Amazon.com essential video

This 1989 rouser is apocalyptic pulp--the bloodiest, showiest, most shamelessly sentimental specimen of Hong Kong's gangster melodramas. A torch singer named Jennie (Sally Yeh) is accidentally blinded during a slaying in a night club, and Chow Yun-fat's sad-eyed Jeff, a self-lacerating assassin, drags himself out of retirement to take on one last job--rubbing out a major mobster for major bucks--so he can pay for the singer's cornea transplant operation. But Jeff pauses to ferry a wounded child to the hospital during this final outing, and because of this a cop finally gets a good look at him: "He was seen on the job," snarls a saturnine Mr. Big, "and I want him wasted." Armies of thugs converge on the saintly slayer. Some of writer-director John Woo's flourishes are kitsch classics (doves flying upward in a candlelit church), while the action sequences are rapturous. "Life's cheap," a character opines. "It only takes one bullet," but in this case it actually takes about a dozen spewing bullet hits to kill anyone, as soulful triads in mirror shades and duster overcoats blaze away with high-tech weaponry. (A favorite trick involves grasping an enemy by the lapels, pulling him into a waltz embrace, and pumping several slugs into his duodenum.) Danny Lee, Chow's costar in City on Fire, is the intense, young officer who fixates on the killer's contradictory personality. --David Chute ... Read more

Reviews (124)

Easily John Woo/Chow Yun Fat's best!
The Killer is a beautiful action/drama masterpiece. It is the best work I have yet to see done by both director John Woo and HK superstar Chow Yun Fat(both of whose movies I am familiar with.) The rest of the cast (including Danny Lee and Sally Yeh) are superb. The sheer grace and flair of the seamlessly choreographed gunfights to the poignancy of the gripping story of a professional hitman trying to cut clean, while gradually falling in love with a victim he accidently blinds in a shootout are all executed perfectly. This movie is not your standard action fare, as it goes deep into the mind of the killers, and depicts the characters trying to live a life that is honorable in a world that is so corrupt and sinister. The bottom line of the movie is quoted by CYF toward the beginning of the film: "Not everybody in this world is untrustworthy." Underlying the blazing guns and implied emotional battles, lies a tale of loyalty, trust and friendship. John Woo epitimizes this movie by proving that the action is not present simply for the sake of action, but instead for clean moviemaking and plot. As for the quality of the DVD itself, the picture is very clear for an older movie (1989) and the features and menu setup is very stylishly done... just don't watch the trailers, they do severe injustice to the featured films (The Killer and Hard Boiled) and contain spoilers. For hardcore HK movie buffs, the Cantonese language track with English subtitles is the definite route to take. The English track is butchered and incomplete, not to mention hard to understand and silly-sounding. I highly recomend watching this movie in it's original language (the way it was intended to be heard) as it is much more powerful this way. If you plan on purchasing this movie, though, I would instead recommend you buy the John Woo 2 DVD pack, which includes both this edition of The Killer and also Hard Boiled, another John Woo/CYF compilation.

The Story of a Hitman with a Heart
Because I'm a 13 year old boy(and a fan of Chow Yun-Fat and John Woo), I was just looking for the best action movie of all time. I ended up with something better, a dramatic, well though-out action film. It may not be "The Matrix", but "The Killer" was awesome. It was a movie filled with mayhem and bullets. And there was so much action. Jeffrey is a hitman with a heart who, during his last hit, accidentally blinds a woman with a gun. Because he's not a cold-hearted hitman, he decides to do one more hit to pay for an operation that will keep her from going blind. Lee is a cop who wants to stop Jeffrey from making his last hit. Jeffrey is betrayed by the mob that hired him and is put in war against all odds. Jeffrey and Lee put aside their differences to blur the line between them. Together they blast through the war leading to a climatic battle that is John Woo's best battle ever. Even though I'm only 13, I know good acting when I see it. This movie has been throned "THE Movie of Mayhem".Don't bother renting it, just buy the DVD.

"One Vicious Hitman. One Fierce Cop. Ten Thousand Bullets."

John Woo & Chow Yun Fat...nuff said!
The Killer is the perfect example of cinema in its most powerful form. Expression...every bullet, every conversation & every scene just flows so beautifully & expressively it just blows me away. Unexplainable. Very deep & mythological story, unlike anything ive ever seen! U just have to see it. & see it. It will make u think to yourself, "what the hell is the average Hollywood budget gettin wasted on?? Promotion!!?? " John Woo on the other hand does not need $100,000,000 to truley express himself, hell, he doesn't even need the highest quality celluloid to make his films stunningly beatiful.. The Killer is no exception, John Woo is such a masterful director, no wonder why Hollywood have been ripping him off long before they invited him to join 'em!
& unlike most action films of mindless "invincibilty" plots & stupid reasons for massive shootouts, this has a cause for every piece of stunningly choerographed action...& consequences to join the equation.
If youve only seen Chow Yun Fat in his American films (Replacement Killers & Bulletproof Monk e.t.c), you really havent his true styles & capabilities. Get THE KILLER, & youll know why Hollywood have copied J.Woo's style of genius direction more times than a photo-copier has copied paper!
This is John Woo at his purest form, & Chow in his true style.
The John Woo & Chow Yun Fat combo is like the Sergio Leone & Clint Eastwood combo= Classics!
Get this if u like a deep, moving story, awesome acting, & action that sychronizes perfectly. (Also check out other J. Woo classics, Hard Boiled, A Better Tommorow 1 & 2, & Bullet in the Head!)
.....Nobody does action like Honk Kong...Nobody does Honk Kong like John Woo...

Best...action movie...ever!
Filled with grit, emotion, and psychological depth, not to mention lots and lots of blood, "The Killer" is the kind of passion play that is seen all too rarely in any style of film, let alone the action genre. In fact, John Woo's Hong Kong shoot-'em-up masterpiece resembles nothing so much as Shakespeare with thousands of bullets flying around. In this case the role of the tragic hero is assumed by Jeffrey, played in career-defining fashion by Chow Yun-Fat. Jeffrey is an amiable enough sort, who also just happens to be a fearless, unstoppable assassin with a steely glare and a deadly accurate shot. But when he accidentally blinds a lovely torch singer named Jenny while mowing down about a dozen criminals in a crowded bar, Jeffrey finds some new meaning in his life by assuming responsibility for the woman, even going so far as to try to get her a vision-restoring cornea transplant. However, everything is far from hunky-dory for Jeffrey and his ward: after committing one last job to get the money for Jenny's operation, Jeffrey finds himself pursued by a small army of thugs as well as Chang and Li, two relentless detectives. Oh, and his best friend and associate Sidney has (temporarily) betrayed him. With all that's going on, the stage is set for a struggle on an operatic scale, with Chow giving his character just the right mix of warmth and gravity.

