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This minor 1955 work by Alfred Hitchcock, one of the lighter entries of his creative peak in the 1950s, is still imbued with the master's stock themes of shared guilt and romantic ambivalence. It is also hardly lacking in Hitchcockian cinematic inventiveness, such as a famous, often-imitated sequence in which some smooching between stars Cary Grant and Grace Kelly is intercut with a fireworks show that just happens to be going on outside in a Riviera setting. Grant plays a reformed cat burglar who is suspected of reviving his trade, though he knows someone else is using his old methods. A very enjoyable experience, but don't get this confused with Hitchcock's other Cary Grant film of that decade, which was a masterpiece: North by Northwest. --Tom Keogh ... Read more

Reviews (82)

Fireworks!
What was the greatest kiss ever committed to the silver screen? For me it comes from the Alfred Hitchcock thriller, To Catch a Thief. Grace Kelly tempts Cary Grant, a reformed jewel thief by the name of John Robie, with her diamond necklace, to a backdrop of fireworks over the French Riviera. Finally, having had just about enough of her tomfoolery, he says, "You know as well as I do, this necklace is imitation." To which, the stunning Kelly responds, "Well I'm not..."

That is movie magic and so is this wonderful, light-hearted and thrilling romp across the south of France as everyone goes in search of the identity of a new jewel thief reeking havoc throughout hotels on the French Riviera.

Lush cinematography, beautiful costumes, breathtaking vistas, and delightful performances by Kelly, Grant, and Jessie Royce Landis make this an extremely enjoyable film outing.

Cat on a Hot French Roof
Suspense takes a back seat to romance as former cat burglar Grant turns detective to track down the culprit behind a recent string of jewel robberies, becoming involved with beautiful heiress Kelly during the course of his investigation. Proof that lesser Hitchcock is still far above average, with Grant at his most suave and debonair; Kelly at her most ravishing; an engaging comedic turn by Jessie Royce Landis as Kelly's down-to-earth mother; and some sparkling (and suggestive) dialogue by John Michael Hayes. Add in some truly beautiful costumes by Edith Head and breathtaking, Oscar-winning color cinematography by Robert Burks ... and what's not to like? Even though the mystery is a bit slight, you won't be bored!

The DVD offers a wonderful video transfer with crisp, clear sound and a brightly color-balanced, anamorphic widescreen picture. There are three unique mini-documentaries about the making of the movie, featuring Hitchcock's daughter and granddaughter; a documentary about costumer Edith Head (which is being included on many Paramount 2002 DVD releases which feature Head's work); the Original Theatrical Trailer; and a truly grand assortment of vintage production stills and posters from around the world. All in all a quite nice package that's definitely worth a look.

With Class and Grace
To Catch A Thief marks a departure for director Alfred Hitchcock. Here, he sheds the moniker as The Master Of Suspense, going more for romance and comedy--rather than any of his well known plot twists or thrills. The film may not be the best of his career, but thanks to a strong leading man and a radiant leading lady the movie still works.

John Robie, (Cary Grant) is a reformed cat burglar, out to prove himself innocent of a recent crime spree. As he tries to capture the thief who's terrifying the French Riviera, he attracts the attention of the lovely Frances Stevens (Grace Kelly), a wealthy and spoiled American traveling the Riviera with her widowed mother (Jessie Royce Landis). However, things do not begin on a romantic note. Robie is more interested in clearing his name than in pursuing the beautiful American, but the two will not go their separate ways so easily. When Mrs. Stevens has her jewels stolen, the snubbed Frances puts the police on Robie's trail. Now the dashing Robie will have to win the confidence and assistance of Frances if he is to ever set things right.

Grant and Kelly light up the screen together, with an entrancing chemistry that sparkles, especially in the impromptu ad-libbed dialogue of the picnic scene. A series of elaborate set pieces combined with the spectacularc Riviera scenery make the film an enduring piece of American cinema. Hitchcock lets his leads pick up for any of the film's lack of excitement, that traditionally peppers the director's films. I have always had a "crush" on the late Grace Kelly, and this film just helps to solidify those feelings.

