Reviews (162)

Best Irish Mob Film
While not given much attention upon release, Miller's Crossing has developed a devoted cult following, particularly among fans of the Coen Bros. Ratcheting up the elements that made Blood Simple so popular (grotesque, humorous violence, bizarre but consistent characters, random chance undoing complex plans, incredible plot complexity, etc. etc. etc.), Miller's Crossing nonetheless manages to be far more emotionally powerful than the earlier film. This one bears quite a few repeat viewings, with a plot full of more twists and turns than most of us can follow in one sitting. Like most of the Coens' films, this is tremendously enjoyable, even when you're not quite sure what's happening or why. This is one of my all-time favorites. A perfect script, great cinematogrophy, a top-notch cast, and, of course, flawless production and direction make this one a classic waiting to be discovered. Simply put, one of the best films ever made. Miller's Crossing is a morality play created with infinite style. Complex characters, complex plot, excellent acting, and great editing. Probablly Gabriel Byrne's best work. If you consider yourself a sophisticated moviegoer, this is not one to miss. But a caveat to the mainstream, you can't eat popcorn and watch this movie at the same time; it requires your full attention. And if you thought that the Road to Perdition was a great film you will probably not understand why so many of us love Miller's Crossing.

My Favorite Film
Everyone has a movie that they see for the first time and it speaks to them in such a way that it is firmly entrenched in their psyche for all time. Miller's Crossing is that film for me. From the first time I watched this movie in 1990 to my 50th viewing a couple of months back the film has always seemed fresh, vibrant & undeniably a true Coen brothers movie. Filled with the usual oddball characters (from the sleazy Bernie Bernbaum to our quiet Anti-Hero Tom), hilarious dialogue & twisted plotline we enter the dark heart of 1930's Gangland America. Tom Reagan (Gabriel Byrne, in probably his best role) is the right hand man to Irish underworld boss Leo (Albert Finney) and also lover to Leo's moll Verna (Oscar Winner Marcia Gay Harden, in her first role). All is well until fellow gangster Johnny Caspar (Jon Polito) tells Leo that he wants to whack Bernie Bernbaum (John Turturro) for selling out his fixed fights. Unknown to Johnny however is the fact that Bernie is Verna's brother and when Leo refuses permission to kill him a gang war erupts. Tom finds himself torn between his loyalty to Leo and his love to Verna and thus begins a spiral into deceit, betrayal & death. The major theme of this movie however lies within loyalties, truth and as Johnny Caspar puts so eloquently at the beginning of the film "it's about ethics"--funny coming from a deranged killer & mob boss. In this world of gangsters, it is misguided loyalties which kill and words of truth that cause trouble. Only Tom and Johnny Caspar's muscle The Dane (J.E. Freeman) seem to know which way is up and the two clash constantly throughout the film. Tom always seems in control as the movie progresses, even as his world falls down around him, and we wonder if his brillant Machiavellian-like plan will come to fruition. I'll stop here and let the film do the rest. Every one of the performances is top-notch and it is hard to see character actors like Freeman & Polito in any other movie--it's almost like they were born for these roles. Byrne is solid as the stoic Tom, Finney is a marvel as Leo and you can see why Marcia Gay Harden's career florished after this role. But really Turturro turns this film into a masterpiece with his classic portrayal as Bernie. He definitely deserved a Best Supporting Actor Oscar for this role but the Academy ignored this movie as they would all Coen Bros. films until Fargo. In closing, Miller's Crossing is a film for fans of film, with beautiful cinematography, Carter Burwell's brillant soundtrack, excellent acting and tour de force directing by the Coens. It begs repeated viewings and never fails to deliver. A Masterpiece of Cinema and my all-time favorite film.

Some Background
"Miller's Crossing" is a direct linear descendent of "Blood Simple" which was extracted from a line in a Dashiell Hammett novel. In turn, I think "Miller's Crossing" is a homage to one of the best writers of the 20th century. Everyone praises the crisp, cynical dialog of "Millers Crossing" and the complex plot that still holds together. This is characteristic of a Hammett novel. While everyone is familiar with Hammett's "Maltese Falcon," "Miller's Crossing" is more of a blend of the character's and story line found in his "The Glass Key" and the gang war is similar to one in his "Red Harvest". If I am right, the Coens couldn't have a better teacher.

"Danny Boy"
The scene in which "Danny Boy" provides the musical counterpoint (I won't describe the scene in case you have yet to see the movie) wonderfully contrasts the beauty of the song with the horrific, yet gorgeously presented, violence of the scene.
It is the most memorable film scene I have encountered. The version of "Danny Boy" used is also the best rendition of this sentimental song that I know of.

Not Good.
'Miller's Crossing' was a film I couldn't keep up with. It did not give enough time for character or story development. I lost interest in the story and people fast. ... Read more

Reviews (44)

I liked it better 12 years ago.
This movie was awesome when I first saw it, but I was 13. I recently bought this movie for my younger brother because he's into the skating thing and there aren't many movies like this being made. As I was watching I noticed the acting to be very mediocre but the plot was pretty solid.

The best thing about this movie is the skateboarding celebrities doing a little acting. Tony Hawk being one of them. There's a lot of "old school" skate tricks going on and just looking at the huge boards they used shows how much stuff has evolved.

Overall I think this will appeal to the younger teen audience. If you're interested in that genre though, this is a must have classic.

gleaming the cube is a classic for anyone ,breathtaking
this movie is a must for any old school and new school skater its one of the best movies to add to your collection of movies it features the talents of natas kaupus,tony hawk,rodney mullen the best skater in the world,mike vallely,and more.its got some of the greatest freestyle stunts by rodney mullen,plus christain slater does a good job convicing you he's a true skater besides the flaws of christain pushing off and the plot its pure genious a priceless classic for all to view and (enjoi)enjoy.

Reply For Amazon Member ( Roach)
The movie you are looking for could be " Mvp2

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A must have for anyone's collection
The movies is completely Rad!

need help finding a movie
Sorry not writting a review, but I have been trying to find the name of a movie. It's and older movie like this one. All I can remember is a kid who had a little like shop with a a little tiny half circle half pipe and he made a skateboard using diamond plated metal. Anyone know what I'm talking about? Please let me know if you do. thanks ... Read more

Description

Recruited by an intelligence agency, outstanding martial arts student Bruce Lee participates in a brutal karate tournament hosted by the evil Han.Along with champions Roper and Williams, he uncovers Han's white slavery and drug trafficking ring located on a secret island fortress.In the exciting climax, hundreds of freed prisoners fight in an epic battle with Lee and Han locked in a deadly duel. ... Read more

Reviews (13)

Bruce's Best
It's almost pointless writing a review about a movie that almost everyone has seen, but in the event you haven't, this is the kung fu grand-daddy of them all. Sure, there were plently of martial arts films from Hong Kong prior to ETD, but none like this, and ETD was the springboard for just about all of the martial arts films and stars that followed. With John Saxon, Jim Kelly, Bolo Yeung, and Bruce Lee himself, this is the foundation of all modern martial arts films. The fight between Lee and Bob Wahl is by itself, reason to watch this film. Watching Lee in any of his scenes really makes one appreciate his dedication to his arts. Just a last note, Lau Kar-Leung, whom Jackie Chan fought underneath the train in Druken Master II, said of Bruce Lee words to the effect that Bruce Lee's on screen martial arts is the only real martial arts that have ever been put on film (see Cinema of Vengance). Lau's own Kung Fu lineage comes directly from the real life Wong Fei-Hung, so presumably, the man knows what he's talking about. If you like martial arts or kung fu movies, you can't miss this one if you havent already seen it.

