Reviews (61)

A Great Feel-Good Movie
"Rad" is, by far, my favorite movie of this particular genre (bmx racing with your basic good-kid underdogs vs. rich talented snobs plot). Though it probably won't keep you on the edge of your seat, you will definitely find yourself rooting for the main character Crew Jones, both on the bmx track and in regard to his new love interest, a fellow bmx'er whom Crew meets when an exhibition bmx team comes to his small town. Crew truly is, as one of the characters in the movie states, "such a nice boy." Coupled with his raw talent and youthful exuberance, one can't help but pull for the youngster. The bmx-riding footage in this movie is amazing, and although the plot is predictable, this movie is a true FGM (Feel Good Movie) and is a must-see for anyone who was or is interested in bmx riding.

rad cool bike racing .
rad is fun movie to watch really enjoy this film , can't remember how many times i rented it when i was younger . after watching it i wanted to try those cool moves that cru & his friends were doing , plus i wanted to get a freestyle bike.

Rad is a underdog film like rudy, rocky & hoosiers root for the good guys & boo the bad guys. recommended flick , PG for lauguage if parents who have'nt seen it. one of my childhood favorites . live on cru jones.

This must be released on DVD Look at all the people that are
It is amazing how many people are buying Rad as a bootleg. I would buy this movie for gifts for everyone I know, that would make the holiday shopping easy. Classic and Massive is what Rad is.... IM LUCKY TO HAVE THE SOUNDTRACK TO THIS FILM. Please bring it to DVD I would kiss your feet.

RAD
Rad is an awesome movie, still have my original on vhs. Can't wait to get it on dvd. Only thing is I would also like the soundtrack to the movie. Does anyone know how I can get it? Email me and let me know. Thanx

DAR
See in this crazy hick town everyone goes to the WALMART store to shop and buy clothes. If you love someone you don't say it, you take them to the slide and go down it on your butt. Gee I sure do think you're pretty.
He doesnt have a car but to impress the chicks he raises 50 grand and wins the big BMX classic and makes all the pros look like big losers. In every small town there is a hero waiting to bust out his dreams. ... Read more

Reviews (52)

Superb Restoration from original TODD-AO Negative
Hallelujah! Finally, Fox has retired the CinemaScope print versions previously used in its two video incarnations and gone back to the TODD-AO 65 mm negative to bring us the definitive edition of SOUTH PACIFIC. The THX digitally restored film (available in both pan and scan and widescreen) is impeccably beautiful. The colors are all true and rich and deep. No more grain or bleed as we had in the Scope versions, especially in the controversial color filter sequences, which now render powerful and true as they were intended (and which netted cinematographer Leon Shamroy an Oscar nom). The widescreen version is the one to get, however - the sweep and beauty of the scenery and composition of the players meld into a perfect whole. I've seen this dozens of times but was mesmerized with this print as if seeing it for the first time. Most of the controversy over the film's casting and acting and direction stem from the small screen pan and scan - you NEED the widescreen lush backgrounds to understand the story, why the natives are attracted to it and why it holds the naive Americans in its seductive sway. RUN to get a print of this while they last - a great musical (remember it ran in its TODD-AO versions for over a year in the major city roadshow releases - audiences of the day LOVED it, despite the critics' lukewarm responses). This is a true WINNER! For the record this also contains the original Overture (Some Enchanted Evening, A Wonderful Guy, Nothin Like A Dame, Younger Than Springtime); the Entr'acte (Younger Than Springtime, Gonna Wash That Man, Bloody Mary, Bali H'ai); and Exit Music (Younger Than Springtime, A Wonderful Guy, Some Enchanted Evening, Bali Ha'i) all set against travelogue vista outtakes and title card backgrounds.

More than a love story. And the music is great!
With the world a little shaky now, it's a real pleasure to be able to put on a DVD and take a trip down memory lane to 1958 when South Pacific was released in movie theaters. The Rogers and Hammerstein score sets the tone for this musical adaptation of the Broadway show that was based on Tales of the South Pacific" by James Mitchener.

The story is set on an island in the South Pacific during WW2. The Japanese are entrenched in a nearby island and are bombing American forces that go near, but life is sweet for the G.I.s at the naval base. Mitzi Gaynor, cast as a nurse, is beginning a romance with an older distinguished French planter played by Rossano Brazzi. John Kerr is a young lieutenant who comes to the island to convince the planter to risk his life to spy for the Americans. And Juanita hall is the older native woman who pushes her daughter, the lovely France Nuyen, at John Kerr. The music is excellent and the words of the songs really do move the story along.

The theme however, is more than a love story. It deals with racism and the tragedy of war too. And these themes are what held it all together for me. It's a great human statement surrounded by wonderful familiar melodies that I'm still humming this morning. I loved it. And I didn't even care that, with the exception of Rossano Brazzi and Ray Walston, whose role as a sailor who always has a scheme and adds some really funny comic relief to this tale of love and war, the acting in general was mediocre. Everyone else gave rather stilted performances, and Mitzi Gaynor might be pretty, but she can't quite show a wide range of emotion. Also, the songs were all dubbed and obviously so. But that was the way Hollywood did things in those days. It's also interesting to note what the standard for beauty was in 1958. With the exception of the dancers, it was youth alone and not workouts in the gym that shaped the actors' bodies. Narrow waists were in style for the women, but hips were allowed to flare naturally.

I loved South Pacific in spite of its few faults. It was great entertainment even though it didn't make me forget the prospect of war. If you've never seen this film, don't miss it. And if you've seen it before, it's certainly worth a revisit. Highly recommended.

Another Let Down
The first time I watched this I was hitting the sauce pretty hard with the result that I thought it was one of the greatest movies ever made. In the next few days I tried to re-watch it and there were some things I wasn't going for. (The interesting thing is I was drinking just as much, if not more.) Actually, there were a lot of things I wasn't going for, but I'll only mention a few of them: (1) There's some saying that the French plantation owner keeps spouting to the nurse as if it were their "little phrase" - something like "Fools never argue, wise men never agree", that's not it, but it was something that sounds profound but is actually a piece of garbage. Even if it were profound, I don't need to hear it. (2) This movie starts out making some pretense to being a realistic war movie, but the combat scenes toward the end are asinine in the extreme. (3) The nurse and the marine are both supposed to be racists who need to be straightened out, with the implication that YOU are if you're white. I'm sorry but I watch musicals to be entertained, not to get a course of "sensitivity training." -- If I ever watch this again, I'm going to cut it down to watching 2 or 3 of Mitzi Gaynor's numbers.

It's simply the best...
What a classic, wow! Don't believe one negative word you hear about this film. Everyone knows that the songs are the best Rogers & Hammerstein produced for one show. The singing in the film and the renditions are fabulous. The first time I saw this film I was 10 years old and, yes, it was in 1958 in an old, classic of a movie theater where the ushers were wearing suits. I was totally entranced by this great film at that time and still am today. Mitzi Gaynor and Rossano Brazzi were excellent selections-- I don't think Mary Martin would have been any better. John Kerr looked exactly like a young Marine lieutenant circa 1942. Sure, ladies, it could have been someone who was known for having knockout looks, but they would not have been as effective. And France Nuyen captures the essence of a native girl like no one else and that was good casting opposite Kerr.

To me, the greatest achievement of this film is that Joshua Logan absolutely captured everything about the early 1940s in that cast of characters. Mitzi Gaynor has a 1940s face and style, and looked exactly like a Navy nurse. The same is true for the other characters but especially so for Kerr. If you look at war footage from the Pacific theater, you'll see hundreds of Marines with frames exactly like Kerr's. No one lifted weights back then so no one had the "body cuts" of a weight lifter. He looked just like a Marine Lt from WWII should have looked-- tall, very lean, serious but a kid at the same time. He was intense in the combat scene and very light during the scenes with Nuyen. And Juanita Hall couldn't have been better; she will always be everyone's vision of Bloody Mary.

