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| 1. Hero Director: Yimou Zhang | |
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Reviews (59)
Unfortunately, money does not always buy happiness. Despite the beautiful imagery, the story is brazenly unoriginal, taking its principle technique from Kurasawa's 1950 breakout film Rashomon, and much of its wuxia energy from Ang Lee's Taiwanese sensation of 2000, Crouching Tiger Hidden Dragon. To the simple-minded, I think it fails as an action picture, and to the sophisticated, its moral push is far from certainly digestible. Neither do any of the actors succeed in endearing themselves to us. Its greatest strength is its beautiful imagery. I recently watched Alexander Nevsky, the famous Soviet propaganda film. Viewed today, its intent is obvious and clumsily applied. I watched Ying Xiong, or "Hero", well into the second hour before I realized that I was watching a modern version of that same old communist template. What are the messages here? I admit that even as an American, I cannot quickly digest these complex moral questions and make an immediate assessment as to their worthiness. For a Chinese person, I assume this film has been even more powerful. The pride evoked from its bold nationalist statement may further push them towards accord. Hence its value as propaganda has probably been quite strong. I think that ultimately the value of this film as a classic will be decided by the prevalent answer to these moral questions, and my suspicion is that history will not look favorably on the direction in which it pushes viewers to think.
It is very beautiful, and this is probably the first thing to be noticed. The various elements, actors, scenery and colors all combine to create a visual splendor. It is a very painterly movie, a feast for the eyes. Specifically, color is used to create moods and to differentiate the various storylines. If the visuals are painterly, then the Martial Arts are dancerly, along the same line as "Crouching Tiger, Hidden Dragon," to which inevitable comparisons must be drawn. The actors are equally beautiful as well, and "Hero, truly a feast for the eyes, could probably be enjoyed in this manner, without any dialog. Storywise, it is a variation on the familiar "Rashomon" theme of "what is the truth?" The same story is told and re-told, each time moving closer to the purity of truth, and with truth comes enlightenment. This is an intimate tale, a quiet verbal duel between an Emperor, so fearsome and lonely than no human can approach within one hundred paces of him, and a nameless subject, who might just be a true hero. Between them, a story is told of epic engagements, artists and warriors, and what is actually worth fighting and dying for. I won't spoil too much of the story, as part of "Hero's" strength and insight lies in discovery. That is not to say that it is full of surprises and twist endings, but rather that, like all Buddhist insight, the answer of the movies riddle lies as much in the viewer as in the actors.
The wire kung fu is meant to be an expression of the inner turmoils that play within the character's heart and mind. Suspending your belief in reality would have to take place to accept the incredibly artistic fight scenes in this movie or just about every other action movie ever made like Spiderman or ID4. At least enjoy the beautiful camera work and use of colors in this movie instead of thinking about "too many pretentious but self-indulgent thought-to-be poetically beautified scenes". The "peking opera styled slow talking dialogue" is used effectively in my opinion. JUSTAREADER may not be a fan of this type of dialog but everybody has their own opinion. Zhang Yimou used the story of the Qin Emperor only as an outlet much like Passions of the Christ. Many will not agree with the portrayal of the Qin Emperor in Hero or the portrayal of Christ in Passions but it made its point. I agree that the Qin Emperor is not as "benevolent" as Hero suggests but this is a fictional story meant to convey the conflicts of the characters - the sacrifices made for self and country and the eternal question "does the ends justify the means"? Boring movies don't move the audience and just passes 2 hours of their lives. It's the reaction I get after attempting to watch Dreamcatcher, Road Trip, or Day After Tommorrow. Great movies provoke a reaction from the audience. This is a great movie with great visuals and cinematography. It got a reaction out of the "love it" and "hate it" camp! It wasn't a simple "love it" or "hate it" review. Some of the best movies and music are derivatives of others. Example: Led Zeppelin and Aerosmith just borrowed from the blues and garage rock; Hero borrows from Rashomon; the list can go on and on forever. So to call Hero an unoriginal movie is an oxymoron because every movie copies from earlier movies. Not all westerners are "simple-minded". People who just want simple Kung Fu movie or action movie with no plot will be bored to death and will find the movie "too complicated for westerners." For those of us who want something more than movies like Garfield or Starsky & Hutch will more than likely enjoy Hero.