The best martial arts movie ever
Bruce Lee shines in this action-packed, story-thin adventure! As with most martial arts movies, the fight scenes are the best parts, but in this film the supporting cast are exceptional. John Saxon and Jim Kelly provide light relief from the intense atmosphere, and Shih Kien sizzles as the menacing Han. Samo Hung makes an early appearance, getting fully beaten down by Bruce, and watch out for Jackie Chan getting his neck snapped by Lee near the end!

This is a quality production by Warner Brothers, and has aged well. Unfortunately English copies of the film are without the amazing nunchaku scene, and this greatly detracts from the movie. Apart from this, all is good, especially Bruce's anihilation of O'Hara and the brilliantly choreographed final fight in the "Hall of Mirrors". A MUST SEE.

the best old school kung fu movie ever!
bruce lee is quite possibly the greatest fighter from moses to royce gracie.un-freakin-stoppable!the story is about bruce going to a island to enter into a martial arts tournament.children will probably not be able to handle the violence.twelve and up should be ok.it is low budget and all crappy looking.any martial arts fan there is will like this one and probably already does.the action is incredible .i dont know what people were saying about this one back in 1973 but the real deal it is the best old school martial arts film .it would definately rate really high on a all time list too.it is bruce lees best also,alrhough in return of the drsagon he fights chuck norris.this is a close second.

Great Fight Scenes
Bruce Lee was great. The story is a little corny (It is no Crouching Tiger, Hidden Dragon) but it is action packed. Jim Kelly was also good and John Saxon shows some passable martial arts skills. The final fight sequence in the maze of mirrors shows some spectacular directing and camera work. It is a shame that Lee died so soon after just beginning to hone his acting skills.

Long Live Bruce Lee!
This is definately Bruce Lee's finest hour! The fight in the underground is great, while the fight between 100+ fighters is spectacular! The best, though, have to be the fights in the hall of mirors and the Lee vs. Wahl battle. Truly a spectacular movie! Why haven't you bought this? ... Read more

Reviews (2)

AN ARTIST'S PASSION
To me, someone who doesn't normally watch miniseries based on Romance novels, the chief value of "Mistral's Daughter" lies in its music score, penned by Vladimir Cosma. While I don't think much of Mistral as an artist (he's 10 times better than most 20th-century artists--which is not saying much) or of his morals, the music that underlies his creative moments is truly exceptional. I know of no other theme that so fully captures the GLORY and PASSION of artistic creation--it is lush, it is thrilling, it is unforgettable. Rachmaninoff would have been proud of it.
(Unfortunately, the most extended passage of this theme has been cut from recent TV showings.)

Hopeless Romantic
Mistrals Daughter is excellent, expecially if you are a hopeless romantic like me. Stephanie Powers is very believeable as the 18ish country girl who arrives in Paris hoping to find love and success as an artist's model. A reality check occurs when the object of her affection, Mistral, played by Stacy Keach turns out to be more interested in himself and his own pursuits as an artist, than his realtionship with "Maggie Lunel"(Powers). Broken hearted, Maggie is pursued and falls for the enigmatic wealthy American from New York played by dashing (and young)Timothy Dalton. Tragedy folows "Maggie" all of her days and the story follows three generations of Lunel women. Their romances intertwine with Mistral and his illegitimate daughter. Worth watching on the couch witha hot cup of tea and an afghan. Enjoy! ... Read more

Reviews (7)

"You needed me, but you never loved me."
"The Goddess" is the story of a needy, neurotic actress, Emily Ann Faulkner (Kim Stanley). She's born into poverty, and grows up unwanted and unloved but is transformed by Hollywood into a glamorous star. You can't watch this film too long without getting this slightly uncomfortable feeling that there are some rather uncanny parallels about this film and the real-life story of Marilyn Monroe.

The film begins in Emily Ann's early childhood, covers her troubled teenage years, her marriages, and her meteorical rise to a troubled stardom. Lloyd Bridges plays husband, boxing promoter Dutch Seymour whose jealously and possessiveness ultimately drives them apart.

Kim Stanley is a phenomenal actress. I first saw her in "Seance on a Wet Afternoon" and I was so intrigued by her, that I hunted down a copy of this almost-lost film. Stanley plays Emily Ann beginning age 16, and it's true that she is quite obviously older than that. Stanley is no great beauty, but as Emily Ann transforms into a famous glamorous actress, Stanley becomes uncannily more Monroe-like. "The Goddess" was nominated for an Oscar for Best Screenplay, and it's easy to see why. If ever an actress was made for a part, it's Kim Stanley as the hollow, fragile and restless Hollywood Goddess--simply marvelous---displacedhuman

Kim Stanley - the GREATEST
When I first saw this film in 1958, I was struck by just how talented Miss Stanley was. She really gets into the character. Her many tv appearances and stage hits brought home, she was maybe the greatest actress of the 1950's. With her passing a couple of months ago, we have lost that great talent, but we have this film and a couple of others to remind us just how GREAT she was.

"I WANNA BE LOVED BY YOU ...."
Constant rejection? What really motived her ascent into Hollywood's firmament? Marilyn Mon......no, this is not her bio. Or is it? Yes, it is up to a specific point [track the sequences up to the asexual caregiver at the end, pre-Paula Strasberg's timely intervention] She was sometimes known as the Silver Witch, and this is just a bit of what the incredibly talented KIM STANLEY brings to this role - Dangerous quicksand.

An episodic view, presented in appropriate segments, of the rise of a star and fading of her mind, it's always just too close to watch, but one is drawn into this - like flypaper - you're stuck!

Lloyd Bridges as the jock husband, Betty Lou Holland, "Mother", and especially underrated PATTY DUKE as the young Emily Ann stays. Just how much of this was acting? Both Duke and Stanley made their debut in this movie [1957]. Screenplay is by Paddy Chayefsky - not sure how they got away with this one - Monroe didn't sue?

MISS STANLEY's disintegration as the Star is Contemporary, she's a grand inspiration to young thespians everywhere; unfortunately so little of her unique work is available on film. Watch for the "battle-supreme" between her and Lloyd Bridges in the hotel, the "communication' between mother and star, and that final care-giver/secretary/"personal assistant" segment - raw!

Worth collecting also Miss Stanley's "SEANCE ON A WET AFTERNOON".

Hope for future DVd releases!

The Goddess
I thought this film was great. I saw it years ago and would like to obtain it on video. Kim Stanley was superb in the role, and has captured her character's neurosis perfectly. Patty Duke, playing the part of the Goddess as a neglected child,never fails to tug on the heartstrings. Lloyd Bridges also plays a great role as Kim Stanley's confused and at times bewildered suitor. This film can be quite harrowing to those of us with great sensitivity to people in emotional and mental turmoil, brought about by a confused and inconsistent childhood. I totally disagree with Peter Shelley's comments on this film, because it is really worth watching, providing you can cope with the very human disintegration of a personality in pain.

