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| 1. Mrs. Doubtfire Director: Chris Columbus | |
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Reviews (15)
Robin Williams is spectacular! He is funny as usual, but he captures the hurt when necesary too. I don't think you will regret watching this one.
The best scene is the restaurant scene. While it is a comedy, it does have something to say about love, that it can take many forms...that a wacky transvestite can be loved too. :)
The hijinks will keep you laughing throughout the movie. Not only funny, it is heartwarming and will be helpful for all families no matter whether they are from divorced homes or not. Very famiy friendly. I love this film. Get it and you won't be disappointed. ... Read more | |
| 2. Aladdin Director: Ron Clements, John Musker | |
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Amazon.com essential video Reviews (82)
And I loved how Iago was the perfect foil to Jafar, a serious villain. I also enjoyed the love story that unravels around Aladdin and Jasmine. Jasmine is the girl that every guy wants, and Aladdin is the sweet, handsome young man that every girl dreams of. I also enjoyed the personifications of the carpet, and his expressions. Gilbert Godfried was the perfect voice for Iago. I love everything about this movie, and can't wait 'till it comes out on DVD. I've heard that it comes out in 2004. I guarantee I'll be one of the first people to place an advanced order on Amazon.com for this DVD. I loved it!
I'm basing this review from the VHS tape version (since the DVD is not released yet), however, I believe Disney Studios will probably continue to follow the path they've set with other DVD releases -- that is, look for a straight VHS to DVD transfer. You'll get the film, but little else. Naturally, the DVD will outlast a VHS tape and the quality of both the picture and sound should be higher. On the movie, it's a great rendition of the tales of 1,001 Arabian Nights (with Disney's own plot and characterizations) which will entertain members of the entire family. Robin Williams does an exceptionally fine job as the voice of the Genie -- giving him comic personality and wit. The story line is a good one and is followed by two 'add-on' sequels ('Return of Jafar' and 'King of Thieves'), both worth purchasing when they become available (Williams is missing from 'Return', but back for 'Thieves'). The film's music is top rate and in line with many of their earlier successful animations (The Little Mermaid, Beauty and the Beast). All in all, a worthwhile purchase for your home library. Children and adults will enjoy this one for decades to come. ~P~
Put "A Whole New World" into you Disney DVD PLATIUM collection with Aladdin.
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| 3. Dead Poets Society Director: Peter Weir | |
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Amazon.com essential video Reviews (255)
We particularly likeed the last scene because the students opposed Mr.Nolan,and stood up on their desks in the last scene.It gave us deep impression. We like Charlie.He was daredevil but he always had his will and did as he liked. The main massage is Seize The Day means to be active and live fully.The themes of this film are education,friendship,freedom and relationship with parents. The film made us courageous by Mr.Keating's words. We were moved by the last scene.We learned many things.When you become tired of your school life,teacher or friend,We recommend you to see this film. We learned to Seize The Day.
I'm normally not a Robin Williams fan, but after having seen this movie, I feel almost obliged to rent/buy a few other movies starring him. Williams simply excels in this movie, along with Robert Sean Leonard (Swing Kids (Which, if you never saw it is a MUST-SEE)) and Ethan Hawk (Gattaca (See this one too!)). At a private boy's school, a new english teacher, John Keating (Williams) is introduced. His form of teaching completely opposes everything the high-class school stands for (ripping pages out of books, standing on desks, and developing one's own walk). Naturally, the school's administration is less-than-happy with it, but the students love it. They find out Keating was once part of a secret society: The Dead Poets Society". They quickly form their own, and learn to appreciate the great masters from there. English made from something boring into something great. Between the lines, the viewer is asked to think out of the box. Don't accept what you're being offered; question it. Why would you settle for anything less than you yourself desire? You hold the key. Unlock the world today...
