Reviews (8)

an unfairly treated ELVIS " movie.
from the very first time i saw this film, i've been convinced that Elvis can act as well as sing. Unfortunately, he was not given too many chances to do so. His performance is credible, noteworthy, and unforgettable. The up-state NEW YORK scenery is beautiful,the veteran actors also in the movie- GIG YOUNG, CHARLES BRONSON, ED ASNER, all give outstanding performances.
The songs may have been few, KING OF THE WHOLE WIDE WORLD, I GOT LUCKY, etc, but still Elvis at his best.This movie is my favorite Elvis flick hands down. PLEASE MGM produce this movie on DVD FULLSCREEN AND WIDESCREEN 5:1 DOLBY DIGITAL . DO IT SOON, FOR I WANT TO ADD IT TO MY COLLECTION. THANKS,oldugly1911

Not enough meat on the bones
This was Elvis' first "bad" movie, in my opinion. The reasons for this lie in the awkward, and unnecessary, interpolation of musical numbers which bear little relevance to the on-screen action. While the film has a nice look, the locale is especially pleasant, and the supporting cast is good (particularly Gig Young) "Kid Galahad" strays from its original dramatic source to focus more on current youth fads such as tight sweaters and the Twist.
The film is burdened with lightweight, disposable songs (with the exception of "King of the Whole Wide World"), and concentrates more on standard boy-girl frolics than on the central dramatic story of a seriously gifted prize-fighter. Even with Charles Bronson and an uncredited Ed Asner in the supporting cast (indicating that the original intention was to make a solid action-drama film)"Kid Galahad" is the first serious mis-step in Elvis's film catalogue. With few exceptions, his subsequent films virtually jettisoned drama in favour of pop-gloss.

Elvis' best from United Artists.
"Kid Galahad" stars Elvis as an ex-G.I. who comes back to his hometown in upper state New York. Beautiful scenery, I might add. He wants to be an auto mechanic after returning from the Army, but instead he's reluctantly roped into being trained to be a boxer. Elvis has an anvil-fist and an iron jaw. Soon, he becomes boxing champ nicknamed "Kid Galahad". Joan Blackman returns and plays Elvis' love interest and the sister of the boxing camp owner Gig Young. Great picture formula, great songs and beautiful and breathtaking mountain scenery. Recommend this must-see to everyone.

Excellent Boxing Movie
KID GALAHAD (1962) is an excellent boxing movie. If you liked the ROCKY series, you will enjoy this movie of an ex-GI who has a winning knock-out punch. Elvis is credible as a boxer. The rags to riches story also rings true.

The opening scene is unforgettable with Elvis riding on the back of a Mayflower truck singing KING OF THE WHOLE WIDE WORLD. There are six songs including I GOT LUCKY.

This is a remake of a 1937 movie that starred Humphrey Bogart and Edward G. Robinson. The 1937 version was directed by Michael Cutiz who directed Casablanca and the Elvis movie King Creole. The movie examines the corruption of boxing and the gambling and crime associated with it.

Oscar-winner Gig Young is excellent as the promoter and DEATH WISH's Charles Bronson gives a spectacular performance as the trainer.

Elvis' acting is very good here. The song sequences are excellent especially one where Elvis and Young and Bronson are riding in a jalopy that Elvis restored and then painted red.

A man who can sing when he ain't got a thing, he's the king of the whole wide world. Indeed. Nobody proved it better than Elvis, the King of Rock and Roll and the Artist of the Century.

Kid Galahad- A Pleasant Surprise
I have not seen the original "Kid Galahad", but this one was very good, compared to anything, not just Elvis' other movies. I wouldn't agree with the "Oh well, at least it's not as bad as his others" angle that many seem to take. I think anyone would enjoy it. It has a good cast surrounding Elvis, most notably Gig Young and Charles Bronson. This movie also further proves that Elvis was a good actor, given the chance. The whole movie just seems to click, somehow. And about the songs, give them a break! It's an Elvis movie. The man can sing! Let him! Be thankful it wasn't a musical. It had a few songs, yes, but that fact is not nearly as annoying as others try to paint it. It had a great depiction of the corruption of the boxing industry, and some good fighting scenes. Elvis looked like he enjoyed his part and was interested, contrary to many other opinions, and by no means was he "chubby". He was very well-built, and worked with a real-life boxing trainer, who said that Elvis could've been a professional fighter. So anyone who says he wasn't convincing as a boxer should take a second look. Watch this movie, not compared to anything, but just as the movie itself, and there's a big chance you'll enjoy it. ... Read more

Reviews (15)

Kelly is the greatest D'Artagnon since Fairbanks
And in my opinion, no one has done it better since. When I first saw this movie as a child, I fell so in love with Gene Kelly that I never recovered! (Oh, sure, I flirted with Paul McCartney for a while, but I came back to Gene!!) As far as I'm concerned, no one but Douglas Fairbanks (that's Sr., not Jr.) could even touch Kelly's performance in this, for pure graceful athleticism. Michael York and Chris O'Donnell look like a couple of cows compared to Kelly's speed and grace. Oh, yeah, and did I mention that Lana Turner is stunning in this, and Vincent Price is a delightfully nasty Cardinal Richelieu, or that Angela Lansbury is unbelievably beautiful as the Queen of France? This would go on my list of the 100 best movies ever made!!

a good film.
This version of, "the Three Musketeers," with June Allyson, Gene Kelly, Van Heflin, and Lana Turner, is colorful, romantic and filled with adventure. It's really well down and well worth seeing. Also it's great for kids, as my little cousin, love it. I think it deserves many stars, and it really lets all the actors and actresses shine in the roles, and all have an equal part in the film.

Brave,drunken and foolish Muskeys.
The three Musketeers is a good movie.They serve the King,Fight Cardinal guards,and always suave to the ladies.They still have emotions,and sadness.The plot of the movie starts out,happy and carfree,and at times,a comady.And then in the end,a tradegy.Very sad and frighting.All throughout you will learn to love those muskeys!
D'artangan(Jean Kelley) is a young man that lived in a small town of Gascony, All his life he wanted to leave his home to become a great Musketeer,for the King.Finally His wish was granted.His father wrote a letter of reconition,for him to the Captain of the Musketeers,mougnsier Treville.His father tells him to never take a insult,fight for his honor....
By acident he bumps into one,gets tangled in a cloak,insults the honor,of three Musketeers.They all chalenge him to a duel. Three Duels in one afternoon!I bet you can guess who the three Musketeers are.Athos,Porthos and Aramis! They meet up at the grounds to fight D'artangan without knowing they all wanted to fight the same person.Athos goes first,when their most hated enemys show up,the Cardinals guards.The Cardinal had a rivalery for power with the King.Their men had one too! D'artagan becomes fast friends with Athos,Aramis and Porthos when he decides to fight at their side. ...and wins!
D'artagan even finds his love Costance.At first she thinks him mad,but after saving her,she sucumbs to him,so their kissing comes blissfully.He has never been more happy until Constance imforms him he must save the Queens honor(I won't give spoilers)in a dangerous situation! He's consents and soon persuades his friends to come along! As Athos says:Why wait till the lasts drop gone from the bottle? So begins the real story.
Those Musketeers are brave and smart but they have their faults amd hopes that in the end has efects on their lives.. Athos loves wine,and often gets giddley,happly drunk.D'artangan finds out that it may be more to his drinking than just for fun.A terrible,sad secret that has haunted Athos for years!
D'artagan gets carried away by puppy love too often...with Milady De Winter! Who Does the Gascon choose?
Porthos and Aramis don't do as many mistakes,But each have their hopes.Porthos hopes to marry a rich widow,and Aramis wants to become a priest.
I'm closing this review with the hope I did not reveal too much. The ending is not entirly happy,I warn but it's a great movie about,actions have their end,Friendship,Romance,vengence,humor,and evil. The best version I've watched so far. ALL FOR ONE AND ONE FOR ALL!

