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| 21. The H-Man Director: Ishirô Honda | |
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Reviews (10)
The one entitled The Human Vapor is not.
How neat for a kid my age! Not only that, the first 50 or so attendees at the box office were actually given an H-Man toy -- I never did find out whether that was a glob of Silly Putty or some kind of green "action figure." Anyway, I had to wait until I found it on video many, many years later to see whole thing through. And it is very much as described by the other reviewers -- a nice little movie with a better plot than some other Japanese imports, about a crime wave of dissolved people perpetrated by "things unknown" that leave a mess of "EC-inspired" shoes, clothes and hair. Along with RODAN, THE MYSTERIANS and BATTLE IN OUTER SPACE, this is among the better imports of its day. ... Read more | |
| 22. Godzilla VS. Mechagodzilla Director: Jun Fukuda | |
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Reviews (48)
Cons Which one has more Pros or Cons?
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| 23. Hitman Director: Wei Tung | |
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Reviews (39)
My opinion has been altered a bit. In general, his Hong Kong flicks are better. Contract Killer, however, is a big load of bad. I will give the benefit of the doubt, though. I watched a dubbed version (why are dubbed movies always so incredibly awful?), so perhaps part of the problem was the translation. There were many places in the film where character reactions and plot points really made no sense at all. This could have been because of horrific dubbing and translation. I'm sure it's much more watchable in Cantonese. Nonetheless, even barring the translation barrier, this film had several strikes against it. First of all, what was with the camera work? One of the cameras had a badly-scuffed lens, and black scratch marks distracted me from quite a few scenes. Also, the big fight in the elevator shaft was so dark that I really didn't have a clue what was going on. I had no idea who was hitting who, or how. Next, the story (as in most martial arts flicks) was pretty silly. This one seemed to be an Asian knock-off of The Boondock Saints, right down to the name of the mysterious vigilante (The King of Killers) and his over-the-top appearance during a hit (like in The Boondock Saints, he appeared from the ceiling hanging by his feet from a rope with guns blazing). Fu's (Jet Li's character) motivations seemed blatantly artificial, as well. He's a poor ex-soldier from China who has promised to buy his mother a big mansion. He decides to come to Hong Kong to become a hitman, yet his people-loving ways mean he doesn't want to hurt anyone. As a minor point, yet one which did distract me many times throughout the film, Jet Li has an AWFUL case of acne. In most movies, the makeup people will do a half-way decent job of covering up blemishes, but it looks like no one bothered even trying for this movie. Jet Li has an amazing crop of blackheads and whiteheads. His face looks like a horrible pizza. Poor guy. And poor me, when I keep thinking, "Pop it, already!" during closeups of the pus-filled bumps on his neck and cheeks. Eeeurgh. On the plus side, the fight scenes that were visible (like the climactic end scene) are solid. I was pleased to see a dearth of wire tricks. I really prefer movies with unadulterated martial arts. It really showcases the actors' abilities.
Surprisingly enough, this is a very complete movie in terms of emotions; it's not all shoot, kill and kick. Crocodile Man Tsang steals the movie, pulling off a convincing con man who manages to convice Fu that he needs an agent. His acting verges on overkill, but his portrayal of a betrayed, repentant father, a hardened ex-killer, a fearful target and a saddened friend all invite the viewer to share in his emotions. Actress/Singer (aren't they all?) Gigi Leung provides a pretty face for the movie, and actually adds a dimension to the personalities of Li and Tsang's characters. Jet Li's acrobatics are showcased not only for fighting; the opening sequence shows him weaving in and out of traffic and pedestrians to retrieve some change that had dropped through a hole in his pants. He is also asked to beat up some restaurant patrons to prove to Tsang that he is worthy of the job. His skills are also showcased in escape scenes, more protective roles, and even ice skating--not your usual Jet Li fare. His portrayal of a broke, extremely selective "killer" is both hilarious and frightening when it needs to be. The fight scenes are on the same level as Bodyguard From Beijing or The Master, not quite Fist of Legend or Twin Warriors (Tai Chi Master) good, considering that the last two were kung fu heavy. It's a much more rounded film, where the light-hearted moments contrast nicely with the darker fight scenes. Watch this in Chinese to get the full range of Tsang's vocal gyrations and swearing. Highly recommended for any kung fu collection.
