Reviews (195)

Here Come THE JETS!
WEST SIDE STORY remains unique...to the point of astounding...in status among most accomplished classics in cinema history. Legendary director Robert Wise[whose eclectic mastery of film ranges from "lost" mythology epic, HELEN OF TROY to sci-fi milestones-THE DAY THE EARTH STOOD STILL and STAR TREK:The Movie]perfectly renders a film of passion;tragedy;humor and ultimate celebration of youthful humanity. Leonard Bernstein's score is peerless Americana: classic ART and popular entertainment.Jerome Robbins'choreography is electrifying;Steven Sondheim's "libretto lyrics" are ensconded in popular music immortality.

West Side Story's ensemble cast is likewise peerless.
Natalie Wood is superb as American JULIET, Maria. Richard Beymer's Tony/Romeo charcterization wonderfuly combines heroic "tough guy" with star-crossed lover. George Chakris(Bernardo)and Russ Tamblyn (Riff)jive; fight and dance their rival gangs into legend. My favorite is Rita Moreno.Her performance as earth mother/eternal woman figure, ANITA is remarkable. Her ferocious sexual brio;lioness-Queen humor("if you can fight in/for AMERICA!");home girl insouciance, and passionate GRACE are archetypal.WEST SIDE STORY thematically equals--if not surpasses--its SHAKESPEAREAN progenitor.It is America's SOUND OF MUSIC.The ten Academy Awards could be justly re-awarded.

[When I learned "my" homies back in Massachusetts'Pelham Regional High School...citadel/incubator of so-called 5-college professoriate and University of Mass'PC satrapy centered in Amherst...BANNED WEST SIDE STORY as Racist(this year the school is featuring VAGINA MONOLOGUES)I wondered: "WHERE ARE THE JETS when you need them?"]...

Certainly WSS was never conceived--as Mel Gibsons's THE PASSION OF CHRIST--to stir Culture War and rally believers. WEST SIDE STORY is,"unsimply",American film making at its finest and cinema art of world class caliber. It is movie ICON,which,as The JETS challenge, remains at-the-ready: "to beat every last f.....'gang on the whole f.....'street!"(10 Stars)

powerful,realistic , the finest musical drama I have seen
This ia a very intense, fast moving story in which many of the scenes easily could have happened in real life in New York at that time.

The quality of the music and lyrics blends beautifully with the action, and the choreographed dances are breathtaking.The actors fit their parts to such perfection that I could not imagine anyone else than Natalie Wood playing Maria, or George Chakiris as Bernardo, and on and on for the rest of the Jets and Sharks. My favorite musicals are those from 1950-1970 and of all the great ones like Oklahoma, South Pacific, and the Sound of Music, West Side Story impresses me as the most exciting dramatic musical of all time. It is hard to find a boring moment in this movie. When I think about this movie, the ballet numbers, choreography, and excitement stand out the most in my mind. For a fast moving drama this is a classic against which to compare other musical drama. Who would have thought that a mere conflict between two gangs could have been portrayed into such a dynamic movie. The producers certainly succeeded in bringing up to date the Romeo and Juliet saga. The romance and tragedy of Tony and Maria will always be indelibly impressed in my mind.

Magnificent adaptation of Romeo & Juliet!
Robert Wise made his masterpiece with this film mixing the essential spirit of the shakesperian mood , recreating it in the modern times as a racial conflict.
Wise mixed the drama with a credible plot . The coreography is towering and the music ( Oh what kind of inspiration was in the mind of Leonard Bernstein , acquire buy also the soundtrack; Maria became a classic ), Rita Moreno won a deserved Academy Award and this became a personal triumph for Natalie Wood one of the most beautiful faces ever seen in the cinema story .
The sequence fights between the bunchs is perfect articulated , there is a fine balance between drama and music.
Enjoyable film and of course for all a generation of teenagers in that age , who actaully are grandparents , still remember with nosthalgie that unforgettable jewel picture .

The Best Musical
West Side Story is one of my favorite musicals. The music and the choreography is incredible. Natalie Wood and Richard Beymer make a perfect Maria and Tony. Now that it is on the 2 Disc Special Limited Edition, it is even better. You can have the original intermission music if you wish and there is a great documentary called West Side Memories which shows how this amazing musical was made. Along with the special edition you get a book that contains the original screenplay, a timeline of the show from when the idea was first thought of and to when it came to the screen, a pamphlet you could of bought in the theaters when it first opened in 1961, and newspaper clippings of what critics thought of the show. Even if you didn't get the special edition this show is still worth owning. The songs are incredible. My favorites are "Maria", "America", and "I Feel So Pretty" which a ninety minute instrumental version is used for the intermission.

Best movie Ever
This movie is a must anyone who loves musicals, it's a total classic. If you thought you knew a lot about the movie, think again, because with all the extra fetures will provide you with more knowledge that you than think about.

The movie has definatley got some of the best dance seguences ever made for a musical. ... Read more

Amazon.com

Behaving as if it hadn't already been immortalized in Judges, chapters 13-16, Cecil B. DeMille immortalized history's most famous haircut all over again in this 1949 classic of the Epic Saga genre. Victor Mature is a trifle bovine as Samson--which perhaps isn't so inappropriate--but Hedy Lamarr's Delilah is a magnet on fire. Impossibly perfect and sexy, she sashays through the movie in a whole wardrobe of revealing halter tops, bending the men like blades of grass. These days it's hard to enjoy a DeMille film without condescension: from Samson's fight with a lion that might well be stuffed, to the famous collapsing-temple scene, we are constantly aware of how far movies have come, and the Philistines parade around in costumes that won an Oscar but can only remind the modern viewer of Klingon cocktail parties. But in so many other ways this is very classy filmmaking. DeMille takes considerable liberties with the biblical story to come up with a sort of Ur-narrative of love, betrayal, and remorse that you can swallow very nicely with or without its religious ingredient. Best exchange: Lamarr--"You killed him with... your hands. Oh, Samson!" (Jumps on Mature's back.) Mature--"Hey! One cat at a time!" Also stars George Sanders, a very youthful (and miscast) Angela Lansbury, and impassioned music by Victor Young. --Richard Farr ... Read more

Reviews (18)

AN EPIC OF BIBLICAL PROPORTIONS!
One of the greatest films ever made, "Samson and Delilah" stands out as a crowning achievement in Biblical epics, the trademark of legendary director Cecil B. DeMille. The story of Samson, the strongest of men, felled by the temptress Delilah is brought to the screen in majesty and splendor. Victor Mature is wonderful in his role as Samson, bringing a sense of humor and humanity to the role. Hedy Lamarr nearly overwhelms the brilliant Technicolor with her ravishing beauty as Delilah, sleek and seductive. As Delilah's sister, Angela Lansbury fares well in her brief role as do George Sanders (as a subtle ruler of the Philistines) and Henry Wilcoxon (as a military governor). And the actors are only one ornament to the production. The art direction is masterful and incredible. And the costumes... such gorgeous opulence and splendor were never seen since, sometimes almost stealing the scenes from the actors. Both categories won 1949 Academy Awards, giving Oscar's gilt to this classic. The film is immensely entertaining and superbly directed with reverence to the sacred texts by DeMille (at 128 minutes, dramatically shorter than DeMille's "Ten Commandments". But the special effects are one of the best reasons to see the film: Mature's three-minute fight with a lion, to the unbelievabe climatic scene in which Mature pulls down a temple of stone. A classic all the way through, "Samson and Delilah" is a film that you will never tire of, and always want to see again and again...I now quote the film's final words: "Men will tell his story for a thousand years." And if it lasts that long, men will watch this movie for a thousand years.

