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| 1. Godzilla vs. Mothra Director: Ishirô Honda | |
![]() | list price: $12.95
(price subject to change: see help) Asin: 6304911645 Catlog: Video Sales Rank: 12816 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (53)
The movie is well made for the era, and I think the English dubbing is better than in most of the Godzilla films. Likewise the script is more mature than the bulk of the Godzilla series, which in general I like, although it becomes a bit preachy about the anti-nuclear stuff (Ishiro Honda is the greatest director of the Japanese monster movies, but subtlety is not one of his more admired filmmaking attributes.) The film does, however, serve its desired function as a comment on greed and avarice admirably. I recommend 'Godzilla vs. Mothra' highly, and no fan of Japanese cinema or monster movies should be without it. It is available as a single DVD or part of a Godzilla five-pack, which I recommend highly: it's a bargain at any price!
There is not TO much to say about this film, it is a good film, how ever it does have some problems, for Example, Mothra is just a flying moth, it does not really have that much attack options, just flying, and releasing bowel movements on the enemy. There fore the battles are not ultra spectacular, but are still good. The overall DVD quality is good consdiering its a film from the 1960s, how ever I wish there was Japanese audio track with optional subtitles, but its better then nothing. One MAJOR flaw I feel with this movie is the ending, it is a major open ended end, and has very little clouser. Overall would I suguest it to people? Yes. ESPECIALY Giant monster fans! ... Read more | |
| 2. Godzilla vs. Monster Zero Director: Ishirô Honda | |
![]() | list price: $9.95
(price subject to change: see help) Asin: 6304911785 Catlog: Video Sales Rank: 11579 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (47)
There are a few drawbacks to the film. A regular red-headed American is featured prominently in the story (as opposed to being pasted in after the fact a la Raymond Burr), and he does a very good job of showing why Americans just do not belong in Godzilla movies. He really got on my nerves, to tell the truth... All in all, this movie is great fun for all. As an added bonus, at least on my copy, there are trailers from about five other Godzilla movies at the end of the tape.
AUDIO QUALITY: EXTRA FEATURES: OVERALL:
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| 3. Godzilla vs. Mothra Director: Ishirô Honda | |
![]() | list price: $12.95
(price subject to change: see help) Asin: 6304911653 Catlog: Video Sales Rank: 17975 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (53)
The movie is well made for the era, and I think the English dubbing is better than in most of the Godzilla films. Likewise the script is more mature than the bulk of the Godzilla series, which in general I like, although it becomes a bit preachy about the anti-nuclear stuff (Ishiro Honda is the greatest director of the Japanese monster movies, but subtlety is not one of his more admired filmmaking attributes.) The film does, however, serve its desired function as a comment on greed and avarice admirably. I recommend 'Godzilla vs. Mothra' highly, and no fan of Japanese cinema or monster movies should be without it. It is available as a single DVD or part of a Godzilla five-pack, which I recommend highly: it's a bargain at any price!
There is not TO much to say about this film, it is a good film, how ever it does have some problems, for Example, Mothra is just a flying moth, it does not really have that much attack options, just flying, and releasing bowel movements on the enemy. There fore the battles are not ultra spectacular, but are still good. The overall DVD quality is good consdiering its a film from the 1960s, how ever I wish there was Japanese audio track with optional subtitles, but its better then nothing. One MAJOR flaw I feel with this movie is the ending, it is a major open ended end, and has very little clouser. Overall would I suguest it to people? Yes. ESPECIALY Giant monster fans! ... Read more | |
| 4. Godzilla & Mothra: The Battle for Earth (1992) Director: Ishirô Honda | |
![]() | list price: $12.95
(price subject to change: see help) Asin: 076780161X Catlog: Video Sales Rank: 5040 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (42)
This re-make involves two giant moths, Mothra and Battra, and two tiny guardians of Mothra who are kidnapped and brought to Tokyo, whereupon Mothra follows to rescue them. Whilst there is some excellent scenery, some good effects and an okay (if rather slow-moving) plot, there are just as many bad points to this film as good ones. The twin guardians are extremely twee and irritating, the opening is a rip-off of an Indiana Jones film and Mothra's egg being transpoted looks like an easter-egg on a dinky toy. Dubbing is also pretty laughable, and the showdown seems to be taking place in a Jean Michel Jarre concert, Godzilla also being fought by the army who have apparently come to the conclusion that military hardware is no good against G and as such are resorting to the use of what look like Christmas decorations. Not a bad Godzilla film overall, but I would have prefered the powers-that-be to have released one of the better of the series. The original 1950's Godzilla would be nice.
