Reviews (33)

Critics? HA!
Go figure..if you pay attention to "editorial reviews" for this little movie, a person would never waste a dime to see it.....but this is AMERICA and we ignore critics!!!! (Read the other customer reviews, they couldn't be any more opposite the opinion of our "critics". Hundreds of times they've hated a movie and it's been terrific, whether at the box office or when it hit video)

Perhaps there's not enough here for these two to bite into, but Mr. Maltin and Mr. Keogh should be less nasty and critical of this film and criticize something else....Patton, Full Metal Jacket, Platoon, whatever....you can leave this little movie alone...It's for kids, guys. Amusing, while not too heavy except some violence regarding the apartment building with some smashing and burning, which of course is repaired by the "little guys". Small flying saucers, "little guys" as Jessica refers to them, zoom all over New York secretly repairing "stuff" that's not perfect......silly yes, but who cares? It's a fantasy..... Go with it for goodness sake. Hume Cronyn (Frank Riley) and real life wife, Jessica Tandy (Faye Riley) act together in too few a number of films (Cocoon and its sequel, are a couple). Each character in the movie has his/her problems, each prays for a little help and gets it in this most curious way, feeling God answered them in this way.

It's a fantasy....don't be expecting oscar performances from anyone. Jessica thinks the local fire bombing hood, Carlos, is her deceased son, who was in a car wreck years before. She suffers from altzheimers and so doesn't remember he's dead. Referring to Carlos, as Bobby; all the while he's trying to burn their building to ashes. Elizabeth Pena, (Marissa) is a very pregnant, single female trying to exist day to day with hoodlums harassing her every coming and going at the building. She finds her knight in shining armor, Mason, a not too productive resident painter, and he ends up with our lonely Marissa. It's predictable, but OK.

Frank McRae, ex-boxer, has been punched one too many times while professionally boxing, yet somehow manages to title the movie during one of his only speaking lines.....figure that one, but that's how the movie got its name, they planned it that way!

This film may not one win any oscars, but 95% of the movies I'd bother to review, I own; this is one of them and I like a good feeling when I finish a movie.

Cute Film
When you think about it, there aren't too many movies with a premise like this one. I mean, robot aliens who resemble UFOs that can procreate, raise families, and repair anything at super speed? Pretty unusual.

Something else unusual is that the plot doesn't focus on the robots but the humans who are each trying to hang on to their little piece of home. The robots offer assistance to the main characters and add some comic relief, but the story centers on the human element. The story is well-told and unfolds at the right pace. I thought the acting was also pretty good.

There's one last thing worth mentioning. I notice that the video quality has an odd fuzziness to it. It's barely noticeable and not terribly distracting but potential viewers should be made aware of it. Personally it did nothing to detract from my enjoyment of the movie.

This film was made in 1987 so don't expect the special effects to be impressive by today's standards. Remember that, suspend disbelief, and you'll find *Batteries Not Included to be an entertaining experience.

Not Enough Batteries Could Power This Lame Film
Another film produced by Spielberg in the vain of "Disney-esque" family fare (i.e. HARRY AND THE HENDERSONS, GOONIES). "Close Encounters" is shrunk down to cute little "tonka toys". The gimmick in *BATTERIES NOT INCLUDED is that the aliens' spaceships (of various shapes for degree of personality) are the characters. You don't see the aliens inside controlling the flying saucers (just like you couldn't see the truck driver in Spielbergs' DUEL). The plot is as old as an OUR GANG short. An evil landlord is about to evict a diverse group of stereotypical poor residences from his tenement slum and the mini-aliens arrive in time to save the day to fight the landlord and his evil henchmen. The actors are then directed to act bewildered, angry, awe-inspired, laugh, cry, and hug each other, around the special effects-laden-E.T. spaceships...(yaaawwwnnn...zzz...zzz!). The title of this movie should be renamed to *ORIGINALITY NOT INCLUDED...or...*ACTING NOT INCLUDED...or...*DIRECTION NOT INCLUDED...or...*BRAINS NOT INCLUDED..or...!

Belongs in every children's collection
... whether or not you have kids. It has some moments that might make a four-year-old cling to an adult, but every kid I know likes it. No guns, no bloody fights, no chases, and it still holds their interest.

There's plenty here for an adult - "dotty grandma" isn't a completely comic character here. She's not just a tragic figure of senility, either, though she's some of both. Mostly, she's just making her way through each day the best she can, and better than people seem willing to believe. Most of the other characters are similarly on the edge but muddling by well enough, with a little help from their friends.

I honestly can't call this a science fiction movie, despite its SF elements. It's sweet (almost sappy) and funny, the poor-but-honest folk win out over the thugs and evil corporations, and they all live happily ever after. Well, for now, at least.

If there's ever a list of "most under-rated movies", this one gets my vote. I like it.

