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From the moment that Prince Eric's ship emerged from the fog in the opening credits it was apparent that Disney had somehow, suddenly recaptured that "magic" that had been dormant for thirty years. In the tale of a headstrong young mermaid who yearns to "spend a day, warm on the sand," Ariel trades her voice to Ursula, the Sea Witch (classically voiced by Pat Carroll), for a pair of legs. Ariel can only succeed if she receives true love's kiss in a few day's time and she needs all the help she can from a singing crab named Sebastian, a loudmouth seagull, and a flounder. The lyrics and music by Howard Ashman and Alan Menken are top form: witty and relevant, and they advance the story (go on, hum a few bars of "Under the Sea"). Mermaid put animation back on the studio's "to do" list and was responsible for ushering Beauty and the Beast to theaters. A modern Disney classic. --Keith Simanton ... Read more

Reviews (136)

One of Disney's best!
This movie amazes me every time that I see it. Some of the Disney cartoon movies that are being churned out today are okay but not as good as movies like The Little Mermaid. It is such a beautiful movie and so tastefully done. I truly believe it's a movie for the young and the young at heart. It's all about falling in love and doing anything for the person that you love even risking your own life. The songs really touch my heart, the characters are so funny, sweet and lovable from Flounder the dumb and sweet fish to Sebastian the funny and witty crab to Scuttle the absentminded and crazy seagull. Ariel the mermaid kind of reminds me of what almost every young teenage girl is like, headstrong and just wanting to go out and follow her own dreams and having to grow up with a loving, but very overprotective and strict father and going against the schemes and plots of the evil Ursula but in the end after overcoming all the obstacles finally being with her true love forever. It is just a beautiful story and ever since I saw it when it first came out in the theatres with my mother it has grown on me and I have loved and cherished this movie ever since. The songs are everything from upbeat to romantic and the actors/actresses picked to do the voices for the characters are so talented and are just made for the parts. I fell in love with this movie and the characters in it in 1989 and am still in love with it today. The Little Mermaid: being transported from real life into the beautiful underworld of the ocean filled with mermaids/mermen, fish, and many more made me want to be "part of that world"

A true five star film.
I enjoy reviewing movies here on Amazon.com. I am pretty critical so I rarely give out five star reviews because I feel there are so few movies that really deserve a perfect score. However, Walt Disney's "The Little Mermaid" is such a film- a genuine, good hearted, crowdpleasing, five star artistic and entertainment masterpiece! I can't think of anything wrong with this movie. The animation was groundbreaking when it was first released, and it is still pretty stellar. The charactizations were perfect. Is there a more winning heroine in Disney's lexicon than Ariel? Who among Disney's villains can rival the dastardly and cunning Ursula the Sea Witch? The story, reworked from the Hans Christian Anderson classic, is heartwarming, romantic, and inspiring. And the music? Personally, I believe the music for "The Little Mermaid" to be quite simply the best ever written for a Disney movie, and the songs "Part of Your World," "Under the Sea," and "Kiss the Girl," rank among the best songs written for ANY movie.

I guess it's obvious that I really love this film. Therefore, it's ironic that when it was first released in 1989 I didn't even think of going to see it in the theaters. Afterall, I was 18 and Disney movies were for kids. It wasn't until my parents purchased the video for my younger siblings that I first saw this masterpiece and fell in love with it. It now ranks among my favorite movies. Over the years I've gotten some ribbing from friends over my attachment to this movie, but I don't care. A great movie is a great movie regardless if it is a animated feature or not, and "The Little Mermaid" is a great movie!

Disappointing DVD Transfer
save your $ on ebay auctions and wait for the platinum series release. this version's sound is excellent (dolby 5.1), but the bland/dull colors is a big disappointment. poor visibility, below average clarity and very dark throughout the entire movie. i've seen better second generation VHS recordings. this being a classic Disney release, it deserves a new high definition transfer like Beauty and the Beast, and The Lion King (outstanding DVD's).

One of my all time favourites
This is one of the only Disney movies almost everybody loves. The reason? The storyline! It's a perfect movie. Ariel is a mermaid who falls in love with a human and wants to be one, Ursula is the evil octopus that transforms her while King Triton worries madly about his daughter's where-abouts. Prince Eric is Ariel's love interest, this is a very romantic movie and it will have you almost crying because it's so sweet.
Ariel's friends include flounder, a crab (Sebastian) and a seagul who make up interesting yet funny stories on the where-abouts of Ariel. In all, this is a beautiful tale and it's a definite MUST OWN.

Nostalgia
There was once a time in Disney History when the term "That movie underwater" didn't bring to mind a forgetfull blue tang, but rather a Jamacian Crustacian bellowing "Unda' Da' Sea!".

Now many people will argue that this is infact a Disney Classic, while others will argue it was just a mediocre effort. I however, am not sure where I stand on this film.

The Little Mermaid, the film that ended Disneys 80's menu, and as also one of the last to be based on a classic tale, is about a little mermaid, (Obviously) who, against her father King Tritents warnings, frequently goes above water, collecting human things (forks, mirrors, pipes etc.) She soon "Meets" a Prince, and falls in love, also against her fathers wishes. Add in a villian, and some funny side characters and you've got "The Little Mermaid".

This film dosen't do it for me, sadly. Because I've rarely watched it as a child, it has no nostalgia value, the back-bone for why I watch and love Disney Films. The animation is so-so, and the story isn't very strong. I sugest you rent this movie if you haven't already seen it, and then decide for yourself if you really want. ... Read more

Reviews (2)

How Will It Compare to Perfection?
"Shall We Dance?" (2004) is a remake of the superb Japanese musical dance comedy which was released in the U.S. in 1997. This new version stars Richard Gere, Jennifer Lopez, Susan Sarandon and Stanley Tucci. There's not a chance in the universe that this new version will be better than the Japanese classic, which was just about as perfect as any film has ever been, ever. But I'll definitely go to see the new one, only because it probably will be very enjoyable to compare the two versions, and any dance film is better than none. Plus I think I'll really enjoy the new one--it's just that I KNOW it could never approach the Japanese original, for many reasons. Sure, they'll try to adapt the screenplay to American customs and vernaculars, but many charming nuances of the original will be lost because it will not take place in Japan, and the original was really about how the Japanese are relating to something very Western and alien, ballroom dance. If you want, you can go to Hollywood.com and watch the preview to the new version. Just type in Shall We Dance? in the Search field. The preview is pretty good. I will enjoy the film, but I strongly urge you to buy a copy of the original "Shall We Dance?" here on Amazon, and also go to the "Shall We Dance?"(Japan) Amazon DVD page and vote to have it released on DVD. It's a crime this hasn't happened yet! (I gave this American version 4 stars, because I'm giving it the benefit of the doubt, also based on the preview I saw).

Potentially A Great Movie!!
This is a potentially a great movie about a bored Chicagolawyer(Richard Gere)who takes ballroom dancing lessons with his instructor (Jennifer Lopez), whose wife (Susan Sarandon)suspects him cheating on her.This movie's plot is similar to the superb original Japanese version made a few years ago.It should be very well watching,when it's released!! ... Read more

Reviews (15)

Charming, Funny and Touching
I loved this film. It was charming, funny, fun, and of course sad at times. This is a movie about a family struggling to come to terms with a divorce. It shows all sides of the story and I didn't see where it left anything out.

