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| 1. Secondhand Lions Director: Tim McCanlies | |
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Description Reviews (168)
Children will like this movie especially for the cheesy flashback scenes that appear to be a cross between Indiana Jones and Saturday morning cartoons. However, cheesy as those scenes appear, they fit for the purposes of the film. The movie also has something to say about faith and honesty. In fact, this is probably the best film I've seen about faith since SIGNS. It takes faith to believe the unbelievable, but when you find out what you were believing really was true, it becomes even that much more amazing. Highly recommended for families, old codgers, and eccentrics like myself.
SECONDHAND LIONS is not one of them. The story is about young Walter who is just barely in his teens and is sent to live with his two great uncles. He constantly hears rumors of their hidden treasure that they stole from Al Capone, or took from a wealthy Arab, or obtained through a lawsuit, or...whatever you want to believe. Throughout the movie, Walter learns from his uncles, Hub and Garth, how to grow into a man and what the truly important things are in life; and Garth and Hub learn from Walter how to enjoy life to the fullest. The drama here is fantastic, and only once does the emotionalism get a little over-the-top (which is why I gave it four stars instead of five). The acting is fantastic. In this adventurous film you'll be reminded of images of INDIANA JONES, LAWRENCE OF ARABIA, among many others. ... I wish every goofball (i.e. summer blockbuster) filmmaker in Hollywood -- you know, the ones that think creative filmmaking means having alot of CGI characters jumping around on skyscrapers and fighting villains in Power Ranger suits -- would simply sit down and watch SECONDHAND LIONS. Then they would know how to make a good movie.
There is no doubt that Secondhand Lions is a semi-manipulative film, it has its fair share of smarmy feel-good contrivances that betray its zeal to tug at our heart strings. But the quirky mirth of all its characters, the idiosynchratic plotline, and a healthy dose of moving, meaningful moments makes this a very wholesome experience. Duvall and Caine, as two reclusive millionaire uncles drunk on guns and eccentricity, pitch in very well. Caine warms up to his part in the film first, but the screen is really owned by a very fit Duvall, who soon becomes the pivotal character in the film as the uncle that the kid (Hailey Osment) turns to for advice. Osment does remarkably well to hold his own against these two big tykes. A barnful of cute animals and a truckful of drooling relatives round up the doozy cast. Some fantastic (literally) flashbacks form an interesting trope for the movie's core message: that in our lives having conviction in things we may doubt to be untrue is ultimately a critical virtue. This leads to a somewhat corny twist at the end but it's an interesting one to make the point. There's plenty of action and some amusing gags that even evoked loud guffaws in the theatre. All in all, whether you have kids or not, but especially if you do, this deserves a recommendation of the highest order.
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| 2. My 5 Wives Director: Sidney J. Furie | |
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Reviews (10)
MY FIVE WIVES loses steam as it stumbles to a conclusion. Instead of keeping Dangerfield and his jokes the center of attention, the film concentrates on its "plot," which concerns a land swindle and organized crime. Despite a supporting cast including comedians John Byner and Andrew Dice Clay, there's not enough funny stuff going on when Rodney's not on screen. In one MY FIVE WIVES scene, Dangerfield and the five young women he's married wear thong bathing suits. I'll give Rodney credit for doing a semi-nude scene at his age. Come to think of it, two of his wives don't look so hot from behind in those swimsuits, either, and they can't blame age.
1. Back To School That's it. He's still great live, though. Saw him at Radio City Music Hall in May, 2001 and he lit the place up.
