Description

(1956-USA). With BASIL RATHBONE, AKIM TAMIROFF, LON CHANEY JR., JOHN CARRADINE, BELA LUGOSI, TOR JOHNSON. A parade of Hollywoods top horror stars appears in this fast-paced and exciting tale of a mad doctor who performs brain surgery on unwilling victims. The story begins in a dark cell of Newgate Prison in London of 1872. Sir Joel Cadman is an eminent surgeon who is visiting Dr. Gordon Ramsey, a former student who has been condemned to death by hanging for murder. The execution is set for the following morning. Cadman puts a potion called "the black sleep" into a cup and instructs Ramsey to take the drug early the next morning. The drug suspends Ramseys life functions and he is declared legally dead. With the help of a conniving gypsy named Odo, Ramseys "corpse" is delivered to Cadmans offices where he is revived. In appreciation of this gift of life, Ramsey agrees to assist Cadman in a series of experimental brain surgeries. They travel to a remote gothic castle where Cadman introduces his new associate to a most fearful bunch of characters. There is a deranged cretin (acted with all the right moves by Lon Chaney) and a frail mute servant (played by a weakened and elderly Bela Lugosi just a few months before his death). Another resident (played by John Carradine at his most outrageous) is a raving lunatic who thinks he is fighting the Crusades. One scream follows another as some of these unfortunates find themselves the unwilling subjects of Cadmans inhuman endeavors in this unholy house of terror. 82 minutes. ... Read more

Reviews (4)

Sweet & romantic classic
Set in France, this romantic non-musical stars Ginger Rogers as Arlette, a young pick-pocket who falls in love with a handsome diplomat (Jean Pierre Aumont). Fresh out of pick pocket school, Arlette gets caught on her first professional attempt and ends up at an embassy ball where she is blackmailed into stealing a watch from a young diplomat.
To her surprise, she not only succeeds in stealing his watch but also in stealing his heart as he easily falls for her beauty and charm. Enchanted by him herself, Arlette tries to hide the truth from him but can't do it for very long.
Watch Basil Rathbone in a brief but funny performance as the professor of the pick pocket school, and enjoy the great on-screen chemistry between Rogers and Aumont.

Cute, charming rainy day movie
Ignore Maltin for once, and check out this little seen gem. Silly at first, but it gradually grows on you. Rogers plays a young run-away, desperately turning to crime to survive the streets of Paris. Basil Rathbone is the owner and operator of a rather unique school for pickpockets she unwittingly stumbles upon.

After receiving some prelimanary training on the art of theft Rogers is sent out into Paris to repay Rathbone's investment. Things get compilcated though as she is caught trying to lift a man's tie-pin on her very first day. Instead of turning her in to the police, the man comissions her to make a lift at a high society ball. Her mark turns out to be a handsome French Diplomat, and the plot then follows their various misadventures as they fight, argue, and fall in love.

Jean Pierre, playing the diplomat, has great chemistry with Rogers, and we get to see the great Basil Rathbone as head master at a school for pickpockets. The plot manages to stay surprising, and the dialogue is above average. Rogers (in a rare non-dancing role) is very charming and handles the comedy well. All in all, a well made film perfect for old-movie lovers. B+

Voulez Vous en Asprin?
As the French comedy "Battement de Coeur," this must have been oh so charmant. Mais. En Anglais, and directed by the torpid Sam Wood, it's the epitome of an old movie on the late, late show. Ginger Rogers tries hard but this is her umteenth version of "Cinderella" and the strain is starting to show... Basil Rathbone jumps at the chance to play something besides Sherlock Holmes, but as so often, his comedy style consists of raised eyebrows and scampering around the set. Not the finest hour of either of these two great stars. Quelle drag, n'est ce pas?

Charming, old-fashioned fun
After encountering an early-morning broadcast of this film years ago, I had to track down a copy to own. Those who prefer Rogers in musicals may not enjoy this, but those who like to see her stretch and take on unusual, challenging roles should enjoy her winsome performance here as--of all things!--a pickpocket in training. Her Fagin/Svengali is the consummately nasty Basil Rathbone, but in this sweetly old-fashioned story true love conquers all obstacles. This isn't a classic of the calibre of Kitty Foyle or Bachelor Mother, but it's got a quiet, wistful charm of its own. ... Read more

Reviews (11)

"This is another fine mess you've gotten me into!"
Vincent Price and Peter Lorre were the Laurel & Hardy of horror films. Their by-play in this film and in THE RAVEN and TALES OF TERROR is priceless (sorry). And when you add Boris Karloff to the mix, you suddenly have Moe, Larry and Curly, with Basil Rathbone more-than-ably filling in the Vernon Dent/Bud Jamison role.