As one would expect from a film directed by Woo, with Chow in the starring role, "The Killer" contains more than its fair share of shootouts and chase scenes, all filmed with Woo's signature frenetic visual style. However, it's what happens when the movie slows down that sets it apart from the pack. "The Killer" is as much a drama as it is an action yarn, and it's a mighty good drama at that. There are a bunch of scenes here that got my adrenaline flowing, but even more impressive, some moments practically moved me to tears (emphasis on the word "practically"). Behind the constant action is an often-moving tale of devotion, honor, redemption, and friendship in the unlikely setting of the criminal underworld. The lines between good and bad, right and wrong, cop and criminal, are all blurred in a haze of moral ambiguity and divided loyalties. While Jeffrey and Sidney attempt to restore trust after Sidney's betrayal, an unlikely bond forms between Jeffrey and Li as the detective and the assassin realize they're not that different after all.

As the story unfolds, building toward the inevitable confrontation, the tension and the emotional stakes only rise along with the body count. Woo manages to elevate the crime drama to poetry, whether during a taut action sequence or a subdued conversation scene. The movie's deservedly legendary finale, involving a crazed gun battle inside a church, is the only appropriate conclusion. The viewer certainly needs some catharsis after such a harrowing journey, and Woo more than delivers the goods. "The Killer" is one of the few movies of its ilk that can legitimately be called art.

=====Respect Hong Kong Cinema =======
===========Hong Kong action and John Woo should be greatly respected by Hollywood b/c most of his movies like THe Killer, Hard Boiled and The Better Tomorrow Series are being ripped off by Hollywood directors such as the movie "DESPERADO," "RESEVIOR DOGS" and etc. The Hong kong cinema should be credited by hollywood.==================== ... Read more

Reviews (124)

Easily John Woo/Chow Yun Fat's best!
The Killer is a beautiful action/drama masterpiece. It is the best work I have yet to see done by both director John Woo and HK superstar Chow Yun Fat(both of whose movies I am familiar with.) The rest of the cast (including Danny Lee and Sally Yeh) are superb. The sheer grace and flair of the seamlessly choreographed gunfights to the poignancy of the gripping story of a professional hitman trying to cut clean, while gradually falling in love with a victim he accidently blinds in a shootout are all executed perfectly. This movie is not your standard action fare, as it goes deep into the mind of the killers, and depicts the characters trying to live a life that is honorable in a world that is so corrupt and sinister. The bottom line of the movie is quoted by CYF toward the beginning of the film: "Not everybody in this world is untrustworthy." Underlying the blazing guns and implied emotional battles, lies a tale of loyalty, trust and friendship. John Woo epitimizes this movie by proving that the action is not present simply for the sake of action, but instead for clean moviemaking and plot. As for the quality of the DVD itself, the picture is very clear for an older movie (1989) and the features and menu setup is very stylishly done... just don't watch the trailers, they do severe injustice to the featured films (The Killer and Hard Boiled) and contain spoilers. For hardcore HK movie buffs, the Cantonese language track with English subtitles is the definite route to take. The English track is butchered and incomplete, not to mention hard to understand and silly-sounding. I highly recomend watching this movie in it's original language (the way it was intended to be heard) as it is much more powerful this way. If you plan on purchasing this movie, though, I would instead recommend you buy the John Woo 2 DVD pack, which includes both this edition of The Killer and also Hard Boiled, another John Woo/CYF compilation.

The Story of a Hitman with a Heart
Because I'm a 13 year old boy(and a fan of Chow Yun-Fat and John Woo), I was just looking for the best action movie of all time. I ended up with something better, a dramatic, well though-out action film. It may not be "The Matrix", but "The Killer" was awesome. It was a movie filled with mayhem and bullets. And there was so much action. Jeffrey is a hitman with a heart who, during his last hit, accidentally blinds a woman with a gun. Because he's not a cold-hearted hitman, he decides to do one more hit to pay for an operation that will keep her from going blind. Lee is a cop who wants to stop Jeffrey from making his last hit. Jeffrey is betrayed by the mob that hired him and is put in war against all odds. Jeffrey and Lee put aside their differences to blur the line between them. Together they blast through the war leading to a climatic battle that is John Woo's best battle ever. Even though I'm only 13, I know good acting when I see it. This movie has been throned "THE Movie of Mayhem".Don't bother renting it, just buy the DVD.

"One Vicious Hitman. One Fierce Cop. Ten Thousand Bullets."

John Woo & Chow Yun Fat...nuff said!
The Killer is the perfect example of cinema in its most powerful form. Expression...every bullet, every conversation & every scene just flows so beautifully & expressively it just blows me away. Unexplainable. Very deep & mythological story, unlike anything ive ever seen! U just have to see it. & see it. It will make u think to yourself, "what the hell is the average Hollywood budget gettin wasted on?? Promotion!!?? " John Woo on the other hand does not need $100,000,000 to truley express himself, hell, he doesn't even need the highest quality celluloid to make his films stunningly beatiful.. The Killer is no exception, John Woo is such a masterful director, no wonder why Hollywood have been ripping him off long before they invited him to join 'em!
& unlike most action films of mindless "invincibilty" plots & stupid reasons for massive shootouts, this has a cause for every piece of stunningly choerographed action...& consequences to join the equation.
If youve only seen Chow Yun Fat in his American films (Replacement Killers & Bulletproof Monk e.t.c), you really havent his true styles & capabilities. Get THE KILLER, & youll know why Hollywood have copied J.Woo's style of genius direction more times than a photo-copier has copied paper!
This is John Woo at his purest form, & Chow in his true style.
The John Woo & Chow Yun Fat combo is like the Sergio Leone & Clint Eastwood combo= Classics!
Get this if u like a deep, moving story, awesome acting, & action that sychronizes perfectly. (Also check out other J. Woo classics, Hard Boiled, A Better Tommorow 1 & 2, & Bullet in the Head!)
.....Nobody does action like Honk Kong...Nobody does Honk Kong like John Woo...

Best...action movie...ever!
Filled with grit, emotion, and psychological depth, not to mention lots and lots of blood, "The Killer" is the kind of passion play that is seen all too rarely in any style of film, let alone the action genre. In fact, John Woo's Hong Kong shoot-'em-up masterpiece resembles nothing so much as Shakespeare with thousands of bullets flying around. In this case the role of the tragic hero is assumed by Jeffrey, played in career-defining fashion by Chow Yun-Fat. Jeffrey is an amiable enough sort, who also just happens to be a fearless, unstoppable assassin with a steely glare and a deadly accurate shot. But when he accidentally blinds a lovely torch singer named Jenny while mowing down about a dozen criminals in a crowded bar, Jeffrey finds some new meaning in his life by assuming responsibility for the woman, even going so far as to try to get her a vision-restoring cornea transplant. However, everything is far from hunky-dory for Jeffrey and his ward: after committing one last job to get the money for Jenny's operation, Jeffrey finds himself pursued by a small army of thugs as well as Chang and Li, two relentless detectives. Oh, and his best friend and associate Sidney has (temporarily) betrayed him. With all that's going on, the stage is set for a struggle on an operatic scale, with Chow giving his character just the right mix of warmth and gravity.

