Virginia Madsen as a small-town beauty queen.) But hope does come in Long Gone, and because of its sharp dialogue and enjoyable acting (by Dermot Mulroney, Larry Riley, Henry Gibson, Katy Boyer, and Teller) this film deserves to be included in anyone's collection of baseball features. --Tom Keogh ... Read more

Reviews (17)

Best ever? Tough call
My goodness, Bull Durham or Long Gone? Both have their moments...Bull Durham has better athletes that make the movie seem more realistic, but Long Gone isn't too shabby, except for a couple scenes where Dermot Mulroney can't quite pull it off. However, William Peterson does a great job, and the storyline is great. For true baseball movie fans that can spot poor baseball, this movie will not disappoint. I'm not ready to label it the best baseball movie of all time, but it is definitely in my top 3, and I am very discriminant. You cannot claim to be a TRUE baseball movie fan without watching this one.

Way Gone
I feel this is the best baseball movie I have ever watched and it is a shame that not too many folks have ever seen it. Stud Cantrell is one of my favorite characters and the setting is great. This film gets you itching to get back on the diamond even if you've never played before. Minor league ball is about growing into the game and cuting a youngsters teeth with the help of a seasoned coach/player. In that sense it has the same chacteristics as Bull Durham except it has a lot more feeling. Besides you can almost smell the dust in Weeks' uniform and the perfume that Madsen is wearing. Rent it if you can find it, but definately buy it before spring for someone who loves the game of baseball.

Second Best Baseball Movie Ever
The first, of course, was The Natural, for pure 'love of the game' beauty and drama. But, hot diggedy DAWG, this is the best good time baseball movie ever! You can tell it was crafted with love and reverence by BASEBALL guys. The characters are loud and larger than life, while the Florida panhandle of the 50's swelters away, in all it's heavy, backroads charm. Petersen as Studs Cantrell is tour de force performance, Virginia Madsen glows with all the longin' of a small town girl just lookin' for a way out, and the rest of the cast is just as fabulous. The baseball sequences are first rate, alive with all the intrigue of the good ol' boy bush leagues of the time. And what do you mean, they couldn't play after being in a bar all afternoon? A guy named Babe Ruth made a career of it! We've been watching a grainy old VHS we taped the night it first aired on HBO, and can't wait for a DVD to finally be available.

THIS MOVIE SUCKS!
This movie was the worst baseball movie i had ever seen. It had a very predictable plot line and not very good acting (except for william peterson). The ending is the most fake ever. There is no way two guys can play a baseball game after sitting in a bar for half a day!!!! So i would not recomend this movie at all. If you want a baseball movie similar to this, that is a lot better and more realistic, get Bull Durham.

William Petersen
I couldn't believe that this was the same man you see on CSI where he's so low-key-soft-spoken & mellow-- in this he's rowdy-nasty- loud & obnoxious-curses-swears & drinks Jack Daniels- but what an exciting character!! looks great in tight jeans- this movie, shows his versatality as an actor- love him--he's delicious!!! ... Read more

Amazon.com

These first two episodes of the charming and perceptive series The Wonder Years are an appropriate setup for the uninitiated and a must-have for fans. The original pilot introduces Kevin (Fred Savage), his best friend Paul (Josh Saviano), his childhood playmate and budding girlfriend, Winnie (Danica McKellar), and his typical late-1960s, early-'70s family: older brother and nemesis Wayne (Jason Hervey), beautiful liberal sister Karen (Olivia d'Abo), mother (Alley Mills), and father (Dan Lauria). Kevin and his friends are entering Robert F. Kennedy Junior High School, Winnie gets contacts, her brother Brian (Bentley Mitchum) is killed in Vietnam, and Kevin and Winnie share a first kiss. The opener also features some fantastic music (the Byrds' "Turn, Turn, Turn," Joni Mitchell's "Both Sides Now," Tommy James and the Shondells' "Crystal Blue Persuasion," and Percy Sledge's "When A Man Loves a Woman")--a trademark of the series. Great music (Buffalo Springfield, Aaron Neville, Judy Collins) also highlights "Swinger," which follows with Brian's funeral and Kevin and his pals' growing obsession with sex, fueled by their curiosity with Everything You Always Wanted to Know About Sex But Were Afraid to Ask. Daniel Stern's narration is warm and engaging and the voice-over is never intrusive. This series continues to be enchanting because of its ability to mix comedy and pathos, as well as infuse a sense of dignity and history in a period many consider their most awful years. --N.F. Mendoza ... Read more

Reviews (5)

You'll look back with Wonder too!
You can't help but interject yourself Kevin's life. He is so relatable. Also with the narration it makes us think of our own glory days of youth and the important people in our lives. The first kiss. First experience with someone dying. The intrigue of sex ed. Our best friend and knowing everything about that person. Nagging brother or sister. Fighting parents who loved each other and us. The popular music that defined the era we grew up in. I'm sure there are special songs that conjure up powerful images from your past just as the special songs from the Wonder Years does the same for each episode.

With the narration of the young Kevin and the 60s setting it reminds me of the movie Christmas Story. The Messy Marvin actor and the narration of his thoughts/dreams of the Red Ryder bb gun. Another classic! But I digres . . .

You have to see this first volume of Wonder Years! It will tug at your heart strings again! You won't be disappointed!

