Reviews (62)

Great 70's movie
I used to watch Convoy over and over as a kid. It is unfortunate that it is not being produced on DVD or VHS considering how many movies not nearly as entertaining are being marketed. I think if you didn't see it when it first came out you'd find it silly and dated today, but I feel to those of us who saw it initially growing up, it is a classic. Modeled after a catchy country western song by C.W. McCall and with stars such as Kris Kristofferson, Ali McGraw, Burt Young and Ernest Borgnine, I'm surprised it is so obscure. It has some great 70's car/truck chase and crash scenes and a good soundtrack. Hopefully it will come out of moratorium soon and be available.

Breaker-19
CONVOY is the best trucker movie of all time. I've watched this movie 1000's of times when I was a kid and I enjoy it even more now. This movie has action, comedy and romance. Kris Kristofferson was great in this movie, he really brought out the excitement of being a truck driver. As for Ali MacGraw, she was also great and beautiful co-star. The director, Sam Peckinpah did an excellent job capturing the essence of truck driving. After so many years of searching for this movie I finally have a copy of my own thanks to Amazon.com. I'm impatiently waiting for it to come out on DVD(extended verison)....

Convoy
I bought the VHS version of the movie going off the other reviews listed.I received it yesterday and watched it twice.The quality is excellent.No fuzzy picture or sound.If you want a copy of this old classic movie,get one on video.

CONVOY
i havn't played my copy yet. the dvd i got, came from half.com which is a letterbox version, not digitally remastered and released by PACIFIC FAMILY ENTERTAINMENT. i paid less than $5.00 brand new.

The old days
When you seee this movie, you will realinze how life in America was not anoying. ... Read more

Amazon.com

Rolling Thunder's ex-Vietnam War POW Major Charles Rane (William Devane) returns to a hero's welcome in San Antonio in the early '70s. He's bestowed with a red Cadillac convertible, $2,500 in silver dollars, and accolades from all sides. Soon, however, he discovers that all is not as it seems; his wife strayed with a close friend during his years of confinement. He also finds that he has his own personal POW groupie, Linda; her fascination with him is met with the same shoulder-shrugging blandness that he shows toward everything else in what's left of his life. One day Rane comes home to find a houseful of assorted Texas white trash demanding his small fortune in silver dollars. Their efforts to beat him into revealing the location of the money are for naught, so they jam his right hand down a garbage disposal instead. When his wife and kid come home, the two gladly give up the money but the robbers cold-bloodedly gun them down anyway. Flash-forward: Rane has himself fitted with a hook prosthesis (which he sharpens on a grinder), cuts down a couple of shotguns, and points the scarlet Caddy land yacht south towards Nuevo Laredo, bent on revenge. With Linda in tow, he tracks the bad guys as far as Acuña and Juárez, where he hooks up with war buddy Johnny (Tommy Lee Jones) for a final showdown. What would otherwise play as a routine revenge story is given a measure of dimension and depth by Devane's performance and Paul Schrader's script. The comparison to Schrader scripts such as the previous year's Taxi Driver are inevitable and obvious. Like Taxi Driver's Travis Bickle, Rane wears opaque state-trooper sunglasses that allow no window into his dead soul. However, Bickle's internal monologues are missing; all the audience can see of Rane's character is what's on the surface, only what Rane wants others to see. He's simply a vengeful automaton, riddled with a cold, poisonous, implacable rage. Strong stuff indeed. --Jerry Renshaw ... Read more

Reviews (5)

DEVANE'S SCREEN PRESENCE
This is a flawed but very interesting movie. What strikes me is that it starred Bill DeVane with Tommie Lee Jones in a supporting role. At the time, DeVane was headed, seemingly, for stardom. He had been brilliant as JFK in "The Missiles of October" and even better as a turncoat spy in "Marathon Man". Yet it was Jones, not DeVane, who went on to screen greatness.

DeVane is a Vietnam flyboy, shot down, captured by the Communists, held and tortured for seven years. He returns to his family, but is estranged from them. They are killed in a robbery. This is where the film veers somewhat, because it is in the realism of his character that DeVane leaves us wanting. The realism is that DeVane has learned, been programmed, to be dehumanized. It was the only way to survive his Vietnam ordeal. As he reacts to "the world," or rather does not react to it, to his family, his wife who plans to leave him, he has no emotion left. It has all been drained from him. He speaks about "when we were alive," which was the prisoner's code for before capture. He is like a zombie. It is good method acting, but the viewer thirsts for more.

The script tries to take us there by showing DeVane with a blonde "groupie" who tags along while he sojourns into Mexico and El Paso looking for his family's killers. Eventually he teams with Jones and they exact their revenge, which is as much their personal release of violent expression against their captor as it is the killing of the robbers who murdered DeVane's family.

STEVEN TRAVERS
AUTHOR OF "BARRY BONDS: BASEBALL'S SUPERMAN"
...

