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| 1. The Journey of Natty Gann Director: Jeremy Paul Kagan | |
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Description Reviews (41)
Set in Chicago during the Great Depression, this inspirational story is about a young girl named Natty Gann's (Meredith Salenger) search for her father (Ray Wise) after he is forced to suddenly travel west to take on a job. Along the way, she is befriended by a wolf and a young drifter named Harry (John Cusack) with whom she develops a romantic attachment. As it turns out, The Journey of Natty Gann is an enjoyable romp with decent acting especially from Meredith Salenger, glorious visuals, a realistic depiction of the Great Depression, and a beautiful score by James Horner. Unfortunately, it's no longer available on video (it was last released in 1995) which is a shame because it remains a favorite among many people including myself. Disney seems to be embarrassed of their 80's family films as hardly any of them appear still available. To sum it all up, The Journey of Natty Gann is just - wow!
The story takes place in the midst of the Great Depression and starts out in Chicago. Natty and her father are struggling to make ends meet, but still manage to love each other and survive. Trouble comes when Natty's father finally gets a job - in Washington. Unable to find Natty to tell her, he leaves her a note and leaves her in the charge of an overbearing boardinghouse owner. Fed up with bad treatment and not wanting to believe that her father abandoned her, Natty sets out to meet up with her father, hopping on trains and hitching rides west. Along the way, she helps free a wolf who is being used in dog fights. She and the wolf meet up later and become companions. Natty also joins up with John Cusack, another drifter looking for work. The movie includes beautiful scenery and an interesting portrayal of Depression-era America. The relationships are also fascinating. For instance, Natty only calls the wolf "wolf," and still recognizes that he is a wild animal. In other words, she doesn't attempt to make him into a pet. Additionally, her relationship with John Cusack's character is not silly, self-conscious, or filled with expectation. Another reviewer noted that the DVD version of this movie is disappointing. I found the quality of my DVD to be absolutely fine. There are no special features, but the film itself is of decent quality. This is a sweet, fascinating movie that is appropriate for children and adults and should immediately be considered a classic.
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| 2. Good Advice Director: Steve Rash | |
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Reviews (12)
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| 3. Lake Placid Director: Steve Miner | |
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Amazon.com Reviews (182)
When a diver is eaten alive in the opening moments, by some unknown creature, the local game warden (Pullman) teams up with a paleontologist (Fonda) from New York to find the beast. Add to this mix an eccentric millionaire philanthropist with a penchant for swimming with "crocs" (Platt), and the local sheriff (Brendan Gleeson), who thinks the man is nuts, and you've got the recipe for one of the more underrated of last summer's films. This is a horror film and it can, at times, get quite messy (see the opening attack sequence, for example). The special effects work is about what you'd expect in such a film, although with the advent of computer graphics, it's a lot easier to bring a realistic giant crocodile to life. Surprisingly, though, there are few deaths in the film. The emphasis is more on suspenseful moments of the Jaws variety, in which we wonder whether unlucky swimmers are about to become lunch. And, there are even a couple of gross, but funny moments in the film, as when an eccentric old lady (played by Betty White) offers random farm animals as sacrifices to the croc. But the real emphasis in the film is on the humor and there are some great conversations and arguments among the film's characters, particularly Platt's whacko croc-swimmer and Brendan Gleeson's sheriff (in one of the more unusual bits of casting, as the Irish Gleeson is forced to adopt an American accent, which tends to slip in some of the more heated moments). And White's character is also played for laughs (you'll be surprised at some of the inventive curses she comes up with). The film wasn't particularly well-received when first released last summer, but luckily, with its release on video, this can be remedied. This is not a film for everyone's tastes, but if, like me, you occasionally hunger for a "giant-animal-runs-amuck" film, _Lake Placid_ more than fills the bill.