Odd
This film left me dumbfounded, as if no-one had worked out what genre was being attempted. The tone is all over the place. It's not camp enough to be funny, not good enough to be a drama, and unable to be an exploration of a Marilyn Monroe type, since it was made before Marilyn began to disrupt productions with her psychiatric problems. However it still has a strange claustrophobic fascination. I particularly like the scenes with Kim Stanley and Lloyd Bridges, set in huge rooms, with no dialogue and lots of walking around. The boomerang line "I can still turn a head" made me remember I had seen the film before, though I had assumed it had come from something more like Imitation of Life. Kim is dressed and styled to resemble Marilyn, but her manner makes her seem older than her age. Her Method line readings work against her being a Marilyn, and she really isn't believable as the tramp she keeps telling us she is supposed to be. An ironic touch is Kim's later role as the mother of Frances Farmer, considering all her talk of being insane here. ... Read more

Reviews (362)

Rousing swashbuckling tale
This is not your Father's Zorro, and Antonio Banderas does a fine job as the masked avenger (and according to the Amazon.com trivia section, the first Hispanic to play this role). Banderas plays the second generation people's hero in Southern California, just prior to Spain's ceding of the land to Mexico.

Anthony Hopkins is a great second (who is actually the first) Zorro, a/k/a Don Diego de la Vega, a Mexican land baron and freedom fighter. After escaping decades later from prison, Hopkins escapes from prison to seek revenge on the no-good governor (well played by a smarmy Stuart Wilson) the man who killed his wife and stole his daughter.

Bandaras, a low-life bandito becomes urbane and a proficient warrior at the teaching of Hopkins, and then becomes transformed by a positively bewitching Catherine Zeta-Jones. Their interplay gives the film its romantic, and often sensual edge.

Lots of swordplay and general excitement, as we recall from Douglas Fairbanks and Disney's Guy Williams. The movie moves quickly (but bogs down for awhile 2/3 of the way through. Happily, it picks up the pace through the end.

Nice scenery. When we see the sign of the return of Zorro, via a blazing Z cut into a hillside , it is positively thrilling. A stirring script which fits the film well. More than enough humor (such as the scene in the confessional, or one of several chased of Zorro by the troops) for the purpose of lessening the tension which is well added by a malevolent Matt Letscher.

As one says, it is a grand throwback. As another said: That's entertainment!

...They make the sign of the Z...
This film is the most recent Zorro film. It stars the young Hispanic Antonio Banderas and the intelligent actor Anthony Hopkins. THis may be the first time that a true Hispanic has played Zorro in an American film.
In 1820, Spain has lost California to Mexico. But Rafael Montero (Stuart Wilson) the Spanish govenor, is determined to kill his nemisis Zorro. The fox again foils Montero's plans with the help of two young orphans, one of whom he gives a medallion. Somehow, Montero learns that Diego de la Vega (Anthony Hopkins) is Zorro. Diego's wife is murdered by Montero's men, his hacienda burned, Montero robs him of his child, and Diego is sent to prison. Defeated but determined never to surrender, the enraged fox promises the govenor that he will never be rid of him.
Twenty years later, Santa Anna has become worse than Montero, and people vanish without a trace. The orphan who helped Zorro, Alejandro Mureita (Banderas) and his brother are caught by Montero's man Capitan Love (Matthew Letcher) who beheads Alejandro's brother. Meanwhile, Deigo escapes and sees that Montero has raised his stolen child Elena (Catherine Zeta Jones). Diego sees Alejandro. The two men form an alliance. Diego trains Alejandro in the art of the sword, the whip, riding a horse, and athletic ability. Alejandro tries an exlpoit as Zorro but is rejected by Diego. In the end, however, the new fox earns his mask. Diego now seeks revenge on his nemisis, Montero, while the new Zorro tries to free the people.
This film extends Zorro's legacy. However, in the future I am sure we will see more films with Zorro being Diego. One line with this film seems to hold more emotion than the rest.
DIEGO: "Rafael! You'll never be rid of me! Never!"

New Zorro, New Age
I have never been a huge fan of Antonio or Jones until I saw this film. With its breathtaking scenery, action and atmosphere it makes you love zorro again! A new zorro for a new age! Very well done film with superb acting. The dvd is full on with excellent picture quality and sound.

Zorro No Longer a Hero
Zorro, the hero of Pulps, movies, books, comics and television, has a new movie out. Antonio Banderas, on Larry King Live, mentioned that he hoped this movie would help to keep alive the spirit of the only Spanish super-hero (he in not the only one nor was he at the time of the interview). Well, I think it will do much to keep the name alive but not the spirit.

Anthony Hopkins is Zorro, the Fox. After years of struggle, Spain is pulling out of California and leaving it to the Mexicans. But Zorro slips up and the evil Governor tracks him down, kills his wife, steals his daughter and throws him in prison. Twenty years later Don Diego (Zorro) hears that the Governor is back. Minutes later he has escaped from prison (what was he waiting for?) and is destined to run into Antonio Banderas. After their meeting, Don Diego trains Antonio to be the new Zorro. The rest of the movie involves the plan to create the Independent Republic of California by buying it from Santa Ana with gold dug out of its soil and stamped to look Spanish. Mexico is willing to make the sale because of their war with the United States (it is now 1841).

If you are looking for a fun swashbuckling adventure, then this is definitely the movie to see. If, however, you want to see Zorro, you might find yourself a little disappointed. Gone is Zorro, the defender of the common people and the innocent. In his place is, not one, but two, Zorro's who are bent on personal vendetta's and enlightened self-interest. It is actually Don Diego's daughter who helps some enslaved Mexicans near the end of the movie.

The transition from one Zorro to another takes the Fox out of the wealthy and privileged and makes him a commoner. The new Zorro is also a thief (in a wonderfully fun scene the young Zorro steals his horse, a very serious crime at the time). Having Zorro break so common a law seemed wrong to me. To have Zorro flaunt the breaking of laws meant to worsen the lives of the commoners is another thing entirely. But in this movie Zorro does not taunt authority. He plots against it, to be sure, but for his own reasons and not for the good of the people.

As this movie has two Zorros, there are now also two villains to be defeated (one each). The elder Zorro still has his old nemesis to contend with while the younger Zorro has made a personal enemy of Captain Love, a young Cavalry officer who seems to be in the wrong country. Both villains are vile and easy to hate. This make the personal vendettas a little more palatable as well as making the ending a lot more fun.

The other main problem with this film is that Zorro loses. Zorro never loses. but in this film Zorro loses big time. He loses his wife, his home, his daughter, his name and twenty years of his life. Granted, he briefly regains his daughter but gone is the hero who can laugh in the face of danger and triumph brilliantly.

The last thing I wanted to mention is that, probably due to the controversy over the new Jeffrey Irons film, Zorro is no longer married to his wife Lolita. Her name has been changed (how dare they) to the more common Esperanza. I can understand the concern of some but Don Diego won the heart of Lolita before the Roaring Twenties. As in the Nabakov novel, Lolita is a valid name before it was turned into an adjective. Next thing you know people are going to try and get Disney to change the name of Bambi because they think it is a girl's name (Bambi was the prince of the forest).

So, if you want to see The Mask of Zorro because, to you, it means an exciting swashbuckling movie, you will really enjoy this one. But if you want to see the movie to watch the continuing adventures of a hero that has entertained all generations since his debut almost eighty years ago, part of you will be disappointed in what has happened to the character.