"GOT YOUR TIME BOY."
WILLIAM DEVANE HAS MADE A CAREER OUT OF STARRING IN T.V. MOVIES, MOST OF WHICH ARE OF THE HUM DRUM VARIETY. THIS BIG SCREEN FILM STANDS OUT ALONGSIDE MOVIES LIKE 'PAYBACK' AS SHOWING WHAT A FINE ACTOR DEVANE REALLY IS.
THIS WAS LONG BEFORE TOMMY LEE JONES WAS A HOUSEHOLD NAME ALSO AND YET IT DISPALYS THE TALENT THAT HAS MADE HIM A MULTI MILLIONARE.
THE TWO VIETNAM VETS RETURN HOME AFTER BEING HELD IN A P.O.W. CAMP AND ROUTINELY TORTURED. NEITHER MAN SHOWS UP WITH THE HUMANITY THEY PROBABLY LEFT WITH.
DEVANES WIFE WANTS A DIVORCE WHICH SUITS HIM FINE EXCEPT FOR THE FACT THAT HE GENUINELY WANTS A GOOD RELATIONSHIP WITH HIS SON.
DEVANES FAMILY IS SET UPON BY PETTY CROOKS WHO INVADE THE HOME IN AN EFFORT TO STEAL SILVER DOLLARS AWARDED TO DEVANE UPON HIS RETURN. THEY KILL ALL, OR SO THEY THINK. DEVANES CHARACTER SURVIVES WITH A PROSTETIC HOOK FOR ONE HAND. HE THEN SETS OUT TO AVENGE HIS SONS MURDER. HE IS ACCOMPANIED BY AN AIRHEADED GROUPIE WHO THINKS HE IS COOL.
WE THEN RIDE ALONG FROM SOUTH TEXAS TO VARIOUS MEXICAN BORDER TOWNS IN SEARCH OF THE LOW RENT KILLERS HEADED BY ACTOR JAMES BEST WHO PORTRAYS A GOON FAR REMOVED FROM THE ROSCOE P. COLTRAIN CHARACTER HE MADE FAMOUS IN 'THE DUKES OF HAZZARD.'

DEVANE ALONG WITH ASSISTANCE FROM WAR WRECKED TOMMY LEE JONES CORNERS THE BAD GUYS IN A WHOREHOUSE JUST ACROSS THE BORDER FROM EL PASO.
THE FINALLY IS CLIMACTIC, AND JUSTIFIABLY SO. THE COOLEST SCENE IN THE PICTURE IS WHEN DEVANE CONFRONTS BEST WHO LAYS IN BED WITH A PROSTITUTE. DEVANE WAKES THE MAN, SAYING "GOT YOUR TIME BOY." YOU CAN GUESS WHAT HAPPENS NEXT GIVEN THE FACT THAT DEVANE IS BEARING DOWN ON THE MAN WITH A DOUBLE BARRLED SAWD OFF SHOTGUN.

THIS IS KIND OF A 'DEATH WISH' TEXAS STYLE FILM BUT IT WORKS. THE BAD GUYS ARE SO BRUTALLY DISGUSTING THAT YOU CANT WAIT FOR THEM TO "GET THEIR TIME."

ITS A GOOD EFFORT AND WORTH A LOOK.

Rolling Thunder: Diamond in the Sand
I first saw this video in 1985. The movie caught my attention and held it throughout. Sure, there are other movies that attempt to deal with the plight of the vet, robberies and vengeance, love of family and vendetta. But there is not a movie out there that combines all of these with the same rhythm and intensity as "Rolling Thunder." At a time when movies are relying more on computer generated graphics than on a plot with substance, Rolling Thunder should be being aired on TNT, TBS, Lifetime, TNN and any other cable channel that wants to break away from the monotonous hum-drum of the fare being shown in the name of "entertainment." Devane does more than one good hand and a hook than most of today's action heroes do with both hands and both feet. Rah also for my main man, Tommy Lee Jones, who takes a back seat to Devane, but stands by his buddy to the end as they seek out the baddies that done Devane's family wrong. A must see!

Doesn't get much more powerful. . .
I am a huge movie buff and if you are looking for a raw, powerful, gritty movie experience, definitely check out this movie, which remains one of my all-time top three. I personally like this film better than "Taxi Driver", but if you liked "Taxi Driver" then you will definitely like this film, because it was written by the same guy and the themes are similar. I was blown away not only by the performances (particularly Tommy Lee Jones in a startlingly forceful role), but by the amazing amount of action. There is definitely more violence and action than there is in "Driver" and that's why I like it. Some people criticize the violence, but with the powerful storyline, disturbing violence is almost necessary. Definitely see this film. Along with "Driver" this film will awaken you to the horrors of the Vietnam War.

If you are a fan of "Taxi Driver", you will love this one
Basic storyline is this. Major Charles Rane returns home, Texas, from seven years of torture in POW during Vietnam War. As a big welcome gift, he receives a Cadillac and a couple of thousands dollars from city. Charles soon finds out his wife fell in love with other man and his emotion starts to build up. Then people came after Charles' reward money kill his son and wife and Charles loses his hand. Charlie and his friend from the war, Johnny played by Tommy Lee Jones, get together for a revenge. I found out about this movie from the "King Pulp: The Wild World of Quentin Tarantino". The movie "Rolling Thunder" is written by Paul Schrader, writer from "Taxi Driver". Like "Taxi Driver", this movie is charged with gripping scripts and emotionally rich and powerful characters. Without showing any real battle scenes, the movie builds up very strong Vietnam war drama. Also, the sequence where Major Charles Rane (William Devane) drives to find killers of his son and wife with a girl reminds the stoyline of "Natural Born Killers". Performance by Tommy Lee Jones as a supporting actor is also interesting to look at. This movie is as powerful and brutal as "Taxi Driver". ... Read more

Reviews (9)

One of Stallone's better efforts
This movie from the late 70s, loosely based on the life of Jimmy Hoffa, about a labor leader, Frank Kovak, who makes a Faustian bargain with the mob for which he ultimately pays the price, was done before Stallone became locked into the ironjawed superhero mode. In the early scenes of the movie, he is still able to display the qualities of charm, humor and humanity that distinguished his performance in the orginal Rocky and, further back, in The Lords of Flatbush.
Moreover, the film is graced with strong supporting performances. In particular, I would single out Tony Lo Bianco's performance as the mob boss, Babe Milano, to whom Stallone turns when the survival of his trucker's union is on the line, for its chillingly effective qualities of understated and insinuating menace, especially from an actor who I have found to be prone to overacting.
The main criticism that one could make of this effort if one references it to the life of Hoffa is that Kovak is treated as genuinely heroic instead of the corrupted person that Hoffa in fact became, for although Kovak made a deal with the mob, more specifically, Babe Milano, it is made clear that he did so only because he thought it was necessary to insure the continued existence of his union when its striking members were being beaten up by company goons, not for his personal aggrandizement. Moreover, for what it is worth, I remember reading at the time of the film's release that Stallone insisted that the character be portrayed this way. In spite of this caveat, I find Fist to be both dramatically compelling and strongly acted.

one of stallones best
one of stallones best feature film efforts
cast's him as a labor leader who has to deal with
organized crime invading the rank and file of american
working class people, a class struggle between the common
man and the rich, peter boyle, and rod steiger deliver
great supporting performances.
along with rocky, this is a great film of the underdog trying to make it........