A sentimental little beauty from Spielberg
This 1987 little sentimental ditty was utterly irresistible to the public, even as critics panned it as too schmaltzy. It concerns a squadron of little UFOs who arrive on the room of a NY apartment building, one which is about to be razed as soon as the owners can manage to evict the quirky bunch of tenants. The tenants include Hume Cronin and Jessica Tandy (always and forever a winning pair) as well as a guy who plays a mentally (or emotionally - or maybe both) disabled man who speaks only in set phrases from commercials or TV jingles or product tags, such as that of the title: Batteries Not Included. As the tenants band together to save the lives of the little aliens, including a spine-tingling scene in which one gives birth, the aliens come to the rescue of the folks in danger of eviction - and the tenants, previously a disparate bunch, come together to form a community.
Heartwarming. Great family entertainment ... Read more

Reviews (17)

English actor, James Mason, makes a great Rommel.
Originally copyright by 20th Century Fox Film Corporation, in 1951, only six years after the end of World War Two, this black and white film gives a shallow overview of the last years of German Field Marshal Erwin Rommel: the Desert Fox.

Once you get past the opening rather stagey scenes, of British commandos raiding a German headquarters building in north Africa, hoping to kill the Desert Fox in his lair, the rest of the film is carried along guite well, by the great performance of James Mason, as Rommel. This performance is the only reason I rated this film as four stars, without Mason I would have been disapointed.

Other members of the cast do fine jobs too, notably Cedric Hardwicke and Leo G. Carroll. One can find good entertainment based on real events.

D-Day: the invasion of Normandy, is a highlight of this film. There are several minutes of what appears to be genuine newsreel footage of the storming of the beaches: the ships off shore, the guns, the planes, brave men falling. It's all very real at this point.

"The Desert Fox" was made in an era when the directors, producers, and the Hollywood Establishment in general, were less preachy, and less likely to distort the truth in order to promote a social agenda. That is a big plus for this film.

On the down side: the film starts off with several undisclosed advertisements for other videos, of like kind, by Fox. This is borderline dishonest, as consumers have paid for entertainment and expect it to be commercial free. At the very least, the ads should be disclosed, before anyone makes a purchaseing decision.

All in all, "The Desert Fox" is good entertainment and deserves a look.

A Proper Tribute To The Desert Fox
Henry Hathaway's 1951 film on Erwin Rommel, NAZI Germany's most brilliant tactician whose indirect involvement in a failed plot to assassinate Hitler resulted in his untimely death.

The film is a character study and focuses more on Rommel's relationship with Hitler and the German High Command as opposed to his achievements as a military tactician. Because the nature of his death wasn't very well known at that time, the film focuses on Rommel's deteriorating relationship with Hitler and his eventual participation in the assassination plot. This is normal since, with the film being made only 6 years after the end of WWII, audiences would have been quite unreceptive to a film glorifying a German general's military exploits against allied forces.

All in all, James Mason delivers a brilliant performance as a man who is struggling with his conscience. Is his duty as a general to just obey Hitler or to protect Germany from destruction? What should he do when Hitler's megalomania is a greater threat to Germany than the Allies themselves? How can he be a good soldier and live with himself by committing treason: even if treason is the only logical alternative? Although the film isn't entirely accurate in its history, it succeeds in capturing all of the internal conflicts Rommel must have suffered in deciding what to do. The film is also accurate in portraying the impossible dilemma faced by Von Runstedt and others in the German High Command with Hitler's incessant meddling in military planning and execution. As the movie shows, by 1944 Hitler assumed direct control of virtually all military operations in the major theaters with disastrous results (i.e. insisting that most heavy guns and panzer divisions remain in Calais even when the D-Day invasion was well underway). This dilemma was dealt with humor in the movie when Von Runsted sarcastically tells Rommel about how corporals (i.e. Hitler) are such brilliant strategists and tacticians who clearly know far more about waging war than your run-of-the-mill Field Marshalls: "You know how rigid those corporals can be."

Altogether a great film that sheds light on the character of one of the greatest military tacticians of the 20th Century. A film not to be missed.

Not enough action
This movie is misleadingly named. Although Rommel was indeed the commander of Germany's Afrika Corp in World War II, and there earned a reputation as a master tactician, that is not what this movie is about. Two-thirds of this movie's 88 minute length focuses on Rommel's minor role in a conspiracy to kill Hitler. The conspiracy failed, and Rommel eventually paid with his life for his involvement. (In truth, Rommel was lucky. The other conspirators were hanged on piano wire and died a painful death. Because he had been built up into a national hero, Rommel was given the opportunity to take poison, and the public was told he died of war wounds.

I'm afraid most viewers, jaded by modern F/X and action laden efforts like Saving Private Ryan, will be disappointed with this rather inexpensively made effort from 1951. There is very little action other than a commando raid during the first five minutes of the movie. The little remaining action is actual stock footage of the war, skillfully cut into the film. The movie is very talky, focusing on Rommel's relationship with his wife and son, Field Marshal Von Rundstedt, and Adolph Hitler.

I have to admit that when I watched an early scene that showed Rommel in North Africa, wearing a long black leather overcoat consulting with his officers, I said to myself "pure Hollywood! there is no way he would have been wearing that in the hot desert." Then I went to my library and consulted a book on Rommel, lavishly illustrated with photographs. Not only was Rommel wearing the black leather overcoat, he was dressed precisely as depicted in the movie. There is also a remarkable resemblance between Rommel and James Mason, who does an outstanding job portraying Rommel in the movie. The moviemakers got it right, and I was wrong.

