Reviews (11)

Dr.Terror's House of Horrors
Amicus made several horror films,this being one of the better. Several men on a commuter train meet the mysterious Dr.Shrek (Peter Cushing).He tells them,one by one,how they will die using his Tarot cards.Some stories are better than others(The disbelieving Christopher Lee's called "Disembodied Hand" is the best tale in the film,IMO)Also a very young Donald Sutherland is one of the doomed in Dr.Terror's House of Horrors!!

Strong horror anthology
Amicus films pulled Hammer standards Cushing and Lee into doing this overall entertaining horror anthology. The story begins on a train where fortune teller Cushing uses his tarot cards to predict the unenviable futures of five men. The first two stories are probably the weakest, but hold tight because they get better. The third tale is a about voodoo and it is considerably better than the first two. The real gems are the last two entries of the five. The fourth story has Christopher Lee as a snooty art critic who gets pursued by a relentless severed hand and the fifth is an interesting vampire story starring a young Donald Sutherland. This film is definitely reccommended, just remember it gets better as it goes along.

Not bad, if I do have to say so myself.
Upon first reading the title, one might assume that this 1965 horror anthology was simply another cheap haunted house cookie cutter flick. However, when I actually viewed "Dr. Terror's House of Horrors," I realized that this movie (although not the BEST one conceived, in my opinion) was something that really DID hold my interest. Basically, the concept is this: the entire film takes place inside a train, where 5 gentleman (who have never seen each other before) sit together and wait to reach an unnamed destination. During the trip, these 5 passengers each have their futures foretold by a 6th individual; he turns out to be the mysterious, eccentric Doctor Sandor Shreck (Peter Cushing) who relies on a deck of Tarot cards to investigate the supernatural effects of fear and terror. The Doctor instructs each reluctant participant to tap the deck 3 times; afterwards the first 4 images confirm the listener's destiny, while an extra 5th card explains exactly how to avoid it. Then the fun really begins as each passenger's story is unveiled: Jim Dawson (Neil McCallum), a hard-working architect, is asked to renovate a widow's mansion, where later on he discovers an ancient Werewolf's coffin hidden in the basement. Bob Carroll (Donald Sutherland), a happily married man, is terrorized by a clinging vine creeping on the side of the house; an intelligent plant that becomes increasing maniacal against humankind. Biff Bailey (Roy Castle) is an ambitious jazz performer who steals the rhythms of an ancient voodoo ritual in an effort to compose a hit song; unwilling to take the West Indies culture seriously, Bailey learns the hard way why one must never pilfer music from an ancient, jealous god. Perhaps my favorite spooky tale is that of Franklyn Marsh (Christoper Lee), a snobbish art critic who coldly dismembers a painter's hand in a hit-and-run drive. When the desvastated victim commits suicide, his amputated hand returns to life for one purpose: vengeance! The film's final passenger, Doctor Blake (Max Adrian), is newly wedded to a gorgeous, seductive French woman who is later revealed to be a ravenous vampire.
I decided to rate this movie 4 stars because there are a few cinematic flaws. In some scenes (especially in the early half of the film), the acting did not seem convincing to me; such performances still leave something to be desired. In addition, a couple of the gentlemens' death scenes were fairly cheesy. But despite such mistakes, "Dr Terror" is worth watching all the way through, as it is glued together by a decent concept not always used in the horror genre. Also keep in mind that the twisting plotline flows from one scene to the next, without ANY excessive dialogue.

Found Again, movie from my youth
I remember being a child that did not like horror movies. My friend tried to make me watch Freddy and Jason when I was little and I had to hide in the bathroom and had nightmares for weeks. Well, I remember flipping channels and seeing a movie that was divided up into stories. It was a little too scary for me then, but I remembered it. Then a few more times over the years I came across this movie again and watched it. I now relate it to another Peter Cushing movie, The original Tales From the Crypt. They take a group of people and tell stories about all of them separately and shows how it affects the group pretty much. It is very campy, but if you enjoy older horror movies and want some fun on a Saturday this is a good movie for it. Definitely worth a chance. Keep the faith, dExtrosien

Pick a Card! Any Card!
I first saw this film when I was five years old. It scared the begeezes out of me then and stuck with me my entire life. Seeing it again 35 years later was quite a treat. While it no longer frightened me - lovers of schlock and modern special effects should steer clear of this one - I did find it morbidly entertaining. The film has a strong cast, headed by the dynamic horror duo - Christopher Lee and Peter Cushing. A young Donald Sutherland also has a role. While I think all of the stories are good, some stand well above the others. The Werewolf story was exquisitely done, as was the Creeping Hand story. And the Vampire story has a great twist at the end, while the Voodoo story seemed to me the weakest. I would definitely recomend this film to anyone who enjoys slightly campy, 60s era horror films a la Hammer and Arkoff. ... Read more

Reviews (27)

Problematic yet entertaining
Any film sporting a cast including Charlton Heston, Laurence Olivier, Richard Johnson, and Ralph Richardson has to be a winner, right? Errr, maybe. Take a look at the 1966 epic "Khartoum." It's got all the elements of a Hollywood blockbuster made in an era when big screen sagas dominated ticket sales. Bombastic musical score? Check. Big name actors? Check. Lush, atmospheric vistas beautifully and tastefully photographed? Check. "Khartoum" has all these elements, including a kingly run time of 134 minutes. So what went wrong? Depending on your viewpoint, everything or nothing. Personally, I sort of liked this movie about British General Charles "Chinese" Gordon's excursion to the Sudan to fight off an Islamic fanatic named the Mahdi. Then again, I've never seen "Lawrence of Arabia," the epic of epics I'm told this movie tried to shamelessly rip-off. I've got a degree in history, so I always like to sit down and watch Hollywood attempt to do historical pictures. My background, unfortunately, doesn't encompass nineteenth century British politics, so I had to look at the movie from a purely entertainment level. From that angle, "Khartoum" is intriguing.

