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| 41. Cheers, Vol. 8 - I'll Be Seeing You Parts 1 & 2 Director: Tom Moore (II), Thomas Lofaro, George Wendt, James Burrows (II), Rick Beren, Michael Zinberg, Andy Ackerman, Tim Berry, John Ratzenberger | |
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| 42. Cheers, Vol. 3 - Boys in the Bar / Let Me Count the Ways Director: Tom Moore (II), Thomas Lofaro, George Wendt, James Burrows (II), Rick Beren, Michael Zinberg, Andy Ackerman, Tim Berry, John Ratzenberger | |
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"Let Me Count the Ways" (Original Airdate: 01/13/83) finds the gang trying to provide emotional support for Diane after her cat dies. Meanwhile, having received a hot tip Sam and Coach actually bet against the Celtics (secretly, of course). Rhea Perlman's sister Heide this episode, #14, which was directed by James Burrows. Actually, he directed all of them. This tape really deserves 4 1/2 stars. "Boys in the Bar" is certainly a 5, one of the early episodes to demonstrate Sam had some substance. But "Let Me Count the Ways" is an average "Cheers" episode.
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| 43. Cheers, Vol. 9 - Rebound Parts 1 & 2 Director: Tom Moore (II), Thomas Lofaro, George Wendt, James Burrows (II), Rick Beren, Michael Zinberg, Andy Ackerman, Tim Berry, John Ratzenberger | |
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| 44. Cheers: Give Me a Ring Sometime Director: Tom Moore (II), Thomas Lofaro, George Wendt, James Burrows (II), Rick Beren, Michael Zinberg, Andy Ackerman, Tim Berry, John Ratzenberger | |
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| 45. Cars Director: John Lasseter | |
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| 46. The Pennsylvania Miners' Story Director: David Frankel | |
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Reviews (1)
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| 47. A Bug's Life (Widescreen Edition) Director: Andrew Stanton, John Lasseter | |
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Amazon.com Brighter and more colorful than the other animated insect movie of 1998(Antz), A Bug's Life is the sweetly told story of Flik(voiced by David Foley), an ant searching for better ways to be a bug. Hiscolony unfortunately revolves around feeding and fearing thelocal grasshoppers (lead by Hopper, voiced with gleeful menace by KevinSpacey). When Flik accidentally destroys the seasonal food supply for the grasshoppers he decides to look for help ("We need bigger bugs!"). The ants, led by Princess Atta (Julia Louis-Dreyfus), are eager to dispose of the troublesome Flik. Yet he finds help--a hearty bunch of bug warriors--and brings them back to the colony. Unfortunately they are just traveling performers afraid of conflict. As with Toy Story, the ensemble of creatures and voices is remarkable and often inspired. Highlights include wiseacre comedian Denis Leary as an un-ladylike ladybug, Joe Ranft as the German-accented caterpillar, David Hyde Pierce as a stick bug, and Michael McShane as a pair of unintelligible pillbugs. The scene-stealer is Atta's squeaky-voiced sister, baby Dot (Hayden Panettiere), who has a big sweet spot for Flik. More gentle and kid-friendly than Antz, A Bug Life's stillhas some good suspense and a wonderful demise of the villain. However,the film--a giant worldwide hit--will be remembered for its mostcreative touch: "outtakes" over the end credits à la manylive-action comedy films. These dozen or so scenes (both "editions" ofouttakes are contained here) are brilliant and deserve a specialplace in film history right along with 1998's other most talked-aboutsequence: the opening Normandy invasion in Saving Private Ryan. The video and DVD also contain Pixar's delightful Oscar-winning short, Geri's Game. --Doug Thomas Reviews (401)
For those of you who like ANTZ, consider this: Pixar was already roughly two years into development on "Bug's Life" when Jeffrey Katzenberg left Disney for Dreamworks. Obviously he took many of the ideas with him to create ANTZ (wonder why Disney's "Armageddon" is similar to Dreamwork's "Deep Impact" -- and why both were released around the same time? Same reason.) So PIXAR gets an extra PLUS for originality.
The picture quality if superb, if not the best I've seen, for an animated DVD due to the direct digital to DVD transfer. In full screen mode, you will be amazed how clean and delineated the picture is; the detail is incredible! My big surprise was how amazing the sound is on this disc. You can use this to show off your Dolby Digital sound system to friends just as well as any action film. The surround effects are crisp and the bass is well defined. My only complaint would probably be that the action and sound is so non-stop, that it can tire out adults, albeit mesmerizing children the whole time. The extras are plenitiful and well done. The inclusion of the end-title outtakes is the highlight of a wonderful special edition disc you're sure to enjoy.