ZORRO MEETS ZETA JONES
THE MASK OF ZORRO is a rousiing, energetic, exciting romantic swashbuckler movie, reminiscent of all those great Fairbanks and Flynn movies.
Antonio Banderas is a perfect Zorro, starting off rude and crude, ending up flamboyant and gallant. His injection of humor and the way he rolls his eyes is a definite good addition to his role.
The ever amazing Anthony Hopkins shines in his role as the first Zorro, whose life is ruined when his wife is killed and his daughter taken away from him by his cruel enemy. It's rare to see an action hero over the 50 year mark!
Catherine Zeta-Jones is breathtakingly beautiful and is wonderful in her role as Hopkins daughter, feisty, yet adolescent in her yearnings for the masked man.
Stuart Wilson is vile and irreprehensible as Don Metero, the head villain, and he plays it to the hilt.
Matt Leschler as the Captain is even worse, his dashing good looks hiding a psychotic imbalance.
The whole movie is superb; James Horner's overlooked Oscar score is beautiful, including the closing credits duet by Tina Arena and Marc Antony of "I Want to Spend My Lifetime Loving You."
This is a fun, enjoyable and uplifting kind of movie. ENJOY! ... Read more

Amazon.com

Chevy Chase plays a private eye who is murdered and returns to life as a dog (Benji). The film--a plot reversal of a 1951 Dick Powell comedy called You Never Can Tell--has a dash of Chase- style comedy and a big serving of Benji-flavored cuteness, making for a perfectly fine family movie with a little something for everyone. Jane Seymour is an attractive love interest, Omar Sharif (amazingly) is on board, and former Rowan and Martin's Laugh-In star Alan Sues has a small part. --Tom Keogh ... Read more

Reviews (7)

Bort Med Tassarna... that's the title on swedish
This is not Chevy Chase funniest film, far from. I would recomend Cops and Robberson, or National Lampoons Vacation. But this movie has its moments, and it also has Jane Seymour! (bond girl in Live and Let die)
I recomend this movie, Its good. But not Chevys best.

Charming mystery with British flair - and a dog!
For starters, let's say that this film is really....different. It is a great combination between suspense, comedy, and an oddly, romance. As a private detective, American, residing in London, Chevy Chase is hired to do a job that goes south and results in his own murder. Because his final destination is indeterminable, the powers that be send him back as a "returnable" to solve his own murder. The catch is, the only body available is a scruffy dog about to be hit by a garbage truck - enter Benji. By far, this is Benji's most adult film. This is not just a cutesy dog movie that you are used to seeing Benji in - there is definitely adult humor. Jane Seymour is beautiful and makes conversation with a dog seem totally natural (pretty remarkable if you ask me). For you Pride and Prejudice fans, look for a younger version of a famous occupant of Rosings Park.

Chevy Chase does a remarkable job conveying his character when you consider the fact that most of the time, we only hear his voice and see Benji, whose actions were, I'm sure, not entirely predictable. As little as we see him, you still know Chevy Chase is there - because his undeniable wit never lets you forget his presence. The mystery is intriguing, even though we know from the start who the murderer is. The pleasure is watching our villain become aware that he is being outwitted by a dog.
Another thing to look for - when Chevy Chase is in Heaven, watch for the special effects and sounds that are humorously borrowed from popular sci fi of the day (star trek, etc.), including a direct reference to Star Wars. On top of that, the film has a marvelous soundtrack, including songs by Paul McCartney and Elton John. Watch Jane Seymour driving her convertible along a country road to Elton John's, "Return to Paradise", and tell me it doesn't get stuck in your head.

If you appreciate Brittish humor, great actors, and some "cute, fluffy types" thrown in for good measure, then settle down on a rainy afternoon and enjoy O Heavenly Dog.

Åh, Himmelska Hund... that's the title on Swedish
Chevy Chase... My favourite actor. Jane Seymour... Dr. Quinn. - Oh no!!! not in this movie. In this movie they are cat and dog. And frankly, it's not very funny. Check out Fletch, Family Lampoon's, Funny Farm or Three Amigos instead. Viktor

A pretty good detective story.
From the back cover:

Plans to shoot part of the film in London had to be canceled when the producers learned that all animals brought into England must be quarantined for six months. Instead, the company moved to the streets of downtown Montreal, which were made over to resemble London.

My favorite quote was:

Browning: Why can't I go back into my own body?

Higgins: Because it has a hole in it.

This is very similar to what happened in the movie Heaven Can Wait (1978) ASIN: 6300213676, in which he has to return to a temporary body.

Jane Semore (Jackie) is surprised to see Benji show up everywhere she goes but later nothing surprises her. Omar Sharif (Bart) is also surprised to see Benji show up everywhere, but later you would suspect that nothing would surprise him.

Surprise!!!

Oh! heavenly Dog
Classic light hearted comdey with suspense and intrigue that all the family will love ... Read more

Reviews (10)

Obvious Inaccuracies Bother Me
I found the movie enjoyable even though Jason Robards hardly resembles Al Capone. The movie has Al Capone slitting the throat of rival Joe Aiello on a train as he attempted to leave Chicago before the Massacre was even planned. However, Joe Aiello died from a hail of bullets on October 23, 1930, as he left an apartment building, more than a year after the Massacre took place. This would have been an easy fact to substantiate, yet the film contains this unnecessary error. The movie also has Albert Anselmi and John Scalise murdered by Capone with a baseball bat in "Capone's mansion" following a banquet honoring them. The killings actually took place in a Hammond, Indiana, road house. In addition, Joe Guinta was a third one clubbed to death at that time. Finally the movie includes Boris Chapman and Adolph Moeller as two who took part in the St. Valentine's Day Massacre. That may or may not be, but no mention is made of Fred "Killer" Burke who it is widely believed to be one who definitely took part in the killings. The movie was very entertaining and worthwhile, but the inaccuracies that I have mentioned could certainly have been easily checked out.

Nice!
This is a classic. If you haven't yet seen it, I strongly advise that you should. It's a well known formula - bad guys fighting it out for control of a city. A few mistakes were made with the casting (whose idea was it to have Jason Robards playing Al Capone?) but nonetheless, it is a great film. That is, for a Roger Corman film.

one of the best gangster flicks ever
this movie with a few select scenes inaccurrate was not meant
to satisfy a few egg heads with true incidents as they happen.
we get the basic storey of 2 rival gangs trying to take over the rackets in chicago and the storey and back ground info to keep the viewer interested. one of the down points is that the real life gangsters, were in fact younger men between 25 and 35,
jason robards, may been pushing 50 when he was playing al capone in his 20's. john agar a noted ww2 vet who married
shirley temple plays dion obanion, who is portrayed as a mid 50's
business man instead of a manin his early 30's, the same with
earl hymie weiss, another guy in his mid 50's playing a man in his mid 30's, the gusenburg brother's and jack mcgurn were portrayed in the right age group, but they were older than al capone, as portrayed by jason robards.
well anyway i like the movie, plenty of background info
and a great storey.