This movie has action all around, if the shot changes to a new area it is still action-packed. The bottom line is BUY THIS VIDEO! Or DVD.
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| 5. Chushingura Director: Hiroshi Inagaki | |
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(price subject to change: see help) Asin: 6305071543 Catlog: Video Sales Rank: 53537 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (25)
The photography is gorgeous with brilliant winter scenes backing up intense sword fights in which you aren't sure what happened until someone keels over dead. Political betrayal is revenged while honor ultimately prevails. You are immersed in the feudal Japanese world and yet reminded of much the same thing happening today. Definitely worth seeing and buying once you've seen it.
If you want to gain insight into the Japanese concept of loyalty and the price of honor above all else this is the one movie you should not miss. The color photgraphy and scene settings are well done and sound is excellent; the acting is also very good and does not lean heavily on over-emoting that is the sometimes "norm" for Japanese films. Sub-titles are a little light, but easy enough to see and this is one of the more accessible versions (many are not available to Western audiences as more recently they tend to be done for annual TV specfials. You won't need to know the history to follow the story - or get the point. It's a true story of a proud, old fashioned country Samurai who puts the Samurai Code and personal integrity above politics of reality. He's summoned to the Shogun's castle to do his duty - service to the emperor whole messengers are coming through the territory. A corrupt court official expects and demands a bribe to tell the Samurai what he must know of intricate protocol and is outraged when our hero refuses to bend. The official goads him into drawing his sword in the castle - a capital offense, leading to his forced harikiri - suicide. The remainder of the tale - most of it - is about how the 47 loyal retainers face disgrace and contempt, while biding their time until they can avenge their master. The film has everything: psychological drama, action, passion, greed and pathos - everything in fact that makes life worthwhile. Don't miss this one!
The first act, culminating in the seppuku of Lord Asano, details the conflict between the young lord and Kira, the Shogun's master of ceremonies, and is, in my opinion, the most interesting as it unfolds logically, tragically, and inevitably towards the spilling of blood in the Shogun's castle. Asano and Kira, at least in this stage of the film, are fully realized and three-dimensional characters, and their conflict can be understood on several levels: idealism versus pragmatism; rural versus urban; and, most centrally, a conflict between different conceptions of honor. Kira is slighted because Asano won't show him the deference he feels he deserves, and Asano cannot accept Kira's attempt to teach him a lesson without fatally wounding his pride. The characters feel real because the situation is developed so carefully, and we as viewers understand why the principal actors behave as they do. I think the movie bogs down a bit in the second act where the retainers of Asana plot their revenge on Kira. I also feel it is at this point that those unfamiliar with this story may find it difficult to follow the plot. Like the assassination of Thomas Becket in 12th century England, the story of the 47 loyal retainers has left the historian with not only a wealth of primary documents but also of contemporary analysis of exactly how the events were interpreted. Whereas Becket's murder resonated because of the changing perceptions of the limits of temporal power in medieval Europe, the 47 ronin reflect the changing nature of samurai honor following the pacification of Japan under the Tokugawa shogunate. Unfortunately, the movie does little to clarify the issues involved despite a three and half hour presentation. The historical Oishi, for instance, worked patiently behind the scenes for years to restore the clan's honor and holdings under the leadership of Asano's younger brother whereas Horibe represented the more radical view that the ronin owed personal allegiance only to their dead lord. In the movie, by contrast, Oishi makes reference to restoring the clan and questions Asano's judgment at the castle, but it is absolutely unclear in the context of the film whether this represents his true beliefs or is simply part of the feint to divert attention from the plot to kill Kira. It is, in fact, hard to ever discern exactly what Oishi is planning, even in hindsight. Horibe, as the leader of the other wing of the retainers, fairs worse, emerging only as Toshiro Mifune's drinking buddy (Mifune, though always enjoyable to watch, is largely wasted in a sub-plot that is completely superfluous to the story). I don't expect complete historical fidelity, but I do expect the events to develop coherently and to address the main issues of the story. I'm not saying that it is a complete mess, just that it is hard to follow at times, and it is not always clear what motivates the characters, and, as film usually does, some of the subtleties of the real events are lost. Thankfully, the exciting and famous battle in the snow largely redeems any momentary flagging of interest. My only quibble is that Kira has degenerated by this point into an absolute caricature of his previous self, becoming the embodiment of the man without honor. I suspect this is incorporated less from history and more from the popularizations of this story, e.g., the various kabuki stagings. Others have spoken of the beautiful visuals, so I won't belabor the point. Suffice it to say this alone is a good reason to watch this film. Others have also spoken of the slow pace. This is also true, and if you demand a tight focus in your movies, this one probably isn't for you. ... Read more | |
| 6. Godzilla vs. Monster Zero Director: Ishirô Honda | |
![]() | list price: $12.95
(price subject to change: see help) Asin: 6304911769 Catlog: Video Sales Rank: 34725 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (47)
There are a few drawbacks to the film. A regular red-headed American is featured prominently in the story (as opposed to being pasted in after the fact a la Raymond Burr), and he does a very good job of showing why Americans just do not belong in Godzilla movies. He really got on my nerves, to tell the truth... All in all, this movie is great fun for all. As an added bonus, at least on my copy, there are trailers from about five other Godzilla movies at the end of the tape.