Gene Kelly and swordplay. Doesn't get better than that!
I have loved this movie for years. Clean dialogue, exciting action, great acting and Gene Kelly with a sword! Keenan Wynn, Gene Kelly, Lana Turner, a tortured Van Heflin--all of the great actors of that day--a very young Gig Young--ah, for the good, old days of fun, laughter, excitement and chivalry! Hollywood doesn't know how to make them this good anymore and this movie is a must see!

Six Stars
I found this movie on TV one night after falling in love with the story of the Musketeers, and nearly threw a fit when my dad made me go to bed in the middle of it. It has certain aspects that the 3musketeers/4musketeers movies leave out suchs as hints to Arimis' background and the fact that all four Musketeers had servents. A six-star movie! ... Read more

Reviews (30)

Even Doris Complained About It
Yes, in her autobiography, Doris Day complained that co-star Cary Grant just wasn't into his role here. I call this incarnation "Wink Cary" because towards the end of his movie career, Cary always seemed to be screwing up his eyes as though staring into the sun; I interpret this as his growing dissatisfaction with the movie roles offered him. "Wink Cary" never has proper interaction with his co-stars and is apparently waiting to be told to go home, as if he were on jury duty. In "That Touch of Mink", Cary plays a wealthy man whose limo splashes the dress of Doris Day. One thing leads to another, and he tries to launch an affair with her, only to be foiled repeatedly by various things, including her breaking out into a rash at the thought of fornication, even with Cary. Adequate supporting work by indignant Audrey Meadows and misidentified Gig Young, who keeps getting slapped by Meadows who thinks he's the guy trying to breach Doris' honor. There's better Doris and better Cary movies out there; see them first.

A delightful and witty sex comedy
"That Touch of Mink," directed by Delbert Mann, is a delicious 60's sex comedy about the romantic duel between Cathy Timberlake (played by Doris Day), an unemployed working girl with small-town roots, and Philip Shane (Cary Grant), a rich businessman. Along for the ride are Audrey Meadows as Cathy's fiercely protective roommate Connie and Gig Young as Philip's wisecracking employee Roger.

"That Touch" is absolutely hilarious and delightful from start to finish. Day is irresistible--wholesome and innocent, yet feisty. Grant is charming and funny. Meadows and Young get lots of comic mileage out of their marvelous supporting roles.

The film is also a joy to look out. The sets and costumes are marvelous (there's even a fashion show); the screen bursts with color. The script combines witty dialogue, zesty social satire and goofy physical comedy with a cleverly structured plot. There are also some fun cameos by recognizable faces--I won't spoil the fun by revealing them. And it's all nicely complemented by a playful musical score. "That Touch" is one comic battle of the sexes that really holds up after all these years.

Not bad, but not as good as the Hudson/Day/Randall comedies
Watching _That Touch of Mink_ is like watching something from an alternate universe where instead of the formulaic early '60s romantic comedy where you had Rock Hudson as the desirable yet unavaliable bachelor, Doris Day as the perpetual virgin and Tony Randall as the neurotic and closeted best friend you had Cary Grant as the desirable yet unavailable bachelor, Doris Day as the perpetual virgin (apparently no other actress approached Doris Day's iconic status as a virgin) and Gig Young as the neurotic and closeted best friend. Talk about "through a glass darkly"!.
All of this is very cute but the problem with Grant and Young is that they can't pull off the Rock Hudson/Tony Randall dynamic. Hudson had a boyish charm that Grant, a more substantial actor, didn't, and the dynamic between Hudson and Randall is a lot more playful than the one between Grant and Young, and of course when it came to playing neurotic closetcases no one can even hold a candle to Tony Randall. I mean really, if they had ever had an Academy Award for "Best Portrayal of a Neurotic Closetcase" they would have awarded it once, in 1961 for _Lover Come Back_ and then retired it forever.
Doris Day is of course virginal, amazing that someone with so little talent was able to make such a career out of the supposed possession of a hymen. You might dispute as to whether or not virginity is a good thing but regardless of your opinion you have to admire Day for making so much out of hers.

Sweet romantic comedy
Doris Day plays Cathy Timberlake, an unemployed girl next door from outta town. Cary Grant plays the suave and sophisticated Phillip Shane Managing Director of a successful company. On a rainy day in Manhattan Phillip Shane's car accidentally splashes Cathy Timberlake who is standing on the edge of a kerb. Later from his office he spots Cathy on the street and he sends his assitant Gig Young to apologise and to give her money to compensate for her ruined dress. Cathy is not impressed and says to Gig Young that she wants to throw the money back in Philipp's face so she goes up to his office but instead of telling him off she falls for his good looks and charm. She is then whisked off to a meeting of board directors, flies on his private jet, attends a UN speech and ends the day attending a baseball match. Cathy is thoroughly smitten by Phillip and he is really impressed by her so much that he asks her to go away with him for the weekend to Bahamas.

Being Doris Day, Cathy is of course all virtuous and is in a dilemma as to whether she should go away on her dirty weekend with Phillip. She decides no but is finally persuaded to do so because Phillip goads her into do so. She has a wonderful time until the night arrives and is faced by being seduced by Phillip at which point she is so stressed that she develops a rash all over. So poor Phillip is left playing cards on the terrace with another man who's wife "is not well". So Cathy returns to New York with her virtue in tact. She tries to lure Phillip away again and the second time is so drunk that she falls off her balcony. Phillip decides to not woo her any longer and finds her a job in a credit card company only for her to mess up the company's entire filing system. In the end, to win back Phillip, Cathy and her roommate, Audrey Meadows think up of a plan for her to go away with the sleazeball who works at the local benefits office and for Phillip to chase after them which inevitably he does.

This film is a bit dated ie Cathy being virtuous and shy but it's a great comedy. If you love vintage clothing from the sixties there's even a catwalk run thrown in. The colours are wonderful and the lines delivered by the actors are sharp. Doris Day is her usual bubbly self and you couldn't get smoother guy than Cary Grant. Fun film to watch on a rainy day in.

Lealing

That Touch Of Mink
This is a marvelous comedy classic Starring Doris Day and Cary Grant in this marvelous Universal Comedy Classic ! But released onto Video by Republican PIctures! Cathy Timberlake (Doris Day) is a poor out of work New Yorker that gets run into herself with mud by a limousine owned by Philip Shayne (Cary Grant) well they end up falling in love and go to Brazil together and have all and a lot of fun! Great classic family movie! They get married at the end and have a happy life together! ... Read more

Amazon.com essential video

In the dark years of the 1930s, dance marathons became popular as a way for desperate people to compete for prize money. Sometimes the events would drag on for weeks as contestants pushed themselves far beyond the point of physical, mental, and emotional exhaustion, the dancers shambling around the floor in a half-dead stupor. People would then pay to sit in the bleachers, watch the event, and cheer on their favorites. They Shoot Horses is taken from hard-boiled pulp writer Horace McCoy's novel of the same name; Jane Fonda plays a bitter young woman paired up with Michael Sarrazin for the ordeal. Gig Young portrays the unctuous MC of the event, bringing equal parts compassion and sleaze to his role. Many of the film's images are unforgettable, such as "the derby," a heel-and-toe race around the dance floor with bouncy, lighthearted music to accompany the miserable spectacle. It's a powerful, tragic period piece that reminds us of the privations of the Great Depression. In the largest sense, the film has existential overtones that go far beyond the story of enervated dancers staying on their feet for a month or more. This film brought home a string of Academy Award nominations for the cast and director Sydney Pollack and a win for Young. --Jerry Renshaw ... Read more

Reviews (32)

gloom, despair, agony, bleak, depressing...I LOVE IT !
Jane Fonda left her fluff pieces behind her and became a REAL actress after her Oscar-nominated performance here as Gloria, the bitter and hopeless woman who joins a grueling dance marathon (a craze of the Depression '30s) with Michael Sarrazin as her partner. She leaves nothing behind and throws herself into this bleak role taking huge risks that 'STAR' actresses don't do anymore. The film also put Sydney Pollack on the map as a director to be reckoned with. Finding an audience for this film may be tough because of its unrelenting gloom, but if you watch it and don't find yourself thinking about it for weeks after you have seen it, you don't know what movies are about. The message here is that there are no winners in life....only survivors. These are the kinds of films I favor (bleak and depressing) as that is what real life is about....it's a struggle. If you're looking for a diversion from real life, don't come here. The film also contains an Oscar-winning turn by Gig Young as the dance marathon's promoter and emcee and an Oscar-nominated performance by Susannah York as a Garboesque wannabe actress looking for a break. Horses is more a disaster film than anything else. No ship hits an iceberg and no building catches fire, but everyone involved experiences disaster. Don't pass this up.