Robin Williams is spectacular! He is funny as usual, but he captures the hurt when necesary too.

I don't think you will regret watching this one.

B-e-autiful movie!
Mrs. Doubtfire is the sweetest movie ever. Though it's rated PG-13, it's still a perfect movie to watch with your kids. Also, look at Robin Williams and think, "Thank God that's not my life!"

Laugh Out Loud Funny
This is laugh out loud funny. Robin Williams makes it what it is and the rest of the actors are just props. If you like Robin Williams, you won't want to miss this one. Outstanding!!!

The best scene is the restaurant scene. While it is a comedy, it does have something to say about love, that it can take many forms...that a wacky transvestite can be loved too. :)

We never tire of this one
It's hard to find a movie these days that the whole family can enjoy, but this is one of them. Some stellar set pieces by Robin Williams stay in my memory: dancing with the vacuum, the son walking in on his dad (dressed as a woman) peeing while standing up, smacking out his/her flaming fake bosom with pot lids, quitting his job as voice over by imitating Elmer Fudd and telling his boss to p-p-p-p-p-piss off, the switching roles and costumes at the restaurant near the end...
It's the story of divorce, and mom has custody and prevents dad (Williams) from seeing the kids. So he dresses as a British nanny and is hired to care for them. Beautifully acted by everyone. Very touching message lies just below the surface of all the slapstick. Invite the kids, your parents, the neighbors, the babysitter, and watch it over and over.

Hilarious film and brilliantly acted by everyone!
This was one of the best films of the 90's. Robin Williams does an amazing job playing both comedy and dramatic parts. Sally Field, as always, shines in her portrayal of a divorced mother trying to move on with her life with her kids and a new man, Pierce Brosnan.

The hijinks will keep you laughing throughout the movie. Not only funny, it is heartwarming and will be helpful for all families no matter whether they are from divorced homes or not. Very famiy friendly.

I love this film. Get it and you won't be disappointed. ... Read more

Reviews (59)

New Outlook on an Old Movie
I was 12 years old when this "made for television" movie first aired.The only part of the movie I actually had any recollection of was, of course, the little Zuni devil doll running across the floor. That was enough for it to remain in my memory as being a very scary movie. When I saw that it was available on DVD, I bought it, hoping to bring back some old childhood memories. What a difference 27 years make.
As the title implies, the film is composed of three short (unrelated) stories, although only the last one can really lay claim to having any sort of terror in it. Karen Black stars in all three stories, in addition to playing a dual role in the second tale. The first story, "Julie", casts Black as a dowdy, repressed college professor who is being blackmailed by one of her students. In the second story, "Millicent and Terese", Black plays both of the title roles, two sisters at opposite ends of the personality spectrum. Millicent is a prudish spinster who despises her loose and immoral sister Terese. Believing there is no hope for Terese's salvation, Millicent attempts to rescue Terese's current flame from the road to damnation. The third and most famous of the three tales is "Amelia" in which Black plays a woman terrorized by a Zuni devil doll which is brought to life after the chain around it's neck accidentally falls off.
The first story works well enough for what it is. Although not terribly original (but then again, maybe in 1975 it was.) it holds the viewers interest, even if it isn't an "edge of your seat" thriller. The two leads provide some solid acting. Most viewers, however, will most likely figure out the ending long before it plays out.
The second story is the weakest of the three. Its primary purpose seems to be soley to give Black two different roles to play. This one also contains Black's weakest performance(s). With absolutely no subtlety whatsoever, Black plays each character's cliched personality to the hilt, slamming the viewer over the head with the utter piousness of Millicent and the total taudriness of Terese. This story's conclusion is more obvious to the audience than the first one.
It is the last story that makes this DVD worth buying, but for a totally different reason than what I had origionally thought. The 12 year old in me remembers this story as being very scary. Horrifying even. Watching it now, I howl with laughter. This is such a great campy story. Watching that doll running around the apartment, grunting, and chomping on any body part he can get a hold of is a hoot. Black even does the obligatory "trip and fall" (THREE TIMES no less). Watching the little bugger saw his way out of a suitcase is classic. You almost root for the little guy. The story's conclusion is done rather well though, and does still provide a little bit of a chill as well.
The visuals of the DVD are very good as is the sound. There is even a printed interview with Ms. Black (done in "98") about the movie. I suspect this DVD's appeal primarily lies with those of us who remember seeing it when it origionally aired on television, but for those of you who love camp, get the DVD and check out what's behind curtain number three.

Classic 1970's Television Movie Featuring A Horror Icon
If the memory of "Trilogy of Terror" was based on the strength of the first and second stories,( titled "Julie", and "Millicent and Therese"), this horror trilogy starring Karen Black would be largely forgotten today with horror fans and would have been long relegated to the depths of the TV movie vaults. It is however solely because of the unforgettable third story titled "Amelia", that this film continues to enjoy fame and notoriety. This story spawned one of the great horror icons of modern times in the vicious and frightening Zuni Fetish Doll which in this third story comes to life and attacks Karen Black in a startlingly gripping tale of the supernatural. This story more than makes up for the weaknesses of the first two segments which are well acted but not particulary riverting horror tales. I find the "Amelia", story is just as unrelentingly frightening and nightmare inducing with each successive viewing and the killer Zuni Fetish Doll is one character that can't help but stay in your mind long after viewing "Trilogy of Terror".

Story number one "Julie", is a fairly straightforward tale of school teacher Julie Eldridge (Karen Black), who teaches English at an American high school. She is mousey, studious and never goes out on dates. She "attracts" the attention of one of her students who takes her on a date, drugs her and begins to blackmail her into further meetings. At first the victim of the piece Julie ends up turning the tables on the young man and in the final twist it is revealed to his great personal cost that it is Julie who is the one in control and who has used him as she has numerous other young men for her own ends.

Story two "Millicent and Therese", is probably the weakest of the three stories and has Karen Black playing two roles as "identical" sisters Millicent and Therese. The similarity between the women ends with their looks as Millicent is prim and proper and very introverted in her ways while Therese is outlandish in her dress and not shy about her relations with numerous men. A real hatred exists between the two sisters and Millicent succeeds in driving off one of Therese's boyfriends by telling him of her sordid past. As the tension in the house rises Millicent starts to fear for her personal safety and dabbles in witchcraft to remove the menance of Therese's presence. The family doctor long aware of the real truth of the "two sisters", arrives too late however to save the situation from a tragic outcome.

"Amelia", is of course the classic story and has everything that the first two stories lack in sheer terror and exhausting nail biting suspense from the opening scene. Here Karen Black plays downtrodden young woman Amelia who to get away from a domineering mother has taken a sublease on an upstairs apartment for 6 months. She has managed to find herself a boyfriend and as a birthday gift she has purchased as a result of his love of african arts a genuine Zuni Fetish Doll from an antique shop.It comes with a scroll saying that if the little metal chain around its waist is broken a spirit will be released that is "he who kills". By accident the chain breaks off and thus begins a nightmarish tale where this killer doll comes alive and goes on a murderous rampage attempting to kill Amelia in her apartment. After trying to drown it and trap it in a suitcase and enduring numerous stabs from the doll which is armed with a butchers knife Amelia manages to burn up the doll in the oven. However a decidely horrific outcome develops where she "inherits", the spirit of the Zuni doll and starts to take on its traits in a horrific last scene.