Why all this comedy name-dropping? Simply to underscore the fact that this is a classic comedy. "Why did I ever escape from prison?" mourns Lorre when forced into another murderous midnight recruitment venture for their undertaking establishment. "It was so nice and peaceful!" And watch Vincent's face as he suddenly wipes off his hands when giving Lorre a leg-up, growling, "What DID you step in? Wipe your feet, for pity's sake!"

Watch Boris' graphic maunderings about Egyptian mummification processes ("they yank out the brain with a hook!") at the dinner table and the excellent, underrated Joyce Jameson's grossed-out reactions. Watch Basil's oh-so-superior sneers as he threatens to evict Vincent & Co. in orotund dialogue worthy of a Snidely Whiplash meller-drammer. Watch the dead Rathbone return to life again. . .and again . . .and again . . . and again . . .and again, with Vincent's facial reactions getting broader each time. Watch Lorre carry on with the shapely Jameson as the romantic lead (that alone is worth the price of admission!)

The film's comic premise is richly endowed with black humor, put-downs, slapstick, a frenetic, prolonged chase, and a first-rate cast that makes the most of every line, pratfall and bit of business ("time for your medicine, old man!") Watch and enjoy.

"What Place Is This?"
This is a hilarious movie! I love it. Vincent Price plays an undertaker, as he has taken over his father-in-law's business. Peter Lorre plays his assistant, Boris Karloff plays the hard of hearing father-in-law, & Basil Rathbone wants the rent money. And of course there is Rhubarb (the cat) playing the role of Cleopatra! Oh, & you may want to wear ear plugs during the singing! Yikes! And just when you think everyone is dead, well you thought wrong! You have to see it to know what I'm getting at.

Brrrrr!
This movie is a great.
Vincent Price, Peter Lorre, Boris KArloff, and last but not least, BASIL RATHBONE star in this hilarious black comedy about two aspiring undertakers who are having trouble getting customers, so they kill people just so they can give them a funeral. This movie had me laughin so hard I was crying, especially the part where Basil Rathbone chases Peter Lorre out of his house, quoting lines from Macbeth all the while. And who could forget the utter disgust on Vincent Price's face as he cries in absolute horror "What did you STEP in?!?"Absolutely hilarious.

Classic Video Fun!
This is a great movie if you like to see the classic horror stars letting their hair down.
There's nothing serious in this film but the fun.
Vincent Price and Peter Lorre are the center of attention with Boris Karloff and Basil Rathbone playing the comedy role you never expected to see.
The sets are 1960's B movie stuff, but it just adds to the atmosphere.
If you're looking for something entertaining to watch on movie night this is one to put in the lineup.
I got this and "The Raven" at the same time. Both are funny!

Drunk again, huh?
I LOVE this film!! Vincent Price is just hysterical as the undertaker who needs to drum up some business, Peter Lorre is great as the assistant, Basil Rathbone is the landlord who wants his year's rent, and Boris Karloff just can't hear a thing. "What? Sugar?? There ya go!" Basil just keeps on coming back to life, quoting from "Hamlet" as he goes along, and Peter Lorre laments about his dear Annabel. Joyce Jamison is Annabel, who is Felix Gillie's love interest. Annabel is married to Waldo (Vincent Price) and Boris Karloff is her father. The funeral speech by Karloff is just priceless. Needless to say, as soon as Rathbone's character is buried we hear: "What place is this??" Great. If you haven't seen this movie yet, YOU HAVE TO!! And I agree with the comment: "Where is the DVD??" Get with it MGM, we still need this one and The Raven, and The Tomb of Ligeia....I have to finish my Vincent Price DVD collection! ... Read more

Reviews (11)

A great romance
Marlene Dietrich and Charles Boyer star in THE GARDEN OF ALLAH, a tale of forbidden love and passion in the Algerian desert.

Domini Enfilden (Marlene Dietrich) has spent her life caring for her ailing father, and she now wants her own life back again. She finds it when she travels to Algeria, and she meets Boris Androvsky (Charles Boyer), who, unbeknowst to her, is a runaway Trappist monk who deserted the order after taking the vows.