Though I do not believe wholeheartedly in the ideas of transcendentalism, I found "Dead Poets Society" to be one of the most moving films that I have ever seen. As a student, I know what it is like to feel pressure to academically succeed, and through my classmates, I have seen the strain that pressure can put on a parent-child relationship. "Dead Poets Society" logs the effect of one inspiring teacher on upon a group of boys that have never been given the chance to think for themselves. One boy, Neal, realizes his dreams to be more than becoming a doctor, but also an actor. His struggle with his father brings him to drastic measures, but he is an admirable character for overcoming his ability to overcome his fear of standing up to his father. Other boys experience trouble and triumph with authority, love, and fear. Their stories are classic, but also portrayed beautifully. Robin Williams plays Mr. John Keating, the English teacher that inspires the boys of Wellton Academy to think on their own and to seize the day. They re-initiate the Dead Poets Society, a group that Keating was in as a student at Wellton. Through their club, the boys discover the magic of poetry and the power of words. Keating uses famous quotes from Whitman, Thoreau, and other classical thinkers to motivate his students. His charisma and optimistic view of life is uplifting and leaves one inspired for days. Perhaps his outstanding performance is best portrayed in his line, "Life is a play and you may contribute one verse. What will it be?" The film is well acted and revives memories of one's first experience in standing up for one's own beliefs. I recommend this movie to anyone who finds inspiration in literature, and to every person who wants to make the most of his life. It is teachers like Keating that breed our future philosophers and geniuses. This film is a thank you to every teacher who has unknowingly inspired his or her students to do great things. The final scene when the boys pay tribute to their teacher who is punished for influencing them is enchanting! ... Read more | |
| 4. Mrs. Doubtfire Director: Chris Columbus | |
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Amazon.com essential video Reviews (64)
That's why I feel that when someone like me praises a movie of his, it should mean a lot more. Watching Mrs. Doubtfire, I was forced to admire his sheer guts in tackling this Tootsie role (sans roll) despite the huge success Dustin Hoffman already had with it. Most of Robin's film parts amount to a large junkpile of bad remakes, half-written plots and other "at least it's a fat paycheck" duds. It is also mind boggling how he got an Oscar for his minor foul-mouthed cameo in Good Will Hunting. However, every once in a long while he incredibly rises far above his journeyman talents and rightfully dons the mantle of a true master of the art. (Not that co-star Sally Field was just using up air here, either - she was a great anchor of reality for the film. Which is not an easy task to perform for someone as cute and bubbly as she normally is.) Robin's actually done five other proper acting jobs, which round out an even half dozen when added to Doubtfire. And these few other fine movies are, not surprisingly, parts where he really doesn't play himself: Good Morning Vietnam, Hook, Jumangi, Dead Poets Society and Cadillac Man. Well, most actors when their careers are over should consider themselves lucky to even end up with a trilogy of film classics in the can, after doing the usual 25 to 50 major works. But right now Robin's got those six gems, and he still has time to complete a crown of an even dozen. Of course he'd already have had time to do that by now, if only he had just said no when his agent called to ask him if he wanted to do flop-bound flicks like Shlubber, Jerk or Bicentennial Bum.
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| 5. FernGully - The Last Rainforest Director: Bill Kroyer | |
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But a great message alone isn't enough to make a movie. It's got all the classic elements necessary for a kids movie. A great villian - Hexx is scary, unique, and voiced to perfection by Tim Curry, two strong protagonists for guys and girls in Zak and Crysta, a mythical past and setting, fun comic relief - Robin Willians is terrific as Batty, and plenty of great songs. It's different enough from your typical Disney movie to be great, but similar enough that kids will love it. Plus, it will be something they've never seen before and it will send many important messages (about taking care of the environment, believing in yourself, and how you can make a difference) that every kid should hear. I definatly believe this is the best children's movie ever made.
Message to everyone: Speak out for things that can't speak for themselves. Go vegetarian, adopt needy animals from shelters.....any little bit helps. We have alternatives to meat and paper and pencils.....why don't we use them and save a couple trees and animals? We need to have more sympathy and respect for the suffering of innocent lives who never did anything to deserve what they go through. Long live tree-huggers! (...)
