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| 1. All Dogs Go to Heaven Director: Dan Kuenster, Don Bluth, Gary Goldman | |
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| 2. Bullitt Director: Peter Yates | |
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Amazon.com essential video Reviews (104)
The plot is tight, economical and well crafted....taciturn, moody Detective Frank Bullitt (McQueen) is charged with the protection of a key witness vital to an upcoming trial involving Mafia connections. Whilst hidden away in a supposed secure location, the witness and his police guard are brutally gunned down by unknown assailants. The heat is turned up on Bullitt by his tough Captain (Simon Oakland) and the manipulative, opportunistic politician Walter Chalmers (Robert Vaughn) to come up with the right answers fast ! Between the draining investigation, Bullitt struggles to maintain his relationship with his cultured, sensitive girlfriend, Cathy (Jacqueline Bisset) Primarily coming from a TV series background, Englishman Peter Yates (directing his fourth movie) did a commendable job as director on "Bullitt"...producing a complex, intense crime thriller with a unique style that would ultimately influence many other films. Yates would later to go onto direct Robert Mitchum in the excellent "sleeper" crime film "The Friends of Eddie Coyle" ! And of course "Bullitt" is reknowned for it's now legendary car chase between Frank Bullitt's 390 GT Mustang and the two hitmen in their black, Dodge Charger 440 Magnum barrelling through the city streets and highways of San Francisco....just don't pay too much attention to how many times they pass that slow-moving, green VW Beetle !! The DVD transfer is excellent in both sound and picture quality, and the Limited Edition Set with the extra goodies (Single sheet poster, shooting draft, lobby cards etc.) is a real bonus for keen film fans !! One of my favourite cop thrillers....McQueen sizzles on screen !!
The good and the bad: True, there is a high-speed car chase in part through the hilly streets of San Francisco. Is it "the best ever" chase? Depends on how you look at it. Plus - It was very high speed. Plus - It had a cool-looking Mustang fastback vs a big GTO. Negative - They pass the same VW 4 times, and another car 2 times (why? if not intentional, then very poor continuity) Negative - double-shifting or not, there are about 97 too many gear changes, and some of those are at top speed on the flat stretch near the end. Neg - the bad guys lose too many hubcaps. Still, it's fairly exciting. However, though not car vs car, I think the chase in "The French Connection" is as good if not better. As for the drama, some of it seemed a bit drawn out. Lt. Frank Bullitt is supposed to protect the state's witness "Ross" against the Chicago "Organization". Ross and one cop are shot, and Ross is later killed in the hospital, where Bullitt is hanging out. Bullitt does not want the prosecutor who gave him the assignment (Robert Vaughan) to know Ross died, so he will have time to find the killers. Turns out Ross may not be who the cops think he is, and this leads to a good foot-chase across the airport runways and the airport itself. Some of the police procedure as portrayed in the movie is rather shoddy - such as handling a lot of evidence, then asking for it to be fingerprinted, etc. The pretty: Bullitt has a girlfriend played by Jaqueline Bisset, who gives him grief for his callous attitude. This sets up the final scene of the movie where Bullitt ambiguously questions his existence. Otherwise, her appearance in the movie is useless. Good acting by McQueen and Vaughan. Look for Robert Duval, Georg Sanford Brown, Norman fell, Simon Oakland and a few other names. The jazzy score by Lalo Schifrin sounds like a bad TV movie. Wide-screen movie has decent picture and sound quality. DVD extras include a short behind the scenes documentary, text-based cast/crew/location info, list of awards, and a trailer. In short - Not the best cop movie, not the best McQueen movie, and not the best chase. Watchable but not a stand out. ... Read more | |
| 3. The Shaggy D.A. Director: Robert Stevenson | |
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Amazon.com Reviews (7)
Wilby Daniels tries to recover the stolen Borgia ring that transforms him into a dog as he's running for District Atty. Don't miss Conways hilarious scene in the Warehouse with the Security Guard..."the sannifran in the rectafrazzins condensing" One of my top four fav's from the once-great, no longer palatable Disney Company.