As one would expect from a film directed by Woo, with Chow in the starring role, "The Killer" contains more than its fair share of shootouts and chase scenes, all filmed with Woo's signature frenetic visual style. However, it's what happens when the movie slows down that sets it apart from the pack. "The Killer" is as much a drama as it is an action yarn, and it's a mighty good drama at that. There are a bunch of scenes here that got my adrenaline flowing, but even more impressive, some moments practically moved me to tears (emphasis on the word "practically"). Behind the constant action is an often-moving tale of devotion, honor, redemption, and friendship in the unlikely setting of the criminal underworld. The lines between good and bad, right and wrong, cop and criminal, are all blurred in a haze of moral ambiguity and divided loyalties. While Jeffrey and Sidney attempt to restore trust after Sidney's betrayal, an unlikely bond forms between Jeffrey and Li as the detective and the assassin realize they're not that different after all.

As the story unfolds, building toward the inevitable confrontation, the tension and the emotional stakes only rise along with the body count. Woo manages to elevate the crime drama to poetry, whether during a taut action sequence or a subdued conversation scene. The movie's deservedly legendary finale, involving a crazed gun battle inside a church, is the only appropriate conclusion. The viewer certainly needs some catharsis after such a harrowing journey, and Woo more than delivers the goods. "The Killer" is one of the few movies of its ilk that can legitimately be called art.

=====Respect Hong Kong Cinema =======
===========Hong Kong action and John Woo should be greatly respected by Hollywood b/c most of his movies like THe Killer, Hard Boiled and The Better Tomorrow Series are being ripped off by Hollywood directors such as the movie "DESPERADO," "RESEVIOR DOGS" and etc. The Hong kong cinema should be credited by hollywood.==================== ... Read more

Amazon.com essential video

This 1989 rouser is apocalyptic pulp--the bloodiest, showiest, most shamelessly sentimental specimen of Hong Kong's gangster melodramas. A torch singer named Jennie (Sally Yeh) is accidentally blinded during a slaying in a night club, and Chow Yun-fat's sad-eyed Jeff, a self-lacerating assassin, drags himself out of retirement to take on one last job--rubbing out a major mobster for major bucks--so he can pay for the singer's cornea transplant operation. But Jeff pauses to ferry a wounded child to the hospital during this final outing, and because of this a cop finally gets a good look at him: "He was seen on the job," snarls a saturnine Mr. Big, "and I want him wasted." Armies of thugs converge on the saintly slayer. Some of writer-director John Woo's flourishes are kitsch classics (doves flying upward in a candlelit church), while the action sequences are rapturous. "Life's cheap," a character opines. "It only takes one bullet," but in this case it actually takes about a dozen spewing bullet hits to kill anyone, as soulful triads in mirror shades and duster overcoats blaze away with high-tech weaponry. (A favorite trick involves grasping an enemy by the lapels, pulling him into a waltz embrace, and pumping several slugs into his duodenum.) Danny Lee, Chow's costar in City on Fire, is the intense, young officer who fixates on the killer's contradictory personality. --David Chute ... Read more

Reviews (124)

Easily John Woo/Chow Yun Fat's best!
The Killer is a beautiful action/drama masterpiece. It is the best work I have yet to see done by both director John Woo and HK superstar Chow Yun Fat(both of whose movies I am familiar with.) The rest of the cast (including Danny Lee and Sally Yeh) are superb. The sheer grace and flair of the seamlessly choreographed gunfights to the poignancy of the gripping story of a professional hitman trying to cut clean, while gradually falling in love with a victim he accidently blinds in a shootout are all executed perfectly. This movie is not your standard action fare, as it goes deep into the mind of the killers, and depicts the characters trying to live a life that is honorable in a world that is so corrupt and sinister. The bottom line of the movie is quoted by CYF toward the beginning of the film: "Not everybody in this world is untrustworthy." Underlying the blazing guns and implied emotional battles, lies a tale of loyalty, trust and friendship. John Woo epitimizes this movie by proving that the action is not present simply for the sake of action, but instead for clean moviemaking and plot. As for the quality of the DVD itself, the picture is very clear for an older movie (1989) and the features and menu setup is very stylishly done... just don't watch the trailers, they do severe injustice to the featured films (The Killer and Hard Boiled) and contain spoilers. For hardcore HK movie buffs, the Cantonese language track with English subtitles is the definite route to take. The English track is butchered and incomplete, not to mention hard to understand and silly-sounding. I highly recomend watching this movie in it's original language (the way it was intended to be heard) as it is much more powerful this way. If you plan on purchasing this movie, though, I would instead recommend you buy the John Woo 2 DVD pack, which includes both this edition of The Killer and also Hard Boiled, another John Woo/CYF compilation.

The Story of a Hitman with a Heart
Because I'm a 13 year old boy(and a fan of Chow Yun-Fat and John Woo), I was just looking for the best action movie of all time. I ended up with something better, a dramatic, well though-out action film. It may not be "The Matrix", but "The Killer" was awesome. It was a movie filled with mayhem and bullets. And there was so much action. Jeffrey is a hitman with a heart who, during his last hit, accidentally blinds a woman with a gun. Because he's not a cold-hearted hitman, he decides to do one more hit to pay for an operation that will keep her from going blind. Lee is a cop who wants to stop Jeffrey from making his last hit. Jeffrey is betrayed by the mob that hired him and is put in war against all odds. Jeffrey and Lee put aside their differences to blur the line between them. Together they blast through the war leading to a climatic battle that is John Woo's best battle ever. Even though I'm only 13, I know good acting when I see it. This movie has been throned "THE Movie of Mayhem".Don't bother renting it, just buy the DVD.

"One Vicious Hitman. One Fierce Cop. Ten Thousand Bullets."

John Woo & Chow Yun Fat...nuff said!
The Killer is the perfect example of cinema in its most powerful form. Expression...every bullet, every conversation & every scene just flows so beautifully & expressively it just blows me away. Unexplainable. Very deep & mythological story, unlike anything ive ever seen! U just have to see it. & see it. It will make u think to yourself, "what the hell is the average Hollywood budget gettin wasted on?? Promotion!!?? " John Woo on the other hand does not need $100,000,000 to truley express himself, hell, he doesn't even need the highest quality celluloid to make his films stunningly beatiful.. The Killer is no exception, John Woo is such a masterful director, no wonder why Hollywood have been ripping him off long before they invited him to join 'em!
& unlike most action films of mindless "invincibilty" plots & stupid reasons for massive shootouts, this has a cause for every piece of stunningly choerographed action...& consequences to join the equation.
If youve only seen Chow Yun Fat in his American films (Replacement Killers & Bulletproof Monk e.t.c), you really havent his true styles & capabilities. Get THE KILLER, & youll know why Hollywood have copied J.Woo's style of genius direction more times than a photo-copier has copied paper!
This is John Woo at his purest form, & Chow in his true style.
The John Woo & Chow Yun Fat combo is like the Sergio Leone & Clint Eastwood combo= Classics!
Get this if u like a deep, moving story, awesome acting, & action that sychronizes perfectly. (Also check out other J. Woo classics, Hard Boiled, A Better Tommorow 1 & 2, & Bullet in the Head!)
.....Nobody does action like Honk Kong...Nobody does Honk Kong like John Woo...