At the beginning of the film we see a contingent of British army regulars and local Arab auxiliaries wiped out by the fanatical army of the Mahdi (Olivier). This Islamic warrior seeks to throw the British out of the Sudan, capture the Suez Canal, and then launch a jihad against the western world. Enter Prime Minister William Gladstone (Richardson) and his cabinet. These politicians are quite concerned about the Mahdi's militant overtures. The threat of losing their hold on the Suez could cause Gladstone to lose political power, and the public is having a field day about the lost army in the desert. Prime Minister Gladstone doesn't want to take a further risk by sending another army into the field. What will happen to him if that force disappears as well? Then Colonel J.D.H. Stewart (Johnson) comes up with a novel idea: why not send good old General Charles Gordon (Heston) down to the Sudan to straighten out matters? "Chinese" Gordon knows the ropes in the region since he helped abolish slavery in that part of the world a few years before. The Arabs just love this Brit, so why not make use of his talents to undercut the local support for the Mahdi? Gladstone rejoices, recognizing he has a way out of this sticky political predicament. He quickly convinces Gordon to undertake a secret mission into the Sudan.

Gordon knows the score, but decides to go anyway. Stewart goes along as an assistant and as a spy for Gladstone. The General and Stewart sail up the Nile to Khartoum, where they plan on arranging resistance to the fanatics. Things go awry almost immediately, as a former slaver whose son Gordon killed refuses to help the British. Then the Mahdi's forces box the General into Khartoum. The city faces food and supply shortages that require Gordon to launch a few small attacks in the desert while Stewart remains behind to fortify the city with a moat. After he meets with the Mahdi and learns how dangerous the guy is, "Chinese" Gordon realizes he'll need the help of the British if he wants to hold the region. Across the desert go the messengers, but Gladstone stonewalls in London, claiming Gordon went to the Sudan on his own accord and thus must fix the mess himself. The prime minister even goes so far as to accuse Gordon of exaggerating the threat facing the city. Eventually, Gladstone sends forces to save Khartoum, but gives the leader of this army strict orders to drag his feet. Lots of politics here, folks, but it all makes sense when you see it. Gordon stands tall at the end when the Mahdi launches a massive offensive against Khartoum. The final battle scene is an intense one and helped elevate my overall impression of the film.

"Khartoum" does slightly drag in spots, namely when all the political wrangling between Gordon and Gladstone takes place, but it is still fun for viewers who like dialogue heavy films. Besides, it isn't as though there's no action going on-there just isn't enough to satisfy viewers who found other Hollywood epics so much fun. You want non-stop action, watch "Zulu." You want to think a little bit about the machinations behind the imperialism, give "Khartoum" a shot. A better argument of the inferiority of this film could easily be made concerning the other elements of the story. The performances tend towards the uneven, sadly, as Olivier hams it up as the bass voiced Mahdi. He's barely recognizable behind all that shoe polish make-up and thick beard. Heston imbues his depiction of Gordon with a certain wryness that occasionally appeals but too often feels out of place. Moreover, his British accent is the least convincing one I have heard in a long time. Richardson and Johnson don't have much to do in their roles, and don't get the amount of screen time allotted to Olivier and Heston. "Khartoum" works, ultimately, but with serious reservations.

The DVD version of the film contains only a trailer as an extra. The restored print looks great, and that brassy musical score booms wonderfully. I'm not sure I can recommend actually buying this movie. If you like films about the Middle East, the British Empire, or epics than I'm sure you would want to add this one to your collection. I suggest a discrete rental and then a decision. I can say that I would watch this film again, if for no other reason than to see that cool landmine device Gordon cooks up with a pistol and a length of primer cord. Enjoy!

"out of the vast, hot, African nowhere..."
Though the historical events in this film took place in 1884-85, there are aspects of it that remind one of today's headlines; this is a sadly underrated film, with a fantastic cast, massive battle scenes, and a beautifully written script about an extraordinary man.
There are scenes that take "artistic license", but the film is quite accurate in its facts on General Gordon; a military genius who hated war, a deeply religious man who worked to end slavery, and who fell in love with the desolate scorching sands and the people of the Sudan.

The pairing of Charlton Heston and Laurence Olivier is fabulous, and their scenes together are riveting. Heston is gaunt in this film, to closer portray the slightly built Gordon, and speaks with a subtle but excellent English accent; Olivier is the fanatic who calls himself The Mahdi ("The Expected One"), waging a holy war with his followers to destroy anyone who opposes his beliefs, with the aim of conquering the world for his fundamentalist faith.
Other wonderful performances come from Richard Johnson as Col. Stewart, Ralph Richardson as Prime Minister Gladstone, Nigel Green as Gen Wolseley, and Johnny Sekka is a delight as Gordon's servant Khaleel.