"Blackbeard's Ghost" 1969, and Dean Jones has starred in many | |
| 4. No Deposit, No Return Director: Norman Tokar | |
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Amazon.com Reviews (8)
Now on to the DVD transfer. It's sad. They didn't try to clean it up digitally or anything. It looks like they just used a VHS tape and threw it on a DVD. The quality of this film makes me a little leery about buying the next set they throw out. While I love to see these classics finally come to DVD, I hate to see them wasted on a junky transfer. If you have this one on VHS, don't waste your money to upgrade. And yes, it's in fullscreen with no extras other than the "trailer" (a 30 second television spot).
For undiscriminating types who don't care if they're ripped-off or not, "No Deposit, No Return" is a typical '70's-era Disney trifle with a great cast of veterans (David Niven, Darren McGavin, Don Knotts, Barbara Feldon, Herschel Bernardi, Charles Martin Smith and Vic Tayback) pulling out all the stops to enliven a mediocre script that, incidentally, contains one of the biggest plot holes I've ever seen in a Disney movie (back to this later). Fortunately, director Norman Tokar (a Disney regular) and the screenwriters throw everything in but the kitchen sink to create a freewheeling comedy that has more than its fair share of laughs. So even though "No Deposit..." pales in comparison to great Disney laugh-fests like "The Love Bug" and "The World's Greatest Athlete," it is still entertaining and will hold the kids' interest for all of its 112 minutes. How's this for a contrived plot? Jay and Tracy Osborne (Brad Savage and Kim Richards) are poor little rich kids who attend a typically Disneyesque boarding school while their magazine editor mother (Feldon) globe-trots on business. Excited that they will be spending Easter vacation with her, they are crushed when Mom cancels and whisks the pair off (along with their pet skunk (!) Duster) to Los Angeles to spend the week with their despised Grandfather Osborne (Niven), who likes them about as much as they like him (meaning, not at all). At the same time, Duke (McGavin) and Bert (Knotts), a couple of luckless but kindhearted safecrackers, are trying to crack the safe at L.A. International Airport, but botch the job and set off the alarm. Meanwhile, Duster gets loose and causes pandemonium in the airport. In the confusion, Jay, Tracy, Duster, Duke and Bert end up in the same taxi, tailed by Grandfather Osborne in his limo. When Jay and Tracy figure out that Duke and Bert are harmless crooks, they con them into thinking they're homeless and letting them spend the night. The kids then work up a bogus kidnapping scheme and mail a ransom note to Grandfather Osborne (who has his butler keeping an eye on them from across the street) and con Duke and Bert into going along with it, figuring they'll split the money, and Jay and Tracy will go to Hong Kong to join their mother while Duke and Bert pay off the menacing loan shark (Tayback) they're in debt to (which is why they tried cracking the safe in the first place). Whew! What follows is "Ransom of Red Chief" territory, with Osborne refusing to pay the ransom and the quartet continually dropping the ransom amount. It isn't until someone tips off the local police (represented by Bernardi and his by-the-book rookie partner Smith) that Grandfather Osborne has to start playing the game and making an attempt to get the kids back. What follows is scene-after-scene of typical '70's era Disney slapstick, including the Disney equivalent of the classic "Bullitt" and "French Connection" chase scenes (played for laughs, of course), as the entire cast chases each other around half of L.A. and the entire harbor area in a freewheeling slapstick car chase. Of course, everything ends in predictably warmhearted fashion. Actually, were it not for the cast, "No Deposit, No Return" would be D.O.A. But Knotts is typically hilarious, McGavin a perfect straight man for Knotts, Bernardi and Smith bicker amusingly and Richards and Savage (straight off their famous roles in "Escape to Witch Mountain" and "The Apple Dumpling Gang") are cute and professional, unlike some of the other cloying non-actor child stars of the era. As for Niven, he is an absolute delight and plays wonderfully off his sophisticated image to get some genuine laughs. Feldon shows up late and scores points as a mother who leaves a little bit to be desired. As for the production, the opening cartoon-credits sequence and theme music are rather boring compared to the bouncy themes of "The North Avenue Irregulars" and the Kurt Russell college comedies. And, like all other Disney films of the era, it plays like a live-action cartoon in which the reality of the era plays no part whatsoever (Watergate? Vietnam? Jimmy who?) It's basically by-the-numbers stuff, though admittedly entertaining. As for the plot hole? Okay, here goes: If Grandfather Osborne is a millionaire and doesn't want the kids around, and Jay and Tracy would rather go to Hong Kong than spend time with him, then why not just ask Grandfather Osborne for the money so they can go to Hong Kong and be with their mother? If he doesn't want to be bothered with them, then why would he say no? It's simple: then there would be no movie. I just don't get it. Lousy titles like "Cat From Outer Space" and "Hot Lead and Cold Feet" get widescreen treatment, while great films like "Darby O'Gill" and "Follow Me Boys" languish in full-screen prints. Even "No Deposit, No Return" deserves better. So, the verdict: "No Deposit, No Return" gets **1/2 while the DVD treatment rates *. As I said before, I give up.