A memorable scene is when Rodney takes his 5 wives to Las Vegas. At first, they appear poolside wearing one piece bathing suits that were in style a hundred years ago. Rodney takes them clothes shopping. They return poolside wearing very skimpy bikinis, followed by Rodney in a speedo! The DVD includes deleted scenes, cast and crew information, and actors' interviews. The actresses who play his 5 wives are interviewed while they're wearing their bikinis. I respect that! ... Read more | |
| 3. 40 Days and 40 Nights Director: Michael Lehmann | |
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Reviews (93)
For a movie that deals with sex and is very bold about it, expect a lot of jokes and dialogues surrounding that topic. Mix it up with some physical comedies and a great deal with sexual tension, that's pretty much what the film is about. Josh Hartnett did a passable job as the lead, kind of a let down after his brilliant performance in Black Hawk Down. Overall I got a few laughs from 40 Days & 40 Nights, but I thought the point of the movie (if there ever was one) sort of got lost towards the end. Ultimately it falls into the same pattern that defines romantic comedies which you've seen many times before, I found nothing special or memorable about this experience.
Remember that they will stop making bad movies if we dont watch them.
Matt takes his vow because his breakup with Nicole (Vinessa Shaw) has left him a wreck. He keeps bailing out on successful dates and is becoming obsessed with ceilings. He goes for comfort and advice from his brother who is studying to be a priest and practicing hearing confessions. When he sees the banners for Lent going up he takes it as a sign and swears off sex, including foreplay and self-gratification. Unfortunately, once his roommate Ryan (Paulo Costanzo) finds out the deals this becomes the prefect opportunity to use the internet to get a pool going on how long Matt can, uh, last. Now, for the sake of argument we will assume that Matt has no discernable brain activity when he is asleep (despite scenes to the contrary), so that we can have the willing suspension of disbelief to go with the film's running gag that has the hero falling part as he goes longer and longer without relief. In the real world this guy would be able to keep his vow and wake up without any major problems. But writer Rob Perez and director Michael Lehmann ("The Truth About Cats & Dogs") want to milk this guy's discomfort for everything it is worth and, unfortunately, more. It dawned on me that this movie has is clearly bifurcated into the "guy" parts and the "girl" parts and the biggest problem with "40 Days and 40 Nights" is that the two halves do not fit together (as compared to "50 First Dates," which overcomes a similar problem and combines comedy and sweetness). Matt's friends and co-workers treat his vow as a joke and/or money making opportunity. This allows for lots of jokes and some prosthetic humor that leads to the inevitable conclusion that all men are pigs. Where this film had potential was with the idea that Matt would have to date a woman without having sex, both before and after she finds out about THE VOW. However, I find it hard to believe that finding out about such a thing would really be upsetting to a woman, especially if the guy knows how to handle a flower (and Matt really knows how to handle a flower; this film must have given lots of couples ideas for similar epsiodes of flower fun). But if you stop and think about it the idea that a couple could have a good time on a date with sex or any form of physical contact has to be against just about everything Hollywood stands for (assuming, of course, they are in an upright position). I was planning on liking this 2002 comedy more, but then somebody bad does something really bad without consequences. No comeuppance. No joke at their expense. No sense of outraged expressed by another character. Nothing. I was so ticked off by that turn of events that when the film cobbled together the requisite happy ending I was not really in the mood to enjoy it. But the filmmakers do get props for coming up with a nice little gift as Matt's final act of contrition. Final Note: "40 Days and 40 Nights" was certified for 11 year old in Sweden, 12 years old in the Netherlands and Portugal, 13 year olds in Spain, 14 years olds in Brazil and the cantons of Vaud and Geneva in Switzerland, 15 year olds in the United Kingdom, Finland and Norway, 16 year olds in Argentina and in the Swiss canon of Grisons. I have no idea what to make of these numbers but they sure are interesting and make me wonder what is up with those Swiss kids in Grisons (was it the sex or the vow part they are worried about?). ... Read more | |
| 4. Halfback of Notre Dame Director: René Bonnière | |
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Reviews (1)
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| 5. Secondhand Lions Director: Tim McCanlies | |