Correcting an error in the Amazon review
Yeah, I give the film "four stars" but my main reason for submitting is to set the record straight. Angela Lansbury did not play Samson's sister; she played "Semadar", sister to Delilah and betrothed of Samson. Her accidental death at the hands of one of the Philistine wedding party sends Samson in a murderous rage, setting the stage for Delilah's emergence as a treacherous romantic interest.

yes, groucho, vic's chest is bigger than heddys!
when the inimitable groucho marx was asked if he was going to attend the premiere of this movie, he responded that he refused to go to any movie where the hero had a bigger chest than the leading lady!

they dont make them like this anymore, which is a good thing!

Great Hollywood Biblical Epic
I have always loved this movie since I was a kid. I want to purchase this movie but I prefer to wait until it is released on DVD. Why isn't this movie on DVD? There is no excuse. DVD has been out for a long time now. PLEASE PUT THIS MOVIE OUT ON DVD!!!

why 2 tapes?
I like this movie. Wish it were on DVD. But why is it on 2 tapes? The movie only runs 128 minutes! Why did they divide it? I have movies that run MUCH longer on a single tape. Strange. ... Read more

Reviews (88)

One of the Most Energetic Musicals of all Time
1954's "Seven Brides for Seven Brothers" is rough around the edges and that's just what the doctor ordered. Stanley Donen directed this rough and tumble highly acclaimed musical, set in Oregon in 1850. It was adapted from Stephen Vincent Benét's story "The Sobbin' Women" (based on Plutarch's The Rape of the Sabine Women) and perfectly integrates song, dance, and storytelling. Russ Tamblyn as one of Howard Keel's brothers and Julie Newmar as one of the potential brides are very memorable. Besides Michael Kidd's brilliant choreography (which almost goes without saying) is Cinematographer George Folsey's CinemaScope photography that captured both the grandeur of the land (shot on MGM's back lot!) and the brilliant and bawdy dance numbers. Unfortunately it was shot in Ansco Color and not Technicolor which makes the images less vivid. Yet it does not hinder the film. I saw a recent interview with Jane Powell and she believed that MGM thought they had a real dud on their hands. Boy, were they wrong. Of the DVD versions I prefer the original MGM issue which had a 2.55 to 1 aspect ratio. The Warner Studios version is 2.35 to 1. Both DVD versions remastered the original 4-track magnetic soundtrack to 5.1 Dolby Digital discrete channels. I find this sound remastering very annoying especially to stereophonic films made in the 50s and 60s. The sound on the hi-fi VHS tape is actually truer to the original film.

Singin' & dancin' & sobbin'
A "sleeper" when it was released in 1954, "Seven Brides for Seven Brothers" is still one of the freshest musicals ever made. With a pretty, spirited score by Gene de Paul and Johnny Mercer and rambunctious but carefully-controlled choreography by Michael Kidd, this modestly-budgeted movie surprised everyone by becoming an enormous hit, even being nominated for Best Picture. Based on a short story by Stephen Vncent Benet called "Sobbin' Women" (which was the film's working title), it tells the story of a frontier woman Millie (Jane Powell) courted by a backwoodsman Adam (Howard Keel). He takes her off to his rustic home, neglecting to tell her he has six untamed brothers to care for. Undaunted, Millie sets about domesticating the household, complete with readings from classical history, including the story of the Sabine women, which the boys take to heart. The musical was filmed in AnscoColor and CinemaScope, and the wide screen is utilized to great effect, especially in the barn-raising sequence. Letter-box is mandatory. DePaul and Mercer wrote some effective songs ("Wonderful Day", "When You're in Love", "Sobbin' Women") and the numbers blend into the story perfectly under Stanley Donen's smooth direction. Dresden-doll coloratura Powell and strapping baritone Keel make such an attractive couple it's odd M~G~M never co-starred them again. (Evidently a musical version of "Robin Hood" never got past the drawing board.) The brothers include New York City Ballet star Jacques d'Amboise and a non-dancer, the mysterious Jeff Richards, who may have been the handsomest man ever to appear on the screen, Rock Hudson notwithstanding. Among the brides is Julie Newmar, who a couple of seasons later would stupefy Broadway in "Li'l Abner".Bright and pleasantly aggressive, "Seven Brides for Seven Brothers" is right up there with Metro's best musicals.

Fun movie!
The movie Seven Brides for Seven Brothers is an excellent, fun, family movie with singing, dancing, romance, and even some action. It tells the story of seven brothers who all live together way out in the country. When the eldest brother, Adam, comes home from town one day with a wife, the other six brothers decide they want brides too. They have to battle the townsmen, however, who have already "spoken for the girls." This movie is full of fun and laughs, and I would highly recommend it.

Seven Brides for Seven Brothers
This is a great film, two wonderful singers. Good story line as well. My kids, my husband and myself all like this one! It is a good family film everyone will enjoy.

I LOVE THIS FILM SO MUCH
I mean who wouldnt love, not like, but love this incredible film. This was the first film that I watched when I was growing up. It is similar to pretty woman but reverse because here are 7 rough western thugs that in need of brides to tame them, after their oldest brother got married. Not only did the film have good actors and actresses that were too funny to ignore, but the music and dancing were just as good. I love it and can you believe all but one brother are still alive today? Wow!!!! ... Read more

Reviews (4)

One of the best epic westerns
Ford is perfect for this role, and the story is told very well. Fantastic cinematography, including wagons and horses racing to claim land and Ford's strong moral stand at a party with big-time politicians trying to change his views. Timeless and powerful. I loved the ending and Anne Baxter's performance. A great plot with suspense and unpredictable consequences. Very handsome movie, with strong cast.

Magnificent film, one of the best westerns, very artistic
Ford is perfect in this role. The cinematography, including the wagons racing to claim their land, was outstanding. Anne Baxter gives a great performance as the woman Ford leaves for another woman. Great suspense and drama, bold sweeping action, and a wonderful plot perfectly cast and filmed. An essential part of any western collection. I haven't seen the original Cimarron yet, but I cannot imagine telling the story any better. The ending is great too, powerful and patriotic. This is a timeless classic of epic proportions and beautiful storytelling.

Cimarron
I'm glad this is back in print - it's been a while since I've seen it, but it is a classic Glenn Ford role - the deep, rightous, but haunted cowboy. This is definately not a chick movie - the thought processes and emotions that Ford's character explores are no more understood by actual women than they are by his character's wife. My favorite scene is his return from the Spanish American War, and I also thought the ending was well done.

