Reviews (337)

The happiest sound in its best version yet!
Reviled by some, beloved by many, consistently referred to as the most popular movie musical ever made, THE SOUND OF MUSIC more than fulfills the promise of its beautiful visuals and expert song numbers on home video via DVD. This edition tops the 1995 laserdisc by allowing the sparkling, exemplary design of its 70mm. Todd-AO frame to be exhibited with increased sharpness and resolution. The 4.1 Dolby Digital soundtrack is powerful and clean, but since this film was originally mixed for six-track magnetic stereo, it's curious why the effort wasn't made by Fox to split the surrounds! Nonethless, the film sounds terrific. The extra features make this package a bargain at the price. Full length commentary by director Bob Wise, with the musical numbers presented sans vocals, is a great touch. And the two documentaries are beautifully presented; full of facts and bits of arcane information that any fan will truly enjoy. A great movie, and a great DVD rendition. More like this, PLEASE!

Wonderful!!! One of the Best Musicals Ever Made!!!
First of all, I'd like to confess that I've probably watched this movie more than one hundred times in my lifetime.

"The Sound of Music" is such a popular movie that people can't enough of making fun of it, which is understandable: I mean, a nun, seven children, songs by Rodgers and Hammerstein, and Austrian landscape. In reality, most of these people probably haven't sat down and watched this movie, because it is an absolutely unforgettable experience.

Julie Andrews is absolutely magical as Maria. When she runs on the mountaintop and starts singing the famous lyrics "The hills are alive...," it sends chills down my spine to this day. Christopher Plummer cuts a good figure as the captain but gave a rather stiff performance: he doesn't bring anything extra to the role. Eleanor Parker, as the Baroness, was wasted--a role like that was far beneath her talents. But the children were all wonderful, especially Charmian Carr who was charming as Liesl.

This movie is ultrasentimental and proud of it. But I'll stick with this rather than some of those one-dimensional slasher flicks which are in fashion these days. It has a plausible story, some of the world's most remembered songs, and the glorious Austrian and Swiss Alps in the background. Overall, I can't say anything other than I loved it.

The Hills Are Alive...Now and Forever
No matter how many times you've seen this 1965 musicalization of the 1959 stage classic, it's still a joy to behold. For me, there are many reasons. On location filming in Saltzburg heightens the story's magnitude. The casting of Julie Andrews as Maria Von Trapp was a coup for both 20th Century Fox and director Robert Wise. She's magnificent and ever so professional. Back then, this was only her third Hollywood movie. But she's a pro from start to finish. Everything she does it fraught with such emotion and conviction, you'd swear she was Maria Von Trapp. Opening up the stage play with several new scenes, sub plots, songs, characters and dialogue also benefits what could have been a very sticky situation. Finally, there's the DVD itself. This is the widescreen version that was shown back in theaters when the film first opened. It includes the intermission and the Act II opening music. With no formatting for television, you get to see everything in all it's technicolor glory. On video, half the Von Trapp children didn't fit on the televsion screen. Musical numbers lost there scope as did scenes where you had 13 characters in one room and only saw 7 on the screen. I highly recommend this DVD. But wait, there's more. The 87-minute documentary is awesome. So are segments showing scenes that were cut and up dates on how the kids look today.

Incredible movie, must see, but don't buy the one disc
First off. Think you have seen the Sound of Music? Well you haven't. I thought I had, many times. Of course it was always around Xmas with the commerical breaks. But that is a much edited version. There are small but significant cuts everywhere in that version. So this is a great thing to have. My 3 stars relates directly to the lack of extras on the one disc. The movie is 5+ stars, but the lack of extras warrants the 3 stars.

So this is a must buy. Also the commentary is very good here. But given the price for this on Amazon, just buy the 2 set version. I got the one disc version at a very good price so it is not a bad buy. But for $6 more, why not enjoy the double DVD? This is a must get for any movie fan, and if you are not into the extras, by all means buy this one. This movie, like all of Rogers and Hammerstein's work is emotional without ever being fake or sentimental. It is full of sentiment and completely honest sentiment at that, but never sentimentality. It totally puts to SHAME almost every director and producer and writer working in Hollywood today. Complete and total shame and disgrace. Nothing coming out of Hollywood today can hold a candle to this. Entire director's careers with academy awards can't even begin to even compare to just this one movie. So get some version, especially if you have young ones. Sit them down, and let them experience what a real movie can be.

This has been a great thing to share with my daughter.
I grew up with this video and watched it on TV every year. The songs have always stuck in my head. I even did the Sound of Music Tour when I was in Austria. But now I've got my daughter introduced to this beautiful music. This and the Wizard of Oz are her favorites.

I bought the easy piano scores for her to play the songs on the piano, and singing lessons on CD "Voice Lessons TO GO", by Vaccarino (They're great and a lot cheaper than private voice lessons!) for her, (even though I use them when she's at school). So she is confident to sing along while she plays her Edelweis and Do a Dear. We love it. ... Read more

Amazon.com essential video

Some people may sneer at this 1965 musical, but the truth is the film has earned its status as a perennially watchable romantic-drama, largely on the strength of a fun story and chemistry between stars Julie Andrews and Christopher Plummer. Veteran filmmaker Robert Wise (The Day the Earth Stood Still) mostly stays out of the way of the film's appealing elements, which include a based-on-fact tale of Austria's von Trapp family, who fled their Nazi-occupied country in 1938. Andrews is delightful and even fascinating as Maria, who sheds her tomboyish ways as a novice nun to accept the mantle of adulthood, becoming matron of the motherless von Trapp clan. Plummer is matinee-idol handsome and gives a smart performance to boot, and the cast of young people and kids who make up the singing von Trapp children make a strong impression. Based on the Rodgers and Hammerstein stage musical, the score includes such winners as "Maria" and the future John Coltrane hit "My Favorite Things." --Tom Keogh ... Read more

Reviews (337)

The happiest sound in its best version yet!
Reviled by some, beloved by many, consistently referred to as the most popular movie musical ever made, THE SOUND OF MUSIC more than fulfills the promise of its beautiful visuals and expert song numbers on home video via DVD. This edition tops the 1995 laserdisc by allowing the sparkling, exemplary design of its 70mm. Todd-AO frame to be exhibited with increased sharpness and resolution. The 4.1 Dolby Digital soundtrack is powerful and clean, but since this film was originally mixed for six-track magnetic stereo, it's curious why the effort wasn't made by Fox to split the surrounds! Nonethless, the film sounds terrific. The extra features make this package a bargain at the price. Full length commentary by director Bob Wise, with the musical numbers presented sans vocals, is a great touch. And the two documentaries are beautifully presented; full of facts and bits of arcane information that any fan will truly enjoy. A great movie, and a great DVD rendition. More like this, PLEASE!

Wonderful!!! One of the Best Musicals Ever Made!!!
First of all, I'd like to confess that I've probably watched this movie more than one hundred times in my lifetime.

"The Sound of Music" is such a popular movie that people can't enough of making fun of it, which is understandable: I mean, a nun, seven children, songs by Rodgers and Hammerstein, and Austrian landscape. In reality, most of these people probably haven't sat down and watched this movie, because it is an absolutely unforgettable experience.

Julie Andrews is absolutely magical as Maria. When she runs on the mountaintop and starts singing the famous lyrics "The hills are alive...," it sends chills down my spine to this day. Christopher Plummer cuts a good figure as the captain but gave a rather stiff performance: he doesn't bring anything extra to the role. Eleanor Parker, as the Baroness, was wasted--a role like that was far beneath her talents. But the children were all wonderful, especially Charmian Carr who was charming as Liesl.

This movie is ultrasentimental and proud of it. But I'll stick with this rather than some of those one-dimensional slasher flicks which are in fashion these days. It has a plausible story, some of the world's most remembered songs, and the glorious Austrian and Swiss Alps in the background. Overall, I can't say anything other than I loved it.