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| 2. Blade II Director: Guillermo del Toro | |
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Description Reviews (314)
Blade (Snipes) is enlisted by the Vampires to help destroy a genetic nightmare-being called the Reapers, which even have the Vampires themselves on the run. Assisting Blade is a re-juvinated Whistler (Kristofferson) and the Bloodpack, an elite group of Vampires trained to hunt Blade led by the lovely Leonor Varela and Ron Perlman. Blade is now the leader of the Bloodpack as they must try to defeat the Reapers. Two hours later, you're going to have to catch your breath outside of the theater. Del Toro's direction is incredible, as you are right in the thick of the action. All the stops are pulled out for this sequel. However, the only drawback is the lack of a solid plot, but you pretty much forget about that after you get taken in my all the action sequences. The computer effects are equally dazzling, and adds to the gore of the film (which is definately a factor). Everything is just right in "Blade II". The film is casted well, everything is shiny and glossy with a kick-butt attitude towards it. Camera shots and frame rate are queued with perfection, and the fight scenes during the film are what makes this production top-notch. A must see and a definate buy when released.
What's the Marv Wolfman Touch you may ask. Wolfman and Gene Colan of course was the original Marvel comics team which created Blade from a subplot in their most popular horror comic Tomb of Dracula in the 1970s. Those dudes pretty much knew they were creating comic books stories and never, never took themselves 100% too seriously. Blade II loses the light touch--as much as fables of vampirous goings on could indeed have a light touch--and goes for the jugular, pun intended. I found myself wishing for one of those campy, talky Vincent Price death scenes since most of the creatures here explode in a special effects blast into dust and immediately into oblivion type of thing when killed. The crew of offending vampires creepily open the flesh on their cheek, jaws and upper neck to--bite yer neck and suck yer blaad! Yeesh! And Snipes smiles sadistiaclly thru-out the entire thing. It was a chore to look at it 'cuz it is busy, so many of those vamp things disintergate and no one is having that much fun. I'll watch a video featuring Sesame Street's Count any day insteada this mess.
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| 3. Iron Monkey Director: Woo-ping Yuen | |
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Reviews (131)
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| 4. Highlander - Endgame Director: Douglas Aarniokoski | |
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Reviews (218)
So what we have here is a tale of two immortals, Connor and Duncan MacLeod (Christopher Lambert and Adrian Paul), who apparently are out to stop an even more powerful and evil immortal (Bruce Payne) who holds a grudge against Connor. That's the basic premise, but getting into details would only be confusing, to me and whoever's reading this. There are a LOT of subplots at work here, individual scenes that don't really seem to mesh with the main story, and if they do, they're never concluded satisfactorily. Example? How about when Connor is kept locked in a room with an iron mask covering his eyes; how exactly did he end up there and how did he even escape? What about those people who keep track of the immortal kills; who are they, how do they do it, and considering there are tons of rules these immortals have to follow in combat, how come these people never enforce the rules? For that matter, considering the evil Kell (the film's villain) isn't even following these rules, why shouldn't Connor and Duncan team up to take him down? Those are only a few of the movie's numerous head-scratchers, suffice to say if this is the first and only Highlander movie you've seen, don't worry, I'm as every bit as confused as you are. The series never follows a singular mythology, which simply means if you watch the first film, each of the individual sequels plays as a follow-up to that film, and certainly not the one that came before it (i.e. part 2 sort of follows part 1, part 3 negates part 2 and follows part 1, part 4 negates part 3 and follows up to part 1). But even that rule isn't completely sound. Even Highlander: The Quickening chose to negate much of what occurred in the first film, done in such blatant manners that you can't help but slap your forehead when you witness what a true mess this series became. If you've seen it, you know what I'm talking about; Connor and Ramirez are really from another planet called Zeist and they've known each other from then (which makes their "first" meeting in Scotland in the original film a headscratcher). I haven't even gotten to the fact that all these immortals are fighting to return to Zeist, even though they were banished there for being rebels (doesn't this mean they should all, I dunno, work together?) According to the Renegade version, immortals are from the past, which is still almost as mucked up. But I digress, the point here is to review Endgame, and for what it is, it might please Highlander fans, if they prefer Paul to Lambert, as the former is the true star of the picture, and is highlighted in most of the action sequences. The action itself is relatively decent, the climactic swordfight could have been better filmed, but it's not like I was expecting a lot from the action in this movie in the first place. When it comes to the series, I'm a casual open-minded viewer and what keeps me coming to each sequel is the hope that finally, someone will capitalize with the grand ideas at work. Instead, this quartet is mostly viewed as an embarrassment to sci-fi/fantasy/action filmmaking, an insult to lucid storytelling, and a spit in the face to those who enjoyed the first movie. I didn't absolutely hate Endgame, it's had enough watchable moments to keep my attention, but it's definitely a bad movie, and doesn't have the awe-inspiring kitsch value of The Quickening. I have one more thing to complain about and that's the amount of effort put into marketing this picture. Obviously, Dimension films wanted to milk the series for all it was worth, but they actually gave us trailers that featured cool scenes that were never even meant to be in the film. Alternately, when we have a great sci-fi action film like Equilibrium left to die at the box office, I'm only further upset at what Dimension believes is or isn't worth marketing.