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Description Reviews (1)
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| 6. Shadow Warriors Director: Jon Cassar | |
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Reviews (6)
Keep them coming, with Shannon Tweed holding her beauty and the Hulkster in the shape he is in, the movie we can have Dad, Mum and the Kids, and the teenagers, the weekend warriors and every man going through midlife crisis who are looking for hope savilating for more. This movie proves a good team combination with great directing can be there with the over paid box office stars and promoted gusto movies. Keep them coming I love the experience
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| 7. Ripper - Letter From Hell Director: John Eyres | |
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Reviews (11)
If you are looking for a movie based upon some facts of the Jack the Ripper case but going off in a new direction, this isn't a good bet either. It's a typical low budget teen slasher with just enough loose mentions of the Ripper case so they could throw a name on it to catch all the people looking for the other movie. It basically steals the plot of Scream 2, replacing the nonsensical links to the first Scream movie with nonsensical links to the Jack the Ripper case. If you are looking for a scary horror movie, this ain't it either. The characters are all idiots. For supposed top students in serial killer studies (that all look like teen models, right) none of them act in a way at all realistic for someone in their position. It's like basing a slasher movie at a music camp but with characters who can't play any musical instruments, except worse than that, because these people aren't just dumb for supposed serial killer experts, they make boneheaded mistakes that cheerleader characters in other movies are too smart to make. So right off the bat you couldn't care less if the characters die, which makes it hard to feel any horror. But then the movie manages to miss most every opportunity for suspense and instead makes fuzzy references to things that never appear onscreen but might have been interesting if they had. If you are looking for a good cheesy teen slasher popcorn movie... nope, not here either. The ending is horribly muddled, the pace is bad, the dialogue is ridiculous, and the romantic or sexy parts they usually use to pad the storyline for those films are entirely absent. And it doesn't even work as a movie so bad you watch to laugh at its unintentional jokes, because it's just not entertaining. It's not a "Hah hah hah. How stupid" kind of thing, more of a "What? They can't be serious, how lame." There were a couple scenes and one or two actresses that might have been good in another movie, if only the people writing and producing it had picked what kind of film they wanted to create and then put a little effort into it.
Now, on to the movie... The subtitle monicker LETTER FROM HELL may have this appear to be a cash in on the Johnny Depp/ Heather Graham movie, but don't be fooled. It is more in the SCREAM/ I KNOW WHAT YOU DID... vein. And it isn't a very good movie. The word 'rip-off' clearly comes to mind. Let me explain a little about the plot and you'll know what I mean. A girl is attacked by a serial killer who butchers her friends and she only narrowly escapes. Cut to 'five years later' and the girl is on campus where her criminology professor is giving a course on...you guessed it: serial killers. Before you can say 'haven't I seen this all before?' the killings have started and the girl and her classmates are the soon-to-be victims of a smart (?) killer who imitates (gasp) Jack the Ripper. So, from then on not only do these kids have to fear for their lives, they also have to find out who the killer is, in a very dull whodunnit subplot by the way. Alas RIPPER should have been called RIPP-OFF but though there aren't many, I'd also like to name the good points of this movie. In the meantime, if you wanna watch a good horror/ murder mystery I recommend a few Italian giallo's like DEEP RED and DON'T TORTURE A DUCKLING. ... Read more | |
| 8. Mindstorm Director: Richard Pepin | |
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Reviews (2)
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| 9. The Fear: Halloween Night Director: Chris Angel | |
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Reviews (3)
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| 10. Wishmaster 3 - Beyond the Gates of Hell Director: Chris Angel | |
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Reviews (23)