Best Movie Ever
This is up there with The Sound Of Music. It should have won best picture, but was knocked out for the political sense of the movie. My father was a main part in making this movie possible. He was the director.

Go on DVD Now!
MGM needs to release this above-average drama on DVD. It is similar to the Jimmy Hoffa story and it's captivating. Sylvester Stallone gives one of his most heart-felt performances and is overshadowed by "Rocky". So, please MGM, release this and the missing "Red Sonja" with the other immortal deity. These are good movies and I would definitely buy at least ten copies on DVD of each movie. Thank you!

Why this movie is not a hit and on DVD is BEYOND me!
First off, Sylvester Stallone is my favorite actor and secondly I believe this to be probably one of his best films (besides Rocky) and why it was not a hit is beyond me because it really is a great story and Stallone does a great job in the acting --- its 2 1/2 hours long but I throughly enjoyed every minute of it and can't wait til I can get my own copy and watch it again.

If you like Stallone this is a DEFINITE must. ... Read more

Amazon.com

This remake of Preston Sturges's 1948 comedy follows the same plot but doesn't produce nearly as many laughs, though it does have its amusing moments. Dudley Moore is a famous orchestra conductor who is convinced that his wife (Nastassja Kinski) is having an affair with his best friend, a flamboyant violinist (Armand Assante). So he plots an elaborate scheme by which he will kill them both and get away with murder. That fantasy, which he has while conducting an orchestra,rapidly falls apart once he actually tries to put it into motion. Moore and Assante compete for overacting awards, while Kinski was never much of an actress to begin with. Still, this was one of Moore's better roles during his brief bout with stardom in the '80s, and any movie with Albert Brooks (as Moore's venal manager) in it can't be all bad. --Marshall Fine ... Read more

Reviews (7)

"Unfaithfully Yours" Is Remade In Good "Faith"
I'm not exactly sure which version of "Unfaithfully Yours" I've seen first, but the original Preston Sturges verison is my favorite among his films, which is a pretty large order considering this is the same man who directed "The Palm Beach Story" and "The Lady Eve".

Given my feelings towards the original I wasn't sure if I'd like this remake. It has almost become a Hollywood rule remakes are never on par with the originals. Just as sequels are not as good as the original.

Howard Zieff's "Unfaithfully Yours" is a nice exception. I admit I don't think it's quite as good as the Sturges film (that one I would give 4 stars) it is still entertaining and funny at moments. I thought the absence of Preston Sturges would cause a decrease in the comedic possibilities, but, I forgot how good Dudley Moore and Albert Brooks are.

Moore plays Claude Eastman a famous conductor who suspects his much younger wife Daniella (Nastassja Kinski) is cheating on him after the thought is first put into his head when a misunderstanding between Claude and his friend Norman (Albert Brooks) takes place and Norman thought Claude wanted him to hire a detective to watch his wife while Claude was out of town.

Howard Zieff is not exactly what I would call a great director, he was the man behind "The Main Event" and the "My Girl" films, but, he strings things together nicely here. The script, while perhaps not as funny as Sturges' is not completely a dud. Barry Levinson had a hand in the remake, so expects some funny bits.

One of my favorite scenes is at the restaurant when Moore "thinks" Armand Assante is confronting him about having an affair with his wife, and the start a dueling violin contest of Tchaikovsky.

Also I should mention I the film's one advantage. In the scene dealing with Moore's plan to kill his wife it's set-up much funnier.

Bottom-line:Remake of the classic Preston Sturges comedy is not exactly as good as the original but offers its own nice moments. Good performances by Moore and Brooks (who isn't used enough).

Just Too Funny
This movie contains so many more laughs than the original. The original did not make me laugh out loud (my measure of funny) except for the madcap bumbling of Rex Harrison's efforts in acting out his fantasy. The remake with Dudley Moore has you going from the start. It is updated with modern humor and just plain funny,

I've watched this like 20 times.
I got ahold of this movie when I was 9 or 10...and my sister and I watched it over and over. The movie is a riot, quite frankly. Beautiful cinematography and a great cast of characters. Armand Assante is wonderful with his arrogant sophisticated air...esp. the competitions with the Dudley Moore character. This movie is incredibly inspired. Wonderful to catch if you can!

A VIEWER FROM PLAINFIELD,CT
If you like Dudley Moore movies, this is a must for anyone's col lection!!!I personally had a hard time finding the video....Now that it is available, by all means include this one in your library. This is a more lighthearted version than the original. Mr. Moore shows us his gift as a true comedian with shades of slapstick mixed in. Richard Libertini steals the film as Moore's Italian butler and the laughs are countless. The New York City scenery also is a plus with lots of midtown Manhattan brilliantly showcased(made me nostalgic).Again, pick this one up before it goes out of print again.

Dudley Moore at his best
This is truly one of the greatest comedy (or even movie) of all time. Fans and musicians of classical music will especially like it. Yet, four stars only because they should put it on a DVD. ... Read more

Reviews (13)

Terribly dated
This film is so dated, it's almost difficult to watch. The great crisis here is they may sell advertising on this station to the U. S. Army! Okay, in the post-Vietnam Era, that may have seemed like a terrible moral crime. But in the post Reagan era, it just comes across as politically correct to the extreme. Still a good look at music/radio of the late 70s. If you work in broadcasting you'll enjoy looking at the older boards, cart machines, and so on. It is very funny, however, to hear this station refer to itself as playing "the non-commercial sound" of the 70s, and then hear one very commercial song after another being played, including "Baby Come Back" which is about a commerical a song as you can get. If you do enjoy the music of the 70s, there is a lot here to like. It's just that the big crisis in plot really doesn't generate sympathy. Also, the drug culture it promotes is out of place out of the 1970s.

