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| 1. Plan 9 from Outer Space Director: Edward D. Wood Jr. | |
![]() | list price: $9.95
our price: $9.95 (price subject to change: see help) Asin: 6305399352 Catlog: Video Sales Rank: 4818 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (166)
- When the police drives from the town to the cemetary time somehow switches from night to day back to night. - The Swedish accent of wrestler Tor Johnson, playing a police officer / walking corpse. - The six feet tall, blonde chiropractor that replaced deceased Bela Lugosi. - The plates-glued-together UFO's with strings completely visible. - The cardboard tombstones that wiggle. - The cemetery ground, obviously a piece of fabric covered with leaves. - The plot, or rather lack thereof. - The dialogue, hilariosly funny only because it's meant to be serious. - The actors. Nuff said. Still, it's also one of the best films ever made. Ed Wood Jr. was a filmmaker with a passion. He wanted to make films, so he made films. You can't help but respect that. That's why this movie deserves five stars, and "Deathstalker III: Deathstalker and the Warriors from Hell" deserves none.
Note that there are two DVD releases - this one has a lengthy (longer than the film, in fact) documentary, whilst the other has a plug for Tim Burton's equally-good 'Ed Wood'. This one is slightly more expensive, but worth getting, as the documentary is excellent. Commenting on picture and sound quality seems somehow inappropriate, really.
Ed thought that he'll be remembered for this film. This was his big one and he's right, it's the one we remember him most for. However I don't think he would have liked the tag it's been given but if you want to be remembered he certainly went about the right way in doing it ( even if the results were all wrong ) But if we start at the start with Bela's last real scene where he mourns his lover's death - that was a really touching scene. The emotion in that looks too real that it can't be described as fake or cardboard cut out. If anything that was the most poignant scene Ed ever captured on film. He may have been an inept film-maker but that was a stroke of genius - no kidding! I get the feeling Ed cast Vampira as Lugosi's wife mainly because if you've seen the Tim Burton movie you'll know that Lugosi thought she was " a honey " and it was certainly a nice gesture to Bela to do that. Vampira doesn't have to do much in this film. Just walk really slowly and look ominous whenever the camera is on her. Looks beautiful while doing so I have to admit. I'm almost certain that she inspired George Romero to make Night of The Living Dead by her walking alone. Criswell makes his appearance in this film and you have to say, him, along with Vampira and Tor, got almost uncanny lookalikes in Tim Burton's biopic that it seems almost spooky. Hats off to whoever had the idea of using saucer lids for um the use of flying saucers. Really neat and easily identified even if it was black and white. Still not too bad a job. Oh and who could forget Saturn as a ballbearing - Top Class! The last 20 minutes are a farce as I've said before mainly because it's supposed to be a showdown between the humans and the aliens....or to be more precise 3 men with guns and a man and a woman in funny clothing that are supposed to be aliens. The acting here is horrifically poor and despite it all being passionately acted it just seems.....well a bit silly. And whatever niggling doubts you had about the film leading up to the last 20 minutes, will no doubt be exposed by the end. A shame because the film showed Ed at his most coherent. And that sadly was the pinnacle of Ed's career. So all in all it's not the worst movie of all time and certainly not the worst you'll ever see ( unless you're a connoisseur of good taste and in that case what the hell are you reading this for ). Definitely his most enjoyable film. Now if someone could only just tell Criswell to shut up ( I wish Ed had tried, honestly try to do that ). But for Ed, this would be his shot at greatness and while it backfired, it was about as good as he could make it. Perhaps if he were making these now and not 40 years ago he might have gotten away with it. And I'm sure Ben Affleck would have been great as the dumb pilot if it were made now. Think about it Here's to Ed though - he may not have been the greatest but he sure knew how to entertain us
For nothing (and I mean NOTHING) came out right in this movie. Continuity? Hah! Realistic dialogue? Pish! Convincing acting? Gah! Remotely realistic special effects? Heaven forbid! No, what Ed Wood gave us with "Plan 9" is quite simply a cinematic failure that not even Orson Wells could have duplicated if he had tried. In what other movie is one of your stars dead even before the script is written or shooting begins? No, "Plan 9" is unique, a thing that we mere mortals can only begin to try and understand. Instead we can only watch, transfixed and trembling in awe that Wood's vision was transmitted so perfectly to the silver screen. This is a movie that well deserves to be ranked among the immortal creations of motion picture history, despite or perhaps because of the fact that it completely lacks any of the features that would normally merit such an inclusion. To think otherwise can only be the result of stupid minds. Stupid! Your stupid, stupid minds!
