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| 121. Sherlock Holmes and the Voice of Terror Director: John Rawlins | |
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Description The master detective Sherlock Holmes (Basil Rathbone) and his faithful cohort Dr. Watson (Nigel Bruce) are back, preserved and digitally restored in 35mm to original condition by the UCLA Film and Television Archive. This newly restored version of the classic film includes the period war bond tag, studio logo and credits from its original theatrical release. Filled with ominous shadows and interesting camera angles, the visual beauty of the film in 35mm is stunning. The Voice of Terror (1942) is loosely based on the Sir Arthur Conan Doyle story "His Last Bow."It was the first film in the Sherlock Holmes series to bring the master detective Dr. Watson into the terrifying modern world of Nazi sabotage and spies. When taunting saboteurs warn of a Nazi invasion of the British Isles through theirhorrific radio menace the Voice of Terror, the British Intelligence's Inner Council calls in Sherlock Holmes to help in the crisis. On the first night of their inquiry, Holmes and Watson find a dying man on their doorstep.His last word sends Holmes to London's seedy Limehouse district, where he enlists the aid of Kitty, the sweetheart of the slain man, to help find the saboteurs. With the Voice of Terror promising new destruction in the coming days, Holmes and Watson must hurry to solve a complicated puzzle of terrorism and espionage.Preserved and restored in 35mm by the UCLA Film and Television Archive. Reviews (8)
The beginning film in this Sherlock Holmes series as produced by Universal jumps right into its Sherlock Holmes vs. the Nazis motif. The British government is stumped. At regular intervals, a radio signal is beamed in from Germany. A voice (of terror) gloats about terrible acts of sabotage that occur just as the signal begins. The British Intelligence agency, unable to locate the source of the broadcasts or prevent the acts of terrorism is forced to call for Sherlock Holmes. Many of the films in this series were less mysteries, and more straightforward thrillers. This is no exception. In fact, this is one of the weaker entries in the series as far as its plot is concerned. The storyline relies a bit too strongly on leaps of logic and sheer coincidences, and the climax is just a bit too silly. If you're looking for a mystery in the style of the original Doyle stories, you'll be disappointed. There's too much that is held away from the audience, meaning that there's not much left for the viewer to figure out before the detective does. But where this film succeeds is in its style, regardless of its actual substance. A lot of the story takes place in dark rooms, smoky bars and other sinister locales. The direction, lighting and cinematography are great. The scene in the saloon where Holmes (via a widow) turns a den of criminal elements into a force fighting for the Allies is particularly strong. The director plays the visuals for all they're worth; the craggy faces of the outlaws peering out of the dark, raising drinks to their lips, while Sherlock Holmes' sharp features gaze out into the light. It's scenes like this that raise the film above the limitations of its plot. The acting also serves to this film's advantage. Honestly, I could watch Basil Rathbone and Nigel Bruce reading the phone book. Yes, I realize that Bruce's interpretation of Dr. Watson is quite at odds with the original (in Doyle's stories, Watson, while not the equal of Holmes, is an intelligent and insightful character, capable of logic and independent thought; on the other hand, one wonders how Nigel Bruce's Watson manages to feed himself every day). But I don't care; I think the two of them are great fun and play off each other well. Henry Daniell makes the first of several appearances in the Sherlock Holmes movies here, playing a member of the intelligence council. The DVD features are rather light (there aren't any), but the restoration that's been done to the print is astounding. The picture couldn't be any sharper and the sound is very crisp. As the film reaches its conclusion, the plot holes become harder to ignore. It's a pity because the movie has so much going for it. It is worth watching though, just because it is so successfully stylish. The propaganda elements aren't at all distracting and in fact have become rather endearing as time has passed. This probably isn't the place for a newcomer to the series, as there are better films to choose from. But fans of these Sherlock Holmes films will almost certainly enjoy it as I did.