After British-led Egyptian forces are massacred by The Mahdi's insurgents, the British government asks Egypt to give up the Sudan, and General Gordon is called to evacuate the European and Egyptian civilians from the Sudan; he stays to ward off the terrorists and the siege of Khartoum takes place.
The sweeping panoramas of the desert and the Nile river are sumptuous (cinematography by Edward Scaife), and the Frank Cordell score is terrific, though it owes a bit to Maurice Jarre's music for "Lawrence of Arabia"; released 6 years earlier, "Lawrence" has some comparisons to this film, as they are both about adventurous men of courage who felt comfortable in Arab lands.
This film sparked my imagination and made me want to know more about Gordon's fascinating life and the history that surrounded him, and it is one I could watch repeatedly. Total running time is 134 minutes.
"...but there is this: A world with no room for the Gordons, is a world that will return to the sands".

One of Chuck's best
Before he was NRA junta chief and in between making movies where a planet of apes evolved from men and Soylent Green was people, Charlton Heston was a pretty damn fine actor. His performance is pre-"method" but commanding, and he definitely holds his own in all the scenes with Olivier.

This film is based on the actual seige and capture of Khartoum in the Sudan in 1884. The events are of couse slightly disorted (as usual) but the essence of the story is correct. I don't think the box office reciepts would have been too good if they actually showed Gordon (Heston's character) as being 5'2" in boots. The real story is rather chilling and sad but the film manages to make it inspiring to a point, the situation being one where victory may be impossible but heroism, a willingness to fight the "good fight", is not.

As to the quality of the disc itself, there are no extras except the trailer. The sound quality is merely ok, but the picture transfer is beautiful. A+ on that count. If you saw the recent film of "The Four Feathers" I would recommend this film over it. It is a little leisurely in pace ealy on but it is well crafted and very well written.

Unimpressive
This isn't Charleton Heston's best work by a long-shot. His acting is hardly convincing as General Charles Gordon. The cinematography is decent but there seems to also be an absence in character depth throughout the movie: there is also little action.

Epic movies about the colonial era in Africa are never easy: this movie just doesn't do it. The best role played in the movie was that of "The Mahdi" by Laurence Olivier, however, he is hardly a convincing moor. All of the scenes just seem to fall short in climax or tension for this sort of drama.

The failure of the movie also lies in its attempt to simplify the complexities of the time: the script writer failed to grasp te culture of the epoch and this is made evident in the movie. As a result, the dialogue is hollow and the action dull. Perhaps worth renting for those who are admirers of either Heston or Olivier but there isn't much to own here.

EXCELLENT!!
Excellent DVD transfer of one of the great epics of the 60's! I was shocked on how clean the print was with very few blemishes to be found. This is the best I've ever seen this movie look. If you love epics-BUY THIS TODAY! ... Read more

Reviews (18)

Standing The Test Of Time
BEAT THE DEVIL is a very funny movie which retains its subtle charm even after many viewings, It reminds me of the MALTESE FALCON not only because of the similarity of some of the characters but also because of the likeness of the screenplays. Both films essentially focus on a treasure hunt with an array of buffoons vying for the prize. Humphrey Bogart's characters seem to be about the only really normal people in either movie. While it is definitely considered to be a comedy, BEAT THE DEVIL is also not a bad adventure story. Most of the subdued action takes place on shore while the assorted crooks and cutthroats are waiting for a leaky old ship to take them to Africa.

The cast includes Humphrey Bogart, Robert Morley, Jennifer Jones, Gina Lollobrigida, Peter Lorre, Ivor Barnard and Edward Underwood.

John Huston was the director and Truman Capote contributed heavily to the screenwriting after the filming began in Italy.Truly a ton of Hollywood talent was assembled for this one movie in a relatively charming location.

It is no wonder that the movie is standing the test of time and is now enjoying a revival of sorts with even a minor cult following.

Either You Get It or You Don't
Optioned as a drama by Humphrey Bogart's own production company, this movie was hijacked by director John Huston and screenwriter Truman Capote, who turned it into a subversive comedy under Bogart's nose. Some swindlers assembling in Italy would like to clean up a uranium concession in Africa but can't seem to keep the plot on the tracks. Almost entirely dialogue-driven, this satire relies in no little part on the mangled English dubbed for several of the characters by Peter Ustinov. Critic Pauline Kael quoted Humphrey Bogart about it: "Only phonies think it's funny." But even phonies like to laugh.

GOOD MOVIE ???
Great story with a great cast,but horrible sound and picture quality.

A jar of pickled clichés
Certainly not a masterpiece with a terminating Humphrey Bogart and a debutante Lollobrigida. Two odd couples with crossing affairs lost in a small harbor no one knows where because their derelict ship has broken down, surrounded by a band of three or four would-be gangsters who are nothing but weak bad boys. They even end up with a taxi jumping into the ocean, an attempted murder by overboard throwing in the middle of some ocean night, a shipwreck that brings all that nice group of adventurers to some Morocco where they are forced to bribe the locals to get through, and that is not as easy as one may think. In other words quite a compilation of clichés. And yet it is some fun to see such naive queer composition that someone in Hollywood called a film.