"Plan 9" revolves around a couple of space invaders in bad suits who fly around in spaceships on strings and resurrect the recently dead to haunt the inhabits of a small town where it seems to go back and forth from night to day a lot. The humans aren't having it though as a joint team of the local police, military, and an overacting airline pilot refuse to be terrorized by the undead creatures (who can't decide whether they're ghouls or vampires). But these visitors from a badly-drawn planet resembling Saturn have their own intentions. They're hear to warn us of a new solar-powered weapon that the Earth will eventually create and wipe out the universe. But our heroes aren't going down without a fight. They've got enough army movie stock footage to send them aliens back where they came from. What makes "Plan 9" so entertainingly terrible? Where do I start? There's the overly-descriptive narration of Criswell who practically gives play-by-play for every action in the film. You've got Bela Lugosi who appears courtesy of silent footage recorded before his death and with the help of a stand-in who looks nothing like him. And who could forget those cooky cops who don't allow the discovery of their Captain's horrifying death to damper their moods any? Also there's Duke Moore's hards-as-nails detective who fearlessly uses his gun to fix his hat when necessary.From the bargain basement graveyard chalk full of cardboard headstones to the hungry young overactors spitting out silly dialouge, "Plan 9" is truly the "Citizen Kane of bad movies". For those looking to pick this gem up on DVD, the Image edition is the only way to go. Not only is the picture the best that it's ever looked but it comes with a feature-length documentary, "Flying Saucers Over Hollywood: The Plan 9 Companion" and the trailer for the movie. Avoid the Passport version which has a company logo imprinted in the bottom corner similiar to the ones that TV networks use. ... Read more | |
| 2. Plan 9 from Outer Space Director: Edward D. Wood Jr. | |
![]() | list price: $9.95
(price subject to change: see help) Asin: 6303170498 Catlog: Video Sales Rank: 35104 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (166)
- When the police drives from the town to the cemetary time somehow switches from night to day back to night. - The Swedish accent of wrestler Tor Johnson, playing a police officer / walking corpse. - The six feet tall, blonde chiropractor that replaced deceased Bela Lugosi. - The plates-glued-together UFO's with strings completely visible. - The cardboard tombstones that wiggle. - The cemetery ground, obviously a piece of fabric covered with leaves. - The plot, or rather lack thereof. - The dialogue, hilariosly funny only because it's meant to be serious. - The actors. Nuff said. Still, it's also one of the best films ever made. Ed Wood Jr. was a filmmaker with a passion. He wanted to make films, so he made films. You can't help but respect that. That's why this movie deserves five stars, and "Deathstalker III: Deathstalker and the Warriors from Hell" deserves none.
Note that there are two DVD releases - this one has a lengthy (longer than the film, in fact) documentary, whilst the other has a plug for Tim Burton's equally-good 'Ed Wood'. This one is slightly more expensive, but worth getting, as the documentary is excellent. Commenting on picture and sound quality seems somehow inappropriate, really.
