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| 1. Double, Double, Toil & Trouble Director: Stuart Margolin | |
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Description Reviews (21)
DDTT is a fun Halloween movie with lots of magic and supernatural powers that might be too much for younger kids, but it's still a very enjoyable film. Sick and tired of being twins, 7-year-olds Lynn and Kelly often get into fights. After experiencing cold rejection from their witch aunt Agatha and hearing stories from a mysterious "grave-digger," the girls finally learn of their parents' financial problems and set off on their own to rescue their beloved Aunt Sophia, who was the victim of a spell from her sister Agatha 7 years ago and is the only person who will be able the family get out of debt. And of course, lots of friends are made along the way, and the movie has got Mary-Kate and Ashley as the stars--a good formula for a kids' film.If you're a kid, you'll probably enjoy watching this on Halloween--if you're like me or anyone else who remembers the Olsen twins' younger days, you'll also enjoy watching and remembering.
Looking for a good "scary" movie for five+? Try The Ghost and Mr. Chicken with Don Knots. I loved it, and now all the many children in my life love it, too.
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| 2. Mannequin Two:On the Move Director: Stewart Raffill | |
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Reviews (17)
The movie is not technically brilliant. This could never be deemed a critic's film. It's not a film, it's a movie. Considering that the fictional country of Hauptmann-Koenig spoke perfect American English in the 10th century proves that. It's an hour and a half of lighthearted, outrageous stupid fun that has held up pretty well over the course of a decade plus. Kristy Swanson's portrayal of the statue that looks like a mannequin, Jessie, is really quite brilliant and underrated as she adjusts to life in the 1990s, in which she cannot understand the concept of fashion circa 1991, stoplights and fire extinguishers. It includes the theme from the original, Starship's "Nothing's Gonna Stop Us Now", which oddly, won the original "Mannequin" an Oscar. Go figure.
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| 3. Mannequin Director: Michael Gottlieb | |
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Amazon.com Reviews (30)
This is a fun movie. Kim Cattrall is a lot of fun as the Egyptian princess-turned-mannequin that comes to life. Andrew McCarthy is pretty good as the mannequin designer shocked to see his creation come to life. Estelle Getty (Golden Girls) steals every scene she's in, as the struggling department store owner. Some of the especially fun scenes are the mannequin taking a hang-glider for a flight *inside* the multistoried department store. The mannequin and McCarthy's characters created fresh, animated mannequin displays which create a buzz among passersby. And they do a few take-offs, from "Ike and Tina Turner" and "Phantom of the Opera", among others. A young James Spader is almost unrecognizable as the mean store supervisor. I think they had a lot of fun making this movie. Of course, Starship's ubiquitious "Nothing's Gonna Stop Us Now" is all over the credits. But it's still a good song. In one memorable scene, a bulldog suffers a nervous breakdown after seeing the mannequin come to life. There's a bit of innuendo and mild language, so you'll have to decide if it's OK for your kids to watch. Ladies, this is your kinda flick. Men, don't admit you enjoy it, just tell people your girlfriend or wife "made" you watch the film. Then, nobody need ever know! LOL!
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| 4. Class Act Director: Randall Miller | |
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Description Reviews (8)
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| 5. Mannequin 2: On the Move Director: Stewart Raffill | |
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Reviews (17)
The movie is not technically brilliant. This could never be deemed a critic's film. It's not a film, it's a movie. Considering that the fictional country of Hauptmann-Koenig spoke perfect American English in the 10th century proves that. It's an hour and a half of lighthearted, outrageous stupid fun that has held up pretty well over the course of a decade plus. Kristy Swanson's portrayal of the statue that looks like a mannequin, Jessie, is really quite brilliant and underrated as she adjusts to life in the 1990s, in which she cannot understand the concept of fashion circa 1991, stoplights and fire extinguishers. It includes the theme from the original, Starship's "Nothing's Gonna Stop Us Now", which oddly, won the original "Mannequin" an Oscar. Go figure.
