Reviews (166)

Out of this world!
"Plan 9 From Outer Space" has been dubbed the worst film ever made. I can't disagree with that. Here are just a few of the things that qualifies it for that title.

- When the police drives from the town to the cemetary time somehow switches from night to day back to night.

- The Swedish accent of wrestler Tor Johnson, playing a police officer / walking corpse.

- The six feet tall, blonde chiropractor that replaced deceased Bela Lugosi.

- The plates-glued-together UFO's with strings completely visible.

- The cardboard tombstones that wiggle.

- The cemetery ground, obviously a piece of fabric covered with leaves.

- The plot, or rather lack thereof.

- The dialogue, hilariosly funny only because it's meant to be serious.

- The actors. Nuff said.

Still, it's also one of the best films ever made. Ed Wood Jr. was a filmmaker with a passion. He wanted to make films, so he made films. You can't help but respect that. That's why this movie deserves five stars, and "Deathstalker III: Deathstalker and the Warriors from Hell" deserves none.

Future events such as these...
Uttery obscure until the Medved brothers' 'Golden Turkey Awards' highlighted it as the 'Worst Film Ever Made', this is not so much a 'bad' film as a hysterically incompetent one. Consistently failing to triumph over the lack of money, resources and technique available, it quite neatly shows how films should not be judged in terms of 'bad' or 'good', but in terms of 'entertaining' or 'not entertaining'. Whilst 'Plan Nine' is clearly the work of bungling, but enthusiastic incompetents, it's hugely entertaining in a way that the professionally-done 'Speed 2: Cruise Control' is not. Only 'Robot Monster' comes close the the tone of insane incoherence. Where else can you see such a diverse, iconic cast (featuring the recently-deceased Bela Lugosi, a late-night-television horror movie hostess, a wrestler, and a minor celebrity hypnotist) deliver dialogue such as 'Inspector Clay's dead, murdered, and somebody's responsible'?

Note that there are two DVD releases - this one has a lengthy (longer than the film, in fact) documentary, whilst the other has a plug for Tim Burton's equally-good 'Ed Wood'. This one is slightly more expensive, but worth getting, as the documentary is excellent. Commenting on picture and sound quality seems somehow inappropriate, really.

Well it ain't the worst
In fact besides I'd go as far as to say this is perhaps the most competent Ed Wood movie around. Sure there are glaring errors such as Bela running back and forth to the grave in broad daylight ( when it's supposed to be night-time ) and his replacement is obvious ( come on, he's at least 4 inches taller I reckon ). And indeed the last 20 minutes descended into a farce that unfortunately sunk the film. Yes, it shows a degree of ineptitude on Ed's part but for most of the film there was an almost professional air to how the actors acted.

Ed thought that he'll be remembered for this film. This was his big one and he's right, it's the one we remember him most for. However I don't think he would have liked the tag it's been given but if you want to be remembered he certainly went about the right way in doing it ( even if the results were all wrong )

But if we start at the start with Bela's last real scene where he mourns his lover's death - that was a really touching scene. The emotion in that looks too real that it can't be described as fake or cardboard cut out. If anything that was the most poignant scene Ed ever captured on film. He may have been an inept film-maker but that was a stroke of genius - no kidding!

I get the feeling Ed cast Vampira as Lugosi's wife mainly because if you've seen the Tim Burton movie you'll know that Lugosi thought she was " a honey " and it was certainly a nice gesture to Bela to do that. Vampira doesn't have to do much in this film. Just walk really slowly and look ominous whenever the camera is on her. Looks beautiful while doing so I have to admit. I'm almost certain that she inspired George Romero to make Night of The Living Dead by her walking alone.

Criswell makes his appearance in this film and you have to say, him, along with Vampira and Tor, got almost uncanny lookalikes in Tim Burton's biopic that it seems almost spooky.

Hats off to whoever had the idea of using saucer lids for um the use of flying saucers. Really neat and easily identified even if it was black and white. Still not too bad a job. Oh and who could forget Saturn as a ballbearing - Top Class!

The last 20 minutes are a farce as I've said before mainly because it's supposed to be a showdown between the humans and the aliens....or to be more precise 3 men with guns and a man and a woman in funny clothing that are supposed to be aliens. The acting here is horrifically poor and despite it all being passionately acted it just seems.....well a bit silly. And whatever niggling doubts you had about the film leading up to the last 20 minutes, will no doubt be exposed by the end. A shame because the film showed Ed at his most coherent. And that sadly was the pinnacle of Ed's career.

So all in all it's not the worst movie of all time and certainly not the worst you'll ever see ( unless you're a connoisseur of good taste and in that case what the hell are you reading this for ). Definitely his most enjoyable film. Now if someone could only just tell Criswell to shut up ( I wish Ed had tried, honestly try to do that ).

But for Ed, this would be his shot at greatness and while it backfired, it was about as good as he could make it. Perhaps if he were making these now and not 40 years ago he might have gotten away with it. And I'm sure Ben Affleck would have been great as the dumb pilot if it were made now. Think about it

Here's to Ed though - he may not have been the greatest but he sure knew how to entertain us

Bela Lugosi Lives! (Just not in this film)
How does one describe a movie such as this? Like "Robot Monster," it is a masterpiece, and like "Robot Monster," this is not because "Plan 9 From Outer Space" has even a shadow of an ounce of quality to it. Rather, this is an example of just how wrong everything in any creative project can go if it is in the hands of the right angora-wearing genius.

For nothing (and I mean NOTHING) came out right in this movie. Continuity? Hah! Realistic dialogue? Pish! Convincing acting? Gah! Remotely realistic special effects? Heaven forbid! No, what Ed Wood gave us with "Plan 9" is quite simply a cinematic failure that not even Orson Wells could have duplicated if he had tried. In what other movie is one of your stars dead even before the script is written or shooting begins?

No, "Plan 9" is unique, a thing that we mere mortals can only begin to try and understand. Instead we can only watch, transfixed and trembling in awe that Wood's vision was transmitted so perfectly to the silver screen. This is a movie that well deserves to be ranked among the immortal creations of motion picture history, despite or perhaps because of the fact that it completely lacks any of the features that would normally merit such an inclusion.

To think otherwise can only be the result of stupid minds. Stupid! Your stupid, stupid minds!

"You see. You see. Your stupid minds. Stupid. Stupid."
Also known as "Grave Robbers From Outer Space", Edward D. Wood's masterpiece of horrific filmmaking has been called the "worst movie ever made" by more than a few critics and movie fans. This hasn't kept this unintentially hilarious sci-fi dud from becoming a massive cult classic. And rightfully so. Ed Wood's art for making movies so bad that they're actually good has never been more apparent than it is here.

"Plan 9" revolves around a couple of space invaders in bad suits who fly around in spaceships on strings and resurrect the recently dead to haunt the inhabits of a small town where it seems to go back and forth from night to day a lot. The humans aren't having it though as a joint team of the local police, military, and an overacting airline pilot refuse to be terrorized by the undead creatures (who can't decide whether they're ghouls or vampires). But these visitors from a badly-drawn planet resembling Saturn have their own intentions. They're hear to warn us of a new solar-powered weapon that the Earth will eventually create and wipe out the universe. But our heroes aren't going down without a fight. They've got enough army movie stock footage to send them aliens back where they came from.

What makes "Plan 9" so entertainingly terrible? Where do I start? There's the overly-descriptive narration of Criswell who practically gives play-by-play for every action in the film. You've got Bela Lugosi who appears courtesy of silent footage recorded before his death and with the help of a stand-in who looks nothing like him. And who could forget those cooky cops who don't allow the discovery of their Captain's horrifying death to damper their moods any? Also there's Duke Moore's hards-as-nails detective who fearlessly uses his gun to fix his hat when necessary.From the bargain basement graveyard chalk full of cardboard headstones to the hungry young overactors spitting out silly dialouge, "Plan 9" is truly the "Citizen Kane of bad movies".