Dr Jacques COULARDEAU

FILM NOIR SPOOF
This glorious spoof of the film noir genre of the 1940's, has direction by John Huston, an ever evolving script by Truman Capote and stars:Humphrey Bogart - HB (Billy Danreuther), Jennifer Jones - JJ (Gwendolynne Chelm), Gina Lollobrigida - GL (Maria), Edward Underdown - EU (Harry Chelm), Robert Morley - RM (Pierson), Peter Lorre - PL (O'Hara) and other notable character actors.

Basically a group of rogues are vieing with each other to be the first to obtain a rich uranium deposit somewhere in "British East Africa" but we are never told where precisely.It was filmed on location in Italy and features the only other comic role of JJ, (her first being "Cluny Brown (1946)) as a congenital liar, whose Spanish Nurse taught her all there is to know!.What a pity Selznick did not recognise the comic potential of his wife and instead of putting her in soulful dirges like "Indiscretion of an American Wife"(1952), he had developed her natural comic potential."Beat The Devil" did not perform at the box office in 1953/4 when released but is now, thankfully, being re-evaluated by discerning film connoiseurs, achieving almost a cult like status.

Being a strong amateur chess player, I particularly liked the scene outside the Italian cafe where JJ is "duffing up" EU again with an almost instant sight of the board, while chatting up HB.(Note to chess geeks - JJ plays much more weakly in "A Farewell to Arms (1957) vs Rock Hudson!!).Incidentally HB liked to play chess himself when off camera.

The plot twists & turns and being English with a bawdy sense of humour, I laughed when GL says to EU "I've brought you some tea & crumpet" while almost smothering EU in the eye with her... well you get the point! It is reported John Huston rather sadistically requested JJ to climb to the rocking crow's nest- a fearsome climb - to do her leg stretching exercises on the ship taking them to Africa.The gang, led by RM, hope she breaks a leg - & not in the theatrical sense!My favourite scene is in the office of the African potentate who is questioning the motley group of rogues.In reality all he wants to know is whether HB has met Rita Hayworth as he is a big fan!.If you look carefully you can see her pin-up on his office wall.The quivering of RM's various chins when he is threatened with torture, is a delight to behold.

The trick of Nazis having escaped to Latin America after WWII, is lampooned by PL who insists everyone calls him "O'Hara" (our little Irish leprecaun!).Everyone seems to be having a ball.Look out for Bernard Lee playing his usual police inspector role.This was long before he shot to fame as "M" in the Sean Connery, James Bond series from 1962 onwards.I've noticed in memorable films there is usually a catchy tune somewhere and here is no exception as played by an Italian brass band.I even find myself whistling the pianola music played on the ship while Ivor Barnard is away with his stabbing swagger stick ready to bump off EU.I voted 3/5 stars for this film. ... Read more

Description

(1947-England). With CARROLL LEVIS, CAROLE LANDIS, HERBERT LOM, ERNEST THESIGER, TERRY-THOMAS. Popular 1940s radio personality Carroll Levis (who was known as "Britains favorite Canadian") stars as himself in this intriguing whodunit. He inadvertently becomes embroiled in a caper involving the smuggling of a priceless brass monkey into England. The potential buyer is Mr. Ryder-Harris (played with finesse by veteran character actor Ernest Thesiger). This eccentric gentleman claims the ancient artifact is "beyond human value to any follower of Buddhism." Levis has been given the monkey by his friend Kay Sheldon, who is a former talent discovery. She obtained the relic from her fiancŽ, who happens to be one of Londons most disreputable fences of stolen goods. The monkey lands in the clutter of Levis office and is promptly mislaid. Then, chaos follows as several unscrupulous parties try to steal the monkey, resulting in murder and mayhem. Amid all of this "monkey business," an array of musical and comedy performers audition for and appear on "The Levis Hour," our heros weekly radio program. Outstanding among the entertainers is gap-toothed farceur Terry-Thomas in a very comical early film appearance. 81 minutes. ... Read more

Description

With GORDON HARKER, ALASTAIR SIM. A cat creeps across a floor. A man with a suitcase descends a flight of stairs and exits a rooming house. Almost immediately the landlady climbs the stairs to bring supper to one of her boarders, a man named James Henreid. She knocks on his door. There is no answer. She enters the room and shrieks in horror as she glimpses Henreids corpse! He has just been brutally murdered and this surely is a case which only can be solved by no-nonsense Scotland Yard Inspector Hornleigh and his devoted assistant Sergeant Bingham (who are perfectly played by Gordon Harker and Alastair Sim). The inspector and sergeant (whose relationship is reminiscent of that of Sherlock Holmes and Doctor Watson) promptly arrive on the scene and begin hunting for evidence. The lone clue they find is Henreids missing suitcase. Before Hornleigh and Bingham are able to determine the motive for the crime and nab the culprit, they must try to prevent additional killings. A mind-massaging murder mystery that winds up with a shocking conclusion. 76 minutes. ... Read more

Reviews (18)

Standing The Test Of Time
BEAT THE DEVIL is a very funny movie which retains its subtle charm even after many viewings, It reminds me of the MALTESE FALCON not only because of the similarity of some of the characters but also because of the likeness of the screenplays. Both films essentially focus on a treasure hunt with an array of buffoons vying for the prize. Humphrey Bogart's characters seem to be about the only really normal people in either movie. While it is definitely considered to be a comedy, BEAT THE DEVIL is also not a bad adventure story. Most of the subdued action takes place on shore while the assorted crooks and cutthroats are waiting for a leaky old ship to take them to Africa.