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| 6. What Dreams May Come Director: Vincent Ward | |
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Reviews (344)
The story is very moving and brilliantly crafted. The main character is a doctor named Chris (Robin Williams). He has a wife (Annabella Sciorra) and two kids. His family is great and he seems to be living the American dream. Then his children are killed in a car accident and his life is shattered. He spends the next four years trying to recover from the tragedy. Then he is killed in another traffic accident and the story takes off as he goes to the beautiful afterlife. The movie seamlessly transitions from present to flashback to give a sense that time is irrelevant in the afterlife and to fill in the rest of the story. The first person he sees is a young version of the doctor he apprenticed under (Cuba Gooding Jr.) who later turns out to be someone else, but I won't tell you because I don't want to ruin any parts of the movie. He is then taken to a beautiful heaven, which is actually his mental re-creation of one of his wife's paintings. He later learns that his wife has committed suicide and in doing so has trapped herself in a never-ending spiral of guilt (a.k.a. Hell). Chris then has to travel to the depths of Hell to find and attempt to bring back his wife. This movie is loaded with abstract thoughts and themes. For example: Your obsessions in life will become your afterlife; Thought is real, physical is the illusion; God lets bad things happen to good people; and far too many others for me to list here. The movie is visually breathtaking and the computer-generated graphics add greatly to the realness of the movie. The acting is good and director obviously knew what he was doing. I will recommend this movie to anyone who has ever contemplated his or her existence.
The cast of the film is strong, but it would be a mistake to imagine that they are the reason for the film's success. Robin Williams as Chris Nielsen, Cuba Gooding Jr., Rosalind Chao (who I previously mainly knew only from STAR TREK: THE NEXT GENERATION), Max von Sydow, and the lovely but underused (not only in this film, but by Hollywood in general) Annabella Sciorra all hand in wonderful performances, but they are largely overwhelmed by the astonishing beauty of the sets, the inconceivably vivid colors, and the marvelous use of light. No performers could have competed, though they try gamely. I find the film especially interesting for theological reasons. Ron Bass based the screenplay on a novel by Richard Mattheson. I must confess to not knowing the work of either, but I would lay heavy money that one of them (probably Mattheson) knew well C. S. Lewis's THE GREAT DIVORCE. In that work Lewis was concerned to lay out a concept of heaven and hell that did not regard God as responsible for sending people to hell. Instead, he described an afterlife in which people in hell still had the option of leaving hell and departing for heaven. These two ideas--of people placing themselves in hell and of having the option to leave hell for heaven--drive the metaphysics of WHAT DREAMS MAY COME, as I'm sure anyone who has seen the film will recognize. So why do I give the film only four stars after all the nice things I have said about it? Primarily because the film doesn't really have all that much of a story to tell. The plot feels like a short subject stretched to feature length film proportions. Once you subtract all the amazing visuals, there simply wasn't that much to the film. The challenge for the filmmakers was primarily padding out the action of the film. Nonetheless, I do recommend this as an interesting and intensely beautiful film, despite the slender narrative. Interestingly, the title of the film comes from Hamlet's famous soliloquy, in which he ponders whether or not to commit suicide. In the end, he decides not to because of the dreams that the dead may dream, presumably worse for having killed oneself. But such dreams did not prevent Annie Nielsen in the film from committing suicide. It is a nice ironical touch.
