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| 41. Straight to Hell Director: Alex Cox | |
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Reviews (13)
Alex Cox made a very fast name for himself in the mid-eighties, releasing two classic films in the space of three years, Repo Man and Sid and Nancy. Then the downward slide began, and precipitous it was. Straight to Hell, Cox's fourth film, may well have been the nadir; it's hard to imagine a filmmaker this talented making a film this bad, and impossible to imagine a filmmaker this talented making one worse. Straight to Hell is a spaghetti western that's ingested a large number of psychedelic drugs. It follows three hitmen (scriptwriter Dick Rude, ex-Clash guitarist Joe Strummer, and the only actor in the bunch, Sy Richardson) through a couple of botched jobs in Mexico, after which they flee to the strangest desert town to be found outside Jodorowsky's similarly muddy western El Topo. In fact, not only the town has Jodorosky written all over it in unreadable graffiti; the whole film, with the exception of the added love interest, could have been cut from the same cloth as was El Topo. There are, no doubt, art film fans who would consider that a boon, but I always found El Topo to be the weakest of Jodorowsky's movies, and Cox undercuts an already unstable base with amateur acting, and then adds the always-annoying Courtney Love in a major role. The project was bound for disaster from day one. If you've seen El Topo (or the better distillation of it that is the last third of David Lynch's film Wild at Heart), you can safely pass this up and head straight for Cox's more recent documentary work. * ½
Straight to Hell comes off as a purely self-indulgent vanity piece. Like the road to Hell, I'm sure director Cox had very good intentions when he got together with many of his friends in a small Mexican ghost town (actually Spain) and just let the camera roll while everyone improvised. Given all of the peronas involved (including many legends from the early 1980s punk scene and independent filmmakers) you would expect something at least slightly interesting to occur. Unfortunately, the result is just directionless and meandering. Whereas films like Repo Man are iconoclastic and make interesting comments about the disintegration of society, this is just a mess about a bunch of adults acting silly. It may have been fun to film, but it is a chore to sit through. I wonder if Cox truly felt he had created a worthwhile movie, or if he just tried to salvage whatever he could from the footage he shot after going to the expense. Whatever the case, this disaster bascially ended Alex Cox's career by making it impossible for him to find any further financial backing (he only made one more cheap film in Mexico). Talk about going out with a whimper. For those who care, this is Courtney Love's first film, from before she became famous through marriage. Everything else about Straight to Hell is equally as trivial as that piece of information.
Many people have made the mistake of expecting a serious drama here or a common comedy. I think the movie was made to be a strange as possible. Come on gang, a gang of Irish coffee addicts terrorizing a South American town? Look at it as good clean fun and silliness and you can't go wrong
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| 42. Scorpion Spring Director: Brian Cox (III) | |
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Reviews (4)
The movie is about a mexican drug dealer who comes into the Country with drugs and a female alien. It covers their journey and troubles with other drug dealers, border patrol and other law makers. This movie is not the greatest, but it has great actors who portray their characters well.
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| 43. Facing Fear Director: Noel Quiñones | |
![]() | list price: $59.98
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Reviews (6)
What's wrong with the film is that it doesn't know what it's about...or even what kind of movie it is. On one level, it's a straight-ahead drama of an American pilot forced to land in a storm and how he interacts with the locals, including becoming a father-figure to a boy whose mother is attracted to the pilot, despite her being engaged to a planter on whose property the plane lands. Fine. Good enough for one movie. But then we get this bearded old man who may or may not be just a local eccentric: he makes hand gestures and the control sticks of the plane move, birds take off, etc. At one point he seemingly turns into a hen! Then we get parts of the plane, after being smashed up, moving of their own volition in response to things the boy says, almost in CHRISTINE fashion. And we get another boy, a sort of rival with the main kid for the attention of a local girl (an annoying addition), who climbs down into an extinct volcano crater, uncovers what he thinks is buried treasure hidden there by the bearded old man, only to unearth a skull that jumps up at him in an obvious CGI effect. All of this adds up to a supernatural tale. Fine. Almost good enough for a different movie. Put together, though, there are simply too many disparate elements for the thing to work. So I'm pretty sure it was a BOMB and went to video pretty quick. I found my copy at Wal-Mart for $5.50. It was worth it.
