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| 1. In America Director: Jim Sheridan | |
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our price: $9.98 (price subject to change: see help) Asin: B0002B15O2 Catlog: Video Sales Rank: 11957 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (74)
Real-life sisters Sarah and Emma Bolger play what are obviously the on-screen portrayals of Sheridan siblings Kirsten and Naomi. Emma - playing younger sister Ariel - is adorable right from the get go. Older sister Sarah is the mature, world-weary (but still sweet) Christy. When she tells her father "I've been carrying this family on my back for over a year," believe it. And don't miss her stark, beautiful rendering of 'Desperado.' Perfect. In case you can't tell, I was enchanted by these two girls. But Samantha Morton is a treat, too. She was wonderful but obscured as the pre-cog in the fine Cruise/Spielberg film 'Minority Report.' Here, she's front and center and luminous.
"In America" was inspired by two events in the life of its writer and director, Jim Sheridan. Sheridan's brother died when he was a child, and, as an adult, he illegally immigrated with his family to New York in the 1980s. Sheridan has combined these two seminal events into one generation with the help of his two daughters, Naomi and Kirsten Sheridan, who contributed their childhood memories to the screenplay. "In America" is the story of a family that deals with great loss by uprooting itself and making a new life in an entirely different environment. Already emotionally estranged from one another, they become strangers in a new world. Once a working class family in Ireland, they now struggle with poverty in New York. And this somehow cures their ills. While I was watching this film, I was captivated by its dreamlike quality and impressed with the terrific cast. The story is narrated by Christy, a precocious 10-year-old who documents her world and her feelings with her ever-present camcorder. The actresses who play Christy and her younger sister Ariel really are sisters, and they give some of the most charming and impressive performances by child actors that I have ever seen. Samantha Morton is also particularly good as their broken-hearted mother, Sarah. The character that serves as a catalyst for emotional change, Mateo, the artist downstairs, is little more than a cliché, although Djimon Hounsou plays him well. After I had thought about the film for a few hours, I began to realize that the story is more contrived than I had originally noticed. Mateo is far from being the only cliché, and living in destitution doesn't provide opportunities for emotional epiphanies. It is, in fact, very dangerous, exhausting, and depressing. But as I counted "In America"'s contrivances and preposterous elements, I was also struck by the fact that I wasn't inclined to think about them as I was watching the movie. That's because "In America"'s dreamlike quality and its engaging performances overcome its lapses in credibility. I don't know that this film is supposed to be literally believable. The family's emotional journey is poignant and rings of truth. The details are a little fantastic. But it is told through the memories of a child, which may partly explain its uneven realism. Memory is highly subjective, in any case; its only what one person noticed and clung to. I recommend "In America" for its fine performances and its unique and slightly fanciful perspective.
What I liked best about the movie were the very strong performances by the two young girls and the neighbor, Mateo. On the down side, I sometimes found the Irish accents hard to understand and details were sometimes unrealistic. The story wasn't strong enough for me to consider it outstanding, but it's an interesting watch, a nice change of pace from Hollywood and a good family film.