A MASTERPIECE RESTORED
I was overjoyed to receive a gift of the reissue of this video in 1995, that is until I watched it in all its "pan & scan" desecration. It is truly a joy to watch this DVD (VHS is now available in widescreen as well) in the right format with all the extras. But all that aside, this is a towering, neglected masterpiece of American cinema that virtually put director Sydney Pollack on the map and established Jane Fonda as the premier American actress of the Sixties and Seventies. Who else could have captured the tragic essence of the bitter, beaten Gloria but Fonda? Watch her especially in the final elimination round as she desperately (and literally) carries her ailing partner around the floor in a final attempt to win the big prize and (symbolically) maybe give life one more try. Fonda never sentimalizes this great character as a lesser actress would have been tempted to; no simple answers or easy forgiveness will do for Gloria--she is too important to be trivialized. Red Buttons, Susannah York, and Gig Young are also superb in supporting roles; the cinematography and music also deserve kudos. If you haven't seen it, do not miss this American classic and one of the century's greatest actresses just entering her prime. How we do miss Jane.

An Awful Movie
They Shoot Horses, Don't They? is an awful film. It is about as interesting as watching water boil. It is also unhistorical in that the 1930's are depicted as a time of prosperity even though in real life that was the decade of the Great Depression.

There is no real depth to the plot. Nor is there anything exceptional about either the direction, photography or the soundtrack. Jane Fonda is badly miscast in this role and she delivers her lines poorly. None of the performances in this movie are especially good.

In sum, this is a movie to avoid.

Possibly the worst movie of all time!
The only movies that may be worse would be Accidental Tourist or maybe Blair Witch Project. It's tough to pin down what exactly made this movie so bad. Thats probably because every facet of it STUNK SO BAD! All I know is that I wasted 2 hours of my life of this tripe, 2 hours that I'll never get back. Go ahead and rate my review as unhelpful if you must, but DON'T SPEND MONEY ON THIS FILM!

Jane Fonda's Performance was Overlooked!
Horace McCoy's depression era play, They Shoot Horses, Don't They? is tragically brought to life through the performances of an ensemble cast. Jane Fonda delivers her greatest performance, as Gloria, a loner trying to cope with an everyday painful existence.
Be prepared for a shocking ending, if that's possible. There arises a glimmer of hope that life is better.
Sydney Pollack directs a masterpiece in the exploration of the human condition under the throngs of depression. The utter despair, agony, and suffering of each character is felt, heard, seen, and endured by the viewer. It becomes so intense that you want to scream, "Enough, I can't watch any more." There's no need to scream out. Horace McCoy solves the problem for the viewer, and for Gloria. ... Read more

Reviews (1)

Gran actuacion de Gregory Peck en excelente western
Only the valiant es un western que cumple con todas las reglas del genero. Sobresalen las actuaciones protagonicas de Peck y de Ward Bond en el papel de soldado borrachin. Es de destacar los valores morales del protagonista que se arriesga a una accion suicida para salvar su honor y el de la caballeria. Es memorable la escena en que el Cap.Lance (Peck) forma a la patrulla para explicarles por que eligio a cada uno para esa mision. ... Read more

Reviews (13)

Wonderful Older Gable!
Here is another Clark Gable romantic comedy classic, made in the 1950s. Gable's talent is not lost with age. Gable is the experienced newspaper City Desk Editor, lacking in formal education but a master of the newspaper business & reporting. Doris Day is the journalism professor who feels education is key to a successful paper. The 2 ideologies clash between them, with Gable playing a student in day's class to impress her romantically.

Exceptional acting and dialogue from both, with an exceptional support role from Gig Young. Even Doris Day shines with her wit and dialogue in the apartment scene with Gable when she mimicks Gable's current girlfriend, Mamie Van Doren!

For Gable fans: Buy It! It's a keeper!

Teacher's Pet I want to be Teacher's Pet
Clark Gable and Doris Day had such chemistry in this movie they are always annoying each other. Jim Gannon (Clark Gable), and Erica Stone (Doris Day) are 2 rival Newspaper business people! This movie turns into a great classic comedy and the 2 learn to love each other I highly suggest this movie to anybody !

Doris Day vs. Clark Gable in the journalism class.
Clark Gable is the City Editor of the New York Evening Cronicle Newspaper. A woman (Vivian Nathan) who has been trying to see him for weeks has a complaint. Her son, Bernard (Nick Adams) is just the errand boy there. She wants her son to be fired so he can go back to school for an education. Gable thinks differently. The kid has a good head start. Even helps him with a story or two and has him on as an extra. Clark gable by order of his boss, must go to see Professor Stone of the Journalism class. He didn't count on the Professor being Doris Day. He was invited to appear at this class as a guest speaker, but wrote a rude letter back. Now his boss is making him go to apoligize. Well, there he is in the classroom to apoligize, (Actress Marion Ross [Happy Days tv series] is the first student through the door) but doesn't because the Professor believes he will not show up. She got the rude letter and reads it to the class. Now that Gable had a face full, he sneaks out of the classroom, but now he is in an angry rut. here he is the City Editor and never went to high school. He believes the Professor is teaching amateurs to be amateurs. So he goes back to the classroom incognito as a student to teach this lady professor a thing or two about the newspaper business.
Also in the cast, Gig Young, Mamie Von Doren, Jack Albertson and Sandra Gould who played "Gladys Kravitz #2" in the Bewitched tv series.

A fun pairing of Clark Gable and Doris Day
Filmed in black-and-white at the height of the Technicolor era, this film is an intentional throwback to the old-school screwball comedies, with a plot based on mistaken identity and a love/hate relationship between a blustering man and a too-professional gal. Clark Gable was a bit long in the tooth when this flick was made, but he does quite nicely in his role as Jim Gannon, a gruff, hardbitten newspaperman who has an axe to grind against smartypants college classes that purport to teach students how to become journalists. He stomps off to Fancypants U., to give them all a piece of his mind, but when the egghead professor turns out to be a stylishly attired Doris Day -- well, hubba hubba! -- he starts to change his mind! Next to "Run Silent, Run Deep," which came out the same year, his is one of Gable's finest later performances, and Day is as lovable as ever. Top honors may go to the supporting actor, Gig Young, who delivers a wonderfully understated, funny performance as one of Day's fellow academics. His sly slapstick in a long hangover scene is worth the price of admission all by itself. A nice film, very much of its time... The "serious" theme -- about the importance of a good college education -- takes over the film in the second half, and actually brings it to a grinding halt right towards the end... But the movie is still entirely enjoyable, and worth checking out if you're looking for something light and retro.

just goes to show you
Lot's of laughs, not a 4-letter word on the tape... Clark Gable and Gig Young to a hilarious job of verbal sparring... ... Read more

Reviews (32)

gloom, despair, agony, bleak, depressing...I LOVE IT !
Jane Fonda left her fluff pieces behind her and became a REAL actress after her Oscar-nominated performance here as Gloria, the bitter and hopeless woman who joins a grueling dance marathon (a craze of the Depression '30s) with Michael Sarrazin as her partner. She leaves nothing behind and throws herself into this bleak role taking huge risks that 'STAR' actresses don't do anymore. The film also put Sydney Pollack on the map as a director to be reckoned with. Finding an audience for this film may be tough because of its unrelenting gloom, but if you watch it and don't find yourself thinking about it for weeks after you have seen it, you don't know what movies are about. The message here is that there are no winners in life....only survivors. These are the kinds of films I favor (bleak and depressing) as that is what real life is about....it's a struggle. If you're looking for a diversion from real life, don't come here. The film also contains an Oscar-winning turn by Gig Young as the dance marathon's promoter and emcee and an Oscar-nominated performance by Susannah York as a Garboesque wannabe actress looking for a break. Horses is more a disaster film than anything else. No ship hits an iceberg and no building catches fire, but everyone involved experiences disaster. Don't pass this up.