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| 5. Choirboys Director: Robert Aldrich | |
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Read the book, watch this film once (mainly to see how well the actors just NAILED their roles!) and then hope for a remake or, perhaps, a re-edit.
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| 6. Papillon Director: Franklin J. Schaffner | |
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Amazon.com essential video Reviews (38)
Papillon is up there with The Sand Pebbles as Steve McQueen's finest performances. His role as Henri "Papillon" Charierre is fully believable as he attempts over and over again to escape to freedom. Dustin Hoffman is just as good as Louis Dega, the prisoner who hires McQueen to protect him. The two become friends as they try to adjust to their new lives. The friendship between the two men is very good and some of the better parts of the movie involve their relationship. Don Gordon plays Julot, a veteran prisoner who tries to help them adjust. Robert Deman and Woodrow Parfrey are also very good as Maturette and Clusiot, two fellow prisoners who attempt escape with Papillon. I have to add about Jerry Goldsmith's very good score that perfectly fits the film. The DVD offers a widescreen presentation that looks great, a documentary made during filming that contains interviews with cast, crew, and even Henri Charierre, and also the theatrical trailer. This is a very dark movie, but it is still a great character study that never really slows down. McQueen fans will love this classic!
The film is emotionally draining, but I find myself watching this film time and time again because of its portrayal of one man's quest to gain his freedom no matter what it takes. Freedom always comes at a price. It is not something that is handed to us or exists freely. It must be earned and that is exactly what his character does by the time the credits role on this film. The viewer will not believe what the character of Papillon had to endure to gain his freedom. The trials he goes through are unforgettable and often left me wondering if I would persevere if I had to undergo the trials he faced. For me, Steve McQueen is one of those actors who really has a great on screen presence. I will almost always watch a movie just because he appears in it, good or bad. Papillon is no exception. Although Papillon is a character driven film, the movie must be viewed for more than just the characters. It also has wonderful cinematography, direction and a memorable, and at times haunting, musical score by Jerry Goldsmith. It is right up there with the best of the prison escape films. Henri Charrière, the real life Papillon and author of the novel, talked about society and his real life experiences in this way: "Society does not want free men. They talk freedom, democracy, anything you want, but they do not want free men. Society wants conditioned men, men who march in step." It's up to the viewer to agree or disagree with that statement while viewing the film. I highly recommend you watch this film today!