Fu knows there's big money in bounty hunting, and he get's his shot at it when a Japanese buissiness man/crime boss is executed by the legendary "King of Killers", a self-employed assassin who murders only rich bad guys. The dead guy knew he had a lot of foes on both sides of the law, and set up a "revenge fund" of a whoppin' $100 million to strike back from the grave. The murder victim's grandson, Eiji Tsukumoto, just covets the massive reward, but Fu needs some dough as well, and partners up with an "agent" named Norman Lu (Eric Tsang), to find the King of Killers. Easily one of the best of Jet Li's later Hong Kong flicks, CONTRACT KILLER (called HITMAN in Hong Kong) provides some of the best non-wire-fu martial arts scenes I've seen, particular the scenes where Jet Li is paired with a chopsocky adversary with rings and shoes that emit flashy lights to confuse his opponents. Now There's something you don't see everyday.
Also known as: 'King of Assassins' (1998), 'The Hitman'(1998) and 'Contract Killer'(2002). This film is in many ways similiar to other HK action drama films however it does have a more unique premise: an aging Japanese corporate magnate and WW II veteran (he boasts of raping Chinese women) is assassinated by a mysterious hitman in black. This hitman, known as the King of Killers, is infamous for both his skill in killing as well as not accepting any payment for targeting people of rather suspect morality to kill. The Japanese corporate director has established a special Revenge Fund which will pay $100,000,000 (USD) to whoever tracks down his killer. Fu (Jet Li) is a mainlander in Hong Kong doing errands for a minor triad boss when he comes hears about the Revenge Fund and subsequently comes across Mr. Nor (Eric Tsang) a hustler who takes Fu for a skilled killer and decides to be his agent. He is really trying to cheat Fu out of most of the reward money. The Japanese director's grandson Eiji (Keiji Sato) is out seeking revenge for his grandfather as well as greedy for the reward. Kwan (Simon Yam) is the CID inspector who is also tracking down the mysterious King of Killers. Which itself has irony, but I won't spoil it for those who haven't seen the film ;-) The plot develops as the principal characters above interact in a frantic race to find the King Of Killers. This was Jet Li (Mandarin name is Li Lian Jie) last Hong Kong film (1998) before he moved on to greater paydays in Hollywood. I prefer Jet Li's earlier films but this movie had a certain charm to it even though some plot elements were rather formulaic and charcter development was at times only 2 dimensional (Eiji in particular is portrayed rather over-the-top) while others are under developed (KiKi - Nor's daughter). I prefer Simon Yam's performances with Chow Yun Fat though he certainly did a good job in this film. On a positive note the ending of this film has a nice twist to it. For those not accustomed to watching Hong Kong action/police films you may be a bit shocked by the level of violence. For example in a shoot out scene in a children's amusement park in the film there is a rather high body count as people are shot almost at random in a melee of gunfire. While it is a bit diturbing to see such levels of violence without proper context you must understand that there are different cultural moors at work in HK cinema. Many in the East would be similarly disturbed by the explicit sexual content of many Western films. So try not to let that sour you when watching this film. Overall I recommend this movie, there is some well done sentimental moments buried inside the action. As a caveat I urge you to NOT buy the dubbed version. Instead, get the original version in Cantonese (with some Japanese) with English subtitles distributed by Tai Seng Video Marketing Inc. at www.taiseng.com Zach ... Read more | |
| 24. Godzilla, King of the Monsters | |
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Reviews (85)
That aside, this is the film by which I judge all 'creature features'. You forget the monster is a man in a rubber suit, stomping around a miniature set. The black & white photography, the attention to lighting details make this a winner all around.