A MASTERPIECE RESTORED
I was overjoyed to receive a gift of the reissue of this video in 1995, that is until I watched it in all its "pan & scan" desecration. It is truly a joy to watch this DVD (VHS is now available in widescreen as well) in the right format with all the extras. But all that aside, this is a towering, neglected masterpiece of American cinema that virtually put director Sydney Pollack on the map and established Jane Fonda as the premier American actress of the Sixties and Seventies. Who else could have captured the tragic essence of the bitter, beaten Gloria but Fonda? Watch her especially in the final elimination round as she desperately (and literally) carries her ailing partner around the floor in a final attempt to win the big prize and (symbolically) maybe give life one more try. Fonda never sentimalizes this great character as a lesser actress would have been tempted to; no simple answers or easy forgiveness will do for Gloria--she is too important to be trivialized. Red Buttons, Susannah York, and Gig Young are also superb in supporting roles; the cinematography and music also deserve kudos. If you haven't seen it, do not miss this American classic and one of the century's greatest actresses just entering her prime. How we do miss Jane.

An Awful Movie
They Shoot Horses, Don't They? is an awful film. It is about as interesting as watching water boil. It is also unhistorical in that the 1930's are depicted as a time of prosperity even though in real life that was the decade of the Great Depression.

There is no real depth to the plot. Nor is there anything exceptional about either the direction, photography or the soundtrack. Jane Fonda is badly miscast in this role and she delivers her lines poorly. None of the performances in this movie are especially good.

In sum, this is a movie to avoid.

Possibly the worst movie of all time!
The only movies that may be worse would be Accidental Tourist or maybe Blair Witch Project. It's tough to pin down what exactly made this movie so bad. Thats probably because every facet of it STUNK SO BAD! All I know is that I wasted 2 hours of my life of this tripe, 2 hours that I'll never get back. Go ahead and rate my review as unhelpful if you must, but DON'T SPEND MONEY ON THIS FILM!

Jane Fonda's Performance was Overlooked!
Horace McCoy's depression era play, They Shoot Horses, Don't They? is tragically brought to life through the performances of an ensemble cast. Jane Fonda delivers her greatest performance, as Gloria, a loner trying to cope with an everyday painful existence.
Be prepared for a shocking ending, if that's possible. There arises a glimmer of hope that life is better.
Sydney Pollack directs a masterpiece in the exploration of the human condition under the throngs of depression. The utter despair, agony, and suffering of each character is felt, heard, seen, and endured by the viewer. It becomes so intense that you want to scream, "Enough, I can't watch any more." There's no need to scream out. Horace McCoy solves the problem for the viewer, and for Gloria. ... Read more

Reviews (17)

Top-drawer thriller from Hollywood's 'golden age'
THE DESPERATE HOURS (USA 1955): The patriarch of a middle-class suburban family (Fredric March) is forced to take action when they're held hostage in their own home by three escaped convicts, one of whom (Humphrey Bogart) is an experienced lifer with nothing to lose...

The first and only pairing of superstars Bogart and March is a tightly-wound thriller, written by Joseph Hayes (based on his novel and stageplay, inspired by actual events), and directed by Hollywood veteran William Wyler, distancing himself from the 'women's pictures' he had helped to popularize during the 1940's (THE LITTLE FOXES, MRS. MINIVER, THE HEIRESS etc.). Photographed in gleaming deep-focus VistaVision by Lee Garmes (SCARFACE, THE PARADINE CASE), the movie wrings incredible tension from the claustrophobic settings and frequent stand-offs between staunch family man March and embittered con Bogart. The movie's themes are fairly conservative and the outcome is never really in doubt, but this is a top-drawer thriller from Hollywood's 'golden age'. Also starring Arthur Kennedy, Martha Scott, Dewey Martin and Gig Young in crucial supporting roles. Unmissable.

The movie runs 112m 25s on Paramount's region 1 DVD, and the image is letterboxed at approx. 1.85:1 (anamorphically enhanced), the recommended aspect ratio of most VistaVision movies. The beautiful black and white photography is supported by a strong Dolby 2.0 mono soundtrack, and the disc contains English captions and subtitles. There are no extras, not even a trailer.

NB. Though nowhere near as dreadful as most critics would have you believe, Michael Cimino's remake DESPERATE HOURS (1990) isn't a patch on the original.

SUPERB THRILLER
William Wyler directs Humphrey Bogart in the super tense thriller THE DESPERATE HOURS. Three on the lam thugs invade a heartland American home and hold a family hostage. Everyone seeks survival and an ordinary dad (Frederick March) puts his life on the line for his family. Bogie at his very best as a snarling, deadly con. Heartstopping showdown. Unforgettable climax. You'll hold your breath and bite your nails. This is one to own. See what great filmmaking and storytelling is all about.

Don't confuse this with the pallid 1990 remake starring Mickey Rourke, directed by Michael Cimino.

Simply Amazing
With all the thrillers, i've watched till date, The Desperate Hour is truely the king of them all. Humprey Bogart rocks in this movie and while March plans to protect his family with the unloaded gun, the tension grips high times. This is a classic that need to be in every movie collectors shelves.

Only a 50's paranoia
I am such a fan of Bogie and Wyler, but although the production is impeccable, the screenplay is so boring, and the typical "happy 50's family" is so square, that I was begging at the end of this feature, "C'mon Bogie, kill'em all! Kill'em all!".Unfortunately, he didn't.

Filmed In DesperationVision
Boring, boring, boring ...

That's really all that can be said for this William Wyler "thriller." While the performances of all of the principles (with the notable exception of Humphrey Bogart) are almost laughably unconvincing, even Bogart's magic isn't enough to elevate this drama filmed in DesperationVision to anything above passable ... yes, even for cinema's golden years.

Perhaps if they had given Bogey more screen time, I might feel different, but, that fact aside, HOURS plays out like hours ... upon hours ... upon hours ... upon hours ...

ZZzzzzzzzzzzzzzzz ..... ... Read more

Reviews (8)

Ok Movie.
This movie is deffinately not one of Doris Day's Best. Doris Day plays a sweet and innocent lady who wants to have a baby but they keep trying and can't have one so they contact the Rock-A-Bye Adoption Agency. Well the Investigator comes to the house at a bad time. Doris's husband Richard Widmark is chasing a mouse. And the playboy next Door. Gig Young is over and starts making advances towards her. Well in a few minnutes she is starting to leave when Doris and Gig Youngs wife come in and they see what is happening. Well Doris talks to Richard but she can't find out anything and the adoption agency says she must be going. Then Gig convinces Richard to lay back a little bit and gives him some tranquilizers. The next thing we know Richard is riding in his car with the Adoption agency. Then he falls asleep and she drives him to a hotel. The next morning he finds himself in a hotel. Well he hides the fact from his wife. Then they get a call from Rock-A-Bye and they say they have a baby for them. Well when Doris sees it she thinks it looks to much like Richard. Well everybody thinks that and one day Doris sends Richards mother a letter and Richards mother sends her a pic of Richard when he was a baby. And she shows it to Richard and he says when did you have that pic of the baby taken. And she says Ha I knew it this is a picture of you when you were little. Well the movie ends well.