Is there a crocodile in the lake? At first few believe that such a thing could be until hard evidence shows up. The Crocodile is not an ordinary one, it is thirty feet in length. The camp is quickly split between those who want to kill it and those who want to save it. To learn it's fate you will have to watch the film. This is a very well-done piece of work. The characters are interesting and there is just enough sarcastic humor to really lighten the mood. Betty White plays a foul-mouthed local resident and her delivery of her "I'm rooting for the crocodile" line is an instant classic. This is a fun film and far from typical. It is not just a giant-lizard-eating-people film. Check it out. ... Read more | |
| 4. Dream a Little Dream Director: Marc Rocco | |
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Reviews (18)
Pick up the sound track and you will love it. I listen to it all the time and the inclusion of the Van Morrison hit "into the mystic" sets the mood for any situation. Beautiful movie and all time classic.
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| 5. April Morning Director: Delbert Mann | |
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Reviews (12)
There may have been bigger blockbusters made about the American Revolution (The Patriot, Revolution etc) but to me this under- rated 1988 film is a true classic, capturing the quintessential decency of American colonial village life in Lexington and the developing tensions and conflict on that fateful day of 19th April 1775. I agree with the 2 previous reviewers that this film is a great teaching tool. It shows many things: the tensions and love in family life, particularly between Moses Cooper ( Tommy Lee Jones) and his son Adam ( Chad Lowe),who is no longer a boy yet not quite a man; romance between Adam and Ruth Simmons ( played by the lovely Susan Blakely); different generations and how they relate to each other; the underlying strong Christian faith of the era,( which still prevails in American life today); the need to perform civic duties; and culture and costumes far removed from our own period etc. "April Morning" is also effective because it does not glamourise war or demonise the redcoats. In fact both Adam and a young redcoat are both seen, at various stages, to be scared witless by the whiff of 'grapeshot' and of battle. Yet overall, in what is truly a momentous day for Adam personally, (as well as the villagers of Lexington and Concord), we see how the events mature him and this is brilliantly illustrated at the end of the film when he leads his family in prayer for their food and life. This very subtle approach makes it evident that the boy, like colonial America, has gone for ever and has been replaced by a decent man who would,with humility, be worthy of his emerging new leadership role-as would America. As a non-American I conclude by saying that any American who fails to appreciate this film simply lacks a soul and an understanding of the greatness of American history - a fact which was demonstrated on that dusty Lexington-Concord road 226 years ago- and by the makers of this film who have created another very special "April Morning".
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| 6. Edge of Honor Director: Michael Spence | |
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Reviews (3)
There's plenty of action but not an overly engaging plot. Corey Feldman, reunited with Meredith Salenger (Dream a Little Dream), seems to be impersonating Christian Slater. Daniel Wartman gives a particularly good performance. ... Read more | |
| 7. Lake Placid Director: Steve Miner | |
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Reviews (3)
The part at the end when the old lad is feeding the adult crocdiles offspring is hilarious. The old Lady delivers soem funy a humerous lines. If you like this I recomend Crocodile 1 Crodile 2, Blood Surf, Alligator 1 and Alligaotr 2 the Mutation and Dino Croc
Allocated her first real field assignment, a palaeontologist from New York City, Kelly Scott (Bridget Fonda) finds herself amidst a party of curious onlookers in Maine to investigate the origins of a tooth extracted from a recent victim involved in a vicious attack along a lake. She is introduced to a local Fish and Game warden Jack Wells (Bill Pullman), an irritable sheriff Hank Keough (Brendan Gleeson), and Hector Cyr (Oliver Platt), an "eccentric millionaire mythology professor", a crocodile fanatic who deifies crocodiles and contemplates he is "untouchable" and "godly". 'Lake Placid' is a highly acclaimed film directed by Steve Miner and produced by David E. Kelley and Michael Pressman. A 1999 20th Century Fox release, it is "this year's 'Anaconda', only you spend as much time laughing as you do screaming" (David Poland, TNT Roughcut.com). | |
| 8. Bug Buster Director: Lorenzo Doumani | |
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Reviews (12)
Here Heigl's family moves to a small west coast town being pleagued by giant bugs. And only the cast of 'Star Trek' can save her. For a B movie the production is suprisingly good. For those of you disapionted by Heigl's recent films 'Valintine' and 'Evil Never Dies' have no fear. Thoses film stunk because Heigl barely had any screen time. In 'Bug Buster' she is truly the main character and does what she does best, taking baths and showing. I'd probably rate this film third after 'Wish Upon a Star' and 'Prince Valient' (where is that DVD?) If your a guy wondering "who in Katherine Heigl?" Look her up on the internet. Then come back here and order this film.
