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Talk about epic grandeur! This magnificently photographed account of the first cattle drive on the Chisholm Trail has everything you could ever want in a western: gunfights, stampedes, Indian attacks, hangings, betrayal, revenge, romance, glorious scenery, and a towering performance by John Wayne that prefigured his definitive portrayal of the bitter Ethan Edwards in John Ford's The Searchers eight years later. Tom Dunson (Wayne) adopts a young boy, Matt (brilliantly played as an adult by Montgomery Clift), whose family has been massacred by Indians. Years later, after Dunson has become a successful rancher, mentor and protege have an acrimonious falling out during a grueling cattle drive and go their separate ways, with Dunson vowing to kill Matt. Red River is a true classic and unquestionably one of the greatest westerns of all time. --Jim Emerson ... Read more

Reviews (41)

THE cattle-drive movie
Having weighed-in on _The Culpepper Cattle Company_, I have to genuflect at the altar of THE cattle-drive movie-- _Red River_.

This film pre-dates _The Searchers_ by about eight years. The lead character, Tom Dunson, is a sort of prototype for Ethan Edwards. This is John Wayne without sentiment or schmaltz, until the final scene which differs from the story on which the film is based, and which jars a bit.

That being said, _Red River_ still stands as the definitive cattle-drive movie. Wayne/Dunson builds an empire but then must head the herd north on a drive that simply _has_ to get through-- despite conflicts with nature, rustlers, Indians, and between Dunson and his men, including his adopted son, Matthew Garth.

Wayne is cast against his own stereotype as Dunson and comes across as a hard and unlikeable character. Walter Brennan as his sidekick, Groot, nearly steals the show just as he did (again) in Hawk's _Rio Bravo_. Montgomery Clift does a passable job as Matthew Garth, but is outclassed by John Ireland as Cherry Valance, the gunfighter turned cowhand.

The rest of the cast is outstanding. You need only look at the cast list to appreciate the fine ensemble company that Howard Hawks put together for this movie. This is also on of Dimitri Tiomkin's finest musical scores.

Finally, I agree with Maltin on this point: beware edited and abridged copies of this film. Anything less than a 133 minute running time should not be bothered with.

"Take `em to Missouri, Matt!"

A Flawed Western
For an hour and 20 minutes or so, Red River is a great western (even with such embarrassing moments such as Wayne killing the Indian and discovering the bracelet he had given his girl, the stuttering cowboy who is killed in the stampede, etc.). It boasts a stunning Dimitri Tiomkin score, terrific B&W photography by Russell Harlan, a wonderful performance from Montgomery Clift, a powerful (if typically one-note) performance from John Wayne ... and then Joanne Dru enters the story and it basically falls apart from this point on. She is so completely incompetent that she manages to almost sink the film! Her dialogue is, admittedly, terrible (Hawks bragged that he wrote most of it!), but her line readings are so terrible that it just makes the awkward dialogue even more awkward. The ending is absurd, a complete build-up to a deadly collision and it ends up a rather weak fist-fight. Perhaps, had Wayne's performance included emotional shadings, the ending might have worked, but since he is so one-note hard and uncompromising throughout, not for one moment do I believe the final sequence. In the original Borden Chase novel, the character dies at the end. It should have happened here, also (same major flaw in Wayne's The Searchers, too). On top of which, the John Ireland character is built up as a major challenge to Montgomery Clift, but this is simply dropped halfway through. Indeed, the Ireland character is allowed to fizzle out. The auteur theory is what keeps critics from analysing this film from a more objective viewpoint. But it is very watchable and its strengths certainly outnumber its weaknesses.

Black and white sensation!
John Wayne's Red River is one of the most exciting and classical westerns of our century. So, if somebody hates black and white, screw them, it's their problem. Don't even review the product, genius! Alongside The Searchers, this is one of the Duke's landmark films. Also, John Wayne was our ultimate hero, prevailing in every gunfight and every story. His acting AND his strength certainly prevail here. Also filled with action packed gunfights and suspenseful scenes. The ending is fine.
The DVD transfer is nothing special, and somewhat grainy at times. MGM DVDS are not known to be the best DVD makers on the market. To shape up this classic western, expect a Criterion Collection re release and enjoy!

An American Treasure
In the rich history of American film, this piece of work by Howard Hawks makes the short list. It has been used as a template for any filmmaker wishing to make a Western, and further, it is one of those rare pieces of culture by which a society defines itself. If you needed to demonstrate to a foreigner what the American character is all about, you could show them this movie.