The cast includes Humphrey Bogart, Robert Morley, Jennifer Jones, Gina Lollobrigida, Peter Lorre, Ivor Barnard and Edward Underwood.

John Huston was the director and Truman Capote contributed heavily to the screenwriting after the filming began in Italy.Truly a ton of Hollywood talent was assembled for this one movie in a relatively charming location.

It is no wonder that the movie is standing the test of time and is now enjoying a revival of sorts with even a minor cult following.

Either You Get It or You Don't
Optioned as a drama by Humphrey Bogart's own production company, this movie was hijacked by director John Huston and screenwriter Truman Capote, who turned it into a subversive comedy under Bogart's nose. Some swindlers assembling in Italy would like to clean up a uranium concession in Africa but can't seem to keep the plot on the tracks. Almost entirely dialogue-driven, this satire relies in no little part on the mangled English dubbed for several of the characters by Peter Ustinov. Critic Pauline Kael quoted Humphrey Bogart about it: "Only phonies think it's funny." But even phonies like to laugh.

GOOD MOVIE ???
Great story with a great cast,but horrible sound and picture quality.

A jar of pickled clichés
Certainly not a masterpiece with a terminating Humphrey Bogart and a debutante Lollobrigida. Two odd couples with crossing affairs lost in a small harbor no one knows where because their derelict ship has broken down, surrounded by a band of three or four would-be gangsters who are nothing but weak bad boys. They even end up with a taxi jumping into the ocean, an attempted murder by overboard throwing in the middle of some ocean night, a shipwreck that brings all that nice group of adventurers to some Morocco where they are forced to bribe the locals to get through, and that is not as easy as one may think. In other words quite a compilation of clichés. And yet it is some fun to see such naive queer composition that someone in Hollywood called a film.

Dr Jacques COULARDEAU

FILM NOIR SPOOF
This glorious spoof of the film noir genre of the 1940's, has direction by John Huston, an ever evolving script by Truman Capote and stars:Humphrey Bogart - HB (Billy Danreuther), Jennifer Jones - JJ (Gwendolynne Chelm), Gina Lollobrigida - GL (Maria), Edward Underdown - EU (Harry Chelm), Robert Morley - RM (Pierson), Peter Lorre - PL (O'Hara) and other notable character actors.

Basically a group of rogues are vieing with each other to be the first to obtain a rich uranium deposit somewhere in "British East Africa" but we are never told where precisely.It was filmed on location in Italy and features the only other comic role of JJ, (her first being "Cluny Brown (1946)) as a congenital liar, whose Spanish Nurse taught her all there is to know!.What a pity Selznick did not recognise the comic potential of his wife and instead of putting her in soulful dirges like "Indiscretion of an American Wife"(1952), he had developed her natural comic potential."Beat The Devil" did not perform at the box office in 1953/4 when released but is now, thankfully, being re-evaluated by discerning film connoiseurs, achieving almost a cult like status.

Being a strong amateur chess player, I particularly liked the scene outside the Italian cafe where JJ is "duffing up" EU again with an almost instant sight of the board, while chatting up HB.(Note to chess geeks - JJ plays much more weakly in "A Farewell to Arms (1957) vs Rock Hudson!!).Incidentally HB liked to play chess himself when off camera.

The plot twists & turns and being English with a bawdy sense of humour, I laughed when GL says to EU "I've brought you some tea & crumpet" while almost smothering EU in the eye with her... well you get the point! It is reported John Huston rather sadistically requested JJ to climb to the rocking crow's nest- a fearsome climb - to do her leg stretching exercises on the ship taking them to Africa.The gang, led by RM, hope she breaks a leg - & not in the theatrical sense!My favourite scene is in the office of the African potentate who is questioning the motley group of rogues.In reality all he wants to know is whether HB has met Rita Hayworth as he is a big fan!.If you look carefully you can see her pin-up on his office wall.The quivering of RM's various chins when he is threatened with torture, is a delight to behold.

The trick of Nazis having escaped to Latin America after WWII, is lampooned by PL who insists everyone calls him "O'Hara" (our little Irish leprecaun!).Everyone seems to be having a ball.Look out for Bernard Lee playing his usual police inspector role.This was long before he shot to fame as "M" in the Sean Connery, James Bond series from 1962 onwards.I've noticed in memorable films there is usually a catchy tune somewhere and here is no exception as played by an Italian brass band.I even find myself whistling the pianola music played on the ship while Ivor Barnard is away with his stabbing swagger stick ready to bump off EU.I voted 3/5 stars for this film. ... Read more

Reviews (18)

Standing The Test Of Time
BEAT THE DEVIL is a very funny movie which retains its subtle charm even after many viewings, It reminds me of the MALTESE FALCON not only because of the similarity of some of the characters but also because of the likeness of the screenplays. Both films essentially focus on a treasure hunt with an array of buffoons vying for the prize. Humphrey Bogart's characters seem to be about the only really normal people in either movie. While it is definitely considered to be a comedy, BEAT THE DEVIL is also not a bad adventure story. Most of the subdued action takes place on shore while the assorted crooks and cutthroats are waiting for a leaky old ship to take them to Africa.

The cast includes Humphrey Bogart, Robert Morley, Jennifer Jones, Gina Lollobrigida, Peter Lorre, Ivor Barnard and Edward Underwood.