Many people have commented on the fact that this TV movie and in particular the "Amelia", story terrified them growing up but was almost comical when viewed as an adult. I still think the third story packs a real punch in the horror department and the sight of this murderous doll making horrific growling noises and stabbing Karen Black as she attempts to escape is a horror image just as terrifying as anything I've seen recently in the horror field. All the segments are well acted by Karen Black who is a fine actress however the brilliance of the Zuni Doll seemingly chasing her around a small apartment is the real element of genius in this movie and is superb in a pre special effects era of movie making. Turn down the lights and watch "Trilogy of Terror", sometime to see one of the best "horror figures" of the 1970's come to life.

Great acting.
I truly believe Karen Black is an exceptional Actress This movie truly shows it. One review says this movie was boring i respect his opinion but you truly need to appreciate the Artistic quality of Karen Blacks acting ablties and a movie that does not need gore to be good. Sometimes horror movies are more Frightning When there is no gore. Anyhow I truly love this movie and I am upset that is out of print. I think it is a bit overpriced. I don't really know why this movie when out of print but I hope that anchorbay releases a Two dvd edition with both the first and second movie because the second one is great as well.Anyway if you have this dvd keep it because it is extremly Rare.

To Zuni Fetish Doll Haters, Wherever You May Be...
I saw this movie (like MANY other reviewers) at an impressionable age (probably around 8 or 9 years old) on TV.

Of course, the TV version was tamed down a bit due to nudity in the first story between the high school ... boy, Chad, who finds Karen Black's MUCHO OLDER teacher character sexy in that sort of "motherly/librarian" way. He drugs her, blackmails her with seedy pictures and thus the one sided affair ensues. As if you can really tame down the GREAT and MAGNIFICENT Karen Black. (See her in her Oscar nominated role in "Who's Afraid Of Virginia Woolf?)

The second installment in the trilogy is about a good sister bad sister relationship. The weakest of the three but still HIGHLY enjoyable.

The FINAL story is the one that STILL leaves me with nightmares. That little ZUNI ... doll coming to life, those sharp, pointy little teeth, his sharp little weapon, making that Nyaaaah, Nyaaah, Nyaaaaaaaah yell and then the end where Karen herself, turns into a Zuni Fetish doll lookalike with POINTY TEETH AND ALL! GRUESOME, GRUESOME, GRUESOME!!!

Still makes me pee pee in my big girl [underwear]! LOL!

HELLA SCARY!!!!
Wow, I had no idea so many other people were traumitized by this film when they were kids! I don't feel so alone now. My sister and I saw this film back in the early 80s and it scared the living crap out of me. I couldn't sleep for maybe 2 weeks straight after watching it. I kept thinking that damn doll was underneath my bed or opening my door. Every little noise that I heard in my room I thought was that bastard walking around my bed. UGH I never wanna go through that again! I used to hate taking baths cause of that scene where she tries to drown it in the tub and it pops it's ugly head out of the water. To this very day, I see a green old suitcase and I think of her trying to capture it in there. What I don't get is WHY on earth would she even buy such a hideous looking thing in the first place! I'd never bring such an evil looking thing like that into my living room and I would have tossed it outside the window the second I got my hands on it. The damn doll is scary enough just looking at it, when you add him running around like a maniac with that knife and making that horrible screaming sound well it's just a zillion times worse. I am 27 years old now and I have seen this movie since I was a child and I STILL find it very frightening. I try to laugh at how ridiculous the whole thing is but I can't get over my fear of it. To this day I won't watch it, I saw it on DVD the other day in a store and I nearly freaked just seeing the cover. I hope the people that made this movie know how many children and adults it has terrified over the years. Karen Black is once scary chick! She will always remind me of that movie and therefore I can never watch one of her movies again lol. We should start a Trilogy of Terror therapy group!! lol ... Read more

Amazon.com essential video

David O. Selznick wanted Gone with the Wind to be somehow more than a movie, a film that would broaden the very idea of what a film could be and do and look like. In many respects he got what he worked so hard to achieve in this 1939 epic (and all-time box-office champ in terms of tickets sold), and in some respects he fell far short of the goal. While the first half of this Civil War drama is taut and suspenseful and nostalgic, the second is ramshackle and arbitrary. But there's no question that the film is an enormous achievement in terms of its every resource--art direction, color, sound, cinematography--being pushed to new limits for the greater glory of telling an American story as fully as possible. Vivien Leigh is still magnificently narcissistic, Olivia de Havilland angelic and lovely, Leslie Howard reckless and aristocratic. As for Clark Gable: we're talking one of the most vital, masculine performances ever committed to film.--Tom Keogh ... Read more

Reviews (481)

One of the Most Overrated Films Ever
Gone With the Wind is remember as a great movie because of it's epic scope and excellent production values. But 60 years later when the big budget no longer thrills us, we are left with a decent film but nothing special.

To begin with the entire film is very campy and melodramatic. The whole film is very heavy-handed and over-done. Scenes like where Scarlet crys "I'll never be hungry again" are just plain ackward. Someone should have tatooed the word "subtlty" on Selznick's head.

The script is fairly weak too. It presents a very narrow, one dimensional view of the Civil War. Worse, the Civil War ends half way through the movie and the rest of the film lacks the first half's energy.

Another major flaw is that the characters lack any real depth. Scarlet is cold and nasty through the whole movie. She never changes untill the last two minutes of the movie. There is simply no development. Ashley is noble and his wife is so nice and sweat that it makes me sick. These characters simply aren't human and don't feal real. Probably the only character in the whole movie who actually developes at all is Ret. Sadly, Clark Gable's strong performance isn't enough to carry the rest of the cast.

It should also be noted that Gone With the Wind is very racist at some points. The scene where all the slaves are going off to fight the "evil yankees" is enough to turns one's stomache. Most of the black characters are portrayed as child-like and stupid. The only exception to this is Mimi who does an excellent job and deserved her Oscar.

Gone With the Wind is still an example of fine production values but when you strip away all the lavish sets and money spent on the film, you're left with a rather hollow experiance. While there is no denying that it is a very pretty movie, even today, and it does have it's moments, Gone With the Wind is simply an over-done and campy movie. This film does not deserve to be ranked up there with the likes of Citizen Kane or the Godfather. It's just not that good.