Ed thought that he'll be remembered for this film. This was his big one and he's right, it's the one we remember him most for. However I don't think he would have liked the tag it's been given but if you want to be remembered he certainly went about the right way in doing it ( even if the results were all wrong ) But if we start at the start with Bela's last real scene where he mourns his lover's death - that was a really touching scene. The emotion in that looks too real that it can't be described as fake or cardboard cut out. If anything that was the most poignant scene Ed ever captured on film. He may have been an inept film-maker but that was a stroke of genius - no kidding! I get the feeling Ed cast Vampira as Lugosi's wife mainly because if you've seen the Tim Burton movie you'll know that Lugosi thought she was " a honey " and it was certainly a nice gesture to Bela to do that. Vampira doesn't have to do much in this film. Just walk really slowly and look ominous whenever the camera is on her. Looks beautiful while doing so I have to admit. I'm almost certain that she inspired George Romero to make Night of The Living Dead by her walking alone. Criswell makes his appearance in this film and you have to say, him, along with Vampira and Tor, got almost uncanny lookalikes in Tim Burton's biopic that it seems almost spooky. Hats off to whoever had the idea of using saucer lids for um the use of flying saucers. Really neat and easily identified even if it was black and white. Still not too bad a job. Oh and who could forget Saturn as a ballbearing - Top Class! The last 20 minutes are a farce as I've said before mainly because it's supposed to be a showdown between the humans and the aliens....or to be more precise 3 men with guns and a man and a woman in funny clothing that are supposed to be aliens. The acting here is horrifically poor and despite it all being passionately acted it just seems.....well a bit silly. And whatever niggling doubts you had about the film leading up to the last 20 minutes, will no doubt be exposed by the end. A shame because the film showed Ed at his most coherent. And that sadly was the pinnacle of Ed's career. So all in all it's not the worst movie of all time and certainly not the worst you'll ever see ( unless you're a connoisseur of good taste and in that case what the hell are you reading this for ). Definitely his most enjoyable film. Now if someone could only just tell Criswell to shut up ( I wish Ed had tried, honestly try to do that ). But for Ed, this would be his shot at greatness and while it backfired, it was about as good as he could make it. Perhaps if he were making these now and not 40 years ago he might have gotten away with it. And I'm sure Ben Affleck would have been great as the dumb pilot if it were made now. Think about it Here's to Ed though - he may not have been the greatest but he sure knew how to entertain us
For nothing (and I mean NOTHING) came out right in this movie. Continuity? Hah! Realistic dialogue? Pish! Convincing acting? Gah! Remotely realistic special effects? Heaven forbid! No, what Ed Wood gave us with "Plan 9" is quite simply a cinematic failure that not even Orson Wells could have duplicated if he had tried. In what other movie is one of your stars dead even before the script is written or shooting begins? No, "Plan 9" is unique, a thing that we mere mortals can only begin to try and understand. Instead we can only watch, transfixed and trembling in awe that Wood's vision was transmitted so perfectly to the silver screen. This is a movie that well deserves to be ranked among the immortal creations of motion picture history, despite or perhaps because of the fact that it completely lacks any of the features that would normally merit such an inclusion. To think otherwise can only be the result of stupid minds. Stupid! Your stupid, stupid minds!
"Plan 9" revolves around a couple of space invaders in bad suits who fly around in spaceships on strings and resurrect the recently dead to haunt the inhabits of a small town where it seems to go back and forth from night to day a lot. The humans aren't having it though as a joint team of the local police, military, and an overacting airline pilot refuse to be terrorized by the undead creatures (who can't decide whether they're ghouls or vampires). But these visitors from a badly-drawn planet resembling Saturn have their own intentions. They're hear to warn us of a new solar-powered weapon that the Earth will eventually create and wipe out the universe. But our heroes aren't going down without a fight. They've got enough army movie stock footage to send them aliens back where they came from. What makes "Plan 9" so entertainingly terrible? Where do I start? There's the overly-descriptive narration of Criswell who practically gives play-by-play for every action in the film. You've got Bela Lugosi who appears courtesy of silent footage recorded before his death and with the help of a stand-in who looks nothing like him. And who could forget those cooky cops who don't allow the discovery of their Captain's horrifying death to damper their moods any? Also there's Duke Moore's hards-as-nails detective who fearlessly uses his gun to fix his hat when necessary.From the bargain basement graveyard chalk full of cardboard headstones to the hungry young overactors spitting out silly dialouge, "Plan 9" is truly the "Citizen Kane of bad movies". For those looking to pick this gem up on DVD, the Image edition is the only way to go. Not only is the picture the best that it's ever looked but it comes with a feature-length documentary, "Flying Saucers Over Hollywood: The Plan 9 Companion" and the trailer for the movie. Avoid the Passport version which has a company logo imprinted in the bottom corner similiar to the ones that TV networks use. ... Read more | |
| 3. Plan 9 from Outer Space Director: Edward D. Wood Jr. | |
![]() | list price: $14.95
our price: $14.95 (price subject to change: see help) Asin: 6303861210 Catlog: Video Sales Rank: 79204 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (166)
- When the police drives from the town to the cemetary time somehow switches from night to day back to night. - The Swedish accent of wrestler Tor Johnson, playing a police officer / walking corpse. - The six feet tall, blonde chiropractor that replaced deceased Bela Lugosi. - The plates-glued-together UFO's with strings completely visible. - The cardboard tombstones that wiggle. - The cemetery ground, obviously a piece of fabric covered with leaves. - The plot, or rather lack thereof. - The dialogue, hilariosly funny only because it's meant to be serious. - The actors. Nuff said. Still, it's also one of the best films ever made. Ed Wood Jr. was a filmmaker with a passion. He wanted to make films, so he made films. You can't help but respect that. That's why this movie deserves five stars, and "Deathstalker III: Deathstalker and the Warriors from Hell" deserves none.
