Reviews (1)

bogged down in cheapness
This film is one of the most unintentionally hilarious romps since Godzilla vs. the Smog Monster. Its got terribly rubber FX, a cast of oldtimers, awful direction and acting, etc. The music sounds like it was taken from one of the samples on an electronic keyboard your kid brother has. But I wouldn't trade my copy for the world! ... Read more

Reviews (6)

Seven alone is an awesome family movie
My 11 year old son heard the story read to him in school and they watched most of the movie, when I happened to find it for rent at a local family bookstore, I brought it home, it's one i would definately add to the family collection. It doesn't get more real than this if you're interested in Oregon Trail stories.

A good teaching tool
I used this film to illustrate the dangers of the Oregon Trail to my 8th grade history students. It is an interesting dramatization of the perils of traveling the Oregon Trail. The film does an excellent job of portraying the journey on the trail. It is very entertaining and kept my students interested.

Unfortunately, the film sugarcoats the reality of the result of the Sager's journey. Two of the Sager boys were massacred with the Whitmans instead of going on to a homestead in Oregon, as the film implies. The girls were adopted out.

Seven Alone
This is a true story about seven children who lose their parents while enroute to Oregon in 1843. Their eldest son manages to to complete the trip and fulfill their parent's dream. The movie does take some liberties with the real story such as the death of Henry Saget. In reality he was killed by a buffalo stampede and not a knive wound. It is unfortunate that MickeyTo in Toronto isn't familiar with American history. More information on this true story can be found by researching information on the Oregon Trail.

The musical score to Seven Alone was first rate!
As a family film, Seven Alone provided every element required by a discriminating viewer. I would argue, as a lover of exceptional film scores and a collector of soundtracks, that this film is greatly enhanced by the truly beautiful music of Robert O. Ragland. I give the film an A+ because of the impact the music contributes to it.

A MOVIE TO SEE
I loved this movie it tills a lot about life in the old west.I wish they would of told about them after they had grown up. ... Read more

Reviews (10)

"You're a beautiful thing to watch... in action."
PAT & MIKE is the seventh Tracy-Hepburn collaboration, and it stars Spencer Tracy as Mike Conovan, the moneyminded sports racketeer with a heart of gold, and Katharine Hepburn (looking a great deal younger than she did in 1951's THE AFRICAN QUEEN) as his beautiful 'property', Pat Pemberton. Pat is an all-round 'lady athlete', adept at golf and tennis (not to mention shooting, basketball and presumably swimming), but completely frazzled whenever her fiance Collier Weld (a suitably smarmy William Ching) is around and watching her. In a bid to become more in control of herself and her life, she (contrarily) submits to Mike's management and he takes her around the country as a golf and tennis pro. It doesn't take much imagination to realise what happens next--Mike's 'handling' of Pat is the kind of handling she's willing to accept (switch 'Tracy' for 'Mike' and 'Hepburn' for 'Pat' and you get also a description of Tracy and Hepburn's real-life relationship), and before long, Collier is pretty much left in the dust.

This film is evidently a star vehicle for Tracy and Hepburn, containing next to no artistic pretensions or even any real attempt to press a subtle feminist point (in contrast with other Tracy/Hepburn films like WOMAN OF THE YEAR or ADAM'S RIB). In fact, the film seems to be just a comfortable, familiar joke between actors, writers and audience--we know these characters, we know these actors, we know what kind of relationship they always have (bantering, sparring, and in the end just a perfect fit)... the only thing that's different is the names of the characters. Sam, Adam, Mike--Tess, Amanda, Pat--what's the difference?

To be fair, Hepburn's character of Pat Pemberton is much softer and more vulnerable than either Tess Harding or Amanda Bonner. This character variation doesn't hide the real point of the screenplay though--Ruth Gordon and Garson Kanin evidently wanted a chance to display both Hepburn's natural athletic abilities (phenomenal for a non-professional, but possibly not 100% believable against sports stars like Babe Zaharias) and her incredible legs. Well, they did succeed at both of these things, to great effect. It's great fun for a Hepburn fan, having read about her deep and abiding love of any and all sports, to get a chance to actually watch her playing golf and tennis onscreen. (This doesn't mean, of course, that the frequent and long golf scenes don't test one's patience occasionally!)