Best...action movie...ever!
Filled with grit, emotion, and psychological depth, not to mention lots and lots of blood, "The Killer" is the kind of passion play that is seen all too rarely in any style of film, let alone the action genre. In fact, John Woo's Hong Kong shoot-'em-up masterpiece resembles nothing so much as Shakespeare with thousands of bullets flying around. In this case the role of the tragic hero is assumed by Jeffrey, played in career-defining fashion by Chow Yun-Fat. Jeffrey is an amiable enough sort, who also just happens to be a fearless, unstoppable assassin with a steely glare and a deadly accurate shot. But when he accidentally blinds a lovely torch singer named Jenny while mowing down about a dozen criminals in a crowded bar, Jeffrey finds some new meaning in his life by assuming responsibility for the woman, even going so far as to try to get her a vision-restoring cornea transplant. However, everything is far from hunky-dory for Jeffrey and his ward: after committing one last job to get the money for Jenny's operation, Jeffrey finds himself pursued by a small army of thugs as well as Chang and Li, two relentless detectives. Oh, and his best friend and associate Sidney has (temporarily) betrayed him. With all that's going on, the stage is set for a struggle on an operatic scale, with Chow giving his character just the right mix of warmth and gravity.

As one would expect from a film directed by Woo, with Chow in the starring role, "The Killer" contains more than its fair share of shootouts and chase scenes, all filmed with Woo's signature frenetic visual style. However, it's what happens when the movie slows down that sets it apart from the pack. "The Killer" is as much a drama as it is an action yarn, and it's a mighty good drama at that. There are a bunch of scenes here that got my adrenaline flowing, but even more impressive, some moments practically moved me to tears (emphasis on the word "practically"). Behind the constant action is an often-moving tale of devotion, honor, redemption, and friendship in the unlikely setting of the criminal underworld. The lines between good and bad, right and wrong, cop and criminal, are all blurred in a haze of moral ambiguity and divided loyalties. While Jeffrey and Sidney attempt to restore trust after Sidney's betrayal, an unlikely bond forms between Jeffrey and Li as the detective and the assassin realize they're not that different after all.

As the story unfolds, building toward the inevitable confrontation, the tension and the emotional stakes only rise along with the body count. Woo manages to elevate the crime drama to poetry, whether during a taut action sequence or a subdued conversation scene. The movie's deservedly legendary finale, involving a crazed gun battle inside a church, is the only appropriate conclusion. The viewer certainly needs some catharsis after such a harrowing journey, and Woo more than delivers the goods. "The Killer" is one of the few movies of its ilk that can legitimately be called art.

=====Respect Hong Kong Cinema =======
===========Hong Kong action and John Woo should be greatly respected by Hollywood b/c most of his movies like THe Killer, Hard Boiled and The Better Tomorrow Series are being ripped off by Hollywood directors such as the movie "DESPERADO," "RESEVIOR DOGS" and etc. The Hong kong cinema should be credited by hollywood.==================== ... Read more

Reviews (124)

Easily John Woo/Chow Yun Fat's best!
The Killer is a beautiful action/drama masterpiece. It is the best work I have yet to see done by both director John Woo and HK superstar Chow Yun Fat(both of whose movies I am familiar with.) The rest of the cast (including Danny Lee and Sally Yeh) are superb. The sheer grace and flair of the seamlessly choreographed gunfights to the poignancy of the gripping story of a professional hitman trying to cut clean, while gradually falling in love with a victim he accidently blinds in a shootout are all executed perfectly. This movie is not your standard action fare, as it goes deep into the mind of the killers, and depicts the characters trying to live a life that is honorable in a world that is so corrupt and sinister. The bottom line of the movie is quoted by CYF toward the beginning of the film: "Not everybody in this world is untrustworthy." Underlying the blazing guns and implied emotional battles, lies a tale of loyalty, trust and friendship. John Woo epitimizes this movie by proving that the action is not present simply for the sake of action, but instead for clean moviemaking and plot. As for the quality of the DVD itself, the picture is very clear for an older movie (1989) and the features and menu setup is very stylishly done... just don't watch the trailers, they do severe injustice to the featured films (The Killer and Hard Boiled) and contain spoilers. For hardcore HK movie buffs, the Cantonese language track with English subtitles is the definite route to take. The English track is butchered and incomplete, not to mention hard to understand and silly-sounding. I highly recomend watching this movie in it's original language (the way it was intended to be heard) as it is much more powerful this way. If you plan on purchasing this movie, though, I would instead recommend you buy the John Woo 2 DVD pack, which includes both this edition of The Killer and also Hard Boiled, another John Woo/CYF compilation.

The Story of a Hitman with a Heart
Because I'm a 13 year old boy(and a fan of Chow Yun-Fat and John Woo), I was just looking for the best action movie of all time. I ended up with something better, a dramatic, well though-out action film. It may not be "The Matrix", but "The Killer" was awesome. It was a movie filled with mayhem and bullets. And there was so much action. Jeffrey is a hitman with a heart who, during his last hit, accidentally blinds a woman with a gun. Because he's not a cold-hearted hitman, he decides to do one more hit to pay for an operation that will keep her from going blind. Lee is a cop who wants to stop Jeffrey from making his last hit. Jeffrey is betrayed by the mob that hired him and is put in war against all odds. Jeffrey and Lee put aside their differences to blur the line between them. Together they blast through the war leading to a climatic battle that is John Woo's best battle ever. Even though I'm only 13, I know good acting when I see it. This movie has been throned "THE Movie of Mayhem".Don't bother renting it, just buy the DVD.

"One Vicious Hitman. One Fierce Cop. Ten Thousand Bullets."

John Woo & Chow Yun Fat...nuff said!
The Killer is the perfect example of cinema in its most powerful form. Expression...every bullet, every conversation & every scene just flows so beautifully & expressively it just blows me away. Unexplainable. Very deep & mythological story, unlike anything ive ever seen! U just have to see it. & see it. It will make u think to yourself, "what the hell is the average Hollywood budget gettin wasted on?? Promotion!!?? " John Woo on the other hand does not need $100,000,000 to truley express himself, hell, he doesn't even need the highest quality celluloid to make his films stunningly beatiful.. The Killer is no exception, John Woo is such a masterful director, no wonder why Hollywood have been ripping him off long before they invited him to join 'em!
& unlike most action films of mindless "invincibilty" plots & stupid reasons for massive shootouts, this has a cause for every piece of stunningly choerographed action...& consequences to join the equation.
If youve only seen Chow Yun Fat in his American films (Replacement Killers & Bulletproof Monk e.t.c), you really havent his true styles & capabilities. Get THE KILLER, & youll know why Hollywood have copied J.Woo's style of genius direction more times than a photo-copier has copied paper!
This is John Woo at his purest form, & Chow in his true style.
The John Woo & Chow Yun Fat combo is like the Sergio Leone & Clint Eastwood combo= Classics!
Get this if u like a deep, moving story, awesome acting, & action that sychronizes perfectly. (Also check out other J. Woo classics, Hard Boiled, A Better Tommorow 1 & 2, & Bullet in the Head!)
.....Nobody does action like Honk Kong...Nobody does Honk Kong like John Woo...