The Hills Are Alive...Now and Forever
No matter how many times you've seen this 1965 musicalization of the 1959 stage classic, it's still a joy to behold. For me, there are many reasons. On location filming in Saltzburg heightens the story's magnitude. The casting of Julie Andrews as Maria Von Trapp was a coup for both 20th Century Fox and director Robert Wise. She's magnificent and ever so professional. Back then, this was only her third Hollywood movie. But she's a pro from start to finish. Everything she does it fraught with such emotion and conviction, you'd swear she was Maria Von Trapp. Opening up the stage play with several new scenes, sub plots, songs, characters and dialogue also benefits what could have been a very sticky situation. Finally, there's the DVD itself. This is the widescreen version that was shown back in theaters when the film first opened. It includes the intermission and the Act II opening music. With no formatting for television, you get to see everything in all it's technicolor glory. On video, half the Von Trapp children didn't fit on the televsion screen. Musical numbers lost there scope as did scenes where you had 13 characters in one room and only saw 7 on the screen. I highly recommend this DVD. But wait, there's more. The 87-minute documentary is awesome. So are segments showing scenes that were cut and up dates on how the kids look today.

Incredible movie, must see, but don't buy the one disc
First off. Think you have seen the Sound of Music? Well you haven't. I thought I had, many times. Of course it was always around Xmas with the commerical breaks. But that is a much edited version. There are small but significant cuts everywhere in that version. So this is a great thing to have. My 3 stars relates directly to the lack of extras on the one disc. The movie is 5+ stars, but the lack of extras warrants the 3 stars.

So this is a must buy. Also the commentary is very good here. But given the price for this on Amazon, just buy the 2 set version. I got the one disc version at a very good price so it is not a bad buy. But for $6 more, why not enjoy the double DVD? This is a must get for any movie fan, and if you are not into the extras, by all means buy this one. This movie, like all of Rogers and Hammerstein's work is emotional without ever being fake or sentimental. It is full of sentiment and completely honest sentiment at that, but never sentimentality. It totally puts to SHAME almost every director and producer and writer working in Hollywood today. Complete and total shame and disgrace. Nothing coming out of Hollywood today can hold a candle to this. Entire director's careers with academy awards can't even begin to even compare to just this one movie. So get some version, especially if you have young ones. Sit them down, and let them experience what a real movie can be.

This has been a great thing to share with my daughter.
I grew up with this video and watched it on TV every year. The songs have always stuck in my head. I even did the Sound of Music Tour when I was in Austria. But now I've got my daughter introduced to this beautiful music. This and the Wizard of Oz are her favorites.

I bought the easy piano scores for her to play the songs on the piano, and singing lessons on CD "Voice Lessons TO GO", by Vaccarino (They're great and a lot cheaper than private voice lessons!) for her, (even though I use them when she's at school). So she is confident to sing along while she plays her Edelweis and Do a Dear. We love it. ... Read more

Amazon.com essential video

On her first day of work, Sue Applegate (Ginger Rogers) has to escape the clutches of a lecherous client (Robert Benchley, whose favorite line is "Why don't you slip out of that wet coat and into a dry martini?").Fed up with the big city, Sue decides to head home to Iowa with the precious $27.50 train fare she's kept in a sealed envelope since her arrival.The fare has gone up, however, and she is forced to pose as a 12-year-old to buy a half-price ticket.On the train, she has to dodge the suspicious conductors and bursts into the compartment of Major Phillip Kirby (Ray Milland), who falls for Sue's masquerade and harbors her for the night.The situation is further complicated by the major's fiancée (Rita Johnson) and her savvy 12-year-old sister (Diana Lynn), the only one who sees through the ruse.Add a stay at the major's academy and some escapades with young, hormone-driven cadets, and you have an enjoyable, if not quite classic, silly comedy, well paced by Billy Wilder in his first directorial effort.Rogers's real-life mother appears in a small role as Sue's mother.Rogers is only occasionally convincing as a 12-year-old, but after all she was 30 at the time.--David Horiuchi ... Read more

Reviews (22)

Priceless Classic, lots of fun!
What a wonderful film! Billy Wilder has directed a cute and wonderful film that is timeless! When Susan Applegate (Ginger Rogers) has had it with the big city (New York) she discovers that while she was trying to build a career that her train fare has increased. The laughs begin there as she adapts her wardrobe to become a 12 year old half-fare customer. The suspecting conductors chase "Sue-Sue" as she hides and meets Major Phillip Kirby (Ray Milland). Major Kirby takes "Sue-Sue" to the home of his fiancée (Rita Johnson) and her 12-year-old sister (Diana Lynn). She is the talk of the cadets at the boys school, and causes a very lighthearted stir. Sue-Sue's relationship with the young girl (Diana Lynn) is impressive as is the insight of the young girl. This film is truly a classic!

Suspend Your Disbelief
This film has raised a few eyebrows over the years, since the subject matter is of a grown man falling in love with a woman pretending to be a twelve year old girl. However, upon viewing, you will discover that this comedy presents the material in such an innocent way, you simply have to suspend disbelief and enjoy the complications that ensue. Ginger Rogers is the woman/girl who pretends to be the child to get the child's fare on the train since she is short on cash, and Ray Milland is the officer she meets on the train who takes care of her. She ends up at the military school where he works, and she causes quite a sensation amongst the young cadets. But more than that, she stirs up things in the relationship between Milland and his fiancee. Rogers does as well as anyone could playing a twelve year old in pigtails, making it almost believable that she could fool everyone. She's a lot of fun and well matched by Milland. Diana Lynn is terrific as Milland's fiancee's young sister, the only one who sees through Rogers' masquerade. There's a number of really funny moments, such as Rogers fending off the juvenile advances of the young cadets, and the hair "epidemic" of the girls at the dance (I don't want to give the funny visual away). Billy Wilder's clever dialogue is a treat to listen to (as usual) and deceptively adult. If you accept the premise of the film at face value, you'll find a number of laugh-out-loud moments and endearing characters in this comedy that is one of my favourites from the early Forties.

Discovering Ginger Rodgers, without Fred Astair
attached. I was pleasantly surprised by this excellent first time comendy directed by Billy Wilder. Some of the outside scenes were set at St. John's Military Academy in Delafield, Wisconsin.
The dialogue is smart & mature enough to hold up well 60 years later. Ginger disguies herself as a 12 yearold to get half fare on a train taking her home to Iowa from NYC.Anyone who cannot see that she is a sexy, beautiful, full grown women is an idiot. But she fools the Major played by Ray Milland. She stumbles into his private compartment, fleeing the conductors. They bond, in a way that wold get him arrested today as a pervert. But it's all innocent & hilarious in 1942. He becomes Uncle Phil & falls in love with her, uncomfortable with the fact that he thinks she is 12 year old "Zue Sue".
The scenes of her being pursued & kissed by eager, unknowing cadets half her age, are kind of 'corny' especially the seduction scene when she breaks out in a brief tap dance.
This is my second Ray Milland film in as many weeks. It could not be more different than his role as a drunk in "Lost Weekend" only several years later. I'm becoming a "late" fan of Milland & Ginger sans Fred.

classic
who says this movie isn't classic? it's one of the funniest. Ginger somehow manages to be a surprisingly good little girl. (if not 12, then 14 maybe, but who cares?) she should have been nominated for an oscar at least. i don't know how this one made it past the censors untouched! on the train, when Ginger wakes because of the lightning, and Ray MIlland comes down to comfort her in her bed (he doesn't know she's really an adult) we can only imaginge what's going through her mind! and when she presse her cheek against his chest? HOLY MACKERAL! He thinks she's shaking because of the lightning, but we know better, heh heh...
Ginger is also Hilarious with all the looks and wisecracks that she gives. One of the best lines she has is, after being compared to a lightbulb (moths like lightbulbs) when Ray sees a cadet smooch her. He explains ( in another risque conversation!) that she should be careful around the boys, becase they're attracted to her. She replies: I'll try to be a well behaved lightbulb! Also watch for a little tap-dancing on her part, brings back memories of the thirties. But this movie is definately one of my favories dancing or no.