The whole thing with the bugs and the dark and the water was pretty darn far-fetched. If you are a horror movie fan, this is NOT the film for you. Randy Quaid as a twisted exterminator-general -- that's about the only scary thought in the movie. But if you want see former Trek dudes die, it's all right. But let's face it: this movie would have been pretty darned unwatchable without Katherine Heigl in it. She looked the best I had ever seen her look (at least until the June 2000 Maxim shots). She has some acting talent as well, though you would not be able to discern it from this flick. More Heigl and less Scotty in the future works for me... ... Read more | |
| 9. The Kiss Director: Pen Densham | |
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Reviews (2)
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| 10. A Night in the Life of Jimmy Reardon Director: William Richert | |
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Reviews (11)
a past one night stand informs jimmy falsly that she needs his college fund so that she can get an abortion and now jimmys got 36 hours to get his life situated. during this 36 hours jimmy can have any girl he wants but jimmy doesnt want just any girl what he wants is lisa. jimmy finds out his girlfriend lisa is moving to hawaii and he is bound for an all male business school. once jimmy can get the money for the plane ticket he will be destined for a life in hawaii with lisa where she has declared she will go all the way with him.
Director Richert worked with Phoenix again in Gus van Sant's My Own Private Idaho, this time acting. ... Read more | |
| 11. Girl in the Cadillac Director: Lucas Platt | |
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Reviews (2)
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| 12. Village of the Damned Director: John Carpenter | |
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Amazon.com Reviews (40)
Though not as promising as the 1960 original, the film makers have done an excedingly well job in creating a good scare for audiences. I would recommend this to anyone who likes a good, psychological thriller. - Joey Layou Jr.
These questions are asked in the Book of Proverbs and in John Carpenter's Village of the Damned, a remake of director Wolf Rilla's 1960 version, both adapted from John Wyndham's novel The Midwich Cuckoos. Village of the Damned is the story of the simultaneous births of telepathic children to every woman of child-bearing age in the coastal village of Midwich, California. Carpenter's version is more bloody than the version set in Midwich, England, starring George Sanders (but, like many of Carpenter's movies, not as bloody as people think). Carpenter's remake is more hopeful. Maybe the filmmakers wanted to leave the story open for a sequel, or maybe the survival of one of the children without his extraterrestrial mate is meant to show the possibility of union between the two inimical species. ("Are we to pity you?" asks Mara, daughter of the town doctor and leader of the alien children, as she explains the facts of cosmic evolution to her father.) The woman quoting Proverbs is the wife of the minister killed by the children before he can shoot their leader. The minister's wife leads torch-bearing villagers who might have come from a forties Universal horror film. Though put to the children, the question (Are you human?) is also directed at the other villagers and at us. This Village of the Damned begins with the same deliberate pacing of the original film, a mark of British horror. Something passes over Midwich and everyone blacks out for six hours. Not everyone wakes up. If there's a theme it's what duty parents owe their children. Children often seem like alien monsters even when they weren't conceived in a blackout by an interstellar cloud. Children demand food and education about the world and ultimately they demand that their parents step aside - - die - - for them to inherit it. Here there are good reasons for parents to feel uneasy about their soon-to-be-born offspring - - some women are virgins or have been separated from their husbands so the children couldn't have been conceived normally. But none of the parents reject the children for that reason. The mothers have no choice. After the mass conceptions they all have dreams of carrying their babies to term - - the first telepathic action of the childrens' group mind. The men accept the children, too. The angriest husband, who's been away for months, at first leaves his wife, but then joins her in the huge delivery room where all the children are born on the same night. After the children are born the adults, even their parents, aren't safe. The childrens' urge to survive and the knowledge that one species or the other will dominate causes them to play on the emotional bond that exists for the parents, especially the mothers, without being hampered by it themselves. This isn't much different than the biological adaptation normal infants have acquired to ensure their survival. David is the exception, the one whose ties to the group mind are weakest. One of the children was stillborn and taken away by a government scientist (or was it?). She was to be David's partner. Mara tells David that his lack of a mate does make him less valuable to the group. As the children realize they have to escape the town and their parents' control - - grow up - - the town doctor, Mara's father, has the opportunity (and therefore the responsiblility) to try to save humanity. David, too, makes a choice. Parents, especially ones with green-eyed children, might have some disturbing thoughts after watching this movie.