"Facing Fear" is the story of a plantation owner's family on a Central American island. The owner is getting married to a woman, Mercedes, and planning to adopt her distant young son Gabriel. Mercedes's husband left her alone with the child, so she considers the fact that a rich man (by the island's standards) wants to take her and her son in a blessing. But Gabriel doesn't see it like that. He sees the owner, Frank, as a substitute father (something he does not want). Then a young aviator's plane crash lands on the island as he is attempting to fly around the world. The pilot, Clay, temporarily shacks up with Frank, Mercedes, and Gabriel as he fixes his plane. Gabriel is initially distant with Clay, but begins to warm up to him. As Clay's plane takes longer and longer to repair, Gabriel and Mercedes become more and more attached to him. It's a sort of Lifetime, feel-good movie. It had the potential to be a decent film, but it was bogged down with annoying and unintelligent substories. One involved a love triangle between 10 year olds, an island voodoo practitioner, and the plane supposedly speaking to Gabriel. These stories were uninteresting and unentertaining and just held the main storyline back. Some high points though include a wonderful, subtly moving performace by Talisa Soto as Mercedes and a stoic yet still equally touching performance by Dean Cain as Clay. These two actors deserve better material to work with, though the scenes they had were some of the best the film had to offer. If you like the sort of movies that have good moral messages, you might want to rent "Facing Fear." Otherwise, my advice would be to stay clear of this one.
There is not much to it in the area of plot construction and character development. The storyline, what there is of it, concerns a pilot who crashes on an island when a massive storm strikes. Throughout the course of the movie, he is trying to find a way to return home. He meets a small family living on the island, a young boy, his mother, and her fiancee. The boy becomes fascinated with the fallen plane, a discovers that the plane is magical. Together the boy and the pilot endeavor to rebuild the plane. But then the pilot falls in love with the boy's mother, and there is some OK chemistry involved in their growing relationship. But the boy's mother knows the right thing to do, and endeavors to remain faithful to her fiancee. That whole situation is just a sub-plot, too much like a stupid soap opera. Meanwhile, the boy has mixed feelings concerning his family situation, and takes comfort in trying to learn all he can about the mysterious plane. At one point, when onew of the boy's friends releases an ancient curse on accident, the heavens open and a severe storm erupts. The boy rescues the plane from plummeting into a gorge during the storm. The boy and the stranded pilot become best friends, and together they continue reparing the plane. Another crisis strikes when the pilot attempts to leave the island in his newly rebuilt plane. It strikes a line of tall trees, and the pilot ver narrowly survives. The endeavor to get away from the island community continues . . . This film is one of the most cheesiest films I've ever seen, a film about a magical plane, an old mystic man who is transformed into a chicken because of a curse, and a living skull. It is cheesy and not intelligent in any way that really counts. The character development is almost non-existent, and, as you can probably tell from this review, the plot is overly cheesy and weak. Not worth even the rental price. Rated PG. 1 star out of five
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| 44. The Crew Director: Michael Dinner | |
![]() | list price: $9.99
(price subject to change: see help) Asin: B00005LOKP Catlog: Video Sales Rank: 23691 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (20)
Four former mob "goodfellas" (played by Burt Reynolds, Seymour Cassel, Richard Dreyfuss and Dan Hedaya) live on the edge of poverty in South Miami. Their art-deco neighborhood is rapidly gentrifying, and soon their apartment is going to go condo, which they can't afford. Immediate action is required. What do goodfellas do? They "whack" (kill) people, of course. And there is killing in this surprise of a movie, but not the type you'd expect. This is a fast-paced, zippy movie that happens to have a lot of black humor. You know who the heroes are, but it takes almost until the end of the film, but where and how the enemies get their due is nicely surprising. All the performances were just fine. Early in the movie, Burt Reynolds, reduced to fast-food work to make ends meet, growls at a customer, "Special orders DO upset us," and promptly loses his job. The film is ripe with situational wit of that type. The relatively unknown Seymour Cassel had to carry a lot of the acting, and he held his own along with the three other stars. A special plot twist involves former singer (and now character actress) Lainie Kazan, the wife of a restaurant owner who runs into the Crew at an inopportune moment. Her scenes are played way over-the-top and in this context, it works brilliantly. The Crew is certainly not the best gangster comedy ever, but it holds up well. I can heartily recommend it.
Starting in New Jersey in 1968, we follow the lives of four 'has-been' gangsters. Now retired and living peaceably in The Raj Mahal in Miami Beach, they attempt to make one last heist. So as not to be evicted (who wants to be homeless?) from this run-down hotel, they plot a way to save their special home. Look for the pink ostrich. Burt Reynolds looks good as an old man and is funny like in those 'Bandit' movies. Richard Dreyfuss who won an Academy Award for his role in THE GOODBYE GIRL and was great in MR. HOLLAND'S OPUS (I loved that music!) showed his winning style. Seymour Cassel who was in Bill Murray's RUSHMORE and Dan Hedaya (Detective Jack in SHAFT), round out the foursome. When you need a laugh, rent this one from the local video store (better yet, buy it here at Amazon.com), sit back and enjoy. If you liked GRUMPY OLD MEN, you'll love these "grandfatherly gangsters" who are not quite 'over the hill' yet. Stephen Iervolino compared this film ro 'GoodFellas' in LAUNCH. This parody is better than either or both/and in a class all its own.