As a Western, it certainly has it all: cowboys killing Indians, men leaving women for the call of the trail, gunfights, stampedes, love, betrayal, and finally redemption. It is also gorgeously filmed, beautifully written, and well acted throughout. And finally, it stars John Wayne, an actor that towers over today's crop of male actors like an oak over weeping willows.

This film also stars Montgomery Clift as the surrogate son that eventually challenges Wayne for control of the drive. In terms of acting styles, Clift and Wayne were about as different as two actors could be: Wayne seemed always to act on instinct and charisma, while Clift was one of the young Turks through the 40's and 50's, a proponent of a new style of acting - the method developed by Lee Strasburg (one can easily imagine Wayne giving his crooked sarcastic grin over the very idea of a "school" where young people learn acting). Yet, casting these two together works. By all reports, the two hated each other at the beginning of the production, but had developed an actor's respect for one another by the end of filming. Wayne, after watching Clift in one of his scenes, was quoted as saying something like "damn, that little queer sure can act."

John Wayne, for his part, goes toe-to-toe with the new school of internal acting and more than holds his own. His portrayal of a powerful, unbending man who slowly descends into bitterness and hate is a real treat to watch. His performance was, to use a phrase Wayne would have hated, multi-layered and very, very skillful.

Other performances to watch: the ever-faithful Walter Brennan, one of the greatest character actors of all time, is perfect as Wayne's partner/friend. It is in watching Brennan's reaction to Wayne's increasing dementia that we see how far off track he's gone. John Ireland also is a standout as Cherry Valance, the pistoleer, who is full of casual grace and menace. As if all the above wasn't enough, the great Harry Carey is onboard briefly as Mr. Melville, radiating authority.

Every film lover should own this film and watch it at least once annually.

Every American should treasure it as a source of national pride.

One note: this is one film that simply demands a better DVD treatment. The picture and sound isn't bad, but it isn't widescreen, and there are absolutely no special features. C'mon, Criterion Collections, where are you? --Mykal

Mutiny on the plains
Howard Hawks' 1948 RED RIVER is an ambitious, sprawling, epic western. It's on a number of top-100 lists, and it belongs there.
The movie tells the story of cattle rancher Tom Dunson and the first drive along the fabled Chisholm Trail. It's based on Borden Chase's "The Chisholm Trail"
The movie hits the ground running. Within the first five minutes there's a romantic leave taking, an indian attack and a burning wagon train. The romantic parting of Dunson (John Wayne) and his intended is a key incident in the development of this bitter and hard-driven character. Dunson and Groot Nadine (Walter Brennan), who left the wagon train with Dunson, are joined by a survivor of the massacre, Matt Garth - who, fourteen years later, will become the quick-drawing Montgomery Clift. The shocked boy is leading a cow, Dunson and Groot have a surviving bull, and with this bovine first couple they make for the open land south of the Red River.
Fast forward 14 years and Dunson has 10,000 head of cattle and a depressed, post-Civil War southern economy that can't afford to buy them. They must drive them to Missouri and sell them to the more prosperous northerners or face ruin. During that drive Dunson descends to near insanity and Matt ascends as a moderating influence and, apparently, becomes the only one who can successfully lead the men and cattle to market. Without giving too much away, something happens on the drive that will drastically change Dunson's and Matt's relationship and jeopardize both of their lives.
It's pretty heavy stuff, and John Wayne is rock solid great as the troubled Dunson. This is one of the greatest roles in the career of a sometimes under-rated actor. Montgomery Clift is fine in his screen debut.
Walter Brennan's Groot is a marvel. That guy was such a good actor. Like all good sidekicks, and Brennan was the best, Groot is part court jester and part moral barometer. It helps that he plays most of the movie without his upper teeth in, too. Brennan was always better when his mouth was half empty.
There are some images that will stick with you for a while. Thousands of cattle crossing the Red River, a midnight stampede with a couple of hair-raising rescues. And there's a neat little bit with an angry John Wayne striding down a long street crowded with cattle - Wayne doesn't break stride, of course, and the cattle move out of his way like a longhorn Red Sea parting for an angry Moses.
For the most part the script is well written, and there's enough amusing scenes (usually including Brennan) to keep the whole thing from collapsing under it's own weight.
For instance, when Dunson and Matt are deciding who's to go along on the drive, Dunson excludes Groot (bum leg.) Groot mutters to himself like a live-action Popeye while Dunson and Matt continue their conversation. A distracted and exasperated Dunson finally says:
Dunson: What are you saying? I can't understand you. Where's your store teeth Matt bought you?
Groot: They're in my pocket.
Dunson: Well, why don't you use them?
Groot: 'Cause they whistle. I use them for eating.