Logan manages to take you back to that time over and over again even though it was filmed 15 years later. When I watch it today I know that the smells were different, the mindset was different, the clothes were different, the cultures were different, the people were different, and life was different; perhaps simpler. Logan capture all of that for us to see over and over again. Plus, he did it in a way that makes the racial point but does it without being vulgar.

South Pacific captures the World War II era in the same way that Gone with the Wind captures the Civil War era. We can never go back to those times, but Logan helps make time stand still. Best of all was his casting. This version of South Pacific is one of my all time favorite films and no classic film library should be without it. Buy it. Watch it. Love it!

Great, but maybe not good
After viewing the full screen version of "South Pacific" on a projector screen as well as my own home, I feel that the movie was filmed beautifully!!! The use of color tints carries the audience away. Mizti Gaynor has a fabulous singing voice, even if she is "as corny as Kansas in August." The characters overcome the racial prejudices, showing the world that mixed couples are acceptable. The only thing that I found lacking was the plot line. If it weren't for the musical interludes, the movie may have been a flop. ... Read more

Amazon.com

Bored, bored, bored. That's how young Keith feels about being strandedatthe time-worn Mountain View Inn with his parents. Then he meets Ralph, anequally stir-crazy mouse who quickly befriends Keith and begs to rideKeith's toy motorcycle. Soon Ralph masters the tiny two-wheeler and"rrroom-zzzooms" through the hotel hallways, dodging four-leggedpredators, adults, and the occasional vacuum; he even risks his furryskin to help Keith recover from a high fever. Based on Beverly Cleary'sfamous children's novel of the same name, this 42-minutevideo combines live-action talent (including Ray Walston as thewise bellhop) and award-winning stop-motion animation. While the datedlook of the TV movie may not appeal to kids who prefer the heart-pumpingaction of computer-generated favorites such as Small Soldiers, its tameplot and relatively slow pace makeThe Mouse and the Motorcycle a healthy choice for families with 3-to 7-year-olds. Followed by an even popular sequel, Runaway Ralph. --Liane Thomas ... Read more

Reviews (8)

A Cute Tale
A cute tale about a young boy staying overnight at a motel with his parents, when he meets a furry little friend who resides inside the wall of his motel room. The boy and mouse help one another out in nice ways, making the stay enjoyable for both boy and mouse. Only the mouse and his family are animated in this film. Very good actors perform in the film, some of which are familar faces. My 8-year-old son enjoyed the movie, but my 10-year-old daughter was somewhat bored. The only qualm I had was I thought the voice of the mouse sounded somewhat overly "cutesy", borderline corny. The boy's voice was more mature than the mouse's. Overall, a nice family show for viewing with younger children.

Funny!
The Mouse & The Motorcycle is funny, but I did hear of the book, why I wonder if there are mice that can ride motorcycles, since Stuart Little could ride a toy car.

The Mouse From a Book now in a TV Movie
Hey kids! This 1986 television special, which was based on a best-selling novel, and also had two following movies: Ralph S. Mouse(1987) and Runaway Ralph(1988), also based on novels, is a great film. The animation is kind of cheap, but it is funny in most of it, and is a great family story. Talk your parents into getting it along with the other 2. You'll luv 'em!

The Mouse and the Motorcycle
I like when the mouse goes on the toy ambulance. Also, I like when the mouse rides the motorcycle. That's why I love this movie!

Adorable for Young and Old Alike!
First time I saw this film on a local public television station I sat enthralled. What clever and enjoyable entertainment! The little mouse is precious and the adventures he finds his way into and out of will keep both youngsters and "older" kids laughing throughout.

This is a great tape to pop in when the kids are restless and you need to quickly distract them! ... Read more

Reviews (119)

An great comedy thriller classic.
When an ambitious Small Time Crook (Two Time Oscar-Winner:Robert Redford) steals $10,000 with his old age partner from an dangerous criminal (Robert Shaw), later on that day, The Crook discover his crime partner has been murder by the crime lord. Then The Crook meets his dead friend ex-partner a Veteran Con-Man (Three Time Oscar-Winner:Paul Newman), who seek revenge on the crime lord.

Entertaining comedy is directed by George Roy Hill (Butch Cassidy and the Sundance Kid, Slap Shot) and Written by David S. Ward (The Program). Winner of Seven Academy Awards for Best Picture, Best Director, Best Art Direction/Set Decoration, Best Costume Design, Best Film Editing, Best Score and Best Original Screenplay. The Film recieve Three Oscar Nominations, Including:Best Actor:-Robert Redford, Best Cinematography and Best Sound. The Sting has the Greatest Double Crossing in a Movie History, Complete with an Surprise Ending. Great Fun. Better to Wait for the Special Edition DVD in a Widescreen Version, which it will be 30 Years, Next Year. Grade:A.

The Quintessential Caper Flick
"The Sting" is an extremely well written story by David Ward ("Major League", "Sleepless in Seattle") and David Maurer about some smalltime grifters who attempt to swindle a mob boss. The film was nominated for ten Academy Awards in 1974 and won seven Oscars including Best Picture and Best Director. It reunited director George Roy Hill, Robert Redford and Paul Newman four years after their blockbuster, "Butch Cassidy and the Sundance Kid". Strangely, although Butch and Sundance made it to number 50 on AFI's top 100 of the century, this film did not make that list. This is even more surprising since "Butch" did not win the Oscar for Best Picture in 1970 ("Midnight Cowboy" won it that year).

While I think "Butch" is funnier and more exciting, this film is more intriguing with interesting character studies and some unpredictable plot twists. Hill does a superb job of weaving the elements of the caper together and giving it a depression era feeling. The humor is more ironic than hilarious, but it fits the story well. The period props, locations, and sets are excellent, and the costumes are perfect. The costumes were done by the legendary Edith Head, who designed costumes for over 400 films in her 50-year career. She won an Oscar for best Costume Design for this film, which was one of eight she won in that category in a career marked by an astounding 34 Oscar nominations. The music by Scott Joplin and Marvin Hamlisch is also fabulous, bestowing an early twentieth century flavor on the film, and giving Hamlisch one of three Oscars he won that year (the other two were for "The Way We Were" also starring Redford).

Where "Butch" was probably a little more Newman's film, this film clearly belonged to Redford. Redford, who was nominated for best actor for the role, is marvelous in the lead, giving his character a charming, lighthearted personality to go along with his scheming intellect. Newman plays almost a supporting role as the veteran conman Henry Gondorff, who assembles the team for the caper and oversees its execution. Despite the smaller part, Newman gives an electrifying performance with his conniving tough guy portrayal. Robert Shaw ("From Russia With Love", "A Man For All Seasons", "Jaws") is also terrific as mob boss Doyle Lonnegan. Charles Durning ("The Best Little Whorehouse in Texas"), Ray Walston (TV's "My Favorite Martian") and Eileen Brennan ("Private Benjamin") round out a splendid supporting cast with fantastic character portrayals.

This film is entertaining and fun with a tight plot and wonderful period renderings. I rated it a 10/10. If you have never seen it, you are in for a treat.

THIS ONE REALLY STINGS!
"The Sting" is a classic throwback to Hollywood's golden age: a fish out of water tale about a couple of con artists (Paul Newman and Robert Redford) who seemingly meet their match in a cheating mobster (Robert Shaw). As the police close in from one end and the Mafia from the other, the stakes become higher, the comedy more hilarious and the ultimate con, more rewarding. The supporting cast is a potpourri of stellar characters including Dana Elcar, Eileen Brennan, Ray Walston, Charles Durning, and Harold Gould. Marvin Hamlisch provides a sophisticated score buttressed by Scott Joplin's ragtime jazz.

It is disheartening to see an Oscar wining Best Picture get so shabby a treatment on DVD. For starters, the film is presented in a full frame, pan and scan version only. The shortcomings of this format are that you are not seeing the film in a version director, George Roy Hill would have approved of. But apart from Universal's glaringly obvious oversight, the print quality of "The Sting" suffers from a poorly balanced color spectrum, age related artifacts, edge enhancement, shimmering of fine details and pixelization. Flesh tones are often weak and pasty. Blacks are rarely solid or deep. Fine grain can be excessive in spots. The audio is poorly mixed, sounding strident and tinny. There are no extra features.