For those looking to pick this gem up on DVD, the Image edition is the only way to go. Not only is the picture the best that it's ever looked but it comes with a feature-length documentary, "Flying Saucers Over Hollywood: The Plan 9 Companion" and the trailer for the movie. Avoid the Passport version which has a company logo imprinted in the bottom corner similiar to the ones that TV networks use. ... Read more

Amazon.com

Clint Eastwood's 1978 comedy introduces Filo Beddoe, a truck driver and mechanic whose daily life is an absurd grind. He's constantly coming up short on money, love, and anything else to help him get through the day, while also saddled with a loony mother (deliciously played by Ruth Gordon), a best friend (Geoffrey Lewis) who's not too swift on the uptake, and an orangutan named Clyde who fights almost as well as Clint. While moonlighting as a bare-knuckle fighter, Clint finally meets the girl of his dreams (Sondra Locke), a snooty country singer who rebuffs him even as he pursues her, trailed by bikers and brawlers. It's Eastwood's magnetism and charm that make this more than a mere string of comic sketches, and things move along quickly enough to be entertaining, if a little thin. Clyde is a natural scene-stealer, but it's Ruth Gordon's crazy, cranky old coot who steals the movie. --Robert Lane ... Read more

Reviews (14)

THANK GOD IT FINALLY MADE ITS WAY TO DVD!!!
This is one the best (and most profitable) of all of Clint Eastwoods movies. It has everything, comedy (Ruth Gordon alone is worth the price) action, a great soundtrack, and yes Clyde the Orangutan, But never let this be seen as just a "Guy with an Ape" movie, that would really do it an injustice, it has SO much more to offer than that. An absolutely great movie. ...

One of Clint Eastwood's most successful films!!!!
Like "Smokey & the Bandit" before it, this movie had the same kind of charm, & despite being set in Los Angeles, it had a down home southern feel to it, offered to Clint to give to his pal Burt Reynolds, Clint liked it so much he asked Burt why he should do it, Reynolds told him to do one, & like "Bandit" did for Reynolds, this one did for Eastwood, who stars as Filo Beddoe, a truck driver who falls for a local singer in a nearby bar only to discover that she has a questionable past, this is pretty much the plot that has a series of running gags where Filo pals around with an ape known as Clyde who basically steals the movie as does Ruth Gordon as Filo's mother who constantly curses Clyde, Filo's run-in with a local motorcycle gang is funny to watch as the leader has a look on his face as to how he ended up with such misfits, as Filo searches for love he encounters all kinds of misfits, in addition to the gang, he runs afoul two idiot cops, & bar room brawlers, a fun movie that was a change of pace for Eastwood, & featured his then-girlfriend Sondra Locke who has a secret all her own, if you liked "Smokey & the Bandit", you will love this one!!!

Great Film. Ape Death Story Is Bogus
Fantastic film which represents a by-gone era in films. The films of the 1970's were simply better because while Hollywood was still interested in making a buck, they still wanted to make good films. Now it's all about the buck, who cares if it's good as long as it turns a profit. Pick this one up and keep it in your library as a monolith of better times gone by.

By the way, it is my understanding the original Clyde died of natural causes. The "donut beating" story has been circulated by the PETA Extremists for their hate filled fodder.

Good Film and it works in my Region 2 players!!!!
One line to sum the film up - "This film is a classic"

I have been waiting to get it for ages, and I finally bought a Multi Region player (We have 3 Region players as well). The film arrived, I watched it - and then decided to try it on the other players - and to my amazment it worked. I tried Any Which You Can in the Region 2 players as well and it worked.

I got another R1 DVD and that didnt, so I guess its a one off of this DVD.

Poor "Clyde"
Interesting that none of these reviews mentions the fact that Clyde (who was named Buddha by his trainers) was beaten so severely (for stealing doughnuts on the set) by his trainers that he died of brain hemorrhage. They replaced him, quietly, for the sequal. Primates are brutally dominated by their trainers in order to do the smallest actions (like smiling, which is a sign or fear in the wild). It isn't entertaining, it's cruel. Don't spend money on films that exploit animals. Grow up. ... Read more

Reviews (4)

Last American Hero
This is 5 stars if you are a true race fan. Otherwise, it's still an interesting story. This film is loosely based on Tom Wolfe's essay about the younger days of Junior Johnson, although for some reason they changed his name for the film. (Notice, though, that Junior himself was a paid racing consultant on the film.) The race footage is very well done and there is some good footage from the old Southern 500. Bridges and Busey are a lot of fun to watch together as well.If you like stock car racing and wonder what the old days were like when the sport was still developing, you'll love this film. Only pity is it's not on DVD.

(Also another great film (although a little cheesy) about the old days is 43 The Petty Story starring Darren McGavin as Lee Petty and Richard Petty as himself AND Dale Inman AND Buddy Baker!!! It is a classic look at the old values that are still carried forward in the sport to some degree. It also has some insight to what NASCAR was and what it has become..Some really good vinatge racing footage is also included.) Also a pity it's not on DVD...We need to prolong the life of these smaller "special interest" films. Anyway have fun, great summmer stuff.

the last american hero
This is a classic movie about moonshing And small town life. It was the best when he went on to racing,It was great . I bought 3 copies and it's worth it. If you like muscle cars you love his black mustang. Great T.I.G.R

Best behind the scenes look at early NASCAR
I absolutely loved this movie! If you have an interest in real life drama, getting over obstacles and above all RACING, then this movie is for you! It shows the everyday struggle one goes through in their personal life, as well as one's pursuit towards a dream. This inspirational story shows you the everyday obstacles someone in this sport may go through and increases your interest and excitement with the sport as it is in today's world. I recommend this to everyone who lives and breathe NASCAR and other forms of racing.

Wonderful Film
This film show what a stock-car goes through to get from track to track and what he does when he joins another team ... Read more

Amazon.com essential video

Veteran director Martin Ritt (Sounder) directed this earnest and very popular tale of a naive textile worker, widow, and mother in the U.S. South who becomes empowered by standing up for her rights in the workplace. Sally Field stars in the Oscar-winning title role as a woman who has been content to go along with the status quo until she realizes that she is entitled to more and can succeed if she stands up for herself. Her fight to improve deplorable working conditions at the textile plant causes a rift between her and the people closest to her, but her determination brings a new awareness to her and to all the women with whom she works. Ritt's typical, socially conscious story uses the politics of Norma Rae's struggle and also its emotions to build the film to a rousing climax. --Robert Lane ... Read more

Reviews (14)

wonderful movie
I agree with the reviewer below who said this film is a wonderful love story. I developed a huge crush on Ron Leibman's character about five minutes after he is introduced.
This is a powerful film in many ways, and the subtle love story is just one of them.
Norma Rae is a movie that speaks to me because my family worked in mills for many years. My grandparents, uncle and mom all went through a local mill (no longer in existance) at some point in their lives. I remember the hard conditions and the sight of the real mill workers from Opelika walking across the screen hit home for me. I cried during several parts and I felt like Norma's daddy was my own grandfather. I admire the people who made this film. It is truly a hidden treasure because it isn't flashy, it is simple, straightforward and true to life. And if Ron is out there anywhere reading this, please believe me when I say you truly brought Ruben to life and made him a wonderful hero to me. Sally Field was a hero as well, one that makes you love her and who cares about the flaws.
Please watch this movie. It will make you think. It will make you grateful. It will make you cry in sadness and joy.
My only complaint is, gee I would have tried to at least KISS Ruben at some point. Ladies, watch the last scene and see if you don't agree with me!