John Huston was the director and Truman Capote contributed heavily to the screenwriting after the filming began in Italy.Truly a ton of Hollywood talent was assembled for this one movie in a relatively charming location.

It is no wonder that the movie is standing the test of time and is now enjoying a revival of sorts with even a minor cult following.

Either You Get It or You Don't
Optioned as a drama by Humphrey Bogart's own production company, this movie was hijacked by director John Huston and screenwriter Truman Capote, who turned it into a subversive comedy under Bogart's nose. Some swindlers assembling in Italy would like to clean up a uranium concession in Africa but can't seem to keep the plot on the tracks. Almost entirely dialogue-driven, this satire relies in no little part on the mangled English dubbed for several of the characters by Peter Ustinov. Critic Pauline Kael quoted Humphrey Bogart about it: "Only phonies think it's funny." But even phonies like to laugh.

GOOD MOVIE ???
Great story with a great cast,but horrible sound and picture quality.

A jar of pickled clichés
Certainly not a masterpiece with a terminating Humphrey Bogart and a debutante Lollobrigida. Two odd couples with crossing affairs lost in a small harbor no one knows where because their derelict ship has broken down, surrounded by a band of three or four would-be gangsters who are nothing but weak bad boys. They even end up with a taxi jumping into the ocean, an attempted murder by overboard throwing in the middle of some ocean night, a shipwreck that brings all that nice group of adventurers to some Morocco where they are forced to bribe the locals to get through, and that is not as easy as one may think. In other words quite a compilation of clichés. And yet it is some fun to see such naive queer composition that someone in Hollywood called a film.

Dr Jacques COULARDEAU

FILM NOIR SPOOF
This glorious spoof of the film noir genre of the 1940's, has direction by John Huston, an ever evolving script by Truman Capote and stars:Humphrey Bogart - HB (Billy Danreuther), Jennifer Jones - JJ (Gwendolynne Chelm), Gina Lollobrigida - GL (Maria), Edward Underdown - EU (Harry Chelm), Robert Morley - RM (Pierson), Peter Lorre - PL (O'Hara) and other notable character actors.

Basically a group of rogues are vieing with each other to be the first to obtain a rich uranium deposit somewhere in "British East Africa" but we are never told where precisely.It was filmed on location in Italy and features the only other comic role of JJ, (her first being "Cluny Brown (1946)) as a congenital liar, whose Spanish Nurse taught her all there is to know!.What a pity Selznick did not recognise the comic potential of his wife and instead of putting her in soulful dirges like "Indiscretion of an American Wife"(1952), he had developed her natural comic potential."Beat The Devil" did not perform at the box office in 1953/4 when released but is now, thankfully, being re-evaluated by discerning film connoiseurs, achieving almost a cult like status.

Being a strong amateur chess player, I particularly liked the scene outside the Italian cafe where JJ is "duffing up" EU again with an almost instant sight of the board, while chatting up HB.(Note to chess geeks - JJ plays much more weakly in "A Farewell to Arms (1957) vs Rock Hudson!!).Incidentally HB liked to play chess himself when off camera.

The plot twists & turns and being English with a bawdy sense of humour, I laughed when GL says to EU "I've brought you some tea & crumpet" while almost smothering EU in the eye with her... well you get the point! It is reported John Huston rather sadistically requested JJ to climb to the rocking crow's nest- a fearsome climb - to do her leg stretching exercises on the ship taking them to Africa.The gang, led by RM, hope she breaks a leg - & not in the theatrical sense!My favourite scene is in the office of the African potentate who is questioning the motley group of rogues.In reality all he wants to know is whether HB has met Rita Hayworth as he is a big fan!.If you look carefully you can see her pin-up on his office wall.The quivering of RM's various chins when he is threatened with torture, is a delight to behold.

The trick of Nazis having escaped to Latin America after WWII, is lampooned by PL who insists everyone calls him "O'Hara" (our little Irish leprecaun!).Everyone seems to be having a ball.Look out for Bernard Lee playing his usual police inspector role.This was long before he shot to fame as "M" in the Sean Connery, James Bond series from 1962 onwards.I've noticed in memorable films there is usually a catchy tune somewhere and here is no exception as played by an Italian brass band.I even find myself whistling the pianola music played on the ship while Ivor Barnard is away with his stabbing swagger stick ready to bump off EU.I voted 3/5 stars for this film. ... Read more

Reviews (18)

Standing The Test Of Time
BEAT THE DEVIL is a very funny movie which retains its subtle charm even after many viewings, It reminds me of the MALTESE FALCON not only because of the similarity of some of the characters but also because of the likeness of the screenplays. Both films essentially focus on a treasure hunt with an array of buffoons vying for the prize. Humphrey Bogart's characters seem to be about the only really normal people in either movie. While it is definitely considered to be a comedy, BEAT THE DEVIL is also not a bad adventure story. Most of the subdued action takes place on shore while the assorted crooks and cutthroats are waiting for a leaky old ship to take them to Africa.

The cast includes Humphrey Bogart, Robert Morley, Jennifer Jones, Gina Lollobrigida, Peter Lorre, Ivor Barnard and Edward Underwood.

John Huston was the director and Truman Capote contributed heavily to the screenwriting after the filming began in Italy.Truly a ton of Hollywood talent was assembled for this one movie in a relatively charming location.

It is no wonder that the movie is standing the test of time and is now enjoying a revival of sorts with even a minor cult following.