Then there's the Joanne Dru character, Tess Millay. It doesn't help that her first appearance occurs in the third scene. One hour and forty-one minutes into the 2:20 movie, by my clock. My guess is the scriptwriters didn't want to clutter up the action with a romantic subplot until absolutely necessary. Fair enough, but it means that Millay's and Matt's romance has to be telescoped severely. Basically they meet, fall in love, and part in a day. It stretches an audience some. Worse, Dru as an actress simply wasn't right for the part.
One of her character traits, as written, is to talk and keep on talking when something worries or frightens her. She does this to negligible effect. It's a role that seemed to have been custom written for Jean Arthur, who always could blabber on to good effect, who could always drop her voice down to a husky purr or have it emit an abrupt squeak for maximum dramatic effect. Unfortunately Arthur was nearly fifty when this movie was made, so I guess casting her as a romantic lead opposite the young Clift would have, uh, added an strange and unwelcome dimension to the movie. Dru, in one of her earliest roles, just doesn't have the chops to carry off the role convincingly. All things considered, I think this piece of miscasting is more Hawks' fault that anyone elses. Anyway, I shaved a point off because of it.
I don't normally notice bad transfers, but there are a few dark night scenes in RED RIVER that look like someone lit a Fourth of July sparkler. And, less forgivable, my new factory-sealed-from-a-reputable-national-outlet retailer did NOT contain the advertised four page booklet. Finally, I've played the movie twice so far, and each time the start up menu screen doesn't appear until AFTER the movie is over. ... Read more

Reviews (1)

Cowboy Noir
At a time when Hollywood was turning out dozens of urban noirs like Force of Evil, European expressionism's moody style reached into even that most American of genres -- the Western. Films like Pursued, Roughshod, and Blood on the Moon, all contain strong elements of noir, particularly in the use of light and shadow. Though conventional in most repects, darkening landscapes nonetheless erupt in this film like some sinster version of John Ford's sunny pictorialism, while shadows creep menacingly across claustrophobic exteriors. No one is to be trusted. And in the middle of the murk lurks that icon of noirish ambiguity -- Robert Mitchum, fitting easily into the peculiarly passive role of saddle tramp caught in the middle of a range war. As could be expected, Robert Preston's aggressive villian makes a charming foil to the laid-back Mitchum; with Barbara Bel Geddes in an unusually strong female role. Overall, however, the movie represents an uneasy blend of outstanding location photography with shabby sound stage settings. The film really works best as a document of its time for those movie historians interested in the evolution of styles. ... Read more

Reviews (1)

Boring Grade B western with uncomfortable cast.
Despite Mr. Maltin's high opinion, this is definitely a Grade B western, despite Claire Trevor's attempts to act as if it weren't. Albert Dekker is a boring Bat Masterson and Barry Sullivan his befuddled rival. Girlfriend shared - Trevor - tries to get Bat to give up his guns for journalism. Inexplicable Oscar nom for a mediocre score. Avoid this one unless you have insomnia. ... Read more

Reviews (41)

THE cattle-drive movie
Having weighed-in on _The Culpepper Cattle Company_, I have to genuflect at the altar of THE cattle-drive movie-- _Red River_.

This film pre-dates _The Searchers_ by about eight years. The lead character, Tom Dunson, is a sort of prototype for Ethan Edwards. This is John Wayne without sentiment or schmaltz, until the final scene which differs from the story on which the film is based, and which jars a bit.

That being said, _Red River_ still stands as the definitive cattle-drive movie. Wayne/Dunson builds an empire but then must head the herd north on a drive that simply _has_ to get through-- despite conflicts with nature, rustlers, Indians, and between Dunson and his men, including his adopted son, Matthew Garth.

Wayne is cast against his own stereotype as Dunson and comes across as a hard and unlikeable character. Walter Brennan as his sidekick, Groot, nearly steals the show just as he did (again) in Hawk's _Rio Bravo_. Montgomery Clift does a passable job as Matthew Garth, but is outclassed by John Ireland as Cherry Valance, the gunfighter turned cowhand.

The rest of the cast is outstanding. You need only look at the cast list to appreciate the fine ensemble company that Howard Hawks put together for this movie. This is also on of Dimitri Tiomkin's finest musical scores.