"Wishmaster 3" takes place on a college campus where Diane (A.J. Cook) attends classes with her boyfriend Greg (Tobias Mehler) and friends Katie (Louisette Geiss) and Billy (Aaron Smolinski). A.J. has serious problems, not the least of which is reconciling herself with the death of her parents. Then she worries about her relationship with Greg. She also works with an archeology professor named Joel Barash (Jason Connery) who acts strangely around her. Still, Cook's character is a good student giving serious consideration to graduate school when disaster strikes. While mucking around Barash's office, she spies a jeweled box with strange Arabic inscriptions on it. Diane manages to open the box, thus releasing the evil genie (John Novak). She doesn't know it at the time, but Barash soon discovers what she did when the genie confronts him. The magical creature dumps Joel's body in a coffin and then assumes his physical form. The viewer knows Barash is really the genie because he's constantly cracking his neck in what looks to be a very painful manner. Regrettably, the students don't know anything about the transformation. The genie that is Barash now begins to seek out students and teachers who will ask him for wishes. The whole idea, apparently, is that the race of djinn (genies, essentially) will take over the world if this genie can get the person who released him, in this case Diane, to make three wishes. This is the overriding goal of the genie, so most of the film consists of Joel Barash trying to track down Diane. In the process, he has fun granting wishes to other people. Sadly, these poor victims don't realize that a wish must be expressed carefully and exactly or the genie will distort the request into something disastrous. Heck, these people don't even realize Joel Barash is a genie. He tricks them into wishing for something and then turns on them. When Diane finally figures out what is going on, she and her friends read up on genies in the school library. Who said college kids aren't smart? By learning about the weaknesses of these evil beings, Cook's character knows she must summon up the Archangel Michael to combat the genie. This angel brings with him a huge sword capable of sending the genie back where he came from. What follows consists of chase and battle scenes between Diane, the angel, and the genie. I liked "Wishmaster 3" for what it was. The gore is good for a low budget sequel. We see a kid flying through the air and landing on some horns (don't ask), a wish for losing weight gone horribly wrong, and another wish concerning a broken heart that is equally gooey. The acting isn't too bad, with Connery and Cook doing the best job. "Wishmaster 3" even moves along at a breakneck pace, always a good thing for low budget movies. What doesn't work as well largely centers on the Archangel Michael, a character that just doesn't feel like a good fit in the film. He doesn't really do that much, either, since Diane is the one who must ultimately battle the genie. Another problem is one you need to pay attention if you wish (no pun intended) to see it. The whole movie takes place on a college campus during the semester yet we rarely see anyone around. Check out that car chase on campus-where are all the people? The characters might as well be roaring through a ghost town. The university I go to always has someone driving or walking around, even during the summer. Not at this university. Director Chris Angel probably had problems digging up enough students to provide background. Too, college students would probably yell, goof off, and create a general ruckus. But it is a noticeable problem. Extras on the disc include a commentary from Angel, Jason Connery, John Novak, and Louisette Geiss, some storyboards, production notes, a short "making of" featurette, bios, and a trailer. Not bad for a low budget clunker, eh? "Wishmaster 4" isn't as good as this one, which, depending on your attitude probably isn't surprising. I really need to go back and watch the first two, I think, since horror franchises usually start with a bang before tapering off into banality. Yet, I liked this film in a way, and would definitely watch it again.
Never paid attention to the fact that the Djinn neded 1000 souls first. But what the hell, had a couple real taste bud babes in it, and that is all you really need for a great movie, right?.....
So if the plot stinks, the draw's gotta be either the acting (it isn't!), fabulous babes (not particularly), or most likely, the special effects. And these are just downright laughable. Anyone with the most rudamentary knowledge of how these things are done can tell immediately; but more importantly, nothing looks remotely real. When the Wishmaster, in his earthly form (which he dons most of the time so we're even cheated of seeing much of the Djinn!) is struck by a car and re-animates, the viewer can only giggle at how obvious and poorly done it is. And camerawork plays to this, too; cutting away suddenly when the tricky special effects should be used--such as when the Wishmaster regenerates his amputated hand from a glob of unconvincing red latex and goo to the actor's hand--no transition at all, but instead a camera cutaway and presto, it's a hand again. Spare me, spare yourselves, make your wish to avoid this inane movie...