Character of Courage
Clancy (Glenn Ford) portrays the atypical hero of an era gone but not forgotten. His penchant for fun adventure and excitement, always accompanied by goodness and virtue, soon find him at odds with his beautiful new wife. Even though their newspaper business flourishes with potential and periodic problems Clancy's internal restlessness drives him on to War and remote engagements while his dutiful wife attends to the newly founded entity set in the heart of Oklahoma immediately after land rush. Nostalgic movie goers who rarely see the raw character of courage so eloquently presented in films today will relish this return to the adventure of a "humble and reluctant hero." Prepare to shed a tear or two and enjoy a hearty laugh. But Cimmaron will not quickly retire from your memory once you've watched it. ... Read more

Reviews (6)

The Gunfighter as Human
The image of the western gunfighter has been indelibly etched by the likes of John Wayne in the forties and Clint Eastwood in the sixties as a supremely confident and capable shootist. It is rare for Hollywood to buck this trend but in THE FASTEST GUN ALIVE director Robert Rouse peels away the layers that all too often separate celluloid fiction from brute fact. Glen Ford is George Temple, a one time fast draw expert who has spent years trying to live down a wall of self-imposed isolation that he feels would be needed each time another quick draw wannabe wants to put him to the test. He has learned to camouflage his unwanted skill over the years. He has married an understanding woman (Jeanne Crain), who suffers in silence along with him each time he has to struggle to contain the itch to show off a talent that she knows will eventually kill him. The first half of this superb film is a study in how one man chooses to live a life to which he is clearly unsuited. He runs a small store in a small town surrounded by folk who have no idea who or what he is. The focus is on character development, no small feat in the gunfighter genre. In the next town, a bank robbery led by Broderick Crawford yanks Temple out of his comfortable pseudo-existence. Crawford hears of Temple's speedy draw and pauses in his escape from a posse to challenge Temple in a showdown. It is almost beside the point that any desperado would chance getting caught by the law merely to add a notch to his gun. From the first reel to the last, both Temple and the bank robber are on tracks that do not permit any deviation. In an odd sort of way, both men share more than speed with a pistol. Each is driven by the gun: Crawford, to venerate it, and Temple to negate it. The climactic showdown is the cracklingly effective sort of western legend that has been all too often obscured by the fake glories of the movie cowboy. Glen Ford is a movie cowboy here too, but he makes you think that just maybe this is the way that shootouts at high noon must have been like. This gem is rarely seen except on cable. Catch it and see how a small part of the west was won.

Different but very good western.
To his friends and neighbors George Temple (Glenn Ford) is a mild-mannered store keeper who doesn't wear a gun. But, unknown to all but his wife (Jeanne Crain), George is obsessed with guns because in his youth he lacked the courage to go up against his lawman father's killer. Through years of secret practice George has become the fastest draw in the west, but he is still afraid of drawing against a man. When a ruthless gunman (Broderick Crawford) comes to town and threatens to burn it down Temple is forced to overcome his fears and try to stop him. This finely-crafted western deserves more recognition than it has received. If you like westerns, please try to catch this one.

Fastest Gun Alive
I saw this movie when it first came out as a young boy. I love westerns and always have. Glenn Ford has always been a favorite cowboy. I like the way he portrays a calm quite sort of man that never looks for trouble, but is always there to stand up for what is right. The fastest Gun Alive was one of the first western movies I saw and it still my favorite of all time.

gilda did not make me big glen ford fan - this movie did
i remember my dad taking me to see this movie when i was just a kid. i wasn't a big glen ford fan, but my dad was. but, we both loved westerns so in we went. we got our popcorn and cola's and made our seats just as the movie began to roll. it started of slow and i was afraid it was going to continue along at that pace. it picked up when ford started talking to his wife 'mary' and how much he hated working their little store. mary went on abount all the trouble in dodge and abillene,and ford said nothing. as customers came in the talked down to him. they didn't seem to have a special reason they just did. the next morning we see ford taking the wagon out to the flat when he comes upon a young boy from town, gord tells him to hop up, he has some things to do and proceeds to mosey down the road until he finally gets out and takes a pair of guns from beneath the seat of the wagon. the shooting you see could never be done of course but the photography is quite excellant and glen blasts apart everything in sight and drawing faster that any combinations of western heroes that ever lived. ford takes the boy back to town and gets his promise that he will remain silent. as glen walks down to the saloon everybody is bragging about the fast gun (broderick crawford) and all the tinings he can do with is firearms. glen finally looks over at won the to\he townspeople and ask why he is wearing his gun strapped to his leg and why he shouldn't do it. they laught. then tey taunt him. what do you know? and begin to laugh. enraged, ford goes back to his store and over his wifes protests straps on his irons. ford storms back to the salloon and invites everybod outside. they go to humour him. ford asks someone to throw a handful of coins of into the air looks up, pulls an impossibly incredible fast draw and blows everything out of the sky. he then tells one of his once a upon a time heckler to pour a glass of whiskey and stand across from him. when the man hesitates, ford says - just do it. this is not the same mild storekeeper anymore and the man does it. ford says quite simply 'drop it' and no sooned do his fingers open than the glass is blown to kingdom come. there is the expected showdown with broderick crawfor that i hope you get to see for yourself. this really is an exceptionsl movie.

lloyd davidson lloyddavidson@hotmail.com

Pretty Good Western
If you want to see the fastest gunslinger, then you would enjoy this movie. Veteran actor, Glenn Ford gave a fine performance but I would have enjoyed it much more if his co-star gun fighter was much younger. Since I am a Glenn Ford fan, I do recommend this film. There's nothing like Glenn Ford fighting the bad guys. One of our last surviving legendary cowboys. ... Read more

Reviews (274)

I've eaten casseroles scarier than this
Refreshing as it is to see a horror film rely more on the power of suggestion than on buckets of blood, "The Haunting," Robert Wise's 1963 adaptation of Shirley Jackson's novel, never really becomes as frightening as it clearly wants to be. Occasionally tense and mildly spooky but more often talky, overly melodramatic, and just downright silly, this is one of those films that would benefit a great deal if its characters would just shut up once in a while.

Or at least stop thinking, so we wouldn't be forced to listen to their irritating voice-overs. Granted, there's only one character erring in that direction, but unfortunately, it's Eleanor Lance (Julie Harris), a whiny, disturbed, introverted old maid who's got some serious bats in the belfry--she's feeling (what else?) guilt over the recent "natural" death of the sick old mother she's nursed for the past eight years. Eleanor, of course, proves to be the most susceptible to the eerie but invisible apparitions of Hill House, an abandoned old estate where she and three other guests (well-played by Richard Johnson, Claire Bloom, and Russ Tamblyn) are embarking on a search for the supernatural.

Harris does the best she can, but watching her wander about like Alice in Wonderland on crack, murmuring awful dialogue like "The house wants me, the house is alive," is more likely to evoke laughs than chills. There's also a protracted early scene in which Harris is driving toward her unfortunate destination, plagued by anxiety, fear, and that ever-present voice-over, that is a complete rip-off of the same scene Janet Leigh did in "Psycho" (and I apologize for even mentioning the name of that superior film in this review).

The idea behind all this prolonged psychobabble, of course, is that "The Haunting" can be considered as either a genuine ghost story or simply a story of a woman's deteriorating psyche, and that the ambiguities of the human mind are ultimately far more frightening than the sight of actual spooks. It's an excellent idea, but there's also such a thing as being too vague; in fact, the scariest moment in the entire film occurs when it finally decides to actually SHOW us something scary, rather than anesthetize us with obtrusive close-ups and creaky music. (Humphrey Searle's score blares so incessantly it could turn you off to soundtracks altogether.) Certainly, an excess of gore isn't the recipe for a successful horror movie, but if there's one thing that "The Haunting" demonstrates, it's that an excess of anything else is hardly an improvement.