Spencer Tracy has great fun as Mike as well, the sports agent who originally wants Pat to flub a game and come in second. He claims early on in the film that the trouble with her is that she's got too honest a face--it's only Tracy's ability to make rough-and-tumble characters believably vulnerable at heart that makes his later declaration ("I must have caught something from you" i.e. honesty) acceptable. The chemistry between the two is probably closer to the comfortable rapport they shared in ADAM'S RIB as man and wife than the fireworks that went off between them in WOMAN OF THE YEAR. Whatever the case, it is still always a joy to watch Tracy and Hepburn together onscreen, and it's largely because this film stars who it does that you can allow yourself to enjoy and be taken in by what is evidently a cutesy star vehicle written by the stars' friends (Gordon and Kanin), and directed by the leading lady's best and favourite director George Cukor. (Some of the visual tricks, particularly Hepburn's face appearing on that of a horse, are actually more disturbing than flattering, and I--for one--would prefer not to pursue the metaphor through to its end.) Tracy and Hepburn are also boosted by an excellent supporting cast, particularly William Ching as Pat's obnoxious suitor and Aldo Ray as Mike's dimwitted star protege (until Pat comes along, that is!).

PAT & MIKE is a romantic comedy, but it's also romantic-comedy-*lite*. There are no forced or fake separations that are geared towards wringing tears from viewers before a reconciliation (contrast again with ADAM'S RIB and most formulaic films in recent years). The film is just a little piece of joyful fluff--not taxing at all for either the writers, the actors, or the viewers. For a brilliant comic set-piece, watch out for the scene in which Pat takes on the two seedy sports racketeers and dispenses them with remarkable ease and efficiency. Otherwise, watch PAT & MIKE with the knowledge that this is neither Tracy and Hepburn's best, nor is it their worst. If you keep your expectations down, you'll certainly enjoy watching this film because it aims low (aiming only to please and amuse, and not necessarily to engage and thrill), and fulfils those aims very well. 8/10.

Not a lot of meat, but what's here is cherce!
This film reassembled the same team that put together the classic "Adam's Rib": Spencer Tracy and Katharine Hepburn as the stars, Garson Kanin and Ruth Gordon writing the script for their friends, and George Cukor as the director. Hepburn plays Pat Pemberton, a gifted athlete who catches the eye of promoter Mike Conovan (Tracy). The inspiration for the film was the fact that Hepburn had always been athletic. She even continued to play tennis for a while after breaking her hip, which I sure suprises no one.

Hepburn's character is a gifted athlete with the Achilles heel that everytime her fiancee Collier Weld (William Ching) shows up she falls apart. The film's best scene is when he arrives during a tennis match and Pat falls apart in a surrealistic scene. The net jumps up to stop her shots, her opponent's racket grows while her's shrinks. In the end Tracy gives her the confidence she needs to succeed, only to see her turn the tables on him.

Among the other memorable scenes in this film, Hepburn saves Tracy from a couple of thugs, one of whom is a young Charles Buchinski (remember him?). Also, there is a nice moment when Pat gives Mike a kiss and after he wipes off the lipstick, he puts the hankerchief away as a momentoe, one of the most romantic moments between the couple in all of their films.

Another nice thing about the film is that as Pat Pemberton the Hepburn character actually plays golf and tennis against some of the best female athletes of the day, including Babe Didrikson Zaharias, Gussie Moran, and Alice Marble.

"Pat and Mike" has one similarity with the next Tracy-Hepburn effort, "Desk Set," in that they are the only pair in the set where Hepburn comes out at top in the end. This is not on the "A" list of films by Tracy and/or Hepburn, but it is a solid member of the "B" list.