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| 11. My 5 Wives Director: Sidney J. Furie | |
![]() | list price: $9.98
(price subject to change: see help) Asin: B00004Z1HH Catlog: Video Sales Rank: 39372 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (10)
MY FIVE WIVES loses steam as it stumbles to a conclusion. Instead of keeping Dangerfield and his jokes the center of attention, the film concentrates on its "plot," which concerns a land swindle and organized crime. Despite a supporting cast including comedians John Byner and Andrew Dice Clay, there's not enough funny stuff going on when Rodney's not on screen. In one MY FIVE WIVES scene, Dangerfield and the five young women he's married wear thong bathing suits. I'll give Rodney credit for doing a semi-nude scene at his age. Come to think of it, two of his wives don't look so hot from behind in those swimsuits, either, and they can't blame age.
1. Back To School That's it. He's still great live, though. Saw him at Radio City Music Hall in May, 2001 and he lit the place up.
A memorable scene is when Rodney takes his 5 wives to Las Vegas. At first, they appear poolside wearing one piece bathing suits that were in style a hundred years ago. Rodney takes them clothes shopping. They return poolside wearing very skimpy bikinis, followed by Rodney in a speedo! The DVD includes deleted scenes, cast and crew information, and actors' interviews. The actresses who play his 5 wives are interviewed while they're wearing their bikinis. I respect that! ... Read more | |
| 12. Ripper - Letter From Hell Director: John Eyres | |
![]() | list price: $9.98
(price subject to change: see help) Asin: B00005RDUW Catlog: Video Sales Rank: 109107 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (11)
If you are looking for a movie based upon some facts of the Jack the Ripper case but going off in a new direction, this isn't a good bet either. It's a typical low budget teen slasher with just enough loose mentions of the Ripper case so they could throw a name on it to catch all the people looking for the other movie. It basically steals the plot of Scream 2, replacing the nonsensical links to the first Scream movie with nonsensical links to the Jack the Ripper case. If you are looking for a scary horror movie, this ain't it either. The characters are all idiots. For supposed top students in serial killer studies (that all look like teen models, right) none of them act in a way at all realistic for someone in their position. It's like basing a slasher movie at a music camp but with characters who can't play any musical instruments, except worse than that, because these people aren't just dumb for supposed serial killer experts, they make boneheaded mistakes that cheerleader characters in other movies are too smart to make. So right off the bat you couldn't care less if the characters die, which makes it hard to feel any horror. But then the movie manages to miss most every opportunity for suspense and instead makes fuzzy references to things that never appear onscreen but might have been interesting if they had. If you are looking for a good cheesy teen slasher popcorn movie... nope, not here either. The ending is horribly muddled, the pace is bad, the dialogue is ridiculous, and the romantic or sexy parts they usually use to pad the storyline for those films are entirely absent. And it doesn't even work as a movie so bad you watch to laugh at its unintentional jokes, because it's just not entertaining. It's not a "Hah hah hah. How stupid" kind of thing, more of a "What? They can't be serious, how lame." There were a couple scenes and one or two actresses that might have been good in another movie, if only the people writing and producing it had picked what kind of film they wanted to create and then put a little effort into it.