Yet even as a teenager I had a couple of qualms about the movie--namely, that it didn't follow the book closely enough (and would have been better characterized if it did), and how did Hoffman's character magically regenerate a limb that developed gangrene and apparently had to be amputated? Over the years, despite my nostalgic soft spot for this flick, I've also come to wonder whether a younger actor would have been more appropriate for the role than the 40-ish McQueen (Henri Charriere, on whose memoirs the movie was based, described himself as a young-looking 25 when he was shipped off to the French prison camps), and whether a more gritty approach wouldn't have been more appropriate. The movie is pretty violent for a PG rating (it would probably be PG-13 today), but even with slashings, shootings, stabbings and an execution by guillotine (in close-up, no less), it's somewhat prettified by those grand, leisurely camera moves that were favored by director Franklin J. Schaffner. On the other hand, I've also got something of a soft spot for those grand, leisurely camera moves, which now seem like relics of an age in which filmmakers didn't assume their audiences suffered from attention-deficit disorder. In passing, a TV documentary from a few years ago about the French penal colonies (it may have aired on the Discovery Channel or the History Channel) questioned whether Charriere's description of his years as a prisoner was factual. Apparently, none of the former prisoners or guards interviewed could remember a guy named Papillon who managed to escape from Devil's Island. So maybe any questions about the movie's accuracy are moot. ... Read more | |
| 7. Jesse Owens Story Director: Richard Irving | |
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| 8. With Six You Get Eggroll Director: Howard Morris | |
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The story about a widow with three children who falls in love with a widower with one daughter, is not new or original. However, thanks to a charming script, smooth direction by Howard Morris and the cast headed by Day and Brian Keith, who have a great onscreen chemistry, it's a delight. By the film's conclusion, audiences have shed a few tears and had more than a few laughs. Doris Day plays the 40ish widow with charm, sex appeal, and a great deal of warmth. She is completely convincing and it's in her small touches that she especially proves her mettle as one of the most natural screen actresses ever. Keith is manly and real, and the supporting cast which includes Pat Carroll, Alice Ghostley, George Carlin, Barbara Hershey, Jamie Farr, and the popular rock group, The Grass Roots, lend credible support. While the film, the first production of the CBS film wing, may betray it's television roots, seeming at times like a pilot for a sitcom, it is ultimately a fine working of a winning formula. This was Day's cinema swan song, after two decades of enormous popularity, and it's a film that none of the participants need feel anything but pride in.
While on first glimpse, it might be unfairly compared to "Yours, Mine, and Ours", another 1968 success, or the later television series, "The Brady Bunch", "Eggroll" more than holds it's own by endearingly telling the story of a widow and widower who fall in love and in spite of the machinations of their children, manage to wed and live happily ever after. The film's strengths are in the individual scenes and set pieces that establish the characters and situations with plenty of heart and lots of belly laughs. Doris Day, playing a role close to her own age at the time, shows why she remained a favorite with audiences for so many years. She is natural, real, wonderful! There isn't a false moment in her portrayal of a 40ish widow and pundits who talk about "The Constant Virgin" roles she allegedly played have obviously never seen one of her films or studied the effortless way in which she lends credibility to every role she plays. She is sexy, warm, womanly and she and Keith have great chemistry. It's a delightful romp for all concerned, especially the audience, who'll come away happily smiling and asking, "Why don't they make comedies like that anymore". Luckily for us, it's still highly watchable!
Abby Mclure (Doris Day) Is a widow who runs a lumber yard. Well her sister is always trying to get her married. Well Then Jake Iverson(Brian Keith) come a long and they fall head of heals in love. But Their kids don't support the marriage one bit. The movie ends happily ever after. If you like to see a hunky Brian Keith this is the one to watch. He is very well toned. And very hairy. And Doris Day is drop dead gorgeous as ever.
"Eggroll" is a delightful , fun film which is often unfairly labelled solely as a "Family Film" and not much else. Certainly it is that, but there is also alot for the adults to enjoy as well. It is one of my favourite Doris Day performances and she does a wonderful job as the widow raising 3 boys who meets, falls in love with, and then marries a widower with one teenage girl. The resulting chaos produces many highly amusing situations that all of us can identify with. The whole issue of "us" and "them", "home territory" and how to protect it from "outsiders" is beautifully handled. Doris Day plays her role with the smooth ease that her years of experience has taught her. In "Eggroll" she is sexy, and handles her role in a most realistic manner. She is at times loving, caring and warm, at other times frustrated and angry and just plan fed up with the whole situation which adds a truthful air to the whole proceedings. She is aided very well by Brian Keith who rather unexpectedly displays a terrific chemistry on screen with Doris. Theirs is a very honest and realistic coupling and they make "Eggroll" a super viewing experience. The film benefits from its terrific supporting cast from Pat Carroll as Doris's match making sister to the wacky Alice Ghostley as the maid who always has a comment on each situation. The film boasts appearances by Jamie Farr (pre M*A*S*H)and William Christopher also pre M*A*S*H. The film also marked the feature film debut of Barbara Hershey and most of the dramatic tension in the story revolves around her characters ajustment to the merging of the two families. She delivers a wonderful performance for someone of her age and it isn't hard to see why she had such a great future ahead of her in films. "With Six You Get Eggroll" is a fitting finish to Doris Day's film career. With times changing in the late 60's her style of sophisticated movie making was sadly going out and it is nice that she has left such a wonderful legacy on film. I strongly recommend this film to you and like me I'm sure you will enjoy it time and time again and see that it forever remains fresh and is first class entertainment.