Redford and Newman at it again
I just rented this DVD and watched the whole thing, but I've seen this movie several times before.

Johnny Hooker (Robert Redford) is a con artist who unknowingly swindles a lackey of crime boss Doyle Lonnegan (Robert Shaw). After Hooker's partner in the crime is killed, Hooker vows revenge against Lonnegan and seeks Henry Gondorff (Paul Newman), one of the best cons in the game to help in the big Sting. Hooker would love to do more than just hit Lonnegan for a lot of money, but "doesn't know enough about killin' to kill him."

It's not easy separating a crime boss from his money, especially when he owns half the politicians and police. They have to take him without him even knowing he was taken. What follows is an exciting deception, carried out with professionalism and ingenuity.

I don't think the chemistry between Newman and Redford is quite as good as Butch Cassidy and the Sundance Kid, but it's still pretty darn good. Lines like this:

Redford (first seeing his arch-enemy): "He's not as tough as he thinks."
Newman: "Neither are we"

The story is classic. You don't exactly know who's who, and you wonder how they're going to pull it off in the end. Scott Joplin's ragtime music, although somewhat anachronistic, is effective at keeping the movie somewhat lighthearted. There are a couple of instances of swearing and a stripper with pasties on, which gives it a PG rating.

The reason for four stars is the fact that the DVD has NO EXTRAS, and the only option is the full screen version, no widescreen. A movie as good as this deserves better, which is unfortunate.

Overall, this is a great movie with great cinematography (transition wipe effects and some tracking shots) and phenomenal acting. Enjoy.

Widescreen?
I love the film, but why is this not available in Widescreen on DVD? There's been a Widescreen VHS, and I've seen it in Widescreen on Turner Classic Movies. I know it was shot in Widescreen, so how about it, Universal? ... Read more

Amazon.com

Beverly Cleary's entertaining sequel to The Mouse and theMotorcycle comes to life in another stop-motion animation TV short,starring a young Fred Savage. Ralph, a squeaky-voiced mouse with apenchant for peanut butter, decides to run away from the Mountain ViewInn when his uncle threatens to ground him for reckless motorcycleriding. He winds up at the Happy Acres Camp, where an unenthused campernamed Garfield (Savage) captures the tiny rodent. When "Garf" saves Ralphfrom a hungry cat, Ralph starts talking and a friendship develops.Together, boy and mouse combat Garf's own desires to run away from adifficult situation and solve a camp mystery to boot. Wholesome fun bestdescribes this 42-minute family feature, which does not rely oncliché-ridden dialogue or breakneck action. The '70s go-go style ofmusic is a little dated and Ralph's stop-motion movements may seem alittle jerky by today's animation standards, but he and his furrycostars still garner plenty of appeal. Children 4 years old and upwill easily comprehend this film's lesson about the importance of workingthrough problems rather than avoiding them. --Liane Thomas ... Read more

Reviews (4)

The Mouse and the Motorcycle 2!
Hi, people! If you liked the TV special The Mouse and the Motorcycle(1986), yu'll really like this 1988 TV special! They were both based on novels written by Beverly Cleary, a children's author. It's about a mouse named Ralph who runs away from home on his toy motorcycle, and stops at a summer camp. There, he meets a lonely boy named Garfield (Fred Savage, later of "The Wonder Years") and they become friends. Well, I don't want to spoil it, so this is all I'm going to tell you about the story.
This film was originally aired on ABC in 1988, and, aside from cheap animation, is GREAT! Ya just gotta get it! And, in addition to this movie, get Mouse and the Motorcycle too. They are two excellent movies for all ages.

They don't get any better than this
This classic needs to be in every video library. Children of all ages will find this movie irresistable. I'm ordering my 4th copy because friends and family have a cute way of begging my copy away from me and ironically, I have no children. When guests come over, a guaranteed way to capture the attention of their unruly children is to put this in the VCR. It usually captures the attention of the adults too. Unfortunately, the film is only 45 minutes long.

I like Runaway Ralph because I like animal books.
Dear Beverly Cleary, I just read Runaway Ralph. I loved the book a lot. My favorite part was when Ralph met Chun because Ralph asksed Chum what kind of animal he was. I am going to ask you a couple of questions-OK? Why did you want to write so many books? Which of your books do you like the best? When you were little is this what you wanted to do? Please answer my questions. Sincerely, Sarah Teixeira END

Very good
The mouse on the motor cycle is kickin butt on his motor cycle he's trying to get back to his home but in the process he gets cought and put in a cage thats all for now END ... Read more

Amazon.com

America's pastime gets a Faustian twist in this 1958 studio musical, which recounts the ballpark bargain struck by an aging Washington Senators fan obsessed with helping his team trump the Yanks. With echoes of the real-life 1919 Shoeless Joe Jackson scandal, and tart observations on the tradeoffs between youth and experience, Damn Yankees fuses a classic dramatic dilemma with musical comedy to often charming effect.

In transferring George Abbott's Broadway hit to the screen, codirectors Abbott and Stanley Donen are smart enough to retain Richard Adler and Jerry Ross's clever songs, Bob Fosse's sizzling choreography (with Fosse himself on camera for the sultry mambo number), and stars Ray Walston and Gwen Verdon, reprising their devilish turns as the Horned One himself, Mr. Applegate, and his temptress, Lola. Where the team strikes out, unfortunately, is in their concession to marquee politics, handing the pivotal role of Joe Hardy to handsome, vapid, celluloid heartthrob Tab Hunter, whose thin voice and unsteady screen presence argue that he should have stayed in the dugout.

Walston is reliably spry and acerbic as the canny archangel, and Verdon, in one of her rare starring screen turns, confirms the comedic timing and sexy, muscular grace that made her a deserved draw in subsequent stage hits including another Fosse triumph, Sweet Charity. With her combination of feline grace and alternately steely, flirtatious femininity, Verdon makes you believe her when she sings, "Whatever Lola wants, Lola gets." --Sam Sutherland ... Read more

Reviews (15)

Whatever Lola wants she gets!
The film version of Gwen Verdon and Bob Fosse's first success together. With Ray Walston as the devil and Verdon as his muse, Lola, this film can not fail to please. An excellent example of Fosse's early choreography. Unfortunately, its producers thought that they could cut "The Game", a wonderful song sung by the Senators. A must for any musical video collection

Hollywood's Hall of Famer: a Grand Slam!
Forget about carping reviews. If you like: musical comedies; baseball;Gwen Verdon; selling your soul to the Devil; great dancing; happy endings; ironic gambits reaffirming olde time(pre-PM) morality, DAMN YANKEES is grand slam hit.This film adaptation of Broadway's World championship rendering of "The Year The Yankees Lost the Pennant" is classic Americana(It's more like"The Devil & Daniel Webster" than Goethe's Enlightenment epic,"Faust"). Tab Hunter does a fine job as guileless, baseball-loving, middle-aged dreamer who sells his soul to Mr.Applegate (My Favorite Devil/Martian; "Paint Your Wagon" schemer,Ray Walston).

Star of the show is Gwen Verdon. She's the devil's 007-ette,LOLA with"license to get-down".Down and sassy-classy she bedazzlingly is,as she funks; punks;Bob Fosse's-n-weaves/"sleezes" her way on Applegate's satanic service to seduce Superstar Joe Hardy into "eternal contract".WHATEVER LOLA WANTS (ultimately)she doesn't get. Because...like the show's theme banners...YOU GOTTA HAVE HEART! In The Ninth,Verdon's not-so-wicked witch of the West(like this superbly entertaining; funny; full-of-good-will fun flick) has Valentine Heart to the max.If you're a Yankee fan (as lovers of baseball begrudingly become)catching a glance of baseball legend Mickey Mantle in the film is a nice touch recalling innocence in values that've been lost to the Real Applegate and cohorts.Being from Houston, I look forward to some Yankee greats pitching for us next year. Until then, DAMN ASTROS(er)YANKEES is a Hollywood Hall-of-Famer well worth checking-out and cheering on.