They marry, and after a lengthy honeymoon in the Algerian desert, the truth comes out and she begs him to return to the order.

Gloriously filmed in Technicolor, this David O'Selznick epic is one of the finer films in Dietrich's early career.

For Lovers of doomed exotic Romance
Handsome movie, breathtakingly filmed in color, in fact, one of the first full length films in technicolor.
The image of the dvd edition, is so near perfection that it's difficult to believe that this picture was released in 1936!

The plot is for sure outdated, but nevertheless the story of the doomed love affair between convent-educated Domini Enfilden and russian Boris Androvsky, a tormented trappist monk, who's just fled from his monastery, set against the beautiful background scenery of the desert, is enjoyable due to its aforementioned technical qualities and the "continental"appeal of both stars, Marlene Dietrich and Charles Boyer.

Although Dietrich looks stylish and alluring as Domini Enfilden, I feel she never looked as good again, as in her early '30s black & white Paramount films, directed by Von Sternberg. Boyer is effective as the troubled monk, who wants a taste of the "outside world".

Excellent support by Basil Rathbone, Joseph Schildkraut and C. Aubrey Smith, plus a spectacular exotic arab dance sequence by then newcomer, Tilly Losch.

See It for One Golden Boyer Soliloquy on God v. The World
A Trappist monk, who holds the secret of the monastery's excellent liqueur, makes a break for it, bumps into, and falls in love with, Marlene Deitrich, a devout Catholic, who learns the truth of his past from *BASIL RATHBONE* while vacationing in the trackless wastes of the Sahara desert. Will he or won't he return to the monastery, and why?

OMIGOD.

I never allow Political Correctness to get in the way of my enjoyment of a movie. In fact, I'll enjoy a movie to *spite* Political Correctness.

But this is one of the most racist movies I've ever seen. And it is massively inept. You really wonder how the same man who produced GWTW, David Selznick, could have produced this fiasco.

"The Garden of Allah" is unintentionally funny. In scene after scene, Arabs are depicted as being sex-obsessed bafoons. They are also depicted as having the same facial features as Northern Europeans, only with heavy dark make-up. And blue eyes peeking out.

Joseph Schildkraut and John Carridine play Arabs. Oh, okay. Then why not we use Hattie MacDaniel in our next movie to play Pat Nixon. Makes exactly as much sense.

There is a scene where a bunch of Arabs, all in matching white burnooses, are sitting around the desert at night, singing folksongs with some French Foreign Legionairres, and their heads are all moving back and forth to the same beat. One of the funniest scenes I've ever seen. Not meant to be.

In another scene, a "dancer" squats and bends backward, utterly grotesque, an insult to real belly dancing.

AAAAA!!!!

All I kept thinking was, "What would an Arab make of this movie?" Probably they couldn't even watch it, or would watch it in a boiling rage.

But there are other scenes, equally funny, that have nothing to do with Arabs. Marlene Deitrich goes to a European convent to get advice on what to do with her life. She's dressed, OF COURSE, to the nines. She couldn't survive more than a mile away from a 24-hour source of silk stockings. This is a woman whose greatest trek would be from the backseat of a limo to the front door of a nightclub.

So this nun, a propos de rien, says, "Why don't you go out into the desert?" Yeah, right! Nuns always say that to women who go to them for advice!

And ... Basil Rathbone. Need I say more? Basil Rathbone in a bright red robe -- thrown over a houndstooth check wool jacket -- wandering around the Sahara, trying to look at home? I don't think so.

AND THEN you get an hour into this unintentional laugh-fest and there comes the scene where Boyer has to explain to Deitrich why he left the monastery, and Boyer is so fantastic in this scene, so genuinely, deeply moving, when he's finally given a chance, by this movie, to act, and given a chance, by this script, to say something coherent, and it's one of the most moving moments that the movies have produced on the matters of faith in God, and worldliness, and sex, and eroticism, and love. Really. It's that good -- good enough to sit through an hour of inept movie-making just to see it, and place in it context. Check it out.

Another misleading video box!
Yes, misleading because of its black and white cover. When I saw this in the library, I picked it up because I was in the mood for an antique-type film. Total welcome shocker was that it was in vivid Technicolor! I mean, what absolutely beautiful photography--I couldn't get over the warm reds and oranges, and neither could my family. Then Marlene's got a fantastic wardrobe as well, so there's a lot to engage the eye here.