Finally, I agree with Maltin on this point: beware edited and abridged copies of this film. Anything less than a 133 minute running time should not be bothered with.

"Take `em to Missouri, Matt!"

A Flawed Western
For an hour and 20 minutes or so, Red River is a great western (even with such embarrassing moments such as Wayne killing the Indian and discovering the bracelet he had given his girl, the stuttering cowboy who is killed in the stampede, etc.). It boasts a stunning Dimitri Tiomkin score, terrific B&W photography by Russell Harlan, a wonderful performance from Montgomery Clift, a powerful (if typically one-note) performance from John Wayne ... and then Joanne Dru enters the story and it basically falls apart from this point on. She is so completely incompetent that she manages to almost sink the film! Her dialogue is, admittedly, terrible (Hawks bragged that he wrote most of it!), but her line readings are so terrible that it just makes the awkward dialogue even more awkward. The ending is absurd, a complete build-up to a deadly collision and it ends up a rather weak fist-fight. Perhaps, had Wayne's performance included emotional shadings, the ending might have worked, but since he is so one-note hard and uncompromising throughout, not for one moment do I believe the final sequence. In the original Borden Chase novel, the character dies at the end. It should have happened here, also (same major flaw in Wayne's The Searchers, too). On top of which, the John Ireland character is built up as a major challenge to Montgomery Clift, but this is simply dropped halfway through. Indeed, the Ireland character is allowed to fizzle out. The auteur theory is what keeps critics from analysing this film from a more objective viewpoint. But it is very watchable and its strengths certainly outnumber its weaknesses.

Black and white sensation!
John Wayne's Red River is one of the most exciting and classical westerns of our century. So, if somebody hates black and white, screw them, it's their problem. Don't even review the product, genius! Alongside The Searchers, this is one of the Duke's landmark films. Also, John Wayne was our ultimate hero, prevailing in every gunfight and every story. His acting AND his strength certainly prevail here. Also filled with action packed gunfights and suspenseful scenes. The ending is fine.
The DVD transfer is nothing special, and somewhat grainy at times. MGM DVDS are not known to be the best DVD makers on the market. To shape up this classic western, expect a Criterion Collection re release and enjoy!

An American Treasure
In the rich history of American film, this piece of work by Howard Hawks makes the short list. It has been used as a template for any filmmaker wishing to make a Western, and further, it is one of those rare pieces of culture by which a society defines itself. If you needed to demonstrate to a foreigner what the American character is all about, you could show them this movie.

As a Western, it certainly has it all: cowboys killing Indians, men leaving women for the call of the trail, gunfights, stampedes, love, betrayal, and finally redemption. It is also gorgeously filmed, beautifully written, and well acted throughout. And finally, it stars John Wayne, an actor that towers over today's crop of male actors like an oak over weeping willows.

This film also stars Montgomery Clift as the surrogate son that eventually challenges Wayne for control of the drive. In terms of acting styles, Clift and Wayne were about as different as two actors could be: Wayne seemed always to act on instinct and charisma, while Clift was one of the young Turks through the 40's and 50's, a proponent of a new style of acting - the method developed by Lee Strasburg (one can easily imagine Wayne giving his crooked sarcastic grin over the very idea of a "school" where young people learn acting). Yet, casting these two together works. By all reports, the two hated each other at the beginning of the production, but had developed an actor's respect for one another by the end of filming. Wayne, after watching Clift in one of his scenes, was quoted as saying something like "damn, that little queer sure can act."

John Wayne, for his part, goes toe-to-toe with the new school of internal acting and more than holds his own. His portrayal of a powerful, unbending man who slowly descends into bitterness and hate is a real treat to watch. His performance was, to use a phrase Wayne would have hated, multi-layered and very, very skillful.

Other performances to watch: the ever-faithful Walter Brennan, one of the greatest character actors of all time, is perfect as Wayne's partner/friend. It is in watching Brennan's reaction to Wayne's increasing dementia that we see how far off track he's gone. John Ireland also is a standout as Cherry Valance, the pistoleer, who is full of casual grace and menace. As if all the above wasn't enough, the great Harry Carey is onboard briefly as Mr. Melville, radiating authority.

Every film lover should own this film and watch it at least once annually.

Every American should treasure it as a source of national pride.