Enjoyable B -movie that shows what an accomplished actor Rathbone was -pure class in every role however under-written
If this film is not true to Doyle (the credits claim the story is based on "His Last Bow," but other than the name of the chief villain and Holmes' closing remarks, there is no resemblance), it is nonetheless a fascinating time capsule that demonstrates the way Hollywood aided the war effort, using a beloved character from fiction to propagandize against the Nazi threat. But the film has other virtues. Film scholars generally credit director Roy William Neill for the beautifully mysterious atmosphere that was as much an attraction of the Holmes series as Basil Rathbone's portrayal, but that atmosphere is apparent even here with John Rawlins at the helm. Much of "Voice of Terror" is cloaked in dark shadows that will make you forget the more awkward aspects of the screenplay. The scene in which Holmes and Watson visit a waterfront saloon is superbly staged with a noirish quality not found in 20th Century Fox's earlier Holmes adventures. The dialogue also deserves praise, and as another reviewer pointed out, puts today's films to shame. Thomas Gomez makes an excellent villain, and, of course, Rathbone is brilliant, further putting his stamp on the role. ... Read more | |
| 122. Sherlock Holmes in Washington Director: Roy William Neill | |
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Description A British secret service operative, carrying top-secret microfilm from England to Washington, disappears while traveling to his destination.Fearing for his safety just before his disappearance, he passes the microfilm, ingeniously hidden, to another passenger on the train without her knowing.The agent is reported missing and Sherlock Holmes is called in to investigate. Filmed during World War II, SHERLOCK HOLMES IN WASHINGTON pits Holmes and Watson against Nazi enemy agents.The British government asks Holmes and Watson go to Washington to recover the missing documents before they fall into the wrong hands, which would be disastrous for England and her allies.Holmes is up against an international ring of spies in a race against time to piece together the clues and discover the whereabouts of the microfilm before it is too late.Preserved and restored in 35mm by the UCLA Film and Television Archive. Reviews (7)
In this third film, the attempt to update Holmes for the 20th century reached its zenith as the producers sent the great detective into the very center of the New World, Washington D.C., in another episode devoted to espionage and criminal activity related to World War II. The novelty is tolerable if only because we know there are less gimmicky, superior entries to come, but anyone whose love of Holmes came from the original Conan Doyle stories rather than the film adaptations will wince at this film more than any other. Basil Rathbone entertainingly overplays the role this time, and with his eccentric hairstyle and wardrobe looks less like Sherlock Holmes than my tenth grade high-school English teacher, the one everyone suspected of being gay (not that there's anything wrong with that). What makes this entry worthwhile, aside from the always entertaining emoting of Rathbone and Nigel Bruce (more bumbling than ever as he discovers the Sunday newspaper comics and chewing gum) is the supporting cast. The superb George Zucco, whose Satanic presence enlivened many a B horror movie and who already appeared as Professor Moriarty in 20th Century Fox's "Adventures of Sherlock Holmes," comes slithering back, not as Moriarty but as another demented creature, and Henry Daniell, who would be the best Moriarty of all (in Basil Rathbone's opinion, as well as mine) in "Woman in Green," is also on hand with his share of villainy. This film may have greatest value for history buffs and sociologists than for Holmes fans, however. It remains fascinating to see how a major Hollywood film studio converted a beloved literary figure into a special agent as a way to contribute to the United States' propaganda campaign during WWII.
But time has been kind to "SH in Washington." This was the first of these movies written by Bertram Millhauser, who always came up with witty dialogue for Rathbone and Bruce and snarky bits of malice for the supporting cast. Basil Rathbone gives a hopped-up performance as Holmes, barking out ludicrously improbable deductions and even reprising his Louis XI imitation as a limp-wristed "eccentric" collector. There is a small gem of a performance from Gerald Hamer (unbilled, sadly) as the master spy who sets the plot in motion -- he gives the movie a few whiffs of danger, intrigue and poignance. And it's hard to dislike a movie with two Moriartys: silky sadist Henry Daniell and glittery-eyed psycho George Zucco. By the way, the suspense hinges on the fate of a fast-dwindling book of matches, so if you're trying to quit smoking, this is not the movie for you.
