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| 1. DuckTales the Movie -- Treasure of the Lost Lamp Director: Vincent Woodcock, Clive Pallant, Mathias Marcos Rodric, Paul Brizzi, Bob Hathcock, Gaƫtan Brizzi | |
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(price subject to change: see help) Asin: 6301948106 Catlog: Video Sales Rank: 9876 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (12)
The only improvement needed is to make Treasure of The Lost Lamp a DVD. Even on the old VHS, it still deserves a 5 star rating.
All this plays out like a workprint version of Disney's classic "Aladdin," which debuted two years after the DuckTales release, but that's not nessesarily a bad thing. There's a lot to like about "Treasure of the Lost Lamp," and a lot of fun to be had here, including many comic moments. Also, the breezy 74-minute runtime is just right for young viewers' attention spans. While the visiuals and somewhat choppy editing are nothing compared to the Feature Animation-created Disney efforts of the time, the movie recaptures the look, feel, and spirit of the TV show, making it good fun for fans and a very worthile watch for others. In fact, it's best to think of this as an episode of the TV show with an extended runtime. When you use that point of view with this film, you'll have a lot of fun following the epiosodic adventures of the characters. The opening sequences while searching for (and finding) the treasure feel a lot like an animated Indiana Jones and it's a shame there wasn't more time put into this part of the story. All in all "DuckTales" provides a solid, simple and entertaining story, great vocal delivery from all the cast (most noteable in this department is Christopher Lloyd as the villian), and a lot of laughs with genuine humor behind them. Highly reccomended viewing for a lazy afternoon, but this might not stand up to repeated showings unless you're a big fan of the show. If you are a fan, don't hesitate to buy this - you'll be pleased. Others who just want a taste of what the show was like, this will fit the bill nicely and is suited to a rental.
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| 2. Tom and Jerry - The Movie Director: Phil Roman | |
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Description Reviews (5)
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| 3. The Silence of the Hams Director: Ezio Greggio | |
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Reviews (8)
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| 4. Indecent Proposal Director: Adrian Lyne | |
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Amazon.com Reviews (32)
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| 5. Scooby-Doo and the Monster of Mexico Director: Scott Jeralds | |
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Description Reviews (12)
ADVICE. | |
| 6. Scooby-Doo and the Monster of Mexico Director: Scott Jeralds | |
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Description Reviews (12)
ADVICE. | |
| 7. Private Obsession Director: Lee Frost | |
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| 8. Private Obsession Director: Lee Frost | |
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| 9. Alex and Emma Director: Rob Reiner | |
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Description Reviews (64)
The novel is a 1924 tale involving Adam Shipley (also played by Luke Wilson), an Andover student who takes a summer job tutoring the children of Polina Delacroix (Sophie Marceau). The situation quickly becomes the classic story of a love triangle , with Polina faced with the dilemma of having chosen to marry for money but meanwhile increasing attracted to Adam. As Adam schemes how to become wealthy, his infatuation for Polina keeps him from recognizing his attraction for the various incarnations of her servant (the character keeps morphing as the story is rewritten), so Kate Hudson becomes the Swede Ylva, then the German Elsa, followed by the Spaniard Eldora before ending up as the American Anna. This is all done in a very clever and lighthearted manner. Meanwhile, the novel's scenes are interspersed with the development of the relationship betwen Alex and Emma during their increasing frantic attempt to meet the Alex's deadline. And not at all surprisingly, their real lives intersect with the plotline of the novel. Emma increasingly wonders if there is a real life Polina? Why is Alex as afraid of commitment as his characters? The cast gives the movie just the right feel, and Rob Reiner does a great job as both producer and director as well as in his small but crucial supporting role. There is enough time for the story to develop, but the various elements of the story aren't stretched out unnecessarily. This is a very clever, quite funny film. The humor is often low key (as in the instance of the law firm and its partners), rather than the slapstick hilarity that occasions raucous laughter. Thus, when not actually laughing we were almost constantly smiling. The key point is that the story and the techniques that are used to tell it work well in my estimation, rather than seeming to be forced into service to tell the story. I truly enjoyed the multiple roles played by Luke Wilson and Kate Hudson and their various romantic entanglements. It was especially fun to see Ms. Hudson alternate between Emma and her serial incarnations as Ylva, Elsa, Eldora, and Anna. And much to my surprise, the ending was a perfect conclusion to both the novel and the film.
The story of this romantic comedy is, simply put, "When Alex meets Emma (or vice virsa)" directed by Rob Reiner, who knows a few things about this genre. Alex (Luke Wilson) is a writer stumbled on the writer's block, and in debt. He must make money in 30 days, and to do so, he hires a stenographer Emma (Kate Hudson), and attempts to finish writing a novel. The novel develops, thanks to the unexpected inspiration from Emma. It is about Adam, a tutor living in the 1920s, who falls in love with a French lady Polina (Sophie Marceau). From then on, we see two stories one after the other, both influencing each other. NOW, the good thing about "A & E" is that Kate Hudson (who plays five roles in this film) is delightful to see. Luke Wilson is also good and likable, and they make a couple of man and woman who must fall in love with each other. And we know it, and welcome it. BUT the problem is, as I said before, the setting. In the original "Gambler", Dostoevskey had to submit his rights for publishing his novels to the greedy publisher, not his life as depicted here. No one believes in the central story of "Alex & Emma" when it talks about the 30 days limit and being killed. Think about it. Some mobsters are after you, and they want the money back. However, they burn (yes, literally burn) your lap-top PC, which only prevents your scheme of returning money. That's a too obvious and tactless device on the filmmaker's side to have Alex hire Emma. And in the original, the stenographer has no other place to go except the writer (it was the 19th century, and women's jobs were quite limited). In "Alex and Emma," though Emma needs money (she comes by bus, see?), and she knows Alex is broke because of gambling, she still decides to work for him as long as 30 days without being even paid in advance! And to make matters worse, what Alex writes is not funny at all, but still we are to believe this "story within story" is to be a hit to pay back all the debt. Sorry, but I can't believe it. "Alex & Emma" is engaging only when it forgets its plot, which is a poor excuse for bringing the leads together. And Luke Wilson and Kate Hudson do their jobs quite nicely. Pity that the characters are empty, and the story unbelievable. "When Harry met Sally ..." are about real people. The same cannot be said about "Alex & Emma."