After more than 400 reviews...
...you can't say much else!! A spectacle to end all spectacles; the epitomy of costume, art direction, and cinemagraphic grandeur (Technicolor film was still rare in the 1930's, and the industry was already engulfed in production of at least one *other* color movie that same year). I wasn't enthralled with this film when I first saw it years ago but I have come to appreciate its epic presentation and gothic, almost soapy, storytelling. And the cast is entirely first-rate, from the leading lady (whose historical casting was a mini-series in itself) to the supporting roles (Hattie McDaniel, Thomas Mitchell, Ona Munson, Laura Crews, Ann Rutherford, Harry Davenport, Oscar Polk, 'Superman's' George Reeves, et al) to the hundreds (thousands?) of extras who populated the pre-and-postwar South (the tracking shot of the Twelve Oaks mansion at the start of the barbecue and the sprawling, widening shot of Scarlett walking amidst all the wounded soldiers come to mind). It is a great script ("Waste always makes me angry;" "Do you ever shy away from marrying men you don't love?") and great direction (Victor Fleming, George Cukor, and Sam Wood- anyone else?). It is a record-holder of sorts among Oscar nominated (or Oscars won) films, but it came out in an extraodrinary year of films. 1939 also saw the releases of, among others, GOODBYE MR. CHIPS, DARK VICTORY, THE OLD MAID, GUNGA DIN, ALEXANDER GRAHAM BELL, JUAREZ, ON BORROWED TIME, THE WOMEN, GULLIVER'S TRAVELS, AT THE CIRCUS, BABES IN ARMS, THE HUNCHBACK OF NOTRE DAME, LOVE AFFAIR, MADE FOR EACH OTHER, and THE WIZARD OF OZ.

Lesley Howard is brilliant and a strong character
In his role of Scarlett O'Hara's (initially) true secret love. I had been a fan of Mr. Howard's for many years. His performance here is among his finest. Also check him out in The Petrified Forrest. As for the rest of the film. When he's not in it it's a little strong on the romantic side.

Worth Another Look for this Fan of Classic Film
Gone with the Wind creates many strong opinions, but I daresay many of them by people who haven't seen the film, or at least not in many years. It is sort of an amalgamation of both Margaret Mitchell's book and a reworking of DW Griffith's even more controversial silent blockbuster Birth of a Nation.

I had written this off as a silly commercialized Hollywood fairly tale but recently decided to give it another look. Basically, I think the claims of racism are far overblown, especially compared to other films of this era. It seems to me that Selznick and company went to great pains to stamp out the more overtly racist themes of Griffith's famous 1915 film. For instance, Scarlett's attempted rapists were all white; real black actors have menial but still important roles; those black actors are treated with dignity and respect; and finally the "n" word probably more frequent in southern parlance of the day was replaced with the more delicate term of "darky", and never used in a scornful fashion. And while establishment opinion in the North still clings to belief that the Civil War was a most noble and unselfish effort, the truth was something much less certain. Surely slaves in the prewar South were not all treated as gingerly as in this film; but just as certainly they were also brutally repressed in the North as well (just watch Gangs of New York for a history lesson on Northern feelings towards African Americans). All wars have a side people would rather forget, and this one was certainly no different. Also on the positive side, the film does a good job of capturing this broad historic period with smart scenes amidst well designed sets. It's really quite a grand production, in color no less, with a marvelous historical and cinematic scope.

On the less positive side, the heralded performances I think are a bit overrated. Clark Gable's presence helps considerably, but he is certainly not nearly as natural or comfortable as he was in It Happened One Night. And Mitchell's sappy, soap operaesque story frequently slips nearly into the preposterous, especially in latter scenes of the film when the historic takes a back seat to the dramatic. But maybe that's what gave the film its broad appeal, as it has a little of something for everyone. I think another factor may have really launched its success: released during the cold winter of 1939, its four-hour sitting time gave depression-weary Americans a warm night on the town for a cheap price that they could all afford.

Regarding the standard edition DVD, its very serviceable but the extras are appallingly poor for a film of this esteemed history. Also, Spanish subtitles would have been nice (only has English and French).

The Best of the Best
A total classic...everyone should own this film. ... Read more

Reviews (11)

What a Way for Sammy To Wind Down and Hines To Heat Up..
This has to be one of the first movies I ever watched on Cable TV. It was in the early 90s' when I saw this premier on a local TV channel and its' been a definate hit with me through all these years. Along side still powerhouse actor Gregory Hines (Who most recently has been a regular character on Nickelodeon's animated children's series 'Little Bill'), acting/performing greats like Savion Glover and the late Sammy Davis Jr. make this a movie to watch once just for the incredible cast. Hines is Max Washington, the son of a legendary NY tap dancer who, in the movie's storyline, redefined and revolutionized the art. Max foiled his own chance at being a famous dancer when he becomes entangled in crime and retail-burglary. The movie begins with his release from prison. He rejoins old friends (Well, not OLD..just smarter) Sammy Davis others in his NY city neighborhood as they await his return. The story centers around Max's obvious and unmatched talent for tap dancing, and the hard-to-resist need he feels to conform to his old illegal ways over doing something good with his gift. Im an 80s' freak in all ways so I could'nt be objective about the movie, but on top of the great soundtrack and uplifting feel of the story I think this movie would be enjoyable for a lot more people than most would give it credit for. Gregory Hines has a true and untarnished talent that he lends perfectly to the film and Suzanne Douglas as Max's former (and soon to be again) love interest, gives a fantastic performance as Uncle Moe's (Davis Jr.) daughter. I wish they sold this on DVD but I guess it does'nt make all that much of a difference...its' a very wonderfully done Musical/Drama that stands alone for it's originality and all-star cast.

Forget the plot.... See if for the dancing!
See this movie for the dancing only! The dancing. It's difficult to imagine Gregory Hines as a criminal, ex-prisoner, so that portrayal doesn't come off well. He's not that, he's Gregory Hines the tap dancer. The plot sandwiches typical scenes perfunctorily - the release of the prisoner into society, looking for a job, love interest, crime, etc. There really isn't a storyline, just a remanufacture of stale overused scenes. The cohesive element that makes a story work is missing, characters don't build, and it's predictable.

But what works is the dancing. See it for that. The film was shot with a smoky sepia-tone image, that impression of both black and white and color. Watch youthful Savion Glover shine! The older hoofers, Jimmy Slide, Arthur Duncan (from the Lawrence Welk Show), Sammy Davis, etc. This dancing ensemble might just be the "best" part of the film. ....MzRizz

An Amazing Family Movie!
This movie was great.... I ordered it just so I could sit and watch it with my kids. A wonderful love story, and lots of drama and dance. You see the real beauty of tap dance, performed by no other than Gregory Hines and Sammy Davis Jr, two of the world's greatest tap dancers. I'm surprised that this move is not already on DVD. Sammy Davis and Gregory Hines were legends in their own right, and more of tap should be introduced to the African American Culture. Angela was astounding in this movie as well!

Tap
What a loss to the world that this talented dancer, singer and actor Gregory Hines has passed away.
Tap is a wonderful, vibrant and exciting fim, especially if you are a music and tap dance fan. Watching it made me wish that I could tap dance.
While taking place in modern times, the movie transports the watcher back to a wonderful era in history when the greatest entertainers sang and tapped and Hollywood made the great Musicals.
This film is not only suitable for all ages, but is loved by all ages. My own son (at the tender age of 4) tapped his way out of the movie theater after seeing this movie, and is now in New York waiting for his big break into the business.
In this film, Hines introduced the world to another young great Savion Glover.
The film is an attempt to show the world that Tap, Soft Shoe and other forms of dance are not dead. They are alive and thriving all over the place. We just need to look.

Tribute to a Star
It's strange and a bit sad to watch this movie now. Earlier this week the world heard that dancer/singer/actor Gregory Hines had passed on at the age of 57. In his obituary there was a comment that, while multi- talented, Hines always considered himself first and foremost, a dancer. This movie from the late 80s shows that to be true in all it's wonderful glory.