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| 2. Fairy Tale: A True Story Director: Charles Sturridge | |
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Amazon.com Although fairies are the visible subjects, the enchanting video is really about faith. Frances's parents (Phoebe Nicholls and Paul McGann) recently lost their son, Joseph, who had originally discovered the fairies and would like to think he may be an angel. Sir Arthur also lost his son and is courted by clairvoyants who claim they can talk to the boy. Elsie waits patiently for her father to come home, although it appears hopeless that he will. Harry Houdini is an illusionist but acts against the fraudulent claims of greedy mediums and the like. They are all touched by a need to truly believe in what remains hidden. The story is very loosely based on an early 20th-century controversy involving the real Frances and Elsie who faked pictures of fairies similar to the ones in the video. The real girls never confessed, but the video suggests the manner in which the real life photos may have been produced. --Margaret Griffis Reviews (36)
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| 3. The Turn of the Screw Director: Ben Bolt (II) | |
![]() | list price: $19.98
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Amazon.com Reviews (5)
I think that the problem must be in me, because all other reviews said the movie was sterling. I, however, did not actually understand it. Perhaps I will muster up the strength to view it again, but it did nothing for me, left me with no take-away value, disappointed and blue. I do not think that the Governess May ever connected with the children. But was she supposed to? It appeared that she was enamored with them, but they never bonded to her. This was confusing to me, for it appeared that she was maniacal, obsessed with fighting for children she supposedly loved, but appreared to have no real clear connection with. Yes, I know it is dubbed a psychological thriller. I need to pull out my Psychology books for this one. Or read the book. In my ignorance, the film made no sense to me. Being a screenwriter myself, if nothing else, the movie taught me great lessons about what I do not want in my films. I had not done my homework, also, in fairness. I thought that Colin Firth had more of a role in the film, which was my first disappointment. I was hoping to see him throughout the film, which did not happen. I literally was clueless throughout the entire film. I did not understand the servant who seemed to know all that Governess May mentioned, who the ghosts were, etc., but who still seemed obsure, suspicious herself. I did not understand the function of the ghosts, or their connection to everything else going on. You see----I obviously missed the film's entire essence. As I said, it must be me. This type of movie, though fraught with some great moments of suspense and wonder, and cinematic triumphs in the sense of great shots, still held no greatness to me. The end was a major disappointment. Obviously dark movies are not my favorites. Don't look at this one uninformed. Read up on its plot beforehand.
Identify with the naive character who is given the responsibility to manage the family affairs of a young bachelor who refuses to be bothered with his niece and nephew. Beguiled by his sexually powerful aura, our herione takes on the task. She meets perfectly sweet children in Flora and Miles. Miles in particular is precocious. He is also very adept at playing power games that go beyond that of a child having his or her way. She has the perfect job but there is an unsettling sense of evil in the manor. Ghosts of the former governess and valet haunt the scene and "Miss" becomes unglued but ever ready to "save" her charges. The psychological changes she goes through hits home. Is she mad? Have these ghost pocessed this children? How is it that a ten year old boy sounds and acts like a mature man making a pass at her? How "Miss" solves this mystery yet managing to keep her mind intact is the great challenge. Jodhi May does a splendid job in her performance as she battles evil that has enveloped the children. Truly this is a psychological drama befitting our attention. Its horror as to what has been done to the children is horrifying. Journey with the character through this dilema. At the beginning of this drama we are given an introduction as to the background of this story by James. Setting it in its context makes it all the more chilling for is it indeed fact or fiction? You decide.
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| 4. Sharpe's Sword Director: Tom Clegg | |
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(price subject to change: see help) Asin: 6303830013 Catlog: Video Sales Rank: 97245 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (3)
Sharpe's Sword is great from beginning to end - never skipping a beat, even if there is that annoying nun in the background. Sharpe, Harper and the rest of the supporting cast are in fine form, and a top-notch set of guest stars including Jack Spears, Father Curtis and Colonel Berkeley round it off. Leroux is suitably slimy and deadly, and the climatic sword fight one of the more brutal I've seen in the series. All this, and Sir Henry Simmerson (from Sharpe's Company) too. And of course, Harper dipping into grail lore by forging Sharpe a new sword out of loyalty and love. A must-watch. ... Read more | |
| 5. Fairy Tale: A True Story Director: Charles Sturridge | |
![]() | list price: $14.95
(price subject to change: see help) Asin: B00004WM7S Catlog: Video Sales Rank: 41774 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (36)
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| 6. Sharpe's Battle Director: Tom Clegg | |
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(price subject to change: see help) Asin: 6303830005 Catlog: Video Sales Rank: 93333 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (1)
My main problem with the Sharpe TV series as a whole is that the budget doesn't really allow for the huge battles Cornwell describes. Where in the novel the action takes place in 1811 around the battle for Fuentes de Onoro, the TV version places it in a little town with no real consequence to the war at large. However, this is forgiveable because the acting and the dialogue is top notch. Even if the plot elements are predictable, you get a set of great characters, and even Lord Kiely is more three-dimensional than you initially give him credit for. And if you're a follower of the series, be prepared - one regular is going to bite the dust. ... Read more | |
| 7. Sharpe's Company Director: Tom Clegg | |
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(price subject to change: see help) Asin: 6303421318 Catlog: Video Sales Rank: 90937 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (8)
1. The picture quality was not good. 2. The DVD had a very annoying introduction which is supposed to make us aware of what a wonderful fellow Sharpe is (complete with annoying song). I didn't mind listening to it once, but I was exasperated to find out that each time I started watching the movie, I had to sit through it all over again! 3. I didn't like Sharpe's love interest. In my opinion, a woman who uses her sex appeal to lure soldiers to their death by stabbing them is close to being a psychopath. 4. The conflict with the evil sergeant was a bit ludicrous. Somehow, I think that in the real Napoleonic Wars, annoying officers and sergeants fell victim to accidental shootings. After all, it's not like they'd be able to really investigate something like that. So Hakewell's continued existence got a little bit silly. 5. The combat scenes weren't very impressive. There wasn't enough noise and people just were not moving with a sense of purpose that being shot at gives you. Oh, well.