Why only three stars, then? Well, I wish it could be more, but the problem lies in something far more fundamental that should sadly have been fixed before shooting started. Basically, the script is just way too talky. Too many encounters of Marlene and Charles just talking at each other. They meet Basil Rathbone, and I thought, "Good, now there'll be some action because he's going to come between them somehow." But no, they just talk at him and he back to them. Besides the talkiness, the other problem with the plot is that we know all along what Boyer' problem is. They could have gotten a lot of mileage out of Guess the Secret. What a shocker it would have made if you found out with Marlene what the problem was! Odd that the studio didn't understand the importance of suspense as a script motivator.

Interesting premise, though. Recently bereaved, deeply religous Marlene has gone to Algiers to find Something in the Desert. The day she arrives, Charles Boyer has also popped up. What we know that she doesn't know, is that he's a runaway monk, of all things. So he's looking for the forbidden, while she's looking at him. The scene where he reveals the truth is the best in the movie, because it rings true when he speaks of his anguish upon discovering what he gave up by joining religious life too soon. In fact, I am surprised that such a film was allowed by the censors, because it presented a sexually sinning monk. But I think "Garden of Allah" should be shown to those thinking about the religous life, to encourage exploration of what people may not realize, like Boyer's character, they will have to forswear by taking their vows. I think in this way, the film is more true than the moviemakers understood when it was made, given the exodus of men and women from the orders after Vatican II, for just the kind of reasons Boyer gives Dietrich. I was also interested to see what the resolution of the problem would be, and found it appropriate enough.

So while disappointing to listen to, treat it as moving display of colors until that Great Scene of Boyer's, and you should be happy enough with "Garden of Allah".

A DIETRICH CURIOUSITY.
An unusual film which will appeal to some for that very reason. The production values were obviously first-rate: the photography, musical score and direction are fine while the plot and characterisations are fairly rich and deep. As Domini, Dietrich is all nobility here. Seeking a spiritual rest after caring for her dying father, her advisor tells her to seek peace in the Algerian desert where she meets a trappist monk - who has broken his vows - in the person of Charles Boyer...This film wasn't one of Marlene's personal favourites: she thought the dialogue was in parts ridiculous - i.e. having to say such lines as "Nobody but God and I know what is in my heart" during a romantic interlude with Boyer. "The conceit of it! I tell you I very nearly died"! was her remark. Based upon the 1904 novel by Robert Hitchens, this curious film was shot on location near Yuma, Arizona. The film was sensitively directed by Richard Boleslawski and the still - gorgeous colour cinematography won an AA for Howard Greene. ... Read more

Reviews (60)

Charming and Hilarious Re-telling of the Robin Hood Story
I am not a great Danny Kaye fan, but this movie is one the the very funniest I've ever seen. Everything about it is excellent, from the production values to the songs & lyrics, from the fine quality of actors to the charm and wit of the dialogue and the story. There is literally nothing wrong with this movie. It is fit for all audiences, from the youngest to the oldest members of your family. I remember the first time I saw it, being struck by the fact that all the actors seemed to be having an absolutely marvellous time. Particularly during the Jester's first call at entertaining the court...unforgettable and sheer delight. Every single person on camera looked like they were having a wonderful time just being there. I hadn't seen anything like such a fine emsemble cast since 'All About Eve.' I think it must have been because there were no bad lines, no bad parts, no scenes that didn't work, and everyone had a chance to shine. Having a good material to work with really does make a world of difference. Stars Danny Kaye, Angela Landsbury, Basil Rathbone, and a host of marvellous British actors whose names are right now escaping my memory. Buy it. Keep it. Enjoy it for years.

The Brew that is True...
If one is tired of baudy bathroom humor of the typical comedies one finds today, perhaps "The Court Jester" will satisfy your comical thirst. Set in England during the time of chivalry and knighthood this musical comedy stars Danny Kaye as a ne'er do well circus performer who ends up out"fox"ing the dastardly villains, getting the girl and saving the real king's butt (so to speak). Glynis Johns plays Maid Jean whose stunning beauty and big eyes just make you melt (wow, I wish I'd been born earlier). Basil Rathbone is his typical bad self as the evil Ravenhurst playing it to the hilt! This film pulls out all the comical stops from tongue twisters to hypnosis, magnetism and even a Zorro sword play spoof with Rathbone! This is Danny Kaye's finest and funniest comedy! A must see movie!