A "Massacre" of the facts, but a fun one
"The St. Valentine's Day Massacre" is the kind of film that needs to be accepted on its own terms. To expect by-the-book authenticity, or post-1970 graphic violence, or extensive location shooting, is asking far too much. There's an early scene in which George Segal, as one of the murderous Guesenberg brothers, intimidates a speakeasy owner into buying beer supplied by Bugs Moran. His tactics are similar to those employed by James Cagney in "Public Enemy," and it is this little homage that should tell viewers that the film is going to make a mere pretense of accuracy - and that this is just fine. "Massacre" is a thoroughly entertaining film that never tries to be anything more or less than that.

Fred Steiner's jangling, dissonant score deserves a mention. It has a Charleston-like rhythm, dominated by a piano. It's an oddly effective thing, heard to best effect over the end title.

Among the cast, no one turns in what could be called a brilliant performance, but Ralph Meeker probably comes off best as Bugs Moran, particularly as he utters the crime boss' most famous quote, near the end. Jean Hale definitely got my attention as Segal's girlfriend, and Clint Richie is appropriately sly as Machine Gun Jack McGurn, who masterminded the title killings.

St Valentine's Day Massacre
This is one of the best gangster films ever, It is a gritty, in your face story of a true life event. True, there are some inaccuracies, what true life film doesn't have them, As far as I am concerned, they are insignificant and they don't take away from the film, the main context of the story is there, even with the inaccuracies it is still a top film. Shot documentary style, it is a film about the events leading up to the massacre. Jason Robards, though a fine actor, wouldn't have been my choice for portraying Al Capone, and is acting is a little hammie, George Segal did a fair job as Pete Gusenberg, after all, these were people who thought they could get away with anything, and most of the time, did. But this is not a film about any one person, it is a film about an event that still fasinates people today. I believe that the memory of the St. Valentines Day Massacre will live on forever. ... Read more

Reviews (11)

alien filmed pulled off excellently...
no doubt, this is a terrifying film. it is very true to the "abduction-rules", (missing time, etc.) to me, this has to be one of the scariest movies ever made. it's pulled off very well, and the acting is very good, especially good,- considering it's budget. the scenes depicting the actual abductions are very realistic, or at least they seem to be real- (seeing as though i have never experienced one). overall this movie is very well done, and thought out, and i would 100% recommend it to anyone interested in the "abduction-phenomenon".

Intruders must go on DVD
This movie is the very best Alien abduction movie we have ever seen. It's very realistic and has a perfect timing for scenes (WHoaa the running little boy in the valley was good!) It's long, ok, but very worth it. Also it's not placable under SF/Action/Drama/horror or whatever. When it comes on DVD, I'll buy it!

Dan Curtis' INTRUDERS Must Be Released on DVD
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In Conclusion, INTRUDERS Must Be Released on DVD.

EXCEEDED MY EXPECTATIONS
Don't know much on the subject of aliens. Bought the tape because I'm a big Crenna fan and was out of the country when it was on TV. What an ENJOYABLE and CREEPY film from start to finish! Couldn't find fault in any cast member(even Steven Berkoff in a very over-the-top performance was wonderful!). Tight editing, score...well, everything. Thinking of some scenes give me chills even now (I'm with the rest of you guys re: the boy in the valley.....yikes!!)I agree it needs to be on DVD too. Guess I'd better buy a DVD player first, right?

Thank you!
It's good to hear that there are really people that are not infected by the flashy lights of Hollywood and are actually taking the time and effort to understand a movie. This movie is amazing.... Please make a DVD of it!! I beg you! ... Read more

Amazon.com

This is definitely not the Disney version. While it remains faithful to the plot of the classic fairy tale by Leprince de Beaumont, Jean Cocteau's 1946 French romantic fantasy is the product of a sophisticated, mature sensibility in its tones and textures and, above all, in its surprising emotional power. With sparkling black-and-white imagery that, for once, is actually dreamlike rather than cute or kitschy, and with a Beast (Jean Marais) who is almost as glamorous with his silky blonde facial hair as he is clean shaven, the movie casts a seductive spell. It might actually be a little too rich and unsettling for kids. Even the costumes and the draperies are entrancingly ornate. Viewers intoxicated by this enveloping vision should consider moving on to Cocteau's even more aggressively other-worldly 1949 masterpiece Orpheus, in which Marais plays the doomed poet of ancient Greek legend, updated to a Parisian "punk" milieu of motorcycles and black leather. --David Chute ... Read more

Reviews (54)

Thrilling.....
At the beginning of "La Belle et la Bete" the wonderful film based on Marie Leprince de Beaumont's book of the same title, the director, Jean Cocteau asks the viewer to become as little children and engage in the willing suspension of disbelief. Fortunately, I believe in mystical and magical things, so I found Cocteau's instruction easy to follow and was rewarded with thrills of excitement.

Criterion has performed it's usaual great service, restoring a masterpiece. The technical aspects--remastering of the 1946 black and white film appears to me to be very nearly perfect. But more importantly, "La Belle et la Bete" is truly a work of art. A documentary included with the DVD explains how Cocteau, in spite of wartime shortages, was able to create his fantasy using the paintings of Vermeer and the etchings of Gustave Dore as a point of inspiration. Many of the most spectacular scenes are animated Gothic wood block prints! In an age of dazzling special effects, it is wonderful to know that creative geniuses have existed and once upon a time movie-making was based on artistic genius, not just technological wizardry.

Beauty and the Beast is my favorite fairy tale. In this version, Beauty is a convincingly good daughter and the beast is a convincingly bloody beast. Mornings after his nighly prowls little dead animals can be found in the courtyard. (He is unlike the cowardly lion in The Wizard of Oz). However, by the time the Beast is dying and Beauty rushes to his side, I am have come to care for him--if not love him. Jean Marais and Josette Day are very convincing.

Cocteau's "La Belle et la Bete" is closer to the original European tale than many other dramatizations. The purpose of these "fairy" tales was to impart a distilled bit of wisdom from one generation to another. "La Belle et la Bete" teaches an eternal truth--one does not love someone because of their appearance. True love is unconditional. If it is not unconditional, it is not love. As my mother used to say, "You should not judge a book by it's cover" -- although many of us do.

Cocteau's sensual version of the timeless fairy tale
Jean Cocteau's elegant vision in "La Belle et la Bete" is an absolute treat. Marie Leprince de Beaumont's dark fairy tale is turned into a film of erotic obsession. With its inventive and stylized images, this sensual film is not really for the kids. But some day they will come to appreciate Cocteau's film as much as they love the Disney version. Josette Day is Beauty, while Jean Marais plays not only the Beast, but Avenant and the Prince as well. However, the costumes, make-up and sets are what you will remember long after you have seen this 1946 film for the first time. One of the most beautiful black and white films ever made, with lush cimenatography by Henri Alekan. Do not wait until your kids are old enough to watch this one before you see it for yourself.

GREAT STUFF
THIS IS A GREAT DVD AND YOU CAN GET IT BRAND NEW CRITERION ON OTHER WEBSITES FOR LIKE $30.00, SHOP AROUND!!!!
I LOVE MY COPY.