Best...action movie...ever!
Filled with grit, emotion, and psychological depth, not to mention lots and lots of blood, "The Killer" is the kind of passion play that is seen all too rarely in any style of film, let alone the action genre. In fact, John Woo's Hong Kong shoot-'em-up masterpiece resembles nothing so much as Shakespeare with thousands of bullets flying around. In this case the role of the tragic hero is assumed by Jeffrey, played in career-defining fashion by Chow Yun-Fat. Jeffrey is an amiable enough sort, who also just happens to be a fearless, unstoppable assassin with a steely glare and a deadly accurate shot. But when he accidentally blinds a lovely torch singer named Jenny while mowing down about a dozen criminals in a crowded bar, Jeffrey finds some new meaning in his life by assuming responsibility for the woman, even going so far as to try to get her a vision-restoring cornea transplant. However, everything is far from hunky-dory for Jeffrey and his ward: after committing one last job to get the money for Jenny's operation, Jeffrey finds himself pursued by a small army of thugs as well as Chang and Li, two relentless detectives. Oh, and his best friend and associate Sidney has (temporarily) betrayed him. With all that's going on, the stage is set for a struggle on an operatic scale, with Chow giving his character just the right mix of warmth and gravity.

As one would expect from a film directed by Woo, with Chow in the starring role, "The Killer" contains more than its fair share of shootouts and chase scenes, all filmed with Woo's signature frenetic visual style. However, it's what happens when the movie slows down that sets it apart from the pack. "The Killer" is as much a drama as it is an action yarn, and it's a mighty good drama at that. There are a bunch of scenes here that got my adrenaline flowing, but even more impressive, some moments practically moved me to tears (emphasis on the word "practically"). Behind the constant action is an often-moving tale of devotion, honor, redemption, and friendship in the unlikely setting of the criminal underworld. The lines between good and bad, right and wrong, cop and criminal, are all blurred in a haze of moral ambiguity and divided loyalties. While Jeffrey and Sidney attempt to restore trust after Sidney's betrayal, an unlikely bond forms between Jeffrey and Li as the detective and the assassin realize they're not that different after all.

As the story unfolds, building toward the inevitable confrontation, the tension and the emotional stakes only rise along with the body count. Woo manages to elevate the crime drama to poetry, whether during a taut action sequence or a subdued conversation scene. The movie's deservedly legendary finale, involving a crazed gun battle inside a church, is the only appropriate conclusion. The viewer certainly needs some catharsis after such a harrowing journey, and Woo more than delivers the goods. "The Killer" is one of the few movies of its ilk that can legitimately be called art.

=====Respect Hong Kong Cinema =======
===========Hong Kong action and John Woo should be greatly respected by Hollywood b/c most of his movies like THe Killer, Hard Boiled and The Better Tomorrow Series are being ripped off by Hollywood directors such as the movie "DESPERADO," "RESEVIOR DOGS" and etc. The Hong kong cinema should be credited by hollywood.==================== ... Read more

Amazon.com

You could think of this as a live-action Hong Kong version of a Japanese superhero cartoon (the best Power Rangers picture ever made) or as The Three Stooges Meet RoboCop. Either way, it's a mind-boggler. The action work is amazingly fast and dense, featuring giant transformer-style 'bots battling sexy flying lady 'bots who sometimes get their wires fetchingly crossed. Sally Yeh (the gold digger in Peking Opera Blues) plays the evil cyborg Maria, who runs a gang of crooks; her new boyfriend is the movie's Rotwang-Strangelove figure, a black-clad new-wave weirdo who believes that "perfect order is only found in machines." Tsui Hark and John Sham are the bumbling cops fighting to defend humanity. As usual when Tsui's involved, even when he isn't officially one of the directors, the film is promiscuously inventive. It's crowded with cool-looking junk and edited at such a breakneck clip that the action is often hard to follow. There are jokes about eating dog meat and a giant robot that swoops around the skyscrapers, hunting down pesky humans. The overall effect is of A Chinese Ghost Story gone high-tech, amped up to the point of no return. --David Chute ... Read more

Reviews (5)

Action, comedy, sci-fi, and Maria -- it all works.
Imagine "RoboCop" as rewritten by the screenwriters of "Patlabor" and you've almost got your mind around this thoroughly whacked-out comedy/action hybrid courtesy of Tsui Hark (he directed; David Chung was apparently only responsible for the setting up of shots and the like).

A criminal gang uses a giant robot, Pioneer 1, to perform daring smash-and-grab raids on the city's banks. The police are hopeless, and the one man who has a clue (John Shum) is being marginalized in the department because his work makes the other cops look bad. He runs into a former member of the gang (Hark), the two become friends, and soon they're being chased by Pioneer II -- a robot that looks exactly like Hark's old childhood friend Maria (Sally Yeh), who now happens to be one of the gang leaders. If this sounds complicated, don't worry -- the plot is secondary to wild, inventive imagery, kung fu, things blowing up, and a climactic fight that is straight out of all your giant-robot wet dreams.

A great choice for HK lovers, aficionados of the strange, and anime fans as well. The slightly off-kilter subtitles and on-the-cheap FX only add to the fun. Get hooked.

Tremendous, Awesome, Bravo!!
With a blend of Sci-fi and traditional HK Art, this movie rocks. The movie features a plot that was not so much confsung as it was one that changed frequently. Sally Yeh who plays the cyborg is just as sweet as can be. Buy it you'll like it!

Real fun!
When I first had the opportunity to watch this movie some years ago I had the 'treat' of a terribly dubbed (into German)'comedy' version filled with lame jokes and stupid gags adapted to German humour (or at least what the distributor thought it would be - for example John Shum's character had been dubbed "Inspector Loony"). Somehow, still, the movie survived the treatment (alas, it is a comedy, and a low-key one at some times) and I always had a special feeling for it.

"I love Maria", like so many HK-movies, has a somehow confusing plot, several great action scenes, some very funny moments of cartoon-styled humour and some nice FX work (I prefer the special FX of "I love Maria" over those of "RoboCop"). Sally Yeh (of "The Killer" fame) gives a great performance (love that robot suit of hers), John Shum and Tsui Hark (the same) are funny to watch (I always liked Tsui Hark's excursions into acting).