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| 45. White Sands Director: Roger Donaldson | |
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Reviews (14)
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| 46. Death Wish 5: The Face of Death Director: Allan A. Goldstein | |
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Album Description Reviews (20)
Using chemicals, military weapons and even children's toys, Kersey gives the mob something they wish they never got (and does he ever give it to them!). Definitely one of the best and one of the most violent in the series, this film shows many scenes (albeit brief) of graphic torture, so parents should definitely keep their children away until they're at least 16. Even Bronson (72 when he made this) is still in peak physical shape and it is great watching him kick ass with the best of them. Forget Schwarzenegger, Stallone or Seagal. Charles Bronson is indeed the quintessential tough guy and there's no beating him! Film lovers who love watching bloopers will have fun with this one (watch for the Canadian mailboxes in front of the fashion factory, especially when it suppose to be New York City)! If there does happen to be a "Death Wish 6" (and the ending of this film leaves that possibility), I can only hope it was as good as this one and not nearly as horrible as some of the earlier entries (eg: Death Wish II) in the series. Definitely check out "Death Wish 5: The Face Of Death". You won't regret it.
Over all, I do recomend this movie to all Death Wish lovers. Charles Bronson was correct when he defended thsese movies, it does give a sence of satisfaction to all those who are fustrated with the legal system.
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| 47. El Diablo Director: Peter Markle | |
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(price subject to change: see help) Asin: 6301964411 Catlog: Video Sales Rank: 37983 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (7)
Anthony Edwards (Billy Ray Smith) plays a tenderfoot schoolteacher prone to falling off and accidentally shooting horses. One of his students is kidnapped by the stunningly attractive El Diablo ("Star Trek: Voyager's" Robert Beltran,) and Edwards sets out to find the girl and bring her home. His misadventures with a band of misfit outlaws brings a lot of laughs and even some tender moments. With only minor bad language and some blood here and there, this is a movie the whole family can enjoy. I highly recommend it, and plan to watch it again and again.
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| 48. Fair Game Director: Andrew Sipes | |
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Reviews (37)
Plot = Max Kirkpatrick (Baldwin boy #4) is the cop/hero who must protect the lovely Kate McQuean (Crawford playing a civil law attorney) from a KGB team dedicated to eradicate the beauty. What the movie lacks in acting, it makes up for in EXPLOSIONS and CHASES shot from multiple angles played again and again....and again. Apparently Crawford's role was too demanding for the likes of Julianne Moore and Geena Davis, who both turned it down. On the plus side we do get to see Salma Hayek in one of her earlier theatrical performances (Frida this role is not) and Christopher McDonald (bad guy Shooter McGavin from Happy Gilmore) as the angry Lt. This movie is so awful that you almost feel compelled to watch it, to earn your red badge of courage, and to join the ranks of the many who have suffered before you.
Cindy, my God! In this movie, you were just in your lovely apartment overlooking the water. Your apartment is then blown up, you are blown off the balcony into the water, your cat is toast and all your possessions are gone. Oh, and by the way, a bunch of very bad people are now trying to shoot you dead. You get out of the cold water, run for your life and get taken to a safe house where the 2nd rate Baldwin asks you `So, how do you feel?' And Cindy says with the intensity of a heroin addict, `Like my life just exploded. What is this place, Motel Hell?' She said it like she was reading the phone book! A real actress would have been looking at the cop like he was nuts! And she would have delivered the lines accordingly. It gets worse... Did you see the very first scene in the movie where Cindy's character is jogging and gets shot? Did you notice her slowing down to hit her mark and wait for the shot? I've never heard or seen anyone more stilted and lifeless except for a really bored telemarketer. The writing was just BAD, and the movie was just about look how good Cindy looks after being dumped in water and having no shower. Notice her lips still had color? Did they have the long-lasting stuff back then? Luckily it wasn't the kind of bad where you can't sit and laugh at it. You can sit and laugh at this one. In fact, you don't have a choice.