Magical
It's amazing how Cocteau manages to make so much magic better than any computer generated effects. Simple things like glitter in horses tail, a platform on wheels for Beauty's glide down hall, reverse film(he also used in Orpheus)
It reminds me of the magic of Japanese Kabuki theater, where spotlights are candles on long wooden sticks and the oceon is scarves waving about, so much more magical than modern
technology.
I also find Ray Harryhaussen special effects magical.(Jason and the Argonauts, the Seventh voyage of Sinbad)
I also recommend The blood of a poet.
I don't think Cocteau deserved the put down by the surrealists as just a rich boy. I think he was a true artist.( Radiguet thought so.)

RAVISHING
Visually stunning, baroque, surrealistic fantasy/fairy tale, directed by masterful french artist, poet, Jean Cocteau, starring his longtime lover and protegé, legendary film actor Jean Marais, and Josette Day as "Belle", both perfect in their roles.

This is a sumptuous and very lyric film, a real one-of-a-kind experience, a masterpiece, and for sure, the very best version of the story. The Art Direction, the sets, the costumes, are all p-e-r-f-e-c-t....and the beast's make-up (mask) is great!!

This is one of the top examples of classic french film. Not to be missed. ... Read more

Reviews (5)

shoot the prisoners
americans sponsor some guys who go into a central american country to bring 'universal sufferage' and to provide 'stability'. sound familiar? walker is a tale of megolmania and ahistorical vertigo with surrealist parallels to the modern era. it's an amusing black comedy, about equal parts sergio leone and luis bunuel. the dim and sarcastic view of american imperial behavior and myth making did not endear this film to most critics, especially the anti-intellectual, anti-art, pro 'entertainment' hacks (like a ceratain oft-quoted movie/video critic who shall remain nameless (wink, wink)). but for the rest of us, especially those with a skeptical view of offical history, walker is both funny and frightening, with great characterizations by ed harris, peter boyle, rene auberjunois, miguel sandoval and yes, marlee matlin.

complimented by an amizing Joe Strummer score
This movie is definitely a hidden gem. Ed Harris is brilliant as is the supporting cast of knock-offs who join his rag tag army on their quest for glory in central america. the blurring of the timeline reminds us that our meddling in C.A. is fundamentally not much different today than it was during the period this movie depicts. The entire flow of the movie is further augmented by a completely stunning score from x-Clash man Joe Strummer, one of the finest movie scores i have ever heard. A classic!

Alex Cox And The Spaghetti Western
Director Alex Cox finally got to make his hommage to the Sam Peckinpah/Sergio Leone myth...and what a film it turned out to be. A mix of politics, satire, bloody violence, humor, slavery, business, guns, and all around chance-taking cinema. Upon first viewing, I admit I did not care for the film. After repeated viewings, I discovered the rhythm and intentions of director Cox and his motley band of adventurers. It actually made me want to read more about this period and discover for myself how we, as a country, STILL have not learned from history! Great originality and brave acting/direction makes this a film that will stand the test of time. I recommend it to lovers of daring filmmaking/storytelling. Forget Hollywood mainstream, long live director Alex Cox!

WALKER awaits discovery by cult film buffs
WALKER (1987) is a cult movie in search of an audience. A critical and financial disaster upon its initial release, the film is hard to find on video and rarely televised--but to fans of Psychotronic Cinema, it is worth the effort to find! The film is a schizo, intentionally anachronistic bio of William Walker (1824-1860), the Nashville-born doctor/lawyer/journalist who led his own private army into Nicaragua, ultimately installing himself as president of that nation. Obvious similiarities between Walker's filibustering activities and the US's often ham-handed diplomatic policies towards Central America during the 1980s led the filmmakers to turn WALKER into a political satire, but it is by turns funny, tragic, exciting, informational, and thought provoking. Ed Harris plays Walker, and as something of an expert on the filibuster, I can assure you Harris' interpretation is perfect. Lotsa familiar faces--Rene Auberjonis, Richard Masur, Marlee Matlin, and the hilarious Peter Boyle among them--make this one a character actor watcher's dream film. This picture is only for those who can appreciate weird movies! This film deserves to find a cult audience, and I hope this review helps to establish one!

PORTRAIT OF AMERICAN DIPLOMACY, THEN AND NOW.
JEEPERS WHAT A GOOD MOVIE. I'M NOT TOO ARTICULATE A GUY, NOT TOO BRIGHT, BUT I UNDERSTOOD WHERE HE TOOK THIS MOVIE. ALEX COX IS ALWAYS ABLE TO GIVE A MOVIE AN OPINION. AND WHAT ABOUT ED HARRIS, I USED TO HATE THAT GUY. BUT NOW, I CAN TOLERATE HIM, HE GAVE A GOOD PERFORMANCE. ... Read more

Amazon.com

There's a reason why Cindy Crawford was dubbed "Baby Gia" when she first hit the modeling scene. Indeed, Crawford, now the world's best-known supermodel, greatly resembled model Gia Carangi, who went from high school to the cover of British Vogue in less than two years. Carangi appeared on many more covers of Vogue (French, British, Italian, and American) and Cosmopolitan before dying of complications from AIDS (she was an IV heroin user) in 1986. Now most people recognize Carangi's name from this powerful HBO film that stars Golden Globe-winner Angelina Jolie, who comes by her talent honestly. Jolie is the daughter of veteran actor Jon Voight, and her own training as a model serves her well--she has the moves. Throughout, she's heartbreaking--as no doubt the real Carangi was--effective, and stunning.

With good source material (Stephen Fried's A Thing of Beauty: The Tragedy of Supermodel Gia), Jolie's stunning performance, and strong directing by Michael Cristofer, the movie goes beyond the merely sensational. The script was cowritten by Cristofer and novelist Jay McInerney, whose Bright Lights, Big City covers similar territory. As a cautionary tale, Gia works. But to watch Jolie in her character's tragic self-destruction is utterly compelling. --N.F. Mendoza ... Read more

Reviews (197)

Powerful film based on a powerful personality!
I have to imagine that the toughest films to pull off are the ones on the verge of cliche-dom; a familiar premise that still manages to flawlessly hook you. 'Gia' covers much trodden ground. By now, it's a natural stereotype- the model who blows her looks, her career and her youthful optimism on drugs.

If the premise is so well known, how did 'Gia' avoid the E True Hollywood Movie trap? Angelina Jolie was simply too convincing, the directing was simply too unique and the script was too crafty. This film avoided the averageness of countless other 'drug films' simply by painting a mosaic so raw, that you couldn't help but love, hate, cringe at and root for Gia at the same time. The film, while letting you glimpse into the insecurities and motivations of our tragic hero, consistently pushed her just out of reach so as to keep us puzzled and curious. All said and done, though, Jolie and the gang have created a flawless work of tragic art.

The only reason not to give it 5 stars is that as most movies based on life stories, it is a bit anti-climactic and unbalanced. With most plots, the writers are at liberty to create an upward story with a clear climax and this film simply didn't have it. It slid up and down, high and low, mirroring Gia's confusion. Although it didn't detract from the film's emotion- believe me, it still comes through- it just left the film feeling a bit muddled.

two terrific performances
I am also a big fan of Angelina Jolie and try to see every film she is in. I am so glad that her career is really going like gangbusters. But I like Gia primarily because it introduced me to the incredible Elizabeth Mitchell. I agree with the other reviewers that Elizabeth was overlooked for her touching performance as Linda. I bought the unrated version in the hopes that more scenes featuring Elizabeth would be included. The interaction between Angelina and Elizabeth is what makes the movie interesting for me and is the reason I still watch the film. I do wish that the film had dealt more with their relationship, how they interacted on a daily basis, but I understand that the filmmakers had a lot of territory to cover. I would recommend the film for both these talented actresses performances. And for those of you interested in other projects that Elizabeth is featured in, check out the films Frequency, Molly and Nurse Betty.