Rae of Hope
Sally Field gives a career turning performance in 1979's Norma Rae. Up to that point, Ms. Field was better known as a TV actress who starred in fluffy comedies like Gidget, The Flying Nun & The Girl With Something Extra. In 1976, she showed a more serious side, taking home an Emmy for her work as a young girl with multiple personalities in Sybil. After Sybil, she proceeded to star in more fluff pieces like Smokey & The Bandit, Hooper & The End with her then boyfriend Burt Reynolds. Norma Rae was a film with much more substance. In fact after reading the script, Mr. Reynolds advised her that she would win an Oscar for the film. He turned out to be quite prophetic. Ms. Field is superb in the title role. Norma is an unassuming factory worker from a small town in the South, who is widowed and has two kids with two separate fathers. That is until she meets Reuben Warshawky (Ron Liebman). Reuben is an Union organizer from New York City and he is trying to get the mill workers to set up a union. Most people ignore as they are fearful for their jobs, but Norma is intrigued and she starts meeting with Reuben to try and start a union. She is met with resistance and is bullied by her bosses, but Norma is not persuaded to quit. She feels that she has stood by her whole life without making a difference and this is her chance to actually matter. There is of course the famous scene where Norma is about to be removed from the mill and she defiantly stands on a table with the Union sign. Her co-workers one by one realize the chances she's taken for them and they shut off their machines in support. The film has some excellent supporting work from Mr. Liebman, Beau Bridges and Pat Hingle, but this is Ms. Field's film all the way. She proved Mr. Reynolds right and took home the 1979 Best Actress Oscar and set forth on a path that would add another Oscar to her collection and feature some of the best films of 1980's & 1990's.

A textbook example of how to organize in your workplace!!
I finally got the chance to watch this movie after missing out for almost 20 years. I should have watched this film years ago. Not only is Sally Field's acting great, but the screenplay was just as great as well. My only problem was the length of the movie as I thought 20 minutes could have been chopped off. With that said, this movie should be mandatory watching for all workers. If you care about the conditions in your workplace, watch it and learn how to organize your workplace!! It's a film much needed for required viewing in our society today!

One of the 10 Best Performances by an Actress Ever!!!
"Norma Rae" contains the thrilling performance by Sally Field as a woman on the wrong side of the tracks of life who decides it's time to stand up for the rights of her co-workers at a small textile plant.

She is offered and accepts a promotion when the plant's management tries to divert her, but a supervisory role doesn't appeal to her when her mother loses her hearing and she has to chastise her father for poor performance. Logically, inevitably she becomes more committed to fighting for a better life for herself and her loved ones and joins forces with a union organizer who came down from NYC. She ends up sacrificing all, including her self esteem, to give the workers more control over their working conditions.

Chills ran down my spine during the scene where she held up the "union" sign and another where she rebuked her husband for being non-supportive of her union efforts. I am not a union supporter, but I know good drama, strong performances, and a logical and interesting plot when I see it, so I recommend this fine film to all.

Hopefully they will give as much time and attention to dubbing and subtitling this movie into languages of third world countries because that's where this textile plant probably relocated a year after the events this film portrayed. A sad, sad outcome to an ideal.

No matter what the outcome, Sally Field delivers one of the finest performances in film history so "Norma Rae" gets only my highest recommendations!

TWO THUMBS UP! FIVE STARS OF EXCELLENCE!!!!
This movie is definitely a monster of a hit. Sally Field was great playing the single mother who wouldn't let unsafe conditions go undetected. This movie was Oscar material. It was strong, smart, and very uplifting. I like the part when she had the black men in the meeting and she told her husband played by Jeff Bridges that "they didn't give me a hard time". Whatever you say about it, but it's AWESOME! 10+ ... Read more

Amazon.com

Clint Eastwood plays James Bond in some unlikely mid-1970s casting. Eastwood directed himself as an art teacher (!) who is actually a government operative (!!). But when an American agent is assassinated in Europe, he's called out of retirement to put the hurt on the men who did it. Based on a novel by Trevanian, the film winds up with Eastwood climbing a mountain in Switzerland and playing a game of kill-or-be-killed with one of his targets. Some decent action, but also a lot of filler. Still, the cast includes George Kennedy and the late Jack Cassidy, whose sharklike smile was perfect for playing a professional killer. --Marshall Fine ... Read more

Reviews (23)

Dr. Hemlock...I Presume???.....
This review refers to the Universal DVD edition of "The Eiger Sanction".....

Dr.John Hemlock(when Clint gets a name in a movie it's really a doozey!)...Professor of Art,Collector of Fine Paintings,handsome,has a weakness for beautiful women...and oh yeah...Assassin! But don't worry he works for the government. His superiors may be dangerous,they may be insane, but hey, they're on our side! Well.. maybe!

When our agents are being killed by the other side, Hemlock is coerced out of his retirement to "sanction" these killings. Or in a word..REVENGE! He is reluctant but when he learns one of the killings was of his friend, he dons his assassin outfit and goes back to work. The outfit is mountain climbing gear. The killer he is after is one of a party of climbers who will tackle "The Eiger" a dangerous peak in the Alps. Which one is the killer? That's for our guy Clint to figure out.

Although an intiguing mystery with some wonderful cinemagraphic scenes of the desert and the Alps,this one is not the usual above average to excellent film we are usually treated to by Eastwood. It's a good story, but at times slow(for an Eastwood flick) and somewhat predictable.

Eastwood directed as well as stars and by the way did all of his own climbing and stunts(gotta give him credit for that).
It also stars George Kennedy,Vonetta McGee, and Jack Cassidy.
The music by John Williams is one of the best parts of this film. It adds just the right flavor to this Europeon adventure.

It may not be one of Clint's best, but it's still an Eastwood film,an intriguing story, and worth the view. And being that it is and Eastwood film, I felt the DVD transfer deserved better.
First of all the sound...Dolby Dig 2.0 MONO! What's up with that? The picture, presented in widescreen(2.35:1)looked good in most of the outdoor scenes(although a bit grainy), but some of the indoor scenes were dark and undistinguishable.The colors looked almost artificial(I can hardley bring myself to talk about it) The special features are in the form of production notes, telling about how Clint did his own stunts, etc. There is captioning for hearing impaired viewers, which is nice and clear and is in the black bar area, and there are subtitles in Spanish and French.(it may only be viewed in English).

If you are are collector of all things Clint(like me), at this price you may want to add this one to your collection until a better edition comes along, if not and you just want to check it out, maybe renting it first may be better.

Universal.....please update this for Clint fans!..Thank you...
enjoy....Laurie

sweeeeet
DUUUDE!! This movie is so cool. OK, this one was directed by dirty harry himself, and as such its so funny to watch. Clint Eastwood, perhaps one of the lankiest and funkiest-looking action stars ever gets in the sack with extremely hot girls for no apparant reason, beats [...] people twice his size, and has more "I'm a raw [...]" one-liners than I have ever seen in a movie. Aside from that, it does well from the technical climbing perspective in that it didn't show all that much of the gear. In fact, the only obvious farce was when he was supposedly leading a sandstone pillar somplace in the southwest US, he was shimmying up a chimney on a top-rope. Not possible, but oh well. The movie has some really nice shots during the actual Eiger climb, and the green pastures so many thousands of feet below are a very nice touch. Reminds me of how it really feels to be that high off the ground on the end of a skinny rope. Good stuff man, two thumbs up!