Possible Spoilers.....

The movie opens on a man in a cell. The darkness surrounds him and he looks pained. Slowly he begins to listen to the noise around him. Before you know it the man in on his feet and dancing to the rhythms and sounds of the life in prison. The dance is one of pain but also as it goes forth brings out relaxation as anger is spent but most importantly the man begins to feel joy. Jump forward to the man, Max Washington (Gregory Hines) being released on paroll. He has just spent a few years in Sing Sing. Originally he was sentenced for Grand Theft but time was added on for Assault & Battery of a prison guard.
Max returns to his old neighborhood and takes a hotel room across from a run down building which houses the "Sunny Side of the Street" tap dance studio. As time goes on we learn that was his father's studio but first you see the various classes taught on the first two levels by an old love interest, Amy (Suzzane Douglas) and her son Lewis (Savion Glover). The true joy of the building is the third floor where the old "Hoofer's" reside. Here we find a virtual who's who of the tap dance world with many of the old masters portraying themselves and of course Sammy Davis, Jr. playing Little Mo.
Max is not originally totally welcomed back by everyone except for Lewis who looks up to Max as a father, which strongly portrays some of the real life feelings that occurred between Hines and Glover, and Little Mo who has some big ideas of how to get the rock and roll world interested in the tap world. Unfortunately for Mo, Max has a chip on his shoulder regarding the life his father led and the lack of finances that he grew up with. It seems that Max has another family, one in which Max was a first rate second-story man...until the night he got caught and ended in jail.
The movie is one of conflict between the worlds of the alleged easy and plentiful money and the hard work, no glory, no money world of music. As much as Max hates it this is the world that is within him and continues to draw him back time and time again.
Hines was a supremely talented man. He could act, he could sing, and man he could dance like no other. He expressed himself in so many ways that it almost didn't seem fair to the rest of us. Here his character of Max is full of rage and anger. He bears a lifetime of resentment at what he perceived his father's life to have been worth and he knows what he has to do to make it better. The anger is almost palpable as it floats off his body. The look in his eyes and the set of his jaws tells people that he isn't going to take any more. That same rage appears at first in his dance. He doesn't just lightly dance on the floor a la Fred Astaire. He pounds the floor and lets it feel his frustration. He attacks it with percussive beats and syncopated rhythms that make the listeners instantly step back...but then the joy appears. First it come in the way he dives across the floor and moves free for all the world and then it reaches Hines eye's and you know at that moment that all will be well for this man.
The dance sequences alone in this movie are worth sitting through. Hines has most of them starting with the dance inside the jail cell but there are also moments such as the instruction at the construction site as well as the end sequence when he is working with the rock band that are almost hard to sit through. For long time fans of the genre, the "Challenge" segment is a treat as all the old greats get out and show just why they made the business what it was. Also, there is a brief flash of the style from Savion Glover's character at one moment that shows why he was a star at such a young age and gives hints as to his future success with Bring in the Noise, Bring in the Funk!
The world has lost a great talent this week. But movies like this and Bojangles will be around for years to come and will allow fans to share one last time the joy of seeing a true talent at work in his field. ... Read more

Reviews (72)

Thoroughly Enchanting.
This wonderful Hallmark Hall of Fame television film was adapted from a short story from the master of time travel novels, Jack Finney ("Time and Again", "Time After Time", "About Time", "From Time to Time", just to name a few). This story by Finney delves once again with time, in that a modern-day young man named Scott (played by Campbell Scott) discovers a letter hidden in a secret compartment of an antique desk that he had just purchased. The letter (as well as the antique desk) belonged to a woman named Elizabeth (played by Jennifer Jason Leigh) who (at the time of her writings) is living during the civil war.

Scott becomes so enchanted by the letter that he ends writing to her, and after some obsession, and on a lark, actually decides to mail his response at a post office with historical significance using an authentic-period one-cent stamp. Shortly thereafter, and to his utter astonishment, he discovers a second letter in the hidden compartment. This letter turns out to be her reply to his letter...and thus begins a fascinating relationship of two people falling in love, but separated not by distance, but by 130 some odd years of time.

Although this may seem to be a "You've Got Mail" with a time twist, it is really more similar to "The Ghost and Mrs. Muir" and "Somewhere in Time". Believe me, if you liked either one of those films, you'll love "The Love Letter". This fantasy/drama pulls you in and keeps you pleasantly entranced all the way to the end. While this film does suffer a bit from situations handled too simplistically, I'm such a sucker for this type of film that I quickly forgave these missteps.

Both Campbell Scott and Jennifer Jason Leigh were pretty good in this film, but the standout performance (and the one most believable) was Daphne Ashbrook who played Scott's fiancée.

While this small film may pale in comparison to the typical big budget Hollywood films, it is, nonetheless, a film I think you will be delighted to have in your collection. My main concern, however, is the quality of the dvd. I've had difficulty with dvd's by Artisan Entertainment before, and so I did with this one (blurry on certain scenes and pretty jumpy). If you've had good luck with them (could be my player), by all means go get it (or maybe it might be wise to get the VHS instead). Between 1 and 10, "The Love Letter" (which feels like a breath of fresh air) deserves a solid 8.

a beautiful romance
There are romance movies that are fun, and others that haunt you. This is one of the few romance movies I have ever seen that
does just that.
Jennifer Jason Leigh who plays Elizabeth Whitcomb is stunning and makes the movie the work of art that it is.
It starts out with Scotty (Campbell Scot) purchasing an antique desk at a local shop.
He goes into the antique shop so his fiancee can look at a wedding dress that catches her eye, for their upcoming wedding.
He gets the desk home and finds a secret compartment with a letter that she has written to an unknown love. He also finds ink and additional envelopes along with some stationary that is enscribed with her name. As a joke he writes a letter and sends a reply to the woman. Much to his surprise he finds a reply from her the following day. Before long he is writing Elizabeth, despite the diffence in time. The letter that she sent in fact is meant for him, as he learns later. They have no chance of ever meeting. As they are writing, she is sending her poetry as well. As he reads the letters and poetry he finds himself (although engaged) falling in love with Elizabeth. As he tries to shake the correspondance off, he finds his love for her is genuine.
If you have ever seen "Somewhere in Time" this movie will haunt you in a similar way.
As in "Somewhere in Time if you can get past the flaws in the time links or time travel, you will find a movie that will grab you. Once this movie grabs you it wont let you go.
This is about love from two people but the love defies time.
This is not strictly a "chick flick". Men who enjoy romance movies will enjoy this also. Jennfer Jason Leigh plays her part to perfection in a time when life was more simple and values were different than today. The desk in many ways symbolizes a time that is now past.
The ending is very good and will probably make you cry.
My advice to you is watch this with your spouse or that special friend. This is the kind of romance that rarely see and would love to see more often. This movie is wholesome and has no nudity or profanity. It is a movie the entire family can enjoy.
I can assure you that you will watch it many times
I would recommend it to anyone and everyone. Sit back and enjoy. You dont see these too often.

Pleasantly Surpised
This movie was sad and happy. It keeps you watching to see what will happen. Very nicely done. To me it is a keeper, and I rented it first and will buy it.