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| 49. Get Shorty (Widescreen Edition) Director: Barry Sonnenfeld | |
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Reviews (49)
Every character and performance hits all the right notes, starting with John Travolta's right-on portrayal of Palmer, a loan shark who has tired of the mob business and would like to try his hand at a REAL mob business: the movies. Palmer isn't a bad guy; he's just all business, which certain characters (especially Ray Bones) should have figured out early on. But they don't, and we get to see Chili eliminate his enemies one by one through sheer guile and smarts. In particular, his payback on Bones is an absolute classic. One of the film's truly great pleasures is watching great actors like Gene Hackman and Danny DeVito try to play Chili. Hackman's performance gets him a very unwelcome audience with Bones ("I heard you shot the guy four times in the chest and once in the foot"), while DeVito's simply doesn't work, and by the end of the movie Chili is looking to "get" someone other than "shorty". Also look for James Gandolfini in his best pre-Tony Soprano role as an ex-stuntman.
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| 50. Clear and Present Danger (Widescreen Edition) Director: Phillip Noyce | |
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Reviews (65)
Former CIA analyst Jack Ryan, (Harrison Ford) is asked by his mentor and friend, Admiral Greer (James Earl Jones) to take over for him, while he battles cancer. Ryan reluctantly accepts. When a friend of the President's (Donald Moffatt) is killed, Ryan learns that a drug kingpin (Miguel Sandoval) may be responsible, for the crime. As he briefs the President, forces inside the administration, are working to take the cartel out, even without any proof. Ryan must discover the truth, about who is working against him before it's too late The cast also includes the great Henry Czerny as Ritter, a smarmy guy at the CIA who butts heads with Ryan, Harris Yullin as the National Security Advisor, and Anne Archer returns as Cathy, Jack's wife. Directed by Philip Noyce, who also directed Patriot Games, the film stays within the framework of the book. The movie also is detailed enough to keep fans of the book happy, while at the same time it is nicely paced Ford proves once again why he's so right for roles like this. He wears his hero hat so well. It is Czerny though, that makes things really interesting for Ryan and, he gives the film an extra spark or two. As part of the reissued "Jack Ryan" series on DVD, Clear And Present Danger, contains a retrospective featurette on how the film was made. It's pretty good and does a decent job taking you back, to what it was like on the set. The standard theatrical trailer tops off the extras. I wish there was a commentary track to go along with the other stuff--or maybe some deleted footage-that would have helped. Still the DVD is recommended over the "movie only" edition from a few years ago
This time around, Ford investigates the murder of a close friend of the President (Donald Moffatt) by Colombian drug cartel hitmen. When his mentor (James Earl Jones) falls ill due to pancreatic cancer, Ford is suddenly put in charge as deputy director of the CIA. He continues his investigation of the murders and ties them in with one particular drug cartel leader (Miguel Sandoval) with whom the murdered man had a little issue with ill-gotten money,.... But what Ford doesn't know is that, on orders from the revenge-minded Moffatt, his second deputy (Henry Czerny) and the president's national security advisor (Harris Yulin) have ordered a rogue officer named Clark (Willem Dafoe) in with a covert military team to put a huge dent in the cartel's activities. Dafoe and his team are successful at what they do, but the cartels retaliate with deadly results on Ford's friends in the FBI during a visit to Bogota. And when Ford finds out about the operation, he finds himself going down to Colombia a second time to help spirit Dafoe and the covert team out of harm's way. Ably directed, once more, by Phillip Noyce (DEAD CALM; PATRIOT GAMES), CLEAR AND PRESENT DANGER gives Ford another chance to prove his mettle in the action genre. The suspense and CIA intrigue are all laid out exceptionally well by Noyce and his first-rate cadre of screenwriters, Donald Stewart, Steven Zaillian, and John Milius. Jones is at his usual best as the now-dying Admiral Greer, and Anne Archer returns as Ford's wife. But a performance really worth noting here is Czerny's as the unconsciously corrupt CIA deputy director Robert Ritter. About as uncouth and conniving a heavy as there has ever been in the movies, his performance is absolutely chilling and believable. It makes the whole notion of our government going beyong reasonable bounds even more credible than it already is. Some will object to the film not pandering to Clancy's right-wing political points of view or his gung-ho pro-military stance, but that isn't necessarily what this movie is about. It does not condemn covert military action, but it does question the wisdom of sending men into a war zone where the risks are extreme, the reasons for such actions are vague at best, and there is no clear exit strategy. Such points are made extremely well in this film's action format; and for those reasons, it gets the highest marks.