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| 6. House of Games Director: David Mamet | |
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Amazon.com Reviews (48)
Some of the twists might (emphasis on the "might") be somewhat predictable but that would be the case only for the very initiated viewer. Mamet has got some great scripts under his belt, but if there's one thing that seriously undermines his film hee (he also directed it) is the acting of J.Crouse. While Joe Mantegna (the other lead in the movie) is in my opinion absolutely great, Crouse gives a half-dead performance, wooden and surreally uninspired, especially when one considers that she was acting (?) a part in a solid story. Were it not for her terrible performance this movie would be elevated into whole new heights. Some people thought that the dialogue was problematic, but in my view it's exactly the bizzarity of the dialogue that makes the "House of Games" all the more special. The dialogues are unique in the way things are being said and not in what is being said. But otherwise, this is a great film, also in a historical way, since it provided a cue for many scriptwriters since, with maybe better results but this doesn't diminish this film's importance. Well worth its reputation and the time you'll invest in watching it.
The story behind "House of Games," involves Lindsay Crouse as Margaret Ford, a doctor and popular author. Her "big book" is titled "Driven," about compulsive and addictive personalities. It doesn't take long to figure out the book is about herself. So driven is Margaret that she is beginning to make Freudian slips in her conversations, slips that reveal dark corners of her own personality. She may be heading for a breakdown - and a teaching colleague warns her, tells her she must slow down. But "slowing down" comes as another writing project presents itself, seemingly accidently due to the dilemma of a patient , when Margaret is introduced to the world of the Con at a local bar and pool hall called "House of Games." This introduction comes at the hands of Mike (Joe Mantegna), a handsome and slick con man who is willing to provide a tour - though he does warn her: "Trust no one." To reveal any more would be telling. Like all Mamet films, the dialogue is essential. I don't think I've ever seen a director make such interesting use of dialogue. On one level the dialogue in all of Mamet's films (that I've seen so far) is seemingly stilted. But it works! Why? I can only attribute this to Mamet's precision as a director. What seems stilted, comes across instead as elevated speech - as in Shakespeare. Mamet is a dramatic poet who no doubt has Shakespeare's great maxim engraved upon his mind, and present in the framing of each scene: "Suit the action to the word, and the word to the action." (Good actors must love working with this guy.) So pay attention, there's no fat in a Mamet film, and always plenty to ponder. "House of Games" is no different. See it.
....or, "Everybody's got a little bit of small con in them. Well, some folks have larger cons..." I saw this movie again and, despite my distaste for certain aspects of the Mamet approach (He wishes actors to read the dialog as written, without emoting too much. The emoting is somehow brought across in the words. In my opinion sometimes the dialog comes off as more staccato than true life, but who am I? Mamet is the world renown author/director, here. I am simply a hack reviewer--but I digress)...this, I think, is a very cool movie with a lot going for it. The chemistry with Crouse and Mantegna is subtly packaged...the cool psychologist becomes child like to the swaggering, but one step from being oily, con-man. She wanted so much to believe that she was being allowed in a world of secrets, privy to only a few, so she trusted this guy to Father her thru this mesh of crosses and double-crossings. Those moments with the con-artist to her were romantic, exciting, hell, downright sexy and she was feeling more alive than the sterile clinical environment offered to her as a psychologist. Until, that is, The Big Tell gave her a kick in her nether regions. What makes the movie a surreal experience is that on one level anyone who is in movie making and story telling (or sometimes health services like psychiatry/psychology) is some what of a con artist that we all surrender to one way or another. And we in the audience usually have to remind ourselves to Look Out for The Tell...do you see where I'm going with this? Good. Remember then. And see this movie. It's a good one. ... Read more | |
| 7. Virtual Seduction Director: Paul Ziller | |
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Reviews (2)
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| 8. Mannequin 2: On the Move Director: Stewart Raffill | |
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Reviews (17)
The movie is not technically brilliant. This could never be deemed a critic's film. It's not a film, it's a movie. Considering that the fictional country of Hauptmann-Koenig spoke perfect American English in the 10th century proves that. It's an hour and a half of lighthearted, outrageous stupid fun that has held up pretty well over the course of a decade plus. Kristy Swanson's portrayal of the statue that looks like a mannequin, Jessie, is really quite brilliant and underrated as she adjusts to life in the 1990s, in which she cannot understand the concept of fashion circa 1991, stoplights and fire extinguishers. It includes the theme from the original, Starship's "Nothing's Gonna Stop Us Now", which oddly, won the original "Mannequin" an Oscar. Go figure.