This movie could have easily been a masterpiece, with such a great cast, excellent visual effects and production. However, there are two things which severely take away from its effectiveness. For one, the flashback style becomes tedious after a bit and interrupts the flow of the story. Many other reviewers have commented on this. It's a major drawback. And two, some scenes simply do not work. For example, when Chris arrives in Hell and begins maneuvering around the heads sticking out of the ground. This scene is done in a humorous way, seemingly for comic relief. It simply does not work and is majorly out of place. Comic relief isn't what should happen here. Aside from these flaws, "What Dreams May Come" is an enlightening viewing experience and will stay with you long after you're finished watching it. It can be interpreted in many ways: a film about the possibility of life after death: a film about never-ending love: a film about affirming the beauty of life. However you may see it, you will surely take away at least something from it after the credits roll. ... Read more | |
| 7. Robin Williams - Live on Broadway Director: Marty Callner | |
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Reviews (96)
Many of us associate Robin Williams with funny didactic movies that always end with a moral value. Well, in this live on Broadway standup routine (recorded for HBO from the Broadway Theater in New York City) Robin Williams throws whatever morallity he has out the window and enjoys an open mic. Watching this made me laugh until I was crying and suffering abdominal pain. For those of you expecting "Flubber" or "Hook" you will be quite suprised that Mr. Williams is extremely dirty and political as he throws controversial jokes straight at the camera. To explain the topics he covers is impossible because he is so fast and is capable of changing subjects so fast that to try to explain what it is about is far beyond my ability. In fact, he goes so fast, he finishes an entire CASE of water, which is probably about 20 bottles. More specifically, Williams takes advantage of his large talent of character acting and astounds his audiences. As he jumps back between is French "Look, I give a cigarette to a baby" to George Dubya saying "Our economy is--oh, look at the kitty!" He is not afraid to offend anyone as he examines religeons like Episcipals, Jews, Christianity, Puritanism, Calvanism, Buddism, Hinduism, and Islam. Because of the fact that this is a DVD, it comes with a few extra features. First is an interview which is very charming with several chuckles allthe way through. Also included is a track of noises, which are all of Robin's wacky sound effects that he creates throughout the stand up routine. For those of you who are always excited to find a secret easter egg, there is also a track called "Parental Advisory" that is 2 minutes of all the curses (which are EXTREMELY plentiful) that Robin uses. The feature is in PCM stereo as well as Dolby Digital 5.1. The Dolby Digital 5.1 surround sound I thought seemed a little weird since at random times you will hear applause behind you and it sounds unnnatural most likely due to bad mixing/editing. I would not, however, recommend any of this DVD for children under the age of 13, depending on how mature your children are. This probably deserves to be rated R or possibly even NC-17 because of it's extremely naughty language, vulgar topics and sexual content. All-in-all, Robin Williams is absoluletly hilarious, I think this is probably the best stand up routine I've ever seen and is definately worth the price.
So what's the problem? I think perhaps 99 minutes or so of one man comically riffing about anything and everything is still perhaps a bit too long for its own good. I've watched this on more than one occasion, and by the hour mark I always feel myself getting rather exhausted by Williams' highly energetic schtick. It is not necessarily that his material starts to become significantly weaker or repetitive (although his French-bashing does get a little tiresome after a while), but while you still marvel at Williams' energy level...I dunno, I just kinda got tired of it on some level after a while. Williams' energy may not flag, but ours does...at least until he rebounds at the end with some good bits about American sports and then about sex, particularly Viagra. Believe me, when you see his take on Viagra, you will laugh hysterically in spite of yourself. In short, for me, "Robin Williams: Live on Broadway" is a mostly brilliant but perhaps overlong standup comedy piece (a standup comedy "epic" if there ever was one). It would have gotten five stars as a more focused hourlong show; instead, this one sprawls until we in the audience start feeling a little exhausted by his endlessly energetic (and highly profane) style. And yet there is enough brilliant stuff here---his riffs about the war in Afghanistan and homeland security rival the best, and overall there are plenty of small but great bits here and there that will grab your attention---so that this is definitely worth seeing. Certainly you will be amazed that Robin Williams actually pulls the whole damned thing off at all. Recommended. NOTE: I have seen "Robin Williams: Live on Broadway" as it first premiered on HBO, and for some reason it is slightly longer than the program that appears on this DVD. It is beyond me why CMV Home Video thought it necessary to make some small cuts to the program for this DVD edition. (For instance, it cuts out a lines during the parts where he cracks humorously about Michael Jackson and the Enron scandal.) At least, though, the program is not significantly cut (it's only missing about a few seconds worth of material from the initial broadcast), and overall it is very much intact. (Besides, HBO and its other channels have been showing this marginally-cut version of the program on its stations ever since, anyway.) Just thought people would like to know, though.
This guy is incredible. What a sick puppy. But hilarious. And, where the heck did all that water go? ... Read more | |
| 8. Robin Williams - Live at the Met | |
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| 9. Jumanji Director: Joe Johnston | |
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Amazon.com Reviews (51)
"Jumanji" Collector Edition is a vast improvement over the previous bare-bones edition. The film is presented in 1.85:1 anamorphic widescreen format. The DVD contains an impressive video transfer and a clear 5.1 Dolby Digital sound with dynamic surround effects. Among special features, this Collector Series DVD includes multiple behind-the-scenes and FX featurettes, audio commentary with FX supervisor Ken Ralston, theatrical trailers and some great animated menus. Overall, "Jumanji" Collector's Series DVD earns a "B+".