The DVD contains three well produced making of featurettes. "Writing and Casting," "The Making of To Catch a Thief," and "Alfred Hitchcock and To Catch a Thief", will give you a well rounded look at the film. But things would have worked out even better if these were edited together as one larger whole. Long time Hitchcock collaborator, costumer Edith Head, is highlighted in a fourth featurette, that also tops off the disc's bonus material.

To Catch A Thief is recommended for any Hitchcock fan..

A Hitchcock romantic mystery
Cary Grant and Grace Kelly are funny and witty and they keep you involved in the story. Not what I expected from Alfred Hitchcock, but it was a great movie none the less.

So-so Hitchcock jewel caper
As a connoisseur of Hitchcock's work, To Catch a Thief was merely adequate. Lacking any real suspense, the movie was held together by the excellent cinematography offered by the picturesque French Rivera locale.

Cary Grant was at his suave and debonair best as John Robie, a retired cat burgular who is suspected when a rash of jewel thefts plagues the swanky Riviera. Realizing, he must apprehend the actual thief, whose m.o. parallels his own, he plots a scheme.

Grace Kelly, whose acting ability does not rival her beauty, plays a perfectly typecasted role for her. As a spoiled, bored, rich socialite Frances Stevens, she and her wealthy but earthy mother, played exceptionally well by Jessie Royce Landis are vacationing. The elder Mrs. Stevens has a valuable collection of jewelery that Grant theorizes would make excellent bait.

Hitchcocks creates a predictable plot, with the usual love affair. There is however, little in the way of mystery or tension or even chemistry between Kelly and Grant to make this flick anything more than mediocre. Edith Head provides a high point with her fantastic wardrobes created for the costume ball scene. ... Read more

Reviews (35)

Definitely worth investigating
This film is far more than a potboiler with a clever twist at the end: the script, performances and photography are really very fine indeed. Clouzot paces the film briskly, so the murder is more or less afoot within the first 10 minutes: great stuff.

Paul Meurisse as the loathsome headmaster is excellent, as are Vera Clouzot as his frail wife and Simone Signoret as his mistress. The lesser roles (school staff etc) are also well taken.

As for the DVD, I was pleasantly surprised at the quality. Soundwise, don't worry about the rather constricted melodramatic music over the opening credits. That's the last music you'll hear, and the speech driven mono soundtrack sounds fine.

From an image point of view, the transfer was better than I was expecting, after reading other reviews of this DVD. It is correctly framed in 1.33:1, and the print used has little damage in terms of nicks or scars. Very occasionally there are more flecks than you might want, but nothing to worry about.

The image is reasonably sharp (and improves on some of the interiors, particularly the darker scenes), although occasionally it is a little soft with a touch of grain in the daytime exteriors. I also noticed that this slight softness coincided with Vera Clouzot being on screen, so perhaps it was deliberate on her husband the director's part. The lighting of this film is also superb: just check out some of the night exteriors which are superbly atmospheric.

So will this film 'drive you up the wall' as the film guide says? Well, no, not really. The twist at the end is very well done, if not too surprising to modern audiences. There is at least one smaller twist after that, though, which will make you think.

A classic of the cinema which I recommend in its Criterion format.

One of the best movie endings of all time
This is a film that means to get under your skin, and it succeeds. A man's mistress and his wife, finely portrayed by Simone Signoret and Vera Clouzot, respectively, plot to murder him...but then the body disappears. And that's only the first twist in a story as visually inventive as it is convoluted. Bleak and cold-blooded from the start, DIABOLIQUE takes a slow, leisurely approach to its storytelling, but with each gradual development lays on an extra layer of tension, then proceeds to tighten the suspense like a screw. The result is a genuinely disturbing final half hour that culminates in one of the most shocking conclusions ever put on screen. Shot in stark black-and-white and without the benefit of a soundtrack (which actually heightens the suspense), DIABOLIQUE exists solely for the glee with which it executes its surprise ending, but what an ending it is. Anyone who gives away this devastating shocker of a conclusion ought to be drowned in his own bathtub.