Comedy Could Not Better Be!
In the history of the movies, fewer things are more amusing than watching Danny Kaye behave as Danny Kaye. Watching his films was a wonderful part of my childhood,and I remember being at home from High School on the day of his passing. I'm very glad for the legacy he has left us to enjoy.
In "The Court Jester" he couldn't be more in his element as he amuses us with his usual patter numbers clever, tounge-twisting lyrics and sword play, and moves us with his loving care of the orphaned infant heir to the English throne. The scene of his lullabying the baby was shown as a tribute to him at the end of "Entertainment Tonight" the weekend after his death and it was a fitting tribute to him, his love of children, and the childlike sense of wonder he brought to all of his films.
As Kaye's love interest, Jean, a charismatic Glynis Johns is highly complimentary.She is not the sterotypical woman of medeival times, but having been raised as a boy, has a lot of cunning, ingenuity, and an occassional bit of brawn as the leader of those in rebellion against Cecil Parker's evil King.
Angela Lansbury's Princess Gwendolyn longs for true love rather than an arranged marriage. She is firm and decisive in many ways, as she helps bring the tale to a positive conclusion.
As the sourceress, Mildred Natwick leads into some of the film's funniest scenes, including the notorious "Pellet with the poison is in the vessel with the pestle" routine that has become a classic.
Hubert Hawkins' cleverness in seizing the real Court Jester,(John Carradine, a man whom I could never really think of as funny) who was very arrogant, disguising himself in his clothes, and using his tounge-twisting dialogue with the King to cover his tracks is also a riot.
Basil Rathbone as the evil henchmen is a refined villian. It's amusing the way Kaye kept pushing his name out of the way during the opening credits, and I have wondered how often Hawkins' accelerated knighthood ceremony had to be rehearsed before those on the set could stop laughing.

Although the film overlooks the fact that a person can't be hypnotized against their will, the way Hubert Hawkins is, the comedy is generally light, and goofy, doesen't get any saucier than the exposure of an infant's backside, and children will love it.
And as Hawkins reassures us at the beginning,"What starts like a scary tale ends like a fairy tale, and life couldn't possibly better be!"

So funny your cheeks will ache from laughing!!
This is one of Danny Kaye's best. He was so talented and his comic timing is impeccable. The "chalice from the palace" scene is so funny that I have not forgotten it over the years. This movie will get you out of the blues in no time.

You will go and buy this movie and do it like that (snap)!
This is my favorite movie of all time. When I was a kid Danny Kaye movies played every Sunday morning and we would wait the few months until it came around again.

I have never stopped laughing at the scenes, the funny interplay between Danny Kaye and the court and his continual buffonery.

Even kids will love this movie. It starts with a dance routine which is almost like Robin Hood Men in Tights. That is quaint, yet the next scene will take you in and take you on the funniest rides of all time.

Kaye, disquised as an old man who is hard of hearing having a scream fest with the captain of the guard. This few minutes is one of the funniest scenes I have ever witnessed. Then there are just funny scenes that will make you split your sides with laughter from there on out.

The wit it took to bring together this cast and the concept of the movie seems that it will never be outdated.

What Danny Kaye and the rest do here is ascend age and time making this movie appeal to any age group, young or old. I have seen a young family start off thinking this was a silly movie then, taken by the first comedic interaction, launch into continuous laughter. I laugh getting a kick out of watching everyone else laugh too.

This movie is a must for any DVD or VHS library. Share it with your friends, watch it when you are a little too stressed out to do anything else to lighten up your day.

The plays on words, the different fast paced situational scenes that will have you thinking; 'how clever...,' even when you think that Hawkins/Giacommo is at his end, then it gets even funnier. The Chalis with the poisly has the pellet with the pesly......

This movie is so fast paced that you cannot believe you have sat there and laughed for the better part of 90 minutes. The great thing about the DVD, you do not have to worry about watching this over and over again and wearing it out.

This movie has great color and scenery. The imagery is wonderful. You wonder if they really were in a castle.