WATCH OUT, THIS ONE MAY SEEP ONTO YOUR FLOOR AND CAUSE YOU TO SLIP AND BREAK YOUR NECK
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| 10. Club Paradise Director: Harold Ramis | |
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This movie HAS TO be rereleased on DVD. Will somebody PLEASE tell the studio that if Power Ranger Movies can be on DVD, why not a cult classic like Club Paradise?!!!
Certainly, I couldn't call this movie without flaws but it is a perfect fit for those moments when you are harried at work, tired of TV and can't slip out for that vacation just yet. If you watch it in the winter months, I'll bet you'll find yourself wanting to see it again days after.
Robin Williams, Andrea Martin, Rick Moranis, Eugene Levy, Peter O'Toole, Joe Flaherty, Jimmy Cliff(!), Twiggy plays it straight a la Blues Brothers and is lovely. Harold Ramis' direction, again, has the perfect touch. Oh, did I mention the reggae soundtrack is terrific?
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| 11. Good Will Hunting Director: Gus Van Sant | |
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Amazon.com essential video Reviews (345)
Luckily this movie has great bonus features including my favorite, audio commentary with Gus Van Sant, Matt Damon and Ben Affleck. Also included are 11 deleted scenes with audio commentary, production featurette, and "Miss Misery" music video. In other words this DVD is loaded. Overall, with all the bonus material and sophisticated story this is definitely a great rental. If on the other hand, you are huge fans of Ben and Matt, and have already seen it and loved the movie, then it really is a no-brainer, just buy it.
Will Hunting (Matt Damon) is a janitor at MIT who harbors a secret genius for mathematics. Rather than bank on his intelligence, he spends most of his time riding around and drinking with his buddies (Ben Affleck, Cole Hauser, and a particularly funny and excellent Casey Affleck). However, his gift is discovered by a professor at the university (Stellan Skarsgard) who bails Will out of jail (in on a count of assault) on the conditions that he start doing math regularly with the professor and that he see a psychiatrist. Enter the psychiatrist, Sean (Robin Williams). To add to the mix, Will meets a Harvard student, Skylar (Minnie Driver) who is possibly the first woman for whom he's ever had real feelings. Over the course of the movie, all of these characters in their own way try to make Will live up to his potential. The movie doesn't have much of a plot other than this -- however, that's fine, because it's meant to be more of a character study and it's a great one. Pretty much every scene is two people sitting down talking to each other -- yet it holds the viewer's interest because the characters are so captivating. Sean and Will's scenes in particular are terrific. Matt Damon and Robin Williams, besides both being fine actors, have a natural chemistry that you just can't fake. Damon and Minnie Driver are also great together (of course, as it's widely known, the two dated during the filming of the movie) and it's my opinion that both were robbed of their Oscars. Ben Affleck shows that spark in this movie which he showed in most of his '90s movies, and he's great in his role -- but even better is his brother Casey. Watch the movie with the audio commentary, and you'll gain so much more appreciation for both the role of Morgan and the actor Casey. The same goes for Stellan Skarsgard. Cole Hauser is good with the few lines he has. All in all, this is a great movie -- beautifully shot, well-written . . . well, I've said it all before. If you're not offended by excessive use of the word "f***" (and yes, some people really do talk like that) you should love it. Forget the naysayers -- "Good Will Hunting" is one of the most heartfelt, poignant movies in recent history. Too bad all the awards that year automatically went to the movie with the grandest special effects instead of the one with better dialogue and better characters.