A sometimes confusing, angst ridden classic
If "Diabolique" influenced Hitchcock's "Psycho", one would have to say that the classic French film exceeds the 'classic' American slasher flick.

In a twisted and at times really confused turn of events, a shy schoolmarm teams up with her husband's mistress to kill him (or so we think). The husband is a real SOB, constantly bossing both of them around and treating his students like dogs. Since he is in a position of provincial power, however, his petty control games and short temper go unremarked upon. There are tones of lesbianism in this sleek thriller, with the wife and mistress and forming (*(it seems*) a strong bond in their hatred of the husband. The only lucid character we have is a private investigator who precipitates a tragedy, perhaps without knowing it. (Or is he in on it too?_

I won't spoil the rest of the film for the viewer, but it would be safe to say that this is one of the strangest plots I have ever encountered, and one of the most intriguing. We are confronted with weakness versus strength, good versus evil, and the standard collection of themes, but in a subtle, disturbing fashion. The last scene in the film, when a child comments on the schoolmarm's appearance in the school, is enough to leave one wondering whether there is yet another element at work which we have not yet seen. This is far better than "Psycho", although one can see the parallels. A must see.

Aghast in the Bath
It's a pity that some reviewers are so numbed and stunned by today's in-your-face gore and horror that they can't appreciate the subtleties of character and relationship analysis displayed in a film like this. Although there's little doubt that it is at its most effective the first time round (provided you don't already know the ending) there is still a lot left to savour. I saw it when it was new, and the shock in the theatre towards the end was palpable. Not so today, of course. Nevertheless, the peculiarly French menage-a-trois with its vile central bully remains perennially interesting. The run-down school with its dilapidated staff and surroundings, the paternalistic and sadistic hierarchical structure, the completely realistic school-kids, the bleakly austere atmosphere of post-war France (it was exactly like this in England too), with people just about able to make ends meet, is all still extremely fascinating. Both the women's performances are exceptional: the frailty and piety of Vera Clouzot is balanced by just enough determination to commit the murder, and the slightly butch sensuality of Signoret allows her to get away with her fake concern as well as her ruthlessness. The beauty of each of them is a study in perfect contrast. The very final twist let's us know that it's all been a bit of a joke. Why Hitchcock's Vertigo is considered a masterpiece I'll never know.

A great mystery film with Hitchcock elements
This review is for the Criterion Collection DVD edition of the film.

This film, directed by Henri-Georges Clouzot is one of the greatest French mystery films I have seen. In the film, a school principal is very mean to his wife and mistress. They team up to drown him and dump his body in a pool. Later they begin to suspect that he wasn't dead when they dumped him in the pool. The film has a surprise ending that I will not reveal as it would be considered a spoiler.

The DVD dies not have any special features, but is still a really good film. The film had a remake done in 1996 with Sharon Stone and Isabelle Adjani. I have not seen the remake but intend to sometime soon. ... Read more

Reviews (3)

good movie but....
Hands down the worst transfer to dvd I've ever seen. If you know Italian you'll still have the subs on because the sound is totally messed up. Dialogue comes in ever so faintly through the front left speaker instead of the center (and all the speakers are providing hiss. 5.0 surround hiss sound. and the image appears to be transfered from a video source instead of original elements. Result: video burps and vibrating black bars. Ridiculous. Normally I fall back and say: hey, at least it's available at all...but in this case I won't. This is very unpleasant viewing experience.

Emotionally brillant
One of the best Italian films from the 1980's. Rosi' direction is top notch - one of the few films where the director's craft shines through magnanimously. Brilliant acting and beautiful story telling. And amazing, emotional journal that is more meditative drama than high drama. Stunning visuals and great cinematography. Brillant!