Laugh and love this movie......I recommend it for school, church and family activities. It is a classic that may become more well known with time. ... Read more

Reviews (11)

Elementary...
It had been years since I saw Basil Rathbone as Sherlock Holmes. It is always a good idea to trace something that has become a cliché back to its source. For better or worse, the character of Holmes will forever be inextricably linked to Rathbone.

The action in this film is similar to The Lady Vanishes or Murder on the Orient Express. Sherlock is hired to guard a valuable diamond. Of course someone is murdered on the train and he must solve the crime.

Watching this film feels, in a sense, like coming home. Sherlock is THE iconic detective and when he's around, you never worry too much because you are sure no one is going to get the better of him. He is a direct precursor to James Bond, except with more emphasis on intelligence. In many ways it is more entertaining to watch these old films than more modern entertainments. Here you know the acting is going to be good and the dialogue snappy. The film moves along at a brisk pace - in fact, it is so short it wouldn't even be considered a feature by today's standards. Nigel Bruce's Watson may not be as Arthur Conan Doyle imagined him, but it makes sense in the film series: one needs a comic counterpoint to Holmes' dry wit.

However old these films get, I find them very enjoyable.

The DVD itself is bare necessity, but the picture is good enough and the cost is very inexpensive.

One of the Best Holmes
Next to the brilliant Scarlet Claw(undoubtedly the best in the series) this is one of my faves in the series with Rathbone & Bruce. The entire film(with the exception of the very beginning and end) takes place on a speeding train from London to Edinborough. The plot(be sure to watch Rathbone's slight-of-hand!) involves a diamond called the Star of Rhodesia, and there are many strange characters on the train.There is some good comic relief as Dr. Watson conducts an interview with one of the passengers who is addicted to the study of mathematics(like Col. Sebastian Moran--Another Holmes Foe!). If you are a fan of Universal horror, you will recognize that same old stock footage of the train station and scenes of train speeding into the night(used a decade earlier in The Black Cat), and Lestrade is along for this one. I always enjoyed Dennis Hoey as Lestrade.It is interesting in that we do not ever find ourselves at 221 B-Baker Street in this one. I am a confirmed Sidney Toler Charlie Chan addict as well, and be sure to read my reviews on that subject!

A ticket to mystery
This is not the best of the Basil Rathbone, Nigel Bruce pairings but nonetheless this is an enjoyable outing.
Terror by Night is one of those I put on late at night to watch curled up on the sofa with a cat by my side. The rhythm of the train and the steadfast bond between Holmes, Watson and Lestrade creates one of the most relaxing murder mysteries ever put on film. The deliberate pace may not please all, but to those with a taste for it this is the mystery equivalent of a good house wine.

Murder on the Scotland Express
The 11th film in Universal's series of Sherlock Holmes films starring Basil Rathbone as the Great Detective and Nigel Bruce as his faithful companion, Dr. Watson.

With only one more film to go following this 1946 release, it's not surprising that there's little fresh about this entry, but it hardly matters. The draw is still Rathbone and Bruce, as well as Dennis Hoey's Inspector LeStrade, all of whom deliver typically energetic performances.

The setting is novel, though, with Holmes and Watson aboard a train bound from London to Edinburgh, acting as bodyguards for the "Star of Rhodesia," a precious jewel whose owner is murdered.

Of course, a train is the perfect setting for a mystery, but as "Murder on the Orient Express" would prove twenty-eight years later, the claustrophobic atmosphere severely limits the action. But with a brisk running time of only 60 minutes, "Terror by Night" never threatens to bore.

Brian W. Fairbanks

A must for all Sherlock Holmes fans
If you are a fan of Basil Rathbone as Sherlock Holmes then this DVD will complete your collection of this actor's works. The picture quality of the film is far better than the VHS. The picture is clearer and the sounds are crisper. Some people may think it is not one of the best pictures Basil made, but no Sherlock Holmes collection will be complete without it. Basil and Nigel Bruce give such a wonderful performance that it grows on you every time you watch it. I have been waiting a long time to see all 14 movies on DVD, and I am happy to see that dream become a reality ... Read more

Reviews (1)

Holmes does it again
Most of the Holmes films i saw were just a lousy immatation of the real thing and here i came across a real production without losing any information from the books and sucssesfully transforming holmes into VHS. Woman in green was my favorite part from the pack and i gurantee you that you'll enjoy it!!! ... Read more

Reviews (3)

Keeping London Safe
This is one of the best of the Holmes series that were set in the present day. It has a teriffic story, nice production values, a great cast, and a great atmosphere. Someone is murdering young women in modern London and cutting off a finger from the victims. Is it a trophy or something more sinister?