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| 123. Sherlock Holmes and the Secret Weapon Director: Roy William Neill | |
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Description Sir Arthur Conan Doyles "The Adventure of the Dancing Men" inspired THE SECRET WEAPON. The wartime plot pits Sherlock Holmes once more against his nemesis, the villainously brilliant Professor Moriarty, who was believed dead but is now working for the Nazis. The Nazis have assigned Moriarty to kidnap Dr. Franz Tobel, the inventor of a new super bombsight.Sherlock Holmes outwits the enemy agents and escapes with Tobel and his precious invention. But despite elaborate precautions, the inventor later disappears before the process of manufacturing the bombsight is perfected. Holmes and Watson must stop the Nazis from getting their hands on the new bombsight, wrapped in a code of dancing men. Using a variety of disguises - a Swiss inventor, the Lascar sailor Ram Singh, and an old German bookseller, Holmes puts his own life on the line in a race against the clock to prevent Moriarty from carrying out his evil plans. THE SECRET WEAPON is also the first of the films to introduce Dennis Hoey as Scotland Yard detective Inspector Lestrade.Preserved and restored in 35mm by the UCLA Film and Television Archive. Reviews (17)
"Sherlock Holmes and the Secret Weapon" is one such vehicle. Somewhat prophetically, the secret weapon is a type of super bomb and its inventor is a much-sought-after fellow. So Holmes goes over to the mainland to fetch him and bring him to the right side, England. While the inventor is very glad to be rescued from the Nazis by Holmes, for some inexplicable reason, he keeps leaving the flat, giving Basil Rathbone an opportunity to put on greasepaint and go scouring the wharves for this guy in cognito as a toughened seaman. That's actually the second disguise BR wears; before the movie's over, he'll indulge a few more times. Well, the upshot is that with all of his goings-about, the stupid inventor eventually gets kidnapped by Holmes' nemesis, Dr. Moriarty (Lionel Atwill), who of course puts him to the screws to get info out of him. Will Holmes get there in time? Since this review is being written in English not German, I think you can figure it out for yourself. Rathbone does a pretty good job in his various incarnations; actually, what strikes me most about him aren't his disguises, but his rather unique coiffure when he's being just plain Holmes. It is a style where the locks around his temples are brushed forward, not back, to make him look as though he were just about to set his hair in curlers. I know he does sport this hairdo again in "SH in Washington", but sad to say, this attempt to make Sherlock Holmes a trendsetter in the world of hairstyles came to naught. Ah well, what he does well, he does well, and so after the culprits are rounded up, Holmes ends the piece by reciting from the "this blessed isle" speech of "Richard II", demonstrating once again that British pluck that did indeed forestall Nazi domination. Not great cinema, but fine for easy viewing.
Like Universal's first entry in the series, this one drags Holmes out of his original Victorian era habitat to match wits with the Nazis. But those disappointed with the modernization gimmick should be happy to learn that Holmes' arch-nemesis Professor Moriarty is on hand, as well, this time in the person of the magnificent Lionel Atwill who brought his creepy elegance to some of the best films Universal made in the 40s. The plot has little to do with "The Dancing Men," the Arthur Conan Doyle story referred to in the credits, and this film is neither as visually striking or as well-written as "Sherlock Holmes and the Voice of Terror," or most of the 10 films to come, but it has Rathbone, incadescently brilliant as the greatest master detective of them all, and that's enough to make it a winner. Brian W. Fairbanks
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| 124. Sherlock Holmes and the Spider Woman Director: Roy William Neill | |
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Description Preserved by:UCLA logo Reviews (2)
For fans of Arthur Conan Doyle's stories, it's fun to see how screenwriter Bertram Millhauser uses Doyle's "The Dying Detective" as a source for our first glimpse of Holmes here, and, as always, Roy William Neill creates a beautifully eerie atmosphere with scenes draped in shadows the likes of which can only be found in German Expressionism (and don't miss the scene in Ordway's lab, perhaps the most frightening moment in any of the 12 films). Neill deserves more acclaim than he's received, and the fact that he never rose above the assembly line of B movie making is a damning indictment of Hollywood's inability to properly utilize its talent. Rathbone is superb, as always, and Dennis Hoey as LaStrade also shines especially in the affecting moments early in the film when the Inspector believes his rival has died. And Nigel Bruce as Dr. Watson, though bumbling as amusingly as ever, is given the opportunity to demonstrate his intelligence, even showing Holmes up for once. The only drawback to this creepy thriller is a disappointing climax. Otherwise, "Spider Woman" has bite to spare.