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| 5. Drunken Tai-Chi Director: Woo-ping Yuen | |
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Reviews (6)
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| 6. Iron Monkey Director: Woo-ping Yuen | |
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Reviews (1)
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| 7. Shanghai Knights Director: David Dobkin | |
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Reviews (89)
Shanghi Knights takes place a few years after the events of Shanghi Noon. Chon Wang (Jackie Chan) is living a succesful life as sherrif of a small town. Roy O'Bannon (Owen Wilson) is living a seemingly succesful life with a series of action packed novels and investments. When Chon Wangs father is murdered he vows vengeance. SO with Roy O'Bannon they travel to England to find the killer and CHon sister. The reason this movie works is because both characters are now way out of their enviroment. WIth references to famouse British figures such as Jack the Ripper, Sir Arthor Conan Doyle, and Charlie Chaplain as well as inventions such as the Automobile and the Moving Picture this movie is funny and succesful without gooing into over kill. A must see.
Chan and Wilson have great on screen chemistry. Aidan Gillen is a wonderfully one-dimensional villain, and the entire supporting cast do their job admirably. Grab some popcorn and leave your brain and expectations at the door and you'll have a ball.
First of all if you have any passion for historic recreations in film, you are going to be seriously disturbed by the amount of blunders here.. they are too numerous to mention, and on several websites are on-going discussions of what they were and why they were overlooked. Never mind, the first film had historic mistakes as well.. and one can argue that this IS comedy...... but if you KNOW history, they are going to be distracting and you will miss the action, comedy and excitement of the film. However, my main complaint is the musical "jokes" that pepper the film. We are in Victorian London, England and we hear huge chunks of loud musical clips from pop songs of the 1950s and 60s, like the old Roger Miller tune "England Swings", "Singing in the Rain" (no it is not raining and Jackie is not singing when they play it), "Magic Bus" (no, there is no bus in the scene) and "Winchester Cathedral" which plays loudly in a scene filmed at... get this... "Buckingham Palace"!! There are more, very loud musical "jokes" that totally detract and ruin the mood of the setting, comic moments and the action at hand. The main orchestral score itself is actually well composed and performed, but the added outlandish musical jokes are totally inappropriate and go on far too long to be funny.... and in fact... without them, the movie, in my opinion, would have been a lot more fun and enjoyable. As far as Owen's performance... it was clearly NOT up to the fine job he did in the first film. In "Noon" he was funny, loveable, playful and genuine. In this film he seems distracted, over-directed and less expressive. He also does not look like he is having fun with his character.... it's a walk through for him. My suggestion is to get the first film... its a treasure. Far fetched, yes, but it has charm, comedy, continuity, drama, and loads of action. This new film is a series of jokes and parodies (musical and otherwise) that simply don't hold together or keep a person involved in the continuity... and even the great Jackie Chan can't keep it together alone.