EVERYTHING IS JUST GINGER!
Last night (040404) I couldn't stop watching this movie, although I hadn't planned on it. Ginger may have gotten her Oscar for the unworthy Kitty Foyle, but she deserved a nomination for this first directing effort by Billy Wilder.
Just think of all the great acting and dancing Ginger has recorded! Awesome. ... Read more

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Billy Wilder cowrote and directed this brilliant 1957 mystery based on Agatha Christie's celebrated play about an aging London barrister (Charles Laughton) who's preparing to retire when he takes the defense in the most vexing murder case of his distinguished career. In his final completed film (he died of a heart attack less than a year later), Tyrone Power plays the prime suspect in the murder of a wealthy widow, and Marlene Dietrich plays the wife of the accused, whose testimony--and true identity--holds the key to solving the case. A classic of courtroom suspense, Witness for the Prosecution is one of those movies with enough double-crossing twists to keep the viewer guessing right up to the very end, when yet another surprise is deftly revealed. This being a Billy Wilder film, the dialogue is first-rate and the acting superb, with both Laughton and his offscreen wife Elsa Lanchester (playing the barrister's pesty nurse) winning Academy Awards for their performances. Although later films would concoct even more complicated courtroom scenarios, this remains one of the best films of its kind and a model for all those films that followed its lead. --Jeff Shannon ... Read more

Reviews (46)

The perfect courtroom drama...
Quite simply, this film is brilliant. In addition to being one of Billy Wilder's best films, this is one of the best courtroom dramas ever made! It is cleverly directed, has a compelling plot, features great performances (especially by Marlene Dietrich), and is all in all very exciting and entertaining. This is a film you won't forget.

This plot of this film, which was based on a play by Agatha Christie, is your basic courtroom drama: a series of witnesses testify about the murder of a wealthy widow. Tyrone Power plays the young man accused of the murder, Marlene Dietrich gives an amazing performance as the key witness in the case, and Charles Laughton plays the lawyer determined to unravel the mystery. This film has some terrific, very surprising, twists and turns, so to say any more about the plot would give too much away!

Anyhow, this film is really suspenseful, captivating, and memorable. It's a true classic by the brilliant director Billy Wilder, and has been imitated countless times since its release. But no imitation has come close to the original, which is why this film is a must-see. Highly recommended!

Billy Wilder's ultimate best!!!!!
Director Billy Wilder has crafted the most energetic adaptation of an Agatha Christie novel entitled "Witness for the Prosecution" An aging bannister named Wilfrid Robards (played brilliantly by Charles Laughton) can't resist taking an intriguing murder case involving Leonard Vole (played by Tyrone Power in his final film). A seemingly open and shut case becomes more and complicated as the case gains momentum. Splendid acting by all including Marlene Dietrich as Leonard's wife Christine and Elsa Lanchester as Miss Plimsoll (Robard's pesky nurse) Full of surprises from beginning to end. A classic for all time!!

Witness for the Prosecution
I first saw this movie as I was walking out the door, and continued to stand mezmirized by the twists and turns. To see these two great actors, not playing their normal roles but so opposite of what I normally see them as.
I was 2 hours late for an appointment, because I was literally glued to the TV

"It's not the jury's judgment that worries me. It's mine."
"No more murder cases," is the doctor's strict prohibition upon reluctantly releasing renowned barrister and recent heart attack survivor Sir Wilfrid Robarts (Charles Laughton) from hospital. (Although even the word "release" seems to be a matter of some dispute here, because according to Sir Wilfrid's nurse Miss Plimsoll [Elsa Lanchester], he was "expelled for conduct unbecoming a cardiac patient." But let's leave that aside for now.) And following the doctor's orders, Sir Wilfrid's staff have lined up an array of civil cases: a divorce, a tax appeal, and a marine insurance claim - surely those will satisfy their hard-to-please employer's demands?

Err ... not likely.

So, try as he might to be a good patient, Sir Wilfrid needs only little encouragement to accept the case of handsome drifter and small-time inventor Leonard Vole (Tyrone Power), accused of murdering his rich benefactress Emily French (Norma Varden). Of course, the very circumstances that most disturb the famous barrister's colleagues Mayhew and Brogan-Moore (Henry Daniell and John Williams) - Mrs. French's infatuation with Vole, his visit to her on the night of the murder, the lack of an alternative suspect and his inheritance under her new will - just make the matter more interesting in Sir Wilfrid's eyes. Most problematic, however, is Vole's alibi, which depends entirely on the testimony of his German wife Christine (Marlene Dietrich), an actress he had met when stationed with the RAF in WWII-ravaged Hamburg. Troubling, insofar, isn't only that Christine is her husband's sole alibi witness and that - Sir Wilfrid explains - a devoted wife's testimony doesn't carry much weight anyway. The real problem is that Christine isn't the loving, desperate wife one might expect: far from that, she is cool, calculating and surprisingly self-controlled; so much so that, worried because he cannot figure out her game, Sir Wilfrid decides not let her testify at all, rather than risk damaging his case. That, however, seems to have been one of his illustrious career's few major miscalculations - because now he and his client suddenly have to face Christine as a witness for the prosecution. And her testimony on the stand is only one of several surprises she has in store.

"Witness for the Prosecution" is based on a concept Agatha Christie first realized as a four-person short story (published in the 1933 collection "The Hound of Death") and subsequently adapted into what she herself would later call her best play, which opened in London in 1953 and in 1954 on Broadway, where it won the N.Y. Drama Critics' Circle citation as Best Foreign Play. Throughout the adaptations the storyline was fleshed out more and more, the focus shifted from the work of solicitor Mayherne (whose name changed to Mayhew) to that of QC Sir Wilfrid Robarts, and the screenplay ingeniously added Miss Plimsoll's character, utilizing the proven on-screen chemistry of real-life spouses Laughton and Lanchester, for whom this was an astonishing eleventh collaboration, and whose banter bristles with director/co-screenwriter Billy Wilder's dry wit and the fireworks of the couple's pricelessly deadpan delivery, timing and genuine joy in performing together.

Perhaps most importantly, the story's ending changed: not entirely, but enough to give it a different and, albeit very dramatic, less cynical slant than the short story's original conclusion. - To those of us who have grown up with Christie's works, those of her idol Conan Doyle and on a steady diet of Perry Mason, Rumpole of the Bailey and the many subsequent other fictional attorneys, the plot twists of "Witness for the Prosecution" (including its ending) may not come as a major surprise. At the moment of the movie's release, however, the ending was a much-guarded secret; viewers were encouraged not to reveal it both in the movie's trailer and at the beginning of the film itself; and even the Royal Family was sworn to silence before a private showing. Similarly, features such as the skillful, methodical unveiling of a seemingly upstanding, disinterested witness's hidden bias in cross-examination have long become standard fare in both real and fictional courtrooms, and any mystery fan worth their salt has heard more than one celluloid attorney yell at a cornered witness: "Were you lying then or are you lying now?" (Not recommended in real-life trial practice, incidentally.) Yet, in these and other respects it was "Witness for the Prosecution" which laid the groundwork for many a courtroom drama to come; and herein lies much of its ongoing importance.

Moreover, this is simply an outstandingly-acted film; not only by Laughton, Lanchester and a perfectly-cast Marlene Dietrich but by every single actor, also including Torin Thatcher (prosecutor Mr. Myers), Francis Compton (the presiding Judge) and, most noteably, Una O'Connor (Mrs. French's disgruntled housekeeper). This is true even if Tyrone Power's emotional outbursts in court may be bewildering to today's viewers - and even if one wonders why an American-born star was acceptable for an Englishman's role without even having to bother trying to put on an English accent in the first place, whereas Dietrich and other non-native English speakers of the period, like Greta Garbo and Ingrid Bergman, were routinely cast as foreigners. (Yes, yes, I know. Redford and "Out of Africa" come to mind more recently, too, but that's a can of worms I won't open here.)

"Witness for the Prosecution" won a Golden Globe for Elsa Lanchester, but unfortunately none of its six Oscar nominations (which undeservedly didn't even include Marlene Dietrich), taking second seat to the year's big winner "Bridge on the River Kwai" in the Best Picture, Best Director (David Lean), Best Actor (Alec Guinness) and Best Editing categories, and to "Sayonara" for Best Supporting Acress (Miyoshi Umeki) and Best Sound. No matter: with the noirish note resulting from its use of multiple levels of ambiguity - in noticeable contrast to Christie's Poirot and Miss Marple mysteries - it fits seamlessly next to such Billy Wilder masterpieces as "Sunset Boulevard" and "Double Indemnity;" and it has long since become a true courtroom classic.

