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| 21. Burden of Proof Director: Mike Robe | |
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The whole experience is over too soon and your are left thinking what could of happened "if only." ... Read more | |
| 22. Weapons of Mass Distraction Director: Stephen Surjik | |
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Description Reviews (2)
An intelligent and engaging well writen movie for those who like to think about and be caught up in their entertainment. ... Read more | |
| 23. Eloise at Christmastime Director: Kevin Lima | |
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| 24. There's Something About Mary (Fox en Espanol) Director: Bobby Farrelly, Peter Farrelly | |
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| 25. Brenda Starr Director: Robert Ellis Miller | |
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| 26. Hellboy Director: Guillermo del Toro | |
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Ron Perlman is perfectly cast as the demon with a blue-collar attitude towards his job. In many ways, he comes across as your local garbage man or plumber with his world-weary view towards the many monsters he faces. His snappy comebacks are especially amusing. Perlman's costume and make-up also reinforce the image with his floppy raincoat and filed-down horns, which resemble goggles more than anything. Selma Blair is touching as Liz Sherman, the somewhat sullen object of Hellboy's affections, while John Hurt brings an added amount of warmth as the elder Professor Broom. Rupert Evans is solid as the young FBI agent who is introduced into Hellboy's world. As the evil Rasputin, Karel Rodin underplays the part, making him a somewhat bland bad guy. Doug Jones, with the voice of David Hyde Pierce, makes the fish-man Abe Sapien a truly fun creation. Lending solid support is Jeffrey Tambor as Hellboy's antagonistic boss. Director Guillermo del Toro does a wonderful job keeping the film at such a brisk pace that we easily get swept up in the story. Despite having a lower budget than most films of its type, the special effects are definitely better than average with snaky haired monsters providing menace and a complaining zombie half-corpse providing laughs. HELLBOY is a fast-paced, fun film that definitely will draw in fans of the cult comic, while the irreverent attitude will appeal to action fans in general. It doesn't matter if you're familiar to the comic or not, this film is definitely a enjoyable time, and as such, is one that I definitely recommend.
Hellboy, as readers of the Dark Horse comic know, is a half-man, half-demon and, as played by Ron Perlman, he's a whole lotta fun to hang around with. Although he's got brute strength to spare, his fireproof hide hides a tender side: He vainly tries to sand down the pair of horns that keep threatening to sprout out of his broad forehead, he consumes basins of chili and mini-mountains of nachos in one sitting, and he enjoys the company of ... kittens. The dream project of the gifted Mexican screenwriter and director Guillermo del Toro ("Mimic," "Blade II"), "Hellboy" initially appears to be a flashy mishmash of elements lifted from "Raiders of the Lost Ark," "X-Men," "The Matrix" and other fantasies. But stick with it. Somehow del Toro gives the movie unexpected rhythm and spirit; don't be surprised if you get caught up in this weirdly affecting tale about a superhero bedeviled by his need for acceptance and companionship. The screenplay by del Toro begins in 1944, as the Nazis and the diabolical Grigori Rasputin (yes, the Mad Monk himself) combine science and black magic to open a portal to Hell. The results are dire for all concerned, and in the midst of the mess a miniature red menace manages to cross over from the dark side. Adopted by paranormal expert Professor Broom (John Hurt), the little creature grows up to be Hellboy, the secret weapon of the Bureau for Paranormal Research and Defense, an organization dedicated to stamping out monsters whenever and wherever they appear. They're a low-profile bunch. Instead of the supersonic jet the X-Men travel around in, the BPRD team disguises itself as a band of trashmen. In the rare moments when he's not fending off attacks by the sinister forces of Rasputin (Karel Roden), Hellboy attempts to deal with new BPRD trainee John Myers (British