The Desert Fox and The Desert Rats - really a set!
Both these movies have James Mason playing the part of General Erwin Rommell. The Desert Rats is the story of Australian Infantry under the command of a British Officer (Richard Burton)who although out numbered and out gunned delay the advance of Rommell's Afrika Corps outside of Tobruk until the British Relief Column arrives. Almost like a sequel to The Desert Rats is the story of The Desert Fox. This story is told through the eyes of an ex-British Officer who after the war tries to find out exactly how and why Rommell died under the Nazi Regime. The story reveals how an unwell Rommell, recently returned from the middle east campaign is invited to join the plot to kill Hitler. It shows Rommell's battle of conscience over his loyalty to an insane leader and his knowledge of the plot for that leader's assassination. Although he will not support the plot to kill Hitler, Rommell will not turn the conspirators in either - a decision that would cost him his life.

I strongly recommend the purchase of both these movies.

Decent Semi-Biographical Film
In between stock footage and some odd chase scenes, this is a pretty good film about Erwin von Rommel.

Rommel has always been my hero, and James Mason gives a fine performance as "the Desert Fox." OK, so maybe he doesn't look like Rommel, but he plays him well and his looks aren't as off as some other atrocious role choices have been. John Wayne as Ghengis Khan comes to mind.

Rommel is pretty well realized, although I would have also liked to have seen his earlier life shown as well. I understand that probably wasn't the intention of the film makers, and as showing Rommel in his WWII life, this film succeeds. ... Read more

Reviews (8)

The Almost Too Realistic Story of a Disjunkted Family
Portrays Shirley McLain as recently widowed, being persued by a man who has held the fantasy of courting her in his heart for many years and has waited for her husband to pass to come forward...and he does just that on the day of his funeral. Deals with life on an almost too realistic level,where air conditioners make sensible gifts...daughters overeat and over react. Mothers look for reassurance that their presence is still welcomed with a common thread of tradition ...and understanding running through this crazy quilt of love and denial. Moonstruck without the seasoning...

I LOVE THIS MOVIE!!!!!!
You will laugh when Shirley MacLaine smashes the dish in the hall while screaming her head off at Kathy Bates and when she tells her daughter that her nephew needs a mother and not Zsa Zsa Gabor!
Marcia Gay Harden is one of the best things in this movies, dressing up as Faye "Bonnie" Dunaway, Marilyn "7-Year-Itch" Monroe, Barbra "Funny Girl" Streisand, Anne "Graduate" Bancroft, Audrey "Breakfast-At-Tiffany's" Hepburn and countless others.
I have watched this movie lots of times and I am happy I finally bought it!!
Also worth to watch the scenes between senile-playing Sylvia Sidney (love her lines!!!!)and Jessica Tandy!
You won't regret buying this one!

touching comedy
A touching, bittersweet fable of love lost and found, USED PEOPLE is a charming film indeed.

Pearl Berman (Shirley MacLaine) has just lost her husband. Together with her two daughters, mixed-up Norma (Marcia Gay Harden) and Bibby(Kathy Bates), she faces a life alone.

Into her life comes Joe (Marcello Mastroianni), who wisks her off her feet, and introduces Pearl into a whole new life. Norma and Bibby become similarly transformed thanks to Joe's encouragement.

The first-rate cast also includes Jessica Tandy, Sylvia Sidney and Doris Roberts.

In the tradition of STEEL MAGNOLIAS and MERMAIDS comes this sunny funny fable of love, USED PEOPLE.

A total gem that's charming and warm!
Shirley MacLaine is wonderful in this underrated comedy-drama that I feel rings very true and warm (contrary to critics like Roger Ebert and Leonard Maltin). It's a smart, funny movie about a Jewish woman who realizes on the day of her husband's funeral that an Italian-American man has loved her for years. It also richly explores the generations of a family, the struggles and the joys they face, and what life is all about for us. I remember seeing it around late 1992 in theatres and haven't gotten around to seeing it ever since I rented it again tonight. But surprisingly I still remembered every moment of its utter beauty as I watched it again eight years later. That should tell you something.

Loved it
How can you not love a great movie? I sat down and watched this, and absolutely loved it. Marcia Gay Harden is hillarious with her dead movie star impressions (Audrey Hepburn "Breakfast at Tiffany's", Marilyn Monroe "The Seven Year Itch", Anne Bancroft "The Graduate"). Kathy Bates was delightful as the low self-esteemed Bibby, who never seems to please her mother. Ah...Here comes the stars of the film: Shirley MacLaine and Marcello Mastrionni. These two are great! They make the whole film worth buying. The chemistry between the two is terrific and touching, and must I say that there will never be a charming, sweet-talking Italian like this man. It swept me off my feet listening to his song he made for the love of his life. After adoring her for 23 years, he finally gets the nerve to ask her out; at her husband's funeral! Terrific movie. 5 stars. Definitely. I'd buy it right now if I were you. ... Read more