The first time I saw this...
...six unblinking, spellbound eyes took every moment in--that is to say, my parents and I (eye!) were thoroughly riveted. The plot was deliciously unpredictable, and Marlene was so unflinching in her role. Perhaps it's not the most feel-good movie in the world, but it's well worth watching anyhow. You're a witness... ... Read more

Reviews (337)

The happiest sound in its best version yet!
Reviled by some, beloved by many, consistently referred to as the most popular movie musical ever made, THE SOUND OF MUSIC more than fulfills the promise of its beautiful visuals and expert song numbers on home video via DVD. This edition tops the 1995 laserdisc by allowing the sparkling, exemplary design of its 70mm. Todd-AO frame to be exhibited with increased sharpness and resolution. The 4.1 Dolby Digital soundtrack is powerful and clean, but since this film was originally mixed for six-track magnetic stereo, it's curious why the effort wasn't made by Fox to split the surrounds! Nonethless, the film sounds terrific. The extra features make this package a bargain at the price. Full length commentary by director Bob Wise, with the musical numbers presented sans vocals, is a great touch. And the two documentaries are beautifully presented; full of facts and bits of arcane information that any fan will truly enjoy. A great movie, and a great DVD rendition. More like this, PLEASE!

Wonderful!!! One of the Best Musicals Ever Made!!!
First of all, I'd like to confess that I've probably watched this movie more than one hundred times in my lifetime.

"The Sound of Music" is such a popular movie that people can't enough of making fun of it, which is understandable: I mean, a nun, seven children, songs by Rodgers and Hammerstein, and Austrian landscape. In reality, most of these people probably haven't sat down and watched this movie, because it is an absolutely unforgettable experience.

Julie Andrews is absolutely magical as Maria. When she runs on the mountaintop and starts singing the famous lyrics "The hills are alive...," it sends chills down my spine to this day. Christopher Plummer cuts a good figure as the captain but gave a rather stiff performance: he doesn't bring anything extra to the role. Eleanor Parker, as the Baroness, was wasted--a role like that was far beneath her talents. But the children were all wonderful, especially Charmian Carr who was charming as Liesl.

This movie is ultrasentimental and proud of it. But I'll stick with this rather than some of those one-dimensional slasher flicks which are in fashion these days. It has a plausible story, some of the world's most remembered songs, and the glorious Austrian and Swiss Alps in the background. Overall, I can't say anything other than I loved it.

The Hills Are Alive...Now and Forever
No matter how many times you've seen this 1965 musicalization of the 1959 stage classic, it's still a joy to behold. For me, there are many reasons. On location filming in Saltzburg heightens the story's magnitude. The casting of Julie Andrews as Maria Von Trapp was a coup for both 20th Century Fox and director Robert Wise. She's magnificent and ever so professional. Back then, this was only her third Hollywood movie. But she's a pro from start to finish. Everything she does it fraught with such emotion and conviction, you'd swear she was Maria Von Trapp. Opening up the stage play with several new scenes, sub plots, songs, characters and dialogue also benefits what could have been a very sticky situation. Finally, there's the DVD itself. This is the widescreen version that was shown back in theaters when the film first opened. It includes the intermission and the Act II opening music. With no formatting for television, you get to see everything in all it's technicolor glory. On video, half the Von Trapp children didn't fit on the televsion screen. Musical numbers lost there scope as did scenes where you had 13 characters in one room and only saw 7 on the screen. I highly recommend this DVD. But wait, there's more. The 87-minute documentary is awesome. So are segments showing scenes that were cut and up dates on how the kids look today.

Incredible movie, must see, but don't buy the one disc
First off. Think you have seen the Sound of Music? Well you haven't. I thought I had, many times. Of course it was always around Xmas with the commerical breaks. But that is a much edited version. There are small but significant cuts everywhere in that version. So this is a great thing to have. My 3 stars relates directly to the lack of extras on the one disc. The movie is 5+ stars, but the lack of extras warrants the 3 stars.

So this is a must buy. Also the commentary is very good here. But given the price for this on Amazon, just buy the 2 set version. I got the one disc version at a very good price so it is not a bad buy. But for $6 more, why not enjoy the double DVD? This is a must get for any movie fan, and if you are not into the extras, by all means buy this one. This movie, like all of Rogers and Hammerstein's work is emotional without ever being fake or sentimental. It is full of sentiment and completely honest sentiment at that, but never sentimentality. It totally puts to SHAME almost every director and producer and writer working in Hollywood today. Complete and total shame and disgrace. Nothing coming out of Hollywood today can hold a candle to this. Entire director's careers with academy awards can't even begin to even compare to just this one movie. So get some version, especially if you have young ones. Sit them down, and let them experience what a real movie can be.

This has been a great thing to share with my daughter.
I grew up with this video and watched it on TV every year. The songs have always stuck in my head. I even did the Sound of Music Tour when I was in Austria. But now I've got my daughter introduced to this beautiful music. This and the Wizard of Oz are her favorites.

I bought the easy piano scores for her to play the songs on the piano, and singing lessons on CD "Voice Lessons TO GO", by Vaccarino (They're great and a lot cheaper than private voice lessons!) for her, (even though I use them when she's at school). So she is confident to sing along while she plays her Edelweis and Do a Dear. We love it. ... Read more

Amazon.com essential video

Anita Loos's old story from the 1920s about a pair of single women in search of husbands gets a makeover in Howard Hawks's 1953 musical, starring Jane Russell and Marilyn Monroe as friends who go to Paris looking for mates. The film is charged by Hawks's stylish snap, a famous set piece or two (Monroe descending that staircase while singing "Diamonds Are a Girl's Best Friend"), Russell's wit, and songs by Leo Robin and Jule Styne. The film may largely be a fluff project best remembered as a showcase for its leading actresses, but then Monroe and Russell rarely got such extended opportunities to prove that they were more than cinematic icons. --Tom Keogh ... Read more

Reviews (68)

Marilyn's the blonde most gentleman prefer
Not a work of art, but alot of fun, Gentleman Prefer Blondes is one of those movies that is great to curl up with on a rainy day. A comedy with lots of song and dance numbers that show off Marilyn Monroe & Jane Russell to best effect, it is the story of two nightclub performers from Little Rock who set out to snag themselves millionaire husbands. Loralei & Dorothy set sail for France, and become embroiled in on-board hi-jinx, Loralei using her abundant charms to try and entice a rich industrialist to part with his diamonds, and Dorothy dueling with the private detective hired by Loralei's fiancee to keep an eye on her. The usual mishaps ensue, and it all ends happy as would be expected, so don't expect a brain workout, but it is an enjoyable vehicle for the two stars, with lavish costuming and sets all in glorious 1950's colour; and Marilyn & Jane bounce off each other well, getting some witty lines that send up both themselves as sex symbols, and also the maneaters they portray. And of course, there's that classic Monroe moment - the "Diamonds are a Girl's Best Friend" number, which shows Marilyn at her glamourous, iconically beautiful best. Everyone should see that number at least once, and for Monroe fans, Blondes is an interesting example of the dumb blonde roles the studios would have liked to keep her in forever. It's not to everyone's taste - those who don't appreciate Marilyn often find it a bit embarrassing, but perhaps an interest piece for you to try on your own one afternoon if you're curious.

A KISS ON THE HAND.....
An absolute gaudy delight. This wonderful glittering gem of a movie is a Technicolor showcase for the eye-filling talents of Jane Russell and Marilyn Monroe as showgirls on the prowl aboard a luxury liner and later in Paris. Based on Anita Loos' story and play, the two ladies work well together and each have showstopping musical numbers---Marilyn's "Diamonds Are A Girl's Best Friend" which is now legendary, and Russell's "Ain't There Anyone Here for Love" done around the ship's pool with the "Olympic Drill Team" as background eye candy. They're working out on various equipment and clad in tight flesh colored skimpy shorts that give added lustre to the phrase "Beefcake". How this got past the censors is anybody's guess since it's so homoerotic. Maybe they were too busy keeping an eye on Jane. Anyway, you can't go wrong with this classic. There's not a dull moment to be found. Charles Coburn is a delight as an old rapscallion Monroe takes a liking to because of his diamond mine and a tiara that belongs to his wife that she cons him out of. He's so smitten with her that he's utterly charming. Monroe and Russell are a formidable duo and the film is completely delightful from start to finish. The costumes by Travilla are stunning as well. A must for Monroe and Russell fans. They should have been teamed again. And it's gorgeous on DVD.