Doris wants to be a parent, but her husband...
Married couple, Doris Day and Richard Widmark want to adopt a baby and of course they have been trying the natural way too. They have wonderful neighbors Gig Young and, who have children of their own currently in camp and one expected. The lady from the Rock-A-Bye Foundation comes around the neighborhood to investigate the parents-to-be. She must ask the neighbors their references of Doris and Richard. Now Richard goes to the front door, not knowing that the investigator is at the front door. he is in his underwear and chasing a mouse with a liquor bottle in his hand. Not a very good impression to start with. What else could happen to mortify Doris Day who is being so naturally proper and decent and yet her husband is not...plenty can happen. Cute film! Directed by dancer/actor/singer Gene Kelly. Nice realistic sets.

Could Have Been Better...
I like Richard Widmark, and absolutely love his movies. I have yet to see a "bad" one, or one I did not like. However, the part in this movie was far too lightweight for him. He's much too good of an actor to be in such of a role. He's best in tough-guy parts. He always fits those like a glove. This film, which is about a couple's desire to have children, doesn't do him justice. He was miscast in this part. Doris Day is sweet and lovely, as usual, while Gig Young is totally annoying. His part could have been deleted completely. The story itself is pretty good, but as I said before, it could have been better.

HAS ONE OF THE BEST COMEDY PLOTS-GREAT!
This is one of the best movie comedies. Has a great plot and good acting by everyone, including Gig Young. Doris seldom makes a bad movie--and this is NOT A BAD ONE.

"TUNNEL" DIGS FOR AND MINES A FEW LAUGHS!
"The Tunnel of Love" was Doris Day's third film for MGM and probably ranks as her least memorable.

Shot in a matter of weeks, it clearly betrays its theatrical roots, being based on a popular Broadway hit which later became a staple for summer stock productions for many years.

Despite it's tight budget and shooting schedule, it surprisingly lost money. Miss Day was nominated for a Golden Globe as Best Actress and received the coveted Laurel Award from Motion Picture Exhibitor Magazine for being the most popular female star in films, the first of eight consecutive awards as most Popular Actress by this publication. None of this, however, saved "Tunnel of Love", which does provide some amusing moments despite a slightly overlong running time which allows interest to sometimes wane.

Gene Kelly directed the talented cast in his final film at MGM after more than 15 years under contract. Had original plans worked out a decade later, he'd have again directed Miss Day in "Hello Dolly" which Richard Zanuck initially wanted as a vehicle for the gifted blonde.

Doris Day and Richard Widmark play a Connecticut couple who want to have a baby. The film's plot evolves around those efforts as well as a lot of misunderstandings which are better seen than described.

As always, Miss Day is a delight. Her comedic talent is second to none and she makes the most of the sometimes tepid situations, giving it the benefit of her personality and skill at making you believe everything she says. Fabled Hollywood Hairstylist Sydney Guilaroff who worked on this film as well as several others with Miss Day told me personally that "...Doris was the most professional actress I have ever encountered. She always knew her lines, never kept people waiting and treated the crew with the same dignity and kindness that she treated her co-stars...." A highlight is Miss Day's exuberant rendition of "Runaway Skiddadle Skidoo", a peppy little song that even allows co-star Richard Widmark to sing a bit of."

Widmark surprises with a very charming and easygoing comic performance. He and Miss Day work well together and it's too bad they didn't have better material to serve them.

Gig Young is in his usual fine form in this the third of four on-screen performances opposite Miss Day. Elisabeth Fraser in the second of four roles opposite Miss Day displays her usual polish. Gia Scala adds window dressing and the viewer will come away not feeling they'd wasted their time but with the talent involved probably wishing for a sweeter aftertaste. Perhaps color would have brightened the proceedings in more ways than one. ... Read more

Reviews (3)

Not good
As a big fan of 60s comedies, I find this one seriously lacking. There's no chemistry between Rock and Gina, nothing likeable about their characters, and nothing compelling about the storyline. I do believe I laughed once during the movie however, but I can't remember why. Actually I only got this movie because it came packaged with Man's Favorite Sport, which actually IS a good and funny movie.

Bad DVD of a Good Movie
Not genuine letterboxed. Portion of original picture missing. Read review under the orginal DVD two-pack release of Strange Bedfellows/Man's Favoite Sport.

Gina and Rock or Rock and Gina?
This couple, Rock Hudson and Gina Lolibridgita is always fighting because she's different from him and has her own idea and stands for women's rights and then before you know they are made for each other but she also is involved with another man with hilarious results so be prepared to laugh. Find out who gets the girl by watching the movie. ... Read more

Reviews (20)

Mercy!
Bring the Head of Alfredo Garcia is a rough film. It wasn't for the faint hearted back in '74 and it stil isn't. So many people got killed that I lost count. It depicts a brutal, filthy world and doesn't have an uplifting golly gee ending. I loved it. Warren Oates gave his finest performance as Benny, an American small timer who has one last chance to make it big. Benny is so cool he never takes off his shades even in bed. He doesn't hesitate to kill the bad yet his personal code won't allow him to harm the innocent.

The actress who plays his girlfriend is perfect. She's attractive but in a beat up been-around-the-block-too-many-times way. She spends a lot of time nude or semi nude in this movie but it's not cheap. She's a semi retired prostitute afterall. She ought to be a throw away character but she isn't. She's Benny's heart and although he doesn't know it, she, not dead Alfredo Garcia, is his last chance.

Yes, this is an ugly film but it's incredible. Put the kids to bed early, buy the video and sit back to watch a movie that still shocks and dazzles.

Did he give ya good Head?!
Easily the most nihilistic of all of Peckinpah's films, this grim 1974 mix of western, crime, and horror elements set in present-day Mexico remains the subject of much invective. Some see it as a bizarre masterpiece, others see it as filthy trash. Most certainly it IS weird, bizarre, bleak, and full of despair.

Warren Oates, in a role that is part Humphrey Bogart (TREASURE OF THE SIERRA MADRE, which ALFREDO GARCIA resembles somewhat) and part Peckinpah (no surprise there), is excellent as the American expatriot barfly who is hired on by two hitmen (Robert Webber, Gig Young) to retrieve the head of a two-timing Mexican gigolo named Alfredo Garcia--and JUST the head. They offer him a $10,000 reward and Oates goes off on his mad quest with his girlfriend (Isela Vega) who once romanced with Garcia.

Getting Garcia's top ought to be a piece of cake, because he's dead. It is anything BUT that. And when he is bonged over the head with a shovel in a Mexican graveyard and Vega is killed, the film takes an ever-accelerating ride towards a bullet-riddled finale. As Oates finds out, so many people want the head of Alfredo Garcia because the millionaire (Emilio Fernandez) who screamed for the man's head was offering a million dollars (!).

This weird movie has to be seen to be believed. Peckinpah's trademark slow-mo violence is here, though not in the apocalyptic way it was in THE WILD BUNCH. The basic themes of redemption, killing, and Oates' macabre quest (the head is kept in a sack, with the flies buzzing all around it) are incredible. ALFREDO GARCIA is furthermore blessed with a fine score by Jerry Fielding that is part Mexican and also partially like his score for Peckinpah's 1971 horror film STRAW DOGS.

To be sure, even more than a quarter century later, ALFREDO GARCIA is not everyone's cup of tea. But for Peckinpah lovers, it is a must-have.