3 Brothers - an obscure masterpiece
If you love Italian films, see this...

The story is of 3 brothers who have lost their emotional bond and must deal with it after being reunited at their mothers funeral. Charles Vanel (Wages of Fear - also plays a great cameo in Rosi's 'Illustrious Corpses') plays their father and Philippe Noiret's Judge character brings in a resonance and subtext of 70's Italian terrorism that plays rather freshly in America post 9/11.

Make no mistake, this is an all-star cast, with no American scenery chewing or faux sentiment. Vittorio Mezzogiorno is virtually unknown in the U.S. and that is a crime...watch this 20 times :) ... Read more

Amazon.com essential video

Legend has it that Henri-Georges Clouzot beat out Alfred Hitchcock tosecure the rights to this novel, which proved to be a veritable blueprint for an icy masterpiece of murder, mystery, and suspense. Véra Clouzot plays the sickly wife of a callous headmaster of a provincial boarding school going to seed, and the commanding Simone Signoret is the headmaster's mistreated mistress. Together they plot and carry out his murder, a brutal drowning that director Clouzot documents in chilly detail, but the corpse disappears, and a nosy detective starts sniffing around the grounds as threatening notes taunt the women. Clouzot's thriller is as precise and accomplished a work as anything in Hitchcock's canon, a film of grueling suspense and startling shocks in an overcast, gray world of decay, but his icy manipulations lack the human dimension and emotional resonance of the master of suspense. The film has been accused of being misanthropic by many critics, and Clouzot's attitude toward his characters is bitter at best, contemptuous at worst. The viewer is left on the outside looking in, but the razor precision and terrifying twists deliver a sleek, bleak spectacle worthy of attention. --Sean Axmaker ... Read more

Reviews (35)

Definitely worth investigating
This film is far more than a potboiler with a clever twist at the end: the script, performances and photography are really very fine indeed. Clouzot paces the film briskly, so the murder is more or less afoot within the first 10 minutes: great stuff.

Paul Meurisse as the loathsome headmaster is excellent, as are Vera Clouzot as his frail wife and Simone Signoret as his mistress. The lesser roles (school staff etc) are also well taken.

As for the DVD, I was pleasantly surprised at the quality. Soundwise, don't worry about the rather constricted melodramatic music over the opening credits. That's the last music you'll hear, and the speech driven mono soundtrack sounds fine.

From an image point of view, the transfer was better than I was expecting, after reading other reviews of this DVD. It is correctly framed in 1.33:1, and the print used has little damage in terms of nicks or scars. Very occasionally there are more flecks than you might want, but nothing to worry about.

The image is reasonably sharp (and improves on some of the interiors, particularly the darker scenes), although occasionally it is a little soft with a touch of grain in the daytime exteriors. I also noticed that this slight softness coincided with Vera Clouzot being on screen, so perhaps it was deliberate on her husband the director's part. The lighting of this film is also superb: just check out some of the night exteriors which are superbly atmospheric.

So will this film 'drive you up the wall' as the film guide says? Well, no, not really. The twist at the end is very well done, if not too surprising to modern audiences. There is at least one smaller twist after that, though, which will make you think.

A classic of the cinema which I recommend in its Criterion format.

One of the best movie endings of all time
This is a film that means to get under your skin, and it succeeds. A man's mistress and his wife, finely portrayed by Simone Signoret and Vera Clouzot, respectively, plot to murder him...but then the body disappears. And that's only the first twist in a story as visually inventive as it is convoluted. Bleak and cold-blooded from the start, DIABOLIQUE takes a slow, leisurely approach to its storytelling, but with each gradual development lays on an extra layer of tension, then proceeds to tighten the suspense like a screw. The result is a genuinely disturbing final half hour that culminates in one of the most shocking conclusions ever put on screen. Shot in stark black-and-white and without the benefit of a soundtrack (which actually heightens the suspense), DIABOLIQUE exists solely for the glee with which it executes its surprise ending, but what an ending it is. Anyone who gives away this devastating shocker of a conclusion ought to be drowned in his own bathtub.

A sometimes confusing, angst ridden classic
If "Diabolique" influenced Hitchcock's "Psycho", one would have to say that the classic French film exceeds the 'classic' American slasher flick.