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| 8. Once Upon a Time in China Part 2 Director: Hark Tsui | |
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Reviews (40)
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| 9. Wing Chun Director: Woo-ping Yuen | |
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Amazon.com Reviews (31)
The only annoyance was the appallingly bad subtitles, though they're sometimes bad enough to be fun in themselves. They're not up to the standard of the rest of the DVD, though, by a long shot. I have the HK version by Modern Audio Ltd., and I suppose that this issue may be specific to their release. That aside, I heartily recommend the movie.
Admittingly the English dubbing wasn't great (The voices don't seem to match the actors too well in some places and they sound a little strange at times), but the action more than makes up for it! The story is almost comical, as Wing Chun's aunt constantly goads her father into stress-attacks, Badgers Wing Chun about her fighting ways and brings haggling to new levels in her business. Also, over half the town (including Wing Chun's childhood friend who returns from his travels) think Wing Chun is a man. There is a whole lot more going on here, so the best thing to do is just sit back and enjoy a killer martial arts flick!
Yuen Wo Ping.... This guy would cut out, go to a corner or off the set, light up a smoke, and sit there and stare at the set in sort of a trance. The immagination and brilliance was being put to use. After his smoke, or ten minutes later or so, he'd come back knowing immediately and exactly what he wanted to do. He did this with all of his films. This is his art, and every action fan should marvel in it. BUY it with NO hesitations (if you can find it).
The only annoyance was the appallingly bad subtitles, though they're sometimes bad enough to be fun in themselves. They're not up to the standard of the rest of the DVD, though, by a long shot. I have the HK version by Modern Audio Ltd., and I suppose that this issue may be specific to their release. That aside, I heartily recommend the movie. ... Read more | |
| 10. Blade II Director: Guillermo del Toro | |
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Description Reviews (314)
Blade (Snipes) is enlisted by the Vampires to help destroy a genetic nightmare-being called the Reapers, which even have the Vampires themselves on the run. Assisting Blade is a re-juvinated Whistler (Kristofferson) and the Bloodpack, an elite group of Vampires trained to hunt Blade led by the lovely Leonor Varela and Ron Perlman. Blade is now the leader of the Bloodpack as they must try to defeat the Reapers. Two hours later, you're going to have to catch your breath outside of the theater. Del Toro's direction is incredible, as you are right in the thick of the action. All the stops are pulled out for this sequel. However, the only drawback is the lack of a solid plot, but you pretty much forget about that after you get taken in my all the action sequences. The computer effects are equally dazzling, and adds to the gore of the film (which is definately a factor). Everything is just right in "Blade II". The film is casted well, everything is shiny and glossy with a kick-butt attitude towards it. Camera shots and frame rate are queued with perfection, and the fight scenes during the film are what makes this production top-notch. A must see and a definate buy when released.
What's the Marv Wolfman Touch you may ask. Wolfman and Gene Colan of course was the original Marvel comics team which created Blade from a subplot in their most popular horror comic Tomb of Dracula in the 1970s. Those dudes pretty much knew they were creating comic books stories and never, never took themselves 100% too seriously. Blade II loses the light touch--as much as fables of vampirous goings on could indeed have a light touch--and goes for the jugular, pun intended. I found myself wishing for one of those campy, talky Vincent Price death scenes since most of the creatures here explode in a special effects blast into dust and immediately into oblivion type of thing when killed. The crew of offending vampires creepily open the flesh on their cheek, jaws and upper neck to--bite yer neck and suck yer blaad! Yeesh! And Snipes smiles sadistiaclly thru-out the entire thing. It was a chore to look at it 'cuz it is busy, so many of those vamp things disintergate and no one is having that much fun. I'll watch a video featuring Sesame Street's Count any day insteada this mess.
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| 11. Butterfly and Sword Director: Chi Li Tang, Michael Mak, Michael Mak Dong-kit | |
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Amazon.com Reviews (16)
Despite a strong cast and beautiful scenery, the movie ultimately disappoints. One saving grace for this film is Donnie Yen. Though his great talents were wasted in his fight scenes due to over-use of wires, poor camera work and disastrous editing, he managed to compensate by putting more heart and warmth into his character, the ever serious but sincere Yip, who is the only likable character in the film. Too bad we have not seen Donnie Yen as often as we see Jet Li or Jackie Chan. A much better actor than Jet Li and extremely gifted in martial arts, he exuberates a certain charisma that simply draws people to him, either in a major role or a supporting role. Michelle Yeoh on the other hand is marvelous. She conveys emotions just as effectively as she does swirls and kicks. The scene where she glides through the air between two bamboo trees is one of few good action scenes in the movie, but it perhaps is one of the most graceful and elegant scenes I have seen in any martial art films. Two stars for Michelle and Donnie.