Note that there are two DVD releases - this one has a lengthy (longer than the film, in fact) documentary, whilst the other has a plug for Tim Burton's equally-good 'Ed Wood'. This one is slightly more expensive, but worth getting, as the documentary is excellent. Commenting on picture and sound quality seems somehow inappropriate, really.
Ed thought that he'll be remembered for this film. This was his big one and he's right, it's the one we remember him most for. However I don't think he would have liked the tag it's been given but if you want to be remembered he certainly went about the right way in doing it ( even if the results were all wrong ) But if we start at the start with Bela's last real scene where he mourns his lover's death - that was a really touching scene. The emotion in that looks too real that it can't be described as fake or cardboard cut out. If anything that was the most poignant scene Ed ever captured on film. He may have been an inept film-maker but that was a stroke of genius - no kidding! I get the feeling Ed cast Vampira as Lugosi's wife mainly because if you've seen the Tim Burton movie you'll know that Lugosi thought she was " a honey " and it was certainly a nice gesture to Bela to do that. Vampira doesn't have to do much in this film. Just walk really slowly and look ominous whenever the camera is on her. Looks beautiful while doing so I have to admit. I'm almost certain that she inspired George Romero to make Night of The Living Dead by her walking alone. Criswell makes his appearance in this film and you have to say, him, along with Vampira and Tor, got almost uncanny lookalikes in Tim Burton's biopic that it seems almost spooky. Hats off to whoever had the idea of using saucer lids for um the use of flying saucers. Really neat and easily identified even if it was black and white. Still not too bad a job. Oh and who could forget Saturn as a ballbearing - Top Class! The last 20 minutes are a farce as I've said before mainly because it's supposed to be a showdown between the humans and the aliens....or to be more precise 3 men with guns and a man and a woman in funny clothing that are supposed to be aliens. The acting here is horrifically poor and despite it all being passionately acted it just seems.....well a bit silly. And whatever niggling doubts you had about the film leading up to the last 20 minutes, will no doubt be exposed by the end. A shame because the film showed Ed at his most coherent. And that sadly was the pinnacle of Ed's career. So all in all it's not the worst movie of all time and certainly not the worst you'll ever see ( unless you're a connoisseur of good taste and in that case what the hell are you reading this for ). Definitely his most enjoyable film. Now if someone could only just tell Criswell to shut up ( I wish Ed had tried, honestly try to do that ). But for Ed, this would be his shot at greatness and while it backfired, it was about as good as he could make it. Perhaps if he were making these now and not 40 years ago he might have gotten away with it. And I'm sure Ben Affleck would have been great as the dumb pilot if it were made now. Think about it Here's to Ed though - he may not have been the greatest but he sure knew how to entertain us
For nothing (and I mean NOTHING) came out right in this movie. Continuity? Hah! Realistic dialogue? Pish! Convincing acting? Gah! Remotely realistic special effects? Heaven forbid! No, what Ed Wood gave us with "Plan 9" is quite simply a cinematic failure that not even Orson Wells could have duplicated if he had tried. In what other movie is one of your stars dead even before the script is written or shooting begins? No, "Plan 9" is unique, a thing that we mere mortals can only begin to try and understand. Instead we can only watch, transfixed and trembling in awe that Wood's vision was transmitted so perfectly to the silver screen. This is a movie that well deserves to be ranked among the immortal creations of motion picture history, despite or perhaps because of the fact that it completely lacks any of the features that would normally merit such an inclusion. To think otherwise can only be the result of stupid minds. Stupid! Your stupid, stupid minds!