In a twisted and at times really confused turn of events, a shy schoolmarm teams up with her husband's mistress to kill him (or so we think). The husband is a real SOB, constantly bossing both of them around and treating his students like dogs. Since he is in a position of provincial power, however, his petty control games and short temper go unremarked upon. There are tones of lesbianism in this sleek thriller, with the wife and mistress and forming (*(it seems*) a strong bond in their hatred of the husband. The only lucid character we have is a private investigator who precipitates a tragedy, perhaps without knowing it. (Or is he in on it too?_

I won't spoil the rest of the film for the viewer, but it would be safe to say that this is one of the strangest plots I have ever encountered, and one of the most intriguing. We are confronted with weakness versus strength, good versus evil, and the standard collection of themes, but in a subtle, disturbing fashion. The last scene in the film, when a child comments on the schoolmarm's appearance in the school, is enough to leave one wondering whether there is yet another element at work which we have not yet seen. This is far better than "Psycho", although one can see the parallels. A must see.

Aghast in the Bath
It's a pity that some reviewers are so numbed and stunned by today's in-your-face gore and horror that they can't appreciate the subtleties of character and relationship analysis displayed in a film like this. Although there's little doubt that it is at its most effective the first time round (provided you don't already know the ending) there is still a lot left to savour. I saw it when it was new, and the shock in the theatre towards the end was palpable. Not so today, of course. Nevertheless, the peculiarly French menage-a-trois with its vile central bully remains perennially interesting. The run-down school with its dilapidated staff and surroundings, the paternalistic and sadistic hierarchical structure, the completely realistic school-kids, the bleakly austere atmosphere of post-war France (it was exactly like this in England too), with people just about able to make ends meet, is all still extremely fascinating. Both the women's performances are exceptional: the frailty and piety of Vera Clouzot is balanced by just enough determination to commit the murder, and the slightly butch sensuality of Signoret allows her to get away with her fake concern as well as her ruthlessness. The beauty of each of them is a study in perfect contrast. The very final twist let's us know that it's all been a bit of a joke. Why Hitchcock's Vertigo is considered a masterpiece I'll never know.

A great mystery film with Hitchcock elements
This review is for the Criterion Collection DVD edition of the film.

This film, directed by Henri-Georges Clouzot is one of the greatest French mystery films I have seen. In the film, a school principal is very mean to his wife and mistress. They team up to drown him and dump his body in a pool. Later they begin to suspect that he wasn't dead when they dumped him in the pool. The film has a surprise ending that I will not reveal as it would be considered a spoiler.

The DVD dies not have any special features, but is still a really good film. The film had a remake done in 1996 with Sharon Stone and Isabelle Adjani. I have not seen the remake but intend to sometime soon. ... Read more

Description

(1954-France). With ORSON WELLES, CLAUDETTE COLBERT, EDITH PIAF, SACHA GUITRY, JEAN MARAIS. Written and directed by SACHA GUITRY. Narrated by ORSON WELLES. Guitry, the esteemed French playwright, screenwriter, director and actor, caps his illustrious career - he both acted in and directed his first films in the second decade of the century - with this sublime historical drama. It is at once a story of the grandeur of France and an ode to the "secret, mysterious, intimate" Chateau of Versailles, which for centuries was home to the nations monarchy. Featured is a hand-picked cast of French movie talent, joined by a pair of American stars, Orson Welles and Claudette Colbert. Guitry expertly weaves a complex story of three-hundred years of the French monarchy, in which many of the names in the history books come to life. Among them are three kings named Louis (XIV, XV and XIV); Marie Antoinette; Moliere; DArtagnan; Mme de Pompadour and Benjamin Franklin. Of all these figures, perhaps the most extraordinary is Louis XIV (who, as an elderly man, is exceptionally well-played by Guitry); he is shown to have cultivated Versailles, making it into Europes most glorious palace. Another performance of note: Welles, in outrageously heavy make-up, as a fat, jowly, aging Ben Franklin, who comes to France to secure assistance for the American Revolution. Welles does double duty as narrator and he effectively keeps the story moving. The entire film, by the way, was shot on location at the Chateau of Versailles. Caution: this is a black and white print of a film originally released in color. Dubbed in English. 103 minutes. ... Read more