The reasons why
There are several reasons I like this movie. 1) Trevanian wrote the book (trashy, pulp spy fiction...great for a mindless romp into the 60's), Clint Eastwood is in it (not the greatest actor, but he's got a good track record, and he enjoys the craft) 3) The Eiger has always intrigued me 4) I used to climb (age has curtailed my abilities) and 5) My 3rd cousin (Heidi Bruhl) is in it, albeit she plays a trampy wife, but she's my 3rd cousin nonetheless. I like Lee Marvin "flicks" too, my taste in music is much better. Oh sure I enjoy the Hamlets, and Much ado's etc... but we're talking American genre "flicks", not works of cinema etc... flicks.. you know EZ rider, Bronson movies stuff like that. That said... (SERIOUSLY) I remember a climbing book about the making of this movie... and the technical challenges for making some of these scenes on cliff faces and on the Eiger itself were well documented. The challenges were overcome, which and certainly took a bit of skill and logistics to pull it off. Not bad for a "B" movie as described by several reviewers... taking everything into consideration this movie was quite an undertaking, Eastwood didn't write it, he just made it happen. Guy flick? okay, whatever.

Clint Eastwood is my idol
And when I grow up I wanna be just like him. Doesnt everybody?

My 'superior' wants to see you!
Eastwood sarcastically answers "Well that doesn't narrow the field much, does it?".

The plethora of wity expressions & humor in this fantastic spy thriller makes it amgonst other things really a classic. It was made back in the 70's when men were men and women were named 'buns' How some of us miss those days....sigh ;-)

But wait, you get lots lots more! There is breathtaking cinematograqphy ranging from an assination in Zurich to incredibly realistic mountain-climbing footage from Southern Utah and the Swiss Alps.

Provided that one tries not to take this movie dead seriously, this classic will provide you with great entertainment. It might to be fair to say this movie might be more appealing a male gender audience. ... Read more

Reviews (1)

entertainment, but no substance
I purchased this movie about 10 years ago soley based on the duo of Kurt Russell and Tim Matheson and their "eye catching appeal". I'm embarrassed to say that I continue to hold onto it for that reason. Matheson portrays a young doctor(Quentin Baudine) and Russell his half-breed half-brother (Morgan(Two Persons)Baudine). On their way to find their sister who has been captured by indians, they decide to take time out to help save an old friend's ranch,(this movie was obviously not well thought out)by rounding up a gang of misfits to drive his herd of cattle to market. Together, the Bodine brothers along with a stableman, retired gunslinger, a dried-out drunk and a couple of sneaky rustlers prove their grit as they fight to stay alive against hostile indians, stampedes, drought, and just plain bad luck! Matheson and Russell are convincing (aside from Russell's bleach-blonde hair), but young and unpolished in this one and since then have gotten better "with age". Keenan Wynn is hysterical, wonderful performance by Gregory Walcott, beyond that the acting isn't impressive and its downright corny at times, but... the movie is action-packed and entertaining and girls--it's worth watching just to feast your eyes on Matheson and Russell, these 2 studs will captivate you! Speaking of STUDS, Erik Estrada is also in this one! It's a keeper! ... Read more

Reviews (14)

THANK GOD IT FINALLY MADE ITS WAY TO DVD!!!
This is one the best (and most profitable) of all of Clint Eastwoods movies. It has everything, comedy (Ruth Gordon alone is worth the price) action, a great soundtrack, and yes Clyde the Orangutan, But never let this be seen as just a "Guy with an Ape" movie, that would really do it an injustice, it has SO much more to offer than that. An absolutely great movie. ...

One of Clint Eastwood's most successful films!!!!
Like "Smokey & the Bandit" before it, this movie had the same kind of charm, & despite being set in Los Angeles, it had a down home southern feel to it, offered to Clint to give to his pal Burt Reynolds, Clint liked it so much he asked Burt why he should do it, Reynolds told him to do one, & like "Bandit" did for Reynolds, this one did for Eastwood, who stars as Filo Beddoe, a truck driver who falls for a local singer in a nearby bar only to discover that she has a questionable past, this is pretty much the plot that has a series of running gags where Filo pals around with an ape known as Clyde who basically steals the movie as does Ruth Gordon as Filo's mother who constantly curses Clyde, Filo's run-in with a local motorcycle gang is funny to watch as the leader has a look on his face as to how he ended up with such misfits, as Filo searches for love he encounters all kinds of misfits, in addition to the gang, he runs afoul two idiot cops, & bar room brawlers, a fun movie that was a change of pace for Eastwood, & featured his then-girlfriend Sondra Locke who has a secret all her own, if you liked "Smokey & the Bandit", you will love this one!!!

Great Film. Ape Death Story Is Bogus
Fantastic film which represents a by-gone era in films. The films of the 1970's were simply better because while Hollywood was still interested in making a buck, they still wanted to make good films. Now it's all about the buck, who cares if it's good as long as it turns a profit. Pick this one up and keep it in your library as a monolith of better times gone by.

By the way, it is my understanding the original Clyde died of natural causes. The "donut beating" story has been circulated by the PETA Extremists for their hate filled fodder.

Good Film and it works in my Region 2 players!!!!
One line to sum the film up - "This film is a classic"

I have been waiting to get it for ages, and I finally bought a Multi Region player (We have 3 Region players as well). The film arrived, I watched it - and then decided to try it on the other players - and to my amazment it worked. I tried Any Which You Can in the Region 2 players as well and it worked.

I got another R1 DVD and that didnt, so I guess its a one off of this DVD.

Poor "Clyde"
Interesting that none of these reviews mentions the fact that Clyde (who was named Buddha by his trainers) was beaten so severely (for stealing doughnuts on the set) by his trainers that he died of brain hemorrhage. They replaced him, quietly, for the sequal. Primates are brutally dominated by their trainers in order to do the smallest actions (like smiling, which is a sign or fear in the wild). It isn't entertaining, it's cruel. Don't spend money on films that exploit animals. Grow up. ... Read more

Description

Fictional biography of a Korean war hero returned home who becomes a jet test pilot despite his wife's reservations. ... Read more

Reviews (4)

spectacular flying sequences
This bio-pic has action and romance. Alan Ladd is a bit aloof as Joe McConnell, but June Allyson counterbalances this nicely with her usual exuberant enthusiasm. The plot is standard fare for the era, though the twist of transport pilots dreaming of glory as fighter aces is novel. Allyson's role as the loving wife who wants Ladd to stop flying and settle down is familiar, as she basically plays the same part with Jimmy Stewart as the pilot hubby in Strategic Air Command. What really sets the The McConnell Story apart from other cold war military dramas of the 1950s are the spectacular flying sequences. It is unclear whether Major Stephen Bittinger or Captain Pete Fernandez flew the F-86 that was supposed to be McConnell's plane during the filming; both were ace pilots in Korea, and Fernandez was also McConnell's best friend, going back to the transport pilot days. (Fernandez is the only airman listed in the film's credits, as technical advisor.)
So sail off into the clouds with the aces of Korea in this technicolor delight.

True story of America's triple-jet ace
Alan Ladd is Joe "Mac" McConnell, who became a triple-jet ace in the Korean war and later died during a critical test flight. At the outset, Mac is a man who feels he's born to fly - while in army training, he sneaks off base for flying lessons. (The movie begins before the end of WWII, when the Air Force was just another branch of the US Army.) Unfortunately, Mac washes out of flight training, and spends the war over Europe as a bombardier-navigator - watching impotently as his plane is menaced by German fighters. Even though he survives the war and snags "Butch" Brown (June Allyson) as his bride, Mac returns home feeling painfully unfulfilled. With the help of "Dad" Whitman (James Whitmore), Mac gets a second chance to break into pilot training. Unfortunately, the advent of jets raises the stakes. Nevertheless, Mac manages to ace his check flight (in a single-seat Lockheed F-80). From there, Mac proceeds to the F-86, a jet fighter like the F-80, but in just about every other respect, an airplane completely unlike the F-80. Shipped off to Korea, Mac wipes the skies clean of MiG fighters, becoming an ace, then a triple ace. Returning home again, where Butch hopes he'll settle down, Mac continues flying. Only now, his skills are put to work in high-risk flight-test.