"Plan 9" revolves around a couple of space invaders in bad suits who fly around in spaceships on strings and resurrect the recently dead to haunt the inhabits of a small town where it seems to go back and forth from night to day a lot. The humans aren't having it though as a joint team of the local police, military, and an overacting airline pilot refuse to be terrorized by the undead creatures (who can't decide whether they're ghouls or vampires). But these visitors from a badly-drawn planet resembling Saturn have their own intentions. They're hear to warn us of a new solar-powered weapon that the Earth will eventually create and wipe out the universe. But our heroes aren't going down without a fight. They've got enough army movie stock footage to send them aliens back where they came from. What makes "Plan 9" so entertainingly terrible? Where do I start? There's the overly-descriptive narration of Criswell who practically gives play-by-play for every action in the film. You've got Bela Lugosi who appears courtesy of silent footage recorded before his death and with the help of a stand-in who looks nothing like him. And who could forget those cooky cops who don't allow the discovery of their Captain's horrifying death to damper their moods any? Also there's Duke Moore's hards-as-nails detective who fearlessly uses his gun to fix his hat when necessary.From the bargain basement graveyard chalk full of cardboard headstones to the hungry young overactors spitting out silly dialouge, "Plan 9" is truly the "Citizen Kane of bad movies". For those looking to pick this gem up on DVD, the Image edition is the only way to go. Not only is the picture the best that it's ever looked but it comes with a feature-length documentary, "Flying Saucers Over Hollywood: The Plan 9 Companion" and the trailer for the movie. Avoid the Passport version which has a company logo imprinted in the bottom corner similiar to the ones that TV networks use. ... Read more | |
| 4. The Haunted World of Edward D. Wood Jr. Director: Brett Thompson | |
![]() | list price: $29.98
(price subject to change: see help) Asin: 6304679599 Catlog: Video Sales Rank: 76236 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (7)
Haunted World boldly claims that these people haven't spoken out for 20 years. Obviously this is wishful nonsense, since most of the actors appeared in the four year older Ed Wood bio-pic "Flying saucers over Hollywood", and were also interviewed by Rudolph Grey for his book. Haunted World does not mention any of these, and those of the cast who mention Tim Burton's movie do so only to complain about their own portrayal. One gets the uneasy impression that the main motivation behind "Haunted World" is to allow the actors to paint a more flattering picture of themselves than Burton did. Haunted World never really takes off. It does not have the spontaneity of "Flying saucers" and has a strange phobia of leaving the studio. Where "Flying Saucers" took us on location, 'haunted world' has only miniatures of the exact same locations. It must be noted that the main reason for making this movie was Crawford Thomas' initiative to release the 22-minute "Crossroads of Laredo". Co-produced with, and directed by Wood. It was never finished and the fragments were stored in Thomas' garage. Interviews with Ed Wood's friends and actors were meant to pad out the release, but quickly ballooned into a separate feature. Haunted World covers familiar ground and is not an essential buy as such. It attempts to be a serious homage to Wood, yet lacks the structure of Grey's book and the chirpy enthusiasm of "Flying Saucers", but the Wood completionist will want this for "Crossroads of Laredo".
At the end of the "Plan 9 Companion" the narrator says, "Ed Wood did his best to make an entertaining film and succeeded-if not exactly in all the ways he may have intended." I think that says it all.
| |
| 5. Plan 9 from Outer Space Director: Edward D. Wood Jr. | |
![]() | list price: $9.95
(price subject to change: see help) Asin: 630538925X Catlog: Video Sales Rank: 115783 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (166)
- When the police drives from the town to the cemetary time somehow switches from night to day back to night. - The Swedish accent of wrestler Tor Johnson, playing a police officer / walking corpse. - The six feet tall, blonde chiropractor that replaced deceased Bela Lugosi. - The plates-glued-together UFO's with strings completely visible. - The cardboard tombstones that wiggle. - The cemetery ground, obviously a piece of fabric covered with leaves. - The plot, or rather lack thereof. - The dialogue, hilariosly funny only because it's meant to be serious. - The actors. Nuff said. Still, it's also one of the best films ever made. Ed Wood Jr. was a filmmaker with a passion. He wanted to make films, so he made films. You can't help but respect that. That's why this movie deserves five stars, and "Deathstalker III: Deathstalker and the Warriors from Hell" deserves none.