Amazon.com essential video

Henri-Georges Clouzot's gripping 1953 thriller throws four men into a primal struggle against the jungle armed with modern machinery and their own nerves and endurance. The squalid, isolated South American town of Las Piedras is a veritable refuge turned prison for criminals from all over the world. When an oil fire ignites 300 miles away, dozens of desperate volunteers apply for the dangerous job of driving highly volatile nitroglycerin across rugged jungle roads--for a $2,000 payday. The bulk of the film charts the slow, grueling trek over bumpy, pothole-dotted dirt roads and worse. A dangerous cutback forces the trucks to back over a rotting wooden platform built over a cliff, a boulder in the road must be blasted away, and a river of oil (gushing from a broken pipeline) must be forded--all with one ton of explosive nitro resting in the back of each truck. The ordeal forges a tough-guy trust between German Bimba (Peter Van Eyck) and Italian Luigi (Folco Lulli) but tears apart Frenchmen Mario (Yves Montand) and Jo (Charles Vanel). Former gangland hotshot Jo finds his once-fearless exterior cracked, while Mario discovers in himself a new grit and tenacity. Clouzot's stark, simple imagery and painstaking attention to detail create a riveting tension that never lets up, intensified by the ruthless drive of Mario, who proves he will do anything--anything--to get his truck through. William Freidkin remade the film in 1977 as the stylish Sorcerer. --Sean Axmaker ... Read more

Reviews (49)

Not for the weak minded...
"The Wages Of Fear" by director Henri-Georges Clouzot is a classic example of an action/suspense film for the thinking man. Filmed almost fifty years ago, the story and cinematography hold up well, much better than those of many American films that were produced during that time frame, c. 1955.

The story: Four drifters (presumably in exile from native France) are hired to drive two tanker trucks of nitro glycerine through rugged South American terrain in order to to extinguish an oil well fire. In the series of events that follows, the four encounter a variety of circumstances that threaten to end the road trip and send them to kingdom come.

"The Wages Of Fear" is not the sort of film that you'll see on "Dinner and a Movie"; The landscape, the cast and the ensuing events as portrayed in the movie typify a sort of squalid existence that most people, fortunately, never have to deal with. "The Wages Of Fear" is most definitely NOT a "date" film.

The film is french, in glorious black and white, with subtitles and some spoken english. Yves Montand and Charles Vanel give solid performances, as do Peter van Eyck and Folco Lulli. The direction of Clouzot helps to wonderfully illustrate the unfolding story of the four, and is simply outstanding.

A previous reviewer mentioned that a 1977 remake, William Friedken's "Sorcerer," is also a good film. He's absolutely correct; it is. However, "Sorcerer," was filmed in color, not black and white. And because the film's spoken language is English, the tone of the film is a little different. "Sorcerer" is a little bit softer around the edges, and not as dark.

"The Wages Of Fear" isn't a film that I'd like to watch on a regular basis - it is a rather dark film. However, it is worth seeing more than once. It's an impressive film.

Cult French production sees four men risk their lives...
Highly celebrated French film by director Henri-Georges Clouzot has achieved near cult status amongst fans of intelligent, psychological drama. Impressive black & white 1953 production excels in it's microscopic view of four personalities under intense pressure to succeed in a deadly quest.

Well known plot concerns four down & out drifters in isolated South American village accept $2,000 pay check's to transport two trucks loaded with nitro glycerine to extinguish oil well fire. Obstacles abound on their perilous quest with precarious mountain roads, dangerous landslides, burst oil pipes, ageing equipment and clash of personalities amongst motley crew. Yves Montand (Mario) & Charles Vanel (Joe) lead an engaging cast as reckless men with nothing to lose...except their lives. Marvellous support performances given by stern Peter van Eyck (Bimba) and animated Folco Lulli (Luigi) as the second crew of foolhardy truck drivers.