The DVD is not spectacular concerning sound and picture quality but adequate, the subtitles are clear to read; short biographies of the principal contributors are added as a small extra. If you're into HK-movies this should definitely be a part of your collection.

I Love Maria (aka Roboforce)
Not a bad film, with a lot of fx effects and a black comedy feel. This is an intense action-fantasy movie, with famous actors (Sally Yeh, better known for John Woo's The killer and the director Tsui Hark) and a very enjoyable pop soundtrack.

Wild Wild Robot Fun in Live Action
BUY THIS MOVIE! 'I Love Maria' is a fun, fast live action sci-fi romp with a decidedly 'Anime' feel to it. The plot is cool, but doesn't really get in the way and the effects are state of the art! The acting is comedic (whether it's meant to be is a mystery) and worth watching. This a fun film, to watch with a large audience and LOTS of popcorn. ... Read more

Reviews (1)

An interesting, overlooked little sci-fi comedy/drama.
A movie that couldn't be defined in any one category. The title character, scientist Arthur Weiss is a Chinese/Jewish laser specialist pressured by gangsters to use his laser technology for crime. Little action to speak of, but the strange dynamics between Weiss, his Jewish mother and his celibate New Age girlfriend will keep you guessing. Although the film's pace is uneven and its eclectic plot elements will alienate mainstream viewers, it's a nice change of pace for those looking for something different. If you liked "Buckaroo Banzai" and "Big Trouble in Little China," this might be the film for you. ... Read more

Reviews (124)

Easily John Woo/Chow Yun Fat's best!
The Killer is a beautiful action/drama masterpiece. It is the best work I have yet to see done by both director John Woo and HK superstar Chow Yun Fat(both of whose movies I am familiar with.) The rest of the cast (including Danny Lee and Sally Yeh) are superb. The sheer grace and flair of the seamlessly choreographed gunfights to the poignancy of the gripping story of a professional hitman trying to cut clean, while gradually falling in love with a victim he accidently blinds in a shootout are all executed perfectly. This movie is not your standard action fare, as it goes deep into the mind of the killers, and depicts the characters trying to live a life that is honorable in a world that is so corrupt and sinister. The bottom line of the movie is quoted by CYF toward the beginning of the film: "Not everybody in this world is untrustworthy." Underlying the blazing guns and implied emotional battles, lies a tale of loyalty, trust and friendship. John Woo epitimizes this movie by proving that the action is not present simply for the sake of action, but instead for clean moviemaking and plot. As for the quality of the DVD itself, the picture is very clear for an older movie (1989) and the features and menu setup is very stylishly done... just don't watch the trailers, they do severe injustice to the featured films (The Killer and Hard Boiled) and contain spoilers. For hardcore HK movie buffs, the Cantonese language track with English subtitles is the definite route to take. The English track is butchered and incomplete, not to mention hard to understand and silly-sounding. I highly recomend watching this movie in it's original language (the way it was intended to be heard) as it is much more powerful this way. If you plan on purchasing this movie, though, I would instead recommend you buy the John Woo 2 DVD pack, which includes both this edition of The Killer and also Hard Boiled, another John Woo/CYF compilation.

The Story of a Hitman with a Heart
Because I'm a 13 year old boy(and a fan of Chow Yun-Fat and John Woo), I was just looking for the best action movie of all time. I ended up with something better, a dramatic, well though-out action film. It may not be "The Matrix", but "The Killer" was awesome. It was a movie filled with mayhem and bullets. And there was so much action. Jeffrey is a hitman with a heart who, during his last hit, accidentally blinds a woman with a gun. Because he's not a cold-hearted hitman, he decides to do one more hit to pay for an operation that will keep her from going blind. Lee is a cop who wants to stop Jeffrey from making his last hit. Jeffrey is betrayed by the mob that hired him and is put in war against all odds. Jeffrey and Lee put aside their differences to blur the line between them. Together they blast through the war leading to a climatic battle that is John Woo's best battle ever. Even though I'm only 13, I know good acting when I see it. This movie has been throned "THE Movie of Mayhem".Don't bother renting it, just buy the DVD.

"One Vicious Hitman. One Fierce Cop. Ten Thousand Bullets."

John Woo & Chow Yun Fat...nuff said!
The Killer is the perfect example of cinema in its most powerful form. Expression...every bullet, every conversation & every scene just flows so beautifully & expressively it just blows me away. Unexplainable. Very deep & mythological story, unlike anything ive ever seen! U just have to see it. & see it. It will make u think to yourself, "what the hell is the average Hollywood budget gettin wasted on?? Promotion!!?? " John Woo on the other hand does not need $100,000,000 to truley express himself, hell, he doesn't even need the highest quality celluloid to make his films stunningly beatiful.. The Killer is no exception, John Woo is such a masterful director, no wonder why Hollywood have been ripping him off long before they invited him to join 'em!
& unlike most action films of mindless "invincibilty" plots & stupid reasons for massive shootouts, this has a cause for every piece of stunningly choerographed action...& consequences to join the equation.
If youve only seen Chow Yun Fat in his American films (Replacement Killers & Bulletproof Monk e.t.c), you really havent his true styles & capabilities. Get THE KILLER, & youll know why Hollywood have copied J.Woo's style of genius direction more times than a photo-copier has copied paper!
This is John Woo at his purest form, & Chow in his true style.
The John Woo & Chow Yun Fat combo is like the Sergio Leone & Clint Eastwood combo= Classics!
Get this if u like a deep, moving story, awesome acting, & action that sychronizes perfectly. (Also check out other J. Woo classics, Hard Boiled, A Better Tommorow 1 & 2, & Bullet in the Head!)
.....Nobody does action like Honk Kong...Nobody does Honk Kong like John Woo...

Best...action movie...ever!
Filled with grit, emotion, and psychological depth, not to mention lots and lots of blood, "The Killer" is the kind of passion play that is seen all too rarely in any style of film, let alone the action genre. In fact, John Woo's Hong Kong shoot-'em-up masterpiece resembles nothing so much as Shakespeare with thousands of bullets flying around. In this case the role of the tragic hero is assumed by Jeffrey, played in career-defining fashion by Chow Yun-Fat. Jeffrey is an amiable enough sort, who also just happens to be a fearless, unstoppable assassin with a steely glare and a deadly accurate shot. But when he accidentally blinds a lovely torch singer named Jenny while mowing down about a dozen criminals in a crowded bar, Jeffrey finds some new meaning in his life by assuming responsibility for the woman, even going so far as to try to get her a vision-restoring cornea transplant. However, everything is far from hunky-dory for Jeffrey and his ward: after committing one last job to get the money for Jenny's operation, Jeffrey finds himself pursued by a small army of thugs as well as Chang and Li, two relentless detectives. Oh, and his best friend and associate Sidney has (temporarily) betrayed him. With all that's going on, the stage is set for a struggle on an operatic scale, with Chow giving his character just the right mix of warmth and gravity.