The Wise choice for the Occult!
Call it horror or a supernatural thriller, "The Haunting" (1963) ruled out the pitfalls that made others of the genre seem pretentious. On first sight you are treated to a mansion set in an evil aura with baroque décor and looming statues. Doctor Markway (Richard Johnson) presides over the investigation, supplying us with an excellent catalog of phenomena to fuel our apprehension. Eleanor Lance (Julie Harris) is the hysterical spinster whose emotional fears become bound with ours. Then there is the wild soundtrack. Humphrey Searle composed a creepy score with a strong arrangement of brass and strings, creating an abstract and crazy effect to attack the senses. A perfect plot, script, narrative and good casting builds the horror through the viewer's own imagination. The best example of a movie to triumph over gore, intense violence and CGI. More evidence that "black and white" is not an obsolete format but an underused film technique. Robert Wise is a versatile director who showed a genuine skill in fright. You will not find "The Haunting" in any shallow top ten list with other famous horror films. You will find it taking refuge in your personal list of what you fear. A movie with a formula to survive repeated viewing and perpetual quality on DVD.

One of the scarest 60's films in the world.
Most people see the remake and won't bother with this one, but this film is really truely pure horror unlike the remake, one of the scarest films ever made, it also tells a classic story of a repressed women and a house that makes her lose her mind, the film is so much more than all of that though, it has all the events timed perfectly as it keeps bulding more and more untill the frightning conclution, If you're a true horror fan give this one a shot, you'll love it.

A chilling movie about an evil house
HIll House has been standing empty for almost 90 years. Whipsers of strange phenomena have kept would-be ocupants away for a long time; not even the owners will live their. That is, until Dr. John Markway assembles a small team to invesitgate the supposed supernatural events of the house. He invites Theodora, a psychic who lives a very different lifestyle; Eleanor, a sheltered young woman who recently lost her canterkaerous mother and has had experienece with poltergeist phenomena; and Luke Sanderson, soon to inherit Hill House and acting as the family's representative. Together, they begin to study the house, it's history and architecture. Or, has the house chosen one of the team for its own purposes?

Horror film director Robert Wise does a magnificent job with this adaptation of the Shirley Jackson novel. Very few visual effects are used, instead relying on lighting (the one scene with the wallpaper in Eleanor's room is eerie), atmosphere, sound and the viewers own fear to create a creepingly chilling film. They make the viewer feel like actors in the movie instead of bystanders. All the actors give fine performances: Clair Bloom as Theo, Russ Tamblyn as Luke, and Richard Johnson as Dr. Markway. But, Julie Harris' performance of Eleanor makes the film. Her almost childlike confusion, fear and determination to stay the course keep you enrapt in the film.

It's very refreshing to see a horror film that doesn't rely so much on expensive special effects to get the chills across, instead using acting, lighting and story to convey terror and fright. This is a classic horror film that still delivers to this day.

Good, but lacks the depth of the novel
I probably would have liked this movie a lot better if I hadn't read Shirley Jackson's brilliant book first. The Haunting is a decent haunted house film, not terrible by any means, but it is an inadequate adaptation. Maybe a more faithful adaptation of the book would have been impossible, since the novel depends so much on psychological suggestion and an unreliable (and possibly deranged) protagonist. That sort of subtlety is more difficult to express on film: there is the truth of what the camera is seeing, that is all. Ambiguity of perception cannot be easily communicated on film.

The most crucial change (to me, anyway), and one that makes me wonder if the screenwriters really read Jackson's book at all, is that Theo is made into a stereotypical "predatory lesbian" character. Eleanor's relationship with Theodora is more layered and complex in the novel, and her conflicts with Theo have a lot to do with her increasingly fragile mental state. In the book, /Eleanor/ pursues Theo. Theodora's rejection of Eleanor (directly or indirectly) leads to the outcome of the story. The "manifestations" in the house are more about Eleanor's essential loneliness and need for belonging than ghosts. The filmmakers of The Haunting definitely grasp this (unlike the filmmakers of the completely awful remake), but removed from its context, Eleanor's sense of rejection in the film is hard to understand. I suppose the filmmakers transferred Eleanor's romantic interest to the doctor rather than Theodora due to the controversial nature of homosexuality, but by doing this, the context of Eleanor's breakdown is removed, and movie Eleanor is a lot harder to relate to.

I'd suggest that you read the book *and* watch the movie, to give yourself some basis for comparison. Ordinarily I don't think it matters if movies are not faithful to the books they were adapted from, but in this case I think it significantly alters the essential meaning of the story (and The Haunting of Hill House is more than simple genre horror, no matter what anyone might say.) ... Read more

Reviews (14)

Terrific Little Gem !
Over the years, I had seen the striking, lurid poster for "Gun Crazy" in various film books ( nicely rendered on the DVD cover ), but I had never actually seen the movie. Well, the movie knocked me out ! This has to be one of the greatest "B" movies of all time. It was also briefly titled "Deadly is the Female", very "film noirish" and appropriate.

I will not reveal too many details about the plot--other reviewers have covered it extensively ( perhaps in some cases too extensively ). Bart Tare ( John Dall ) has had a passion for guns his whole life. At a carnival, he meets a sideshow sharpshooter from London, Annie Laurie Starr ( Peggy Cummins ). They are soon sharing not only a passion for guns, but an intense passion for each other ! Falling under the spell of this charismatic, young blonde--who craves excitement, action and the finer things in life--Bart is drawn into a cross-country crime spree that escalates from robbery to murder.

As one of the best "femme fatale" types in film history, Peggy Cummins gives a rivetting performance. You can't take your eyes off her, as she fanatically plunges down a road from which there is no return, taking the man she loves with her. Her character steals money--Ms. Cummins steals the movie ! As Bart, John Dall is rather stoic and one-dimensional until later in the film, when he realizes the harm he is causing others, including those who were close friends. His performance really picks up in the later scenes. Incidentally, Bart as a youth is played by Russ Tamblyn, later to spark a number of movies with his dancing and acrobatic skills.

The other "star" here is the Director, Joseph H. Lewis. His approach is refreshing and innovative. I particularly liked the scenes where you--the audience--are in the back seat of the getaway car during a heist. You cannot help but wonder how much later films like "Bonnie and Clyde", "Badlands" and "Natural Born Killers" were influenced by this low-budget masterpiece ?
I also liked the way that Lewis depicts the sexual overtones of his characters and situations, remembering that this film was first released in 1949.

Concerning the picture quality of the DVD, I see that one reviewer had some problems with the image. Personally, I found the black and white picture to be crisp and clear, especially for a film now 55 years old. The optional comments of author/film buff, Glenn Erickson, are a very nice bonus.

"Gun Crazy" provides further proof that, whether it's the 1940s or 2004, you don't need big budgets and "superstars" to make a memorable film. If you have a taut script, a talented director and even one terrific performance, you can come up with a winner. Thank you, Warner Bros !

"She ain't the type that makes a happy home."
In "Gun Crazy" Bart Tare (John Dall) is raised by his big sister Ruby, and she blames his very early obsession with guns on the fact that "Bart needed a man around the house." But whatever the reason behind Bart's obsession, the fact is that he feels the need to always have a gun in his possession. After stealing some guns from a local shop, Bart is sent off to reform school. Following a stint in the army, Bart returns home. Both of his childhood friends are settled in solid careers--one is a policeman, and the other is a newspaper reporter. Bart's plans are vague. He's now a marksman and has vague plans of getting a job with Remington.