What was Rob Reiner thinking? The director of such splendid fare as A Few Good Men, The American President, When Harry Met Sally, The Princess Bride, and This is Spinal Tap appears to have lost his touch--he hasn't made a good film since 1995. But I blame Jeremy Leven, best known for the dud The Legend of Bagger Vance, for writing this movie in the first place. Who could have possibly thought that a movie about writing a book under threat of death due to gambling debts--and falling in love with your mouthy stenographer--would make for an entertaining movie? (OK, so maybe the premise doesn't sound that bad. The execution is.) Lines are delivered without any conviction. The mildly humorous convention of changing the appearance of the book's characters to reflect how Wilson is rewriting it works once, maybe twice, but begins to grate by the third try. The denouement is silly--in a very unfunny way--and the ending is both hokey and overblown through one of the most cringe-inducing closing scenes in recent memory. Please, follow the advice in the headline and avoid this film like the plague.
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| 10. Happy Hooker Goes to Washington Director: William A. Levey | |
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Reviews (1)
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| 11. Tom and Jerry the Movie Director: Phil Roman | |
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(price subject to change: see help) Asin: 630291700X Catlog: Video Sales Rank: 16669 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (5)
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| 12. Indecent Proposal Director: Adrian Lyne | |
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Reviews (32)
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| 13. Tom and Jerry: The Movie Director: Phil Roman | |
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(price subject to change: see help) Asin: 6303224261 Catlog: Video Sales Rank: 44424 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (5)
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| 14. Elvis Is Alive Director: Robert Diaz Leroy | |
![]() | list price: $24.95
(price subject to change: see help) Asin: 6305321337 Catlog: Video Sales Rank: 56248 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
While there are not many bust-a-gut laughs, the film sports a tounge-in-cheek, quiet humor built from the absurdity of people who, decades after the King died in 1977, are today still just as fanatical (or even more fanatical), about their idol. The story is what I call a "mockumentary". That is, a film shot as if it were a documentary, but designed to lampoon it's own subject. These films are best when they take themselves seriously to the nth degree, like this one does. Basically, this is a mockumentary about making a documentary. A down on his luck film maker is offered a gig making a documentary about people who have sighted Elvis, and possibly uncovering the King's hiding place. The film follows the story of the director's attempt to make his film while running a gauntlet of obstacles, including a greedy, know-nothing producer, her annoying assistant, a psychotic writer, an insane precognative bride of Elvis, crooked lawyers, and even someone who carries a framed Ding Dong that Elvis supposedly took a bite of! Along the way, we get glimpses of a few famous faces, like Rip Taylor, Vicki Lawrence, and Mr. Blackwell. Fred Willard and his real-life spouse have a great scene, where Fred is cleaning his pool while wearing an Elvis jumpsuit he bought at a Hollywood boutique. He didn't want to get his "regular pool-cleaning clothes" dirty! Like Star Trek fans and UFO believers, there is a large group of normal people interested in the topic of Elvis. Also like Star Trek fans and UFO believers, there are among them a fringe element of overzealous crazies that give the rest of the group a bad name. Sadly, the truth is that everyone "interviewed" in this send-up is frighteningly true to life. While showing us a parody, the creators of "Elvis is Alive" cleverly show us characters who *could* be real people, lost in a sea of Elvis worship. And that's what the film is really about; people who are so wrapped up in their hobby, that they have lost all touch with common sense, reality, and in some cases, even sanity. While the film is a bit offbeat, indie film fans will love it. Elvis fans may or may not, depending on whether they can take a little fun poked at them.
The lead actor (if you can call him that) will annoy you. When he started talking, I thought it was a woman. He leads you on a pointless journey through various bad characters who think Elvis is alive. Bad acting, bad music, bad from start to finish. The only thing I thought had any worth was the great artwork on the cover. The copy I watched, had a flasher-type cover (one that creates movement when turned from side to side). Worth maybe a $1. This movie is a waste of video tape. If you find Elvis fanatics funny and fasinating, watch a real Elvis documentary. It will provide bigger laughs then this poor spoof. Don't waste your money on this one folks. PS - The one star I gave this video is for the packaging.
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| 15. Tom and Jerry - The Movie Director: Phil Roman | |
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Description Reviews (5)
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| 16. Silence of the Hams Director: Ezio Greggio | |
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Reviews (8)
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| 17. Indecent Proposal Director: Adrian Lyne | |
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Reviews (32)
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| 18. Virtual Combat Director: Andrew Stevens | |
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Reviews (3)
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| 19. Tom and Jerry - The Movie Director: Phil Roman | |
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Description Reviews (5)
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| 20. Indecent Proposal Director: Adrian Lyne | |
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Reviews (32)
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