Great Radio Biz Comedy!
"FM" is a fun, light-weight, movie comedy for anyone who has an interest in radio or late '70s rock n'roll in general. The film has arguably been regarded by it's fans as the template or inspiration for the classic CBS TV sitcom, "WKRP in Cincinnati".This episodic movie takes place in late 1970's L.A. at the offices and studios of Q-Sky, the #1 radio station in the area. It's hilariously, presided over by manager, Jeff Dugan (a likable Michael Brandon),who's main job seems to be keeping in line, the crazy DJs and other personnel, who make up the station's looney, staff.These folks are constantly getting themselves into trouble both on and off the air. They include Mother (Eileen Brennan) a burned out hippie, who wants to chuck it all, Eric Swann (Martin Mull)a pompas idiot, who will do anything to further his career, The Prince (Cleavon Little), the hip black dude of the bunch and finally Doc (Alex Karras), a suicidal cowboy. The main plot centers on how Jeff and the gang fight to keep the evil account executive and the station owner from oversaturating the station's airwaves with wall to wall ads for the U.S. Army.Yes, the plotline is sort of silly and dated.But put on your average FM station today and you'll find that the movie's premise has pretty much come true.The air waves are mostly ads with a little bit of music squeezed in. Highlights of this film include excellent,live '70s era, in-concert appearances by music artists, Linda Ronstadt ("Tumbling Dice" "Poor Pitiful Me") and Jimmy Buffett ("Livingston Saturday Night"). If you are a fan of either of these performers then you will relish this concert footage. Also look for a brief cameo from rocker, Tom Petty.Finally listen for the film's great classic rock soundtrack which includes '70s staples such as Steely Dan, Bob Seger, Boston, Billy Joel, the Doobie Brothers and much more.For an evening of light-hearted comedy I highly recommend "FM".

"No Static At All" with this ultra cool DVD!!!
Another quality DVD release from Anchor Bay!!! You get both full and widescreen versions on one dual layered DVD!!! plus a theatrical trailer!!! And the quality is superb!!! This DVD is far superior than the VHS!!! And the songs sound awesome in 5.1 sound!!! A true seventies classic!!! Five Stars!!! A+

A movie about a era of radio now long gone
This movie is not a masterpiece by a long shot, but it is a movie that encapsulates a golden era of music and radio that is long gone.

The overall story is about a fictitious radio station in Los Angeles facing a battle with the station owners over what advertising will be broadcast on the radio, namely the new advertising spots by the US Army that would help the station owners to increase profits.

Watching this film, it is interesting to see how insignificant the conflict with the corporate machine is in this movie than if the same movie were made in the modern day. The owners of the FM radio station in Los Angeles we are told, own 10 radio stations across the country. Today, it would not be uncommon for a communications corporate giant to own 10 radio stations in each city, thereby creating a monopoly and eliminating any dissent whatsoever. Disc jockeys running late to spin the records, and disc jockeys who couldn't get the tape machine to play their sponsors' advertisements without technical difficulties could easily be eliminated today with computer software automation. What little automation a radio station did not have could easily be eliminated if those who spun the records chose to go on strike, as did those at the end of this movie. The station's broadcasting location could easily be switched to another location by a simple click of a computer mouse, until the conflict was removed.

Corporate commentary aside, this movie is a great period piece to watch -- Disc Jockey's with larger than life egos, a radio station that likes to give the listeners what they want to hear, including free live concert broadcasts featuring Linda Ronstadt, and live broadcasts of disc jockeys from the local record store.

The DVD has the movie preview for this film, and at the end of it, is shown the FM soundtrack double album. I have heard this album, and it is one of the best soundtrack albums ever made for a movie -- where the film is average in quality, the music album is far superior to the film. This movie is not big on telling a story, but it is big on the music.

A niche little late 70s curio
Not technically slick by today's standards, this movie is buoyed by a superb soundtrack. The nostalgia value alone is worth two stars. It's fun to watch Martin Mull in his first role and who wouldn't love listening to Eileen Brennan as "Mother" spinning the best on wax through the speakers of your dad's Chevy Monza? Good movie also for those who had a disdain for the disco fad - and still do. ... Read more

Reviews (1)

im proud
i love to whathch this every day cause,it makes me not feeel lonely ... Read more

Reviews (13)

Terribly dated
This film is so dated, it's almost difficult to watch. The great crisis here is they may sell advertising on this station to the U. S. Army! Okay, in the post-Vietnam Era, that may have seemed like a terrible moral crime. But in the post Reagan era, it just comes across as politically correct to the extreme. Still a good look at music/radio of the late 70s. If you work in broadcasting you'll enjoy looking at the older boards, cart machines, and so on. It is very funny, however, to hear this station refer to itself as playing "the non-commercial sound" of the 70s, and then hear one very commercial song after another being played, including "Baby Come Back" which is about a commerical a song as you can get. If you do enjoy the music of the 70s, there is a lot here to like. It's just that the big crisis in plot really doesn't generate sympathy. Also, the drug culture it promotes is out of place out of the 1970s.