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| 125. The Pearl of Death Director: Roy William Neill | |
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Description Preserved by:UCLA logo Reviews (3)
Director Roy William Neill once again turns out the lights and heightens the gloom with his customary dark shadows giving the film beautiful atmosphere, and Basil Rathbone and Nigel Bruce are as reliable as ever. Cranking out an average of three Holmes films a year, you could expect them to have grown weary of their roles but neither ever showed the slightest hint of fatigue. As for the villains, Rondo Hatton steals the show as The Creeper, but he almost inspires more sympathy than dread. Voted the most handsome boy in his high-school class and immensely popular due to his good looks and athletic abilities, Hatton was exposed to poison gas in World War I and left horribly deformed, a condition that Hollywood's ever so sensitive "dream factory" was happy to exploit. After small roles in "The Ox Bow Incident" and "In Old Chicago," he became a star through his encounter with Sherlock Holmes and was publicized by Universal as the "Monster Without Makeup." Whoever came up with that tag may have been more deserving of being called "The Creeper" than Hatton, but...oh well, enjoy the movie. It's a good one.
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| 126. The Woman in Green Director: Roy William Neill | |
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Description Reviews (11)
From The Back of The MY Box. I changed some word around Cast list WOMAN IN GREEN Staring BASIL RATHBONE? NIGEL BRUCE With HILLARY BROOKE? PAUL CAVANAGH HENDRY DANIELL? EVE AMBER SALLY SHEPHERD ? MATTEW BOULTON Based on the Characters Created by SIR ARTHUR CONAN DOYLE Produced and Directed by ROY WILLIAM NEIL
Daniell's presence is the one element that elevates this otherwise standard Holmes thriller to a position near the top of the heap. Still, the standard was pretty high with this series thanks to the superb direction of Roy William Neill and the always electrifying performance of Basil Rathbone. Less appealing this time around is Nigel Bruce's Dr. Watson who bumbles more than ever and, in an amusing yet somehow cruel scene, is publicly humiliated when he's hypnotized for laughs after protesting that anyone with even an "ounce of character" could never be put under a spell. By this time in the series, one wishes the good doctor was shown a bit more respect.
As slight as the story line may be (hypnotized men of means/rank are made to believe they committed murder and then are blackmailed), I must recommend you study the acting very carefully. Rathbone (Holmes), Bruce (Watson) and Daniell (Moriarty) are really doing an awful lot in the way of characterization. I love how Rathbone just hides a smile when he looks at the dunderheadings of Bruce.... These men are real pros, imbuing the scene with real tension. Daniell is particularly good, when his mouth drawn up grimly as he spars verbally with Rathbone. ... I enjoyed "The Woman in Green" much more than I had expected to, thanks to the first-rate acting. Nice to know that some childhood favorites still hold up when you see them years later! ... Read more | |
| 127. The Scarlet Claw Director: Roy William Neill | |
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Description Preserved by:UCLA logo Reviews (8)
"The Scarlet Claw" was one of three Sherlock Holmes' entries produced in the calendar year of 1944. Basil Rathbone was one busy Sherlock during this mid-'40s time period, cranking out yet another three Holmes' motion pictures the following year of 1945 as well. "Claw" exudes a feeling of tension and dread right from the very first scene. The viewer is reeled into the mysterious happenings immediately, as we wonder "Who -- or What -- is ringing that church bell at this hour of the night?". A very effective, and eerie, opening to the picture. Our favorite pipe-smoking detective from London's 221B Baker Street is soon called into this baffling case, which features murder victims being found with their throats torn open -- presumably caused by the elusive "Monster of La Morte Rouge". The film conveys a realistic sense of the foggy, damp atmosphere that permeates the marshes surrounding the small village where these gruesome murders are taking place. This "atmosphere" is particularly powerful during the climactic scene at the end of the film. This DVD version of "Claw" comes via MPI Home Video, and displays nicely-restored video quality, thanks to the praise-worthy preservation efforts undertaken by the "UCLA Film and Television Archive". This black-and-white Holmes' classic has most certainly never looked better on any home video format. The DVD's soundtrack is pleasing enough, although not completely free from all background "crackle". It's a Dolby Digital 2-Channel Mono track used here, with no alternate-language track employed. This stand-alone, single-disc edition of "The Scarlet Claw" contains nothing but the film itself. No supplemental bonus features are present whatsoever. There's a simple static Main Menu, with just one lonely Sub-Menu (for the 11 Chapter Selections). >> Video Aspect Ratio -- Full Frame (1.33:1), which is the original theatrical ratio. >> Audio -- DD 2.0 Mono (English only). >> Subtitles -- English. >> Running Time -- 74 minutes. (Which is actually one of the longest of the 14 Sherlock Holmes' films in this Rathbone-starring series. Generally, Basil's Holmes was required to wrap up the mystery and get his man in just a tad more than 60 minutes.) >> Insert Included? -- Yes. A one-sheet enclosure with Chapter List. ------------------------ In this reviewer's opinion, the immensely-likeable and ingeniously-cast tandem of Basil Rathbone and Nigel Bruce shall forever represent the quintessential "Sherlock Holmes" and "Doctor Watson". "The Scarlet Claw" is a shining example of the twosome's appeal and talent. And these traits have never looked more visually alluring than on this beautifully-restored DVD from MPI Home Video.