For the Hepburn/ Tracy fans
A comedy almost classic. I am more disapointed in this multi pro cameo line up with Katheryn in awe playing with them. Her tennis and golf swings are amusing to watch as the balls dribble off to the sides. Watch this when you are bored and cann't sleep.

Tracy & Hepburn are CLASSIC in this remastered DVD!!!
MGM does a grand job in restoring this 1952 comedy classic to DVD perfection!!! Presented in Black/White, Standard Screen size (4:3 tv aspect ratio - before WideScreen (1953)).

This was Spencer Tracy's & Katherine Hepburn's 7th film together and as always are Classic Team mates!!! Now digitally remastered and on DVD makes it even better. Flawlessly digitalized makes the picture quality absolutely astounding to watch. Hepburns athletism can be more appreciated especially during the golf scenes when she drives the balls into the far distance (only now can we see these tiny spheres in the distance with DVD clarity!).

Summary; Masterfully directed by George Cukor, Athletic Pat (Hepburn) plays a very skillful amateur female sports nut who seems trapped in a rich socialite engaged to be married life. Mike (Tracy) a sports promoter eyes Hepburn in a Pro-Amatuer Golf match & sees a gold mine to be had. Hustling her to turn pro & be his client Hepburn decides this is a way to escape her miserable dominating fiances & to be married life. Hepburn shows hows some amazing athletic talents in golf & tennis. Tracy & Hepburn are a grand pair to watch & Hollywoods 1950's happy ending prevails. This is a keeper and the DVD is a beauty!

Special Features include: Cast & Crew, Behind the Scenes, Theatrical Teaser & Trailer.

Pat & Mike is great family entertainment & Katherine Hepburn shows how women can be independent (wearing slacks), athletic (amazing golfer& tennis player) & feminine (beautiful & vunerable) all in one. Enjoy.

Pat and Mike
Pat and Mike is a lovely story of a star athlete, played by Katharine Hepburn, who is discovered by a sport's manager, Spencer Tracy. Hepburn's character realizes that she is going to be watched every minute of every day while in training. This companionship between athlete and manager finally turns to love.
In Pat and Mike, Katharine Hepburn and Spencer Tracy again play opposite each other. Hepburn also gets to show off the skills in sports and physical agility, which she posesses in real life. ... Read more

Description

" Commandos have taken part in every war in American history, fromthe Revolution to today.But it wasn't until World War II that these unconventional unitsevolved into official, structured parts of the Army.And it was left to President Kennedyto grant them their trademark berets and legitimize the ""special forces."" Narrated byStacy Keach, THE GREEN BERETS is a thrilling look at these fabled fighters.Explorewhat is known about their missions in Vietnam fighting behind enemy lines, the truestory of their extensive ""black ops"" remain top secret.Military historians reveal howWorld War II units like the Rangers and ""Merrill's Marauders"" showed the need for apermanent, specialized force trained to operate with minimal supervision.See footage ofthe Berets in training and in action, and meet with some of the men who have served withthis elite force. From Vietnam to Panama and the Gulf War, this is an up-close look atTHE GREEN BERETS." ... Read more

Reviews (63)

Good, But Flawed
Although I have seen this picture well over a dozen times and although I think it's basically a good movie, I must be objective and admit that "The Green Berets" is basically a propaganda piece that at the time of its filming was an attempt to change public sentiment about our country's involvement in Vietnam. For this reason, as well as the healing period our country went through after Vietnam, the movie seems rather archaic and naive today. Those on the far left ridicule it. Those on the far right treat it with the reverence of a Biblical tale. The truth about "The Green Berets" is that it lies somewhere between these two extremes.

The Fort Benning, Georgia filmed training sequences appear to be as real as anything I ever saw while I was in uniform. The combat sequences, however, contained a fair share of errors, most notably the well-known "sun setting in the east" flub. The acting was rather wooden, especially from Wayne as well as Jack Soo, portraying the ARVN officer, and the plot meandered from being quite good in some parts to being downright silly in others.