SONG LEFT OUT!!!
This movie has been one of my top 20 favorites for a long time. I first saw it on television in the mid sixties. The very first song that begins the movie during the opening credits is "Think About The Game". When the home video was released, this song, sung by the Senator's while Joe Hardy was busy with the Shifty McCoy trial, was, without explanation or reason, was stupidly left out of the video version. I feel cheated and wanted my money back. Can anyone tell me why?

Thank-you.

Good soul-searching musical.
This is another film which would probably be better rated if it wasn't so slavishly compared to its stage original. It does its job just fine, thank you, but you must remember that stage and film are two different media. In the conservative postwar 50's there was very little controversy shown (or allowed to be shown) in the film and TV media; a Faustian book made into a film musical probably scared the Hays moral office to death! That said, the Abbott-Donen collaboration does a more than competent job of telling the story, and scores an extra base hit retaining most of the Broadway cast of the show in the first place. I've read that the studio tried to lure Marilyn Monroe into playing the Lola role (and assuring box-office returns), but the producers were smart enough to know that the role needed a real dancer-actress combination. In short, it needed Gwen Verdon. It needed her special brand of eccentricity, sexiness, and heartbreak. And it got her. If you're still not convinced, take another look at the exquisite cafe' dance of "Two Lost Souls."

How Lola can he go?
Shoeless Joe from Hannibal, Mo is the mysterious "Joe Hardy" who makes a pact with the Devil to be young again and the greatest baseball wonder the Washington Senators have ever seen. His agreement comes with an "out" clause but hired temptress, "Lola" uses all of her most beguiling tricks in order to put the vamp on innocent Joe and keep him from short-changing the Devil of another hard-earned soul.

Gorgeous boy Tab Hunter plays the part of quiet, innocent and unpretentious Joe, an easy soul target for the Devil and his indebted temptress, played by Gwen Verdon. Although the singing was slightly less than what it could have been, the dance parts were terrific.

Unfortunately, this famous Broadway show was placed before a movie camera and little was done to take it from the ranks of the contrived enthusiasm of a play to the artful poise of a feature film. The scripts made for stiff dialogue and the sets were composed as they would have been on a fixed stage. What could have made for a very entertaining musical became a stage play adapted by convenience with no consideration for creative filming. ... Read more

Reviews (80)

A poignant, beautiful adaptation of Steinbeck.
Gary Sinise's "Of Mice and Men" was virtually ignored by critics and public when it was first released, and I have never known why. It strikes me as one of the truly great cinematic adaptations of a literary classic. The screenplay is remarkably faithful to both the letter and spirit of Steinbeck; the photography by Kenneth MacMillan is heartbreakingly beautiful; and the performances by Sinise, John Malkovich and Ray Walston are almost unbearably poignant. My sister, a high-school English teacher, shows this film to all of her classes, and all of them have loved it. This is the rare movie that really imparts the flavor and significance of the novel on which it is based.

An American Masterpiece
John Steinback's classic novel "Of Mice and Men" has been made again for the big screen, but with direction by Gary Sinise. It's touching, gripping and powerful. The lavish scenery shows well and George and Lennie are running away to find work. Lennie (John Malkovich) is a tall, slow-minded fellow who means well, but causes trouble. George (Sinise) is his friend and looks out for him. The movie stays close to the novel and will definitely help any freshman in high school who doesn't want to read the book. Forget the Shakespeare garbage, this book really is good! The two men along with an older man have a dream to buy a nice little place to tend rabbits and it would be paradise. Unfortunately, Lennie gets himself into trouble with the boss' son and his girlfriend. I've learned that you should never try to punch a man twice as big as you, unless you're a genius because your hand will get smashed. Seriously, the movie is a tour de force and kudos to director Sinise for making a poignant picture of true friendship. John Malkovich is brilliant and the supporting cast is great. A must-own masterpiece.

Great movie version of the classic novel
I had to read Of Mice and Men in high school and I liked the book so I figured I would watch the movie one day. Very few movies even come close to being as good as the book, but Of Mice and Men is an exception. Gary Sinise and John Malkovich play great roles as Lenny and George in the movie as do the ones that play Slim, Candy, and Curley.

Gary Sinise couldn't have done a much better job directing the movie to be just like the book. Of Mice and Men is one of the best novel to movie translations ever. If you liked the book and even if you haven't ever read it, this is one movie worth getting anytime.

Highly Recommended!!
This Steinbeck classic comes to life with the brilliant acting of Gary Sinise and John Malkovich. This is one time when I can truly say the movie was almost as good as the book!

Malkovich plays main character Lenny to a "T."

All high school English students should see and evaluate this one. It is powerful human drama.

John Malkovich and Gary Sinise Play Roles to Perfection
If you have read the book but haven't seen the movie, you are making a (as Donald Trump would say) "HUGE" mistake. Acting was created so Gary Sinise and John Malkovich could play these roles! And I really mean that.

I have read John Steinbeck's novel a few times. I am seriously bothered by the constant "using the Lord's name in vain" in all of Steinbeck's novel, but that doesn't discount the fact that he is a great writer - one of the best of all time. When I finally got to watch the movie, I was blown away by what a great job Malkovich and Sinise did playing their characters. But I was even more blown away by the rest of the actors ability to step up to the plate too. Every character was just as I pictured them in my head.

There are a few scenes that are not exactly as they were in the book: Curley's wife confronts George while he is alone in the barn...that's not in the book. Candy walks in on Lennie and Crook in Crook's room which is not in the movie. But these little changes matter not...the soul of each character is captured perfectly by this amazing movie!

Lennie and George are partners in their walk through life, and they couldn't be more opposite: Lennie (Malkovich) is a child in a big man's body, and George (Sinise) is the quick thinking (though never quite quick enough) sidekick determined to watch after his friend. The two actors are amazing on screen; I could almost swear they were having a contest to see who could actually (really) change in to their character. I think it was a tie!

I wish I could give it six stars - not an option though.

See ya next review!
www.therunninggirl.com ... Read more

Reviews (6)

Charming movie
I've seen this movie quite a few times now over the years, and why not wright a little review of this wild and crazy classic. it actally isnt as silly as most of the jerry lewis films, this is serious at times, and has alote of fine actors in it.
Jerry Lewis plays (as almost always) a nice and friendly chap, but clumsy who just can't seem to do anything right.
In this movie he is working at a big store, a huge store. and everything goes wrong! almost anyway. alote of fun scenes. not just a couple. i laughed many times through the movie. this is a fun and crazy jerry comedy, i think its one of the best jerry lewis movies. (atleast of what ive seen so far)
oh, and by the way, check out that beatiful secretary "Shirley", oh mama! i wish she had played a bigger role! and don't you just love the movie title? check it out.

Physical Comedy At Its Finest!
This is the first movie Jerry Lewis appeared in after his masterpiece "The Nutty Professor." Freed from the chores of writing and directing this film, Jerry turns in one of his finest performances. Norman Phiffier (Jerry Lewis) lives his life according to the philosophy that honesty is the best policy. He is a dog walker and dog sitter in love with Barbara (the beautiful Jill St. John). He believes that she is just an elevator operator at Tuttle's Department Store but, in reality, she's the daughter of the store owner and heiress to the Tuttle fortune. Her mother Phoebe (Agnes Moorehead) disapproves of Norman and doesn't want her daughter to marry him. Determined to break up their romance, she instructs the store manager Mr. Quimby (Ray Walston) to hire Norman to work in Tuttle's Department Store and give him the worst possible jobs. He first assigns Norman to paint the tip of the flagpole hanging outside the ninth floor window. Norman tries to climb out on the pole and almost falls to his death. He comes up with the bright idea of putting a paint brush at the end of a fishing pole. To paint the bottom, he enters the office of the store's president John Tuttle (John McGiver). John is a henpecked husband whose wife really runs the store. Since John is busying himself by putting golf balls, Norman takes him to a machine that electronically measures how far you hit the golf ball. When Norman hits the ball it flies out the window, hits a traffic cop on the head, keeps bouncing around and knocking things over, and eventually lands back on the tee and explodes!