Superb production.
Even tough I'm a huge music and film lover. Marilyn Monroe never called my attention and the first time that I saw one of her movies was in 2002 when I saw "How to marry a millionaire" and found it very good and funny. So from that point I started to buy some of her movies. From all her movies my favorites are "How to marry a millionaire" and "Gentlemen prefer blondes".
This movie is fresh and funny. You may think that films from the 50's are boring and well sometimes they are but this movie has that classic effect that makes it remain "young".
The story is about two hot dancers (Marilyn Monroe and Jane Russell) that are searching love and money and well Marilyn is desperated also for diamonds.
So on one trip to France by ship they get involved in some problems with men and a diamond tiara.
The movie contains several musical numbers including the classic song "Diamonds are a girl's best friend".

That's Entertainment!
World weary after watching Ted Koppel's reading of the names of all the U. S. soldiers who have died in Iraq-- at least those we have the names of-- I needed a little Christmas in May and found it by watching again this little cotton candy movie. Based on the work by Anita Loos, directed by Howard Hawks and starring Mariyn Monroe and Jane Russell, GENTLEMAN PREFER BLONDES was just what the doctor ordered. With great musical numbers, hooty costumes-- particularly those of Ms. Russell-- and a plot as silly and inane as is humanly possible-- can anyone be so dumb as to think that a diamond tiara goes around her neck-- the film will convince you, if only temporarily, that the world is not going to hell tomorrow in a wheelbarrow. It's interesting to see how much movies got away with in the oppressive 50's as evidenced in the quite sexy number with Ms. Russell and the scantily clad males from the U. S. Olympic Team, her fellow travelers on the boat trip to Paris.

Ms. Russell is no slouch as a comedic actress and gets off some good one-liners here. And Ms. Monroe, though often imitated, will never be equalled for what she was, the epitome of the blonde bombshell. This movie is now over 50 years old and will remain a classic.

Fav
This is my favorite of Marilyn's films. I don't love it just for marilyn as Im a bigger Jane Russell fan and originally got into this film because Jane is in it. But I also like marilyn and find this one of my personal favorites she did. It is a fun film with dazzling cinematography. I love the songs and the whole feel of the film. A MUST buy for any fan of Marilyn or Jane. ... Read more

Reviews (337)

The happiest sound in its best version yet!
Reviled by some, beloved by many, consistently referred to as the most popular movie musical ever made, THE SOUND OF MUSIC more than fulfills the promise of its beautiful visuals and expert song numbers on home video via DVD. This edition tops the 1995 laserdisc by allowing the sparkling, exemplary design of its 70mm. Todd-AO frame to be exhibited with increased sharpness and resolution. The 4.1 Dolby Digital soundtrack is powerful and clean, but since this film was originally mixed for six-track magnetic stereo, it's curious why the effort wasn't made by Fox to split the surrounds! Nonethless, the film sounds terrific. The extra features make this package a bargain at the price. Full length commentary by director Bob Wise, with the musical numbers presented sans vocals, is a great touch. And the two documentaries are beautifully presented; full of facts and bits of arcane information that any fan will truly enjoy. A great movie, and a great DVD rendition. More like this, PLEASE!

Wonderful!!! One of the Best Musicals Ever Made!!!
First of all, I'd like to confess that I've probably watched this movie more than one hundred times in my lifetime.

"The Sound of Music" is such a popular movie that people can't enough of making fun of it, which is understandable: I mean, a nun, seven children, songs by Rodgers and Hammerstein, and Austrian landscape. In reality, most of these people probably haven't sat down and watched this movie, because it is an absolutely unforgettable experience.

Julie Andrews is absolutely magical as Maria. When she runs on the mountaintop and starts singing the famous lyrics "The hills are alive...," it sends chills down my spine to this day. Christopher Plummer cuts a good figure as the captain but gave a rather stiff performance: he doesn't bring anything extra to the role. Eleanor Parker, as the Baroness, was wasted--a role like that was far beneath her talents. But the children were all wonderful, especially Charmian Carr who was charming as Liesl.

This movie is ultrasentimental and proud of it. But I'll stick with this rather than some of those one-dimensional slasher flicks which are in fashion these days. It has a plausible story, some of the world's most remembered songs, and the glorious Austrian and Swiss Alps in the background. Overall, I can't say anything other than I loved it.

The Hills Are Alive...Now and Forever
No matter how many times you've seen this 1965 musicalization of the 1959 stage classic, it's still a joy to behold. For me, there are many reasons. On location filming in Saltzburg heightens the story's magnitude. The casting of Julie Andrews as Maria Von Trapp was a coup for both 20th Century Fox and director Robert Wise. She's magnificent and ever so professional. Back then, this was only her third Hollywood movie. But she's a pro from start to finish. Everything she does it fraught with such emotion and conviction, you'd swear she was Maria Von Trapp. Opening up the stage play with several new scenes, sub plots, songs, characters and dialogue also benefits what could have been a very sticky situation. Finally, there's the DVD itself. This is the widescreen version that was shown back in theaters when the film first opened. It includes the intermission and the Act II opening music. With no formatting for television, you get to see everything in all it's technicolor glory. On video, half the Von Trapp children didn't fit on the televsion screen. Musical numbers lost there scope as did scenes where you had 13 characters in one room and only saw 7 on the screen. I highly recommend this DVD. But wait, there's more. The 87-minute documentary is awesome. So are segments showing scenes that were cut and up dates on how the kids look today.

Incredible movie, must see, but don't buy the one disc
First off. Think you have seen the Sound of Music? Well you haven't. I thought I had, many times. Of course it was always around Xmas with the commerical breaks. But that is a much edited version. There are small but significant cuts everywhere in that version. So this is a great thing to have. My 3 stars relates directly to the lack of extras on the one disc. The movie is 5+ stars, but the lack of extras warrants the 3 stars.

So this is a must buy. Also the commentary is very good here. But given the price for this on Amazon, just buy the 2 set version. I got the one disc version at a very good price so it is not a bad buy. But for $6 more, why not enjoy the double DVD? This is a must get for any movie fan, and if you are not into the extras, by all means buy this one. This movie, like all of Rogers and Hammerstein's work is emotional without ever being fake or sentimental. It is full of sentiment and completely honest sentiment at that, but never sentimentality. It totally puts to SHAME almost every director and producer and writer working in Hollywood today. Complete and total shame and disgrace. Nothing coming out of Hollywood today can hold a candle to this. Entire director's careers with academy awards can't even begin to even compare to just this one movie. So get some version, especially if you have young ones. Sit them down, and let them experience what a real movie can be.

This has been a great thing to share with my daughter.
I grew up with this video and watched it on TV every year. The songs have always stuck in my head. I even did the Sound of Music Tour when I was in Austria. But now I've got my daughter introduced to this beautiful music. This and the Wizard of Oz are her favorites.