The most important thing to remember about this movie is that it should be taken for what it is...a good war movie. To casually dismiss it as irrelevant or hopelessly out of step with the truth simply doesn't do it justice. In similar fashion, it's rather stupid to portray it as an homage to the American way of life and characterize those who point out this picture's many flaws as "un-American", as one previous review did. This picture is best enjoyed with the viewer's bias, be it liberal or conservative, turned off.

from a patriot who was not afraid.
if John Wayne had made something like this today he would be ostracized from all of Hollywood and from about 2% of this nation. he was a man, a patriot and he wanted to show the good of our struggle. vietnam was a war that was not unlike every other war, the only difference was our citizens. the baby boomers grew up spoiled (founding fathers of the modern left). they didnt understand hard work and what a country need's to do for freedom. the left will today say freedom is a slogan, that we will always be free, they will say bush's war is for oil or some uneducated and clichéd response, but freedom is not just about a war or occupation, it's the freedom to not be afraid to get on a airplane, the freedom to not fear going into tall buildings, the freedom not to fear gathering large groups in public. and for the arab world it means to not be afraid to have your wife drive your car, or wear a dress in public, or to question a religious authority. the whole idea of vietnam was to prevent the spread of communism, it was a war that transcended vietnam itself, it was a war to measure our country and our people's resolve. vietnam taught our enemies (and todays modern terrorists) that if they can scare us, horrify us or kill enough of us that we will cower and not fight. Stalin, Khrushchev, khadafi, Usama, and hussein thought this, and we taught them all a lesson through might.

just because liberal's think war is not the answer it does not mean that our enemies do also. we are not europe, if we do not spend money on our military, flex our muscles, set deadlines and take action no one ele will. we do not have anyone to protect us like europe and the world have us. terrorist do not seek peace, they do not hate us because we are us they hate us because of hollywood, because of our freedom from starvation, our comfort in life and from our belief that we can live life any way we want without regard.

John wayne in his portrayal of vietnam was not "propaganda" it was to boost moral for the country, to support our efforts in defeating communism. i read before someone said john wayne was no patriot, what is a patriot if not to support the united states and to keep it's moral up? john wayne did that, ask any soldier from WWII to the present day. i feel bad for the liberal's they hate everyone, stand for everything while believing in nothing and really do not know anything of history or of humanity.

THE DUKE HAS THE LEFT TIED IN KNOTS
In 1969, John Wayne infuriated the Left with "The Green Berets", a film that made no apologies in its all-out support of America's effort in Vietnam. It was lambasted by critics, but in a very interesting sign, sold out at the box office. It plays today and while it is heavy-handed, there is little about it that rings untrue. The soldiers do not swear, complain or bastardize their uniforms like the actual guys did, but their patriotism and military professionalism was the real deal. The Communists they fight in the film are shifty little pissants. This does not deviate from the essential truth.

STEVEN TRAVERS
AUTHOR OF "BARRY BONDS: BASEBALL'S SUPERMAN"
STWRITES@AOL.COM

bad propoganda but a couple of gem performances
the performances of david jansaan and jim hutton stand out in this really blatant propoganda piece.
wayne the director and producer is not someone i empathize with but i do believe wayne the actor was vastly underrated.
too many people, myslef included, often let waynes politcs get in the way of acknowledging his acting powers.
this film is that in a nutshull.
his politics are unavoidable but the scen in which he wells up, on the verge of tears, trying to tell the young boy of huttons death is powerhouse acting pure and simple.
try to appreciate it.

A solid, well-made film
John Wayne like any other American had the right to promote his opinion. Period. ...

Now, the film is as accurate as any other Vietnam film made in that last 30 years because films are created to promote an opinion. (I've known Vietnam Vets who were not dope smoking, gun-totting genocidists.)

As far as action and commitment, the Green Berets succeeds as a solid "war film." No one who cares about good film making can argue that, unless they believe in censorship. The film is panoramic and energetic in cinematic quality. The characters are strong male types (like Vets I've known.) The film chose its side and promoted it. There is one strong element that the film brings home. The US military was better at killing, and it had to be. Most US detachments were generally outnumbered, fighting an opposition armed by numerous totalitarian countries from Europe to Asia. That is a historical fact, which interestingly enough, was introduced into a film over 35 years old.