AUDIO QUALITY: EXTRA FEATURES: OVERALL:
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| 7. Godzilla vs. Mothra | |
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Reviews (2)
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| 8. Godzilla VS. the Sea Monster Director: Jun Fukuda | |
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Reviews (19)
The two fights between Godzilla and the sea monster are quite unsatisfying. In the first one, they play volleyball with a boulder for a while, which looks as silly as it sounds. The fact that much of the fight takes place in and under water only adds to the distinct blandness of the struggle. To my eyes, Godzilla acted like he was half-drunk the whole time. The funniest part of the whole thing is when Godzilla decides to sit down and watch a native girl for a while--the MST3K guys are exactly right when they say he looks like he is sitting on a toilet. In summation, the plot is banal, the fighting scenes are boring, and the sea monster is one of Godzilla's least formidable opponents. Any Godzilla fan can sit through this flick and get a morsel or two of enjoyment out of it, but it's not a movie you are going to want to watch very often. If you just want to see a good monster movie, you would do well to skip right past this one.
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| 9. Minbo Director: Juzo Itami | |
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our price: $29.95 (price subject to change: see help) Asin: 630381834X Catlog: Video Sales Rank: 25284 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Given the subject matter of Minbo, it's not surprising. This overly long film (123 minutes) paints an unflattering picture of the intimidation techniques of the Japanese mafia. They bully their way along a thin line that divides civil from criminal offense so they cannot be easily arrested, prosecuted, and jailed. One can only assume that Itami must have gotten pretty close to the truth or he wouldn't have been attacked. Nobuko Miyamato (Itami's wife) plays minbo specialist Mahiru Inoue, a woman with a very personal reason for hating the yakuza. Tough on the outside but compassionate on the inside, she is employed to help the staff of the Hotel Europa rid themselves of a yakuza infestation so that they can host more respectable guests. It's an uphill battle for the large cast, and the story suffers along the way from Itami's characteristic meandering. Instead of trying to cover the shortest distance between two points, Itami bounces after too many characters and weakens the impact of the story as a whole. Nobuko Miyamoto's performance is really terrific and she makes up for a lot, but it's too bad there's not more of her and a lot less of Yakuza 101. --Luanne Brown Reviews (6)
In addition to its political bent and rather movie-like repercussions, however, "Minbo" remains an excellent film, showcasing Itami's biting wit and stinging satire of modern Japanese society. The same sharp eye he brought to Japanese family life in "The Funeral" is used to mercilessly let the air out of the yakuza's puffed shirts and throw back the curtain of the Great and Powerful Oz, revealing the scared little men for all to see. Itami's skillful blend of comedy and drama is on strong display, and characters wax and wane between pathetic, noble, scared and ridiculous. His wife, Nobuko Miyamato is at her most beautiful and powerful in this film. Playing a lawyer who will not bow to the yakuza tactics, she is a lady full in command, it is hard to believe that this is the same scared woman behind the counter in "Tampopo." Anyone who lives in Japan is familiar with the black trucks and their annoying, relentless loudspeakers, can appreciate the frustration felt by the characters in "Minbo." I for one am glad Itami made this film.