Now at the time this film came out, it was amazing, because at the time there were no computers, or anything to really do any amazing special effects, with that said and done everything actually looks pretty good, even though you can tell what millitary veichles and cars were models, everything is actually kind of conving. And for Japan this was kind of a hard movie to swallow, in the origanal version there were scenes when a mother held her child and said "Its okay, we will be with daddy soon." before Godzilla crushed them. Many scenes like that were edited or removed, and if you notice there is a scene on a train where people are laughing, but what they cut out was when a woman said "I survived the (I forgot what the city was called) bombing." and some guy laughed and said "Then you wont surive this." momets before Godzilla picked up the train and ate it (which is one of the MOST popular Godzilla images, Godzilla with that train in his mouth) It was probably very hard for the Japanese people to stomach seeing a monster spawned out of nuclear testing destroying their city, so shortly after millions died from atomic bombings. One beef I have, is that sense the film was in black and white it was some times hard to see Godzilla during the night shots (That or my TV had low contrast or something). And the whole Raymond Burr thing. But let me tell you, With the deep soundtrack (You can hear the original versions of many rememberal Godzilla songs here) and other things you seem to have a real sense of terror when Godzilla destroys the cities. Overall I would suguest this film highly, even though it is in fact edited (Almost 30 minutes were removed, and 20 minutes added with Raymond burr) from the Japanese version, it is still a good watch, and afterthe uncut editon comes out, it will be interesting to have the "Old American" version. (I think they were going to put that on dvd, wernt they?)
Gojira rocks! ... Read more | |
| 25. Rodan Director: Ishirô Honda | |
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Reviews (34)
Rodan is a message movie, and, of course, cautions us about the use of nuclear weapons. The use of these weapons causes first the release of some just plain wacky looking caterpillar monsters, followed by two Rodans. The Rodans terrorize Japan until eventually they are engulfed by a man made volcanic eruption, in one of the best endings in any of the films of this genre. Of all the Toho monster films, I think that "Rodan" is my favorite. Buy it today and see what monster movies are supposed to look like!
Rodan all begins when several miners are found dead, and then suddenly GIANT FREAKY monsters appear in the town, this all leads up to the hatching of Rodan, the giant prehistoric flying dinosaur, that is so big, when it flaps its wings it is propeled forward so fast it creates a sonic boom. The film itself features a lot of human dialog, and there are not many Monster VS Monster battles, but we do get to see some interesting destruction scenes. Without spoling anyone I would say that the ending was sort of cheap. Overall would I sugguest Rodan to people? Yes, but not as much casual fans as fans deeper into the Giant Monster stuff. But if you like classics, and think you would like like a Giant Prehistoric bird flying around killing planes and sonic booming cities, then you probably will like this film ... Read more | |
| 26. Godzilla VS. Mechagodzilla II Director: Takao Okawara | |
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Reviews (74)
In this movie, the human scenes aren't boring, and they don't drag its feet around like the previously mentioned movie. The human scenes are actually fun - maybe not as campy as I like it, but it definitely works for me. As for the monster scenes, they're great! In this movie, you feel like the monsters are the focus...and rightly so! There is tons of city-stomping in addition to the required monster-on-monster action. Just to let you know, there are 3 fight scenes: [note: I'm not sure why they refer to Rodan as "Radon" in this movie] [also note: Supermechagodzilla = Mechagodzilla combined with Garuda] Overall, the scenes flowed well together. The pacing was great. And I was never once bored; whereas in "Giant Monsters Attack," I had to slap myself several times to keep myself awake. That's right. Godzilla movies are meant to entertain you...not send you to sleep. I only have 2 gripes with this movie: 1) the monster-on-monster action consists primarily of ranged attacks (e.g. heat beams, atomic breath, missiles, etc) and not very much of that WWE Smackdown variety that's so fun to watch. Nevertheless, the fight scenes are still enjoyable. 2) I didn't like the Godzilla costume for some reason. For one thing, he seemed too lengthy. Secondly, his snout reminded me of a dog's. In fact, his snout remdined me of that giant, white dog from "Neverending Story."