Note that there are two DVD releases - this one has a lengthy (longer than the film, in fact) documentary, whilst the other has a plug for Tim Burton's equally-good 'Ed Wood'. This one is slightly more expensive, but worth getting, as the documentary is excellent. Commenting on picture and sound quality seems somehow inappropriate, really.
Ed thought that he'll be remembered for this film. This was his big one and he's right, it's the one we remember him most for. However I don't think he would have liked the tag it's been given but if you want to be remembered he certainly went about the right way in doing it ( even if the results were all wrong ) But if we start at the start with Bela's last real scene where he mourns his lover's death - that was a really touching scene. The emotion in that looks too real that it can't be described as fake or cardboard cut out. If anything that was the most poignant scene Ed ever captured on film. He may have been an inept film-maker but that was a stroke of genius - no kidding! I get the feeling Ed cast Vampira as Lugosi's wife mainly because if you've seen the Tim Burton movie you'll know that Lugosi thought she was " a honey " and it was certainly a nice gesture to Bela to do that. Vampira doesn't have to do much in this film. Just walk really slowly and look ominous whenever the camera is on her. Looks beautiful while doing so I have to admit. I'm almost certain that she inspired George Romero to make Night of The Living Dead by her walking alone. Criswell makes his appearance in this film and you have to say, him, along with Vampira and Tor, got almost uncanny lookalikes in Tim Burton's biopic that it seems almost spooky. Hats off to whoever had the idea of using saucer lids for um the use of flying saucers. Really neat and easily identified even if it was black and white. Still not too bad a job. Oh and who could forget Saturn as a ballbearing - Top Class! The last 20 minutes are a farce as I've said before mainly because it's supposed to be a showdown between the humans and the aliens....or to be more precise 3 men with guns and a man and a woman in funny clothing that are supposed to be aliens. The acting here is horrifically poor and despite it all being passionately acted it just seems.....well a bit silly. And whatever niggling doubts you had about the film leading up to the last 20 minutes, will no doubt be exposed by the end. A shame because the film showed Ed at his most coherent. And that sadly was the pinnacle of Ed's career. So all in all it's not the worst movie of all time and certainly not the worst you'll ever see ( unless you're a connoisseur of good taste and in that case what the hell are you reading this for ). Definitely his most enjoyable film. Now if someone could only just tell Criswell to shut up ( I wish Ed had tried, honestly try to do that ). But for Ed, this would be his shot at greatness and while it backfired, it was about as good as he could make it. Perhaps if he were making these now and not 40 years ago he might have gotten away with it. And I'm sure Ben Affleck would have been great as the dumb pilot if it were made now. Think about it Here's to Ed though - he may not have been the greatest but he sure knew how to entertain us
For nothing (and I mean NOTHING) came out right in this movie. Continuity? Hah! Realistic dialogue? Pish! Convincing acting? Gah! Remotely realistic special effects? Heaven forbid! No, what Ed Wood gave us with "Plan 9" is quite simply a cinematic failure that not even Orson Wells could have duplicated if he had tried. In what other movie is one of your stars dead even before the script is written or shooting begins? No, "Plan 9" is unique, a thing that we mere mortals can only begin to try and understand. Instead we can only watch, transfixed and trembling in awe that Wood's vision was transmitted so perfectly to the silver screen. This is a movie that well deserves to be ranked among the immortal creations of motion picture history, despite or perhaps because of the fact that it completely lacks any of the features that would normally merit such an inclusion. To think otherwise can only be the result of stupid minds. Stupid! Your stupid, stupid minds!