As one would expect from a film directed by Woo, with Chow in the starring role, "The Killer" contains more than its fair share of shootouts and chase scenes, all filmed with Woo's signature frenetic visual style. However, it's what happens when the movie slows down that sets it apart from the pack. "The Killer" is as much a drama as it is an action yarn, and it's a mighty good drama at that. There are a bunch of scenes here that got my adrenaline flowing, but even more impressive, some moments practically moved me to tears (emphasis on the word "practically"). Behind the constant action is an often-moving tale of devotion, honor, redemption, and friendship in the unlikely setting of the criminal underworld. The lines between good and bad, right and wrong, cop and criminal, are all blurred in a haze of moral ambiguity and divided loyalties. While Jeffrey and Sidney attempt to restore trust after Sidney's betrayal, an unlikely bond forms between Jeffrey and Li as the detective and the assassin realize they're not that different after all.

As the story unfolds, building toward the inevitable confrontation, the tension and the emotional stakes only rise along with the body count. Woo manages to elevate the crime drama to poetry, whether during a taut action sequence or a subdued conversation scene. The movie's deservedly legendary finale, involving a crazed gun battle inside a church, is the only appropriate conclusion. The viewer certainly needs some catharsis after such a harrowing journey, and Woo more than delivers the goods. "The Killer" is one of the few movies of its ilk that can legitimately be called art.

=====Respect Hong Kong Cinema =======
===========Hong Kong action and John Woo should be greatly respected by Hollywood b/c most of his movies like THe Killer, Hard Boiled and The Better Tomorrow Series are being ripped off by Hollywood directors such as the movie "DESPERADO," "RESEVIOR DOGS" and etc. The Hong kong cinema should be credited by hollywood.==================== ... Read more

Amazon.com

An adrenaline-rush masterpiece, this period action comedy is so hyperactive and ingenious that it'll make your head spin. Along with John Woo's The Killer and Jackie Chan's Project A, Peking Opera Blues is one of the key works of a great period of Hong Kong cinema in the mid-1980s. Director Tsui Hark had been studying Spielberg under a microscope, but he uses the multilayered visuals knowingly, to capture the frantic complexity of a turning point in Chinese history. In a period of political chaos around the turn of the century, just before the first republican revolution, three women are thrown together: Cherie Chung as the daughter of a recently deposed warlord, who only wants to protect her jewel case from the loot-crazed troops; Sally Yeh as the daughter of the manager (Wu Ma) of a traveling Peking Opera company, who desperately wants to break the taboo against women on the stage; and Brigitte Lin Ching-hsia as the daughter of the newly installed warlord, and a dedicated revolutionary. All the characters converge upon an inn where the boisterous opera troupe is gearing up for a performance. Tsui transforms action slapstick into a form of acrobatic ballet, and a final shootout sequence on a crumbling tile rooftop is beyond thrilling: you'll believe a man can fly. --David Chute ... Read more

Reviews (10)

One of Tsui Hark's best!
Few directors in any contry can match Tsui Hark's creativity and virtuosity. This was one of the first movies to attract international attention to Hong Kong cinema. The story is about three women revolutionaries in a 1920's China. The film gracefully fuses comedy, drama, and action. A note to action fans: action sequences are choreographed by Ching Siu Tung, the man who staged action sequences in John Woo's "The Killer." Tsui Hark also produced that movie.

A very enjoyable Tsui Hark film, without all the frills
The most enjoyable aspect of this movie is it's three lead female characters: Tsao Wan, who is the daughter of a powerfull general, Pat Neil, who is an aspiring actress in her father's Chinese opera theater, and Sheung Hung, a mischievous musician chasing after a box of lost jewelry. The three end up joining forces to aid a revolutionary faction, bent on foiling a government plot.

This well-conceived story never drops the ball for a moment, combining tense drama, intrigue, and a lot of great laughs. Brigette Lin's performance as general Tsao's loyalty-torn daughter is especially enjoyable, as are the performances of all the main characters.

Contrary to the tradition Tsui Hark seems to have built for himself, this movie relies very little upon special effects and wire-oriented choreography. Although there is a fair amount of action, this is by no means a martial arts or swordplay film. In nearly all its respects, it is a film which can easily be enjoyed by western audiences, even if they are unfamiliar with the Hong Kong movie tradition.

For fans of Hong Kong cinema, this film is definitely a must-see. It is without question a classic of the genre and guaranteed to entertain.

How about that fireplace scene, yeah???
I saw this movie a long long time ago in Burbank, CA when the mall theater was having a week long HongKong Film Festival. Like eating out, I wanted to try something new. That's why I always tell my little kids, "try it even if it seems a little different, a little strange, you might like it and it might become your favorite." This goes for everything, food, travel, books and movies. I own the VHS version. It is a little rough in quality so I am checking if there is a DVD version out there that doesn't cost an arm and a leg. The VHS alone cost $27 some odd dollars in 1994. So I am very happy that it is in DVD version. Now, the is simple to follow. The tile roof scene is incredible and the three leading ladies are simply beautiful. I know Hong Kong Films are en vouge right now, but you must see this and own it because it is a classic and I agree, a quentesential of its genre. You will not be dissappointed. Just ignore the goofy English translation, it is part of the fun.

A Classic
First of all, the movie: I was very hesitant to see this movie, as it is relatively old (released around 1986, I think). However, I've become a big fan of HK movies lately, and many critics consider this the quintessential Hong Kong movie. The story centers around the escapades of three women (played by Brigitte Lin, Sally Yeh and Cherie Chung, all popular HK starlets), with plenty of action, comedy, espionage and political intrigue set in a Chinese opera house. Although this was one of Tsui Hark's (considered by some the "Spielberg of Hong Kong") earliest works, this is still considered to be his best. Very entertaining movie which, more than any other HK movie I won, is worthy of repeated viewing. One of the few TRUE Hong Kong classics. You won't be disappointed.

The DVD: not the best video quality around, but surprisingly good considered this is a 15-year old Hong Kong movie. The sound is in 5.1 surround sound, and Cantonese and Mandarin audio are provided (with plenty of options for subtitles, including English). Of course, the subtitles can be horrid at times, but you can follow the dialogue easily and they certainly will not detract from your enjoyment of the movie. Trailers for this movie (and a couple others) are included. Nice menus.

Highly recommended. You COULD wait for a special edition, or a remastered version to come out, but I haven't heard of one in the works. Plus, this is still a good quality disk that is worth the purchase.

Very strong female alliance and well character development.
I used to love this one and consider it as a sentimental drama. It do has meaning something, in a hilarious, entertainment way. Now I own the DVD, play it over and over again. Finally I can read the hidden message. In it's multilayers there's a little bit of everything. It's feminism above all, IMHO.