The plot is simple, understandable, entertaining, and easy to follow. It unfolds at a fast pace, but not so fast that the viewer gets lost. This movie is part of the Heisei series (second series, 1984-1995) of Godzilla movies. It picks up after "Godzilla and Mothra"(1992). Here's a plot summary. In 1992, the U.N. salvages the remains of Mecha King Ghidorah (from "Godzilla vs. King Ghidorah" [1991]) and use the technology to build two robots, Garuda and Mechagodzilla. Meanwhile, a research team on remote Adonoa Island finds a huge egg and a giant mutated Pteranodon, called Rodan. Godzilla arrives and fights Rodan, seemingly killing it. The research team takes the egg to Kyoto, where it hatches a baby Godzillasaurus (an unmutated Godzilla). Godzilla comes looking for it, and is confronted by Mechagodzilla. Godzilla defeats his robotic counterpart and the military, and leaves when he fails to find the baby. Later, a plan to lure Godzilla, with the baby as bait, is carried out. But Rodan arrives and takes the baby away. Mechagodzilla and Garuda confront and badly injure Rodan. Godzilla shows up and Garuda and Mechagodzilla combine to form Super Mechagodzilla. Who will win this ultimate battle? This movie was highly entertaining and very exciting. It never gets boring or slow. It remains interesting and engaging throughout the whole thing. The acting is good. The characters are likeable and entertaining. They play a vital role in the movie, while allowing the monsters to be the real stars. Megumi Odaka reprises her role as Miki Saegusa, who she played in every Heisei Godzilla movie since "Godzilla vs. Biollante" (1989). The actors in the monster costumes gave outstanding performances. Godzilla showed intelligence, emotion, and animal-like actions. Mechagodzilla's movements were 100% machine-like. The baby Godzillasaurus showed emotions effectively. It showed curiosity, affection, and fear, all like a real baby animal. The dubbing isn't too bad, but still isn't that great. The translators showed emotion and reaction in their voices. Unfortunately, there are only a few people dubbing over the dialogue, which makes for several minor characters having the same voice. Also, Rodan's name was not translated in the dubbing. All the characters refer to him by his Japanese name, Radon. Still, don't let bad dubbing make you think any less of the movie itself. Besides, in the original Japanese version, the characters already speak English a lot of the time. The special effects are extremely well done. They're some of the best of any Godzilla movie. The miniature cities are very detailed and look real. The destruction was all very convincing. The only CGI-effects in the film are the very nicely animated ray and beam attacks from the monsters, and computer simulations that are watched by the characters. This movie was made in 1993, the same year as "Jurassic Park", which had flawless CGI. But the suitmation and miniatures looked just as convincing as any CGI could. The monster costumes were all very real-looking with great attention to detail. Godzilla looked tough, mean, and intelligent. The animatronic Godzilla head displayed good facial emotions. Mechagodzilla looked awesome. With such excruciating detail in his design, he really looked like a 394-foot metal robot. Rodan looked very fierce and intelligent, but his wing movement looked bad at times. The baby Godzillasaurus, despite his large eyes, looked real. This movie is definitely one of the best G-movies in terms of special effects. The music and sound effects are outstanding. The sounds of destruction are very real. The monsters roars are all very cool. Godzilla has the same traditional roars that he had in the previous G-movie "Godzilla and Mothra". Mechagodzilla has a high-pitched, very cool-sounding, mechanical cry. He also makes machine-like whirs and hums when he moves, just like a real robot. Rodan has his classic screeches, and his wings make realistic flapping sounds. The baby Godzillasaurus has a high-pitched crying sound, but usually only makes grunts and gurgles. The music is truly wonderful. Classic Godzilla composer Akira Ifukube does a magnificent job with this movie. His classic themes for Godzilla and the monster attacks are very nice. Mechagodzilla's new theme is very cool. The music for the more emotional scenes is very touching. If you're wondering why this movie is called "Godzilla vs. Mechagodzilla II", let me explain. It is NOT a sequel to 1974's "Godzilla vs. Mechagodzilla", which is part of the Showa series (first series, 1955-1975) of Godzilla movies. In this movie, the two robots, Garuda and Mechagodzilla, are sometimes referred to as Robot I and Robot II, respectively. Garuda is occasionally called Garuda I throughout the movie. And if Garuda (Robot I) is Garuda I, then Mechagodzilla (Robot II) is Mechagodzilla II, hence the title. As for the VHS itself, the quality is terrible. It's in SP mode, which is good, but the picture is frequently jumpy and occasionally calls for tracking adjustment. The sound is occasionally bad too. Sometimes it's too quiet, needing the volume to be cranked up just to hear it. But most of the time, the sound is good. I've viewed this tape on several VCR's, and it's been the same on all of them. Who knows, maybe my copy is just bad. Overall, this is an outstanding Godzilla movie. This is Godzilla at his very best. If you see this movie, you'll understand why I, as well as many other Godzilla fans, consider it as a favorite. It's action-packed, entertaining, serious, fun, exciting, and has a good moral at the end.