Either You Get It or You Don't
Optioned as a drama by Humphrey Bogart's own production company, this movie was hijacked by director John Huston and screenwriter Truman Capote, who turned it into a subversive comedy under Bogart's nose. Some swindlers assembling in Italy would like to clean up a uranium concession in Africa but can't seem to keep the plot on the tracks. Almost entirely dialogue-driven, this satire relies in no little part on the mangled English dubbed for several of the characters by Peter Ustinov. Critic Pauline Kael quoted Humphrey Bogart about it: "Only phonies think it's funny." But even phonies like to laugh.

GOOD MOVIE ???
Great story with a great cast,but horrible sound and picture quality.

A jar of pickled clichés
Certainly not a masterpiece with a terminating Humphrey Bogart and a debutante Lollobrigida. Two odd couples with crossing affairs lost in a small harbor no one knows where because their derelict ship has broken down, surrounded by a band of three or four would-be gangsters who are nothing but weak bad boys. They even end up with a taxi jumping into the ocean, an attempted murder by overboard throwing in the middle of some ocean night, a shipwreck that brings all that nice group of adventurers to some Morocco where they are forced to bribe the locals to get through, and that is not as easy as one may think. In other words quite a compilation of clichés. And yet it is some fun to see such naive queer composition that someone in Hollywood called a film.

Dr Jacques COULARDEAU

FILM NOIR SPOOF
This glorious spoof of the film noir genre of the 1940's, has direction by John Huston, an ever evolving script by Truman Capote and stars:Humphrey Bogart - HB (Billy Danreuther), Jennifer Jones - JJ (Gwendolynne Chelm), Gina Lollobrigida - GL (Maria), Edward Underdown - EU (Harry Chelm), Robert Morley - RM (Pierson), Peter Lorre - PL (O'Hara) and other notable character actors.

Basically a group of rogues are vieing with each other to be the first to obtain a rich uranium deposit somewhere in "British East Africa" but we are never told where precisely.It was filmed on location in Italy and features the only other comic role of JJ, (her first being "Cluny Brown (1946)) as a congenital liar, whose Spanish Nurse taught her all there is to know!.What a pity Selznick did not recognise the comic potential of his wife and instead of putting her in soulful dirges like "Indiscretion of an American Wife"(1952), he had developed her natural comic potential."Beat The Devil" did not perform at the box office in 1953/4 when released but is now, thankfully, being re-evaluated by discerning film connoiseurs, achieving almost a cult like status.

Being a strong amateur chess player, I particularly liked the scene outside the Italian cafe where JJ is "duffing up" EU again with an almost instant sight of the board, while chatting up HB.(Note to chess geeks - JJ plays much more weakly in "A Farewell to Arms (1957) vs Rock Hudson!!).Incidentally HB liked to play chess himself when off camera.

The plot twists & turns and being English with a bawdy sense of humour, I laughed when GL says to EU "I've brought you some tea & crumpet" while almost smothering EU in the eye with her... well you get the point! It is reported John Huston rather sadistically requested JJ to climb to the rocking crow's nest- a fearsome climb - to do her leg stretching exercises on the ship taking them to Africa.The gang, led by RM, hope she breaks a leg - & not in the theatrical sense!My favourite scene is in the office of the African potentate who is questioning the motley group of rogues.In reality all he wants to know is whether HB has met Rita Hayworth as he is a big fan!.If you look carefully you can see her pin-up on his office wall.The quivering of RM's various chins when he is threatened with torture, is a delight to behold.

The trick of Nazis having escaped to Latin America after WWII, is lampooned by PL who insists everyone calls him "O'Hara" (our little Irish leprecaun!).Everyone seems to be having a ball.Look out for Bernard Lee playing his usual police inspector role.This was long before he shot to fame as "M" in the Sean Connery, James Bond series from 1962 onwards.I've noticed in memorable films there is usually a catchy tune somewhere and here is no exception as played by an Italian brass band.I even find myself whistling the pianola music played on the ship while Ivor Barnard is away with his stabbing swagger stick ready to bump off EU.I voted 3/5 stars for this film. ... Read more

Reviews (18)

Standing The Test Of Time
BEAT THE DEVIL is a very funny movie which retains its subtle charm even after many viewings, It reminds me of the MALTESE FALCON not only because of the similarity of some of the characters but also because of the likeness of the screenplays. Both films essentially focus on a treasure hunt with an array of buffoons vying for the prize. Humphrey Bogart's characters seem to be about the only really normal people in either movie. While it is definitely considered to be a comedy, BEAT THE DEVIL is also not a bad adventure story. Most of the subdued action takes place on shore while the assorted crooks and cutthroats are waiting for a leaky old ship to take them to Africa.

The cast includes Humphrey Bogart, Robert Morley, Jennifer Jones, Gina Lollobrigida, Peter Lorre, Ivor Barnard and Edward Underwood.

John Huston was the director and Truman Capote contributed heavily to the screenwriting after the filming began in Italy.Truly a ton of Hollywood talent was assembled for this one movie in a relatively charming location.

It is no wonder that the movie is standing the test of time and is now enjoying a revival of sorts with even a minor cult following.