The Green Berets, again, is a solid war-film and interestingly enough, is less fancifully than Platoon. The Green Berets is worth the time to see. ... Read more

Reviews (6)

Seven alone is an awesome family movie
My 11 year old son heard the story read to him in school and they watched most of the movie, when I happened to find it for rent at a local family bookstore, I brought it home, it's one i would definately add to the family collection. It doesn't get more real than this if you're interested in Oregon Trail stories.

A good teaching tool
I used this film to illustrate the dangers of the Oregon Trail to my 8th grade history students. It is an interesting dramatization of the perils of traveling the Oregon Trail. The film does an excellent job of portraying the journey on the trail. It is very entertaining and kept my students interested.

Unfortunately, the film sugarcoats the reality of the result of the Sager's journey. Two of the Sager boys were massacred with the Whitmans instead of going on to a homestead in Oregon, as the film implies. The girls were adopted out.

Seven Alone
This is a true story about seven children who lose their parents while enroute to Oregon in 1843. Their eldest son manages to to complete the trip and fulfill their parent's dream. The movie does take some liberties with the real story such as the death of Henry Saget. In reality he was killed by a buffalo stampede and not a knive wound. It is unfortunate that MickeyTo in Toronto isn't familiar with American history. More information on this true story can be found by researching information on the Oregon Trail.

The musical score to Seven Alone was first rate!
As a family film, Seven Alone provided every element required by a discriminating viewer. I would argue, as a lover of exceptional film scores and a collector of soundtracks, that this film is greatly enhanced by the truly beautiful music of Robert O. Ragland. I give the film an A+ because of the impact the music contributes to it.

A MOVIE TO SEE
I loved this movie it tills a lot about life in the old west.I wish they would of told about them after they had grown up. ... Read more

Reviews (6)

Seven alone is an awesome family movie
My 11 year old son heard the story read to him in school and they watched most of the movie, when I happened to find it for rent at a local family bookstore, I brought it home, it's one i would definately add to the family collection. It doesn't get more real than this if you're interested in Oregon Trail stories.

A good teaching tool
I used this film to illustrate the dangers of the Oregon Trail to my 8th grade history students. It is an interesting dramatization of the perils of traveling the Oregon Trail. The film does an excellent job of portraying the journey on the trail. It is very entertaining and kept my students interested.

Unfortunately, the film sugarcoats the reality of the result of the Sager's journey. Two of the Sager boys were massacred with the Whitmans instead of going on to a homestead in Oregon, as the film implies. The girls were adopted out.

Seven Alone
This is a true story about seven children who lose their parents while enroute to Oregon in 1843. Their eldest son manages to to complete the trip and fulfill their parent's dream. The movie does take some liberties with the real story such as the death of Henry Saget. In reality he was killed by a buffalo stampede and not a knive wound. It is unfortunate that MickeyTo in Toronto isn't familiar with American history. More information on this true story can be found by researching information on the Oregon Trail.

The musical score to Seven Alone was first rate!
As a family film, Seven Alone provided every element required by a discriminating viewer. I would argue, as a lover of exceptional film scores and a collector of soundtracks, that this film is greatly enhanced by the truly beautiful music of Robert O. Ragland. I give the film an A+ because of the impact the music contributes to it.

A MOVIE TO SEE
I loved this movie it tills a lot about life in the old west.I wish they would of told about them after they had grown up. ... Read more

Reviews (4)

Pushing The Limits
Perhaps one seeing this film for the first time, in this day and age, will not realize just how racy this picture was when it was produced (in 1958). I watch it now, and I still can't believe that they "got away with it". The picture, a yarn concerning a Georgia hayseed family, took the "Ma And Pa Kettle" concept to new heights!