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| 27. Destroy All Monsters Director: Ishirô Honda | |
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Amazon.com Reviews (90)
Movie: 10 out of 10 Video: 8 1/2 Audio: 7 Presentation: 5 Extras: 0 Overall: 8 out of 10. Get it if you're a Godzilla fan.
-- there are no special featuers -- not even a theatrical trailer. -- the dub is the poorly acted recent dub from a few years ago. The original dub is not great (what dubs are? Why, oh, why, don't they also offer subtitled versions), this one is very poorly acted, more so that usual even for these types of films. Overall, I'd still recommend this to Godzilla fans (and I've been one since seeing King Kong vs. Godzilla in its original US showing at the drive-in when I was a kid), but it could have been so much better.
I'm not going to complain about the quality of the DVD release or the dubbing in English. For a Godzilla movie of this magnitute, this sounds a bit pointless. For me this film is the top of all the monster flicks. I,d also like to have it uncut and subtitled but i feel privileged and lucky just to own it in a DVD copy. That way i could watch it as many times as i want without damaging the movie. Now i'm even thinking of buying a second copy just to replace the first one in case something happens to it. I first watched it at a summer theater when i was young and from that point i fell in love with it. I own all of the Godzilla films since i am a Godzilla maniac but this one surpass every other one, easily. The story in a few words is the following: As you all monster-movie lovers probably asumed by the story above, hell breaks lose on earth and we all can be the front watchers of this titanic rampage!! Godzilla saga DEFINATELY at its best moments.The only movie i expect and hope to throw this 1968 flick from the top of my list is Toho's upcoming Godzilla last project, "Godzilla: Final Wars". I feel the need to express my graditute to Inoshiro Honda and his crew for making these kind of films(anyone seen "Mysterians" or "Battle in outer space" knows exactly what i'm talking about),which allow you to feel young again and send you on a fabulous journey throughout the boundries of your imagination. Thanx Inoshiro, you'll always have a special place in our hurts. ... Read more | |
| 28. Mysterians Director: Ishirô Honda | |
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Reviews (3)
This is the stuff of wild fantasy and imagination, with a ten story robot tromping on the Japanese islanders, flying saucers setting up impenatrable domes armed with nasty destruction rays, and abductions of human females necessitated by the Mysterians' inability to reproduce with their own sterile females. The driving musical score added a sense of great urgency and excitement. Anyway, that's how I remembered it. I love SF films, especially from the 50's, but I find it hard to understand why I thought this film was so good back then. But of course, then I saw it as it should have been seen; a fresh new anamorphic color print projected by carbon arc, on a huge screen within a great cavern of a movie palace. It being an early widescreen film no doubt added a lot to the overall effect.