Now, on to the movie... The subtitle monicker LETTER FROM HELL may have this appear to be a cash in on the Johnny Depp/ Heather Graham movie, but don't be fooled. It is more in the SCREAM/ I KNOW WHAT YOU DID... vein. And it isn't a very good movie. The word 'rip-off' clearly comes to mind. Let me explain a little about the plot and you'll know what I mean. A girl is attacked by a serial killer who butchers her friends and she only narrowly escapes. Cut to 'five years later' and the girl is on campus where her criminology professor is giving a course on...you guessed it: serial killers. Before you can say 'haven't I seen this all before?' the killings have started and the girl and her classmates are the soon-to-be victims of a smart (?) killer who imitates (gasp) Jack the Ripper. So, from then on not only do these kids have to fear for their lives, they also have to find out who the killer is, in a very dull whodunnit subplot by the way. Alas RIPPER should have been called RIPP-OFF but though there aren't many, I'd also like to name the good points of this movie. In the meantime, if you wanna watch a good horror/ murder mystery I recommend a few Italian giallo's like DEEP RED and DON'T TORTURE A DUCKLING. ... Read more | |
| 13. Wishmaster 3: Beyond the Gates of Hell Director: Chris Angel | |
![]() | list price: $9.98
(price subject to change: see help) Asin: B00005Y72D Catlog: Video Sales Rank: 61377 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (23)
"Wishmaster 3" takes place on a college campus where Diane (A.J. Cook) attends classes with her boyfriend Greg (Tobias Mehler) and friends Katie (Louisette Geiss) and Billy (Aaron Smolinski). A.J. has serious problems, not the least of which is reconciling herself with the death of her parents. Then she worries about her relationship with Greg. She also works with an archeology professor named Joel Barash (Jason Connery) who acts strangely around her. Still, Cook's character is a good student giving serious consideration to graduate school when disaster strikes. While mucking around Barash's office, she spies a jeweled box with strange Arabic inscriptions on it. Diane manages to open the box, thus releasing the evil genie (John Novak). She doesn't know it at the time, but Barash soon discovers what she did when the genie confronts him. The magical creature dumps Joel's body in a coffin and then assumes his physical form. The viewer knows Barash is really the genie because he's constantly cracking his neck in what looks to be a very painful manner. Regrettably, the students don't know anything about the transformation. The genie that is Barash now begins to seek out students and teachers who will ask him for wishes. The whole idea, apparently, is that the race of djinn (genies, essentially) will take over the world if this genie can get the person who released him, in this case Diane, to make three wishes. This is the overriding goal of the genie, so most of the film consists of Joel Barash trying to track down Diane. In the process, he has fun granting wishes to other people. Sadly, these poor victims don't realize that a wish must be expressed carefully and exactly or the genie will distort the request into something disastrous. Heck, these people don't even realize Joel Barash is a genie. He tricks them into wishing for something and then turns on them. When Diane finally figures out what is going on, she and her friends read up on genies in the school library. Who said college kids aren't smart? By learning about the weaknesses of these evil beings, Cook's character knows she must summon up the Archangel Michael to combat the genie. This angel brings with him a huge sword capable of sending the genie back where he came from. What follows consists of chase and battle scenes between Diane, the angel, and the genie. I liked "Wishmaster 3" for what it was. The gore is good for a low budget sequel. We see a kid flying through the air and landing on some horns (don't ask), a wish for losing weight gone horribly wrong, and another wish concerning a broken heart that is equally gooey. The acting isn't too bad, with Connery and Cook doing the best job. "Wishmaster 3" even moves along at a breakneck pace, always a good thing for low budget movies. What doesn't work as well largely centers on the Archangel Michael, a character that just doesn't feel like a good fit in the film. He doesn't really do that much, either, since Diane is the one who must ultimately battle the genie. Another problem is one you need to pay attention if you wish (no pun intended) to see it. The whole movie takes place on a college campus during the semester yet we rarely see anyone around. Check out that car chase on campus-where are all the people? The characters might as well be roaring through a ghost town. The university I go to always has someone driving or walking around, even during the summer. Not at this university. Director Chris Angel probably had problems digging up enough students to provide background. Too, college students would probably yell, goof off, and create a general ruckus. But it is a noticeable problem. Extras on the disc include a commentary from Angel, Jason Connery, John Novak, and Louisette Geiss, some storyboards, production notes, a short "making of" featurette, bios, and a trailer. Not bad for a low budget clunker, eh? "Wishmaster 4" isn't as good as this one, which, depending on your attitude probably isn't surprising. I really need to go back and watch the first two, I think, since horror franchises usually start with a bang before tapering off into banality. Yet, I liked this film in a way, and would definitely watch it again.