One of Norman's jobs is working in the women's shoe department. Mr. Quimby has hired a lady wrestler to come in and try on a pair of shoes much too small for her foot size. Norman tries to force the shoes on her feet and they end up getting knocked to the floor. She gets Norman in a headlock, picks him up and flings him over the counter. Looking closely, it's plain to see that it's Jerry and not a stunt double flying over the counter! After getting stomped on, Norman gets thrown into a huge rack of shoe boxes, which crash through the window and land on the same traffic cop who earlier got hit with the golf ball! In another scene, Norman is working in the men's clothing department on the morning that they're having a 50% off sale. As soon as the doors open, a crowd of stampeding women converge on the clothes, grabbing every article of clothing in sight. They even pull off most of Norman's clothes! There are many other departments Norman has to work in, all ending with disastrous results.

My favorite scene involves a rich woman, carrying her Chihuahua and accompanied by her manservant, who is bringing an old vacuum to the store to be repaired. Mrs. Tuttle appears with Mr. Quimby to observe the proceedings. Norman rewires the vacuum to increase its suction. The vacuum becomes so powerful that it starts moving on its own, sucking up everything in sight, including the old lady's dog and Mrs. Tuttle's wig! Norman is unable to switch off the vacuum or even unplug it, so the vacuum's bag keeps getting bigger and bigger, and eventually floats up to the ceiling! Norman ends up climbing a ladder and sticking a knife into the bag. The resulting explosion of dirt and debris is hilarious, as the Chihuahua plops back into the old lady's arms. Norman puts the dirty, dust covered wig back on Mrs. Tuttle, who promptly fires him. Mr. Tuttle, accompanied by his daughter Barbara, come to Norman's aid and Norman finally learns that Barbara is the Tuttle's daughter. Proud and determined to make it on his own, Norman quits and goes back to being a dog walker. The last scene involves Norman walking a large number of dogs. First Barbara, then her father, and finally her mother go by also walking many dogs and wearing jackets that say I'M SORRY. They all round a corner out of sight. The next thing you hear are the screeching of brakes and the sounds of cars crashing. The last shot is of the poor traffic cop, surrounded by wrecked cars and barking dogs. "Who's Minding The Store?" is, without a doubt, one of the funniest movies Jerry Lewis has ever done!

Hilarious but...3 stars for format
No need to review the film which is a comedy gem...just the format:
The film starts in widescreen, unusual for a video tape. And just when you're getting used to it, the opening credits end and it reverts back to fullscreen(!)
To add insult to injury, the end credits are not even included, the movie simply ends! So much for finding out who the actors were.......

C'mon Paramount...how about the full version on DVD?

THE BEST PART WAS WHEN JERRY WAS WITH THAT BIG SHEEPDOG
I GOT TO OPEN A PRESENT EARLY-AND IT WAS 3 JERRY LEWIS VIDEOS-WHOS MINDING THE STORE-ROCK A BYE BABY-THE NUTTY PROFESSER!

WHOS MINDING THE STORE IS ABOUT A DOGWALKER WHO ALSO DOG-SITS WHEN THE DOGS OWNERS ARE AWAY-BUT WHEN A MEAN WOMAN WHO OWNS A DEPARTMENT STORE FINDS OUT HER DAUGHTER IS GOING TO MARRY THIS LOSER SHE HIRES HIM TO WORK AT HER STORE AND GIVE HIM TOUGH JOBS-SHE EVEN HAS HIM FIRED!

I WOULD RECCOMEND THIS MOVIE TO ANY JERRY LEWIS FAN!

Who's Better than Jerry?
THIS MOVIE IS ONE OF JERRY'S GREATEST, GREAT SUPPORTING CAST & A GREAT GAG DIRECTOR, FRANK TASHLIN...NO COMEDY OF TODAY EVEN COMES CLOSE TO THIS ONE...ONE OF THE KING OF COMEDY'S GREATEST! ... Read more

Reviews (4)

One of the Better B Terror Films
I saw this when first released at the theater. It was a great terror movie. The tension runs throughout the movie as a group tries to escape a planet that prays upon their fears. One scene with a giant caterpillar and a scantilly clad lady was rather erotic. A good movie for fans of movies like Hellraiser and Phantasm. Erin Moran even does a decent job of acting.

Forbidden Planet meets Event Horizon
This is a strange little film. The poster art shows a scantily-clad woman being menaced by monsters. This is not really accurate. This is a psychological terror as opposed to a more overt monster film.

Things are ruled by The Master, a red-glowing figure. He hand picks a rescue team to journey to a distant planet. There they find little to rescue. For some reason they blow up the bodies they find. But soon they are targets of things that appear and disappear from all sensors.

For much of the movie the characters explore a huge alien pyramid where they each have to come face to face with their worst fears. I particularly liked the warrior who had a breakdown because his crystal throwing stars broke.

In the end we learn more about The Master, who he is, how he became The Master, and what he has been up to with this mission.

There are monsters. There is gore. There is even a little suspense. There is an impressive cast (Ray Walston, Erin Moran, Robert Englund, Zalman King). But somehow it just doesn't really come together as well as it should have. To many of the fears involved monsters even though Erin Moran's character was claustrophobic. Fans of bad movies will want to watch this one at least once.

Alien rip-off!
This movie is an obvious rip-off of ALIEN. However , unlike alien, it just does not measure up. The acting and dialogue are absolutely horrendous and The soundtrack has a cheesy 70s sci-fi style. The special effects are pretty good (considering...) and they resemble ALIEN very closely (the corridors, the planet's surface.....). Unfortunately this film just does not draw you in and it makes you lose interest in it fairly quickly. Overall: MEDIOCRE.

Galaxy of Terror might be cheesy but it's fun LOL
Well what can I say ? this was made in 1981 .... it features Erin Moran ( Joanie from Happy days ) and it also has Rober englund playing a small part . the ONLY reason to see this movie is ONE) to see Erin Moran get constricted until she pops ( and I mean POP! ) and for the massive amounts of Blood and gore ...... and the movie was also somewhat prophetic in that Robert Englund has to fight himself , and the evil self looks like none other than FREDDIE!!!!!! then there's the fact that MR. Titanic Terminator James Cameron is the executive Prod. for this flick ( if you doubt me get it and watch the Credits . SO .... if you're looking for a brainless but fun Horror flick ... this is it .... but if you're looking for an artsy space "Film" ..... keep going . ... Read more

Amazon.com

This film and Hello Dolly were the knockout blows to the studio movie musical, but Paint doesn't deserve its tarnished name. Ben Rumson (Lee Marvin) takes the model of a rakish derelict to an unequaled high as a prospector who teams up with a greenhorn named Pardner (Clint Eastwood), and they both end up marrying the same scorned woman (Jean Seberg). No-Name City, the prospecting town they found, is Sodom and Gomorrah without the camels, and a vision of humanity left to its own devices. The songs are mostly wonderful melodies from Lerner and Loewe, with definite high points, notably "They Call the Wind Maria" and "Wand'rin' Star." Clint Eastwood always gets flack for his versions of "I Still See Elisa" and "I Talk to the Trees," but that scorn is equally undeserved. Perhaps Paint's biggest sin, in retrospect, was trying to combine the aesthetics of the musical with the aesthetics of the male protagonists' world-weary machismo. Not the easiest task, but Paint pulls it off. --Keith Simanton ... Read more

Reviews (57)

Bawdy Good Fun!
Totally irreverent and unabashed Paint Your Wagon is bawdy good fun for the whole family! In spite of the critics' remarks about its morals or lack of them, I found the story to be true to life in the old west. In watching the documentary "Ken Burn's presents The West," one learns that many decent law abiding folk abandoned all sense of morality and manners once out on the American Frontier.

The music as with all Lerner and Loewe films is excellent, especially the unforgettable song, "They Call The Wind Maria." Clint Eastwood sings beautifully and most probably could have had a nice singing career had he not gone to tough guy films and spahgetti Westerns. Lee Marvin and Jean Seberg compliment a fine cast of actors that make this musical very enjoyable and a believable picture of life in the Old West.