When we first see Holmes and Watson, they are attending an occult convention in Canada where the great detective is the lone dissenter, expressing skepticism and challenging the theory that a supernatural creature is behind a series of grisly murders in a nearby village. The great detective is soon on the case, and the setting is a perfect one for Holmes to ply his trade. Everything about "The Scarlet Claw" works. The director, Roy William Neill, reaches a peak here, providing moments that will make your skin crawl and cloaking the mystery in a rich atmosphere as memorable as the story. The cast is simply perfect. Basil Rathbone and Nigel Bruce have never been better, and they receive fine support from Paul Cavanaugh, Kay Harding, and especially Gerald Hamer, a series regular who almost steals the movie from its stars. It isn't based on a story by Arthur Conan Doyle, and unlike most entries in the series, doesn't claim to be, but "The Scarlet Claw" is the best Sherlock Holmes film made by Universal or any other studio.
In the late 1930s Twentieth Century Fox did a classic version of this story with Basil Rathbone as Holmes and Nigel Bruce as Dr. Watson...and created a version of this detective team that became the long-standing yardstick for judging Holmes/Watson screen portrayals. Oddly, though, Fox didn't really seem to have an inclination to carry on with this concept in series format, and so "Hound" was basically a "one-off" for them (Though they DID do one weak sequel, "The Adventures of Sherlock Holmes", which paled in comparison). Not so with Universal Pictures, however. They liked the idea of a Rathbone/Bruce series and cranked one up in the 1940s that did well. In the mid 1940s Universal decided to re-tool "Hound" and this film, "The Scarlet Claw", is the result. The Baskervilles got dropped from the storyline, as did Dartmoor and the giant "hellhound"and its demonic legend.The story got moved to a desolate marshland in Canada and the hound became a ghostly,glowing, manlike "marsh monster"(in "Hound" the villain paints the killer dog's mouth with luminous paint, in "Claw" the villain wears luminous clothing...a twist on the original, but very effective). Some characters,relationships and motives got reworked and Holmes & Watson were then set on the trail. The Result? The hands-down BEST film in the Universal Holmes series. Without a doubt. Tense, eerie, exciting. "Claw" is all of these things and more. If you like Sherlock Holmes then you'll love this. A real Keeper on DVD. What was that??? Did you hear something behind you???? Maybe you should walk a little faster with this fog creeping in.
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| 128. King Arthur,The Young Warlord/Magic S Director: Bert I. Gordon | |
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Reviews (7)
+: The original cast (Oliver Tobias as Arthur and Brian Blessed as Mark of Cornwall, Lud & Kai -- excellent.) I hope they publish more episodes. Making it a film is totally unnecessary though. Many TV shows are converted successfully to video (3 or 4 shows per tape) e.g. Ab Fab, Thunderbirds, All Creates Great and Small, The Avengers. BTW This is the least camp show I can think of -- I don't understand the previous reviewer. Perhaps he needs to have a look in the dictionary...or a word with the formidible Brian Blessed!
BTW, this audio and visual quality of this video is HORRENDOUS. ENTER INTO YOUR VCR AT YOUR OWN RISK!