In the California coastal town of Midwich, a strange unseen force causes the entire town to be rendered unconscience. When the populace reawakens, it is discovered the pregnancy rate has increased. The locals are at a loss to explain the cause. Soon, ten strange children are born, at the same time. All of them possessing platinum blone hair, piercing green eyes and supernatural powers. The intelligent, quiet children are instantly disliked by the townspeople. When residents begin to die under strange curcumstances, the first suspects are the "special" children. It's up to Dr. Alan Chaffee (Christopher Reeve, before his tragic horse riding accident) and Dr. Susan Verner (Kirstie Alley) to discover the truth and stop the children from destroying the town. Carpenter infuses the film with plenty of his usual touches. The performances from Reeve and Alley are solid and the effects pretty good. The "kids" are genuinely creepy, all of this makes the film better than I remember. The movie script does have a number of problems that are troublesome and its finale seems a bit contrived. The extras on the DVD are pretty slim at best. Production notes and the theatrical trailer are all you get. While more substantial bonus material, would have been nice, given the final product--I can almost see why things ended up the way they did. Recomended as a rental or for rabid fans of Carpenter's work
For those of you unfamiliar with the basic plot of both films, here's a quick summary. In the middle of a seemingly average day, all of the residents of a small village mysteriously fall unconscious, and anyone attempting to go into the slumbering village also passes out. When the folks finally awaken, most everything seems to be perfectly normal. Normal, that is, with the exception that all of the women of the village capable of bearing children are pregnant. The mystery children are all birthed nine months later, and as they grow, it is very apparent that all of them have eerily similar physical characteristics. Also, they mature and learn much faster than the average child, which is creepy enough. But the real terror begins when they start exercising their preternatural psychic powers. In the original 1960 film, it was always tacitly implied that the strange children were fathered by extraterrestrials, but nothing occurs in the film to blatantly prove such. This actually adds to the mystery of the origin of the children, which in turn heightens the suspense and terror...and the fun for the audience. Unfortunately, Carpenter's 1995 remake loses most of this fear-of-the-unknown suspense when it is revealed that one of the children had miscarried, and the aborted fetus, which has been preserved in the office of the village doctor, looks like the stereotypical sci-fi alien, complete with bug-eyes and an almond-shaped head. The original film stars British actor George Sanders as the astute "father" of one of the mystery tots who eventually infers the evil nature of the village offspring and ultimately saves the world. Sanders was an accomplished veteran of both the British and U.S. cinema, and his talent and experience add a great deal of credibility to the film's fantastic plot. But for some reason, John Carpenter chose to cast Christopher Reeve as the lead in his remake. Though Reeve is an adequate actor who did a fine job as Clark Kent and his titular alter ego in SUPERMAN: THE MOVIE (1978), he just simply does not have the range or depth of Sanders and is therefore unable to pull off a convincing average-Joe hero. Add to this the tepid performance of supporting actress Kirstie Alley (TV's CHEERS)--here grossly miscast as a government scientist--and it becomes impossible for the audience to suspend its disbelief and surrender to the fantasy of this film. Carpenter's remake of VILLAGE OF THE DAMNED is not without its moments, however. Gore hounds and fans of slasher films like Carpenter's HALLOWEEN will enjoy the scene where a man lies roasting on a barbeque grill. And though they are not as genuinely eerie as the children in the original film, the evil kiddos in Carpenter's remake can often be creepy little brats, and some of their scenes are quite scary. Overall, the 1995 remake of VILLAGE OF THE DAMNED is a disappointment, and true horror fans should avoid it and instead push harder for the original 1960 film to get the DVD treatment. In the mean time, fans who want to spend an evening with John Carpenter will probably get more satisfaction from viewing one of his other films like THE FOG (1980) or THEY LIVE (1988). ... Read more | |
| 13. The Journey of Natty Gann Director: Jeremy Paul Kagan | |
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(price subject to change: see help) Asin: 6303675387 Catlog: Video Sales Rank: 51772 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (41)
Set in Chicago during the Great Depression, this inspirational story is about a young girl named Natty Gann's (Meredith Salenger) search for her father (Ray Wise) after he is forced to suddenly travel west to take on a job. Along the way, she is befriended by a wolf and a young drifter named Harry (John Cusack) with whom she develops a romantic attachment. As it turns out, The Journey of Natty Gann is an enjoyable romp with decent acting especially from Meredith Salenger, glorious visuals, a realistic depiction of the Great Depression, and a beautiful score by James Horner. Unfortunately, it's no longer available on video (it was last released in 1995) which is a shame because it remains a favorite among many people including myself. Disney seems to be embarrassed of their 80's family films as hardly any of them appear still available. To sum it all up, The Journey of Natty Gann is just - wow!