This episode brings Pete Postlethwaite as Sergeant Hakeswill into the series. He is flat out evil and certainly mad. Pete Postlethwaite is a first rate actor so it's interesting to see him in such an over-the-top role. I'm sure he loved it. The English troops are storming a fortress. After blasting a breach in the wall they are cut down like stalks of wheat until Sharpe and his men take charge. Sharpe is anxious to get inside as his wife and the daughter he has never seen are inside and he knows the English soldiers will rape and pillage once victorious. Sure enough, the guys you were just rooting for now deserve to be swinging from a tree limb. And Sergeant Hawkswill shows up with designs on Sharp's wife. I have noticed the scripts are not by the same writer so I am quite sure I will run into a clunker or two in the remaining shows in the series, but the first three were all great and as a whole I am equally sure this is going to be a fine series.
The battle and action scenes are top notch again and the characters are grand and heroic. The settings and costumes make it all very colorful and real. The actors again do a great job with Sean Bean, Asumpta Serna and Daragh O'Malley giving us wonderful heroic performances. Special mention has to go to Pete Postlethwaite who delivers a scenery chewing performance as the evil Sergeant Hakeswill. Marvelous! I enjoyed this one and have no complaints at all about the quality of the DVD picture or sound.
When DVD's first came out here Sharpes Rifles was one of the first films avalible. Since then no more have been released untill now. But this means I have to order them from america I say again Grrrrr ... Read more | |
| 8. Sharpe's Gold Director: Tom Clegg | |
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(price subject to change: see help) Asin: 6303829996 Catlog: Video Sales Rank: 108317 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
Highly disappointing. Read the book. Don't waste time or money on this movie.
My recent purchase of the Sharpes's series 1-6 has been shadowed by this absolutely horrible interpretation of the excellent book "Sharpe's Gold" by Bernard Cornwell. "Sharpe's Gold" the film would have made a much better "Doctor Who" episode. I consided myself a collector of the Sharpe series and have read the entire collection. I find it hard to believe that Bernard Cornwell actually allowed them to completely trash his book for his film. I will continue to collect the rest of this series, however my copy of "Sharpe's Gold" will be collected by the garbage men next Tuesday.
The screenplay is the culprit here, filled with laughably improbable plot devices and threadbare cliches. It seems a band of Spanish Freedom Fighters are actually a secret religious cult, practising human sacrifice based on Aztec rituals (mysterously imported into Spain hundreds of years before the 1813 setting). This band of merry men has captured some English deserters, and wants to exchange them for modern rifles. Sharpe is chosen for the mission, but upon discovering their true nature is so horrified, he slays them all and dynamites their mountain base. If you're not bothered by his company routing a far larger number of well-armed and experienced men in a strongly fortified position (all without taking any casualties), then you certainly won't shrug at Lord Wellington's teenage niece coming along for the ride. This lovely, well-bred young lass needed only an intense glance from Sharpe, before she's ready to be plowed by him (Lt. Ayres' words, not mine) whenever and wherever, even next to a pile of freshly sacrificed corpses. Oh, she's also a crack shot ("I only hunted rabbits before Sir!") and assists in the military victories also. That is, before she is captured, given mind-altering drugs, and prepared for sacrifice by having her perky young breasts painted with Aztec symbols. Will Sharpe arrive in time to save her? Such drama! If you consider your collection incomplete without the entire series, buy this episode. But take my advise-- leave the shrinkwrap intact.