Great Radio Biz Comedy!
"FM" is a fun, light-weight, movie comedy for anyone who has an interest in radio or late '70s rock n'roll in general. The film has arguably been regarded by it's fans as the template or inspiration for the classic CBS TV sitcom, "WKRP in Cincinnati".This episodic movie takes place in late 1970's L.A. at the offices and studios of Q-Sky, the #1 radio station in the area. It's hilariously, presided over by manager, Jeff Dugan (a likable Michael Brandon),who's main job seems to be keeping in line, the crazy DJs and other personnel, who make up the station's looney, staff.These folks are constantly getting themselves into trouble both on and off the air. They include Mother (Eileen Brennan) a burned out hippie, who wants to chuck it all, Eric Swann (Martin Mull)a pompas idiot, who will do anything to further his career, The Prince (Cleavon Little), the hip black dude of the bunch and finally Doc (Alex Karras), a suicidal cowboy. The main plot centers on how Jeff and the gang fight to keep the evil account executive and the station owner from oversaturating the station's airwaves with wall to wall ads for the U.S. Army.Yes, the plotline is sort of silly and dated.But put on your average FM station today and you'll find that the movie's premise has pretty much come true.The air waves are mostly ads with a little bit of music squeezed in. Highlights of this film include excellent,live '70s era, in-concert appearances by music artists, Linda Ronstadt ("Tumbling Dice" "Poor Pitiful Me") and Jimmy Buffett ("Livingston Saturday Night"). If you are a fan of either of these performers then you will relish this concert footage. Also look for a brief cameo from rocker, Tom Petty.Finally listen for the film's great classic rock soundtrack which includes '70s staples such as Steely Dan, Bob Seger, Boston, Billy Joel, the Doobie Brothers and much more.For an evening of light-hearted comedy I highly recommend "FM".

"No Static At All" with this ultra cool DVD!!!
Another quality DVD release from Anchor Bay!!! You get both full and widescreen versions on one dual layered DVD!!! plus a theatrical trailer!!! And the quality is superb!!! This DVD is far superior than the VHS!!! And the songs sound awesome in 5.1 sound!!! A true seventies classic!!! Five Stars!!! A+

A movie about a era of radio now long gone
This movie is not a masterpiece by a long shot, but it is a movie that encapsulates a golden era of music and radio that is long gone.

The overall story is about a fictitious radio station in Los Angeles facing a battle with the station owners over what advertising will be broadcast on the radio, namely the new advertising spots by the US Army that would help the station owners to increase profits.

Watching this film, it is interesting to see how insignificant the conflict with the corporate machine is in this movie than if the same movie were made in the modern day. The owners of the FM radio station in Los Angeles we are told, own 10 radio stations across the country. Today, it would not be uncommon for a communications corporate giant to own 10 radio stations in each city, thereby creating a monopoly and eliminating any dissent whatsoever. Disc jockeys running late to spin the records, and disc jockeys who couldn't get the tape machine to play their sponsors' advertisements without technical difficulties could easily be eliminated today with computer software automation. What little automation a radio station did not have could easily be eliminated if those who spun the records chose to go on strike, as did those at the end of this movie. The station's broadcasting location could easily be switched to another location by a simple click of a computer mouse, until the conflict was removed.

Corporate commentary aside, this movie is a great period piece to watch -- Disc Jockey's with larger than life egos, a radio station that likes to give the listeners what they want to hear, including free live concert broadcasts featuring Linda Ronstadt, and live broadcasts of disc jockeys from the local record store.

The DVD has the movie preview for this film, and at the end of it, is shown the FM soundtrack double album. I have heard this album, and it is one of the best soundtrack albums ever made for a movie -- where the film is average in quality, the music album is far superior to the film. This movie is not big on telling a story, but it is big on the music.

A niche little late 70s curio
Not technically slick by today's standards, this movie is buoyed by a superb soundtrack. The nostalgia value alone is worth two stars. It's fun to watch Martin Mull in his first role and who wouldn't love listening to Eileen Brennan as "Mother" spinning the best on wax through the speakers of your dad's Chevy Monza? Good movie also for those who had a disdain for the disco fad - and still do. ... Read more

Reviews (62)

Great 70's movie
I used to watch Convoy over and over as a kid. It is unfortunate that it is not being produced on DVD or VHS considering how many movies not nearly as entertaining are being marketed. I think if you didn't see it when it first came out you'd find it silly and dated today, but I feel to those of us who saw it initially growing up, it is a classic. Modeled after a catchy country western song by C.W. McCall and with stars such as Kris Kristofferson, Ali McGraw, Burt Young and Ernest Borgnine, I'm surprised it is so obscure. It has some great 70's car/truck chase and crash scenes and a good soundtrack. Hopefully it will come out of moratorium soon and be available.

Breaker-19
CONVOY is the best trucker movie of all time. I've watched this movie 1000's of times when I was a kid and I enjoy it even more now. This movie has action, comedy and romance. Kris Kristofferson was great in this movie, he really brought out the excitement of being a truck driver. As for Ali MacGraw, she was also great and beautiful co-star. The director, Sam Peckinpah did an excellent job capturing the essence of truck driving. After so many years of searching for this movie I finally have a copy of my own thanks to Amazon.com. I'm impatiently waiting for it to come out on DVD(extended verison)....

Convoy
I bought the VHS version of the movie going off the other reviews listed.I received it yesterday and watched it twice.The quality is excellent.No fuzzy picture or sound.If you want a copy of this old classic movie,get one on video.

CONVOY
i havn't played my copy yet. the dvd i got, came from half.com which is a letterbox version, not digitally remastered and released by PACIFIC FAMILY ENTERTAINMENT. i paid less than $5.00 brand new.