I bought the easy piano scores for her to play the songs on the piano, and singing lessons on CD "Voice Lessons TO GO", by Vaccarino (They're great and a lot cheaper than private voice lessons!) for her, (even though I use them when she's at school). So she is confident to sing along while she plays her Edelweis and Do a Dear. We love it. ... Read more

Amazon.com

The ultimate tearjerker, this 1942 romance classic directed by Mervyn LeRoy (based on a novel by James Hilton) stars Ronald Colman as a British army officer suffering from amnesia after World War I. After falling in love with and marrying a dance-hall singer (Greer Garson), Colman's happy character begins a career as a writer and doesn't seem to mind that he doesn't remember who he is. A car accident changes all that, however, causing the hero's memory to return and making him forget all about his lovely cottage and bride. LeRoy modulates the obvious suspense element in the story (for example, is Colman going to remember Greer or not?) extremely well, building ever-so-deliciously slowly toward a huge payoff. This is one of the great date movies of all time. --Tom Keogh ... Read more

Reviews (34)

Classic Old Hollywood
"Random Harvest" is NOT a "tearjerker", as some amazon friends have suggested. In fact, it may be the definitive feel good movie, if the open -minded viewer gives the chance. The two leads, Ronald Colman and Greer Garson carry the story. The fine supporting cast is virtually anonymous, more to their credit. He is a WWI vet, suffering from amnesia. She is the nice girl who nurses him back to health. The plot thickens when Colman is hit by a car- regains his original (!) memory- and forgets about the beautiful, caring Garson. What happens? This reviewer won't give away the rest of the wonderful story. Folks will just have to see this classic and find out but there IS a surprise "reappearance" involved-similar to that by Gene Tierney in "Laura". Watch that office door! (According to Tom O' Neil's "Movie Awards", RH was nominated for Best Picture, Best Director, Best Actor, Best Supporting Actress, and Best Screenplay. The fact that it won NONE of the foregoing is meaningless. It was competing for Oscars with "Mrs. Miniver", which gave Miss Garson an Academy Award for Best Actress and the chance to set the dubious distinction of making the longest acceptance speech in Oscar history). The final RH scenes are golden as Colman retraces his past to the friendly pub where he first met Garson, the old tobacco shop and that little cottage. Maybe it is a bit of a tearjerker- a heartening one. Does anyone seriously believe Hollywood could remake this one? Who would play the Colman role? Tom Cruise? Please! Let's all be grateful to the persons who preserve the old classics like "Random Harvest".

Sometimes good does come from doing the right thing.
Many reviews have called this film "the ultimate tear jerker." I think not. We develop genuine interest in the characters played by Ronald Colman, a WWI English soldier who is a shellshocked amnesiac, and Greer Garson, an English music hall singer. Garson sees Colman wandering dazed and tired on the street, feels sorry for him and takes him under her wing. They fall in love, get married, have a child, and appear ready to live happily ever after as Mr. and Mrs. John Smith.

Up to this point the story interest is Colman's amnesia and Garson's help in making his life living with this affliction bearable. The story takes a dramatic turn when Colman is struck by a taxi in Liverpool and regains his memory, forgetting Garson and their child. In fact he is a rich industrialist and takes up his former life. It appears as if Garson will be forgotten, but we know this is a 1942 Hollywood production and we are only moderately surprised when Garson reappears in his life as his secretary.

By saying this film is not a tear jerker in my opening comments, I have revealed the ending of this film, which while not surprising, given the nature of the film, nonetheless provides dramatic intensity and genuine interest for the viewer.

This is an old fashioned Hollwood film which has stood up well over time. The story may be contrived, but the performances are so good that we are able to take a genuine interest in everything that happens to them. All comes right in the end and we are left with a satisfied feeling that sometimes good comes from being good and doing the right thing.

beautiful and tender
An exquisite romance, a love that survives "for better for worse, for richer for poorer", and a wartime tragedy all make this well written melodrama very engrossing, and it stars two of the most gorgeous and popular stars of their era: Ronald Colman was one of the handsomest men that ever drew breath, with a voice of liquid gold...a voice that helped him make the most successful transition from silent films to "talkies" of any actor, and this was Greer Garson's year, as "Mrs. Miniver" was also released in 1942, which won her a Best Actress Oscar.
There are many unexpected twists to the plot, saving it from being "sappy and sentimental", and it is blessed with lovely cinematography (by Joseph Ruttenberg, who also filmed and received an Oscar for "Mrs. Miniver"), an atmospheric score by Herbert Stothart, and sensitive direction by Mervyn LeRoy.

There are some numbers connected with this film: It is # 36 in the American Film Institute's "Top Romances", it was nominated for 6 Academy Awards (Best Picture and Best Director lost to "Mrs. Miniver", and others were Best Actor, Best Supporting Actress with the excellent Susan Peters as Kitty, Screenplay, and Score), and Ronald Colman was my mother's # 1 heartthrob, as he was for so many women during those golden years of the cinema. Total running time is 2 hours and 7 minutes.
Recommended additional viewing for these two marvelous actors is of course, "Mrs. Miniver", and Ronald Colman as a Shakespearean actor in the superb psychological thriller "A Double Life".

Does anyone remember Greer Garson and Ronald Colman?

This is an old black and white (1942), but that's all we had at one time. It was more than a generation ago--it was the greatest generation ago.

It was the end of the First World War, and the "asylum" for war shell shock cases in Great Britain was full of problems. John Smith was only one of them, He lost his memory due to the horror of war, and escaped the hospital in the excitement of war's end.

Paula (Greer Garson) gave his life meaning again, and then, on a trip to Liverpool, he was hit by a car and lost it once more. But, unfortunately, he lost that which he had most recently lived through--the current three years--and remembered the rest.

There are flaws in the science of memory loss, but the story is good nonetheless.

The story is Garson's effort to help him regain his memory and his lost love.

Colman and Garson were once both great actors--the first rank. This movie was a good one. No filthy language to prop it up, or gutter histrionics, but--strangely enough--they managed to tell the story anyway, in spite of all those restraints.

Once, we appreciated stories like these. Today's audience probably thinks it "corny." I wish we had more of them, but I am, admittedly, a dinosaur.

Joseph (Joe) Pierre

author of Handguns and Freedom...their care and maintenance
and other books

Pass the hankie!
This wonderful,extremely romantic movie was made for anyone who is a romanticist at heart.I cannot get enough of Ronald Colman's voice..I can't think of another actor whose inflections are so unique.
The movie itself is wonderfully acted,and although I am not a huge fan of Ms.Garson,she matches Mr.Colman perfectly.
I can't understand why it isn't out on DVD yet!! C'mon,you guys!! ... Read more

Reviews (34)

Classic Old Hollywood
"Random Harvest" is NOT a "tearjerker", as some amazon friends have suggested. In fact, it may be the definitive feel good movie, if the open -minded viewer gives the chance. The two leads, Ronald Colman and Greer Garson carry the story. The fine supporting cast is virtually anonymous, more to their credit. He is a WWI vet, suffering from amnesia. She is the nice girl who nurses him back to health. The plot thickens when Colman is hit by a car- regains his original (!) memory- and forgets about the beautiful, caring Garson. What happens? This reviewer won't give away the rest of the wonderful story. Folks will just have to see this classic and find out but there IS a surprise "reappearance" involved-similar to that by Gene Tierney in "Laura". Watch that office door! (According to Tom O' Neil's "Movie Awards", RH was nominated for Best Picture, Best Director, Best Actor, Best Supporting Actress, and Best Screenplay. The fact that it won NONE of the foregoing is meaningless. It was competing for Oscars with "Mrs. Miniver", which gave Miss Garson an Academy Award for Best Actress and the chance to set the dubious distinction of making the longest acceptance speech in Oscar history). The final RH scenes are golden as Colman retraces his past to the friendly pub where he first met Garson, the old tobacco shop and that little cottage. Maybe it is a bit of a tearjerker- a heartening one. Does anyone seriously believe Hollywood could remake this one? Who would play the Colman role? Tom Cruise? Please! Let's all be grateful to the persons who preserve the old classics like "Random Harvest".

Sometimes good does come from doing the right thing.
Many reviews have called this film "the ultimate tear jerker." I think not. We develop genuine interest in the characters played by Ronald Colman, a WWI English soldier who is a shellshocked amnesiac, and Greer Garson, an English music hall singer. Garson sees Colman wandering dazed and tired on the street, feels sorry for him and takes him under her wing. They fall in love, get married, have a child, and appear ready to live happily ever after as Mr. and Mrs. John Smith.

Up to this point the story interest is Colman's amnesia and Garson's help in making his life living with this affliction bearable. The story takes a dramatic turn when Colman is struck by a taxi in Liverpool and regains his memory, forgetting Garson and their child. In fact he is a rich industrialist and takes up his former life. It appears as if Garson will be forgotten, but we know this is a 1942 Hollywood production and we are only moderately surprised when Garson reappears in his life as his secretary.