Still, I give it three stars for the acting by Sean Bean and Daragh O'Malley (sp?) as well as the action sequences. Also, because it is a Sharpe story. ... Read more | |
| 9. Sharpe's Enemy Director: Tom Clegg | |
![]() | list price: $24.99
(price subject to change: see help) Asin: 6303421326 Catlog: Video Sales Rank: 29039 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (5)
I can't recomend anyone to see this movie. ... Read more | |
| 10. In America Director: Jim Sheridan | |
![]() | list price: $9.98
our price: $9.98 (price subject to change: see help) Asin: B0002B15OC Catlog: Video Sales Rank: 102438 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (74)
Real-life sisters Sarah and Emma Bolger play what are obviously the on-screen portrayals of Sheridan siblings Kirsten and Naomi. Emma - playing younger sister Ariel - is adorable right from the get go. Older sister Sarah is the mature, world-weary (but still sweet) Christy. When she tells her father "I've been carrying this family on my back for over a year," believe it. And don't miss her stark, beautiful rendering of 'Desperado.' Perfect. In case you can't tell, I was enchanted by these two girls. But Samantha Morton is a treat, too. She was wonderful but obscured as the pre-cog in the fine Cruise/Spielberg film 'Minority Report.' Here, she's front and center and luminous.
"In America" was inspired by two events in the life of its writer and director, Jim Sheridan. Sheridan's brother died when he was a child, and, as an adult, he illegally immigrated with his family to New York in the 1980s. Sheridan has combined these two seminal events into one generation with the help of his two daughters, Naomi and Kirsten Sheridan, who contributed their childhood memories to the screenplay. "In America" is the story of a family that deals with great loss by uprooting itself and making a new life in an entirely different environment. Already emotionally estranged from one another, they become strangers in a new world. Once a working class family in Ireland, they now struggle with poverty in New York. And this somehow cures their ills. While I was watching this film, I was captivated by its dreamlike quality and impressed with the terrific cast. The story is narrated by Christy, a precocious 10-year-old who documents her world and her feelings with her ever-present camcorder. The actresses who play Christy and her younger sister Ariel really are sisters, and they give some of the most charming and impressive performances by child actors that I have ever seen. Samantha Morton is also particularly good as their broken-hearted mother, Sarah. The character that serves as a catalyst for emotional change, Mateo, the artist downstairs, is little more than a cliché, although Djimon Hounsou plays him well. After I had thought about the film for a few hours, I began to realize that the story is more contrived than I had originally noticed. Mateo is far from being the only cliché, and living in destitution doesn't provide opportunities for emotional epiphanies. It is, in fact, very dangerous, exhausting, and depressing. But as I counted "In America"'s contrivances and preposterous elements, I was also struck by the fact that I wasn't inclined to think about them as I was watching the movie. That's because "In America"'s dreamlike quality and its engaging performances overcome its lapses in credibility. I don't know that this film is supposed to be literally believable. The family's emotional journey is poignant and rings of truth. The details are a little fantastic. But it is told through the memories of a child, which may partly explain its uneven realism. Memory is highly subjective, in any case; its only what one person noticed and clung to. I recommend "In America" for its fine performances and its unique and slightly fanciful perspective.
What I liked best about the movie were the very strong performances by the two young girls and the neighbor, Mateo. On the down side, I sometimes found the Irish accents hard to understand and details were sometimes unrealistic. The story wasn't strong enough for me to consider it outstanding, but it's an interesting watch, a nice change of pace from Hollywood and a good family film.
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| 11. Sharpe's Rifles Director: Tom Clegg | |
![]() | list price: $24.99
(price subject to change: see help) Asin: 6303257615 Catlog: Video Sales Rank: 77589 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (19)
Sean Bean is Richard Sharpe, an officer "raised from the ranks" when he saves the life of Sir Arthur Wellesley, soon to be Lord Wellington (name sound familiar?). From there, I won't tell, because it's easy enough to get engrossed in these films. Sharpe's Rifles is the first in the series of 14, so there is understandably a lot of set-up to be done. However, it is done with alacrity and is all very fun to watch. (Especially Brian Cox's role as Major Hogan - sheer enjoyment!) And most of it is historically true to the period, even if all the events pictured didn't happen (at least in the way the films show).