One night, Bart's friends drag him off to a carnival, and there Bart meets a British carnival sharpshooter, Laurie Starr (Peggy Cummins). Laurie's baby-face sweet looks cover a heartless killer whose desire for money exceeds all else. The chemistry between Bart and Laurie is immediate. Unfortunately, Laurie wants to live the high life, and so they embark on a life of crime.

For film noir fans, this is a must-see classic. Peggy Cummins is great as the evil Laurie Starr whose overpowering need for wealth and riches (without working for it) pushes weak-willed Bart into an action-packed life of crime. Of course, things spiral into an inevitable conclusion, but the ending, in spite of its predictability, remains riveting. The film is also known as "Deadly is the Female"-displacedhuman.

The Real Deal
If you like low-budget 1949-era noir B movies you will love this one. It has everything that makes that style appealing: good lines, slightly overdrawn characters, simple morals, interesting exterior photography, etc. What a find!

Gun Crazy
I had heard a lot about this movie but after watching it I wonder what all the fuss is about. The characters were not quite believable as hoodlums and I lost interest it them about half way into the movie at about the same time the movie should have been ending.

Beautifully crafted...but not quite right.
First of all, Gun Crazy is astonishing for a low budget B movie. The care, craft and detail are truly impressive.

But something's a little "off". After two viewings I came to the conclusion its the actors themselves. The terribly underrated John Dall is handsome, tall and well spoken. In an era when being smart was more important than how much you can lift he would have been perfect for all sorts of roles.

Peggy Cummins is short, cute but hardly striking, and (although she was apparently from England) speaks as if she's from Queens. At any minute I expected her to blurt out "So how youze doin?"

The problem for me is how this very smart, charming, classy guy is supposed to make a string of bad choices that will ruin his life...all to win the love of this little zero-ette. The fact that they both like guns is not enough. If he had been pulled into this by a Lana Turner or a Yvonne DeCarlo it would all make sense. ... Read more

Reviews (8)

Flawed but fascinating
George Pal, one of the most underrated filmmakers who worked during the Golden Age of Hollywood, made his most ambitious film, this, in 1962. Running 135 minutes with overture and intermission, it's a very curious project that seems especially incongrous in Cinerama. At times it drags and seems a bit silly, but it comes off as one of those films which seem detached in time, as it does not seem dated, but never would have been made today. The three fairy tale sequences are the film's highlight, with top-notch Puppetoon animation. Watch this on TCM, and petition for a DVD release. This needs a good DVD, AND NOW!!!

Jamie Teller

Terrific
This film is cute without being syrupy. Harvey and Boehm are
excellent. The fairy tales are wonderful. I love the German
scenery--the Grimms' "hometown" scenes were filmed in Rothenburg
ob du Tauber, Bavaria. As of 1995, the town still looked exactly
as it does in the movie. My favorite scenes--Laurence Harvey as the cobbler. What a transformation from Harvey as Wilhelm Grimm!

Every kid will want to see it dozens of times.
I saw this film when it first came out in the 1960s. For some reason, what stuck with me from the moment the theater lights turned back on, to the present era, was the catchy theme tune. The tune is still there, as one might expect. I recently took a few moments to learn the song of the elves from the cobbler sequence. Although the lyrics are a bit awkwardly written, the tune is fun to sing now and then. The storylines for each tale seem intact. (They're not extensively modified as in the Disney style) The connecting sequences, which comprise a biography of the Grimm brothers, is cleverly written. The somewhat different personalities and career goals of the two brothers are wonderfully related. Children might be especially amused by the scene where one brother leans on a suit of armor, causing the entire suit to collapse. The "voice" of the singing bone is exquisite. Another clever moment is the means by which the cobbler addresses a hunter, i.e., "Your Marksmanship." Another memory that stuck with me from my first viewing in the early 60's, was the effect of a sleeping potion on a plant, causing the plant to whither. The conclusion of the film, featuring masses of children cheering in a railroad station, is ideal for this story. What a great ending! The print is more than adequate, unlike, for example, the Beatles' Help, and Disney's Darby O'Gil and the Little People, which seem only available on blurry videotape prints that are difficult to endure. I can think of only one real complaint -- the dragon's fire looks like it was put on the film with strips of cut out colored paper.

An Odd, Pleasant Little Film
I have no idea where my Mom got a copy of "The Wonderful World of the Brothers Grimm", but my family has been watching this movie since I was a young girl. A fictionalized account of the adult life of the Grimm Brothers, the story revolves around their transformation as writers of dull, patron-sponsered biographies to chroniclers of the world's great fairy tales. In between the telling of their story, 3 fairy tales are spliced into the narrative.

The Grimm Brothers segments were directed by Henry Levin in a semi-dull but ultimately servicable manner. The fairy tales, however, were directed by the imaginative George Pal , who also directed "The Time Machine" and "Tom Thumb" in the sixties.

"The Cobbler and the Elves" comes first, and is the weakest of the three, although it does have some good claymation. Next comes "The Dancing Princess", and as a ballet dancer, I can tell you the choreography in this segment is absolutely first-rate. The Gyspy dance performed by the wonderful Russ Tamblyn (West Side Story) is among the best onscreen pieces of its kind.

Finally, there is the eerie "Singing Bone" which features Buddy Hackett and the English comedian Terry-Thomas together with a stunning jewel-encrusted Claymation dragon. These three segments are well worth the price of the video and very entertaining for childen. You may also enjoy this movie if you are a dancer or a animation fan.

All in all, "The Wonderful World of the Brothers Grimm" is a slightly odd curio, but suitable entertainment for the whole family.

A DVD in proper format is desperately needed
I saw this in the current pan & scan (or as is euphemistically appropriate now, full screen) a few years back and found it to be a painful experience. Adding insult to injury was the condition of the print; faded, washed out, and subject to the ravages that plague single strip colour prints of this era. The movie itself is entertaining enough, but what I'd really like to see is a DVD done in anamorphic widescreen in the Smilebox letterboxing process. This would preserve the original look of the Cinerama process and reduce the amount of distortion normally associated with those tiny lenses Cinerama used. MGM's been doing well with its rereleases on DVD; here's hoping this one will get on the list at some point. ... Read more

Reviews (4)

One of the best epic westerns
Ford is perfect for this role, and the story is told very well. Fantastic cinematography, including wagons and horses racing to claim land and Ford's strong moral stand at a party with big-time politicians trying to change his views. Timeless and powerful. I loved the ending and Anne Baxter's performance. A great plot with suspense and unpredictable consequences. Very handsome movie, with strong cast.

Magnificent film, one of the best westerns, very artistic
Ford is perfect in this role. The cinematography, including the wagons racing to claim their land, was outstanding. Anne Baxter gives a great performance as the woman Ford leaves for another woman. Great suspense and drama, bold sweeping action, and a wonderful plot perfectly cast and filmed. An essential part of any western collection. I haven't seen the original Cimarron yet, but I cannot imagine telling the story any better. The ending is great too, powerful and patriotic. This is a timeless classic of epic proportions and beautiful storytelling.

Cimarron
I'm glad this is back in print - it's been a while since I've seen it, but it is a classic Glenn Ford role - the deep, rightous, but haunted cowboy. This is definately not a chick movie - the thought processes and emotions that Ford's character explores are no more understood by actual women than they are by his character's wife. My favorite scene is his return from the Spanish American War, and I also thought the ending was well done.