One note: this is one film that simply demands a better DVD treatment. The picture and sound isn't bad, but it isn't widescreen, and there are absolutely no special features. C'mon, Criterion Collections, where are you? --Mykal

Mutiny on the plains
Howard Hawks' 1948 RED RIVER is an ambitious, sprawling, epic western. It's on a number of top-100 lists, and it belongs there.
The movie tells the story of cattle rancher Tom Dunson and the first drive along the fabled Chisholm Trail. It's based on Borden Chase's "The Chisholm Trail"
The movie hits the ground running. Within the first five minutes there's a romantic leave taking, an indian attack and a burning wagon train. The romantic parting of Dunson (John Wayne) and his intended is a key incident in the development of this bitter and hard-driven character. Dunson and Groot Nadine (Walter Brennan), who left the wagon train with Dunson, are joined by a survivor of the massacre, Matt Garth - who, fourteen years later, will become the quick-drawing Montgomery Clift. The shocked boy is leading a cow, Dunson and Groot have a surviving bull, and with this bovine first couple they make for the open land south of the Red River.
Fast forward 14 years and Dunson has 10,000 head of cattle and a depressed, post-Civil War southern economy that can't afford to buy them. They must drive them to Missouri and sell them to the more prosperous northerners or face ruin. During that drive Dunson descends to near insanity and Matt ascends as a moderating influence and, apparently, becomes the only one who can successfully lead the men and cattle to market. Without giving too much away, something happens on the drive that will drastically change Dunson's and Matt's relationship and jeopardize both of their lives.
It's pretty heavy stuff, and John Wayne is rock solid great as the troubled Dunson. This is one of the greatest roles in the career of a sometimes under-rated actor. Montgomery Clift is fine in his screen debut.
Walter Brennan's Groot is a marvel. That guy was such a good actor. Like all good sidekicks, and Brennan was the best, Groot is part court jester and part moral barometer. It helps that he plays most of the movie without his upper teeth in, too. Brennan was always better when his mouth was half empty.
There are some images that will stick with you for a while. Thousands of cattle crossing the Red River, a midnight stampede with a couple of hair-raising rescues. And there's a neat little bit with an angry John Wayne striding down a long street crowded with cattle - Wayne doesn't break stride, of course, and the cattle move out of his way like a longhorn Red Sea parting for an angry Moses.
For the most part the script is well written, and there's enough amusing scenes (usually including Brennan) to keep the whole thing from collapsing under it's own weight.
For instance, when Dunson and Matt are deciding who's to go along on the drive, Dunson excludes Groot (bum leg.) Groot mutters to himself like a live-action Popeye while Dunson and Matt continue their conversation. A distracted and exasperated Dunson finally says:
Dunson: What are you saying? I can't understand you. Where's your store teeth Matt bought you?
Groot: They're in my pocket.
Dunson: Well, why don't you use them?
Groot: 'Cause they whistle. I use them for eating.

Then there's the Joanne Dru character, Tess Millay. It doesn't help that her first appearance occurs in the third scene. One hour and forty-one minutes into the 2:20 movie, by my clock. My guess is the scriptwriters didn't want to clutter up the action with a romantic subplot until absolutely necessary. Fair enough, but it means that Millay's and Matt's romance has to be telescoped severely. Basically they meet, fall in love, and part in a day. It stretches an audience some. Worse, Dru as an actress simply wasn't right for the part.
One of her character traits, as written, is to talk and keep on talking when something worries or frightens her. She does this to negligible effect. It's a role that seemed to have been custom written for Jean Arthur, who always could blabber on to good effect, who could always drop her voice down to a husky purr or have it emit an abrupt squeak for maximum dramatic effect. Unfortunately Arthur was nearly fifty when this movie was made, so I guess casting her as a romantic lead opposite the young Clift would have, uh, added an strange and unwelcome dimension to the movie. Dru, in one of her earliest roles, just doesn't have the chops to carry off the role convincingly. All things considered, I think this piece of miscasting is more Hawks' fault that anyone elses. Anyway, I shaved a point off because of it.
I don't normally notice bad transfers, but there are a few dark night scenes in RED RIVER that look like someone lit a Fourth of July sparkler. And, less forgivable, my new factory-sealed-from-a-reputable-national-outlet retailer did NOT contain the advertised four page booklet. Finally, I've played the movie twice so far, and each time the start up menu screen doesn't appear until AFTER the movie is over. ... Read more