It doesn't matter if you know nothing about Chinese history. Tsao Wan could be the most bewildered role to the audience, rebel without a cause. She should knew her action might lead to her father's collapse. Though dress like a man, she's fragile inside. Sheung Hung is a material girl care about only her own profit, provide comic relief. She has justified herself by come to the rescue for Tsao Wan, still lovable. Pat Neil seems to be quite ordinary in comparison, actually toughest of the three leads. Helping uncle Fa escape shows her tenderness. Her wish to be an actress only got the blame everytime there're bad things happen. ( For ex. Troops wrecked the theater. ) Cause only male were allowed to perform on stage at that time. Then I found similar tradition in ancient Britain too. ( Shakespeare In Love ) Women were under restraint by old culture. She grew up in the troupe. She tried to prove her talent, how good she could be, seize every chance. But the first obstacle came from her father, how ironic. ( Well. " It's the trend of time, and the father merely trying to protect her " kind of speech. ) Though she has no ambition, was drawn into the revolute unwittingly. Sally Yeh was trained hard to perform her own acrobatics, without a stunt double. To make the character convincible. She's at her best, never can be more gorgeous than this role. To see greedy warlords scramble for power and profit. How flexible the manager ( Wu-Ma ) is. There're diversity characteristic in this hilarious film.

There're some outtakes in the trailer. The catchy ballad along with the soundtrack quite enjoyable. Those " hide and seek "

roar with laughter scenes. And the metaphor " Life is dramatic " theme. You can watch this film many times and still find things you missed before. My only criticism would be, if they spent more budget on shoot some substantial landscape, might persuade me it's in real Beijing. By the way, I think the English subtitle is O.K. but there's a pun joke it can't deliver well. While the warlord took Pat Neil to blackmail her father, he asked what's tonight's show? It was named " Stubborn King " the true meaning is " force her to be my concubine ". Sorry force you to tolerate my poor English. ... Read more

Reviews (6)

Nice mix of comedy and horror
Chow and Yeh, future costars of John Woo's "The Killer", and Raymond Wong, one of Hong Kong's top movie clowns at the time, help achieve a nice mix of romantic comedy, farce, and horror. The romantic comedy is no Cary Grant and Katharine Hepburn, the screwball farce is no Marx Brothers, the horror subplot is no Exorcist. But the film manages to please, if not impress, the viewer, since it tries hard to be amiable, without any sex or violence that characterize many HK films. Even the horror sequences are fairly tame (but not at all ineffective). It's worth collecting for fans of Chow or HK films in general since good-quality videos for foreign films (speaking to US customers), especially HK films, are sometimes hard to get.

Nice mix of comedy and horror in minor Chow film
Chow and Yeh, future costars of John Woo's "The Killer", and Raymond Wong, one of Hong Kong's top movie clowns at the time, help achieve a nice mix of romantic comedy, farce, and horror. The romantic comedy is no Cary Grant and Katharine Hepburn, the screwball farce is no Marx Brothers, the horror subplot is no Exorcist. But the film manages to please, if not impress, the viewer, since it tries hard to be amiable, without any sex or violence that characterize many HK films. Even the horror sequences are fairly tame (but not at all ineffective). It's worth a rental for most people, may be worth collecting for fans of Chow or HK films in general since good-quality videos for foreign films (speaking to US customers), especially HK films, are sometimes hard to get.

fun stuff
This is the third time I've tried to review this film. Previous attempts have landed up in a cyberspace black hole it seems. And I really did keet my comments strictly on the film only till this attempt. :-)

At any rate, enough of that. This film was made in the 80s and looks dated but don't let this deter you. It's still good. It's a fun little film about a woman photographer from Canada(Sally Yeh) who is doing a little research on superstitions. She rents the wrong apartment and runs into some ghostly problems. Along the way she meets Chow Yun Fat and Raymond Wong who are both interested in her.

Now, this film isn't a horror film, it's actually a comedy and a fairly screwball one. Sally Yeh and Chow Yun Fat are good as usually. But the true star of this film is Raymond Wong. His performance as the desperate/loser/coward character is quite a hoot. The film isn't as good as Mr. Vampire but it's above average fare.

one of the most pleasant suprises i've seen in awhile.
This film really shocked me. I recieved it in a bundle of Chow Yun Fat DVd's I purchased. I only knew two of the titles. This one worried me, I was scared I may have paid for a really crappy CYF film.

I was however pleasantly suprised. I'm not usually a fan of HK comedy (too much slapstick). But this film held up, really funny comedy (raymond wong is particularly funny, his scenes trying to woo Sally Yeh as chow yun fat tries as well are very funny), and good horror. Many scenes were pretty scary (especially those dealing with a dead security guard).

A few problems, overly cheesy (one animation scene particularly was a howl), and an horribly cheesy conclusion. Otherwise, good HK fare

quite funny
Although this movie was made in the 80's and therefore looks rather dated, it's still quite funny. The star of this show, however, should be Raymond Wong. While Chow Yun-fat and Sally Yeh are if not always good, then at least competent, they don't really have the meaty roles here. Raymond Wong plays the desperate loser who's trying to get Sally Yeh in bed with him and his antics are quite funny. In between all that, they meet a ghost that haunts the apartment that Sally lives in. While the main plot is not earth shatteringly original, the actors' perfomances more than make up for it. And the pacing is actually quite good, you never feel like it's lagging. It's an above average light hearted comedy, nothing more, nothing less. ... Read more

Reviews (2)

Chow does comedy.
Chow Yun Fat is my favorite actor. He has been in three movies in my top 20 of all-time favorites (The Killer, A Better Tomorrow & Te Replacement Killers). Those are without a doubt some of the greatest action movies ever made. So I welcomed the opportunity to watch a comedy movie by this same actor. It also paired Sally Yeh and Chow Yun Fat who had lit up the screen in The Killer.
Now, I am not a fan of movies I have to read, though some movies must have subtitles or it's just lost (Run, Lola, Run & La Femme Nikita). This movie you have to read. It's a funny, funny comedy. Our American world of comedy has been taken over by the world of American Pie and Bubble Boy, which must offend you in some way. This is a nice romantic comedy. And for a movie about bigamy, it is relatively clean. If your date doesn't mind reading for an hour and a half, this is a pretty good date movie. So if you've never seen a Hong Kong comedy, this is a good one to start with.

Predictable Screwball Comedy
In something of a change of pace, action star Chow Yun Fat stars as a stock-broker who stumbles his way into marriage with two different women after he can't bring himself to break either's heart. With the help of a loyal friend, he attempts to balance both marriages, but eventually something has to give....

This film takes all the expected twists and turns (well, except for the police standoff at the end), but it does it with a certain style and flair. The performances by Chow Yun Fat and Sally Yip are particularly fun to watch as the antics unfold.

My only complaint is that the subtitles are... well, brittle. They are more difficult to read that the average ones, something which is frustrating in a film where the patter is flying fast and furious. On the up side, there aren't many examples of the bizarre literal translations that are so common in Hong Kong flicks. Another complaint is that the featured song in the film is subtitled in Cantonese but not in English.

Despite these technical complaints, this is a fun little movie that's worth watching. (I think the purchase price might be a little steep, though.) ... Read more