Never paid attention to the fact that the Djinn neded 1000 souls first. But what the hell, had a couple real taste bud babes in it, and that is all you really need for a great movie, right?.....
So if the plot stinks, the draw's gotta be either the acting (it isn't!), fabulous babes (not particularly), or most likely, the special effects. And these are just downright laughable. Anyone with the most rudamentary knowledge of how these things are done can tell immediately; but more importantly, nothing looks remotely real. When the Wishmaster, in his earthly form (which he dons most of the time so we're even cheated of seeing much of the Djinn!) is struck by a car and re-animates, the viewer can only giggle at how obvious and poorly done it is. And camerawork plays to this, too; cutting away suddenly when the tricky special effects should be used--such as when the Wishmaster regenerates his amputated hand from a glob of unconvincing red latex and goo to the actor's hand--no transition at all, but instead a camera cutaway and presto, it's a hand again. Spare me, spare yourselves, make your wish to avoid this inane movie...
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| 14. Wishmaster 3: Beyond the Gates of Hell Director: Chris Angel | |
![]() | list price: $9.98
(price subject to change: see help) Asin: B00005O5H1 Catlog: Video Sales Rank: 115498 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (23)
"Wishmaster 3" takes place on a college campus where Diane (A.J. Cook) attends classes with her boyfriend Greg (Tobias Mehler) and friends Katie (Louisette Geiss) and Billy (Aaron Smolinski). A.J. has serious problems, not the least of which is reconciling herself with the death of her parents. Then she worries about her relationship with Greg. She also works with an archeology professor named Joel Barash (Jason Connery) who acts strangely around her. Still, Cook's character is a good student giving serious consideration to graduate school when disaster strikes. While mucking around Barash's office, she spies a jeweled box with strange Arabic inscriptions on it. Diane manages to open the box, thus releasing the evil genie (John Novak). She doesn't know it at the time, but Barash soon discovers what she did when the genie confronts him. The magical creature dumps Joel's body in a coffin and then assumes his physical form. The viewer knows Barash is really the genie because he's constantly cracking his neck in what looks to be a very painful manner. Regrettably, the students don't know anything about the transformation. The genie that is Barash now begins to seek out students and teachers who will ask him for wishes. The whole idea, apparently, is that the race of djinn (genies, essentially) will take over the world if this genie can get the person who released him, in this case Diane, to make three wishes. This is the overriding goal of the genie, so most of the film consists of Joel Barash trying to track down Diane. In the process, he has fun granting wishes to other people. Sadly, these poor victims don't realize that a wish must be expressed carefully and exactly or the genie will distort the request into something disastrous. Heck, these people don't even realize Joel Barash is a genie. He tricks them into wishing for something and then turns on them. When Diane finally figures out what is going on, she and her friends read up on genies in the school library. Who said college kids aren't smart? By learning about the weaknesses of these evil beings, Cook's character knows she must summon up the Archangel Michael to combat the genie. This angel brings with him a huge sword capable of sending the genie back where he came from. What follows consists of chase and battle scenes between Diane, the angel, and the genie. I liked "Wishmaster 3" for what it was. The gore is good for a low budget sequel. We see a kid flying through the air and landing on some horns (don't ask), a wish for losing weight gone horribly wrong, and another wish concerning a broken heart that is equally gooey. The acting isn't too bad, with Connery and Cook doing the best job. "Wishmaster 3" even moves along at a breakneck pace, always a good thing for low budget movies. What doesn't work as well largely centers on the Archangel Michael, a character that just doesn't feel like a good fit in the film. He doesn't really do that much, either, since Diane is the one who must ultimately battle the genie. Another problem is one you need to pay attention if you wish (no pun intended) to see it. The whole movie takes place on a college campus during the semester yet we rarely see anyone around. Check out that car chase on campus-where are all the people? The characters might as well be roaring through a ghost town. The university I go to always has someone driving or walking around, even during the summer. Not at this university. Director Chris Angel probably had problems digging up enough students to provide background. Too, college students would probably yell, goof off, and create a general ruckus. But it is a noticeable problem. Extras on the disc include a commentary from Angel, Jason Connery, John Novak, and Louisette Geiss, some storyboards, production notes, a short "making of" featurette, bios, and a trailer. Not bad for a low budget clunker, eh? "Wishmaster 4" isn't as good as this one, which, depending on your attitude probably isn't surprising. I really need to go back and watch the first two, I think, since horror franchises usually start with a bang before tapering off into banality. Yet, I liked this film in a way, and would definitely watch it again.