This innovative take on the old fable "The Ant and the Grasshopper" teaches us a few important lessons: 1. There's a clumsy nerd who wants to be a hero in every colony To maintain good family relations, you should allow your kids to watch this movie too. Amanda Richards July 13, 2004
Essentially, a mild and nerdy ant known as Flic accidentally destroys the entire food supply of his ant colony. Of course, the food was not for them; it was their yearly offering to the grasshoppers. As a result, the grasshoppers decree that the ants can spend the remainder of summer gathering it all again. Hopper, the ingenius and menacing leader, notes that Flic stands up to him for one brief moment, and this becomes pivotal later. I won't say any more past there, only that there are plenty of intriguing twists to keep things interesting. Overall, this movie bears an obvious resemblance to Finding Nemo. First of all, both movies involve the creation and manipulation of a natural environment and its inhabitants. Second, they both involve unlikely heroes (A bumbling ant and a fearful clownfish). Third, both are at a standard of quality that the animation world has never before seen. Honestly, Kevin Spacey's portrayal of Hopper is reason enough to see A Bug's Life. (I could say the same thing about Albert Brooks' portrayal of Marlin in Finding Nemo.) However, the movie offers much more in the long run, and the special features are deep and surprisingly un-boring. The director's commentary of this movie and other Pixar films is much, much more entertaining than most movies. I credit a lot of that to Andrew Stanton, but the guys just have a creative knack to them that makes their ideas and comments brilliant. Recommended to all fans of animation, all lovers of Pixar, and all those with good taste. ... Read more | |
| 48. Camp Cucamonga Director: Roger Duchowny | |
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Reviews (6)
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| 49. Goliath Awaits Director: Kevin Connor | |
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Reviews (5)
Engrossing undersea adventure stretches credibility paper-thin but certainly scores points for originality. I haven't seen the condensed video version, but try to catch the complete version on TV or cable.
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| 50. Under Pressure Director: Craig R. Baxley | |
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When the bratty son from next door ruins Lyle's window he pays the family a very scary visit. This segment made no sense whatsoever. We were all geared up to see real action when Sheen grabs the knife and peddles it in front of the boy's face. But the supposed-frightening scene turns silly. Lyle just leaves claiming he has to check his mail. It was a cheap trick to get the audience's mouth watering. Later that night Lyle sneaks into their home and holds them hostage with a gun. He wants to play Russian Roulette. How original! Okay this movie has some chilling moments. It's not boring but at times silly. The way the neighbors act towards Lyle isn't realistic at all. Anyone else would have called the cops the moment he stomped into their house. Just because he leaves on his own the first time made it all right? Please. The father was the most pitiful role in the film. He didn't do anything but get the heck beaten out of him. This film is lame to the T. Charlie Sheen does a decent job but hits the planet of overacting big time. Mare Winningham is okay. The kids were cute and cuddly. Minor characters like Dawnn Lewis and Cliff from Cheers moved the story along. This movie was too short for my taste. I would have liked to see the reason behind Lyle's insanity. I couldn't buy that he went crazy just because his wife took his son away. That didn't do it for me. If you like exciting movies, you may like Under Pressure. It doesn't make sense all the time and the characters do stupid things but it's better than serving jury duty. You may realize Sheen's scarier than you ever thought he could be.
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| 51. Arabian Adventure Director: Kevin Connor | |
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(price subject to change: see help) Asin: 0782010849 Catlog: Video Sales Rank: 114134 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (1)
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| 52. A Bug's Life (1998) - Spanish language edition Director: Andrew Stanton, John Lasseter | |
![]() | list price: $22.99
(price subject to change: see help) Asin: 6305379211 Catlog: Video Sales Rank: 45679 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (401)
For those of you who like ANTZ, consider this: Pixar was already roughly two years into development on "Bug's Life" when Jeffrey Katzenberg left Disney for Dreamworks. Obviously he took many of the ideas with him to create ANTZ (wonder why Disney's "Armageddon" is similar to Dreamwork's "Deep Impact" -- and why both were released around the same time? Same reason.) So PIXAR gets an extra PLUS for originality.