Character of Courage
Clancy (Glenn Ford) portrays the atypical hero of an era gone but not forgotten. His penchant for fun adventure and excitement, always accompanied by goodness and virtue, soon find him at odds with his beautiful new wife. Even though their newspaper business flourishes with potential and periodic problems Clancy's internal restlessness drives him on to War and remote engagements while his dutiful wife attends to the newly founded entity set in the heart of Oklahoma immediately after land rush. Nostalgic movie goers who rarely see the raw character of courage so eloquently presented in films today will relish this return to the adventure of a "humble and reluctant hero." Prepare to shed a tear or two and enjoy a hearty laugh. But Cimmaron will not quickly retire from your memory once you've watched it. ... Read more

Reviews (30)

The secrets and scandals of a small New England town
Based the bestselling novel by Grace Metalious, Peyton Place is a hallmark of mid-20th century American culture and remains powerful melodrama to this day. Modern audiences in particular might notice similarities with the currently popular Dawson's Creek.

The story centers around shopowner Constance MacKenzie (Lana Turner), hiding a secret from her past; her daughter Allison (Diane Varsi), who dreams of escaping from Peyton Place and becoming a writer; Allison's best friend Selena Cross (Hope Lange), who lives literally on the other side of the tracks and suffers abuse at the hands of her drunken stepfather (Arthur Kennedy); Norman Page (Russ Tamblyn), a shy, quiet student yearning to break away from his domineering mother; Rodney Harrington (Barry Coe), the playboy son of millowner Leslie Harrington (Leon Ames), who disapproves of his son's relationship with the flashy Betty Anderson (Terry Moore); and Mike Rossi (Lee Phillips), the new high school principal smitten with Constance.

Screenwriter John Michael Hayes did a magnificent job of distilling Metalious's occasionally crude story, making it acceptable to film audiences, though it can be argued that Metalious's feminist slant was lost in the process. The film was beautifully directed by Mark Robson, who's never gotten enough respect, perhaps due to his reputation as a craftsman; well, Peyton Place is a finely crafted work, solid entertainment, with majestic location work in Camden, ME, much of which will be lost in the transfer to the small screen. The cinematography is by William C. Mellor and the wonderful score is by Franz Waxman.

Peyton Place received 9 Academy Award nominations, including Best Picture, Best Director, Best Screenplay-Adapted, Best Cinematography, Best Actress (Lana Turner--her only nomination), Best Supporting Actress (Hope Lange, Diane Varsi), and Best Supporting Actor (Arthur Kennedy, Russ Tamblyn). 1957 was the year of The Bridge on the River Kwai, so Peyton Place lost in every category.

Get this DVD-Peyton Place the classic soap opera
Peyton Place is one of my favorite books and one of my favorite movies. The filming and score are beautiful. The scenery of coastal Maine is fantastic. This is one of the most popular soap operas...the term "Peyton Place" has come to mean a gossipy community.

Most of the acting is great... the only actor that does not seem right for the role is Lee Philips. He is does not see the type of guy Lana Turner would go for.

Lana Turner and Diane Varsi have some great mother daughter conflicts. Lloyd Nolan is great as the doctor caught in the moral dilemma of covering up a miscarriage (which was an abortion in the book)

The DVD adds an interesting commentary by Russ Tamblyn and Terry Moore. You feel as if you are sitting with them as the watch the film. They give share stories of what it was like to be a young actor in the 1950s.

This is a great film and even better DVD. My wife and I liked the book and movie so much we named our daughter Allison after Peyton Place's main character.

The Darkside of Small Town Life
1957's Peyton Place was based on the tawdry best seller by Grace Metalious that depicts the sorted lives of the residents of the titular small New England town. The film was quite controversial at the time as it contains frank talk about sex, an incestuous rape, a hinted at abortion and murder. The film helped paved the way for the abandoning of the Hollywood moral codes. Everyone in Peyton Place, it seems, has something to Hide. Constance MacKenzie (Lana Turner) is an uptight single mother to Allison MacKenzie (Diane Varsi). She is fearful of scandal and rebuffs the advances of new high school principle Michael Rossi (Lee Phillips). Constance is hiding a secret from Allison and after Allison is wrongful accused of swimming naked with Norman Page (Russ Tamblyn) she reveals that Allison was born illegitimately as her father was living with Constance but was married. Allison leaves Peyton Place to go to New York City. Allison's best friend Selena Cross (Hope Lange) lives in a shack with her drunken stepfather Lucas Cross (Arthur Kennedy). Lucas is abusive and beats Selena and eventually rapes and impregnates her. Confronted by Dr. Swain (Lloyd Nolan), Lucas leaves town. He eventually returns and tries to take advantage of her again and Selena kills him. This leads to trial where Allison returns to town to speak on her Selena's behalf. She avoids her mother and in a bitter meeting tells her of her feelings towards her. At the trial, Selena refuses to let Dr. Swain speak about the rape. Dr. Swain's conscious gets the best of him and in an impassioned statement on the stand he reveals Selena's secret and chides the townspeople for their gossiping ways that led Selena to this position. Selena is acquitted and Allison reunites with Constance. The film was a huge hit and ironically Ms. Turner was embroiled in her our murder trial when her fourteen daughter stabbed her mobster boyfriend to death. It spawned a sequel and a popular television series. The film garnered nine Academy Award nominations including Best Picture, Best Director (Mark Robson), Best Actress for Ms. Turner (her only nomination) and two Best Supporting Actor & Actress nomination for Mr. Kennedy, Mr. Tamblyn, Ms. Lange & Ms. Varsi. The film holds the ignominy of having the most nomination without a single win.

Colorful soap classic/less than perfect DVD
Lana Turner and a terrific cast make this toned down version of Grace Metalious's steamy, sensational novel a real potboiling delight! The music, the cinematography, everything...it all evokes a long ago time and place and here it is all beautifully preserved for posterity! Fans will also enjoy its sequel, RETURN TO PEYTON PLACE with luscious Carol Lynley and another good looking cast of youngsters and scenery-chewing veterans.

Unfortunately, this DVD has a few jumps and glitches which disrupt perfect viewing. The AMC Backstory documentary isn't all that informative, and you'd think they'd at least have edited out the commercial bumpers. The commentary track by Tamblyn and Moore is one of the most boring ever...nearly impossible to sit through. Neither actor offers much insight into the film they are watching, instead rattling off alot of their own movie credits and misinformation (ie. Dick Sargent was never in "that genie show," Ms. Moore). Who was producing this!?