Amazon.com

An esteemed educator in L.A. used to show Ramrod to his film noirclasses. A Joel McCrea Western a film noir? Few noirs come packing moredeception, betrayal, ambiguity (psychological and narrative), and sadism(physical and psychological). Add a camera strategy that habitually latches onto a character and backtracks before him as he enters an unknown environment,and you've got a fine study in (fully justified) frontier paranoia. André DeToth claimed that the assignment was handed off to him by John Ford, no less. There's nothing Fordian about Ramrod, but it does anticipate the run ofedgy Westerns that De Toth would direct in the '50s. Excellent cast, includingMrs. De Toth (Veronica Lake) as a femme fatale with father issues; adistinctive, sharply imagined Western town; an innovative sound mix attentive tonature and environment; and strong cinematography by Russell Harlan, soon tobecome Howard Hawks's favorite cameraman. --Richard T. Jameson ... Read more

Reviews (2)

Great psychological film noir!
This is an interesting western about power struggle and doing whatever it takes to get what you want! Joel McCrea and Veronica Lake give good performances and look for a young Lloyd Bridges!

Film noir Western
RAMROD is a superb little 'film noir' western; McCrea and Veronica Lake mesmerize. This film repays re-viewing. ... Read more

Reviews (2)

Early Republic Western Serial
There is no other product available for this early Republic serial. Thus, one has to live with this one. But this transfer to DVD is NOT that bad. The picture quality is not pristine. But the copy which Madacy worked on to put to DVD is not deteriorated, as is the case on other "economical" serials hastily put on the market for a fast profit. It is the sound which is bad. It cracks and and appears muffled. The actors spoke as if they were eating their words. Sometimes it's difficult trying to understand what is being said. But then, this is a 1937 serial and we should count ourselves lucky that Madacy put this on the market. The story is typical serial, simple and long drawn out with preposterous premises. But that is what make these features enjoyable, vain attempts to project reality resulting in absurdity. Note the sound of the gunfire. It does not have the characteristic "Republic serial gunfire sound" heard in later productions. Again, this is because it was a 1937 feature. Get one and enjoy.

A great introduction to the great serials of the past..
My father was a western film collector and I grew up watching this serial on film. The cliffhangers were always amazing to a 9 year old and I had a big crush on Ray "Crash " Corrigan. When I had the opportunity to get this on tape it reminded me of those nights watching the movie with my dad and wanting to be a cowboy when I grew up. There are great action sequences consisting of betrayals, Indian attacks and more as this wagon train makes its way west. The title refers to the mysterious rider of the Painted Stallion who comes to aid of the wagon train when it is in trouble. I highly recommend this serial as a starting point to anyone who wants to sample a taste of early western film. Anyone who enjoyed watching cliffhangers at the movies every week will surely enjoy this. ... Read more

Reviews (8)

1940's Red Ryder and Little Beaver Volume 1, come to DVD!
Many now only relate to "Red Ryder's Genuine Carbine Action Two-Hundred Shot Lightning Loader Range Model Air Rifle" made famous in the 1983 Christmas movie, "A Christmas Story". This story was about a 10 year old boys obsession with getting Red Ryder's air rifle for Christmas.

Well now, we can all see this famous no-nonsense cowboy and his little sidekick Indian boy, Little Beaver in action. This was a perfect pair & their complete honorable taming of the west.

Red Ryder & Little Beaver adventures dominated the comic strips in the 1930's - 1950's. Late in the 30's REd Ryder came to the screen in a 12 action packed episode serial. Pretty good stuff and a sample coming attraction of this early Red Ryder serial is included on this double feature DVD.

The 1940's Red Ryder introduced the most popular Red Ryder with Wild Bill Elliot and Robert Blake an Little Beaver. This duo went on to make over a dozen Red Ryder movies in the 40's.
This Double Feature remastered DVD Full Screen Black/White includes 2 of thier movies.

An Antonio Kid (1944 / 52 minutes) - greedy outlaws pursuit of the coveted "Black Gold" by terrorizing ranchers.

Cheyenne Wildcat (1947 / 50 minutes) - Red becomes the object of desire of 2 ladies while he & Lil' Beaver pursue outlaws.

This is wholesome fun family entertainment. Red & Lil' Beaver compliment each other and there is genuine onscreen friendship chemistry between them. This is fun stuff. Nice addition to the old western DVD library. Also included is a movie billboard & comic strip montage extra.

Also, now we see why Ralphie Parker from "A Christmas Story" obsessed over Red Ryder!!! Enjoy.

Red Ryder-Memories
These two western "B" movies from the 40's are typical of the westerns of the war years. The second movie, "Cheyene Wildcat" is the best of the Elliott "Ryder" movies. A big plus is Robert Blake (Baretta) playing Little Beaver! Another big plus, is Roy Barcroft as the mean villian. As with all the old movies coming out in DVD, the quality is very good.
If you are over 60 you'll enjoy the memory-if you are under 60 you get to see a time when good triumphed over evil!