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| 129. Dressed to Kill | |
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Description | |
| 130. Terror by Night Director: Roy William Neill | |
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Description Reviews (11)
The action in this film is similar to The Lady Vanishes or Murder on the Orient Express. Sherlock is hired to guard a valuable diamond. Of course someone is murdered on the train and he must solve the crime. Watching this film feels, in a sense, like coming home. Sherlock is THE iconic detective and when he's around, you never worry too much because you are sure no one is going to get the better of him. He is a direct precursor to James Bond, except with more emphasis on intelligence. In many ways it is more entertaining to watch these old films than more modern entertainments. Here you know the acting is going to be good and the dialogue snappy. The film moves along at a brisk pace - in fact, it is so short it wouldn't even be considered a feature by today's standards. Nigel Bruce's Watson may not be as Arthur Conan Doyle imagined him, but it makes sense in the film series: one needs a comic counterpoint to Holmes' dry wit. However old these films get, I find them very enjoyable. The DVD itself is bare necessity, but the picture is good enough and the cost is very inexpensive.
With only one more film to go following this 1946 release, it's not surprising that there's little fresh about this entry, but it hardly matters. The draw is still Rathbone and Bruce, as well as Dennis Hoey's Inspector LeStrade, all of whom deliver typically energetic performances. The setting is novel, though, with Holmes and Watson aboard a train bound from London to Edinburgh, acting as bodyguards for the "Star of Rhodesia," a precious jewel whose owner is murdered. Of course, a train is the perfect setting for a mystery, but as "Murder on the Orient Express" would prove twenty-eight years later, the claustrophobic atmosphere severely limits the action. But with a brisk running time of only 60 minutes, "Terror by Night" never threatens to bore. Brian W. Fairbanks
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| 131. Terror by Night Director: Roy William Neill | |
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Reviews (11)
The action in this film is similar to The Lady Vanishes or Murder on the Orient Express. Sherlock is hired to guard a valuable diamond. Of course someone is murdered on the train and he must solve the crime. Watching this film feels, in a sense, like coming home. Sherlock is THE iconic detective and when he's around, you never worry too much because you are sure no one is going to get the better of him. He is a direct precursor to James Bond, except with more emphasis on intelligence. In many ways it is more entertaining to watch these old films than more modern entertainments. Here you know the acting is going to be good and the dialogue snappy. The film moves along at a brisk pace - in fact, it is so short it wouldn't even be considered a feature by today's standards. Nigel Bruce's Watson may not be as Arthur Conan Doyle imagined him, but it makes sense in the film series: one needs a comic counterpoint to Holmes' dry wit. However old these films get, I find them very enjoyable. The DVD itself is bare necessity, but the picture is good enough and the cost is very inexpensive.
With only one more film to go following this 1946 release, it's not surprising that there's little fresh about this entry, but it hardly matters. The draw is still Rathbone and Bruce, as well as Dennis Hoey's Inspector LeStrade, all of whom deliver typically energetic performances. The setting is novel, though, with Holmes and Watson aboard a train bound from London to Edinburgh, acting as bodyguards for the "Star of Rhodesia," a precious jewel whose owner is murdered. Of course, a train is the perfect setting for a mystery, but as "Murder on the Orient Express" would prove twenty-eight years later, the claustrophobic atmosphere severely limits the action. But with a brisk running time of only 60 minutes, "Terror by Night" never threatens to bore. Brian W. Fairbanks
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| 132. Terror by Night Director: Roy William Neill | |
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Reviews (11)
The action in this film is similar to The Lady Vanishes or Murder on the Orient Express. Sherlock is hired to guard a valuable diamond. Of course someone is murdered on the train and he must solve the crime. Watching this film feels, in a sense, like coming home. Sherlock is THE iconic detective and when he's around, you never worry too much because you are sure no one is going to get the better of him. He is a direct precursor to James Bond, except with more emphasis on intelligence. In many ways it is more entertaining to watch these old films than more modern entertainments. Here you know the acting is going to be good and the dialogue snappy. The film moves along at a brisk pace - in fact, it is so short it wouldn't even be considered a feature by today's standards. Nigel Bruce's Watson may not be as Arthur Conan Doyle imagined him, but it makes sense in the film series: one needs a comic counterpoint to Holmes' dry wit. However old these films get, I find them very enjoyable. The DVD itself is bare necessity, but the picture is good enough and the cost is very inexpensive.