Either You Get It or You Don't
Optioned as a drama by Humphrey Bogart's own production company, this movie was hijacked by director John Huston and screenwriter Truman Capote, who turned it into a subversive comedy under Bogart's nose. Some swindlers assembling in Italy would like to clean up a uranium concession in Africa but can't seem to keep the plot on the tracks. Almost entirely dialogue-driven, this satire relies in no little part on the mangled English dubbed for several of the characters by Peter Ustinov. Critic Pauline Kael quoted Humphrey Bogart about it: "Only phonies think it's funny." But even phonies like to laugh.

GOOD MOVIE ???
Great story with a great cast,but horrible sound and picture quality.

A jar of pickled clichés
Certainly not a masterpiece with a terminating Humphrey Bogart and a debutante Lollobrigida. Two odd couples with crossing affairs lost in a small harbor no one knows where because their derelict ship has broken down, surrounded by a band of three or four would-be gangsters who are nothing but weak bad boys. They even end up with a taxi jumping into the ocean, an attempted murder by overboard throwing in the middle of some ocean night, a shipwreck that brings all that nice group of adventurers to some Morocco where they are forced to bribe the locals to get through, and that is not as easy as one may think. In other words quite a compilation of clichés. And yet it is some fun to see such naive queer composition that someone in Hollywood called a film.

Dr Jacques COULARDEAU

FILM NOIR SPOOF
This glorious spoof of the film noir genre of the 1940's, has direction by John Huston, an ever evolving script by Truman Capote and stars:Humphrey Bogart - HB (Billy Danreuther), Jennifer Jones - JJ (Gwendolynne Chelm), Gina Lollobrigida - GL (Maria), Edward Underdown - EU (Harry Chelm), Robert Morley - RM (Pierson), Peter Lorre - PL (O'Hara) and other notable character actors.

Basically a group of rogues are vieing with each other to be the first to obtain a rich uranium deposit somewhere in "British East Africa" but we are never told where precisely.It was filmed on location in Italy and features the only other comic role of JJ, (her first being "Cluny Brown (1946)) as a congenital liar, whose Spanish Nurse taught her all there is to know!.What a pity Selznick did not recognise the comic potential of his wife and instead of putting her in soulful dirges like "Indiscretion of an American Wife"(1952), he had developed her natural comic potential."Beat The Devil" did not perform at the box office in 1953/4 when released but is now, thankfully, being re-evaluated by discerning film connoiseurs, achieving almost a cult like status.

Being a strong amateur chess player, I particularly liked the scene outside the Italian cafe where JJ is "duffing up" EU again with an almost instant sight of the board, while chatting up HB.(Note to chess geeks - JJ plays much more weakly in "A Farewell to Arms (1957) vs Rock Hudson!!).Incidentally HB liked to play chess himself when off camera.

The plot twists & turns and being English with a bawdy sense of humour, I laughed when GL says to EU "I've brought you some tea & crumpet" while almost smothering EU in the eye with her... well you get the point! It is reported John Huston rather sadistically requested JJ to climb to the rocking crow's nest- a fearsome climb - to do her leg stretching exercises on the ship taking them to Africa.The gang, led by RM, hope she breaks a leg - & not in the theatrical sense!My favourite scene is in the office of the African potentate who is questioning the motley group of rogues.In reality all he wants to know is whether HB has met Rita Hayworth as he is a big fan!.If you look carefully you can see her pin-up on his office wall.The quivering of RM's various chins when he is threatened with torture, is a delight to behold.

The trick of Nazis having escaped to Latin America after WWII, is lampooned by PL who insists everyone calls him "O'Hara" (our little Irish leprecaun!).Everyone seems to be having a ball.Look out for Bernard Lee playing his usual police inspector role.This was long before he shot to fame as "M" in the Sean Connery, James Bond series from 1962 onwards.I've noticed in memorable films there is usually a catchy tune somewhere and here is no exception as played by an Italian brass band.I even find myself whistling the pianola music played on the ship while Ivor Barnard is away with his stabbing swagger stick ready to bump off EU.I voted 3/5 stars for this film. ... Read more

Description

(1968-England) COLOR. With WILLIAM SYLVESTER. Meet Paul Carver. He is a British architect who is flying to Morocco to escape from the agony he has experienced back home. Two months earlier, his wife and children were killed in a car crash. Since then, as he explains, "nothings made much sense." While on the plane, Carver has the strangest of nightmares. In it, he finds himself in an ancient underground tomb. A wedding is taking place. The bride enters the tomb and promptly screams as one of the coffins is opened. Carver describes the dream as "a mixture of the past, the present. Things I dont understand." The guilt-ridden man also refers to himself as "a harbinger of death and desolation." It just so happens that one of the characters in the dream is Gunther, an archaeologist who is the stranger seated next to Carver on the plane. Gunther invites Carver to a party in honor of the discovery of some ancient tombs. At the affair, he meets the lovely Marisa, a mystery woman who is certain to cause Carver further angst as he finds himself all-too-willingly led down "the road into the dark." You will be riveted to the screen as Carvers plight and fate unfold in this chillingly macabre combination horror film-mystery involving ghosts, vampires and other unspeakable evils. 90 minutes.

Customer Comment on Quality: The movie arrived on Thurs. and I wanted to thank you. Delivery was lightening quick and the film is in good condition. The sound is fine as is the clarity. The color, however, is pinkish. I am able to offset this somewhat by turning up the green tint on the tv. I don't want to return it as I've waited too long to get a clear copy. But I did want to make you aware of the pinkish condition of the tint. ... Read more