All the characters were interesting. Lizzie esp had guts and curiousity. Scott tried to help her even though it would not have helped him...guess that is true love. Scott's girlfriend was likeable too.

You can easily do worse than this film
While I don't get into romantic movies and often scoff at pretended emotions, 'The Love Letter' is an example of a film not too sugary in its portrayal of undying love. Having seen this film some years ago and only now acquired it to my collection, Scott and Leigh still carry off themselves as credible figures. It is not hard to imagine Leigh's character's chagrin at being consigned to an arranged marriage until she meets up with the letters that infest her desk's secret compartment. That this happens to coincide with the Civil War is not too far-fetched.
It is also not hard to imagine Scott feeling trapped by an impending marriage to a woman he really never knew in the first place. He becomes more 'attached' to the gentleness and refinement of his new-found 'pen pal'. I'd imagine he felt a bit let-down when he learns of the dashing officer his 'love' has been entranced by. Your left thinking 'If they only knew!' more than once.

The Love Letter is a nice example of waiting for chances but not giving up on living in the meantime. You can most certainly do worse than this well-crafted film. It might not suit everyone's taste but it suits this Civil War reenactor just fine.

Where to find The Love Letter
In answer to Lynn Gaige:

The Love Letter" (August 1, 1959) by Jack Finney
-Published in The Saturday Evening Post magazine in the January/February 1988 issue
-Collected in I Love Galesburg in the Springtime (1963) by Jack Finney
-Collected in Tales Out of Time (1979) edited by Barbara Ireson
-Collected in Tales in Time (1997) edited by Peter Crowther, ISBN number 1565049896
-Collected in The Young Oxford Book of Timewarp Stories (2000) edited by Dennis Pepper ... Read more

Amazon.com essential video

Director Francis Coppola's adaptation of the popular S.E. Hinton novel about the price of rebellious youth is notable chiefly for the stunning cast of young actors who went on to rich and varied careers. In supporting roles, the film features the likes of Tom Cruise, Patrick Swayze, Diane Lane, Rob Lowe, Emilio Estevez, and Tom Waits, among others. The story centers on two rival gangs in the early 1960s Midwest, and the violent turf wars that escalate and tragically claim young lives. C. Thomas Howell plays the central character who yearns to prove himself and be accepted by his older brothers' gang, while at the same time finding his first love and dreaming of a life beyond his dead end existence. Geared toward the teenage crowd, the film nonetheless features some fine direction from Coppola in a story that evokes memories of the classic coming-of-age films of the 1950s. --Robert Lane ... Read more

Reviews (190)

The Outsiders
When I was in high school, I had the pleasure of reading a fantastic novel named, "The Outsiders." The author, Susan Eloise Hinton, only 15 years old, wrote her rendition of the conflicts between high society and the lower class citizen. Her novel was so well written that you couldn't stop reading it. Recently, I discovered the movie version of the novel and just had to view it. Francis Ford Coppola, who's known for directing the films, "Apocalypse Now" and the first two "Godfather's" directed the film version of, "The Outsiders." Although no awards were won for the movie, the cast was full of the top stars that we see today, which includes, C. Thomas Howell, Matt Dillon, Ralph Macchio, Patrick Swayze, Rob Lowe, Emilio Estves, Tom Cruise and Diane Lane. With a cast this good how could you go wrong?
The story takes place in the early 1960's in Tulsa, Oklahoma where we see the classic rivalry between the rich, whom are call, "socs" (short for socials) and lower class citizen who were called "greasers" building tension toward each other until the final climax of the big rumble. The main themes of the story, are the struggles between two conflicting groups trying to bridge the gap between rich and poorer, honor among the lawless and treacherousness of male-female interaction through the narration of the main character "Ponyboy".
Although I felt the movie was incredible I believe the music soundtrack needed a little help. This action pact drama is rated PG for violence but, I believe that any age group, accompanied by an adult, would love to see and understand how society sometime manipulates individual outcomes. When you get right down to it, the movie, with its great story line and cast, causes you to laugh, cry and get wrapped up in all the conflicting moments. Any movie that can take you from the couch and place you and the middle of the drama deserves a high rating. That's why I recommend this movie to anyone and give it *****5 stars.

The Outsiders
The Outsiders is about some rival gangs, the greasers, and the Socs(short for social). Ponyboy wants to fit in, in his brothers gang. Ponyboy lives with his brothers after his parents are killed in a car wreck. The greasers never had much trouble fighting the Socs, until one night a Soc takes thing to far. Ponyboys friend is forced to killed him in self-defense. Their friend Dallas helps them hide out in the country in an old abandonded church. They are hiding from the town that doesn't want them around, until they are caught by the police. The actors who are in the movie are GREAT! most of them got their start in The Outsiders, like Matt Dillon, Emilio Estevez, Patrick Swayze, Rob Lowe, C. Thomas Howell, Ralph Macchio, and Tom Cruise. The movie teaches young people to not judge others before getting to know them. If you enjoy the movie, you will love the book by S.E. Hinton.

The Outsiders is the #1 Movie
Hey I watched the movie and read the book this year in gr.8 and I have seen the movie like 5 times and read the book like 4 times it's the best movie ever!! all the cast are so0o0 great and talented and I will watch this movie over and over again
From The BIGGEST Outsider Fan
GEL

Just as GREAT as the Book!!!
One of the best adaptations of a book I have ever seen. This movie brings everyone to life from the book. For me, this movie is a classic!!! This movie takes place in Tulsa,OK in 1966. All of the characters fit the description in the book for me. They all look like the typical greasers. I bought this movie without even seeing it and I was tremendously blown away. This is a great movie for the whole family to enjoy.

Outstanding
I had to read the book for a project in school this year as an 8th grader. It was outstanding. It was the last week of school and my class had finished our finals and we wanted to watch the movie, so my teacher went to our school library and got it for us. The movie follows the book pretty well but some parts were left out.

This book shows how lucky some people are compaired to others and makes a great point. It is like a less dramatic version of the movie "Elephant" which shows what people are going through. I am going to head down to my towns public library to borrow it and watch it again becuase it is one of the movies that you can just watch over and over again and still love it becuase it makes a great point and was directed really well.

I would recomend this movie to anyone who has not read it. I would read the book first becuase there are some parts that are left out in the movie that were pretty good.

~Doug Mellon
Kennebunk, Maine USA ... Read more

Description

Disenchanted with the daily drudge of crushing rocks on a prison farm in Mississippi, the dapper, silver-tongued Ulysses Everett McGill (George Clooney, THE PERFECT STORM) busts loose. Except he's still shackled to his own chain-mates from the chain gang -- bad-tempered Pete (John Turturro, SUMMER OF SAM), and sweet, dimwitted Delmar (Tim Blake Nelson, HAMLET). With nothing to lose and buried loot to regain -- before it's lost forever in a flood -- the three embark on the adventure of a lifetime in this hilarious offbeat road picture. Populated with strange characters, including a blind prophet, sexy sirens, and a one-eyed Bible salesman (John Goodman, COYOTE UGLY), it's an odyssey filled with chases, close calls, near misses, and betrayal that will leave you laughing at every outrageous and surprising twist and turn. ... Read more

Reviews (523)

Homer meets The Three Stooges in the Mississippi Delta!
Alright, folks... here's your riddle of the day: Whaddaya get if you cross the Three Stooges with the Greek poet Homer?