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| 9. Loverboy Director: Joan Micklin Silver | |
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The thing is, it's only very mildly amusing (and I do put emphasis on very mildly). You'll get bored and want something fresher and funnier. If you want to see a good Patrick Dempsey movie, try "With Honors." It's a lot better than the idiotic mess that "Loverboy" was made from. The only reason for the second star was that it ended and it had the latter mentioned actresses in it. Rated PG-13 for language and sexual innueudos.
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| 10. The Jesse Owens Story Director: Richard Irving | |
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| 11. All Dogs Go to Heaven/All Dogs Go to Heaven 2 Director: Dan Kuenster, Don Bluth, Gary Goldman | |
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-good vs evil | |
| 12. Lepke Director: Menahem Golan | |
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| 13. All Dogs Go to Heaven Director: Dan Kuenster, Don Bluth, Gary Goldman | |
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So waddaya know, waddaya say? This movie is a true classic if you ask me. The Characters and their voices in particular are very good. Both Dom DeLuise and Burt Reynolds have done a great job and therefore it's very enjoyable to watch Charlie's story go further. I think the songs fit in pretty nicely too -ie. "Soon You'll Come Home" is good so are the others. What deserves a true thumb-up, however, is the animation - it's very good looking and surely 'feeds the eyes'. Oh.. that means.. something.. *grin* Summary: This one is a must for persons who like animal-centered movies, and for the rest I would also highly recommend it. And naturally for all ages - I, myself, am an 18-year old (perfectly normal) guy who likes this movie at least as much as Terminator II. So if you haven't seen "All Dogs Go To Heaven" yet now it's time fix that little problem. By the way, Don Bluth, thank you!
Charley was a naugty dog that carried only about himself. The movie begins with Charlie and his pal Itch a wenner dog breaking Charly out of prison. I was real young when I saw this the first time about 9 maybe it scared the crap out of me. Anni Marry who unfortunately was not put in the sequel and the Christmas movie. Killer and itch wer a hoot. Carface, his thugs and King Gator not to mention the nightmare sequence when Charlie goes down into hell. The party at the end when the river catches on fire kills me. I hated this movie at first because it made dogs look bad but now I love it. I would rent int but because it so old Blockbuster does not have it avilable to rent anymore. The King Gator was potrayed accurately as being savage. He scared me he was so big he was huge this alligator must have been about the size of a killer whale. About Mabe 30 feet and weighed probably about 30 tons probably. Another reason the alligator scared me was he came really close to eatting Charley. Since it was rate G which I 100 percent disagee with I think I should have been either PG or PG -13 because of the scene befor this when Charlie and Any Marry ar in the markeet air Carface is on top of this big gun. He start shoot at charlie with I belivie it was a ray gun. I just found out something really interest the King Gator is not a which doctor I thought he was awhich doctor becase he had a bone coming out of his nose. Withc doctors are belived to have supnatural abilities like to be able to steal souls and stuff like that. The only thing that saves Charlies from die a painfull death inside the alligator stomach is his howl. The people who wrote the script for some reason which I have never figured out made the King Gator a music fantic. He thinks Charlie howl is beautiful he takes him out of his mouth. In the chage with had been partly crushed by his huge teeth. Lets him loose and he refuse to eat Charlie instead the become friends. This I fought was cease and one percent a cat and a dog possible like int Oddis and milo. But an alligator the most vicious of all the reptiles next to the crocodile impossible. I also fought some parts where I human. Like when carfcae ties Charlie up to a big Chain drops him into the water ro kill him was inhuman. I also thought carface death at the end of the movie was in Human. Come on you do not have a dog get devouured by and alligator in a movie that hte book claims is appropriate for all ages rate G. While wher eon it whats with these rating system people they need to be more pick those sickos only made Scare Movie R It was alot nastery than that. If you like this see all dogs go to heaven 2. I recomend that you don't see All dog Christmas Charlie which never should have been made. For it messed up the whole Story line. Carface is not supposed to be alive he is supposed to be and he is supposed to be in Hell.