Kevin, Paul and Winnie start Junior High in the Fall of 1968
Kevin Arnold, Homer Simpson and I all graduated from high school in the same year. But when we first meet Kevin, Paul and Winnie as they are heading for their first day of school at the newly renamed Robert F. Kennedy Junior High School in the Fall of 1968. "The Original Pilot" (January 31, 1988) aired after the Super Bowl that year, guaranteeing itself a big audience. What they saw was Kevin (Fred Savage) having a hard time at school. His best friend Paul (Josh Saviano) is no help, his older brother Wayne (Jason Hervey) is out to get him, and Winnie Cooper (Danica McKellar), the tomboy down the street is now wearing go-go boots and inducing major hormonal problems. So Kevin immediately finds himself in trouble with the assistant principal, forcing his mom (Alley Mills) and dad (Dan Lauria) to come down and pick him up. However, when they drag Kevin home to be punished, his sister Karen (Olivia D'Abo) has some horrible news that makes everything moot. The ending of this first-rate pilot episode is a most bittersweet moment between Kevin and Winnie. Things are back to as normal as like got for young teenagers in the late Sixties in "Swinger" (March 29, 1988), where Kevin and Paul's Phys. Ed. teacher has started teaching Sex Education. Do you remember "Our Body, Ourselves"? Both of these episodes were written by Neal Marlens & Carol Black. Interesting footnote: The pilot episode was directed by Steve Miner, who got his start doing a couple of "Friday the 13th" films. In a lot of ways I think "The Wonder Years" was the "Leave It To Beaver" of its day, even if it was set twenty years in the past (when it first aired), with the key difference being Winnie. Beaver never had a girl friend like Winnie and it is their relationship, which goes from puppy love to teenage infatuation to something more lasting, is at the heart of "The Wonder Years." Also, before there was "Forrest Gump" it was this television show that made use of the music that was the soundtrack for our lives.

i enjoyed it thought it was sad though
this program brought back alot of menmories for my hubby ,and me we too grew up in the sixties and seventies would like to see more programs like that instead of these other court shows too many serious on them

great
l liked this drama so much and i would like to preview i

Kevin Arnold captures our memories as we go back to 1968.
A 12 year old boy named Kevin Arnold (played by Fred Savage) growing up in the 1960's through the 1970's. He has to deal with this parents (Dan Lauria / Alley Mills), brother, sister, best friend, school and of course girlfriend Winnie Cooper (played by Danica McKellar). The person who narrates and describes everything for us is off screen adult Kevin Arnold (portrayed by Home Alone's Daniel Stern). This is a TVG comedy-drama the whole family will enjoy. ... Read more

Description

When 16 year old Michael Dunn arrives at Catholic school, all hell breaks loose in this hilarious coming-of-age comedy. An unforgettable romp through days of innocence and nights of discovery when boys were boys, and girls were waiting to be discovered. ... Read more

Reviews (23)

A viewer from the US August 15, 1999
Heaven Help Us is one of the best comedy movies i've ever seen. It's nice to finally see a comedy about a catholic school since almost every one is on a public school. Since I've been in catholic school for almost all of my education I can relate to the movie. Being a former alter boy I found the scene with Williams passing out while helping with the eucharist the best part of the moive. 5 stars all the way!!!!!!!

Nostalgic At Its Best!
One day I was flipping the channels and turned to Comedy Central...They were showing Heaven Help Us and I'm glad I kept on watching it. I went to catholic school from 2nd grade on through high school and yes, I attended an all boys school (Loyola High School of Los Angeles).

Heaven Help Us reminded me of the crazy things that go on in a school where you don't have to worry about embarrasing yourself in front of girls. We were kind of in our own world. I remember the all girls school just a couple of blocks away, as in the movie. When the priest came over to the five characters in the assembly, I was reminded of when a priest did the same thing to some of us during a high school mass.

This is a coming of age story and I haven't found a person who has hated the movie. It's too bad that it's not as acclaimed as it should be. It should be considered an American Classic. To me it is. The scene where the student is snatched away from mass for using his own clicker to make the student body sit and stand is 100% classic!

Great Movie! Where's the DVD?!!!
This movie is a great movie that I've always liked. I can't relate to growing up in Catholic school in the 50s, but I can in the 70s.
Why isn't this movie out on DVD yet?! This is definately one of those movies that should be released on DVD.

I remember those days.....
This is a great movie about how life in a Catholic High school was. Having gone to a Catholic high school, I can relate to this very well. The movie is really good.

A Catholic school favorite.
I have yet to meet a Catholic school alum who did not like "Heaven Help Us." It will appeal to all generations of former Catholic school students due to its mix of sentiment, humor, nostalgia, and stereotypes. If you're a Catholic school grad you're going to like this one even if you, like myself, went to a school in which lay people made up the majority of the faculty and corporal punishment was a myth from the distant past of your parents' schooldays.

"Heaven Help Us" is a comedy about teenage boys trying to survive their days at a Brooklyn all boys Catholic high school in the mid-1960s. It's a rather episodic film dealing with how school, home, girls, and the Church effect the lives of these teenagers. Set in the pre-Vatican II days of the Church, the movie shows the influence that institution then had on the everyday lives of its followers.

"Heaven Help Us" is a comedy, but it also has several serious and very sentimental moments, which are quite well done. However, those serious scenes may be the reason why this film bombed at the box office. If I remember correctly this movie was mistakenly advertised as a sort of "Porky's Goes to Catholic School." Thus, people, who went to see it thinking it was a raunchy, teen, sex comedy, came away disappointed because it's not a sex comedy! There is a nice romance, an on-going joke about one character being unable to "master his domain," and another character is stopped in his advances towards his drunk girlfriend in a very gross way, but no real sex. However, people, who may have been interested in seeing a comedic, coming of age story (which is what "Heaven Help Us" really is), did not see it either due to its poorly thought out ad campaign.

This movie is occassionally shown on television, but it's usually hacked to pieces because of some of its language. Kevin Dillon's moronic character has a penchent for using a homosexual slur against everyone and everything, which is a realistic thing for a teenage boy to do, but not allowed in our PC world today so his lines are always edited. That's a shame because those are among the funniest lines in the movie. ... Read more