The story takes place in the midst of the Great Depression and starts out in Chicago. Natty and her father are struggling to make ends meet, but still manage to love each other and survive. Trouble comes when Natty's father finally gets a job - in Washington. Unable to find Natty to tell her, he leaves her a note and leaves her in the charge of an overbearing boardinghouse owner. Fed up with bad treatment and not wanting to believe that her father abandoned her, Natty sets out to meet up with her father, hopping on trains and hitching rides west. Along the way, she helps free a wolf who is being used in dog fights. She and the wolf meet up later and become companions. Natty also joins up with John Cusack, another drifter looking for work. The movie includes beautiful scenery and an interesting portrayal of Depression-era America. The relationships are also fascinating. For instance, Natty only calls the wolf "wolf," and still recognizes that he is a wild animal. In other words, she doesn't attempt to make him into a pet. Additionally, her relationship with John Cusack's character is not silly, self-conscious, or filled with expectation. Another reviewer noted that the DVD version of this movie is disappointing. I found the quality of my DVD to be absolutely fine. There are no special features, but the film itself is of decent quality. This is a sweet, fascinating movie that is appropriate for children and adults and should immediately be considered a classic.
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| 14. No Code of Conduct Director: Bret Michaels | |
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Reviews (3)
The acting is mediocre at best. Charlie Sheen is often embarrassingly bad, leaving his dad to carry the film. Uncle Joe is just a throw in to keep the family employed and adds nothing to the film. The three drug goons are wretched. Charlie Sheen's once bright career continues to grind gears with this clunker. I rated it a 4/10. Action lovers might enjoy it, but others will want to pass. ... Read more | |
| 15. Dead Beat Director: Adam Dubov | |
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Reviews (4)
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| 16. Bug Buster Director: Lorenzo Doumani | |
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Reviews (12)
Here Heigl's family moves to a small west coast town being pleagued by giant bugs. And only the cast of 'Star Trek' can save her. For a B movie the production is suprisingly good. For those of you disapionted by Heigl's recent films 'Valintine' and 'Evil Never Dies' have no fear. Thoses film stunk because Heigl barely had any screen time. In 'Bug Buster' she is truly the main character and does what she does best, taking baths and showing. I'd probably rate this film third after 'Wish Upon a Star' and 'Prince Valient' (where is that DVD?) If your a guy wondering "who in Katherine Heigl?" Look her up on the internet. Then come back here and order this film.
The whole thing with the bugs and the dark and the water was pretty darn far-fetched. If you are a horror movie fan, this is NOT the film for you. Randy Quaid as a twisted exterminator-general -- that's about the only scary thought in the movie. But if you want see former Trek dudes die, it's all right. But let's face it: this movie would have been pretty darned unwatchable without Katherine Heigl in it. She looked the best I had ever seen her look (at least until the June 2000 Maxim shots). She has some acting talent as well, though you would not be able to discern it from this flick. More Heigl and less Scotty in the future works for me... ... Read more | |
| 17. Venus Rising Director: Edgar Michael Bravo, Leora Barish | |
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Reviews (1)
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| 18. Lake Placid Director: Steve Miner | |
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| 19. Bug Buster Director: Lorenzo Doumani | |
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