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| 14. Thunderbolt and Lightfoot Director: Michael Cimino | |
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Amazon.com essential video Reviews (17)
George Kennedy plays Red Leary, a member of Doherty's gang who eventually catches up with him. Geoffery Lewis plays Goody, Leary's sidekick. After cornering Doherty,(nicknamed Thunderbolt) and Lightfoot, Doherty convinces them that the money is gone, although he is unaware the schoolhouse had been moved. They all then decide to rub off the same bank because no one would suspect them of doing it again. The plans leading up to it are funny. I always liked the part where Kennedy tells off the snotty kid while they are planning their route in the ice cream truck. Bridges dresses in drag to fool the security guard. When the whole operation is done, the police still catch up with them, and all hell breaks loose. Still, Thunderbolt and Lightfoot escape and find the money stashed behind the moved schoolhouse on the side of the road. They then buy an expensive convertible and light victory cigars. What happens next is very sad, although I won't give that away. The movie is highlighted by beautiful Montana scenery and long quiet periods with no music, creating a relaxing and peacful setting that will please any action buff. Cimino was obviously off to a good start, and he would win an Oscar for DEER HUNTER 4 years later. This is the most underrated movie of Eastwood's career, and it shows him on the other side of the law and doing a very good job of it.
The scene of Red and Goodie in the ice cream cart confronted with an obnoxious lad is a classic in cinema. The climax of this film is superb. A definite MUST SEE for all Eastwood fans!
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| 15. Alice Doesn't Live Here Anymore Director: Martin Scorsese | |
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And move faster it does, for with Scorsese's deep aversion to static shots and his use of a hand-held camera in the small claustrophobic environments in which Alice and her son are confined, all the characters in this film look deeply unsettled in personality as well as in geography. Ironically, filming had to be stopped on this movie for a couple of days because Ellen Burstyn had to go to the Oscars as she was nominated for her role in 'The Exorcist' that year. She returned unawarded to the work that would eventually reward her.
This was Scorsese's first studio picture; it was a hit, I notice that some of the people who have visited this Anyway, time will tell. This heartfelt, true little movie will
This is one of the best-acted films I've ever seen. Nothing more needs to be said about Ellen Burstyn here other than she still remains in my mind as one of the luminary, top-drawer actresses in American cinema these past 30+ years. She is flawless here; even breathtaking! And the performance by Alfred Lutter as her son Tommy was one of the finest performances I've seen by a teen/pre-teen. And of course there's Diane Ladd as the infamous Flo, who revels (and excels) in a small meaty role that usually wins Best Supporting Actress Oscars (she unfortunately lost). And Jodie Foster (as butch as can be) is a riot. And Kris Kristofferson gets his part just right, as do Harvey Keitel and the late Vic Tayback as the overbearing but lovable Mel. I don't know if the perfect acting in this film is a tribute to the actors or to Martin Scorsese (or both). But this film shows that Martin Scorsese is truly a monumental talent. High praise also goes to Robert Getchell for a screenplay that is as hilarious as it is moving. The purity and spirit of this film is obvious and very affecting. I think this is one of the great films of the 1970s. Be sure to put it on your list if you're a student of cinema. I think it is a landmark film in the human comedy/drama genre. ... Read more | |
| 16. Choirboys Director: Robert Aldrich | |
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