The old days
When you seee this movie, you will realinze how life in America was not anoying. ... Read more

Reviews (1)

of mice and men
Have used this video in my English 2 classes. It follows the story line fairly close, but is a great video to use if showing differences and similarities between book and video. Does not follow the book as closly as the 1992 version. ... Read more

Reviews (7)

camp classic - not true to life though
When I saw this movie a found it a laugh a minute! It was like an east coast person's view of what life must be like in the Pacific Northwest. We don't all wear flannal shirts, drink beer in bars, listen to country-western, brawl, work as loggers and chew tobacky! Wow, did they ever get it wrong! I am from Gresham Oregon and had a front row seat (the Portland area had about the best view of this in the world.) May 18, 1980 was a beautiful day, not a cloud in the clear blue sky and I watched that mountain spew its contents all day long. No movie can ever capture it. The only thing I think I will never forget is that and seeing the ash cloud traveling east as far as the eye can see. Oh, the movie? Just watch it for fun, it's harmless, unlike the real deal.

Another title that SCREAMS for DVD release!
This cool movie is full of Northwestern atmosphere. It is the kind of movie that has that slow, ominous creep to it that really lends itself to a lazy, Sunday afternoon or a late night movie-watching get-together. It is a cult fave and should be re-released on DVD, preferably by Anchor Bay Entertainment. SO SOMEONE HOP TO IT AND GET THIS ONE OUT ON DVD!
Sidenote: Goblin does the soundtrack! How much more cult could you get?

Very Enjoyable!
This was the first "disaster" movie I recall seeing when I was about 13 and I still watch it every chance I get. The film combines real news footage of the actual eruption with re-enacted chaos, leaving the viewer with some idea of what it must have been like at ground zero. The scientist character is indeed based on a real scientist who camped out at the North side of St. Helens. His love interest may be fictional but it adds a human touch to his character. And Art Carney is very funny and warm as Harry Truman. No gore, no senseless violence or gratuitous sex scenes....I like this movie.

Fascinating film (though probably a bad one!)
This film follows the familiar disaster scenario: gifted scientist comes to small town where he is sure a horrible natural disaster is about to happen; he warns the citizenry but his cautions are rejected by the establishment (fear for tourist or manufacturing or whatever dollars); cataclysm occurs and hero is vindicated; often leading character(s) perish; finally disaster (volcano, meteor, shark, flood, whatever) effects occur.

This plot outline could describe St. Helens, Dante's Peak, Jaws, and a bunch of other films. In the present film, however, it is used to good effect to describe the very real eruption of Mt. St. Helens in Washington State, and along the way gives an interesting accounting of the life and death of Harry Truman, noted St. Helen's character. The movie's strengths lie in its portrayals of the actual events surrounding the volcanic eruptions; its weaknesses occur with the invented characters of the scientist and his love interest.

As a citizen of Washington State with a love for disaster films, I have watched this film numerous times and enjoyed it. I would really recommend it.

mount Saint Helens
I went to Mt. St. Helens on vacation and came back home and saw this movie on TV. It's very good, but you can't appreciate the movie and the real life event unless you've been there or experienced what happened. It was a very good movie ... Read more

Reviews (13)

Terribly dated
This film is so dated, it's almost difficult to watch. The great crisis here is they may sell advertising on this station to the U. S. Army! Okay, in the post-Vietnam Era, that may have seemed like a terrible moral crime. But in the post Reagan era, it just comes across as politically correct to the extreme. Still a good look at music/radio of the late 70s. If you work in broadcasting you'll enjoy looking at the older boards, cart machines, and so on. It is very funny, however, to hear this station refer to itself as playing "the non-commercial sound" of the 70s, and then hear one very commercial song after another being played, including "Baby Come Back" which is about a commerical a song as you can get. If you do enjoy the music of the 70s, there is a lot here to like. It's just that the big crisis in plot really doesn't generate sympathy. Also, the drug culture it promotes is out of place out of the 1970s.

Great Radio Biz Comedy!
"FM" is a fun, light-weight, movie comedy for anyone who has an interest in radio or late '70s rock n'roll in general. The film has arguably been regarded by it's fans as the template or inspiration for the classic CBS TV sitcom, "WKRP in Cincinnati".This episodic movie takes place in late 1970's L.A. at the offices and studios of Q-Sky, the #1 radio station in the area. It's hilariously, presided over by manager, Jeff Dugan (a likable Michael Brandon),who's main job seems to be keeping in line, the crazy DJs and other personnel, who make up the station's looney, staff.These folks are constantly getting themselves into trouble both on and off the air. They include Mother (Eileen Brennan) a burned out hippie, who wants to chuck it all, Eric Swann (Martin Mull)a pompas idiot, who will do anything to further his career, The Prince (Cleavon Little), the hip black dude of the bunch and finally Doc (Alex Karras), a suicidal cowboy. The main plot centers on how Jeff and the gang fight to keep the evil account executive and the station owner from oversaturating the station's airwaves with wall to wall ads for the U.S. Army.Yes, the plotline is sort of silly and dated.But put on your average FM station today and you'll find that the movie's premise has pretty much come true.The air waves are mostly ads with a little bit of music squeezed in. Highlights of this film include excellent,live '70s era, in-concert appearances by music artists, Linda Ronstadt ("Tumbling Dice" "Poor Pitiful Me") and Jimmy Buffett ("Livingston Saturday Night"). If you are a fan of either of these performers then you will relish this concert footage. Also look for a brief cameo from rocker, Tom Petty.Finally listen for the film's great classic rock soundtrack which includes '70s staples such as Steely Dan, Bob Seger, Boston, Billy Joel, the Doobie Brothers and much more.For an evening of light-hearted comedy I highly recommend "FM".

"No Static At All" with this ultra cool DVD!!!
Another quality DVD release from Anchor Bay!!! You get both full and widescreen versions on one dual layered DVD!!! plus a theatrical trailer!!! And the quality is superb!!! This DVD is far superior than the VHS!!! And the songs sound awesome in 5.1 sound!!! A true seventies classic!!! Five Stars!!! A+

A movie about a era of radio now long gone
This movie is not a masterpiece by a long shot, but it is a movie that encapsulates a golden era of music and radio that is long gone.