Warren Oates
There is only one other actor that could replace Warren Oates, and that is Steve McQueen. This movie was excellent.

bring me the head of alfredo garcia
Please release this masterpice on DVD as soon as possible.
Dark humour, twisted and very violent. A must for Peckinpah fans.

Ludicrous
Easily Peckinpah's worst film and one of the worst American movies of the 1970's. It marked the beginning of the director's decline into booze-and-drug self-absorption from which he never emerged. The plot is too ridiculous to merit recounting: just more of Peckinpah's Mexican malarkey. When the film came out the multi-screen cineplex was just being introduced around the country. The title was too long to fit onto the smaller marquees and it was shortened variously to "Bring Me Alfredo Garcia," "Alfredo Garcia's Head," and memorably "Bring Me a Head." ... Read more

Reviews (9)

An old sea yarn
This tale is narrated from the perspective of the first mate of "The Red Witch" when the incidents at the beginning of the film occur. Of all the characters in this tale, the narrator seems to have the most dignity. None of the characters are lacking in pride, and all but the women are greedy.

For a sea yarn set in the late 1800s, the sea captain has to be a bit of a rogue and a rascal, but still possess heart. This is difficult, in my opinion, for John Wayne. I have seen him in too many movies where he is the gallant working to save the day here. In this movie, he is trying to play a conniving sea captain, and I can't get past my image of him. This will make it difficult to understand his character.

To look at the story, the box is a little off. It places the focus where the movie does not focus its attention. The attention is on the relationship between Captain Ralls (Wayne) and Sidneye (Adler). Both are greedy, but have to have the other to give life some meaning. Parts of the story seem add a love story to bring in a wider audience, but it really doesn't flow, nor does it fit the story.

I would not go out of my way to see this movie, but if it happened to be on, I would give it a view.

Widescreen????
People are wondering why this movie is presented in Full-Screen format. The answer is simple...Widescreen movies weren't made until 1953. This movie was made in 1949. All movies made until 1953 were filmed in the 4:3 ratio. When TV came along, and used the same ratio for picture tubes, the movie execs came up with a wide format to lure back moviegoers.

So, if you see a movie release on DVD, and it was made before 1953, don't look for it in wide screen...

Good Duke, good DVD, but are we missing wider format?
Here's a Duke movie to like. This DVD, which has been previoulsy released, is full screen. Whether or not widescreen was in regular use, it seens obvious to me there's more information on the sides. I saw a wider version on, I think, TCM, also colorized. I don't think it's just a matter of chopping the top and bottom off the full screen version and making it look wider. I think there is more information out there. So given the excellent movie at its heart, it would be nice to have whatever extra picture there is. This is a story that can take advantage of wideness. Apart from that, it's a Duke DVD for every collection, a good story, nice effects and the video transfer and sound are very good. You'll like it. But watch for the wider, colorized version to be broadcast and tape it.

Good John Wayne
It's in full screen instead of widescreen. As a result this good, fun movie loses some of its visual spendor. Also, it's the original BW version. Still, right now it's the only version available. The picture and sound are fine on DVD but look elsewhere for the widescreen and the computer colorized version, which shows up on satellite TV now and then.

The DUKE and Gail, together again!
After the classic "Angel and the Badman", DUKE and Gail Russell paired again for this effort, "Wake of the Red Witch".

A tale of the effects revenge, greed, and bittnerness can have on people, the story traces the duel of words and intrigue between two men; Captain Ralls (The DUKE), and shipping magnate Mayrant Sidneye.

DUKE skippers Sidneye's prize ship, the Red Witch, and purposely wrecks her in a plan to cheat Sidneye out of a cargo of gold. Turns out that Sidneye had plotted to steal away DUKE's girl, Angelique Desaix (played by the lovely and angelic Gail Russell).

Tricking DUKE into a fatal confrontation with the girl's father, Sidneye is able to marry Angelique before The DUKE can set things right. This leads to her unhappiness, and The DUKE takes revenge on Sidneye by wrecking the Red Witch.

A wonderful study of greed, revenge, and redmption, we see the tale through the eyes of a young seaman (Gig Young), who Ralls sees as his younger self.

Familiar faces in the cast include Paul Fix, Henry Daniell, Jeff Corey, Erskine Sanford, and Grant Withers.

Gail is gorgeous, as usual. ... Read more

Amazon.com

There was no better director than Howard Hawks at depicting groupaction. Because of his sense of character and pacing, Air Force transcends its propaganda purpose. It's well crafted all the way around, from the acting to the writing to the aerial fighting to James Wong Howe's painstakingly striking cinematography. A B-17 takes off from San Francisco in December of 1941 headed for Hawaii only to witness the Pearl Harbor attack from above, so it lands and takes off to thwart an oncoming attack. Reassigned to Manila, the crew (which includes the always cynical John Garfield, Gig Young, Arthur Kennedy, George Tobias, and Harry Carey) is thrust into the thick of battle. Incidentally, Hawks enlisted William Faulkner to rewrite a death scene that resulted in a sublime sense of honor. He also added some epigrammatic polish to some dialogue, such as Tobias's dismissal of California: "The sun shines and nothing ever happens, and before you know it you're 60 years old." --Bill Desowitz ... Read more

Reviews (8)

A Top War Film
The legendary Howard Hawks directed this WWII classic about the Mary Ann, a B-17 bomber lead by Captain John Ridgely and featuring crew members Gig Young, Harey Carey, Arthur Kennedy, Charles Drake, George Tobias, Ray Montgomery, and John Garfield. On a routine mission to Hawaii, the crew arrives just hours after the Pearl Harbor attack and find themselves thrust into war. Other stops include Wake Island and the Philippines. Of course, one of the purposes of this film was to rally the American spirit, and it features some of the anti-Japanese dialogue you'd have to expect. But the film succeeds beyond the propaganda value. The action sequences are well filmed and exciting, with terrific aerial action and some good ground sequences, too. The camraderie amongst the crew is credible. Each member has his own small "back story" as you would expect, but these fine character actors make it all very believable (Harry Carey is a particular standout). This film is a true WWII classic.

interesting piece of WWII "propaganda"
"Air Force" is an interesting, if slightly inaccurate piece of Hollywood propaganda. Featuring John Garfield playing a typical Garfield character...pugnacious, but heroic at the end. Harry Carey does a turn as the sergeant with the heart of gold, and spends a good deal of the movie talking about his son. You get the usual mix of characters in a wartime film. Several questions arise about this movie though, not the least of which is, why is the "Mary Ann" flying over Battleship Row at night? My guess here is information about the attack on Dec 7, was still being withheld, and Hollywood was doing the best they could with what little information they had. There are the requisite scenes of aircrewmen firing .50 cal machine guns from the hip, and Japanese pilots slumping in the cockpits of their planes with blood running from the corners of their mouths. The scenes featuring the bombing of moving targets (ships)by B-17's is Hollywood fantasy at its best. All in all, this movie was designed to inflame the passions of the folks at home, and war bonds were probably sold in theatres showing the movie. Still, this is an entertaining little film if you suspend all knowledge of WWII that you may know. I have it in my collection, and pop it in the vcr every now and then to while away a couple hours.

Overrated propaganda piece
In 1943, the tide of WWII had turned, but things were still dark enough to warrant this propaganda film about a WWII bomber which comes close to singlehandedly winning the war. Taking off from California, ostensibly for Europe, a B-17 is sent instead to Pearl, arriving in time to witness the fiery aftermath of the Japanese sneak attack. In one of the most powerful moments of the film, crewmembers look down in silent fury at the fiery remains of what was supposed to be America's Pacific redoubt.