TV star Rupert Evans), who has managed to win the trust of Hellboy's dreamgirl, Liz Sherman (Selma Blair), a sullen soul cursed with pyrokinesis: Whenever her temper flares, everything goes up in flames. The bizarre love triangle is delightfully well-played, with Hellboy fuming and fussing as he stalks John and Liz. "When am I ever gonna get a girl?" Hellboy complains. "I drive around in a garbage truck." "Hellboy" also introduces Abe Sapien, an intellectually inclined gill-man/psychic who speaks with the voice of David Hyde Pierce; an undead assassin with a horribly mutilated body, veins full of dust and a clockwork heart that keeps him running; and Sammael, a hell-hound capable of resurrecting itself (or quickly reproducing copies of itself) each time it seems to be near death. Avid readers of the comics will be pleased to know creator Mike Mignola served as a visual consultant here, and he's at least partially responsible for the film's sleek, dark, glossy/grungy look. Certainly not everything works as well as it should. The humor, which often gives scenes a welcome edge, sometimes gets perilously close to the thudding one-liners that eventually sent Arnold Schwarzenegger into exile in the California governor's mansion. An insufferable bureaucrat (Jeffrey Tambor) who abruptly disappears from the storyline -- a plot point that's ridiculed during the end credits -- is an extraneous annoyance that slows down the action and should have been cut before shooting began. But for every little flaw or misstep, "Hellboy" manages to come up with something unexpectedly off-the-wall to compensate for it, such as the inclusion of 1940s chanteuse Vera Lynn's "We'll Meet Again" on the soundtrack, or a fistfight that somehow continues, even as the participants are hurtling down an elevator shaft.
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| 27. Mr. Mom Director: Stan Dragoti | |
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| 28. Big Bully Director: Steve Miner | |
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Directed by Steve Miner (House, Halloween:H20, Lake Placid) and Written by Mark Steven Johnson (Daredevil) made a clever, often Misfired Satire of his Earlier Written Film-Grumpy Old Men. Morains and Arnold are Big Time Fun in this Underrated Comedy, even when the movie turns a Comedic Thriller at the last Third of the flick. This film was a Flop in Theaters but It did better on Video. Grade:B+. ... Read more | |
| 29. The Man Who Captured Eichmann Director: William A. Graham | |
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A far more carefully crafted story line distinguishes this film from the 1961 'Operation Eichmann'. The source of this film is the book, "Eichmann in my Hands", by Massad agent Peter Malkin, the primary Israeli Agent involved in Eichmann's capture in Buenos Aires. The film is presented pretty much from the point-of-view of Malkin, played superbly by Arliss Howard, an actor who's career to date is papered with non-distinguishable work in non-descript films. His portrayal here is right on target. There is a nice turn as well by Jeffrey Tambor, a wonderful comedic actor, here cast completely against type in a serious role. Much is the time when TV has been dismissed as a learning medium. Thankfully, made for TV movies like 'The Man Who Captured Eichmann" go far to dismiss that notion. ... Read more | |
| 30. Malibu's Most Wanted Director: John Whitesell | |
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The story revolves around Brad (a.k.a. B-rad), a rich kid from Malibu, who has completely taken on the thug lifestyle. Although he's never really left Malibu and gone to the real "streets" of L.A., he still feels that he's from the hood. Brad seems to be hurting his father's campaign to become governor, so two actors are hired to scare Brad "white". What happens to Brad, the actors, and an ambitious young lady will have you rolling! Not only was Jamie Kennedy very good in his role as Brad, but I especially liked Taye Diggs' and Anthony Anderson's portrayals as actors trying to find their motivation for acting like thugs, which was very hard for the classically-trained characters. Although the critics have been somewhat harsh while reviewing this movie, I would definitely suggest it. It's a cute movie that you can see when you want to have a good laugh. See for yourself!!![.]