The overall story is about a fictitious radio station in Los Angeles facing a battle with the station owners over what advertising will be broadcast on the radio, namely the new advertising spots by the US Army that would help the station owners to increase profits.

Watching this film, it is interesting to see how insignificant the conflict with the corporate machine is in this movie than if the same movie were made in the modern day. The owners of the FM radio station in Los Angeles we are told, own 10 radio stations across the country. Today, it would not be uncommon for a communications corporate giant to own 10 radio stations in each city, thereby creating a monopoly and eliminating any dissent whatsoever. Disc jockeys running late to spin the records, and disc jockeys who couldn't get the tape machine to play their sponsors' advertisements without technical difficulties could easily be eliminated today with computer software automation. What little automation a radio station did not have could easily be eliminated if those who spun the records chose to go on strike, as did those at the end of this movie. The station's broadcasting location could easily be switched to another location by a simple click of a computer mouse, until the conflict was removed.

Corporate commentary aside, this movie is a great period piece to watch -- Disc Jockey's with larger than life egos, a radio station that likes to give the listeners what they want to hear, including free live concert broadcasts featuring Linda Ronstadt, and live broadcasts of disc jockeys from the local record store.

The DVD has the movie preview for this film, and at the end of it, is shown the FM soundtrack double album. I have heard this album, and it is one of the best soundtrack albums ever made for a movie -- where the film is average in quality, the music album is far superior to the film. This movie is not big on telling a story, but it is big on the music.

A niche little late 70s curio
Not technically slick by today's standards, this movie is buoyed by a superb soundtrack. The nostalgia value alone is worth two stars. It's fun to watch Martin Mull in his first role and who wouldn't love listening to Eileen Brennan as "Mother" spinning the best on wax through the speakers of your dad's Chevy Monza? Good movie also for those who had a disdain for the disco fad - and still do. ... Read more

Reviews (9)

Swan song for Peckinpah
Although at times confusing (unless one is really looking hard), THE OSTERMAN WEEKEND is a pretty good final film for one of the cinema's most controversial directors, Sam Peckinpah. It is his statement on the Cold War, courtesy of Robert Ludlum's 1972 novel, and has many of those well-staged action sequences that make later imitators like Quentin Tarantino and John Woo look like rank amateurs.

Rutger Hauer stars as a controversial L.A. talk show host with a penchant for tearing down government officials for their hackneyed explanations of U.S. policy towards the Soviets. He is anticipating the arrival of three old college friends (Craig T. Nelson, Chris Sarandon, Dennis Hopper) and Sarandon's and Hopper's wives (Cassie Yates, Helen Shaver) for an annual get-together.

But then, a CIA operative (John Hurt) throws a monkey wrench into things when he presents evidence that seems to indicate that Hauer's friends are working for the heathen Soviets in an attempt to sabotage America's germ warfare program. Hauer thus allows Hurt to set up surveillance equipment around the house to monitor their friends' doings. Then things get very hairy, complicated, and, not surprisingly, somewhat violent.

Despite having the usual difficulties with his producers, who were (like many others) penny-pinching, Peckinpah managed to make the most out of his final cinematic effort. The incredible shootout between Hauer, Nelson, and the CIA assassins in Hauer's back forty is Peckinpah at his prime (one would never suspect that in reality he was slowly dying when he made the film). Burt Lancaster turns in a hideously frightening role as the right-wing director of the CIA whose anticommunist paranoia (not too much unlike Sterling Hayden's in DOCTOR STRANGELOVE) sets the film's events in motion.

Finished off by a fine Lalo Schifrin score, THE OSTERMAN WEEKEND is a solid and efficient espionage thriller, worthy for at least one curious look.

Very disappointing
I read the book and enjoyed it back when it first came out, but I never saw the film in its theatrical release. I read the reviews here and figured it would be worth a try. Big mistake!

I usually enjoy films based on thrillers, even if they are not totally faithful to the book. But in this case, the film failed on a much more profound basis than simply taking some liberties with the plot. A thriller, whether it's a book or film, should at the very least provide some thrills, and it's here that the film falls far short of the mark.

Even though the movie was made in 1983, it is one of the most dated films I've ever seen. I'm not just talking about the outdated room decor and fashions, I mean the whole look and feel of the film. It looks as if it were shot in the early '70's. This sense of being very dated and amateur-ish is underscored by the music, a strange concoction of seedy pseudo-techno and cheesy jazz that would be more at home in a porno film.

The screenplay is painfully dull, with none of the suspense of the novel. Production values are tacky and below the standards that one would expect even in a TV-movie of the same era. Some tight editing could have improved the situation significantly, but instead we repeatedly end up gazing at someone's face far longer than is necessary. It's almost as if the director wanted to go for a sort of retro-Euro look for the film, but he didn't come close.

The various "high tech" devices, mostly video cameras and monitors throughout the house where the action takes place, look ridiculously outdated. This wouldn't be so annoying if the director had not insisted on zooming in for a close-up almost every time someone touches a push-button, as if to tell the audience, "See, I'm all up-to-date with the latest new gizmos". The movie is filled with shots of people pushing old-style backlit clear plastic pushbuttons that used to adorn those boxy desk phones and were also used on some of the very first VCRs. Some of this stuff would have looked dated even in 1983.

Peckinpah is apparently best remembered for his penchant for violence and his use of slow motion in depicting violent scenes. There are admittedly several excellent sequences where he uses slow motion very effectively: a car/truck collision early in the film (totally unnecessary to the plot, but well done nonetheless) and several other scenes at various moments, but not enough to salvage the film.

What is so unfortunate is that the cast was made up of very capable actors, many of whom have given much better performances with other directors. If you compare this movie to "Marathon Man" and "Three Days of the Condor", both made in the mid-1970's, they have aged much better than "The Osterman Weekend". They move more quickly, they keep you in suspense, and you actually care about the characters. By the time people started getting killed in this movie, I couldn't have cared less. Another fatal flaw is that this movie is totally lacking in humor of any kind. There are some nasty sarcastic comments, but they are not funny, or even particularly intelligent.