I don't know enough about the real McConnell to comment on this flick's accuracy. Though the story is great, it's better early on - before Mac achieves his dream of becoming a pilot. Like most movies about pilots, it's heard to get excited about guys who spend most of their time sitting down while a matte-sky "flies" past, and stock footage of enemy jets erupt into geysers of burning jet fuel. The cockpit sequences seem unnecessarily static - as if the producers were unwilling to put in the slightest imaginative effort to convince us that Alan Ladd was actually strapped to a real airplane. (In contrast, note how in "Firefox" the effects simulated movement by changing the apparent direction of sunlight playing off Clint Eastwood's face). Then there's McConnell himself - he's a much more appealing character and pilot when it's not clear that he'll be allowed to become a pilot. Once he gets his wings, he's more aloof, senseless to how much Butch and Dad fear for his life. (The script seems to follow the example - after emerging victorious from an early dogfight, Mac leads his triumphant wingmen in a smoothly flying formation while they all relax to a Waltz. Are we supposed to believe that the real McConnell felt no fear or self-doubt once he made his first kill?) Also, the script makes McConnel a virtual one-man air force, though air combat is mostly about team work (even "Top Gun" stressed that). The script has Dad Whitman leading the way for McConnel to become a combat pilot, but then has him do little more than warn McConnell not to work to hard once he's in combat (the script also gives Whitmore's character the unpleasant task of begging McConnell to fly a crucial yet extremely hazardous test flight). On the plus side - it's still a flick worth catching. For aviation fans, the film happily stages dogfights (as opposed to using stock footage), with Republic F-84's as convincing stand-ins for the infamous MiG-15 (F-84's flew in Korea, but only early models designed with primitive, un-swept wings; those that appear in this movie are a more advanced design using swept-wings, and had not begun entering USAF service until the armistice halted combat in Korea). For those mystified by military aviation, the flick uncannily manages to touch on the human element of hazardous test-flights so that even Butch can appreciate the sacrifices of her husband.

Such a great movie
This movie tells the tragic story of America's first jet ace, and it does a pretty good job of it. I just thought it was easy to sit through and watch and I think everyone will enjoy watching it.

Interesting story of the top USAF ace in the Korean War
Joe McConnell was a man driven to become a top fighter pilot. This movie tells the story of Joe as he gets selected to become a navigator in a B-17 bomber in WWII. Unsatisfied in this role, he fights hard to become a pilot and even harder to get in to combat in the skies over Korea. He became the top scoring ace before he was done. The movie ends with the tragedy of his death while test flying new fighter jets.

The McConnell story showcases a period of time in America when the Cold War first turned bloody. It also shows the determination and courage of the American fighter pilots during the Korean War.

The flying scenes are exceptionally good, and very authentic in the aircraft, the lingo and the procedures. Any flying or military history buff would like the movie.

(Side note: I may be biased--my father,then Major Stephen Bettinger, piloted the aircraft "Joe" was flying in the F-86 scenes for the movie and was a jet ace in Korea himself...) ... Read more

Reviews (9)

I liked it

Unlike others who describe it as "mawkish," I thought it well-played and compelling.

Bobby Darin's part has been described as overplayed, and it may have been. If so, It did not detract, and in fact extra histrionics was called for by the part he played, to make the story believable.

This was a film about a psychiatric ward in a Western desert (Arizona) military hospital during the Second World War, filled with Army Air Corps veterans and their problems, mostly caused by the stress of combat in both the European and Pacific theaters.

Captain Newman (Gregory Peck), was the hero. Angie Dickinson and Tony Curtis did a superb job supporting, and Eddie Albert--an actual WWII combat hero-- and others did a great job as well. This one came out in 1963, and was greeted with critical acclaim at the time of its release.

One flaw--not a serious one--in Albert's part (Colonel Bliss) is the suggestion that he would receive a medical discharge. A bird colonel, almost certainly a professional, in the real world would have received a physical evaluation board's recommendation, and been granted temporary disability retirement, followed five years later by re-evaluation and permanent retirement. I did. The services treat their people better than simply dumping them. The explanation involving such a development would, no doubt, have been too time-consuming for mere movie entertainment.

Also, from the script it would seem that they relied on sodium pentothal ("flak juice") a lot in those days. It was, of course, used as a "truth serum" (and still is), but is also a widely used general anaesthetic in major surgery. I wonder whether it was as widely used as described, in psychiatric cases. I often wonder how accurate such details are in describing the reality of history. No doubt much would depend upon the dosage.

This was an entertaining film, and no doubt conveyed some truth.

Joseph (Joe) Pierre

author of Handguns and Freedom...their care and maintenance
and other books

Flawed but compelling drama
Captain Newman M.D fluctuates between scenes of strong deeply etched drama and somewhat contrived and misfiring comedy ,the latter scenes strive to be heartfelt and touching but succeed only in being mawkish and sentimental .
Thus a potentially provocative and edgy drama is vitiated by the interpolation of scenes which drag proceedings down to the level of a routine feel good movie.
The title character -played by Gregory Peck -is chief of a neuro -psychiatric ward on a US military hospital site in the States in 1944.He is at odds with the brass who dislike his strongly patient centred approach as it means he is often reluctant to return patients to active duty at the rate his superiors would like.
The movie centres on a trio of cases .One involves a decorated corporal(Bobby Darin-overacting wildly)who erroneously feels a coward for having deserted a comrade in a burning plane ;another is a colonel (Eddie Albert--in a compelling performance )who has gone berserk with guilt for having sent men on missions from which they never returned ),and an upper crust officer (Robert Duvall )catatonic with guilt for haaving hidden away in a cellar in ...occupied Europe rather thaan try to escape.The cases are resolved with varying degrees of success .
In between these cases Newman dallies with an attractive nurse -the always enticing Angie Dickinson -and observes the wheeling and dealing of his scheming but good hearted orderly ,played by Tony Curtis.
Peck is admirable and his peformance is shrewdly underplayed -his acting is quiet but expressive and he is well supported by Curtis in what is essentially a secondary role as the comic relief.
Often moving ,this is in some respects an early version of MASH as a service drama with comedic undertones .
Marked own a point for not concentrating more on drama and interpolating crowd pleasing comedy elements that for me just do not jell.

Great Movies Not On DVD 101
This is a fantatic movie which couples great acting, writing and direction.The movie is one of the reasons that my uncle is a psycologist and the fact that it is not on DVD is a total suprise to me. Please find a way to get this on DVD where it belongs.

Captain Newman, M.D.
While its true that "To Kill a Mockingbird" overshadows "Captain Newman, M.D." in the popular consciousness of Gregory Peck's work, I believe the latter ranks among his best work. A psychologist in charge of a stateside U.S. Army Air Corps mental hospital, Captain Newman and his staff struggle to treat aviators shattered by their combat experiences in the European Theater of Operations. The supporting cast is excellent, and while there's plenty of humor in "Captain Newman", the script doesn't shy away from the wrenching impact of war upon the human psyche. Look for young Robert Duvall as a speechless veteran in a small part that, ironically, reprises the role he had in "To Kill a Mockingbird". This classic oughta be available on DVD!

Get It Released!
I think that this is a great movie. Why it is not available is hard to understand. To the people who make those decisions I say; "Get this one released!". All of the performances were very good, but I was most impressed by Bobby Darin, Robert Duvall and Eddie Albert. Their portrayals of severely disturbed patients was superb. The continual shifts between the comic and dramatic aspects of the story keep you from ever losing interest. I hope that it is released soon. ... Read more

Reviews (20)

Just Okay
I really wanted to like this film a lot: what with Clint and Robert Duvall starring together.