B-Rad ( Kennedy ) becomes the subject of a brutal joke. His father ( Ryan O'Neal ) inlists his campaign manager ( Blair Underwood ) to help him deal with his son. The problem is O'Neal's running for office and B-Rad's hip-hop antics are costing him votes. Thus, the kidnap plot of the year begins. And may I say it was a very funny and unique plot. We present Anthony Anderson and Taye Diggs ( two of the most popular black actors today ) playing actors. They know as much about the 'hood as B-Rad does so when they are hired to play gangstas and kidnap B-Rad the comedy really starts. They bring in a sistah, Shondra ( Regina Hall )to tempt B-Rad and she does just that. He ends up falling head over heels in love with her. Shondra finds herself attracted to him as well and why not? Jamie's hot whether he's white or black. I thought the transformation Anderson and Diggs did from actors to criminals was one of the funniest in the film but stands behind B-Rad hands down. Jamie rocked the house and though the film was cliched and stereotypical, you get a lot of laughs. I was hoping the film would stay original but it ended up being another Bringing Down The House, except Malibu's Most Wanted had more intelligence when it came to its audience. It didn't try to insult by having a bunch of black people do stupid things. What it did was educate in its own way showing that hip hop can truly be a culture of many flavors and can be used to bring people together. It may seem sappy but in the end you get a nice, multicultural comedy filled with interracial romance, rap stars, talking rats, bumping and grinding and all around fun. In the end B-Rad learns more about himself than he thought he would and so do we. I think this film is worth a look and believe me, I love intelligent films. This film may not be the calibur of Hamlet but it wasn't supposed to be. I think people forget that this was a COMEDY, a film to watch to have a good time. You don't always have to have a film that's socially and politically correct. I'm a black woman and nothing in this film offended me. I appreciated the effort and loved the fresh spin on how blacks and whites relate to hip hop. This may not be your cup of tea and that's fine. But as Jamie Kennedy says in the film " Don't be hatin' " which is a fine line if you think about it. Especially if you haven't given the movie a true chance. I'd just watch it all over again for Jamie if nothing else. He is so fine. Give the film a chance and draw your own conclusions.
H**S this movie is guarenteed to make yo laugh best of 03 Also recomended Steve Martin in Bringing down the house
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| 31. A House in the Hills Director: Ken Wiederhorn | |
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| 32. There's Something About Mary (D-VHS) Director: Bobby Farrelly, Peter Farrelly | |
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| 33. Saturday the 14th Director: Howard R. Cohen | |
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Veteran Hollywood screenwriter Howard Cohen (Deathstalker, Stryker, Vampire Nurses, and-- I'm not kidding-- Rainbow Brite and the Star Stealers) tookhis first whack at directing with this insanely silly send-up of seventies horror flicks. How a guy who writes B-grade fantasy and softcore flicks managed to assemble the cast he got for this film is beyond me, but to his credit, the cast did manage to pull off something that didn't completely wreck their careers. Waldemar (veteran character actor Jeffrey Tambor, in his second big-screen role) and Yolanda (the late Nancy Andrews, in her last film role) are very interested in buying a dilapidated old house. Problem is, its owner has just died and left it, in his will, to an all-American family: father John (Richard Benjamin, recently seen in the TNT production of The Goodbye Girl), mother Mary (seventies film and TV staple Paula Prentiss), nubile daughter Debbie (Kari Michaelsen of Gimme a Break!), and credulous kid brother Billy (Kevin Brando, for a while the voice of Charlie Brown). Billy finds the book Waldemar and Yolanda are after, opens and reads it, and lets out all manner of evil creatures, making no one happy. John hires an exterminator to get rid of some pests, and finds himself stuck with Van