By saying this film is not a tear jerker in my opening comments, I have revealed the ending of this film, which while not surprising, given the nature of the film, nonetheless provides dramatic intensity and genuine interest for the viewer.

This is an old fashioned Hollwood film which has stood up well over time. The story may be contrived, but the performances are so good that we are able to take a genuine interest in everything that happens to them. All comes right in the end and we are left with a satisfied feeling that sometimes good comes from being good and doing the right thing.

beautiful and tender
An exquisite romance, a love that survives "for better for worse, for richer for poorer", and a wartime tragedy all make this well written melodrama very engrossing, and it stars two of the most gorgeous and popular stars of their era: Ronald Colman was one of the handsomest men that ever drew breath, with a voice of liquid gold...a voice that helped him make the most successful transition from silent films to "talkies" of any actor, and this was Greer Garson's year, as "Mrs. Miniver" was also released in 1942, which won her a Best Actress Oscar.
There are many unexpected twists to the plot, saving it from being "sappy and sentimental", and it is blessed with lovely cinematography (by Joseph Ruttenberg, who also filmed and received an Oscar for "Mrs. Miniver"), an atmospheric score by Herbert Stothart, and sensitive direction by Mervyn LeRoy.

There are some numbers connected with this film: It is # 36 in the American Film Institute's "Top Romances", it was nominated for 6 Academy Awards (Best Picture and Best Director lost to "Mrs. Miniver", and others were Best Actor, Best Supporting Actress with the excellent Susan Peters as Kitty, Screenplay, and Score), and Ronald Colman was my mother's # 1 heartthrob, as he was for so many women during those golden years of the cinema. Total running time is 2 hours and 7 minutes.
Recommended additional viewing for these two marvelous actors is of course, "Mrs. Miniver", and Ronald Colman as a Shakespearean actor in the superb psychological thriller "A Double Life".

Does anyone remember Greer Garson and Ronald Colman?

This is an old black and white (1942), but that's all we had at one time. It was more than a generation ago--it was the greatest generation ago.

It was the end of the First World War, and the "asylum" for war shell shock cases in Great Britain was full of problems. John Smith was only one of them, He lost his memory due to the horror of war, and escaped the hospital in the excitement of war's end.

Paula (Greer Garson) gave his life meaning again, and then, on a trip to Liverpool, he was hit by a car and lost it once more. But, unfortunately, he lost that which he had most recently lived through--the current three years--and remembered the rest.

There are flaws in the science of memory loss, but the story is good nonetheless.

The story is Garson's effort to help him regain his memory and his lost love.

Colman and Garson were once both great actors--the first rank. This movie was a good one. No filthy language to prop it up, or gutter histrionics, but--strangely enough--they managed to tell the story anyway, in spite of all those restraints.

Once, we appreciated stories like these. Today's audience probably thinks it "corny." I wish we had more of them, but I am, admittedly, a dinosaur.

Joseph (Joe) Pierre

author of Handguns and Freedom...their care and maintenance
and other books

Pass the hankie!
This wonderful,extremely romantic movie was made for anyone who is a romanticist at heart.I cannot get enough of Ronald Colman's voice..I can't think of another actor whose inflections are so unique.
The movie itself is wonderfully acted,and although I am not a huge fan of Ms.Garson,she matches Mr.Colman perfectly.
I can't understand why it isn't out on DVD yet!! C'mon,you guys!! ... Read more

Reviews (23)

A Classic Tale of a Girl, her Horse, a young Jockey and Mom
Somehow I never got around to see this movie until I was 40 years old. I guess it was because I was never really an Elizabeth Taylor fan, although I have always enjoyed "The Taming of the Shrew" and "Who's Afraid of Virginia Woolf?" But I was at the library and I had always heard good things about it and so I checked in out and took it home and watched it and feel in love with it.

The plot line involving Mike (Mickey Rooney) starts off as somewhat melodramatic, the standard story (literarly in this case) of the guy who has to get back on the horse. The twist is that when he does our young heroine has decided she is the only one who can ride the Pie to victory. The twist is the Rooney achieves his victory without winning (anticipating "Rocky" in that regard when you stop and think about it).

The focus of the film is on Taylor and Rooney, but the heart and soul of the film is the relationship between Velvet and her mother. Anne Reeve won a Best Supporting Actress Oscar for her portrayal of the mother, and while her scenes with husband Donald Crip are small gems scattered throughout the film (they call each other "Mr. Brown" and "Mrs. Brown" and you can tell how much they love each other every time they do it), it is the scenes with her daughter that bring home the film.

Mrs. Brown uses the money from her swimming the channel to fund Velvet's dream of racing the pie in the Grand National. But for Velvet the payoff is not when she wins the race and becames a front page story, but when she arrives home and immediately runs to her mother and says, "We won, Mother. We won." Her mother already knows. All of England knows. But all that mattered was telling her mother. It is a neat scene and an ellegant payoff to the film, more so than her running off to fetch make Mike.

This 1944 film was directed by Clarence Brown and is based on the novel by Enid Bagnold. Final Warning: And if after you have watched and enjoyed this classic film with your children and you screen the sequel "International Velvet" which only leaves a bad taste in your mouth, you have only yourself to blame.

Wonderful Technicolor Film About a Girl's Dream
I love both the book of NATIONAL VELVET and this film, which makes small changes to the book, but the theme and joy remain the same. Sickly Velvet Brown wins a fractious horse in a lottery and she and ex-jockey Mi Taylor train the horse to race in England's most famous steeplechase, the Grand National, a grueling race with frightening jumps. Velvet's family--her wise mother, excitable father, lovelorn older sister, telltale other sister, and mischievous little brother are all entertaining in their own right--some of the best scenes in the movie are between Anne Revere as Mrs. Brown and Donald Crisp as Mr. Brown. All this in glorious Technicolor recreating an English village of the 1920s. A must-have. Read the book as well--there is another sister in the story, more horse incidents, and it's not "translated" for American sensibilities like Harry Potter, so you get a real feel for English life and dialect at the time.

Poor treatment of a classic
"National Velvet" is a wonderful movie, for all ages. Frankly, I'd consider it one of the best "sports" movies ever made.

Sadly, Warner Brothers DVD release leaves a lot to be desired. The picture frequently goes out of focus, and the disc is bare-bones....not even the trailer [promised on the DVD jacket] is included.

With Elizabeth Taylor and Mickey Rooney still around, you would have thought they'd have either interviewed them, or gotten a commentary track from them for this classic. It would be worth the price to get a "special edition" release.

Until then, I guess we're stuck with this sorry disk.

Not to be missed
Clarence Brown was one of those accomplished American directors who never seemed to get the credit he deserved. This project is certainly his masterpiece. It's usually hyped as a children's picture but it works at all age levels: the apotheosis of the "family" movie. Mickey Rooney delivers the best performance of his amazing career; he should be next on the "lifetime achievment" list of the American movie academy. Brown also extracted equally compelling performances from Elizabeth Taylor, Donald Crisp and Anne Revere; in fact the entire cast. Taylor is a young English girl transported by her love of hayburners and her pure happiness is the central theme of the movie, a subject you don't see treated much anymore. Highly recommended.

Horse Crazy!
National Velvet is a sweet, inspiring film that will forever be a wonderful classic. Elizabeth Taylor (Velvet Brown) and Mickey Rooney (Mi Taylor) did an incredible job portraying their characters. Elizabeth Taylor only twelve years old, plays the part of a horse crazy little girl who is bound and determined that her horse (Pie) can when the Grand National Steeplechase. Although Pie was not originally her horse, it was enduring to watch how Velvet acquired the 16 hands, 6 foot jumping horse and how small of chance she had to win him. Mickey Rooney played a wonderful role of a frighten ex-jockey who in the beginning did not want any part of the horse business after an accident early in his career. With a spirited young girl, a wonderful horse that was thought to be no good, and an ex-jockey that tried too hard to stay away from horses, a winning story was sure to be produced. Velvet's family also played an important role as her mother (Academy Award winner Anne Revere), the quick tongue lady who could always convince her husband otherwise and Velvet's siblings, that put an emphasis on typical sibling relationships. For it's time, when this film was produced, it was outstanding (Academy Award winning) and now it is even more outstanding. People of all ages can enjoy this film because it's heartwarming with a touch of comedy that seeps into the heart of everyone. ... Read more

Reviews (8)

Classic Redition of The Garden
I'd have to say this is the best movie made from the classic novel by Burnett. They really don't make them like this anymore. The acting from the children is stellar and the atmosphere is great. It's just fun to watch. The spooky setting in the old house on the moors, the mystery in the story is told really well, and the sets are beautiful.