Hello, Baby
Gia is a knockout, daring film. It tells the true story of the rise and fall of 80's supermodel Gia Carrangi. Many reviewers have said they never heard of Gia until the movie. In the cruel fashion world, Gia was forgotten as fast as she became famous. Not one person from the fashion industry attended her funeral. The man who wrote the book on which this film was based also coined the term 'fashionista' for his book. The word has since become a staple in the English language.

Angelina Jolie was made for this role; she deserved the awards and recognition she received for it. If this film had been made for theaters rather than HBO, she should have won an Oscar.

In Gia, Gia/Jolie is the sun, and all the other characters revolve around her. From her inauspicious beginnings in New York City to her photo shoots all over the world, Gia desperately seeks that which she was denied as a child - love. The tragedy is that once she finally finds love, Gia is so scarred emotionally and from drugs, that she is unable to accept it. Mercedes Ruel gives a masterful, subtle performance as Gia's self-centered mother who abandoned her daughter when she was 11.

The drugs, glamor, and glitz of the 80's fashion world are portrayed in both gritty and glamorous fashion. One of the most striking scenes is when Gia is dressed for a photo shoot as a geisha in a red dress. This scene is so riveting and well done I watched it a dozen times. She is standing in a gritty alley with red paper lanterns hanging over the concrete. The whole scene is surreal, and is a great portrayal of Gia's life and of the 80's.

Jolie keeps nothing inside for this performance. She is naked, both physically and emotionally. And the jazz soundtrack is captivating and mesmerizing. In fact, I am seeking to purchase just the soundtrack.

Here's what you probably want to know...
1. You want to buy it, so get the unrated version, rather
than the 'R' rated one, cos it has more nudity.
2. Angelina Jolie is a total knock-out in this film.
3. Yes, she does get naked - quite a bit in fact.
4. Yes, there's a 'scene' with another girl.
5. There's one stand out line in this film from Angelina: "'I gotta go', 'I gotta go'. Where the #### does everyone go when they've gotta go?"
6. Great movie, you will definitely want this if you're a fan.

The best movie I ever seen...
This movie is so strong,and as i watched i felt like I was there,like I knew the characters,and it will make you cry,such a sad story.I have seen the movie a few times and each time it breaks my heart.Angelina Jolie is an amazing actress. ... Read more

Reviews (4)

Best ending
Excellent episode from this great show. The ending makes this one memorable. After the ice breaks, all of the men in town gather together for their traditional "running of the bulls"- in the buff. The music is perfect' "Where the Wild Things Are"- about everyone's need to go a little crazy, and we'll go there together.

Spring Breakup Brings Out the Animal in Cicely
This is one of my favorite episodes because it first introduces Officer Barbara Semanski to Cicely, the future bride of Maurice Minnefield. The whole town is struck with "Spring Fever"in anticipation of the ice breaking and to go along with that is a healthy dose of mass "horniness". Joel and Maggie go at it for the first time and Holling gets his horns clipped when Officer Semanski, played brilliantly by Diane Delano, lands a TKO in the boxing ring before the whole town. Chris has his own scheme for reminding people about "chaos" by ripping off stereos and Ed tracks him down. A quote by Chris "Sometimes you gotta do something bad just to know you're alive"..Excellent episode!

Spring Break
This is a gem of postmodern television. Spring is approaching, and along with it, the annual breaking of the ice. The stress of the ice manifests itself in many of the townspeople. See MTV, the Garden of Eden, the impermanence of material goods, boxing, and zen all come together for a rousing running of the bulls.

This is one of the best of what was a wonderfull show.
This episode has everything that makes northern exposure good. If you have never seen northern exposure than this is a great one to start with. ... Read more

Description

Modern-day reworking of The African Queen set aboard a truck. ... Read more

Reviews (3)

For any Brian Dennehy Fan
I have been a fan of Brian Dennehy since I first saw him in Foul Play. I have watched everything he has been in. The Lion in Africa was a great movie because for once he played a hero, had a love interest, and got the girl at the end. With the exception of the Little Mermaid and the Belly of an Architect - I have enjoyed everything he has been in. Lion in Africa, however, is my favorite and I can watch it over and over again. I wish he would do more movies like this.

A "Fun" Movie
No, it isn't high theater but it is a good movie to sit down in front of with a big bowl of popcorn, a cold beer and maybe the lady in your life for an enjoyable weekend afternoon diversion.

Brian Dennehy has the "borderline obnoxious but deep down you know there's a heart of gold" character down pat and he plays it to the hilt here. The scenery is great, particularly if you're stuck inside on a cloudy, rainy day.

A good, fun flick.

A pretty good adventure, worth seeing.
Gods Must Be Crazy, Out Of Africa, or Hatari, it ain't. What it is, instead, is a good and fun adventure in Kenya. Brian Denehey is terrific as the stubborn-old-coot-safari-guy. It has moments of charm and wild abandon. The cinematography is excellent. You'll love just watching the African scenery go by. The story leaves something to be desired. But, on the whole, it's a pretty good movie. ... Read more

Reviews (86)

Meow! Meow! Meow!
A veritable Who's Who of great 1930s actresses--and no men!--appear in this film version of Clare Booth Luce's play. Norma Shearer plays a devoted wife whose husband is having an affair with the "salesgirl" at the perfume counter (Joan Crawford). Her "friends" know. She doesn't--at first. "The Women" is set at beauty parlors, bridge parties, fashion shows, a Nevada divorce ranch and the ladies lounge of fine restaurants. The catty dialogue and wry commentary about men and women is truly fun to experience.

For fans of vintage fashion, this film is wonderful eye candy. Not only are the outfits that the main actresses wear quite fun to check out, it even features a fashion show.

Crawford is wonderful as the conniving other woman, and "The Women" made me an instant Shearer fan. Shearer manages to come across as a strong, self-reliant woman throughout most of the movie, despite being the wronged wife still in love with her husband.

Keep in mind while watching that "The Women" is definitely a film of its times. Enjoy it as such.

Cat Fight In B&W, but with a splash of Technicolor
Screen queens, Norma Shearer, Joan Crawford and Rosiland Russell round out the leads in this scathing comic bobble from MGM that is a riot and a half. Legendary film director, George Cukor directs his all female cast in a witty adaptation of Clare Booth's off Broadway smash hit. The one liners are plentiful and biting and the slant on divorce that the film takes is remarkably contemporary. Shearer is Mary Haines, a trophy wife who finds herself on the shelf when man trap, Crystal Allen (Joan Crawford) moves in for the kill. Russell is Mary's cousin, Sylvia, but she swings both ways and often sides with Crystal on matters of the heart. Also stars Lucille Watson, Marjorie Main, Paulette Goddard and Joan Fontaine.
Warner Home Video has done an outstanding job on remastering this film for DVD. The black and white picture exhibits fantastic resolution, albeit with a touch of digital noise noticed from time to time but nothing that will detract from your enjoyment of the movie. The Technicolor sequence, a fashion show advertising the designs of resident studio fashion guru, Gilbert Adrian, has been magnificently restored. Colors are vibrant, bold and do not bleed. The extras on this disc included a couple of featurettes that MGM used to put out before their theatrical releases, an isolated musical score that has been wonderfully restored and theatrical trailers. This is a definite must have in every sense and one that will surely become part of any collector's most treasured movies.