Helsing (the late, great Severn Darden), an exterminator who is more than he appears to be... yeah, okay, it's funny. Kind of. In the same incredibly stupid way that Dark Star is funny, but without the ability and talent both in front of and behind the camera to be found in Dark Star. (And without the beach ball with claws, an unforgivable omission.) Kari Michaelsen's obligatory "nubile daughter taking a bath" scene is worth the price of admission, if you're into that sort of thing, and there are a few chuckles here and there. But for the most part, it kicked my nostalgia trip between the legs a few times. This one just plain doesn't hold up well, and I wonder what I was thinking back in the day when I watched it about a hundred times on HBO. (No, I know what I was thinking. Kari Michaelsen taking a bath.) **
A pair of gothy-looking married vampires are trying desperately to get into the house to retrieve a book, which the boy inadvertently opens to release many evil things into the world. A nutcase exterminator (hired to get bats out of the belfry) seeks to find the book as well, and to foil the vampires. Somewhere along the way there's a house-warming party with a houseful of detestable guests (and the daughter wears a VERY 80s Gunne Sax dress, a cute touch), most of whom deserve everything that happens to them. The monsters are of the latex suit variety and there's mild violence, but nothing here is meant to terrify. It is a parody, short and sweet, with many fun little comedic touches (the TV *only* gets "The Twilight Zone"). Everything you think will happen does happen, right down to the bathtub scene with the teenaged daughter. The acting isn't fabulous, but the casting is good. I'm still trying to figure out if that pizza delivery boy is played by Adam Sandler in a pseudonym. Definitely this is a fun movie to have, and I've already worn out my VHS edition, which is why I've gotten a DVD edition. Incidentally, the DVD includes a few little goodies -- bios of some of the actors and staff (the producer's bio is a hoot -- it's HUMONGOUS), and trailers of various movies the same studio has done including this one. ... Read more | |
| 34. Dr. Dolittle Director: Betty Thomas | |
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The truth is that few people grow up entirely. Halfway through this movie, I threw in the towel and decided to admit I was enjoying this adolescent gem. It's infectious. Eddie Murphy's Dr. Dolittle is not recognizable as the character in the Hugh Loftis book. He's been totally updated. The only element left from the novel is Dolittle's ability to talk to animals. He understands them. They converse. Thankfully they do not sing, as they did in the dreadful Rex Harrison musical comedy thirty years ago. That film lost a fortune for Fox Studio. At this late date, Mr. Murphy and friends seem to have recovered its money. It may seem like a gift to be able to communicate with guinea pigs, owls, dogs, pigs, pigeons and other creatures. This gift could be a one-way ticket to the funny farm, which is the problem Dolittle faces. One of the best things about "Dr. Dolittle" is that it's short. The producers were wise enough to get in and out before the audience realized this was basically a one joke, one special effect story. Murphy seems to have undergone a personal transformation in the last few years. Now he is completely at ease and in control in gentle comedies like this and "The Nutty Professor", just as he was in the sexy and crime-driven vehicles that made him a movie star in the 1980s. It was bathroom humor that earned this picture a PG-13 rating. It may have deserved it, but kids seem to learn this stuff younger these days. Maybe they are just more open than my generation was. This touch of crudeness helps "Dr. Dolittle" to work. Full of smart remarks, these animals are survivors. They are also endearing. They assure that the movie never becomes sickeningly sweet. Besides, nobody expects Eddie Murphy to give up his bad boy image completely. One element I found interesting is that, despite all the advances in digital special effects, when you see a lot of animals talking on screen, it doesn't look any more real than it did in the days of Francis the Talking Mule. It just cost ten times as much to create the effect.