ADVENTURES OF RED RYDER
I don`t believe this one ever got to the U.K. when i was riding the range at Saturday cinema. One word. Wonderful. My memories of serials in the early 50`s here in U.K. were Blackhawk. Possibly the best ever. Jungle Girl, Captain Video,SirLancelot,Superman,and White Eagle. Now at almost 60 years old to be able to relive those happy years once again with a serial like Red Ryder plus a TV episode with one of my favorite cowboys Rocky Lane is beyond words.The D V D transfer is very good its a treat to be able to see a good quality picture at last. I`ve had enough of poor quality slow speed video copy`s and as for some of the material some people get away with on the net. I urge you forget the rubbish and go for D V D and make Red Ryder your first choice. Come on company`s lets have some more...

THE ADVENTURES OF RED RYDER!
DON BARRY is the cowboy hero RED RYDER in this 12-PART SERIAL from Republic Pictures, circa 1940. It seems there is a CROOKED BANKER who is trying to steal land from good, honest, hard-working LANDOWNERS! So it is up to RED RYDER to save the day! NOAH BEERY plays Ace Hanlon while TOMMY COOK plays Little Beaver! You will THRILL to the CLIFFHANGERS in this serial, which is definitely an above-average example of the long forgotten art form! The EXTRAS are pretty sweet this time around too, partner! There is the PILOT for the RED RYDER TELEVISION SERIES, an interview with Don Barry himself and reproductions of LOBBY CARDS and POSTERS! If you were not a fan way back when, you sure shooting can become one now!

Sets a standard
If you love this stuff -- as I do -- you'll love this DVD. The transfer is excellent for a 60-year-old serial, and the extras are special: an interview with the late star, Don Barry, and even the full-length pilot of a Red Ryder TV show starring Rocky Lane (the latter isn't even mentioned on the package). And the full chapter endings are here, not clipped off as on some misguided serial transfers.

"Adventures of Red Ryder" isn't the best serial ever made ("Blackhawk" is my pick for that honor). But this release sets a standard for how other serials should be spiffed up and made available on DVD. ... Read more

Reviews (2)

BADMEN OF DEADWOOD
Don't waste your money on this piece of garbage. This is a DVD made from a VHS transfer, made from a VHS transfer. The picture quality is so bad it gave me a headache after just 15 minutes of watching fuzzy images and dark scenes. And the sound is even worse. I have no idea why companies like this who spend money making attractive box covers and disc lables can have no regard for the quality of the movie they are transferring. There is no excuse....if they worked with a decent 16 MM print there is no way it could be this bad. This company has bought a bad VHS tape and made a copy from that bad tape to offer an even worse quality copy.

Durn-tootin' Saturday matinee fun.
Sturdy Republic Western that emphasizes action over music. The Sons of the Pioneers are nowhere in sight. Roy Rogers is a reformed gunfighter working for Gabby Hayes' snake oil medicine show. In Deadwood, the members of the civic league are in cahoots with a gang of killers. This includes the sheriff and the newspaper editor, who has been waging a bogus war against crime on the editorial page. Villains abound. The honest townspeople enlist Roy's help, and the stage is set for excitement. This B Western is true to its budget restraints. The running time of 53 minutes is a virtue that doesn't let the plot go awry. With the bad guys posing as good citizens and the good guys reduced to social castoffs, the story requires close attention to keep the players straight. Even RR initially wears a black hat. The conflict of warring factions builds to a climactic shoot-out of Hopalong Cassidy proportions. This film is an entertaining blend of Western action and light humor. We are happy to report there is more shootin' and ridin' than in most of RR's later Western musicals. Nobody made Westerns as Republic. ;-) ... Read more

Reviews (1)

A must see !
See the beginning of the lone ranger. Good clean family entertainment. If all your after is to make fun of old movies this will foot the bill too! ... Read more

Reviews (2)

Above average Roy Rogers, below average DVD transfer . . .
. . . but if you pay under [dollar amount] for a DVD, you can't really complain. Unfortunately, all of Roy's movies will probably be shuffled off to DVD with just as little care. The sound crackles sometimes, and some of Dale's delightful solos are a bit distorted; the picture is fuzzier sometimes than others (even "jumps" once, as though it were a tape), and you have to turn the volume up pretty high compared to typical DVD.