Matt Damon does a wonderful job with the title role, although at times he seems a little wooden. As the therapist with a painful history that Will eventually connects with, Robin Williams turns in one of his less flamboyant performances. His suffering is palpable, and his need to save Will from himself lends real passion to the film. Affleck provides solid balance as Will's friend Chuckie, although his performance is less memorable than the other two, more of a function of the role than the actor. Minnie Driver is charming and believable as Will's new girlfriend Skylar. The screenplay is intelligent and skillfully developed despite some unbelievable facets of the premise, most notably that such a wounded individual, no matter how bright, would have the discipline to teach himself as much as Will knows. Still, this movie only gets better as it progresses. The relationship between Will and his therapist is dynamic, poignant, and meaningful. This is a good film to own, as it uncovers additional subtleties on second viewing, as long as you don't mind revisiting emotional angst. Its feel-good story arc is somewhat predictable, but the dialogue and interactions are not, making this flick surprisingly complex given the young ages of Damon and Affleck when it was made.
GOOD WILL HUNTING is the story of, who else, Will Hunting (Matt Damon), a janitor at MIT and a young man with a very troubled past. Will was an orphan and a victim of child abuse. As an adult he's a petty criminal with a short fuse and an uncanny ability to reduce the most complicated math problems and theorems to simple answers, something he does at night on MIT's chalkboards. Will is a mathematical genius with a photographic memory, but he neither recognizes his gift nor cares. He'd much rather be out with his other blue-collar buddies, drinking and getting into trouble. Two things happen to change Will's errant ways. The first is the fact that his genius is found out by one of MIT's professors, Professor Lambeau (Stellan Skarsgard). Professor Skarsgard wants to do something to encourage Will to develop his gift. The second, and more pivotal thing that happens is that Will assaults a police office on one of his nightly binges and lands in jail. Luckily, Will comes before a judge with some understanding of what he really needs. Instead of being sent to jail, Will is ordered to spend one day a week with Lambeau, studying math, and one day a week with a therapist in order to work through his short temper and his need to self-destruct. After a few false starts, Will ends up seeing Sean McGuire (Robin Williams), a teacher at Bunker Hill Community College and Lambeau's former college roommate. As things progress, it becomes more and more evident that Will is just as good for Sean as Sean is for Will. Will also receives help and encouragement from his childhood friend, Chuckie (Ben Affleck) and a pretty Harvard student from Britain, Skylar (Minnie Driver). The plot of GOOD WILL HUNTING is very, very predictable, as is its ending, but that really didn't stop me from enjoying the film. There are some outstanding moments and set pieces, but overall, the film is only a little above average. The dialogue is sometimes above average and, much to my delight, there was actually subtext, something so much screen and literary dialogue lacks these days. The thing that really rescues the film from mediocrity, though, are the performances from all the actors, especially an uncharacteristically subdued performance from Robin Williams. The scenes between Williams and Damon feel "real" and the chemistry between Affleck and Damon and Damon and Driver is palpable. Of course, the fact that Affleck and Damon have been lifelong friends and that Damon and Driver were romantically involved during the filming of GOOD WILL HUNTING didn't hurt the "chemistry" one bit. Still, it could have gone wrong. Jennifer Lopez and Ben Affleck were engaged when they made GIGLI and that fell flatter than any proverbial pancake ever could. GOOD WILL HUNTING is a very solid, though predictable piece of entertainment, with strong performances from all concerned. I would recommend renting it before buying it, however, as it's not a film that one wants to see again and again. At least not in my opinion. ... Read more | |
| 12. Evening With Robin Williams Director: Don Mischer | |
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| 13. Good Morning, Vietnam Director: Barry Levinson | |
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Amazon.com essential video Reviews (34)
However, the fault of this movie is where it tries to be serious. Williams's politics are thinly veiled, as the only people who oppose anything he does (VC's, bully GI's, "the brass") are stereotypes. Nothing Haup or Dickerson say or do is ever pleasant or reflective of any redeeming qualities whatsoever. In addition, after picking oneself up from the floor from laughing at Williams's brilliant jokes, one can step back and understand (empathize?) why people might not have liked such comments as "If it's being done well, here or abroad, it's probably *not* being done by the U.S. Army!" Now, maybe that's true, maybe it's not, but a lot of people work (and worked) very hard to be sure that what the U.S. Army did is/was done well, and these people wouldn't be the jerks that Dickerson and Haup (sp?) are in this film if they took offense to a deejay like Williams's portrayal of Cronauer. In short, watch this movie and enjoy the humor, but think twice before taking any sort of "deeper meaning" more seriously.