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| 9. The Right Connections Director: Chuck Vinson | |
![]() | list price: $64.95
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Reviews (3)
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| 10. The Secret of NIMH 2 - Timmy to the Rescue Director: Dick Sebast | |
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(price subject to change: see help) Asin: 0792839420 Catlog: Video Sales Rank: 17692 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (44)
Part of this reminds of redwall. There is a battle near the end against Timmoy and his brother Martin who has gone mad due to experience due to be alter after he was captured by the scientist. He plans to conquer thorn Valley but timmoy stops him returns him to good. Some cheesy parts it is a musical. That there is a cheesy scence where Jermy pretends to be the great owl. Cons the wodland creatures of there of golden coins. Some new characters are sela a capterilar and a real pretty female. Recomend for children 5 and older. Not as intense as the original but still has some scary part. Like at the end when Nimth catch on fire and two cats chase timmoy. Unfortunatley Jon Debluso who played the voice of the crow Jermy in this a and the original died shorrtly after the Second secret of Nimh was complete. Timmy is the main character and you barley see his mother in this one. Pluse some of the characters have changed. Brutus the rat in the first one who almost squabobds Miss Frissby is a softy in this one. Justin and Mr.Ages return. I find the song good. I rented this a couple of years ago from blockbuster. I plan on Buy this and the original after I move out of my house. For my sister are very picky about what I watch. Okey would have been better if It had been more intense like the first one. This was the last movie made in the series. All the people who reviewed it but gave it only star. I think some of these people are to picky. Coome on Eight Leged Freaks was on of the best monster movies I have ever seen the stink critic only gave it 2. My advice people ligten up there has never been a movie bad enough to be only one star. Except for made Red zone Cuba and the Original Little shop of Horrors.
anyway i was so very dissapointed in this film as you can obviously tell. so.. im going to work on my own sequal. hey any of you nimh 2 haters contact me, i'd like to converse with fellow dislikers.
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| 11. Mannequin Director: Michael Gottlieb | |
![]() | list price: $9.94
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Reviews (30)
This is a fun movie. Kim Cattrall is a lot of fun as the Egyptian princess-turned-mannequin that comes to life. Andrew McCarthy is pretty good as the mannequin designer shocked to see his creation come to life. Estelle Getty (Golden Girls) steals every scene she's in, as the struggling department store owner. Some of the especially fun scenes are the mannequin taking a hang-glider for a flight *inside* the multistoried department store. The mannequin and McCarthy's characters created fresh, animated mannequin displays which create a buzz among passersby. And they do a few take-offs, from "Ike and Tina Turner" and "Phantom of the Opera", among others. A young James Spader is almost unrecognizable as the mean store supervisor. I think they had a lot of fun making this movie. Of course, Starship's ubiquitious "Nothing's Gonna Stop Us Now" is all over the credits. But it's still a good song. In one memorable scene, a bulldog suffers a nervous breakdown after seeing the mannequin come to life. There's a bit of innuendo and mild language, so you'll have to decide if it's OK for your kids to watch. Ladies, this is your kinda flick. Men, don't admit you enjoy it, just tell people your girlfriend or wife "made" you watch the film. Then, nobody need ever know! LOL!