With only one more film to go following this 1946 release, it's not surprising that there's little fresh about this entry, but it hardly matters. The draw is still Rathbone and Bruce, as well as Dennis Hoey's Inspector LeStrade, all of whom deliver typically energetic performances. The setting is novel, though, with Holmes and Watson aboard a train bound from London to Edinburgh, acting as bodyguards for the "Star of Rhodesia," a precious jewel whose owner is murdered. Of course, a train is the perfect setting for a mystery, but as "Murder on the Orient Express" would prove twenty-eight years later, the claustrophobic atmosphere severely limits the action. But with a brisk running time of only 60 minutes, "Terror by Night" never threatens to bore. Brian W. Fairbanks
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| 133. Sherlock Holmes | |
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Reviews (8)
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| 134. Terror By Night Director: Roy William Neill | |
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Reviews (11)
The action in this film is similar to The Lady Vanishes or Murder on the Orient Express. Sherlock is hired to guard a valuable diamond. Of course someone is murdered on the train and he must solve the crime. Watching this film feels, in a sense, like coming home. Sherlock is THE iconic detective and when he's around, you never worry too much because you are sure no one is going to get the better of him. He is a direct precursor to James Bond, except with more emphasis on intelligence. In many ways it is more entertaining to watch these old films than more modern entertainments. Here you know the acting is going to be good and the dialogue snappy. The film moves along at a brisk pace - in fact, it is so short it wouldn't even be considered a feature by today's standards. Nigel Bruce's Watson may not be as Arthur Conan Doyle imagined him, but it makes sense in the film series: one needs a comic counterpoint to Holmes' dry wit. However old these films get, I find them very enjoyable. The DVD itself is bare necessity, but the picture is good enough and the cost is very inexpensive.
With only one more film to go following this 1946 release, it's not surprising that there's little fresh about this entry, but it hardly matters. The draw is still Rathbone and Bruce, as well as Dennis Hoey's Inspector LeStrade, all of whom deliver typically energetic performances. The setting is novel, though, with Holmes and Watson aboard a train bound from London to Edinburgh, acting as bodyguards for the "Star of Rhodesia," a precious jewel whose owner is murdered. Of course, a train is the perfect setting for a mystery, but as "Murder on the Orient Express" would prove twenty-eight years later, the claustrophobic atmosphere severely limits the action. But with a brisk running time of only 60 minutes, "Terror by Night" never threatens to bore. Brian W. Fairbanks
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| 135. The Adventures of Marco Polo Director: John Cromwell, John Ford, Archie Mayo | |
![]() | list price: $14.95
(price subject to change: see help) Asin: 6303039162 Catlog: Video Sales Rank: 31871 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (1)
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| 136. Magic Sword Director: Bert I. Gordon | |
![]() | list price: $6.99
(price subject to change: see help) Asin: B00005RFIK Catlog: Video Sales Rank: 110365 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (9)
The story is by the numbers for this genre. Sir George has been raised by a witch named Sybil (Estelle Windwood), and has used her magic to spy on the beautiful Princess Helene (Anne Helm). She ends up being abducted by Lodac who plans to feed her to the aforementioned dragon. When the King (Merritt Stone) does the old bit about who ever rescues his daughter gets her hand in marriage, Sir George is off on his quest to the evil sorcerer's castle. Our hero is aided and abetted by six knights that he restores from being petrified. This is good because they have to face seven curses from Lodac and having seven knights makes it sound fair but we all know this is going to get down to just--ALL TOGETHER NOW--Sir George and the Dragon. Along the way Gordon to throw all sorts of witches, ogres, helpful little people, and the like at our band of heroes. I am sorry I missed it when "The Magic Sword" played on "Mystery Science Theater 3000" because this film is a natural for that venue. Still, this cheesy film can be enjoyed as such without the silhouetted talking heads.
I first saw this movie when I was a kid. I've always remembered the knights that came back to life to help the hero and I always found that fascinating. It's a kid's film and if your kid isn't too spoiled by the high-tech special effects of today, then I think they will like this movie.
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| 137. Made for Each Other/Heartbeat Director: Sam Wood | |
![]() | list price: $9.95
(price subject to change: see help) Asin: 6303698395 Catlog: Video Sales Rank: 73741 US | Canada | United Kingdom | Germany | France | Japan |
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