Though the quality leaves at least as much to be desired as one would expect considering the price, "Yellow Rose of Texas" is above average Roy Rogers fare. Included are the classic framed man with a beautiful daughter (Dale, of course), Roy's undercover identity as insurance agent, a stunt with Trigger to save a boy in a runaway wagon, a multi-fisted fight featuring the Sons of the Pioneers (minus Pat Brady, since this is 1944), the classic shot of black "blood" dripping through two ceiling boards to give away the winged fugitive (at a rate that says he must have hit an artery and is in serious need of a transfusion!), and lots more great nostalgia inducers. One number by the Sons of the Pioneers, "Timber," is musically even better than usual. It's also interesting to see Dale Evans before that "Queen of the West" persona, which she was originally so against, was firmly established; you'll hear her sing and see her pout those pretty lips, but she won't be riding a horse. (This is partially due, of course, to the fact that much of this setting has to do with riverboats and shows rather than ranches and the frontier.) Even her hair is different than the typical "Cowgirl Dale" look that we fans take for granted.

All in all, if you want to see Roy and Dale in restored glory, don't bother with the Alpha Video releases. But if you want to see them on DVD at all, you may have to settle for these, and "Yellow Rose of Texas" is a perfect place to start.

Good sing-along title song.
Roy Rogers portrays a singing cowboy insurance investigator on a showboat. I know it sounds too weird, but just go with it. Life will be easier. Five years ago Dale Evans' father was framed for an express robbery, and he is still on the run. Roy and the sheriff are both hot on Dad's trail while the real crooks make more mischief. This is a lesser effort by RR and crew. This is one of those "modern" Westerns that feature autos as well as horses. From the complaint department, the emphasis on elaborate song-and-dance numbers detracts from the B Western fun. There is some blazing six-gun action, but not enough to give one time to use up an entire roll of caps. It's always good to see Bob Nolan and The Sons of the Pioneers. Gabby Hayes is not in this one. This movie is of moderate interest to staunch RR fans and those who relish the nostalgia of Saturday matinees. Remember the days when every kid on the block wanted to be a cowboy? From that perspective, viewing and ownership is of value. ;-) ... Read more

Reviews (2)

Not the best, but I loved it.
Clyde Beaty of Darkest Africa/Batmen of Africa stars in this wonderful serial. He was known as the greatest animal trainer in the world. He does battle with plenty in this. As well you see what is a little disturbing, but as well interesting and that is the fighting of a tiger and a lion. I believe this to be quite the keeper among serials and is a defintite must have for any collector. I will watch this one over and over...

Too old, Too much static
I couldnt get past the first twenty minutes. Unless you explicitly remember this as a childhood memory forget it. ... Read more

Reviews (2)

Way more enjoyable than expected...
I was supprised at the quality of this serial. It is a bit corny and unbelievable at times, but in all an excelllant addition to any serial collection. I've not been too huge on cowboys and indians until now. Even though the indians aren't indians for what I can see. Well worth watching....

Not So Believable
Even though we never questioned it at the time this one was not as believable as others. As nieve as we were the situations and cliffhangers didn't hold up on this one. They cheated on this as well on the cliffhangers. We still enjoyed, and it belongs to entertainment of the time. A good, but thin story line. We took them for what they were. ... Read more

Reviews (1)

SERIAL-MAKING AT ALMOST ITS PRIME
While many serials from those Golden Days of the 1930s and 1940s had western, war, jungle, or outer space backgrounds, this is one set on and around several islands in the South Seas. A few of the interiors and an occasional seascape impart a South Seas flavor, but much of the scenery has such a "sagebrush" look to it that you expect a stagecoach to come over the hill at any moment. Still, the story-line holds interest throughout 15 chapters and the action, often fast and furious with a heavy reliance on fistfights, always builds to exciting, cliffhanger endings. Kane Richmond (at age 37) plays the sea captain out to clear his name of a false murder charge and as he proved in the earlier (and somewhat superior) "Spy Smasher," Richmond is an ideal serial hero -- handsome without being pretty, likeable, a competent actor, and rugged enough to make all his physical heroics seem plausible. Note how good he looks with his shirt off in Chapter One's boat-rescue scenes. Kay Aldridge makes for a passable heroine though she seems a bit too young and diminutive to carry off some of her action scenes. Roy Barcroft is a suitable villain, heavier on style than sneer. The less said about the sea-serpent monster, the better. While "Haunted Harbor" doesn't quite rank with the serials' finest efforts, it's just half-a-notch below that level. ... Read more