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| 12. Allnighter Director: Tamar Simon Hoffs | |
![]() | list price: $79.98
(price subject to change: see help) Asin: 6300185931 Catlog: Video Sales Rank: 38985 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (14)
The big draw is of course Susanna Hoffs, of Bangles fame. While Hoffs dances a bit, she doesn't sing anything except on the soundtrack. Still, if you're a fan of the Bangles or just Hoffs, then this film was made for you. Hoffs doesn't really embarrass herself acting-wise. She does pretty good for what a film like this one demands (not too much), and the same can be said for the other cast members. Actually, the whole cast is likable. And at heart, "The Allnighter" is an indie film more than it is a throwaway Hollywood teen flick. Both factors make the film more tolerable. The story is pretty weak, lending more to caricature than characterization. Five co-eds are about to graduate after four long years at Pacifica University. Gina is documenting her friends' last day as college students on a videocamera, so that "twenty years from now... [you'll] remember us as were were on this day." While not quite twenty years later, the line is still ironic. Val is about to be married to some rich but overbearing and fey business dude, and she must go spend time with him rather than attend the last big fiesta with her pals. Bummer! The strangely pale Gina (the only character without a suntan), is fixated on her documentary. Molly (Hoffs) is just down on herself. After four years, she's still not met the perfect guy (or any guy). The girls' two male friends are surfer dudes. Killer is a philosophying hippie soul-of-an-artist type, and king of the waves. CJ is his best pal, and the object of Molly's affections, 80's hair wings and all. If only CJ could open up and be real, and see more than the waves, he and Molly could be making their own waves! Complications follow throughout the rest of the evening in this "Animal House Lite" chick-flick, including a run in with the police, the big fiesta, an old romance between one of Molly's teachers and a former rock star, etc. Actually, there are some interesting moments, since as I said, at heart this is an indie film. Credit newly minted director (and Hoffs' Mom), Tamar Simon Hoffs for making the attempt to go beyond the average teen comedy flick. Familliar faces include Pam Grier as (of all things!), Sergeant McLeesh, matron of the female section of the local jail. Pam Grier fans will like her in the movie (and acting-wise, she overpowers the entire cast despite her small supporting role). Michael Ontkean of "Twin Peaks" fame is also on hand, as a washed up rock singer that Molly idolizes. Meshach Taylor plays a hotel detective. Dedee Pfeiffer (Michelle's sister), plays the struggling Val, and Joan Cusack plays the camera-toting Gina. The device of Joan Cusak's character documenting the last day of their college time works for the most part, but somewhere along the way the film gets lost and takes bizzare sidetrips that stall the story. This is too bad, because there was some real potential for a memorable film here, which could have gone further than just Bangles fans or day-glo-philes. On the plus side, the disc includes "The Haircut", a short 1982 indie film by Tamar Simon Hoffs. This is the real prize, believe it or not. The cast is impressive for what Tamar readily admits was practically a student film. John Cassavetes stars. Three Bangles are on hand. Joyce Bulifant (best known as Murray's wife on "The Mary Tyler Moore Show", among many other roles in the 70's & 80's), plays a manicurist. Remember Nicholas Colasanto, Coach from "Cheers"? He's the barber! Again, Meshach Taylor plays a role, this time as a shoeshiner/waiter. This is a real treat, as we see a man getting the best haircut ever, which seems to change his outlook on life in the span of fifteen minutes. Audio commentary is available for both films, plus a short behind the scenes interview with Tamar about "The Haircut". This was subtitled in French. I suspect the interview was probably made for a Canadaian audience, since Canada was where the short was filmed. If you like the 80's, the Bangles, Hoffs, or just want a harmless teen flick from the day-glo era to watch, then this disc is for you. I give it three stars for "The Allnighter", plus one for the addition of "The Haircut". ... Read more | |
| 13. Warning Sign Director: Hal Barwood | |
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Reviews (6)
Joanie Morse (Kathleen Quinlan) is the amazing petite security guard, also locked inside the lab, withstands the pleas of her superior to "open the doors"! She also survives the scares by some infected workers with the right evasions and potions. Her husband, Sheriff Cal Morse (Sam Waterston) who is on the outside, is the well composed hero who keeps the panicking town folk at bay, and ultimately saves his wife. They head home for a well deserved breakfast. What a night's work! (This movie is 99 minutes long and was made in 1985.) As usual, we anticipated a pleasant evening's viewing of another Sam Waterston character, and we weren't disappointed. I guess that's what loyal fans expect. There's a good chance we'll watch this movie again. Hope you enjoy it too!
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| 14. Damien: Omen II Director: Don Taylor | |
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Amazon.com Reviews (52)
Jerry Goldsmith delivers another great score but the crow is a poor substitute for a demonic creature like the Rotweiler in the original (in OMEN's original script, it was a German Sheperd). I know, I know, it's a sequel. But it's the sequel to a very powerful story and, considering the leads in this film, I ended up wanting much more.
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| 15. Ultra Warrior Director: Augusto Tamayo San Román, Kevin Tent | |
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| 16. The Last Innocent Man Director: Roger Spottiswoode | |
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Description Reviews (1)
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| 17. The Allnighter Director: Tamar Simon Hoffs | |
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Reviews (14)
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