Anchor Bay does an outstanding job of providing a quality video transfer for this turkey. Even more impressive is the remastered 5.1 soundtrack, which is surprisingly realistic and is one of the few things that makes the film watchable. The second DVD contains the director's cut of the movie, presented in full screen and without the remastering of the theatrical release. I could not bring myself to watch it (this is definitely not a film to be viewed more than once), but at least the die-hard fan will have both versions to view. There is a nicely done booklet with more information about Peckinpah and his films than I needed to know, but again, credit is due to Anchor Bay for giving the movie a much better presentation than it deserved.

Sam's Cut Falls Short
If you are mainly going to purchase this movie to see Sam Pekinpah's original cut you will most likely be disappointed. The film quality of the original cut is about equal with a bootleg VHS tape (it's also full-screen). Extremely disappointing and painful to sit through.

The Osterman Weekend
A great swansong to a dying man plagued by his personal demons.
This is not classic Peckinpah admitedly, however this is great viewing. The action scenes for 1983 are up there with any (good) John Woo movies of later years. Rutger Hauer, John Hurt and Craig T Nelson are very watchable. This is defientely worth a second look.
The very rough cut on the 2nd DVD gives this film a more ambigious feel.
Like the train wreck of A man Apart, it shows that test screening clearly does not work!

i hope this is the beginning....
it's daft, tired and hollow... But i find this Peckinpah movie quite entertaining, but i've just taken an oppurtunity to say the following:

I hope this is the beginning of a 'Peckinpah collection' from anchor bay, a double disc edition of his most neglected masterpiece 'Bring me the head of Alfredo Garcia' would be greatly appreciated. I find 'Convoy', 'The Getaway', 'Junior Bonner', 'The Killer Elite' and 'Cross of Iron' all either tedious, revolting or both. They are all available, but not Peckinpah's last real achievement, strangely a film derided by even some of those that write books about him. It's time this ugly but wonderful, totally unorthodox love story was given a new life on DVD, restored. It's both the most typical and atypical film Peckinpah made. ... Read more

Reviews (2)

A very excellent picture.
i enjoy this film, in a day of shrinking values . this was breath of fresh air so too speak, i'm surprised that i had'nt heard of this gem before. it's a story that guys & girls can relate to, it's got a great kissable cast does a great job. highly recommended!

Unknown feel good movie of the year!
This is one of the few movies you can watch with your girlfriend and or wife, without feeling like a jerk. Even the kids liked this one.

A little known movie that has a great plot and great performances. I just like this one, just sit back and enjoy the movie and let the world go on by.

Men get this one to show her that you can have feelings and can watch a movie that doesn't have nudity! Get a bag of chocolate kisses to watch this one. ... Read more

Reviews (4)

To much Helen and not enough Jane
This is a decent movie and if there were nothing to compare it to, I would say a good adaptation from the book. I like all the actors. However this movie falls short of the one with Joan Hickson "Agatha Christie's Miss Marple, V. 1: A Caribbean Mystery (1989) ASIN: 6303111572"
They sped up the pace of the movie and it looks like a baby crawling at 60 miles a hr. Jane is more actively figuring out the plot and really needs no other characters to think.
This movie does however introduce you to Jason Rafiel who is the basis of "Agatha Christie's Miss Marple, V. 7: Nemesis (1986) ASIN: 6303404855
If you are rich buy them both, if not then this is not the one.

Wonderful!
I am quite a fan of Agatha Christie, and when I saw this movie on Ebay i quickly snatched it up. This was a great version of one of Dame Agatha's best books. Miss Marple (Helen Hayes) is sent to the Caribbean by her nephew who was worried about her health after an illness. Once there, Miss Marple becomes aquainted with an elderly general with a knack for story telling. One particular story envolved a murderer and a snapshot; when he goes to show M. Marple, he recognizes one of the people on the island as the same person in the photo. He is found dead soon after. Belief was that he died of a heart attack, but when a nosy maid is killed a few days later, the islanders realize that a killer is among them, and only wily Miss Marple can solve the mystery.

I highly recommend this movie to any mystery lover.... Don't be put off by the fact that the movie was moved from the 50s to the 80s.... it truley is wonderful!

To much Helen and not enough Jane
This is a decent movie and if there were nothing to compare it to, I would say a good adaptation from the book. I like all the actors. However this movie falls short of the one with Joan Hickson "Agatha Christie's Miss Marple, V. 1: A Caribbean Mystery (1989) ASIN: 6303111572"

They sped up the pace of the movie and it looks like a baby crawling at 60 miles an hr. Jane is more actively figuring out the plot and really needs no other characters to think.

This movie does however introduce you to Jason Rafiel who is the basis of "Agatha Christie's Miss Marple, V. 7: Nemesis (1986) ASIN: 6303404855

If you are rich buy them both, if not then this is not the one.

Excellent adaptation of the Christie classic..
Although the video starring Helen Hayes (as opposed to the British version that stars Joan Hickson) uses a primarily American cast, I believe it is a more lively version and more faithful to the original story than the British effort- with crisp dialogue, shafts of humor,a nice reggae open ing theme and excellent casting (with the exception of Beth Howland who is embarrassingly inadequate and clumsy in her portrayal of the cheated-on Evelyn Hillingdon). I usually prefer BBC productions of Christie's works, but this American version is a glowing exception (the BBC films drags slower than winter molasses, and none of the cast have the verve and energy of their American counterparts). Helen Hayes even attempts an English accent here and there, and even though she doesn't carry it off, her busybody Miss Marple is a delight, anyway (admirably supported by Barnard Hughes). And Swoosie Kurtz is a riot as Hughes' gossipy secretary. ENJOY. (Signed) DAN/L.P. ... Read more