Unfortunately, "Air Force" seems to have been written only for powerful moments (and those in which our heroes poke fun at the Japanese), with the film's B-17 setting off to another rousing score every five minutes or so. Supporting the thin plot are the usual suspects, especially John Garfield as (you guessed it) he cynical individual who must learn to put his bitterness aside (for failing out of flight training) and learn to be a team-player. Further, though jibes at the those populating the axis are expected for WWII movie actually made during the war, "Air Force" goes further - raising the specter of Japanese-Americans working with the imperials to bring a crippled America even further down. By now ofcourse, we've long learned that Japanese-Americans were about as disloyal as wartime Italian or Gernman Americans (none of whom appear here as pro-Italian or pro-Nazi sympathizers or 5th columnists), and that much of the blame for the severity of the December 7th attack can be laid firmly on the poor planning, willful blindness and blatant prejudices of our leaders both elected and military. The Japanese are faceless and insidious - a far cry from Hawks' more sympathetic treatment of oppressed American Indians in "Fort Apache". It's sad to say that this film may be to WWII what "Birth of a Nation" was to the civil war.

By the end of the film, "Air Force" goes too far, with the crew of the B-17 lobbing bombs directly down the stacks of Japanese cruisers with pin-point accuracy. It's arguable that real B-17 pilots may not have appreciated Hollywood's glossing over how difficult it was for level bombers to score such direct hits (against moving targets protected by an umbrella of flak and fighters). Less of a sticking point is what went through the head of those who actually did fight the Pacific airwar, which was fought in the air, but otherwise bore little resemblence to that seen in the film. It's too easy to forgive "Air Force" for its war time faults, but great movies were actually made during the war, my favorite being "Action in the North Atlantic" with Bogart and Ray Massey, and "The Big Lift" which of course takes place after the war - during the Berlin airlift - but was mysteriously bereft of any cold-war hysteria.

GREAT!
I was impressed the very first time I saw this film, and I enjoy watching it every year. A fine cast makes it believeable. The early hours of world war two. This film truly shows how unprepared we were, but also shows the dedication of our american servicemen.

Excellent Movie
An accurate portrayal of how unprepreparred the US was as World War II began. Harry Carey as the gruff, wily, mechanical genius reminds me a a real B17 crew chief I once knew. ... Read more

Amazon.com essential video

This 1954 musical remake of Four Daughters stars Doris Day as a well-bred New England woman who marries a chip-on-his-shoulder musician (Frank Sinatra). Lots of tears, yes, but this version of Fannie Hurst's novel is considerably cheered up from the 1938 tearjerker. Dorothy Malone and Elizabeth Fraser play Day's sisters (a fourth sister present in Four Daughters was written out), Robert Keith is the paterfamilias to a bunch of musical prodigies, and Gig Young is entertaining as the composer-boarder who tries deflecting the sisters' interest in him by bringing Sinatra home one day. Both Day and Sinatra really shine in this, and the songs include the Johnny Richards-Caroline Leigh title tune, which became part of Sinatra's standard repertoire. --Tom Keogh ... Read more

Reviews (22)

EXCELLENT Film / DVD Good (Better than Video)
This is an outstanding movie for many reasons. For cinema fans only familiar with the "rat pack", this Frankie may be an eye opener. YOUNG AT HEART (1954) is a showcase for Frank Sinatra's excellent acting. He is intense, focused & nuanced, becoming one with "Barney Sloan," a gifted musician suffering through multiple "bad breaks" since birth & sorely lacking confidence.

Doris Day also brings much to this classic with a very moving performance. She is warm, lovely & upbeat as the woman of Sinatra's dreams, & so expressive in her eyes! The chemistry between these two actors grows with their characters' relationship; they share a number of memorable scenes together. They are surrounded by a very good supporting cast, especially Gig Young & Ethel Barrymore.

This is a romantic drama with superb singing. Doris & Frank's duet together is "You, My Love", which is a personal favorite. Ms. Day delivers several 50's pop songs beautifully. Frank makes his impact here as the saloon singer, with brilliant, moving renditions of "Someone to Watch Over Me," "One for My Baby," & "Just One of Those Things."

Initially, this film is light-hearted & glossy - until Barney Sloan arrives. There are multiple issues that his character brings to the surface such as: "destiny" & the strength of the human will, the pain of loneliness, the power of hope, life-changing experiences, & recognizing "love".

It's worth noting that the forty-eight year old YOUNG AT HEART was actually a re-make of a 1938 mega-hit "Four Daughters", & carries over some of its plot contrivances. . Don't let this bog you down. This little gem rises above it.

In my opinion, the DVD is a visual improvement over the fuzzy video. Having both the Video / 40th anniversary edition & now the DVD, I've watched each, sometimes scene by scene, to compare, both on the same television. This video has the same small scratches, circles / spots that can be viewed on the DVD; note the gingerbread scene in the kitchen. The DVD's Major Plus: visual details, such as skin & facial features, are improved: Doris' cute freckles are back; thankfully, the character "Amy" no longer has a blackened tooth when she is tying Gig Young' s tie (as seen in Video); and Frank's face shows some scars in close ups, a realistic touch for his character. Actually, the DVD's visuals, preceeding the film, are quite beautiful! The DVD is reasonably priced, although I would have been willing to pay a little more for some extras, such as behind the scenes photos... Now if the film preservationists could help restore the original negative of this classic movie, that would be wonderful. YOUNG AT HEART deserves it -- How about it , AMC? .

TOTALLY ROMANTIC AND GREAT MUSIC
Sinatra's portrayal of Barney Sloane (who is one of my all-time favorite characters in movies) is what really MAKES this film great. It's gritty, his acting is seamless - this film has some of his best acting ever. In fact, there IS no Frank Sinatra in this film, only Barney Sloane - I was totally engrossed in the character and he made me forget he was Frank Sinatra - now THAT's acting! Also, Doris Day is at her absolute best in this film. The chemistry between her and Frank is so much more exciting to watch than her work with Rock Hudson, who is like cardboard compared to Doris and Frank together. Great songs from Doris, and an absolutely PERFECT selection of songs by Frank. This film is sad, joyful, but most of all, ROMANTIC. Highly recommended if you want to feel your Heart!

Great Tear Jerker
This movie features Frank Sinatra in a rare very moral dramatic role. He is a sad low person who meets the ever beautiful Doris Day. Well she falls in love with his boss the ever impressive Gig Young. But then one day she finds out that her older sister has a crush on Gig. So she marries Frank. Well their married live is full of hardships and depression. And poverty. But when they have a baby at the end of the movie Franks outlook on life changes and he becomes cheerful once again. Great tearjerker. Catch Frank singing the title song Young At Heart!

Doris Day must choose Gig Young or Frank Sinatra.
Doris Day plays "Laurie", one of three daughters who live with Pop (Robert Keith) and his sister, Aunt Jessie (Ethel Barrymore) who keep the young ladies in line. Fran (Dorothy malone) just got engaged to Alan Hale Jr. (Gilligan's Island). Laurie and Amy (Elizabeth Fraser) make a deal to have a double wedding when they finally find the right guys or end up as old maids. Laurie has a new beau, Gig Young. Then Gig Young hires Frank Sinatra, a traveling piano player, to write music for him. Doris meets Frank in the family house and is sweet to him. One day, Gig Young professes his love to Laurie and they decide to get married. However, Amy secretly had feelings for Gig Young and Frank Sinatra had some feelings for Laurie. Frank tells Laurie, "Sometimes when you're on the outside looking in, you see some things other people can't". Things are about to change and not to as orginally planned. If you have not seen this one before, it's a real soap opeara doozy! Great set of a neighborhood and family house.