"Plan 9" revolves around a couple of space invaders in bad suits who fly around in spaceships on strings and resurrect the recently dead to haunt the inhabits of a small town where it seems to go back and forth from night to day a lot. The humans aren't having it though as a joint team of the local police, military, and an overacting airline pilot refuse to be terrorized by the undead creatures (who can't decide whether they're ghouls or vampires). But these visitors from a badly-drawn planet resembling Saturn have their own intentions. They're hear to warn us of a new solar-powered weapon that the Earth will eventually create and wipe out the universe. But our heroes aren't going down without a fight. They've got enough army movie stock footage to send them aliens back where they came from. What makes "Plan 9" so entertainingly terrible? Where do I start? There's the overly-descriptive narration of Criswell who practically gives play-by-play for every action in the film. You've got Bela Lugosi who appears courtesy of silent footage recorded before his death and with the help of a stand-in who looks nothing like him. And who could forget those cooky cops who don't allow the discovery of their Captain's horrifying death to damper their moods any? Also there's Duke Moore's hards-as-nails detective who fearlessly uses his gun to fix his hat when necessary.From the bargain basement graveyard chalk full of cardboard headstones to the hungry young overactors spitting out silly dialouge, "Plan 9" is truly the "Citizen Kane of bad movies". For those looking to pick this gem up on DVD, the Image edition is the only way to go. Not only is the picture the best that it's ever looked but it comes with a feature-length documentary, "Flying Saucers Over Hollywood: The Plan 9 Companion" and the trailer for the movie. Avoid the Passport version which has a company logo imprinted in the bottom corner similiar to the ones that TV networks use. ... Read more | |
| 6. Plan 9 from Outer Space Director: Edward D. Wood Jr. | |
![]() | list price: $19.98
(price subject to change: see help) Asin: 6304680724 Catlog: Video Sales Rank: 41013 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (166)
- When the police drives from the town to the cemetary time somehow switches from night to day back to night. - The Swedish accent of wrestler Tor Johnson, playing a police officer / walking corpse. - The six feet tall, blonde chiropractor that replaced deceased Bela Lugosi. - The plates-glued-together UFO's with strings completely visible. - The cardboard tombstones that wiggle. - The cemetery ground, obviously a piece of fabric covered with leaves. - The plot, or rather lack thereof. - The dialogue, hilariosly funny only because it's meant to be serious. - The actors. Nuff said. Still, it's also one of the best films ever made. Ed Wood Jr. was a filmmaker with a passion. He wanted to make films, so he made films. You can't help but respect that. That's why this movie deserves five stars, and "Deathstalker III: Deathstalker and the Warriors from Hell" deserves none.
Note that there are two DVD releases - this one has a lengthy (longer than the film, in fact) documentary, whilst the other has a plug for Tim Burton's equally-good 'Ed Wood'. This one is slightly more expensive, but worth getting, as the documentary is excellent. Commenting on picture and sound quality seems somehow inappropriate, really.
Ed thought that he'll be remembered for this film. This was his big one and he's right, it's the one we remember him most for. However I don't think he would have liked the tag it's been given but if you want to be remembered he certainly went about the right way in doing it ( even if the results were all wrong ) But if we start at the start with Bela's last real scene where he mourns his lover's death - that was a really touching scene. The emotion in that looks too real that it can't be described as fake or cardboard cut out. If anything that was the most poignant scene Ed ever captured on film. He may have been an inept film-maker but that was a stroke of genius - no kidding! I get the feeling Ed cast Vampira as Lugosi's wife mainly because if you've seen the Tim Burton movie you'll know that Lugosi thought she was " a honey " and it was certainly a nice gesture to Bela to do that. Vampira doesn't have to do much in this film. Just walk really slowly and look ominous whenever the camera is on her. Looks beautiful while doing so I have to admit. I'm almost certain that she inspired George Romero to make Night of The Living Dead by her walking alone. Criswell makes his appearance in this film and you have to say, him, along with Vampira and Tor, got almost uncanny lookalikes in Tim Burton's biopic that it seems almost spooky. Hats off to whoever had the idea of using saucer lids for um the use of flying saucers. Really neat and easily identified even if it was black and white. Still not too bad a job. Oh and who could forget Saturn as a ballbearing - Top Class! The last 20 minutes are a farce as I've said before mainly because it's supposed to be a showdown between the humans and the aliens....or to be more precise 3 men with guns and a man and a