Adapted by Paddy Chayefsky (remember "Marty?") the musical is filmed on location in a beautiful wilderness (supposedly) in California which is about to become a state. Reckless, raucous and full of good fun it makes Rogers and Hamerstein's "Oklahoma" look dull and tame by comparison. Like the song "With A Little Bit Of Luck" in the musical, My Fair Lady, Lerner and Loewe tend to celebrate the lesser (and more real) qualities of humanity with a tongue-in-cheek sense of humor. Thus so I dare say I enjoy Lerner and Loewe much more than Rogers and Hammerstein.

Bawdy Good Fun!
Totally irreverent and unabashed Paint Your Wagon is bawdy good fun for the whole family! In spite of the critics' remarks about its morals or lack of them, I found the story to be true to life in the old west. In watching the documentary "Ken Burn's presents The West," one learns that many decent law abiding folk abandoned all sense of morality and manners once out on the American Frontier.

The music as with all Lerner and Loewe films is excellent, especially the unforgettable song, "They Call The Wind Maria." Clint Eastwood sings beautifully and most probably could have had a nice singing career had he not gone to tough guy films and spahgetti Westerns. Lee Marvin and Jean Seberg compliment a fine cast of actors that make this musical very enjoyable and a believable picture of life in the Old West.

Adapted by Paddy Chayefsky (remember "Marty?") the musical is filmed on location in a beautiful wilderness (supposedly) in California which is about to become a state. Reckless, raucous and full of good fun it makes Rogers and Hamerstein's "Oklahoma" look dull and tame by comparison. Like the song "With A Little Bit Of Luck" in the musical, My Fair Lady, Lerner and Loewe tend to celebrate the lesser (and more real) qualities of humanity with a tongue-in-cheek sense of humor. Thus so I dare say I enjoy Lerner and Loewe much more than Rogers and Hammerstein.

The movie they tried to ruin
"Paint Your Wagon" is almost a textbook case in how to ruin a film version of halfway decent musical. Take a minor Lerner & Lowe hit, blow it up all out of proportion, cast three non-singers for the main leads, and remove most traces of the whimsy and irony that made this moderately popular in the first place. That the result is STILL somewhat entertaining is almost a miracle. A lot of the credit has to go Lee Marvin, who plays his trademark drunken Westerner to the hilt. But Clint Eastwood and Jean Seberg are bland to the point of nonexistence. A standout (he's hard to miss) is Harve Presnell, an actual singer who belts out the movie's big hit, "They Call the Wind Maria" then promptly disappears. There's a lot of "what-in-the-world-were-they-thinking?" in this one. But it's still worth a couple hours of your time.

Good Old Fun
Wow, how can you not love Clint Eastwood's singing? This movie is fun and hilarious. A little action and a lot of laughter. The characters are witty and the plot is creative. I would recomend this movie to anyone, unless you don't agree with drinking, smoking and gambling. Just watch the movie and enjoy.

My first true laugh
Thirty years ago when I as a young buck watched this movie, it was a delightful surprise. That Lee Marvin was so funny. You never forget that first kiss,well you never forget that first really uncontrollable laugh either. Lee Marvin, like alot of heavies, had a gift for comedy. The part of the movie when Marvin thinks he is in hell is so classic. The closing song is bittersweet. It is hard to say good-bye to all the great characters. Ah to be so young and innocent again! ... Read more

Amazon.com

The dazzling Rodgers and Hammerstein musical, brought to lush life by the director of the original stage version, Joshua Logan. Set on a remote island during the Second World War, South Pacific tracks two parallel romances: one between a Navy nurse (Mitzi Gaynor) "as corny as Kansas in August" and a wealthy French plantation owner (Rossano Brazzi), the other between a young American officer (John Kerr) and a native girl (France Nuyen). The theme of interracial love was still daring in 1958, and so was director Logan's decision to overlay emotional moments with tinted filters--a technique that misfires as often as it hits. The comic relief tends to fall flat, and an overly spunky Mitzi Gaynor is a poor substitute for the stage original's Mary Martin. But the location scenery on the Hawaiian island of Kauai is gorgeous, and the songs are among the finest in the American musical catalog: "Some Enchanted Evening," "Younger than Springtime," "I'm Gonna Wash That Man Right Outta My Hair," "This Nearly Was Mine." That's Juanita Hall as the sly native trader Bloody Mary, singing the haunting tune that launched a thousand tiki bars, "Bali H'ai." Based on stories from James Michener's book Tales from the South Pacific. --Robert Horton ... Read more

Reviews (52)

Superb Restoration from original TODD-AO Negative
Hallelujah! Finally, Fox has retired the CinemaScope print versions previously used in its two video incarnations and gone back to the TODD-AO 65 mm negative to bring us the definitive edition of SOUTH PACIFIC. The THX digitally restored film (available in both pan and scan and widescreen) is impeccably beautiful. The colors are all true and rich and deep. No more grain or bleed as we had in the Scope versions, especially in the controversial color filter sequences, which now render powerful and true as they were intended (and which netted cinematographer Leon Shamroy an Oscar nom). The widescreen version is the one to get, however - the sweep and beauty of the scenery and composition of the players meld into a perfect whole. I've seen this dozens of times but was mesmerized with this print as if seeing it for the first time. Most of the controversy over the film's casting and acting and direction stem from the small screen pan and scan - you NEED the widescreen lush backgrounds to understand the story, why the natives are attracted to it and why it holds the naive Americans in its seductive sway. RUN to get a print of this while they last - a great musical (remember it ran in its TODD-AO versions for over a year in the major city roadshow releases - audiences of the day LOVED it, despite the critics' lukewarm responses). This is a true WINNER! For the record this also contains the original Overture (Some Enchanted Evening, A Wonderful Guy, Nothin Like A Dame, Younger Than Springtime); the Entr'acte (Younger Than Springtime, Gonna Wash That Man, Bloody Mary, Bali H'ai); and Exit Music (Younger Than Springtime, A Wonderful Guy, Some Enchanted Evening, Bali Ha'i) all set against travelogue vista outtakes and title card backgrounds.

More than a love story. And the music is great!
With the world a little shaky now, it's a real pleasure to be able to put on a DVD and take a trip down memory lane to 1958 when South Pacific was released in movie theaters. The Rogers and Hammerstein score sets the tone for this musical adaptation of the Broadway show that was based on Tales of the South Pacific" by James Mitchener.

The story is set on an island in the South Pacific during WW2. The Japanese are entrenched in a nearby island and are bombing American forces that go near, but life is sweet for the G.I.s at the naval base. Mitzi Gaynor, cast as a nurse, is beginning a romance with an older distinguished French planter played by Rossano Brazzi. John Kerr is a young lieutenant who comes to the island to convince the planter to risk his life to spy for the Americans. And Juanita hall is the older native woman who pushes her daughter, the lovely France Nuyen, at John Kerr. The music is excellent and the words of the songs really do move the story along.

The theme however, is more than a love story. It deals with racism and the tragedy of war too. And these themes are what held it all together for me. It's a great human statement surrounded by wonderful familiar melodies that I'm still humming this morning. I loved it. And I didn't even care that, with the exception of Rossano Brazzi and Ray Walston, whose role as a sailor who always has a scheme and adds some really funny comic relief to this tale of love and war, the acting in general was mediocre. Everyone else gave rather stilted performances, and Mitzi Gaynor might be pretty, but she can't quite show a wide range of emotion. Also, the songs were all dubbed and obviously so. But that was the way Hollywood did things in those days. It's also interesting to note what the standard for beauty was in 1958. With the exception of the dancers, it was youth alone and not workouts in the gym that shaped the actors' bodies. Narrow waists were in style for the women, but hips were allowed to flare naturally.

I loved South Pacific in spite of its few faults. It was great entertainment even though it didn't make me forget the prospect of war. If you've never seen this film, don't miss it. And if you've seen it before, it's certainly worth a revisit. Highly recommended.