Sean Bean is an ideal Sharpe and carries the series with his slit-faced scowl (he was the Irish bad-guy in "Patriot Games.") His Irish Sergeant ("ya ignorant paddy"), who tries to kill him in the first hour, becomes best of friends, and the pair are terrific. The series is episodic, and is somewhat a throwback to the old 1960s "Combat" series with Vic Morrow. (I swear, these guys even carry their Baker rifles like WW2 Thompsons). It suffers from a necessarily small scale and a dearth of the now obligatory special effects. Nonethless, you won't for now find a better treatment of this period. Bernard Cornwell's "Sharpe" novels are an obligatory (and easy) read for grognards interested in a break from the Hornblower or Maturin-Aubrey books.
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| 12. Sharpe's Honour Director: Tom Clegg | |
![]() | list price: $24.99
(price subject to change: see help) Asin: 6303829988 Catlog: Video Sales Rank: 123351 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
Last the Movie did not do justice to the horror of 1700th century warfare and it made the battle of Vitoria look like a platoon Action instead of the Clash of whole Army groups that it was.
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| 13. Fairy Tale: A True Story Director: Charles Sturridge | |
![]() | list price: $14.95
(price subject to change: see help) Asin: 6304834136 Catlog: Video Sales Rank: 65150 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (36)
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| 14. In America Director: Jim Sheridan | |
![]() | list price: $50.99
(price subject to change: see help) Asin: B0001WTV5M Catlog: Video Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (74)
Real-life sisters Sarah and Emma Bolger play what are obviously the on-screen portrayals of Sheridan siblings Kirsten and Naomi. Emma - playing younger sister Ariel - is adorable right from the get go. Older sister Sarah is the mature, world-weary (but still sweet) Christy. When she tells her father "I've been carrying this family on my back for over a year," believe it. And don't miss her stark, beautiful rendering of 'Desperado.' Perfect. In case you can't tell, I was enchanted by these two girls. But Samantha Morton is a treat, too. She was wonderful but obscured as the pre-cog in the fine Cruise/Spielberg film 'Minority Report.' Here, she's front and center and luminous.
"In America" was inspired by two events in the life of its writer and director, Jim Sheridan. Sheridan's brother died when he was a child, and, as an adult, he illegally immigrated with his family to New York in the 1980s. Sheridan has combined these two seminal events into one generation with the help of his two daughters, Naomi and Kirsten Sheridan, who contributed their childhood memories to the screenplay. "In America" is the story of a family that deals with great loss by uprooting itself and making a new life in an entirely different environment. Already emotionally estranged from one another, they become strangers in a new world. Once a working class family in Ireland, they now struggle with poverty in New York. And this somehow cures their ills. While I was watching this film, I was captivated by its dreamlike quality and impressed with the terrific cast. The story is narrated by Christy, a precocious 10-year-old who documents her world and her feelings with her ever-present camcorder. The actresses who play Christy and her younger sister Ariel really are sisters, and they give some of the most charming and impressive performances by child actors that I have ever seen. Samantha Morton is also particularly good as their broken-hearted mother, Sarah. The character that serves as a catalyst for emotional change, Mateo, the artist downstairs, is little more than a cliché, although Djimon Hounsou plays him well. After I had thought about the film for a few hours, I began to realize that the story is more contrived than I had originally noticed. Mateo is far from being the only cliché, and living in destitution doesn't provide opportunities for emotional epiphanies. It is, in fact, very dangerous, exhausting, and depressing. But as I counted "In America"'s contrivances and preposterous elements, I was also struck by the fact that I wasn't inclined to think about them as I was watching the movie. That's because "In America"'s dreamlike quality and its engaging performances overcome its lapses in credibility. I don't know that this film is supposed to be literally believable. The family's emotional journey is poignant and rings of truth. The details are a little fantastic. But it is told through the memories of a child, which may partly explain its uneven realism. Memory is highly subjective, in any case; its only what one person noticed and clung to. I recommend "In America" for its fine performances and its unique and slightly fanciful perspective.
What I liked best about the movie were the very strong performances by the two young girls and the neighbor, Mateo. On the down side, I sometimes found the Irish accents hard to understand and details were sometimes unrealistic. The story wasn't strong enough for me to consider it outstanding, but it's an interesting watch, a nice change of pace from Hollywood and a good family film.
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