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| 35. The Grinch (with Talking Plush Doll) Director: Ron Howard | |
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Not only is the unique element of the story still there, but the silver screened edition adds more plot on many subjects. Most importantly - the Grinch's origin that explains his hatred and disgust for the Whos and their beloved holiday. Some will argue that this either perverts a classic or dulls it's shine. Not at all, and after seeing the movie you'll realize that it is in no way possible. The movie can't tarnish that eternal shine, and really can only make the old classic even more popular than it already is. Here are some facts and comparisons: Some say: "If you can't stick to the classic's criteria, there shouldn't be an updated version." I say: "The classic is a 2 minute read and a 30 minute cartoon. There's no such thing as adjusting a 30 minute cartoon's subject matter into that of a required (atleast) 90 minute film. The updated version actually contains all that is in the cartoon and book, adding the rest was simply needed. Could you imagine stretching out 30 minutes of material into 90 minutes?! Anyways, THE GRINCH is BASED on the classic childrens book. B A S E D." Some say: "I went to THE GRINCH in hopes of seeing something alot more. That movie is basically the Grinch stealing Christmas, where's the rest? Surely the story needed something different!" I say: "Saying you knew the Grinch would steal Christmas and that you expected more is like saying you went to TITANIC in hopes of the true story having a manipulative-movie-happy-ending where the boat doesn't sink. Too bad because besides the added origin/reasoning, great make-up (Oscar winning), excellent design and portrayal of the Whos and their town (Oscar nominated Art Direction)...you also get JIM CARREY who gives another Oscar-snubbed performance as the Grinch. Not only does CARREY go through with hours and hours of make-up each day to get the job done, he also makes the Grinch his own. He keeps the tone and attitude of the classic character solid while adding humor, plenty of facial expressions he could do without make-up, and most of all... ironically likeable." Some say: "Where's the rhyming and Seuss-like feel? The movie had dialouge and singing...but that dialouge should be in rhyme!" I say: "Pleeeeaaassseee!! That's the one thing this movie definetely did not need and wisely kept out! Constant Seuss rhymes would only bore the adults of the FAMILY MOVIE AUDIENCE much like Disney movie songs and Barney sing-a-longs. A little rhyming is allright, a whole 90 minutes..." Some say: "Many parts of THE GRINCH are not for children audiences! Kissing a dog's rearend! Belching in someone's face? That is so immature and vulgar for a PG rated movie!" I say: "Firstly, it's a PG (Parental Guidence suggested, let's all say it together...again...one more time). Lastly, it doesn't show a close-up (or at all) of the dog's butt meeting the lips of it's victim. It's not as graphic as you make it sound. Belching...yeah, gross. Nobody does that until they see a movie to influence them to do so. Yeah, whatever...next?" Some say: "There's quite the run of dry spots that can drag on." I say: "I must not have noticed, nor left the house with such a Grinch-like attitude. I went to the movie to have fun. The parts I thought were dry was the little girl singing "Where Are You Christmas", but atleast, thank god, they didn't go overkill with it. JIM CARREY also gets in on the singing with his version of YOU'RE A MEAN ONE, MR. GRINCH." I haven't seen THE GRINCH since opening day (11/17/00) and would gladly deem it in the Top 5 Movies of 2000. AND, it certainly isn't as bad as THEY make it seem. Either they are JIM CARREY bashers or not a fan of modernizing classics, but I can't think of one real reason not to see it. Though I won't and can't ever forget this NOW-CLASSIC, I do highly recommend this one for everybody. At the moment I am wishing I had seen it more than once, 'cause now I'm suffering from withdrawls to know when it will be released to own on DVD! Remember, not all classics set the standards. Sometimes it can be the upstaged by it's successor.
Anyway I do suggest you watch this provided you aren't one of those affor mentioned people that freak out over every little thing. I do NOT reccomend the Cat in the Hat movie. I thought that movie seemed too much like Austin Powers in a cat suit to tell the truth,
So this isn't exactly the same storyline as the one penned by the good doctor himself. But it is very close, with some details added in to give adults a few more chuckles. And if you like it for nothing else, you will love the fantasy world created by some outstanding set and costume design; terrific old and new music; and vivid special effects. Worth a viewing or two for all of you Who's. ... Read more | |
| 36. At Home With the Webbers Director: Brad Marlowe | |
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| 37. Never Again Director: Eric Schaeffer | |
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Sincerely,
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| 38. Brenda Starr (Widescreen Edition) Director: Robert Ellis Miller | |
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| 39. Comic Relief VI | |
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| 40. Sadat Director: Richard Michaels | |
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