For those unfamiliar with the title term, Minbo is a Japanese acronym for MINji Kainyu BOryoku, or "criminal acts disguised as civil actions." It is a form of extortion that doesn't break criminal laws, and it gives the yakuza a strangehold over institutions too scared and unable to fight them. And the police cannot interfere in civil cases, so that gives the yakuza another advantage. Suzuki, accountant of the Hotel Europa explains that payments to the yakuza are listed as "unaccountables" and not expenses, because the yakuza don't give receipts. He thinks that people should refuse to pay, because paying them "makes the yakuza cockier. The staff pay them off because it's not their money." Hotel Europa wants to fight them, because the yakuza have descnded upon their hotel like a swarm of locusts, blowing the hotel's chance of hosting the upcoming international summit. The reception manager tells the staff, "We want people of the highest calibre. They must be courageous, skilled negotiators, familiar with the law, quick-minded, tenacious, and decisive. I doubt we employ anyone like that [here]." Management appoints the aforementioned Suzuki as Chief of Security against the Yakuza, making him a Special Aide To The Manager. However, the milquetoast Suzuki, assisted by go-getter bellboy Wakasugi (also promoted) is given firsthand education against the rough yakuza, who artfully yell at him till he ends up hiding under a table. He learns the hard way that the customers are too scared and keep to themselves rather than incur the yakuza's wrath. Enter Mahiru Inoue, an attorney who is hired as a specialist and she turns things around as she trains Suzuki and Wakasugi. Don't be scared of the yakuza, don't call the manager, and never fight the yakuza on their home turf are a few lessons she teaches them. Her establishment of a VIP room to deal with the yakuza is a masterful step. Although a consultant, she's more of a nice big sister to her trainees, with a killer smile but with more than enough guts to hang on a barbwire fence. The yakuza are indeed formidable villains. A boss named Ibagi sets up the hotel restaurant by pulling a variation on the Julie Andrews restaurant trick in Victor/Victoria: "I'm not an expert in Italian cuisine...is this a typical ingredient?" And when they appear to be conciliatory, they are actually setting up the next stage of their plan. A letter of apology written by Suzuki is delivered to the health department as "proof" of the restaurant incident. The thuggish underlings do shouting so intimidating even Sam Kinison would've soiled his pants. Meantime, the boss calms them down and offers the solution, i.e. payment amount. If the victim agrees, they go away happy, but if not, the boss becomes just as belligerent. But the one thing to remember is that the yakuzi act thuggish to the weak, but yield to the strong. And if one is strong, then they'll give. What also made the yakuza attack Itami was the way they were cariacatured. Despite their tactics, he portrays them as oafs and overacting buffoons. Ridicule them and they seem like a joke. Nobuko Miyamoto was Itami's wife and starred in all his films. Since his death, she appears to be inactive. Here, she gives the role of a lifetime as Mahiru Inoue. And Takehiro Murata (Wakasugi) would later play Shinoda in Godzilla 2000. Minbo also gives the viewer a look at the teamwork concept that made Japan so successful. This outstanding film is also about confronting one's fears, finding out about and skillfully negotiating with one's enemies, but also, knowing oneself.
In this film, a posh hotel has been targeted by the gangsters. No longer able to support the outflow of cash paid to prevent the criminals from embarrassing the establishment, the management decides to take action. They are completely unprepared for the task. Finally, they turn to a plucky attorney played by the charming Nobuko Miyamoto, who teaches them how to use the law to their advantage. The real delight of this film is watching the various frightened hotelmen transform into an effective anti-extortion force. ... Read more | |
| 10. Godzilla vs. Monster Zero Director: Ishirô Honda | |
![]() | list price: $12.95
(price subject to change: see help) Asin: 6304911777 Catlog: Video Sales Rank: 23439 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (47)
There are a few drawbacks to the film. A regular red-headed American is featured prominently in the story (as opposed to being pasted in after the fact a la Raymond Burr), and he does a very good job of showing why Americans just do not belong in Godzilla movies. He really got on my nerves, to tell the truth... All in all, this movie is great fun for all. As an added bonus, at least on my copy, there are trailers from about five other Godzilla movies at the end of the tape.