I found myself giggling at the jokes, but eventually the comedy all had a certain sameness. However, I did get into the story. There wasn't much military action, only some strong hints of what was to come. Wisely, the film focused on the characters and portrays the Vietnamese villagers as real people who Cronauer teaches to curse in American slang and with whom he plays baseball, using mangos as the ball. This is a good video, lighthearted and yet with a message. Robin Williams' performance is excellent. And, although some of the action was a little too slow for my taste and the comedy ran thin early, I still do give it a good recommendation.
The new DJ in question was Adrian Cronauer; fresh from an assignment in Greece. While the idea for a fictionalized account of his Vietnam experience was Cronauer's own, fueled by the popularity of "M*A*S*H," the script for Barry Levinson's "Good Morning Vietnam" was ultimately penned by screenwriter Mitch Markowitz with only some input from Cronauer himself, who has since gone out of his way to underline the fictional nature of the account and stress that his true stance was not so much anti-military as "anti-stupidity." Thus, the film has to be taken with a considerable grain of salt; both as far as the portrayal of 1960s' armed forces radio and as far as the movie's plot is concerned. But that doesn't make it any less poignant; nor does it take away one iota of Robin Williams's performance as Cronauer: Indeed, the role of an irreverent, unstoppable DJ seemed tailor-made for Williams, who had burst onto the scene with his inimitable brand of lightning-quick ad-libbing ten years earlier in "Mork & Mindy" - and of course, all of Cronauer's hilarious broadcasts in this movie are ad-libbed, too. The film follows Adrian Cronauer from his arrival in Saigon in the spring of 1965 to his forced departure about a half year later (although the real Cronauer in fact stayed for a year and was not forced out but left when his regular tour of duty was over). While a comedy, and although not trying to be anywhere near the "definitive" take on Vietnam, it does take a close look at the year when the conflict escalated and, in particular, at the resulting toll on human relations. Robin Williams earned his first of to date four well-deserved Academy Award nominations for this role (the others were for "Dead Poets Society" [1989], "The Fisher King" [1991] and "Good Will Hunting" [1997], the movie for which he finally scored on Oscar night). And in his inimitable way he provides pointed comic relief not only over the microphone but also, and always with a unique ear for the situation's mood, whenever the script would otherwise threaten to veer off into melodrama; such as after his discovery that his Vietnamese friend Tuan is actually a Viet Cong fighter named Phan Duc To ("It's unbelievable. Five months in Saigon, and my best friend turns out to be a V.C. This will not look good on a resume!!"); and in scenes that would otherwise be burdened with a bit too much cliche and/or deliberately funny writing, such as the conference after Cronauer's first broadcast, where Bruno Kirby (Lieutenant Hauk) gets to deliver such gems as "Don't say that the weather is the same all the time here, because it's not; in fact, it's two degrees cooler today than yesterday" and "I hate the fact that you people never salute me - I'm a lieutenant, and I would like salutes occasionally. That's what being a higher rank is all about." Even if Kirby himself gets to make up for these a little later in the same scene with the comment "We are not going to escalate [Vietnam into] a whole war so we can get a big name comedian" (Bob Hope who, as the men have informed him, does not "play police actions"), it takes Williams's/Cronauer's final weaving of the lieutenant's preferred abbreviations into a single sentence to truly put the finishing touch on the scene. Although "Good Morning Vietnam" is clearly first and foremost a star vehicle for Robin Williams, he is joined by an outstanding supporting cast, including inter alia, besides Bruno Kirby, Forest Whitaker as Cronauer's good-natured sidekick PFC Montesque Garlick, the ever-reliable J.T. Walsh as his second great nemesis, Sergeant Major Dickerson (whose stock character of a straight-laced white middle class guy would probably not have come off convincingly as a villain vis-a-vis anybody *but* Robin Williams) and, in particular, Tung Thanh Tran as Tuan and Chintara Sukapatana as his sister Trinh: Her plea with Cronauer not (even) to seek her friendship, let alone more, because for her such an association with a man (particularly a foreigner) is culturally unacceptable, is one of the movie's mo | |