But it's just not a very good film. It has the flavor of classic Clint and the western drama but lacks the substance. The story line is too improbable for even the most ardent fan. The dialogue and action are slow and drawn out. Like molasses.
And the climax is just plain limp.

Fortunately, there are so many great Clint westerns to choose from - Hang'em High, Good, Bad, and the Ugly trio, The Outlaw Josey Wales (one of Clint's favorites) that the viewer can still enjoy wonderful westerns of the highest quality - but this isn't one of them.

Three stars.

Sober & Conservative Eastwood Western, still worth the Money
Another sober and conservative Eastwood Western, directed by John Sturges this time... Although not as captivating or as intriguing as the following High Plains Drifter, it nevertheless has all the classic ingredients, absolutely great sceneries, a relatively modest story, and a rather fine cast (including Robert Duvall). The existential themes are a bit in the wake and following of Hang 'Em High, i.e. the question of Justice, Right and Wrong, etc. (themes that were to be omnipresent in all of Eastwood's subsequent Westerns). Of course it isn't a truly Fantastic Western, at least by the standard of his following ones (High Plain Drifters, The Outlaw Josey Wales, Pale Rider), but it's nevertheless still worth a cool watch, if only for the extremely beautiful outdoors...

Not one of my favorites, but a good performance by Duvall
Joe Kidd is not one of my favorite Eastern westerners (and Eastwood is my favorite, hands down, when it comes to films, and the Western is my favorite genre), but it does feature a good performance by Robert Duvall as the heavy. Clint's character is a little too reigned in in this one for my taste, until at the end he runs a steam engine through the town in order to extract some vengeance from Duvall's baddie.

A good supporting cast (as is typical in an Eastwood flick), also featuring John Saxon and Don Stroud.

Robert Duvall sings!
He cant act, so he figures hed try singing his lines- listen for when he breaks out with "I wanna see a man by the name of Joe Kidd" sung in a sing-song South Sea style.

A Little Stale
Clint Eastwood rarely stars in a bad movie, but that's not to say this is bad, it just falls a bit flat. A good cast, including a deliciously villainous Robert Duvall unfortunately fail to lift this picture above mediocrity. Add to this, it's relatively short running time (just under 90 minutes), fans of the genre, and Clint (who have been spoiled by great movies before) will feel a little let down. It's probably fair to say that a lesser known cast, and director wouldn't even have got this movie off the cutting room floor. All this said, any Clint collector will probably want it in his/her collection, and the usual amount of dry humor, and Eastwoodesque rationality does make this watchable, if not that memorable. ... Read more

Reviews (166)

Out of this world!
"Plan 9 From Outer Space" has been dubbed the worst film ever made. I can't disagree with that. Here are just a few of the things that qualifies it for that title.

- When the police drives from the town to the cemetary time somehow switches from night to day back to night.

- The Swedish accent of wrestler Tor Johnson, playing a police officer / walking corpse.

- The six feet tall, blonde chiropractor that replaced deceased Bela Lugosi.

- The plates-glued-together UFO's with strings completely visible.

- The cardboard tombstones that wiggle.

- The cemetery ground, obviously a piece of fabric covered with leaves.

- The plot, or rather lack thereof.

- The dialogue, hilariosly funny only because it's meant to be serious.

- The actors. Nuff said.

Still, it's also one of the best films ever made. Ed Wood Jr. was a filmmaker with a passion. He wanted to make films, so he made films. You can't help but respect that. That's why this movie deserves five stars, and "Deathstalker III: Deathstalker and the Warriors from Hell" deserves none.

Future events such as these...
Uttery obscure until the Medved brothers' 'Golden Turkey Awards' highlighted it as the 'Worst Film Ever Made', this is not so much a 'bad' film as a hysterically incompetent one. Consistently failing to triumph over the lack of money, resources and technique available, it quite neatly shows how films should not be judged in terms of 'bad' or 'good', but in terms of 'entertaining' or 'not entertaining'. Whilst 'Plan Nine' is clearly the work of bungling, but enthusiastic incompetents, it's hugely entertaining in a way that the professionally-done 'Speed 2: Cruise Control' is not. Only 'Robot Monster' comes close the the tone of insane incoherence. Where else can you see such a diverse, iconic cast (featuring the recently-deceased Bela Lugosi, a late-night-television horror movie hostess, a wrestler, and a minor celebrity hypnotist) deliver dialogue such as 'Inspector Clay's dead, murdered, and somebody's responsible'?

Note that there are two DVD releases - this one has a lengthy (longer than the film, in fact) documentary, whilst the other has a plug for Tim Burton's equally-good 'Ed Wood'. This one is slightly more expensive, but worth getting, as the documentary is excellent. Commenting on picture and sound quality seems somehow inappropriate, really.

Well it ain't the worst
In fact besides I'd go as far as to say this is perhaps the most competent Ed Wood movie around. Sure there are glaring errors such as Bela running back and forth to the grave in broad daylight ( when it's supposed to be night-time ) and his replacement is obvious ( come on, he's at least 4 inches taller I reckon ). And indeed the last 20 minutes descended into a farce that unfortunately sunk the film. Yes, it shows a degree of ineptitude on Ed's part but for most of the film there was an almost professional air to how the actors acted.

Ed thought that he'll be remembered for this film. This was his big one and he's right, it's the one we remember him most for. However I don't think he would have liked the tag it's been given but if you want to be remembered he certainly went about the right way in doing it ( even if the results were all wrong )

But if we start at the start with Bela's last real scene where he mourns his lover's death - that was a really touching scene. The emotion in that looks too real that it can't be described as fake or cardboard cut out. If anything that was the most poignant scene Ed ever captured on film. He may have been an inept film-maker but that was a stroke of genius - no kidding!

I get the feeling Ed cast Vampira as Lugosi's wife mainly because if you've seen the Tim Burton movie you'll know that Lugosi thought she was " a honey " and it was certainly a nice gesture to Bela to do that. Vampira doesn't have to do much in this film. Just walk really slowly and look ominous whenever the camera is on her. Looks beautiful while doing so I have to admit. I'm almost certain that she inspired George Romero to make Night of The Living Dead by her walking alone.

Criswell makes his appearance in this film and you have to say, him, along with Vampira and Tor, got almost uncanny lookalikes in Tim Burton's biopic that it seems almost spooky.

Hats off to whoever had the idea of using saucer lids for um the use of flying saucers. Really neat and easily identified even if it was black and white. Still not too bad a job. Oh and who could forget Saturn as a ballbearing - Top Class!

The last 20 minutes are a farce as I've said before mainly because it's supposed to be a showdown between the humans and the aliens....or to be more precise 3 men with guns and a man and a woman in funny clothing that are supposed to be aliens. The acting here is horrifically poor and despite it all being passionately acted it just seems.....well a bit silly. And whatever niggling doubts you had about the film leading up to the last 20 minutes, will no doubt be exposed by the end. A shame because the film showed Ed at his most coherent. And that sadly was the pinnacle of Ed's career.

So all in all it's not the worst movie of all time and certainly not the worst you'll ever see ( unless you're a connoisseur of good taste and in that case what the hell are you reading this for ). Definitely his most enjoyable film. Now if someone could only just tell Criswell to shut up ( I wish Ed had tried, honestly try to do that ).

But for Ed, this would be his shot at greatness and while it backfired, it was about as good as he could make it. Perhaps if he were making these now and not 40 years ago he might have gotten away with it. And I'm sure Ben Affleck would have been great as the dumb pilot if it were made now. Think about it

Here's to Ed though - he may not have been the greatest but he sure knew how to entertain us

Bela Lugosi Lives! (Just not in this film)
How does one describe a movie such as this? Like "Robot Monster," it is a masterpiece, and like "Robot Monster," this is not because "Plan 9 From Outer Space" has even a shadow of an ounce of quality to it. Rather, this is an example of just how wrong everything in any creative project can go if it is in the hands of the right angora-wearing genius.