Seems unusual for Criterion to not accompany this release with additional materials...as is usually their style. Transfer to DVD is very good, except for occassional appearance of vertical white line at different stages of the film. Sound is crisp and clean too !

A suspenseful, perspicacious film that definitely possess's it's own distinct approach...film afficiando's will not be dissappointed by this fine production.

Unforgettable Film
"The Wages of Fear" is considered one of the truly great films. It not only delivers terrific suspense and excitement, it is also a rather telling comment on the human condition. Some drifters are trapped in a hot, bug-infested South American hell-hole. They are out of luck, out of money and seemingly doomed to remain where they are, fighting hunger, heat and each other. Suddenly, they are offered a small fortune to drive trucks through the jungle, across a mountain range to a destination 300 miles distant. The catch ? The trucks are loaded with nitroglycerine--one bump--one spark--one mistake--and the truck and any unfortunate humans on board are history.

Four men agree to drive two trucks, and their journey will have you biting your finger-nails down to your elbows ! All four actors are fine, with Yves Montand particularly memorable in the lead. I agree with the reviewer who notes that the first half hour of the film is slow, but it sets the mood. It's important to understand why these characters would volunteer for such a "mission impossible", even for a big payday.

The film has a chilling message about the lengths that people will go for money. I couldn't help but consider some of the "reality" television programs we see today like "Fear Factor". It's sad to see what indignities and dangers people will subject themselves to just to make a buck, and how easily they can be exploited.

The picture quality of the DVD is fine. I was surprised to find no extras, given that this is a Criterion release. An interview with one of our current, respected directors would have been a nice bonus. I'm sure that a film buff like Martin Scorsese would have some fascinating comments. Then again--I'm sure he's a busy guy !

Bottom line--a timeless masterpiece for serious film collectors.

A superb suspense an anthological film
Wages of fear is one of the milestones in all the cinema's story.
The lives of two men engaged in a mission that you qualify as no sense. And so that's precisely the most relevant point.
How far can the greed, the ambition generate such tension state when you accept the special condition of carrying this special delivery?
Montand an actor that grew up with la port de la nuit, years before makes an outstanding performance.
The film, far from being dated, it revalues with the years. Maybe this film is the masterpiece of Clouzot.
And it constitutes one of the eleven best french films of that ddecade, together with Rififi, Forbidden games, The four hundred blows, Elevator to the gallows, The amants, Bob le flambeur, Les cousins, Diary of a country priest, Pickpocket and le travesee de Paris.
Buy it this DVD. You'll be always rewarded.

A great film but the first part is boring.
This review is for the Criterion Collection DVD edition of the film.

This is one of the most exciting films that I have seen. The first 35 minutes I think are nonessential to the plot and knind of boring.

In the film, an oil well in South America catches fire and the only way to put it out is with nitroglycerin. There is a stockpile in a town some 300 miles away. The only problem is that they don't have refrigerated trucks. Nitro melts at 86ºF and when in liquid form, the slightest bump can cause it to go off. They hire a team of 4 to carry a couple tons of is across dangerous mountain roads in 2 trucks to where the fire is.

The film will have you on the edge of your seat as they encounter obstacles and poor road conditions. There is a scene when there is a boulder blocking the road and they use the nirto to blow it up.