Never paid attention to the fact that the Djinn neded 1000 souls first. But what the hell, had a couple real taste bud babes in it, and that is all you really need for a great movie, right?.....
So if the plot stinks, the draw's gotta be either the acting (it isn't!), fabulous babes (not particularly), or most likely, the special effects. And these are just downright laughable. Anyone with the most rudamentary knowledge of how these things are done can tell immediately; but more importantly, nothing looks remotely real. When the Wishmaster, in his earthly form (which he dons most of the time so we're even cheated of seeing much of the Djinn!) is struck by a car and re-animates, the viewer can only giggle at how obvious and poorly done it is. And camerawork plays to this, too; cutting away suddenly when the tricky special effects should be used--such as when the Wishmaster regenerates his amputated hand from a glob of unconvincing red latex and goo to the actor's hand--no transition at all, but instead a camera cutaway and presto, it's a hand again. Spare me, spare yourselves, make your wish to avoid this inane movie...
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| 15. 40 Days and 40 Nights Director: Michael Lehmann | |
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our price: $110.00 (price subject to change: see help) Asin: B00006AUN7 Catlog: Video Sales Rank: 42009 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (93)
For a movie that deals with sex and is very bold about it, expect a lot of jokes and dialogues surrounding that topic. Mix it up with some physical comedies and a great deal with sexual tension, that's pretty much what the film is about. Josh Hartnett did a passable job as the lead, kind of a let down after his brilliant performance in Black Hawk Down. Overall I got a few laughs from 40 Days & 40 Nights, but I thought the point of the movie (if there ever was one) sort of got lost towards the end. Ultimately it falls into the same pattern that defines romantic comedies which you've seen many times before, I found nothing special or memorable about this experience.
Remember that they will stop making bad movies if we dont watch them.
Matt takes his vow because his breakup with Nicole (Vinessa Shaw) has left him a wreck. He keeps bailing out on successful dates and is becoming obsessed with ceilings. He goes for comfort and advice from his brother who is studying to be a priest and practicing hearing confessions. When he sees the banners for Lent going up he takes it as a sign and swears off sex, including foreplay and self-gratification. Unfortunately, once his roommate Ryan (Paulo Costanzo) finds out the deals this becomes the prefect opportunity to use the internet to get a pool going on how long Matt can, uh, last. Now, for the sake of argument we will assume that Matt has no discernable brain activity when he is asleep (despite scenes to the contrary), so that we can have the willing suspension of disbelief to go with the film's running gag that has the hero falling part as he goes longer and longer without relief. In the real world this guy would be able to keep his vow and wake up without any major problems. But writer Rob Perez and director Michael Lehmann ("The Truth About Cats & Dogs") want to milk this guy's discomfort for everything it is worth and, unfortunately, more. It dawned on me that this movie has is clearly bifurcated into the "guy" parts and the "girl" parts and the biggest problem with "40 Days and 40 Nights" is that the two halves do not fit together (as compared to "50 First Dates," which overcomes a similar problem and combines comedy and sweetness). Matt's friends and co-workers treat his vow as a joke and/or money making opportunity. This allows for lots of jokes and some prosthetic humor that leads to the inevitable conclusion that all men are pigs. Where this film had potential was with the idea that Matt would have to date a woman without having sex, both before and after she finds out about THE VOW. However, I find it hard to belie | |