The picture quality if superb, if not the best I've seen, for an animated DVD due to the direct digital to DVD transfer. In full screen mode, you will be amazed how clean and delineated the picture is; the detail is incredible! My big surprise was how amazing the sound is on this disc. You can use this to show off your Dolby Digital sound system to friends just as well as any action film. The surround effects are crisp and the bass is well defined. My only complaint would probably be that the action and sound is so non-stop, that it can tire out adults, albeit mesmerizing children the whole time. The extras are plenitiful and well done. The inclusion of the end-title outtakes is the highlight of a wonderful special edition disc you're sure to enjoy.
This innovative take on the old fable "The Ant and the Grasshopper" teaches us a few important lessons: 1. There's a clumsy nerd who wants to be a hero in every colony To maintain good family relations, you should allow your kids to watch this movie too. Amanda Richards July 13, 2004
Essentially, a mild and nerdy ant known as Flic accidentally destroys the entire food supply of his ant colony. Of course, the food was not for them; it was their yearly offering to the grasshoppers. As a result, the grasshoppers decree that the ants can spend the remainder of summer gathering it all again. Hopper, the ingenius and menacing leader, notes that Flic stands up to him for one brief moment, and this becomes pivotal later. I won't say any more past there, only that there are plenty of intriguing twists to keep things interesting. Overall, this movie bears an obvious resemblance to Finding Nemo. First of all, both movies involve the creation and manipulation of a natural environment and its inhabitants. Second, they both involve unlikely heroes (A bumbling ant and a fearful clownfish). Third, both are at a standard of quality that the animation world has never before seen. Honestly, Kevin Spacey's portrayal of Hopper is reason enough to see A Bug's Life. (I could say the same thing about Albert Brooks' portrayal of Marlin in Finding Nemo.) However, the movie offers much more in the long run, and the special features are deep and surprisingly un-boring. The director's commentary of this movie and other Pixar films is much, much more entertaining than most movies. I credit a lot of that to Andrew Stanton, but the guys just have a creative knack to them that makes their ideas and comments brilliant. Recommended to all fans of animation, all lovers of Pixar, and all those with good taste. ... Read more | |
| 53. One Night Stand Director: Mike Figgis | |
![]() | list price: $19.98
our price: $19.98 (price subject to change: see help) Asin: 0780622006 Catlog: Video Sales Rank: 86857 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (27)
That film provided us with graphic voyeuristic pleasure alongside moralistic self-satisfaction, titillating us with a sensationalistic view of adulterous casual sex which leads to divine/karmic retribution as the spurned One-Time Other Woman morphs into a vengeful psycho. The message of "Fatal Attraction" was crystal clear and clicked with Reaganite America: stick to the safe and narrow, or terrible things will happen to you! In contrast, 1997's "One Night Stand" implies the opposite: let things flow and DIVERGE from the safe, familiar everyday even just once...and incredible personal and interpersonal transformation blossoms. For many, it's a disturbing subtext: take a chance, walk on the (somewhat) "wild" side, and your bliss just might follow! It's easy to see why this film got such mixed reviews here in the States, and such good reviews in Europe: it bravely refuses to follow the standard American cliches about sexuality, marriage, materialism, "success," AIDS, death and life itself. And there's a brilliant unspoken reversal of popular racial stereotypes and typical Hollywood stock roles: a Chinese-American woman (Ming-Na) is loud, aggressive, and sexually voracious while her African-American husband (Snipes) is quiet, introspective, intellectual, and sexually subdued in comparison. A beautiful blonde woman (Kinski) is actually a super-intelligent astrophysicist. A straight black man and a flamboyantly gay man (Downey Jr.) are longtime best friends. The gay man is dying of AIDS but refuses to engage in regrets or self-pity. And the sex scene between the two initial adulterers, Snipes and Kinski, is actually very restrained, non-sensationalistic, and emotionally substantiative---not the frantic animal lust portrayed in "Fatal Attraction" but two fragile human beings taking blessed refuge in each other during a passing fortuitous moment. And that's what this film is really all about: life as a series of passing moments, which must each in its own turn be honored and lived as fully as possible. The cinematography and score are seamlessly stunning, so the DVD format should serve well. Granted, there are a few contrived plot turns, the dialogue does sound a bit written in two or three places, and it does put a LOT of things on your plate. Bittersweet and poignant and a feast for both eyes and ears and even the gray matter between the ears. This is not some simple-minded, focus-group-pandering, saccharine feel-good Hollywood schmaltzfest but a mature, subtle, and passionately challenging film that Mike Figgis probably would never have had the chance to make were it not for the success of his "Leaving Las Vegas" which preceded this movie. Too bad for Hollywood... ... Read more | |
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