There are no special features in this edition but it is still a great film that I would like to see remade. ... Read more

Reviews (1)

One of the ten greatest films ever made; WHERE'S THE dvD?
I love most of Bunuel's films but "Death In the Garden" is definitely my absolute favorite, ahead of "Los Olvidados," and even "Viridiana." This film is as close to perfection as you can get, even though some critics like to call it a 'flawed' film. The 'flaws' in this film are further aspects of its pefection, if you ask me. It has its lunatic elements and a few supernatural angles like all Bunuel films, but it also showcases the 'romantic' side of the man too often labeled a pessimist. The totally 'amoral' yet not unadmirable Georges Marchal character "Shark" is the closest thing to an Yves Montand/Wages-of-Fear type 'hero' Bunuel ever got. What can I tell you? SEE THIS FILM, IT'S A MASTERPIECE. On the surface "Death in the GArden" is a "Wages of Fear" like adventure story (Charles Vanel from Clouzot's masterpiece is one of the main characters) where a bunch of people are put under pressure and forced to work together and survive. The people putting the pressure on are the military 'fascists' not the industrialist-fascists of "Wages of Fear." The story happens in a South American state, where a bunch of Diamond miners are being chased out by the corrupt military government. When a small-scale civil war breaks out, the leaders of the rebels become hunted men, and they have to escape by boat, ending up in a rain-soaked amazon jungle trying to get to Brazil. The characters have to cooperate and survive under an increasingly hopeless situation and reveal fascinating aspects of themselves in the process. There are no moral black and whites, of course, no steretypes either, but only a dynamically evolving morality shaded in different grays leaning toward the black here, toward the white there. You come to have a deep level of sympathy with almost every main character in the film, even Simone Signoret's avaricious Madame, but only after examining them as totally flawed human beings capable of many bizzare deeds, some admirable, others despicable, etc. The film has everything that makes greatness, layers and more layers: deep characters, adventure, action, pessimism, romanticism, eroticism, hilariously absurd farcical scenes, identification with religion while remaining anticlerical, a complete lack of sentimentality, fantastic color cinematography (very lush and colorful, almost Renoir-like, and unlike most of Bunuel's other color films), unbelievably great acting by Georeges Marchal, Simone Signoret, Charles Vanel, and a young Michel Piccoli, it even has a beautiful young deaf girl whose long hair gets stuck in a tree! What more could you want? Maltin must be out of his mind to give this film only 3 stars! ... Read more

Reviews (3)

good movie but....
Hands down the worst transfer to dvd I've ever seen. If you know Italian you'll still have the subs on because the sound is totally messed up. Dialogue comes in ever so faintly through the front left speaker instead of the center (and all the speakers are providing hiss. 5.0 surround hiss sound. and the image appears to be transfered from a video source instead of original elements. Result: video burps and vibrating black bars. Ridiculous. Normally I fall back and say: hey, at least it's available at all...but in this case I won't. This is very unpleasant viewing experience.

Emotionally brillant
One of the best Italian films from the 1980's. Rosi' direction is top notch - one of the few films where the director's craft shines through magnanimously. Brilliant acting and beautiful story telling. And amazing, emotional journal that is more meditative drama than high drama. Stunning visuals and great cinematography. Brillant!

3 Brothers - an obscure masterpiece
If you love Italian films, see this...

The story is of 3 brothers who have lost their emotional bond and must deal with it after being reunited at their mothers funeral. Charles Vanel (Wages of Fear - also plays a great cameo in Rosi's 'Illustrious Corpses') plays their father and Philippe Noiret's Judge character brings in a resonance and subtext of 70's Italian terrorism that plays rather freshly in America post 9/11.

Make no mistake, this is an all-star cast, with no American scenery chewing or faux sentiment. Vittorio Mezzogiorno is virtually unknown in the U.S. and that is a crime...watch this 20 times :) ... Read more

Description

They are called upon to perform the most dangerous and criticalmissions of all.Carefully selected, highly trained and brutally efficient, they havechanged the course of battles--and history. This extraordinary program is an up-closelook at the world's elite troops, from the U.S. Army's Green Berets to the French ForeignLegion, the Russian Airborne to the British SAS.Military experts and historians revealhow these elite units formed, and explore their crucial roles in some of the 20th century'sgreat battles. Remarkable footage shows the danger and daring of their vital operations,while interviews with team members offers rare insight into life in these elite troops.From terrorist attacks in the streets of London to the wars in Vietnam and the PersianGulf, go to the front lines alongside the legendary SHOCK TROOPS. ... Read more