A Mysterians "probe" robot is up-there with Robby and HAL 9000 MYSTERIANS have destroyed...literally blown-apart...their world in nuclear warfare.Their survivors, looking ready to party in psychedelic helmets and musketeer capes, want to colonize earth and revitalize their dying race by mating with Earth women. What it is! right? Bring-on Toho's Models-are-US array of rockets, missiles,TV-disc lasers and a special United Nations battle ship that could double for the GOOD YEAR Blimp and you've got a War of the Worlds. The Mysterians play by "deterrence" rules: "If earth uses atomic bombs...Mysterians will use atomic bombs". Earth doesn't; the Mysterians don't and get duly whipped on the laser-beam battle field of honor. THE MYSTERIANS is the best sci-fi produced by Japan next to the original Godzilla. Director Imoshiro Honda is the same. Some of 'Zilla's cast favorites are there to give The Mysterians what-for.It's a fun flick; if you can get a copy you won't be disappointed.
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| 29. Son of Godzilla/Sp Mode Director: Jun Fukuda | |
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Amazon.com Reviews (18)
This "Godzilla" movie seems to be directed towards a younger audience; it is more exciting and funny than scary. The enjoyable antics between "Dad" and baby are enthusiastically portrayed. The film as a whole is well complemented by Masaru Satoh's funky, energetic score. And the monster battles are well done. Although the "silly" quotient of the film may turn off fans of the serious original Godzilla, I think that this sequel should be enjoyed for what it is: an entertaining sci-fi fantasy. The final scenes of "Son of Godzilla" contain some of the most haunting and poetic images ever filmed for a giant monster movie. If you are a fan of the Japanese giant monster genre, you won't want to miss this delightful film.
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| 30. Street of Shame Director: Kenji Mizoguchi | |
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Reviews (2)
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| 31. Godzilla Vs Mechagodzilla/Sp Mode Director: Jun Fukuda | |
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Amazon.com Reviews (48)
Cons Which one has more Pros or Cons?
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| 32. Godzilla's Revenge Director: Ishirô Honda | |
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Reviews (46)
In the first dream, Ichiro dreams he is aboard "Pan American Flight One, nonstop to Monster Island", then hangs out in the jungle while Godzilla dukes it out with Kamacuras, the Praying Mantis monster, Gorosaurus, a kind of giant badger-lizard hybrid monster, Manda the snake, Anguirus, the spiny armadillo monster, and a nameless flying giant turkey vulture monster (as silly as the bird from "The Giant Claw".) That's all in the first five minutes or so. Ultimately Ichiro falls into a hole and is rescued by Minilla, who speaks good English, but try to ignore that he sounds exactly like Droopy Dog, or you may not be able to cease laughing until the movie is over. Minilla is worried about his neighborhood bully (allegory anyone?) Gabara, who happens to be a giant furry, cat-lizard with glowing pink electric horns. He is much scarier than the Gabara in Ichiro's neighborhood. He is much sillier looking, too. Between his dreams Ichiro is either going to school, hanging out with a creepy toy maker, or playing in an abandoned warehouse, where he collects used vacuum tubes. (The movie never explains what the deal with the vacuum tubes is.) He also gets mixed up with a couple of thieves who have stolen 50,000,000 Yen (about enough for a McDonald's Happy Meal today) and has to outwit them. To get through the trauma of being kidnapped by thieves, he calls on the power of Minilla, and re-visits Monster Island, where this time Godzilla gets to play baseball with Ebirah, better known as the Crab Monster, and wrestle around in silk with Kumonga, the tarantula monster. Godzilla also teaches Minilla how to breathe fire in a touching male bonding experience. Ultimately Ichiro defeats the robbers, and is a hero, having learned a valuable lesson that you have to stand up for yourself. Besides the lesson in pre-adolescent self-confidence, and some amusing monsters, this is one of the lesser works of Ishiro Honda. If you are a Godzilla completist, it's fine, but you can safely see it last.
The name of the bullying pick on the little boy in the real rool. This has many classic battles in it from Godzilla versus the Sea Monster and the son of Godzilla. It teachers children how to be brave and how to stand up for them selves. The boy use the lesson he learned on monster island of Minla and Godzilla to stop some bankrobbers and stand up to the bully Gabra.
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| 33. Godzilla vs. Mothra Director: Ishirô Honda | |
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Reviews (53)
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