The gist of the story is that Ti-Ti, and his strapping sons, are digging for his pappy's gold, which, legend has it, is buried somewhere on their Georgia farm. They've been digging in the ground for fifteen years.....and haven't found anything yet. The characters seem, to me, to be the basis for the Clampetts on the Beverly Hillbillies........especially Darlin' Jill (who surely was the model for Ellie Mae).

The picture includes one of the hottest forbidden love scenes to ever be committed to celuloid (between Tina Louise and Aldo Ray). This was back in the days when things had to be creatively SUGGESTED (to avoid censorship). Things are different today, when anything goes and a "love scene" is thrown in for mere titillation, showing yet another improbable, sexual acrobatic endeavor between two participants. This scene between "Griselda" and "Will" has actual BEARING on this story. Those were the days.

It might seem quite campy (it is!). It certainly is hilarious, and even tragic at times. I recommend "GOD'S LITTLE ACRE" highly!

ugh, what drivel
I'm a big Mann fan, and i even enjoy his not very good non noir or western films, thunder bay for instance. a great director, but this one stinks. i can't even get up the enthusiasm to criticise it

One of my FAV Tina Films!
I have a lot of Tina Louise's Movies, but I have to say to me this is at the top of my list!( with "Friendships Secrets and Lies" in first place) the plot is terrific and exciting and Tina's role as Griselda proves what a true chameleon she is!! she can play any role and do it beautifully! the acting from everyone in this movie was great! and all of Tina's scenes are touching and powerful. Especially the one tragic scene, and if u see the movie, you will know what scene I am talking about! this is for any die hard classic movie fan! so check it out, and see TINA LOUISE in one of her best roles EVER!!

*TINA*
TinaLouise4ever!!

They don't make movies like this anymore!
Review are you kidding, they just don't make movies like this anymore. Two plots going on at the same time the main being a treasure hunt which causes men to test what their true treasure is and the love story which for its time was almost scandelous. This is a good old fashhion movie. Did I say good. I mean great. ... Read more

Reviews (1)

His blood runs cold.....His Angel is a CENTERFOLD!
Greetings from Tromaville!

I got this film free as a gift from Troma. It involves a right-wing religeous nut who kills girls in his centerfold calendar because his finds pornography deplorable.

Although this film goes off track on several occations, it is still very enjoyable and worth the cost of purchase. It also contains the trailor for one of Troma's best films: "Fatty Drives The Bus". ... Read more

Reviews (1)

His blood runs cold.....His Angel is a CENTERFOLD!
Greetings from Tromaville!

I got this film free as a gift from Troma. It involves a right-wing religeous nut who kills girls in his centerfold calendar because his finds pornography deplorable.

Although this film goes off track on several occations, it is still very enjoyable and worth the cost of purchase. It also contains the trailor for one of Troma's best films: "Fatty Drives The Bus". ... Read more

Reviews (2)

Brilliant 1980's "B" Horror Movie
Since the first time I saw this, I have been an avid fan of this over looked, would-be "Cult Classic". The story line is typical. A down trodden and geeky youth, sells his soul to the local voodoo priestess, and in turn gains incredible Electric Guitar skills, A fancy house with three other equally cursed women, who also sold their souls for various reasons, and a position in a rising Metal Band, "Spastic Colon". The name of the Band alone is awesome! The catch is, he must feed on the living to keep his powers and immortality. There is a minor dramatic love-conflict, in that he desires "the other Girl", in this case played by Traci Lords. It is a fun movie to watch with a beer in your hand, and to just get your mind off of things.
This movie is hilarious if you approach it with the attitude you do all "B" Horror films.

SEX,DRUGS,AND ROCK'N'ROLL!!!
If you like girls in leather,guitar solos,and gratuitous death scenes than this is the movie for you.It's straight out of the eighties and the thing that surpised me the most was that Traci Lords accualy kept her clothes on!Don't worry though it has lots of groupie scences were they just can't seem to keep their clothes on.The main charector has to eat people to stay alive so it's a cannibalistic gorefest threw most of the movie.I would recommened this film to anyone with a good sense of humor and everyone who has ever dreamed of what it would be like to be a rock star! ... Read more