Donnie plays a drunken loaner, who's hopelessly in love with Michelle Yeoh. Aside from that, there's Tony Leung and his goofy wife. The rest of the cast is pretty cooky. This is a typical early 90s film for those of you familiar with the genre.
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| 12. Wing Chun Director: Woo-ping Yuen | |
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Amazon.com Reviews (31)
The only annoyance was the appallingly bad subtitles, though they're sometimes bad enough to be fun in themselves. They're not up to the standard of the rest of the DVD, though, by a long shot. I have the HK version by Modern Audio Ltd., and I suppose that this issue may be specific to their release. That aside, I heartily recommend the movie.
Admittingly the English dubbing wasn't great (The voices don't seem to match the actors too well in some places and they sound a little strange at times), but the action more than makes up for it! The story is almost comical, as Wing Chun's aunt constantly goads her father into stress-attacks, Badgers Wing Chun about her fighting ways and brings haggling to new levels in her business. Also, over half the town (including Wing Chun's childhood friend who returns from his travels) think Wing Chun is a man. There is a whole lot more going on here, so the best thing to do is just sit back and enjoy a killer martial arts flick!
Yuen Wo Ping.... This guy would cut out, go to a corner or off the set, light up a smoke, and sit there and stare at the set in sort of a trance. The immagination and brilliance was being put to use. After his smoke, or ten minutes later or so, he'd come back knowing immediately and exactly what he wanted to do. He did this with all of his films. This is his art, and every action fan should marvel in it. BUY it with NO hesitations (if you can find it).
The only annoyance was the appallingly bad subtitles, though they're sometimes bad enough to be fun in themselves. They're not up to the standard of the rest of the DVD, though, by a long shot. I have the HK version by Modern Audio Ltd., and I suppose that this issue may be specific to their release. That aside, I heartily recommend the movie. ... Read more | |
| 13. Duel at Tiger Village Director: Ho-ping Yuen | |
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Reviews (20)
The only thing that made me keep watching was the frequent appearance of astonishing hyper-kinetic fight scenes choreographed by Yuen Ho-Ping, not the endlessly inventive Yuen Woo-Ping (as Amazon.com states), who came to fame as the fight choreographer of "The Matrix." Many people think that Woo-Ping did the fight choreography in this one... but he didn't. Those that have seen many of his other movies will notice the fight scenes lack a certain charisma that only Woo-Ping can deliver. Still, the curious thing is that, after a while, this choppy movie starts to lurch into a good-old kung fu spectacle. Iron Monkey 2 grows strangely compelling. It's as if, through directorial incompetence, the movie has been distilled to the basic elements of cinematic storytelling. This is not Yuen Woo-Ping's work, but I believe you may find it worth it because of Donnie Yen, who many believe is up there in on screen-fighting-fireworks with the likes of Jet Li and Jackie Chan. The other highlight in this movie was the actor who portrayed the son looking for his father --he had incredible martial arts skills in his own right. His fight with Donnie Yen was arguably one of the better ones in the film. The one bad thing was that we get more fighting from this looking-for-father guy than Donnie Yen himself. He's not a bad fighter, but I bought the movie looking for most of the fights with the Iron Monkey himself involved. By itself, you have some good fighting with some really bad dubbing and a reused music track from the movie "True Lies." But when you slap the name of the sequel to one of Yuen Woo-Ping's best work to it, too many comparisons will be made.
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| 14. Crystal Hunt Director: Pak Lam Chui | |
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Reviews (4)
Donnie Yen makes this film and his fights against regulars such as Micheal Woods( whom was the muscular fighter that fought against Donnie Yen on the top of the building at the end of 'In Line of Duty 4') makes this film fairly watchable and merely a collection filler rather than a centre piece of a film collection.
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| 15. Duel at Tiger Village Director: Ho-ping Yuen | |
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Reviews (20)
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