The commentaries make this DVD a must-have
I already had a beautiful copy of this movie--the outrageously priced ($49.95) laserdisc set put out by Fox Home Video sometime in the 90s--but the selling point for me this time around was the promised audio commentaries by Russ Tamblyn and Terry Moore. I wasn't disappointed! I've always considered Tamblyn one of the unsung heroes of moviedom (his credits read like a list of the best films ever made--"Gun Crazy," "Father of the Bride," "Seven Brides for Seven Brothers," "West Side Story," and this gem among others) and I'm certain that those viewers only familiar with his remarkable dancing and acrobatics in musicals would be surprised by his sure handling of a complex character in this film. The performance earned him a well-deserved Oscar nomination--a feat not shared by the majority of his musical colleagues. Tamblyn comes off as a very likable, unassuming guy in his audio commentary, and his memory of the long-ago events is pretty sharp--even to the point of remembering that a double for Lana Turner did a couple of the shots in the last scene rather than the actress herself. Along the way he has plenty of interesting stories about the other actors, the location shoot, and what was going on in his life at the time. Terry Moore is also very engaging in her commentary, although she's clearly less familiar with the movie itself--e.g., she registers surprise at the fate of Betty Field's character the same way a first-time viewer would. But Ms. Moore also has some intersting recollections, such as roasting in her winter coat while surrounded by fake snow in the blazing California sunshine. And her obvious respect for the story's themes and its characters (as significantly altered and arguably improved for the film adaptation) is very endearing, particularly if you're as enamored of the film as this viewer. ... Read more

Amazon.com essential video

This 1950 Vincente Minnelli classic may show its age here and there, but it's still a far sturdier movie than the 1991 Steve Martin vehicle. Spencer Tracy earned yet another Oscar nomination for his wonderfully well observed portrayal of Stanley Banks, a decent (if occasionally long-winded) fellow who gets caught up and cut up in the rudderless spectacle that is the wedding of his only daughter (Elizabeth Taylor, of course). It's a sage commentary on the class mores of the day--how much does one spend? (Or, more accurately, when does one quit spending?) Does one invite one's work colleagues, even if they don't know the bride? Tracy is simply magnificent, gruffly warm and funny, whether he's getting sloppy drunk and discoursing at length or simply sitting by, silently amazed, as his daughter and her beau make up after a spat. The film inspired a sequel (1951's Father's Little Dividend--try getting that title made nowadays), a remake, and a remake of its sequel, as well as a TV series--all in all, almost as many incarnations as Taylor had weddings. --David Kronke ... Read more

Reviews (22)

Some Things Never Change
I just saw for the first time ever this movie made in 1950; directed by Vincente Minnelli; and starring Elizabeth Taylor, Spencer Tracy and Joan Bennett. Ms. Taylor was only 18 when she made this film and was frightening and eternally beautiful. She is so petite that she almost could adorn her own wedding cake. The movie, however, as the title implies, belongs to Mr. Tracy who plays her father who cannot bear to see his little daughter grow up and get married. There is a lot of most fathers in Mr. Tracy's character. He has some great lines and some funny scenes and endears himself to us with his gentle humor-- the footage where he gets stuck in his kitchen making drinks and doesn't get to make a speech about his beloved daughter, just to point out one delightful instance. He is such a bungler-- can't get to Ms. Taylor at the wedding reception to bid her goodbye either.

I did not find this 54 year-old movie dated at all. Some things never change. Love may be eternal and most families the world over act pretty much the same when it comes to seeing their children leave home.

Takes the Cake--Wait There is No Cake.
There is a reason that Spencer Tracy was one of Hollywood's most acclaimed actors. He could pull off any role and make it believable. He was one of the great everymen of his day. Watch, for instance, FATHER OF THE BRIDE and you will find yourself thinking of your own father, grandfather, uncle, or perhaps even yourself.

In the film, based off the novel by Edward Streetcar, Tracy plays Stanley Banks, an upper middle class lawyer who has his nerves put to wits ends when he learns nonchalantly over dinner one evening that his only daughter, Kay (Elizabeth Taylor) has just become engaged. His life is turned upside down in a few brief moments, as the simple thing he thought of as love turns into a nightmare called a wedding. Yet as much as things change, he learns that nothing really changes at all.

This original film version of Streetcar's novel stays true to the source and (as much as I love the remake) in many ways is far more entertaining than the Steve Martin version. The movie has dated some, yet it remains as enduring as ever. Watch it and laugh, maybe cry, then--if you can--give Dad a call.

The original is still the best
I must say that this is far more charming and sentimental than the remake. The relationships presented here seem more real and less scripted.

Tracy and Taylor have an unmatched chemistry as father and daughter that actually stretched into real life, lasting until his death.

Minelli's direction brings real verve to the story without resorting to cheap physical humor. I love the verbal repartee and the cadre of classic Hollywood actors.

The DVD itself is a good transfer both in video and audio. I enjoyed the extras as well, although I couldn't seem to get audio on the two newsreels included.

A great trip down the aisle and memory lane.

A great family film...Better than the Remake...
Spencer Tracy is perfect in his role as the father of the bride. The love for his daughter played by Elizabeth Taylor rings so true in this film. Spencer Tracey gives one of the best comedic performances I have ever seen.

Joan Bennet is also excellent as the mother of the bride.

This comedy is never over the top and the characters seem very real. There are some good laughs.

The upper middle class home and lifestyle reminds me of the book "The Way We Never Were" and at the same times makes me nostagic for the 1950s.

If Elizabeth Taylor's character's call to her dad at the end of film doesn't choke you up then you are made of wood!

Get this film.

This is a classic!
If you're looking for a comedy classic with good acting and a few nuggets of truth, this would be a good bet. Spencer Tracy is delightful as a befuddled, confused, and out-of-his-depth father, trying to survive the announcement, planning, and actual wedding ceremony of his beloved daugher to a man who has taken his place as #1 in her life. He is a typical 50's father-gruff and at times uncommunicative, but always loving. Elizabeth Taylor is cast as the naive and passionate daughter, but she is overshadowed by both Tracy and Joan Bennett as his understanding and long-suffering wife. This is a real tour de force for Tracy and is a delight after all these years. ... Read more

Amazon.com

Hit the lights! An all-star cast and plenty of big numbers make this classic 1955 musical a blast. Russ Tamblyn, Vic Damone, and Tony Martin are three wacky sailors on leave. Debbie Reynolds, Jane Powell, and the immortal Ann Miller are three girls ready for romance. High jinks ensue. Miller's character, Ginger, is a nightclub singer, allowing for maximum dance numbers and costume changes. Yes, it's a big, silly MGM musical with plenty of songs, jokes, and splashy colors, and it's quite a bit of fun. Fred Astaire choreographer Hermes Pan provided the at-times hilariously elaborate dance numbers, and "Hallelujah," the big finale, is presented in all its original widescreen glory so you won't miss a cannon. It's enough to make you want to enlist. --Ali Davis ... Read more

Reviews (8)

1950's Fun in Uniform
It's big, it's silly, and it's a fun 1950's musical with lots of great stars. This movie won't solve the mysteries of the universe, but it will entertain with lots of great dances and songs. Ann Miller, Jane Powell, and Debbie Reynolds are at their best. Jane in the Penguin number, and Ann in the "Thinking of You" number are standouts. Some VHS copies may have a sound problem. They should bring this out on DVD

The ship sank
This was one of MGM's worst musicals. It's amazing because it had a lot going for it the casting of three beautiful talented women: Ann Miller, Debbie Reynolds, and Jane Powell. The script isn't too good. Vic Damone and Tony Martin have too much of the same persona. I think the movie would have been balanced with Dean Martin cast. There is one scene that sticks out and it's a weird one with Jane dancing with a penguin.

Very underrated
This may have been made in the dying days of MGM musicals (no Sinatra or Kelly), but it has some spectacular classic songs by Vincent Youmans & 2 of the finest voices of all time singing together: Tony Martin & Vic Damone. Plus superior musical arrangements & Russ Tamblyn dancing.

They do not make them like this any more for sure.

So enjoy it! Great musical!!

Great Stars and Talent - Very Disappointing Quality
I looked forward to seeing this since I saw it in the theatre in the '50's. It was sad to see the poor quality of such a great musical. I was disappointed and doubt if I will purchase more musicals from the same people who put this out. They did a diservice to a fine musical, not only with poor sound quality but by not putting the whole movie in widescreen, not just the end number.