AUDIO QUALITY: EXTRA FEATURES: OVERALL:
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| 11. Godzilla Vs Monster Zero Director: Ishirô Honda | |
![]() | list price: $9.95
(price subject to change: see help) Asin: 6301175220 Catlog: Video Sales Rank: 15585 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (47)
There are a few drawbacks to the film. A regular red-headed American is featured prominently in the story (as opposed to being pasted in after the fact a la Raymond Burr), and he does a very good job of showing why Americans just do not belong in Godzilla movies. He really got on my nerves, to tell the truth... All in all, this movie is great fun for all. As an added bonus, at least on my copy, there are trailers from about five other Godzilla movies at the end of the tape.
AUDIO QUALITY: EXTRA FEATURES: OVERALL:
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| 12. Godzilla, King of the Monsters Director: Ishirô Honda | |
![]() | list price: $9.95
(price subject to change: see help) Asin: 6304899963 Catlog: Video Sales Rank: 29740 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (85)
That aside, this is the film by which I judge all 'creature features'. You forget the monster is a man in a rubber suit, stomping around a miniature set. The black & white photography, the attention to lighting details make this a winner all around.
Now at the time this film came out, it was amazing, because at the time there were no computers, or anything to really do any amazing special effects, with that said and done everything actually looks pretty good, even though you can tell what millitary veichles and cars were models, everything is actually kind of conving. And for Japan this was kind of a hard movie to swallow, in the origanal version there were scenes when a mother held her child and said "Its okay, we will be with daddy soon." before Godzilla crushed them. Many scenes like that were edited or removed, and if you notice there is a scene on a train where people are laughing, but what they cut out was when a woman said "I survived the (I forgot what the city was called) bombing." and some guy laughed and said "Then you wont surive this." momets before Godzilla picked up the train and ate it (which is one of the MOST popular Godzilla images, Godzilla with that train in his mouth) It was probably very hard for the Japanese people to stomach seeing a monster spawned out of nuclear testing destroying their city, so shortly after millions died from atomic bombings. One beef I have, is that sense the film was in black and white it was some times hard to see Godzilla during the night shots (That or my TV had low contrast or something). And the whole Raymond Burr thing. But let me tell you, With the deep soundtrack (You can hear the original versions of many rememberal Godzilla songs here) and other things you seem to have a real sense of terror when Godzilla destroys the cities. Overall I would suguest this film highly, even though it is in fact edited (Almost 30 minutes were removed, and 20 minutes added with Raymond burr) from the Japanese version, it is still a good watch, and afterthe uncut editon comes out, it will be interesting to have the "Old American" version. (I think they were going to put that on dvd, wernt they?)
Gojira rocks! ... Read more | |
| 13. Godzilla, King of the Monsters Director: Ishirô Honda | |
![]() | list price: $12.95
(price subject to change: see help) Asin: 6304899955 Catlog: Video Sales Rank: 20542 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (85)
That aside, this is the film by which I judge all 'creature features'. You forget the monster is a man in a rubber suit, stomping around a miniature set. The black & white photography, the attention to lighting details make this a winner all around.
Now at the time this film came out, it was amazing, because at the time there were no computers, or anything to really do any amazing special effects, with that said and done everything actually looks pretty good, even though you can tell what millitary veichles and cars were models, everything is actually kind of conving. And for Japan this was kind of a hard movie to swallow, in the origanal version there were scenes when a mother held her child and said "Its okay, we will be with daddy soon." before Godzilla crushed them. Many scenes like that were edited or removed, and if you notice there is a scene on a train where people are laughing, but what they cut out was when a woman said "I survived the (I forgot what the city was called) bombing." and some guy laughed and said "Then you wont surive this." momets before Godzilla picked up the train and ate it (which is one of the MOST popular Godzilla images, Godzilla with that train in his mouth) It was probably very hard for the Japanese people to stomach seeing a monster spawned out of nuclear testing destroying their city, so shortly after millions died from atomic bombings. One beef I have, is that sense the film was in black and white it was some times hard to see Godzilla during the night shots (That or my TV had low contrast or something). And the whole Raymond Burr thing. But let me tell you, With the deep soundtrack (You can hear the original versions of many rememberal Godzilla songs here) and other things you seem to have a real sense of terror when Godzilla destroys the cities. Overall I would suguest this film highly, even though it is in fact edited (Almost 30 minutes were removed, and 20 minutes added with Raymond burr) from the Japanese version, it is still a good watch, and afterthe uncut editon comes out, it will be interesting to have the "Old American" version. (I think they were going to put that on dvd, wernt they?)
Gojira rocks! ... Read more | |