Classic Chic Flick
I am a big fan of black and white movies. The movie is kept at a high tempo - never a dull moment. I recomend it to everyone.

The Women
This is definitely ny favorite movie. Norma Shearer and Rosalind Russell are hilarious as two pampered Park Avenue socialites. Morma Shearer plays Mary Haines, a devoted wife and mother who is greatly upset by marriage troubles about her unfaithful husband. Rosalind Russell plays Sylvia Fowler, a catty gossip who just has to get the dirt on everyone. The best parts are the fight scene in Reno, and the end. This movie is great for anyone who prefers classic movies to the boring and awful recent ones. Rent this movie today

Highly Entertaining and Engaging
Holds your attention the entire way through at its 2 hr and 13 min running time. Norma Shearer and Joan Crawford steal the show and Rosalind Russell of Auntie Mame fame gives one of her best performances. I appreciated Cukor's brilliant use of color for the fashion show sequence and some of the cinmatography throughout the film is truly thrilling. The ending is the best part of the film with a comical and fast paced cat fight and Crawford getting her come uppance. ... Read more

Amazon.com essential video

Kevin Kline took home an Oscar for his performance as a self-absorbed lothario who prepares for lovemaking by drinking in his own "manly" musk, but it would be hard to single him out as the best thing about the film. The fact is, the entire cast of this hilarious comedy is perfect: John Cleese as the conservative barrister defending a member of sexy Jamie Lee Curtis's gang, Ms. Curtis as the conniving crook out to grab the haul for herself, and Michael Palin as the stuttering, animal-loving hit man whose attempts to murder a little old lady only decrease the size of her poodle pack. Cleese cowrote the zingy script with British comedy veteran Charles Crichton (The Lavender Hill Mob), whose smooth direction balances Monty Python farce, hysterically tasteless gags, and an unexpectedly romantic subplot with style and confidence. --Sean Axmaker ... Read more

Reviews (81)

An Classic Comedy.
When a British Man by the name of George Thomason (Tom Georgeson) came up with the Perfect Crime with his Friend (Micheal Palin), George's Girlfriend-Wanda (Jamie Lee Curtis) and her another lover passing as her Brother-Otto (Kevin Kline) to steal a Fortune in Jewels. When his girlfriend and her lover-Otto double cross-George, who came up for the Idea. But when George is being sent to Prison and Keeping a secret, when he hide the Jewels. Then Wanda is trying to seduced George's Lawyer-Archie Leech (John Clesse) to find out, if he knows about the Jewels but Archie ended up falling in love with Wanda.

Directed by Charles Chichton (The Lavender Hill Mob) made a Clever, Outragerous comedy that become a Contemporary Classic. Written by Clesse and Director:Chichton came up with a sure winner, that never seems to run out of energy from the talented cast. Kevin Kline steals the film with his flamboyant Comic Performance that win him an Oscar for Best Supporting Actor. This was a Box Office Hit in the Summer of 1988. This film might offend some people. This is one of the most funniest movie, ever made. Clesse and Palin re-team together again from thier glory comedy days from the Monty Python's group. Clesse, Curtis, Kline, Palin, Maria Aitken & Cynthia Clesse re-team together again in the Uneven but Funny-Firece Creatures:(1997). Grade:A.

British humor for the American palate
Charles Chrichton's hiatus from the big screen had been interspersed with The Avengers after his direction of The Lavender Hill Mob. John Cleese in fact sought out Chrichton in hopes of a collaboration for A Fish Called Wanda. Starting out with only a rudimentary idea of the story, and Chrichton's request that he wanted "...to see someone steamrolled", the final result was a film that somehow struck a humorous chord all over the world. The film just somehow "worked", and it's been a cherished classic ever sense.

Kevin Kline as the violent, idiotic, and egotistic Otto indirectly steals the film, but it is John Cleese who is the genius behind the scenes. Utilizing the dry absurd whit perfected in Monty Python with co-star Michael Palin, the duo alongside sultry Jamie Lee Curtis evoke a dysfunctional yet harmonistic world of laughs, slaptstick, and that oh so familiar English congeniality that "bloody well works" in comedy.

For those longing for the complicit, balanced, and tight-fitting humor of the older English comedies, such as Alec Guinness in Our Man In Havana, and Alec again in Lavender Hill Mob, A Fish Called Wanda is a must-see. If only Hollywood knew what it was missing too.

Quite simply the best comedy film in decades.
This movie is, in a word, hilarious. I defy anyone to watch it and not have tears streaming down their face from laughter. It's one of those classic, uproariously insane comedies in the Monty Python style, just plain crazy funny. I am an animal lover but even the part where the poodles that get annihilated was hilarious and Michael Palin's reactions to that are beyond funny. This is one movie that is guaranteed to make you scream with laughter. I have seen it about a dozen times and it still makes me laugh till I cry.

Not Monty Python, but funny
I LOVE Monty Python AND John Cleese teaches part-time here at Cornell, so when he gave a talk and mentioned the plot of AFCW, I thought I'd check it out. It was great seeing a couple of the Python troup in a non-Python role. Be warned, although the movie is very funny (7.8 out of 10) it's not at all the same type of humour as Python.

My absolute favorite part, which doesn't give anything about the movie away, is near the end when John Cleese imitates an American accent. Usually we see comedians here making fun of British, French, and other foreign accents, so it was fun to see someone try to imitate us here in the States.

I'd say this is a MUST RENT no matter what and a MUST BUY for anyone who likes British humour and/or wants to see Cleese do something different.

Stands the test of time
I still remember the first time I saw that crazy heist caper called A Fish Called Wanda. My high school drama class went to see a sneak preview double feature of Wanda and Monkey Shines (which I will only go as far as to say that it was pretty awful) and I was floored.

I knew about Monty Python and has all the episodes that my PBS affiliate would broadcast, but was relatively unfamiliar with any work the troupe's members had done outside of the series (I don't even think I had seen Monty Python and the Holy Grail yet), except for a late-night cable run-in with Michael Palin's The Missionary, a mild sex comedy about a missionary and a home for fallen women.

I had no idea what to expect. Palin had always been my favorite Python (and still is), so I was very curious to see what he would do outside the Python realm. I got more than I bargained for.

Written by John Cleese from a story by Cleese and director Charles Crichton (various Ealing comedies including The Lavender Hill Mob), A Fish Called Wanda is a comedy about four crooks (Jamie Lee Curtis: Wanda, Kevin Kline: Otto, Tom Georgeson: George, and Michael Palin: Ken) who are all trying to double-cross each other by linking with other members of the group. Wanda in particular has the cards stacked in her favor, as she is--in one way or another--attempting to seduce all three men.

The humor comes from several directions. As the old lady is the only one who can ID any of them, George asks Ken to eliminate her. Unfortunately, he keeps killing her pet dogs instead--one at a time. As an animal lover, this leaves Ken in no end of distress. Very black humor, indeed. Meanwhile, Otto is trying to get information from Ken by pretending