For what it's worth, I'm not a picky movie viewer. I'll watch nearly anything. So for me to complain about this movie means that something was really off-base. As far as an action movie goes, it was passable. As far as the technological thriller that the book was, it doesn't even come close. There is no character development (never felt anything towards Ding), random changes in a character's persona (Clark goes from wanting to kill Ryan to making the chopper go back), thing missing that are important to the plot (downing of drug running planes), and things that were never in the book (yacht owner tied to the President). To make what could be an extremely long review somewhat shorter, if you've read the book and are a fan of Tom Clancy, don't bother. If you're just looking for a film with " 'splosions," this might work.
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| 51. White Sands Director: Roger Donaldson | |
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our price: $14.95 (price subject to change: see help) Asin: 6302508843 Catlog: Video Sales Rank: 99613 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (14)
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| 52. El Diablo Director: Peter Markle | |
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(price subject to change: see help) Asin: 630196442X Catlog: Video Sales Rank: 99235 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (7)
Anthony Edwards (Billy Ray Smith) plays a tenderfoot schoolteacher prone to falling off and accidentally shooting horses. One of his students is kidnapped by the stunningly attractive El Diablo ("Star Trek: Voyager's" Robert Beltran,) and Edwards sets out to find the girl and bring her home. His misadventures with a band of misfit outlaws brings a lot of laughs and even some tender moments. With only minor bad language and some blood here and there, this is a movie the whole family can enjoy. I highly recommend it, and plan to watch it again and again.
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| 53. Fair Game Director: Andrew Sipes | |
![]() | list price: $9.94
(price subject to change: see help) Asin: 079074189X Catlog: Video Sales Rank: 118171 US | Canada | United Kingdom | Germany | France | Japan |
| 54. White Sands Director: Roger Donaldson | |
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(price subject to change: see help) Asin: 6304437366 Catlog: Video Sales Rank: 6442 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (14)
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| 55. The Crew Director: Michael Dinner | |
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(price subject to change: see help) Asin: B000059HIU Catlog: Video Sales Rank: 57800 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (20)
Four former mob "goodfellas" (played by Burt Reynolds, Seymour Cassel, Richard Dreyfuss and Dan Hedaya) live on the edge of poverty in South Miami. Their art-deco neighborhood is rapidly gentrifying, and soon their apartment is going to go condo, which they can't afford. Immediate action is required. What do goodfellas do? They "whack" (kill) people, of course. And there is killing in this surprise of a movie, but not the type you'd expect. This is a fast-paced, zippy movie that happens to have a lot of black humor. You know who the heroes are, but it takes almost until the end of the film, but where and how the enemies get their due is nicely surprising. All the performances were just fine. Early in the movie, Burt Reynolds, reduced to fast-food work to make ends meet, growls at a customer, "Special orders DO upset us," and promptly loses his job. The film is ripe with situational wit of that type. The relatively unknown Seymour Cassel had to carry a lot of the acting, and he held his own along with the three other stars. A special plot twist involves former singer (and now character actress) Lainie Kazan, the wife of a restaurant owner who runs into the Crew at an inopportune moment. Her scenes are played way over-the-top and in this context, it works brilliantly. The Crew is certainly not the best gangster comedy ever, but it holds up well. I can heartily recommend it.
Starting in New Jersey in 1968, we follow the lives of four 'has-been' gangsters. Now retired and living peaceably in The Raj Mahal in Miami Beach, they attempt to make one last heist. So as not to be evicted (who wants to be homeless?) from this run-down hotel, they plot a way to save their special home. Look for the pink ostrich. Burt Reynolds looks good as an old man and is funny like in those 'Bandit' movies. Richard Dreyfuss who won an Academy Award for his role in THE GOODBYE GIRL and was great in MR. HOLLAND'S OPUS (I loved that music!) showed his winning style. Seymour Cassel who was in Bill Murray's RUSHMORE and Dan Hedaya (Detective Jack in SHAFT), round out the foursome. When you need a laugh, rent this one from the local video store (better yet, buy it here at Amazon.com), sit back and enjoy. If you liked GRUMPY OLD MEN, you'll love these "grandfatherly gangsters" who are not quite 'over the hill' yet. Stephen Iervolino compared this film ro 'GoodFellas' in LAUNCH. This parody is better than either or both/and in a class all its own.
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| 56. Breach of Trust Director: Charles Wilkinson | |
![]() | list price: $93.98
(price subject to change: see help) Asin: 6303943950 Catlog: Video Sales Rank: 10014 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (2)
This is a very decent B-movie, despite the budget limitations. While it does get cliched at the end, the movie never lets you rest until the final confrontation between Biehn, the FBI, and the drug cartel.
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