For nothing (and I mean NOTHING) came out right in this movie. Continuity? Hah! Realistic dialogue? Pish! Convincing acting? Gah! Remotely realistic special effects? Heaven forbid! No, what Ed Wood gave us with "Plan 9" is quite simply a cinematic failure that not even Orson Wells could have duplicated if he had tried. In what other movie is one of your stars dead even before the script is written or shooting begins?

No, "Plan 9" is unique, a thing that we mere mortals can only begin to try and understand. Instead we can only watch, transfixed and trembling in awe that Wood's vision was transmitted so perfectly to the silver screen. This is a movie that well deserves to be ranked among the immortal creations of motion picture history, despite or perhaps because of the fact that it completely lacks any of the features that would normally merit such an inclusion.

To think otherwise can only be the result of stupid minds. Stupid! Your stupid, stupid minds!

"You see. You see. Your stupid minds. Stupid. Stupid."
Also known as "Grave Robbers From Outer Space", Edward D. Wood's masterpiece of horrific filmmaking has been called the "worst movie ever made" by more than a few critics and movie fans. This hasn't kept this unintentially hilarious sci-fi dud from becoming a massive cult classic. And rightfully so. Ed Wood's art for making movies so bad that they're actually good has never been more apparent than it is here.

"Plan 9" revolves around a couple of space invaders in bad suits who fly around in spaceships on strings and resurrect the recently dead to haunt the inhabits of a small town where it seems to go back and forth from night to day a lot. The humans aren't having it though as a joint team of the local police, military, and an overacting airline pilot refuse to be terrorized by the undead creatures (who can't decide whether they're ghouls or vampires). But these visitors from a badly-drawn planet resembling Saturn have their own intentions. They're hear to warn us of a new solar-powered weapon that the Earth will eventually create and wipe out the universe. But our heroes aren't going down without a fight. They've got enough army movie stock footage to send them aliens back where they came from.

What makes "Plan 9" so entertainingly terrible? Where do I start? There's the overly-descriptive narration of Criswell who practically gives play-by-play for every action in the film. You've got Bela Lugosi who appears courtesy of silent footage recorded before his death and with the help of a stand-in who looks nothing like him. And who could forget those cooky cops who don't allow the discovery of their Captain's horrifying death to damper their moods any? Also there's Duke Moore's hards-as-nails detective who fearlessly uses his gun to fix his hat when necessary.From the bargain basement graveyard chalk full of cardboard headstones to the hungry young overactors spitting out silly dialouge, "Plan 9" is truly the "Citizen Kane of bad movies".

For those looking to pick this gem up on DVD, the Image edition is the only way to go. Not only is the picture the best that it's ever looked but it comes with a feature-length documentary, "Flying Saucers Over Hollywood: The Plan 9 Companion" and the trailer for the movie. Avoid the Passport version which has a company logo imprinted in the bottom corner similiar to the ones that TV networks use. ... Read more

Amazon.com essential video

Jeff Bridges actually corralled an Oscar nomination for his spirited, oddball performance in this genre crime story, directed by first-timer Michael Cimino who (a short two films later) would bring down a studio with Heaven's Gate. Clint Eastwood plays a bank robber par excellence with a flair for explosives who is being hunted by his former partners, who think he has their loot from their last job. Bridges is his eager apprentice and sidekick, who helps him escape; when Eastwood finally makes peace with his hunters, Bridges convinces them to try a daring robbery--but things inevitably go awry. The relationship between Eastwood and Bridges is both funny and touching in this, one of Eastwood's better post-Dirty Harry efforts. --Marshall Fine ... Read more

Reviews (17)

CLINT Does it Again!
Clint Eastwood portrays a robber ( John Thunderbolt Doherty ) who takes on a side-kick played by Jeff Bridges (Lightfoot ). There is money to be found in an old church. Trouble is, the church has been moved. Also: Geoffrey Lewis ( Goody ) and Gary Busey (Curly) and Catherine Bach (Melody). There is action in this film. But, I wouldn't consider it an action film. It is more of road chase with subtle dramatic elements. Great film. ***Note, we had no problems playing this DVD on our JVC DVD player.

Clint Eastwood And Jeff Bridges Make One Heck Of A Pair!
Released in 1974, "Thunderbolt And Lightfoot" starring Clint Eastwood, Jeff Bridges, George Kennedy and a host of other actors, is one of those movies that will have you glued to your seat (or couch) for the entire movie. Eastwood plays a bank robber named "Thunderbolt" and Bridges plays "Lightfoot" a young drifter. The beginning of the movie has Eastwood (who is giving a sermon in a small church) running from an old ex-con buddy and literally bumps into Lightfoot, driving a stolen white '73 Pontiac Trans-Am. The two of them are followed by yet another ex-con named Red Leary (played by George Kennedy) and his sidekick named Eddy Goody (played by Geoffery Lewis)who wants to get even with Thunderbolt for hiding some stolen cash from a heist that Leary and he had done years ago. Both Leary and Thunderbolt settle their differences and together the four end up planning on robbing the Montana Armory again the second time around. Who would ever suspect Leary And Thunderbolt? The movie is full of car chases and laughs (ex. Jeff Bridges is a riot dressed in drag in one scene) and the ending is quite a surprise. An all around excellent movie which has finally made it's way onto dvd. Recommended!

Eastwood's most underrated film!
In 1974, director Michael Cimino, who had helped write the script for MAGNUM FORCE, made his debut as director for THUNDERBOLT AND LIGHTFOOT. The result is a surprised combination of action, suspense, and comedy. Clint Eastwood plays John Doherty, a bank robber who is hiding from other members of his gang who think he ran away with the loot,(it is actually hidden behind a blackboard in a schoolhouse). After nearly being gunned down in his own church, Doherty takes off across a wheatfield, and literally runs into drifter Jeff Bridges,(Lightfoot) , who has just stolen a Pontiac. After getting Doherty out of trouble, the two begin a friendship that involves hookers, stealing cars, and running from Doherty's enemies.

George Kennedy plays Red Leary, a member of Doherty's gang who eventually catches up with him. Geoffery Lewis plays Goody, Leary's sidekick. After cornering Doherty,(nicknamed Thunderbolt) and Lightfoot, Doherty convinces them that the money is gone, although he is unaware the schoolhouse had been moved. They all then decide to rub off the same bank because no one would suspect them of doing it again. The plans leading up to it are funny. I always liked the part where Kennedy tells off the snotty kid while they are planning their route in the ice cream truck. Bridges dresses in drag to fool the security guard. When the whole operation is done, the police still catch up with them, and all hell breaks loose.

Still, Thunderbolt and Lightfoot escape and find the money stashed behind the moved schoolhouse on the side of the road. They then buy an expensive convertible and light victory cigars. What happens next is very sad, although I won't give that away. The movie is highlighted by beautiful Montana scenery and long quiet periods with no music, creating a relaxing and peacful setting that will please any action buff. Cimino was obviously off to a good start, and he would win an Oscar for DEER HUNTER 4 years later. This is the most underrated movie of Eastwood's career, and it shows him on the other side of the law and doing a very good job of it.

A rousing action film that is also supremely funny
Before he destroyed his career with the excess of Heaven's Gate, Michael Cimino, the screenwriter of Eastwood's second Dirty Hary flick Magunum Force, created this wonderful caper flick, Thunderbolt and Lightfoot, under the discipline of producer and star Clint Eastwood. The cast is excellent, with Jeff Bridges first rate in his Oscar nominated role as Lightfoot, and Oscar winner George Kennedy and Eastwood regular Geoffrey Lewis (father of Juliette) both very memorable as Red and Goody.