"O Brother, Where Art Thou?" that's what!

Here is another superb comedy finely crafted by screenwriters /producers/ directors Joel and Ethan Coen. Starring George Clooney, Tim Blake Nelson, and John Turturro, it features a brilliantly written script, superb acting by a wonderful ensemble cast, and a musical score that's simply second to none.

"O Brother, Where Art Thou?" is a simple story really... set in the Mississippi delta region during the Great Depression, it's the tale of three petty criminals who escape from the chain gang in quest of buried treasure and experience a series of misadventures along the way. Ulysses Everett McGill (Clooney) is the silver-tongued, self-appointed leader of this odd trio, a man who claims to have stolen and buried over a million dollars in cash. Delmar O'Donnell is the docile, sweet-tempered dimwit (played to perfection by Tim Blake Nelson). The third member of our little gang is an irritable, acerbic fella named Pete. Together they set off, chained to each other, in search of McGill's treasure, which is buried somewhere about to become a man-made lake. Our heroes have only four days to find the loot before it's lost forever at the bottom of the newly created reservoir.

As they begin their journey, the run across an old blind seer who prophesies that they will find a fortune, but not the one they seek. with a posse of law enforcement officers and vigilantes hot on their heels, Everett, Pete and Delmar ditch their chains and prison garb and continue on their quest.

Our trio's journey is anything but quiet and uneventful. They continually run into strange people and situations... At one point, soon after stealing a car and picking up a guitar-playing hitch-hiker, they stop at a local radio station and, posing as an "old-timey" music group called the "Soggy Bottom Boys," they cut a record that's soon all the rage throughout the region. Later they encounter a Baptist congregation at river's edge, singing a beautiful song, lulling our heroes into sweet forgetfulness for a few brief moments. They happen upon three washer-women, also at river's edge, whose siren-like song ensnares our three miscreants... George Nelson, a bank robber on the run, who nearly co-opts our heroes into a REAL life of crime... the one-eyed, fast-talking Bible salesman Dan Teague (played by John Goodman) who offers Everett, Pete, and Delmar a hard lesson on economics and life in general in the Depression-ravaged Deep South... and other characters as well: Governor Pappy "Pass the Biscuits" O'Daniel, running for re-election against a reform-minded candidate named Homer Stokes... Everett's ex-wife Penny, soon to me re-married to a real drone named Vernon Waldrip... and a whole gang of fellas dressed in white sheets and hoods who take exception to our heroes' intrusion into their ceremonies.

One of "O Brother, Where Art Thou's?" greatest strengths is its musical score. As the Coen brothers point out, nary a scene goes by without some kind of music in the background. The songs - 19 of them by my count - are all wonderful. It's a sublime mixture of old-time gospel and country music and African-American spirituals. From James Carter and the Prisoners' "Po' Lazarus," through Alison Krause's sweetly simple and reverent "Down to the River to Pray" (with brilliant harmonies added by the First Baptist Choir of White House, Tennessee); the old-time country classics "I Am a Man of Constant Sorrow" and "Hard Rock Candy Mountain," and "You Are My Sunshine;" to the old-time Gospel classics "Keep On the Sunny Side;" "I'll Fly Away" and "I Am Weary (Let Me Rest)," (and many other songs as well), the music adds an extra dimension to this already multi-faceted film. (By the way, all these songs can be found on the "O Brother, Where Art Thou?" soundtrack compact disc... but that's another review!)

I've now watched "O Brother, Where Art Thou?" about a dozen times. Each viewing has been a genuine pleasure for me. This film is clever in its conception, extraordinary in its execution, sublime in its storytelling, and masterful in its music. In short... wonderfully entertaining in every respect. A definite "must-see" for movie-lovers everywhere!

A Coles Notes approach to Homer's "The Odyssey"
"O Brother Where Art Thou" was an entertaining journey through the Great Depression and Homer's Odyssey. The stellar cast (including George Clooney, John Turturro, John Goodman, and Holly Hunter) shines. All of the characters are quirky to say the least: a one-eyed KKK Bible salesman, a Dapper Dan-obsessed intellectual jailbird, a blues guitarist who sold his soul to the devil, a blind "prophet," the Devil bent on revenge. This is a Coles Notes approach to Homer at best (even the directors, Joel and Ethan Cohen ("Fargo," "The Big Lebowski," "Raising Arizona") admit to never actually having read "The Odyssey," the story on which "O Brother" is based), yet is unusual and highly entertaining in its own right.

Fueled by an eclectic soundtrack, "O Brother" brought about an unheard-of resurgence of early country music, winning the Grammy Award for Best Soundtrack and outselling most other CDs that year. The selections include gospel, blues, a chain gang song ("Po Lazarus") and a hobo anthem ("Big Rock Candy Mountain"), along with plenty of toe-tapping country music from The Soggy Bottom Boys (fronted by Union Station's Dan Tyminski), Alison Krauss, Gillian Welsh, Emmylou Harris, and more.

The film has an unusual look as well: it was digitally edited to give it the washed-out appearance of the Dust Bowl during the Great Depression. There is a very interesting documentary about this process on the DVD; it is the first film to use this technique in North America (although not in Europe). In fact, there are several interesting extras on the DVD, including a making-of, a music video for "I Am A Man of Constant Sorrow," and a script-to-storyboard comparison. "O Brother" is filled with fun, unexpected turns and twists, and a great soundtrack. It may not be the greatest film you'll ever see, but it sure is entertaining!

the best clooney film ever
this is very very loosely based on homers odyssey.you ever hear of this?most people havent.4 dumber than a box of hammers criminals escape from a chaingang to go get a bunch of money one of them stole previously.it is a movie the whole family can enjoy filled with high adventure and many exciting scenes.it is set in 1939.there are a pack of sirens-i call them (...) this one but no fornicating.george clooney gives his best performance ever in this one.it was the best movie in a long time when it came out.an abselute classic.no matter what you hear,this is one of the best films in years.georges ol lady in the movie is a real psycho (...) but is FINE!

Watchable, but why?
The fact is, I've watched this movie three or four times, right through, without really knowing why. It's not exactly Joyce or Kazantzakis. It isn't that good, and Clooney's role and performance are irritating. He didn't play the part well. The songs aren't so very terrific, unless you're addicted to that kind of music. I used to sing "You are my Sunshine" during WWII when I was about 4. I'd heard about Bonnie Face Nelson, and he had a pretty good part. People from the South are often shown as very ugly and extremely fat in movies. The Sirens weren't beautiful, just ordinary. I don't think the Coens really like other people at all: they just watch them. Tommy was a nice fellow, with excellent manners. The cons were very mean to the little kid who rescued them from the burning barn. Early on there were only four days until the valley was to be flooded, then several weeks must have gone by before it actually was. Penelope was not exactly faithful, but she probably wasn't in the original either. That actress has a lot of character: the camera likes her. Probably I just keep on watching it because I'm puzzled and mystified without being bored. You just want to see what happens next, and it could meander on for ever, but stops because it has to. The flood washes nearly all of it away.