Another Let Down
The first time I watched this I was hitting the sauce pretty hard with the result that I thought it was one of the greatest movies ever made. In the next few days I tried to re-watch it and there were some things I wasn't going for. (The interesting thing is I was drinking just as much, if not more.) Actually, there were a lot of things I wasn't going for, but I'll only mention a few of them: (1) There's some saying that the French plantation owner keeps spouting to the nurse as if it were their "little phrase" - something like "Fools never argue, wise men never agree", that's not it, but it was something that sounds profound but is actually a piece of garbage. Even if it were profound, I don't need to hear it. (2) This movie starts out making some pretense to being a realistic war movie, but the combat scenes toward the end are asinine in the extreme. (3) The nurse and the marine are both supposed to be racists who need to be straightened out, with the implication that YOU are if you're white. I'm sorry but I watch musicals to be entertained, not to get a course of "sensitivity training." -- If I ever watch this again, I'm going to cut it down to watching 2 or 3 of Mitzi Gaynor's numbers.

It's simply the best...
What a classic, wow! Don't believe one negative word you hear about this film. Everyone knows that the songs are the best Rogers & Hammerstein produced for one show. The singing in the film and the renditions are fabulous. The first time I saw this film I was 10 years old and, yes, it was in 1958 in an old, classic of a movie theater where the ushers were wearing suits. I was totally entranced by this great film at that time and still am today. Mitzi Gaynor and Rossano Brazzi were excellent selections-- I don't think Mary Martin would have been any better. John Kerr looked exactly like a young Marine lieutenant circa 1942. Sure, ladies, it could have been someone who was known for having knockout looks, but they would not have been as effective. And France Nuyen captures the essence of a native girl like no one else and that was good casting opposite Kerr.

To me, the greatest achievement of this film is that Joshua Logan absolutely captured everything about the early 1940s in that cast of characters. Mitzi Gaynor has a 1940s face and style, and looked exactly like a Navy nurse. The same is true for the other characters but especially so for Kerr. If you look at war footage from the Pacific theater, you'll see hundreds of Marines with frames exactly like Kerr's. No one lifted weights back then so no one had the "body cuts" of a weight lifter. He looked just like a Marine Lt from WWII should have looked-- tall, very lean, serious but a kid at the same time. He was intense in the combat scene and very light during the scenes with Nuyen. And Juanita Hall couldn't have been better; she will always be everyone's vision of Bloody Mary.

Logan manages to take you back to that time over and over again even though it was filmed 15 years later. When I watch it today I know that the smells were different, the mindset was different, the clothes were different, the cultures were different, the people were different, and life was different; perhaps simpler. Logan capture all of that for us to see over and over again. Plus, he did it in a way that makes the racial point but does it without being vulgar.

South Pacific captures the World War II era in the same way that Gone with the Wind captures the Civil War era. We can never go back to those times, but Logan helps make time stand still. Best of all was his casting. This version of South Pacific is one of my all time favorite films and no classic film library should be without it. Buy it. Watch it. Love it!

Great, but maybe not good
After viewing the full screen version of "South Pacific" on a projector screen as well as my own home, I feel that the movie was filmed beautifully!!! The use of color tints carries the audience away. Mizti Gaynor has a fabulous singing voice, even if she is "as corny as Kansas in August." The characters overcome the racial prejudices, showing the world that mixed couples are acceptable. The only thing that I found lacking was the plot line. If it weren't for the musical interludes, the movie may have been a flop. ... Read more

Amazon.com essential video

Winner of seven Academy Awards including Best Picture, Director, and Screenplay, this critical and box-office hit from 1973 provided a perfect reunion for director George Roy Hill and stars Paul Newman and Robert Redford, who previously delighted audiences with Butch Cassidy and the Sundance Kid. Set in 1936, the movie's about a pair of Chicago con artists (Newman and Redford) who find themselves in a high-stakes game against the master of all cheating mobsters (Robert Shaw) when they set out to avenge the murder of a mutual friend and partner. Using a bogus bookie joint as a front for their con of all cons, the two feel the heat from the Chicago Mob on one side and encroaching police on the other. But in a plot that contains more twists than a treacherous mountain road, the ultimate scam is pulled off with consummate style and panache. It's an added bonus that Newman and Redford were box-office kings at the top of their game, and while Shaw broods intensely as the Runyonesque villain, The Sting is further blessed by a host of great supporting players including Dana Elcar, Eileen Brennan, Ray Walston, Charles Durning, and Harold Gould. Thanks to the flavorful music score by Marvin Hamlisch, this was also the movie that sparked a nationwide revival of Scott Joplin's ragtime jazz, which is featured prominently on the soundtrack. One of the most entertaining movies of the early 1970s, The Sting is a welcome throwback to Hollywood's golden age of the '30s that hasn't lost any of its popular charm. --Jeff Shannon ... Read more

Reviews (119)

An great comedy thriller classic.
When an ambitious Small Time Crook (Two Time Oscar-Winner:Robert Redford) steals $10,000 with his old age partner from an dangerous criminal (Robert Shaw), later on that day, The Crook discover his crime partner has been murder by the crime lord. Then The Crook meets his dead friend ex-partner a Veteran Con-Man (Three Time Oscar-Winner:Paul Newman), who seek revenge on the crime lord.

Entertaining comedy is directed by George Roy Hill (Butch Cassidy and the Sundance Kid, Slap Shot) and Written by David S. Ward (The Program). Winner of Seven Academy Awards for Best Picture, Best Director, Best Art Direction/Set Decoration, Best Costume Design, Best Film Editing, Best Score and Best Original Screenplay. The Film recieve Three Oscar Nominations, Including:Best Actor:-Robert Redford, Best Cinematography and Best Sound. The Sting has the Greatest Double Crossing in a Movie History, Complete with an Surprise Ending. Great Fun. Better to Wait for the Special Edition DVD in a Widescreen Version, which it will be 30 Years, Next Year. Grade:A.

The Quintessential Caper Flick
"The Sting" is an extremely well written story by David Ward ("Major League", "Sleepless in Seattle") and David Maurer about some smalltime grifters who attempt to swindle a mob boss. The film was nominated for ten Academy Awards in 1974 and won seven Oscars including Best Picture and Best Director. It reunited director George Roy Hill, Robert Redford and Paul Newman four years after their blockbuster, "Butch Cassidy and the Sundance Kid". Strangely, although Butch and Sundance made it to number 50 on AFI's top 100 of the century, this film did not make that list. This is even more surprising since "Butch" did not win the Oscar for Best Picture in 1970 ("Midnight Cowboy" won it that year).

While I think "Butch" is funnier and more exciting, this film is more intriguing with interesting character studies and some unpredictable plot twists. Hill does a superb job of weaving the elements of the caper together and giving it a depression era feeling. The humor is more ironic than hilarious, but it fits the story well. The period props, locations, and sets are excellent, and the costumes are perfect. The costumes were done by the legendary Edith Head, who designed costumes for over 400 films in her 50-year career. She won an Oscar for best Costume Design for this film, which was one of eight she won in that category in a career marked by an astounding 34 Oscar nominations. The music by Scott Joplin and Marvin Hamlisch is also fabulous, bestowing an early twentieth century flavor on the film, and giving Hamlisch one of three Oscars he won that year (the other two were for "The Way We Were" also starring Redford).

Where "Butch" was probably a little more Newman's film, this film clearly belonged to Redford. Redford, who was nominated for best actor for the role, is marvelous in the lead, giving his character a charming, lighthearted personality to go along with his scheming intellect. Newman plays almost a supporting role as the veteran conman Henry Gondorff, who assembles the team for the caper and oversees its execution. Despite the smaller part, Newman gives an electrifying performance with his conniving tough guy portrayal. Robert Shaw ("From Russia With Love", "A Man For All Seasons", "Jaws") is also terrific as mob boss Doyle Lonnegan. Charles Durning ("The Best Little Whorehouse in Texas"), Ray Walston (TV's "My Favorite Martian") and Eileen Brennan ("Private Benjamin") round out a splendid supporting cast with fantastic character portrayals.