Hit The Deck
Hit The Deck, is my favorite musical, with Jane Powell. The music is fantastic, and she was my favorite singer and actress in musicals. The movie is about sailors & girls and a musical production. All the actors are great, and the singing and dancing wonderful. I would reccomend this for everyone who likes musicals. It is well worth viewing. I hadn't seen this movie since it came out in 1955, as it never was on TV, that I could see. Thanks, Amazon, for making it available. It is a spectacular film. ... Read more

Amazon.com

When the 2-inch-tall Tom Thumb arrives at a childless couple's door, it seems like the perfect family has been created. But a chance meeting with a pair of devious robbers soon has Tom acting as an unwitting accomplice in a robbery, thereby threatening his family's happiness. Only Tom (Russ Tamblyn of West Side Story) and his friend Woody (Alan Young) can prove the innocence of Tom's parents and bring the robbers to justice. This 1958 presentation of the classic Brothers Grimm fairytale won an Oscar^® for its innovative special effects. Timeless scenes include the famous dancing shoes and the painted boy who peels himself off of a pad of paper to dance around the room. Peggy Lee and Fred Spielman provide a wealth of catchy songs that have Tamblyn, Young, and Peter Sellers singing, dancing, and performing impressive gymnastic feats. This fanciful tale will appeal to the entire family. --Tami Horiuchi ... Read more

Reviews (8)

Warning - No Commentary
I loved this film in the cinema, though it may be too
slow and dated for some children now. However I was
very dissapointed when I bought this DVD to find that
there was no audio commentary contrary to description
here and other sources. I don't know whether it was
perhaps on some early copies but it isn't on the
current version. Seems a missed opportunity if it was
dropped for some reason.

Tom Thumb
Loved the film; brought back memories of my childhood when my parents brought me to see it back in the late 50's. The film though presented principally for children, has a lot of sentimentality and morals to its' credit. Really nice movie.

A delightful film for the entire family!
I found this late 1950's version of Tom Thumb" to be the best Rus Tamblyn was superb in it. It's so very well worth seeing. i think it deserves all the stars it can get. It really impressed be as such a magical film. The dance numbers were great. It was funny amusing, romantic, colorful, nice songs and dance. I also found Alan Young wonderful in it as well. It's a must see for the entire family.

Tom thumb
This film is one of the best films of all time for children and adults too, unfortunately the film is not available on video or DVD in the United Kingdom so anyone who lives in the U.K. will have to have a Video Recorder which is NTSC compatible. This film used to double bill at the cinema with Wizard of Oz but more enjoyable of the two and you don't tire of watching it.

when i was a little kid, this was my favorite movie
and the good parts are just as good today.

start off, of course, with the brilliant sequences from george pal. if i am not mistaken, this was the final puppetoon animation he did, as he was then involved increasingly in directing feature length films. but if only for the yawning man and con-fu-shen, this film would be worth seeing.

add to that, the wonderful live performances by such as the underrated dancer russ tamblyn in the title role; the legendary jessie matthews; and a young peter sellers and terry thomas as marvelous comic villains. sadly, the love story between queenie and woody slows thing down, and even the usually wonderful alan young cant save that part of the movie. (incidentally, a year later young would turn in his finest performance in the george pal "time machine.")

i have such fond memories of this movie, and it manages to live up to them -- i would wholeheartedly recommend it, especially to fans of fantasy, dance, or puppetry. bravo! ... Read more

Reviews (22)

Some Things Never Change
I just saw for the first time ever this movie made in 1950; directed by Vincente Minnelli; and starring Elizabeth Taylor, Spencer Tracy and Joan Bennett. Ms. Taylor was only 18 when she made this film and was frightening and eternally beautiful. She is so petite that she almost could adorn her own wedding cake. The movie, however, as the title implies, belongs to Mr. Tracy who plays her father who cannot bear to see his little daughter grow up and get married. There is a lot of most fathers in Mr. Tracy's character. He has some great lines and some funny scenes and endears himself to us with his gentle humor-- the footage where he gets stuck in his kitchen making drinks and doesn't get to make a speech about his beloved daughter, just to point out one delightful instance. He is such a bungler-- can't get to Ms. Taylor at the wedding reception to bid her goodbye either.

I did not find this 54 year-old movie dated at all. Some things never change. Love may be eternal and most families the world over act pretty much the same when it comes to seeing their children leave home.

Takes the Cake--Wait There is No Cake.
There is a reason that Spencer Tracy was one of Hollywood's most acclaimed actors. He could pull off any role and make it believable. He was one of the great everymen of his day. Watch, for instance, FATHER OF THE BRIDE and you will find yourself thinking of your own father, grandfather, uncle, or perhaps even yourself.

In the film, based off the novel by Edward Streetcar, Tracy plays Stanley Banks, an upper middle class lawyer who has his nerves put to wits ends when he learns nonchalantly over dinner one evening that his only daughter, Kay (Elizabeth Taylor) has just become engaged. His life is turned upside down in a few brief moments, as the simple thing he thought of as love turns into a nightmare called a wedding. Yet as much as things change, he learns that nothing really changes at all.

This original film version of Streetcar's novel stays true to the source and (as much as I love the remake) in many ways is far more entertaining than the Steve Martin version. The movie has dated some, yet it remains as enduring as ever. Watch it and laugh, maybe cry, then--if you can--give Dad a call.

The original is still the best
I must say that this is far more charming and sentimental than the remake. The relationships presented here seem more real and less scripted.

Tracy and Taylor have an unmatched chemistry as father and daughter that actually stretched into real life, lasting until his death.

Minelli's direction brings real verve to the story without resorting to cheap physical humor. I love the verbal repartee and the cadre of classic Hollywood actors.

The DVD itself is a good transfer both in video and audio. I enjoyed the extras as well, although I couldn't seem to get audio on the two newsreels included.

A great trip down the aisle and memory lane.

A great family film...Better than the Remake...
Spencer Tracy is perfect in his role as the father of the bride. The love for his daughter played by Elizabeth Taylor rings so true in this film. Spencer Tracey gives one of the best comedic performances I have ever seen.

Joan Bennet is also excellent as the mother of the bride.

This comedy is never over the top and the characters seem very real. There are some good laughs.

The upper middle class home and lifestyle reminds me of the book "The Way We Never Were" and at the same times makes me nostagic for the 1950s.

If Elizabeth Taylor's character's call to her dad at the end of film doesn't choke you up then you are made of wood!

Get this film.

This is a classic!
If you're looking for a comedy classic with good acting and a few nuggets of truth, this would be a good bet. Spencer Tracy is delightful as a befuddled, confused, and out-of-his-depth father, trying to survive the announcement, planning, and actual wedding ceremony of his beloved daugher to a man who has taken his place as #1 in her life. He is a typical 50's father-gruff and at times uncommunicative, but always loving. Elizabeth Taylor is cast as the naive and passionate daughter, but she is overshadowed by both Tracy and Joan Bennett as his understanding and long-suffering wife. This is a real tour de force for Tracy and is a delight after all these years. ... Read more

Description

When old school friends meet, they soon become lovers. Only problem is, he's running for President! Will love conquer all and leave him enough energy to conquer the voters? Only time and this hilarious comedy will tell. ... Read more

Reviews (1)

grabbing headlines
Director Michael Lindsay-Hogg is no stranger to films about politics, having made the Nixon era parody Nasty H