The characters are brought to life by Margaret Obrien, Dean Stockwell, and Brian Roper who play Mary Lennox, Colin Craven and Dicken respectively. Of the three characters, it's hard to choose a favorite, but Dicken is so well done and his way with animals and nature makes him a much loved character.

I would love to see this version on DVD (not remastered, which I think ruins old movies.) If some bigwig out there is listening, this classic movie deserves the DVD treatment.

Good classic movie
I like this movie a lot. The character of Mary is played fairly well. She seems like a spoiled, bratty child, but then she changes to be a nice little girl. I hope this is put on DVD soon.

excellent
This is a great movie. I have always been a Margaret O'Brien fan and this was one of her best. It goes from black & white to color and then back to black & white. It is a good story.

Highly campy and hysterical, but rather good.
The 1949 film version of "The Secret Garden" has its good points and its bad points. The good is that it's well-made by MGM, and its shifts from black-and-white to color are awesome. Now, the bad. Actually, it's not bad, just a few words of friendly warning. The child actors in this film seem to ham up their roles so much that the viewer starts to either gag or laugh with derision. Margaret O'Brien [Mary Lennox] is the most obvious example, with Dean Stockwell [Colin Craven] following her path. Their tantrum scenes are hysterical beyond comprehension! Also, the word "hate" is used to the nth degree, so much so that it becomes extremely laughable. No other movie I've seen uses this word so much. You could almost see this film as a part of MST3K, where you can have or make fun of it, but in a good way.

The Secret Garden
Margaret O'Brien does an absolutely fantastic job with this role, with Dean Stockwell and the other actors all running a close second! The full gamet of human emotions (fears, anger, selfishness, madness, wisdom, helpfulness,caring, control, etc.) has been written into this script. It is a story of discovering the truth about oneself. Mary, who everyone sees as selfish (and not without good reason) slowly turns into an "encourager". The young son who thinks he is a cripple and will not live to adulthood discovers he can be healed, and can live the life of a real boy. Mr. Cravens (the father) believes he is going mad when he cannot shake the black memories from the past---yet receives a sound mind as he sees the garden and his son restored to near perfection. Dicken, the country boy played by an unknown actor played a superb role of patience and compassion. This film was given five stars due not only to excellent acting, but directing, the background of the old castle, the garden, the gardner, the raven, the key, etc. It seems as if every touch was a "golden" touch to this 1947 version, and because of the character development of the children, certainly should be a part of every family's home video library! ... Read more

Reviews (82)

EXCELLENT!!
Excellent suspense movie about innocent-looking tennis player Guy Haines (Farley Granger), involved in a murder against his own will, by an eccentric, over-the-top character played masterfully by great american actor (by then, Jennifer Jones' ex-husband) Robert Walker.

Hitchcock builds the film into a great final climax, holding your complete attention from the very start of the story, at the train station.

Good acting by the leading couple, Farley Granger and Ruth Roman (playing his sweetheart and bride-to-be, after the divorce from his obnoxious wife). Excellent performances by the aforementioned Walker as Bruno Antony, Patricia Hitchcok (as Roman's sister, who has a liking for criminal stories), Kasey Rogers (as Granger's wife) and Marion Lorne (as Bruno Antony's mother).

The fact that the DVD contains the original US and UK versions, the latter two minutes longer, is a must. Especially noticing the trimming that underwent the initial scenes between Walker and Granger in the american version, and the final "happy ending" scene added for the same version.

Fans of '60s TV series "Bewitched", will have a field day watching "Aunt Clara" (Marion Lorne) as the over-indulging mother of spoiled and egotistical Bruno Antony and "Louise Tate" (Kasey Rogers, billed as Laura Elliott) who plays over-sexed and amoral Miriam, Guy Haines' wife.

Don't talk to strangers!
Farley Granger appeared in only two Hitchcock films. He was the nerve racked killer in Rope who ended up not being able to handle the reality of his crime and gave up in the end, and he is the ill-fated tennis star who happens upon a total stranger during a train ride in this film, Strangers on a Train. Too bad. Granger is talented in this role, evoking sympathy from the audience even when he was guilty as sin in Rope. In this movie, it's hard to really blame him for the events that transpire.

Two men meet and strike up a conversation based on Bruno's (Robert Walker in a chilling performance) ability to recognize Guy Haines (Granger) from the tennis court. During the conversation, it is discovered that Bruno hates his father and wants him dead, and that Guy has a wife who is causing trouble for him. Guy wants to marry the daughter of a senator, but needs his current wife out of the picture.

Bruno has the answer. We swap murders, and then there is no motive. Guy laughs it off, but he stops laughing quick when Bruno actually kills Guy's wife and expects him to murder his father in return. By the way, the murder of the wife is some of Hitch's best camera work ever, as he shows the choking in the reflection of the woman's eyeglasses.

Guy has no credible alibi, so he is suspect number one. Bruno keeps on him the whole time, threatening to frame him (Bruno has Guy's lighter that he can plant at the scene), so it becomes a race for Guy to prove his innocence. The scene on the merry go round is a classic, even if a bit unrealistic.

The characters are great, the story strong and the direction superb. You simply can't go wrong with this one. The great suspense films of today owe a debt of gratitude to Strangers on a Train.

Misinformed
I recently purchased, yet , another copy of STRANGERS ON A TRAIN because the description of this edition read WIDESCREEN. Lured by that promise, I again spent the money, because the copy I already owned was not widescreen. To my great disappointment, I have learned (by watching my newly purchased DVD) that my new copy is, in fact, the exact same edition I already owned: STANDARD format and NOT WIDESCREEN. Beware the description for this issue: it misinforms. If it is WIDESCREEN you want, this is not it!

Crisscross
After the spectacular successes of "Notorious" and "Spellbound" Alfred Hitchcock went into a five year box-office slump that had him seriously rattled. He broke out again in 1951 with "Strangers," a fable about a tennis player (Farley Granger) whose murderous private thoughts are brought horrifically to life through his chance encounter with a maniac (Robert Walker). Be careful what your wish for, you may get it, is Hitchcock's theme, and he never did a better job of exploring the border between our civilized and barbaric impulses than in this project. This is usually the performance for which Walker is best remembered, completed shortly before he drank himself to death. The murder of Granger's wife is still shocking even today and there are numerous other scenes just as riveting which Hitchcock tossed off with such ease when his visual imagination was stimulated. Novelist Raymond Chandler got a script credit, but according to Hitchcock biographer Donald Spoto none of Chandler's material was used.

I will be strong.....maybe (fingers crossed)
First I will say this is a classic film that doesn't contain one wasted minute. It's always been one of my favorites and have always shown it to friends as an introduction to these films due to their lack of Hitchcock experience. But what I will say here and now is I WILL NOT BUY THIS SPECIAL EDITION!!! I have the original release and it has served me well these past years. I could have lived my whole life without the knowledge of a special edition with all sorts of those goodies and I would have been fine... It will probably have commentary, interviews, ohh that sounds enchanting...I DON"T CARE. I MUST be strong and resist the temptation of re-buying it. I know I've made this pledge on several hundred occasions with... oh you know, Planet of the apes, Casablanca, Blazing Saddles etc,etc. Yes I caved on those countless occasions but NOT THIS TIME!! But for anyone who doesn't own this dvd at all, I would recommend you do. But don't talk to me about it because I'm perfectly happy with my one disc copy OK!! Warner brothers among others have been pulling these scams for years with these re-issues, and you know who the victoms are. Yes... Yes.. that would be me. But not this time because my family have received enough free bare bones dvd's from me and it ends today. Forget it Amazon! No preorders from this sucker... HA HA!! ... Read more