This film is entertaining and fun with a tight plot and wonderful period renderings. I rated it a 10/10. If you have never seen it, you are in for a treat.

THIS ONE REALLY STINGS!
"The Sting" is a classic throwback to Hollywood's golden age: a fish out of water tale about a couple of con artists (Paul Newman and Robert Redford) who seemingly meet their match in a cheating mobster (Robert Shaw). As the police close in from one end and the Mafia from the other, the stakes become higher, the comedy more hilarious and the ultimate con, more rewarding. The supporting cast is a potpourri of stellar characters including Dana Elcar, Eileen Brennan, Ray Walston, Charles Durning, and Harold Gould. Marvin Hamlisch provides a sophisticated score buttressed by Scott Joplin's ragtime jazz.

It is disheartening to see an Oscar wining Best Picture get so shabby a treatment on DVD. For starters, the film is presented in a full frame, pan and scan version only. The shortcomings of this format are that you are not seeing the film in a version director, George Roy Hill would have approved of. But apart from Universal's glaringly obvious oversight, the print quality of "The Sting" suffers from a poorly balanced color spectrum, age related artifacts, edge enhancement, shimmering of fine details and pixelization. Flesh tones are often weak and pasty. Blacks are rarely solid or deep. Fine grain can be excessive in spots. The audio is poorly mixed, sounding strident and tinny. There are no extra features.

Redford and Newman at it again
I just rented this DVD and watched the whole thing, but I've seen this movie several times before.

Johnny Hooker (Robert Redford) is a con artist who unknowingly swindles a lackey of crime boss Doyle Lonnegan (Robert Shaw). After Hooker's partner in the crime is killed, Hooker vows revenge against Lonnegan and seeks Henry Gondorff (Paul Newman), one of the best cons in the game to help in the big Sting. Hooker would love to do more than just hit Lonnegan for a lot of money, but "doesn't know enough about killin' to kill him."

It's not easy separating a crime boss from his money, especially when he owns half the politicians and police. They have to take him without him even knowing he was taken. What follows is an exciting deception, carried out with professionalism and ingenuity.

I don't think the chemistry between Newman and Redford is quite as good as Butch Cassidy and the Sundance Kid, but it's still pretty darn good. Lines like this:

Redford (first seeing his arch-enemy): "He's not as tough as he thinks."
Newman: "Neither are we"

The story is classic. You don't exactly know who's who, and you wonder how they're going to pull it off in the end. Scott Joplin's ragtime music, although somewhat anachronistic, is effective at keeping the movie somewhat lighthearted. There are a couple of instances of swearing and a stripper with pasties on, which gives it a PG rating.

The reason for four stars is the fact that the DVD has NO EXTRAS, and the only option is the full screen version, no widescreen. A movie as good as this deserves better, which is unfortunate.

Overall, this is a great movie with great cinematography (transition wipe effects and some tracking shots) and phenomenal acting. Enjoy.

Widescreen?
I love the film, but why is this not available in Widescreen on DVD? There's been a Widescreen VHS, and I've seen it in Widescreen on Turner Classic Movies. I know it was shot in Widescreen, so how about it, Universal? ... Read more

Reviews (18)

It SHOULD Be On DVD!!t Has Phoebe Cate's!
This movie has a young and nubile Phoebe Cates in it... Nuff said! Automatic 5 Stars!!!

Wow!
Wonderful combination of every 80's teen movie cliche' that you can jam into one film. The beauty of Phoebe Cates and especially Betsy Russell were stamped into my brain from the moment I first saw this flick as a hormonally excitable lad of fourteen. I suggest you get in the time machine and enjoy an evening of leg warmers, pre-breast augmentation actresses, and fun. They don't make em' like this anymore.
Betsy Russell...where are you?

Silly film, but still worth a look
This is a silly story really. Outrageous, improbable events. But still enjoyable. I last saw this film over 10 years ago and I can still recall it as if it were yesterday. Shockingly, Phoebe Cates is great in this! Silly storyline and situations, but entertaining.

Betsy Russell - Unbelievable
If you're looking for gratuitous T&A, this is one of the best of all time. Betsy Russell in this movie might quite possibly be the most stunning performance by any actress ever. Her bareback horseriding scene, the seduction scene, and the stained clothes so I better take them off and let them soak scene are all nothing short of awe inspiring. Add that to a bunch or other bombshell schoolgirls walking around naked (the shower scene is just... wow), plus the fact you've got Phoebe Cates staring and I don't know what more you could ask for in this type of movie. Plotwise it's also pretty amusing with many laugh out load moments (although it's hard to stay focused on that with what you're looking at).

Beautiful leads can't save this train wreck
I really wanted to find something good to say about this movie because my favorite girl is in it. So here it is: the only bright spots in this miserable film are Betsy Russel and Phoebe Cates. Betsy is a beautiful woman with a most impressive rack. Her horseback scene is nothing short of awe-inspiring. And Phoebe is, as always, angelic. She may not have Betsy's impressive dimensions, but the elegance of her form is without rival. And who can resist her smile? Unfortunately, she remains entirely too clothed--we only see a few seconds of her backside late in the film. I found much of this movie painful to watch. The males are an embarrassment, and the female authority figures don't fare much better. I primarily blame the director for confusing vulgarity with humor, and for failing to rein in the men's performances. Without their hammy and [dumb] antics, this could have been a standard teen sex farce instead of the piece of [junk] that it is. As actors, Phoebe Cates and Ray Walston are too good to be in this train wreck. One can only wonder what they were thinking. ... Read more

Amazon.com

This dispensable 1984 comedy is a mostly humorless parody of '30s gangster movies, the kind of thing that might work reasonably well in a five-minute sketch on Saturday Night Live but which nearly beats a viewer to death over the course of a feature. Michael Keaton and Joe Piscopo play rival Mafia bosses, but once the novelty of that is introduced, it's already old. There's plenty of sustained effort from the rest of the cast (Marilu Henner, Danny DeVito, Maureen Stapleton), with Griffin Dunne getting special points. Amy Heckerling (Fast Times at Ridgemont High) directs as if this were indeed on television. --Tom Keogh ... Read more

Reviews (39)

Hysterical gangster spoof--a cult classic!
This is one of those movies which will have you repeating lines over and over to your friends.

Twelve-year-old Johnny Kelly earns an honest living as a paperboy with his prematurely aged mother and his law-engrossed little brother, Tommy. To pay for an urgent surgery for his mother (the first of a seemingly eternal series), Johnny joins the mob and grows to adulthood as a suave ladies' man. But first, rival crime boss Roman Moroni (Richard Dimitri, who murders the English language and his rivals) (Moroni had a lot of rules for his gang. Number one: never park in his private parking space (explosion)) and later, fellow gang member Danny Vermin (Joe Piscopo) will pay any price to stop him . . . not to mention Tommy, who has just graduated from law school and intends to fight crime, not knowing that his brother runs most of it!

Absolutely hysterical. Maureen Stapleton delights as Ma Kelly, and Griffin Dunne turns in an absolutely hysterical straight man role as Tommy Kelly, and is played upon by Johnny (Michael Keaton), Stapleton, and Danny DeVito (as Tommy's crooked boss, District Attorney Burr, who subsequently dies in a beer commercial). Watch for a hysterical performance by Hal Riddle, as an obsequious prison warden, anxious to do anything possible for his celebrity prisoner. (When Johnny asks to have his execution moved up as part of an escape plot, "Fry me tonight!", Riddle replies "Anything for you, Johnny! . . . We'll bump Steinberg. Dangerously will go to the chair tonight.")

The plot doesn't make much sense, but don't worry too much about it, you'll be too busy laughing to worry about such things!

The Only Good Mob Spoof
You would think that mob life would be one of the easiest things for a movie to spoof. However, Johnny Dangerously is the only good one to have been made, and there have been a lot of mob spoofs made. JD is set in the 1920s and focuses on the glamour days of the mafia.

The title role is perfect for Michael Keato