Never too Young!!
YOUNG AT HEART is a decent melodrama intersped with a couple of musical numbers featuring the musical talents of Doris Day and Frank Sinatra. Doris Day's numbers are light and upbeat and Frank Sinatra plays meloncholy blues (as a 'piano man' at bar dives, i.e "One For my Baby-One More for the Road"). The only time they actually sing together is a duet near the end of the picture but its worth the wait because its a great song and a great performance. However, the dramatic scenes they share are just as good as Day and Sinatra have good onscreen chemistry. Its a shame they only made this one film together because they were good friends professionally off screen as well. Day/Laurie Tuttle is one of three musical prodigy daughters to Gregory Tuttle (Robert Keith -Lt. Brannigan in GUYS AND DOLLS). A songwiter, Alex Burke (Gig Young-THEY SHOOT HORSES, DON'T THEY?)charms his way into the family home becoming a border to get inspiration to writing a musical. He becomes the object of affection to the three daughters, but is smitten with Laura immediately. However, when he brings in a piano player, Barney Sloan (Sinatra) to help out, Laura falls for his low self-esteemed but talented musician personality. Sinatra gives a very low-key understated performance as the angry (thinks-he-has-no-talent) piano player and Day is as good as always. The rest of the film is a little predictable, but entertaining and engrossing nontheless as love triangle(s) and misunderstandings arise as part of the drama. Gig Young's character and performance as the charming good guy and lovable songwriter is a bright spot in the film but it is slightly overshadowed by magnitude and presence of the two lead performers. All together, a film with a palusible melodrama plot, great songs, and most notable for the one time pairing of Day and Sinatra who have great on screen presence together. Lastly an overlooked performance by Gig Young. Note: Look for Alan Hale, Jr. (The Skipper of Gilligan's Island)in a supporting role and also,the great Ethel Barrymore (Grand aunt of Drew) as Aunt Jessie. ... Read more

Amazon.com essential video

One of the later Spencer Tracy-Katharine Hepburn matchups, this time pitting efficiency expert--sorry, that's "methods engineer"--Richard Sumner (Tracy) against TV-network research whiz Bunny Watson (Hepburn) over adding a new-fangled computer--again, sorry, that's "electronic brain"--to her department, thereby threatening her and her colleagues' livelihoods. Gig Young appears as Bunny's beau, an ambitious network executive who strings her along and becomes apoplectic at the idea that she doesn't need him. But as always, it's Hepburn and Tracy's bickering-flirting that makes this such a winning enterprise--a lunch date that turns into an interrogation and their sly repartee during a Christmas party are a couple of the movie's hilarious highlights. Interestingly, what starts out as something of a technophobic exercise--Hepburn fears for her job, and a computer goes haywire--takes an abrupt turn (perhaps the IBM product placement had something to do with that). Briskly scripted by Henry and Phoebe Ephron (Nora and Delia's parents) from a play by William Marchant. --David Kronke ... Read more

Reviews (35)

The one Tracy-Heburn movie where she gets the upper hand
This 1957 film directed by Walter Lang was the eighth of the nine Tracy-Hepburn films and their first in color. Based on the play by William Marchant (which had starred Shirley Booth on Broadway), Katharine Hepburn plays Bunny Watson, a reference librarian who works for a television network. Bunny becomes quite concerned when she learns that the new computer being installed by Spencer Tracy's Richard Sumner is supposed to put her and the rest of her staff out of work. Gig Young has his standard role as the nice guy who ends up losing the girl in the end, while Joan Blondell, Dina Merrill and Sue Randall make up the rest of Bunny's brainy staff.

In terms of pairing Tracy and Hepburn "Desk Set" is certainly unique because it is the only film where she gets the upper hand at the end and he gets the comeuppance. Tracy is really nothing more than a misunderstood villain; his new toy is suppose to help the girls in the reference library not replace them. But none of this really matters because in the end it is clear than the women are a lot smarter than the machine (although they do get the baseball trivia answer wrong). The one priceless scene in the film is a roof top lunch between Tracy and Hepburn. He just has a few simple questions for her that turn out to be brainteasers, and Hepburn's character disposes of each and every challenge with an ease grace and guileless naiveté that is quite charming, while Tracy sinks lower and lower as she beats him at every turn. The rest of the film is fairly pedestrian as we wait for the expected happy endings for the computer and romantic plot lines.

After receiving Academy Award nominations for her work in "Summertime" and "The Rainmaker," Hepburn had made a film with Bob Hope that was totally butchered, the astonishingly unfunny film "The Iron Petticoat," and "Desk Set." It would be another two years before she made another film, although Spencer Tracy's failing health was as much if not more of a contributing factor as the sudden drop off in the quality of her films. Hepburn would turn to the stage and perform Shakespeare and then return to the screen with four consecutive Oscar nominated roles. Consequently, in retrospect, "Desk Set" clearly defines the end of a period in Hepburn's career. You can not help but look at the next two decades of her film career, where virtually every film is based on a play by a great dramatist (Tennessee Williams's "Suddenly Last Summer," Eugene O'Neill's "Long Day's Journey Into Night," Euripides's "Trojan Women," Edward Albee's "A Delicate Balance") and not think that this was very much a conscious effort by Hepburn in the wake of this particular fluff piece.

IT'S ABOUT TIME!!!!!
I've been waiting for this DVD forever because I love this movie but can't stand the pan-and-scan version. I just saw this mentioned on Turner Classic Movies, cried out "Yes! Yes!" and immediately came to Amazon to see if they have it. I am so glad they do! And in honor of this great movie finally being released in all of it's widescreen glory, I am cut and pasting my review for the video version here below:

"Like Floating Island...Delicious!"

The smart dialogue, the gorgeous fashion, the way you want to kick Gig Young in the teeth...I wish more modern comedy could be this clever. (My two favorite scenes are the rooftop lunch quiz and the rainy evening misunderstanding. As usual you never think Tracy is acting, he's so real. And Hepburn's Miss Watson (her name a inside-joke nod to the founder of IBM -Thomas J. Watson) is a character you root for to blow off egotistical beau Mike. Another bonus is the Sumners snooty EMIRAC assistant, Miss Warringer-whose come-uppance couldn't be better. I want a brown coat like Bunny's!

Thank goodness this is finally out on DVD and WIDESCREEN! It's completely enjoyable now without the distractions of pan and scan!

Tracy and Hepburn Forever!

The one Tracy & Hepburn match where she gets the upper hand
This 1957 film directed by Walter Lang was the eighth of the nine Tracy-Hepburn films and their first in color. Based on the play by William Marchant (which had starred Shirley Booth on Broadway), Katharine Hepburn plays Bunny Watson, a reference librarian who works for a television network. Bunny becomes quite concerned when she learns that the new computer being installed by Spencer Tracy's Richard Sumner is supposed to put her and the rest of her staff out of work. Gig Young has his standard role as the nice guy who ends up losing the girl in the end, while Joan Blondell, Dina Merrill and Sue Randall make up the rest of Bunny's brainy staff.

In terms of pairing Tracy and Hepburn "Desk Set" is certainly unique because it is the only film where she gets the upper hand at the end and he gets the comeuppance. Tracy is really nothing more than a misunderstood villain; his new toy is suppose to help the girls in the reference library not replace them. But none of this really matters because in the end it is clear than the women are a lot smarter than the machine (although they do get the baseball trivia answer wrong). The one priceless scene in the film is a roof top lunch between Tracy and Hepburn. He just has a few simple questions for her that turn out to be brainteasers, and Hepburn's character disposes of each and every challenge with an ease grace and guileless naiveté that is quite charming, while Tracy sinks lower and lower as she beats him at every turn. The rest of the film is fairly pedestrian as we wait for the expected happy endings for the computer and romantic plot lines.

After receiving Academy Award nominations for her work in "Summertime" and "The Rainmaker," Hepburn had made a film with Bob Hope that was totally butchered, the astonishingly unfunny film "The Iron Petticoat," and "Desk Set." It would be another two years before she made another film, although Spencer Tracy's failing health was as much if not more of a contributing factor as the sudden drop off in the quality of her films. Hepburn would turn to the stage and perform Shakespeare and then return to the screen with four consecutive Oscar nominated roles. Consequently, in retrospect, "Desk S