One of Their Very Best!!!!!!!!!!!!!!!
I must say at the outset that I am a TOTAL Coen Brothers fan and have seen ALL of their projects. This ranks right up there as one of their crowning achievements.

This is a re-telling of the "Odyssey" by Homer and after viewing this, I finally got a handle on just what the "Odyssey" was about. In a nutshell, it follows the exploits of a man and the exotic characters he meets along his journey. The way the Coen Brothers personified such stalwart literary characters as the Cyclops (John Goodman) and the Furies is most creative.

Excellent performances all around from the likes of George Clooney (in one of his most endearing roles), the incomparable John Goodman, Holly Hunter, John Turturo, Charles Durning and a wonderfully strong supporting cast.

However, one cannot mention the merits of this movie without a mention of the soundtrack. It is most obvious that the Coen Brothers invested an enormous amount of research to make sure that the music adequately accompnaied the mood and tone. A wonderfully indelible example is the use of an acapella song (that utilizes no words, only moans) still used in African-American churches that is beautifully realized.

The music in this project is positively spellbinding, regardless of your particular musical preferences - there is something here for everybody. The soundtrack deserved the kudos it received.

This one you will enjoy over and over and over again!!!!
Eeeeeeeeeeeeeeeeeexcellent! ... Read more

Amazon.com essential video

Disney's 1992 animated feature is a triumph of wit and skill. The high-tech artwork and graphics look great, the characters are strong, the familiar story is nicely augmented with an interesting villain (Jafar, voiced by Jonathan Freeman), and there's an incredible hook atop the whole thing: Robin Williams's frantically hilarious vocal performance as Aladdin's genie. Even if one isn't particularly moved by the love story between the title character (Scott Weinger) and his girlfriend Jasmine (Linda Larkin), you can easily get lost in Williams's improvisational energy and the equally entertaining performances of Freeman and Gilbert Gottfried (as Jafar's parrot). --Tom Keogh ... Read more

Reviews (82)

Wonderful! Spectacular! Sheer fun!
Aladdin is a triumph for disney. Along with Lion King, this is one of my favorite movies of all time. I loved the Genie, voiced by Robin Williams, and his humorous antics and impersonations. I couldn't stop humming along with the songs as they played. The animations is spectacular for a disney movie. I couldn't stop laughing at the scene where the Genie says, "...Jafar, Jafar, he's our man, if he can't do it..GREAT!"

And I loved how Iago was the perfect foil to Jafar, a serious villain. I also enjoyed the love story that unravels around Aladdin and Jasmine. Jasmine is the girl that every guy wants, and Aladdin is the sweet, handsome young man that every girl dreams of. I also enjoyed the personifications of the carpet, and his expressions. Gilbert Godfried was the perfect voice for Iago.

I love everything about this movie, and can't wait 'till it comes out on DVD. I've heard that it comes out in 2004. I guarantee I'll be one of the first people to place an advanced order on Amazon.com for this DVD.

I loved it!

It's a hit!
One of Disney's better "late release" animation films, proving once again that the studio can still produce the magic.

I'm basing this review from the VHS tape version (since the DVD is not released yet), however, I believe Disney Studios will probably continue to follow the path they've set with other DVD releases -- that is, look for a straight VHS to DVD transfer. You'll get the film, but little else. Naturally, the DVD will outlast a VHS tape and the quality of both the picture and sound should be higher.

On the movie, it's a great rendition of the tales of 1,001 Arabian Nights (with Disney's own plot and characterizations) which will entertain members of the entire family. Robin Williams does an exceptionally fine job as the voice of the Genie -- giving him comic personality and wit.

The story line is a good one and is followed by two 'add-on' sequels ('Return of Jafar' and 'King of Thieves'), both worth purchasing when they become available (Williams is missing from 'Return', but back for 'Thieves').

The film's music is top rate and in line with many of their earlier successful animations (The Little Mermaid, Beauty and the Beast).

All in all, a worthwhile purchase for your home library. Children and adults will enjoy this one for decades to come.

~P~

almost essential
There are a select few of the films made by Disney that can almost be considered essential Kid fare. My personal faves are : Robin Hood, Lion King, and the great Aladdin. This is one of Disney's all time greatest moments ever. This is truly one of the best. Adults will find it amazing, kids will love it! An awesome and incredible tale of magic, wishes, coming of age, love, and temptation by absolute power. Wonderful, simply wonderful. Also was one of the first animated movies to really make use of a seamless blend of computer graphics and traditional animation styles. Perfect.

Complete the Platinum Collection
Snow White and the Seven Dwarfs, Beauty and the Beast and The Lion King are all magical Disney animated films and the best choices for the ultimate in DVD collecting, the PLATINUM EDITION. Only one title was missing from that list, but this October, Aladdin will finally join and complete the Disney Platinum Series. Aladdin is one the best stories ever made into a Disney animated film with memorable characters and songs.

Put "A Whole New World" into you Disney DVD PLATIUM collection with Aladdin.

Truly a Disney Masterpiece
When this movie first came out it was obvious that it would become an instant classic. 12 years later it has indeed continued to touch the hearts of children.
One of Disney's finest, this movie brings everything together. The animation is simply beautiful, the voice acting very convincing, the plot both imaginitive and entertaining, and the original songs are a masterpiece on their own. The characters are all believable, and gauranteed to touch a special place in your heart.
This movie has a great supply of adventure and humor, with a healty dose of morals thrown in for good measure. The title character Aladdin learns throughout the course of the film the significance of being himself. We also witness the value of friendship, the importance of freedom, and the fact that people are people no matter where their life has put them. While the film portrays these messages very touchingly, it does so without making the lesson heavy handed.
Whether you're sharing the magic of this movie with your children, or indulging in your own entertainment, Aladdin won't dissapoint. ... Read more

Reviews (359)

Even After So Much Time Has Gone By
Only Citizen Kane was ranked higher when the American Film Institute announced its list of "America's Greatest Movies." (The Godfather, Gone with the Wind, and Lawrence of Arabia complete the top five.) My own opinion is that AFI ranked Casablanca higher than it deserves. Nonetheless, the film remains immensely popular among critics and film historians as well as so-called movie buffs. It received an Academy Award as best film in 1943, as did Michael Curtiz for directing it. Bogart and Bergman are joined by an especially strong supporting cast (notably Greenstreet, Henreid, Lorre, Rains, and Veidt). There really isn't much to the plot but the dialogue is first-rate. (Philip Epstein, Julius Epstein, and Howard W. Koch shared an Oscar for best screenplay.) It is tempting to over-analyze this film by, for example, devoting excessive attention to American versus European sensibilities during World War II, the conflict between what Rick and Ilsa want to do with what they think they ought to do, etc.

Obviously, the war in progress outside of Rick's cafe cannot be denied although he makes every effort to insulate himself and his clientele from it. There is no shortage of social and political issues and yet, in my opinion, the significance of the film -- and its enduring appeal -- is explained by the development of the relationship between Rick and Ilsa. The final resolution is necessarily somewhat ambiguous, I think, precisely because the relationship between two people in war time faces quite different challenges, obligations, and implications than it would otherwise. Ultimately, having recently seen this film again in a special edition, accompanied by an abundance of supplementary features (e.g. Roger Ebert's commentary, Lauren Bacall's Introducti