woman in funny clothing that are supposed to be aliens. The acting here is horrifically poor and despite it all being passionately acted it just seems.....well a bit silly. And whatever niggling doubts you had about the film leading up to the last 20 minutes, will no doubt be exposed by the end. A shame because the film showed Ed at his most coherent. And that sadly was the pinnacle of Ed's career. So all in all it's not the worst movie of all time and certainly not the worst you'll ever see ( unless you're a connoisseur of good taste and in that case what the hell are you reading this for ). Definitely his most enjoyable film. Now if someone could only just tell Criswell to shut up ( I wish Ed had tried, honestly try to do that ). But for Ed, this would be his shot at greatness and while it backfired, it was about as good as he could make it. Perhaps if he were making these now and not 40 years ago he might have gotten away with it. And I'm sure Ben Affleck would have been great as the dumb pilot if it were made now. Think about it Here's to Ed though - he may not have been the greatest but he sure knew how to entertain us
For nothing (and I mean NOTHING) came out right in this movie. Continuity? Hah! Realistic dialogue? Pish! Convincing acting? Gah! Remotely realistic special effects? Heaven forbid! No, what Ed Wood gave us with "Plan 9" is quite simply a cinematic failure that not even Orson Wells could have duplicated if he had tried. In what other movie is one of your stars dead even before the script is written or shooting begins? No, "Plan 9" is unique, a thing that we mere mortals can only begin to try and understand. Instead we can only watch, transfixed and trembling in awe that Wood's vision was transmitted so perfectly to the silver screen. This is a movie that well deserves to be ranked among the immortal creations of motion picture history, despite or perhaps because of the fact that it completely lacks any of the features that would normally merit such an inclusion. To think otherwise can only be the result of stupid minds. Stupid! Your stupid, stupid minds!
"Plan 9" revolves around a couple of space invaders in bad suits who fly around in spaceships on strings and resurrect the recently dead to haunt the inhabits of a small town where it seems to go back and forth from night to day a lot. The humans aren't having it though as a joint team of the local police, military, and an overacting airline pilot refuse to be terrorized by the undead creatures (who can't decide whether they're ghouls or vampires). But these visitors from a badly-drawn planet resembling Saturn have their own intentions. They're hear to warn us of a new solar-powered weapon that the Earth will eventually create and wipe out the universe. But our heroes aren't going down without a fight. They've got enough army movie stock footage to send them aliens back where they came from. What makes "Plan 9" so entertainingly terrible? Where do I start? There's the overly-descriptive narration of Criswell who practically gives play-by-play for every action in the film. You've got Bela Lugosi who appears courtesy of silent footage recorded before his death and with the help of a stand-in who looks nothing like him. And who could forget those cooky cops who don't allow the discovery of their Captain's horrifying death to damper their moods any? Also there's Duke Moore's hards-as-nails detective who fearlessly uses his gun to fix his hat when necessary.From the bargain basement graveyard chalk full of cardboard headstones to the hungry young overactors spitting out silly dialouge, "Plan 9" is truly the "Citizen Kane of bad movies". For those looking to pick this gem up on DVD, the Image edition is the only way to go. Not only is the picture the best that it's ever looked but it comes with a feature-length documentary, "Flying Saucers Over Hollywood: The Plan 9 Companion" and the trailer for the movie. Avoid the Passport version which has a company logo imprinted in the bottom corner similiar to the ones that TV networks use. ... Read more | |
| 7. Ed Wood Story-Plan 9 Companion Director: Mark Patrick Carducci | |
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Reviews (3)
The film obviously has great reverence for Wood's work, and fundamentally gives the picture of Wood as a nice guy (despite issues with cross-dressing and alcohol) who was well liked but was somewhat manic about his pictures. My biggest regret about Wood is that he died before he achieved the huge fame that he has today; fame that would have certainly been beyond his wildest expectations. This documentary is an entertaining and informative look at Wood as a person and a director. It is totally fair and balanced: it never tries to hide his faults, but always gives him credit for his genuine achievements. I think that the Ed Wood collection contains some of the most bizarre and innovative (if ineptly made in every manner) works in American motion picture history. They are bad, true, but they are a good kind of bad, a kind of bad that allows repeated viewing without ever becoming bored. There will never be another Ed Wood.
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