The scene of Red and Goodie in the ice cream cart confronted with an obnoxious lad is a classic in cinema.

The climax of this film is superb. A definite MUST SEE for all Eastwood fans!

Auspicious debut for Cimino...
Buddy films are always fun, and this is no different. The exotic American locales of Idaho are every bit as unique as the Bolivian settings in "Butch Cassidy". As in "Butch Cassidy", the script (by Cimino) is character-driven, and you'll find yourself cheering on the bad guys. Jeff Bridges Oscar nomination (Supporting) surprised a lot of people, but it was most deserved. His role was really equal to Eastwood as far as importance (and screen time). Eastwood was, well, Eastwood. That's not a bad thing. I always thought he was underrated. The DVD transfer is excellent, with a wide 2.35:1 letterbox that shows off some of our country's best scenery. There's action, humor and great chemistry between our buddy-heroes. George Kennedy is about as nasty as they come, though he somewhat copied his nasty performance in "Charade" (10 years earlier). The most interesting thing about this film is that it is the debut of "wunderkind" Cimino. The strength of his work on this film allowed him to create his masterpiece, "The Deer Hunter". No doubt the man has vision and talent. Too bad he over-indulged himself in the dismal "Heaven's Gate" and ruined a studio with his excesses. ("Heaven's Gate" really wasn't that bad, except for the first hour). I think of "Thunderbolt & Lightfoot" as an up-dated version of "Butch Cassidy". Though the music wasn't as frivolous and the script not as taut, there are definite comparisons. Not bad. Check it out. ... Read more

Reviews (8)

On The Road To SUGARLAND
It was thirty years ago this very month that Steven Spielberg made his official big-screen directing debut (his 1971 film DUEL being an excellent made-for-TV offering) with THE SUGARLAND EXPRESS. Even at this early stage in his career, Spielberg's directoral instincts were extremely sharp, and his concentration on the characters is masterful. It's amazing how people sell Spielberg short in this area simply because so many of his films seem to be all about special effects and gee-whiz heroics.

Loosely based on events that occurred in Texas in the spring of 1969, the film stars Goldie Hawn as an ex-con mother who springs her reluctant husband (William Atherton) from a prison farm so they can get their infant son back from a foster family that has refused to return custody to Hawn. But when they hijack a Texas state trooper (Michael Sachs) and force him to driver them to the town of Sugarland, they attract far more attention than they bargained for: mass media, hundreds of onlookers, and nearly half of the total number of law enforcement officers in Texas. Veteran character actor Ben Johnson is the lead lawman in this relatively slow-speed chase, occasionally punctuated by redneck sniper gunfire, who sympathizes with Hawn's and Atherton's plight but who also must still perform his duties. It all comes to a climax at Sugarland with a jarring result.

Although made for relatively little money (just three million, as opposed to the tens of millions Spielberg would spend on his films in ensuing decades), THE SUGARLAND EXPRESS was still only a modest box office hit. Part of that could be attributed to audiences' expectations of seeing Hawn in a frothy comedy following her turn on TV's "Laugh-In" and instead getting a real live actress with intensity. And part of it could also be attributed to the fact that this film's ending isn't exactly sweetness and light. Still, Hawn's performance here is arguably the best she ever gave on the big screen, and Atherton and Sachs do good turns. Equally reliable is Johnson, remembered for his Oscar-winning turn in Peter Bogdanovich's 1971 classic THE LAST PICTURE SHOW, but also as a familiar presence in the westerns of John Ford and Sam Peckinpah.

Filmed completely on location in Texas, THE SUGARLAND EXPRESS features great cinematography by Vilmos Zsigmond, taut editing from Verna Fields, and an excellent Americana score by John Williams (his first for Spielberg). It is a film that can be enjoyed many times over, as is the case for almost everything Spielberg has ever done.

I Liked This Movie!
I remember first seeing The Sugarland Express in a movie theater on Long Island New York with my family when I was around 8 1/2 years old, and really liking this movie and I thought Goldie Hawn ( Foul Play) and William Atherton (Ghostbusters, and Bio-Dome) were really good and I was totally impressed with all of the action and adventure with those thrilling police car chases and there was one police chase that was so thrilling and amazing it had me on the edge of my seat I'm sure this movie is probably a little dated in the year 2003 but It would be interesting to watch it again especially to see those amazing chases! If I remember correctly I think I remember hearing on TV that parts of this movie were based on a true story and I think this was the first movie that Steven Spielberg ever directed.

Might be worth a look.
Steven Spielberg;s first movie was done on a moderate budget but it shows his then growing ability as a film maker to cast and work with the best actors for the roles. Produced by Richard D. Zanuck and David Brown, First movie where the music was scored by John Williams, great camera work by Vilmos Zsigmond, and edited by Verna Fields.

Spielberg movie with a great story and excellent acting
This movie had a compelling story and excellent acting with the added bonus of Steven Spielberg as the director. The story centers around a young woman named Lou Jean (Goldie Hawn), who has lost custody of her baby son because of her criminal record. She decides the only way to get him back is to convince her husband Clovis (William Atherton) to escape from the Pre-release Center where he is serving the final four months of his prison term. Clovis reluctantly agrees after Lou Jean threatens to divorce him if he doesn't go along with her plan. Unfortunately after Clovis escapes, the two only have bad luck. The older couple they hitch a ride with get stopped by Highway Patrol Officer Slide (Michael Sacks). Lou Jean and Clovis then steal the older couple's car, wreck the car and kidnap Officer Slide and force him to drive them to Sugarland, where their son is living. The remainder of the movie chronicles what happens to the three on their trip. How the media transforms the couple into a cause celebre and how the police have to not only deal with the fugitives but with the media and the public, who have rallied behind the pair. As Lou Jean, Goldie Hawn gives a heartfelt and sympathetic performance to the role of a women who refuses to see the futility of her actions and is blinded by her desire to get her son back at any cost. William Atherton does a good job with a difficult role. He conveys the fact that Clovis did what Lou Jean wanted becasue of his love for her and his fear of losing her. Michael Sacks gave diminsion to a character which in lesser hands might have come across as your basic by-the-book-cop. (It's a mystery to me why he disappeared from acting.) Spielberg's direction gives you a real feel for the expansive Texas countryside which contrasts with the fact that for most of the movie these characters are confined in cars. Spielberg uses evrything at his disposal to highlight and backdrop his story - the sunsets, the open highway and local color are all used to optimum effect. Overall - A MUST SEE

No sharks, no raptors, just plain folks.
Spielberg will never make a darker film than his debut, "The Sugarland Express". In order to execute her "foolproof" plan to kidnap her baby back from the state, "unfit mother" Goldie Hawn busts hubby William Atherton out of the county prison farm and impulsively hijacks a young deputy (along with his police vehicle) to be thier reluctant "chaffeur".The desperate couple are soon leading an army of law enforcement and TV cameras on a long, slow, doomed-from-the-start pursuit. Speilberg borrows some of the "existential car chase" elements from "Vanishing Point", as well as the media circus scenario of Billy Wilder's cynical "Big Carnival" to tell his inevitably tragic tale. Hawn and Atherton offer ultimately heartbreaking, naturalistic performances as the noirish protaganists. Michael Sacks (who made an impressive starring debut in the cult-classic "Slaughterhouse Five", then mysteriously dropped off the radar after "Sugarland")also shines as the hostage officer. Ironically, this is precisely the type of character-driven, "edgy" film that Spielberg is so desperately trying to convince us he is capable of making these days--perhaps he, like most of the viewing public, has forgotten all about this movie! Worth "re-discovering". ... Read more

Reviews (11)

Not as good as the first!
This movie other than the fact it makes no scence. First of all the grandfather was beried under ground for like 100 years and he is still living. and at the end the gunman was hiding in the cooker