When a particularly sweet and innocent young lady is murdered, a baffled Inspector La Strade turns to Sherlock Holmes for help. By chance, Holmes spots a man known as Fenwick (Paul Cavanagh) dining with a lovely woman Lydia (Hillary Brooke) and shortly after receives a visit from his daughter Maude (Eve Amber) who is worried about her father's strange behavior.

Holmes and Watson find Fenwick murdered, of course, and Holmes begins to suspect that this is no serial killer but a devious scheme of blackmail, the victims only pawns in a game. Only one mind could concoct such a devious and heartless crime, the supposedly dead Professor Moriarty (Henry Daniel). Holmes will put his life in danger when he finds the alluring Lydia, knowing she will lead him to his nemisis.

Nigel Bruce gives fine support in this one and Hillary Brooke is teriffic in this story of hypnotism, blackmail, and murder. Henry Daniel was the definitive Moriarty and is a match for Rathbone in this one, well almost! This is a good one, with a memorable turn from Hillary Brooke. This one comes highly recommended. The game is afoot!

Good Movie, Poor Quality
This is a fine addition to the Rathbone/Bruce series. The plot is interesting and it contains a cool scene between Holmes and Moriarty. It also contains one of the few scenes in which Rathbone and Bruce manage to convince me that they are the close friends that the characters were in the novels and short stories. However, I strongly recommend against buying this product as the quality is not very good. It's watchable but it is definitely not worth the price. The picture looks like a copy of a copy that was taped from television. If you really want to buy this movie, I would recommend getting the Marengo DVD. It has this movie along with "Dressed to Kill" and it comes at a slightly cheaper price than this one movie on VHS. The quality of the disc isn't great, but it looks about as good as this one does. If you don't have a DVD player then I would recommend getting one of the out-of-print key videos. Otherwise, just forget about buying this movie until someone sees fit to release the restored prints.

Woman In Green
As usual, Basil Rathbone is at his best. The whole theme is hypnotism which makes it all the more intriguing. The woman and the Professor Moriarty (Holmes' arch rival) kill people to get money in an interesting and hideous fashion. The woman in green hypnotises them and eventually tries to with Sherlock Holmes. He knows better and all ends well. A very interesting and thought provoking plot, well planned out. ... Read more

Reviews (2)

One of Bing Crosby's best
This film is a real gas, a brisk, amiable comedy with a sharp script and snappy dialogue. Bing Crosby stars as an unambitous pop music composer who ghostwrites smash hits for a society bandleader who's lost his Muse. When the unscrupulous bandleader (deliciously played by Basil Rathbone) has to hire a new lyricist, and she just happens to be the gal Bing was checking out in the elevator on the way up to Basil's office, well... romance is in the air. Trad jazz trumpeter Wingy Manone adds some sock to the music, while Bing's real-life bandleader, John Scott Thomas has a nice cameo as a show-biz rival. Mary Martin isn't my favorite actress of the era, but she's fine in this role, and the film whizzes along at a pleasant pace. An entirely enjoyable comedy that features Crosby in one of his most cool, cute and urbane phases. Recommended!

Bing is great in this light, fun musical
In "Rhythym on the River", Bing Crosby plays a casual, easy going guy with an unnoticed talent for songwriting; unnoticed because he is a ghostwriter for another songwriterplayed by Basil Rathbone who is basically a has been. Meanwhile, Mary Martin comes along and finds chemistry with the Crosby character and together, they try to gain fame as songwriters. If you like Bing Crosby films, you will doubtless love this film. While it is neither a serious film nor anything close to Crosby's best work, it is certainly worth watching.

p.s.: for those of you who are Carpenters fans, Richard Carpenter got the idea for one of the Carpenters' big hits by watching this film and hearing the title of a fictional song that had been written by Basil Rathbone's character. The song would become a top ten tune for Karen and Richard. In case you are wondering, the song was "Goodbye to Love." ... Read more

Reviews (11)

Elementary...
It had been years since I saw Basil Rathbone as Sherlock Holmes. It is always a good idea to trace something that has become a cliché back to its source. For better or worse, the character of Holmes will forever be inextricably linked to Rathbone.

The action in this film is similar to The Lady Vanishes or Murder on the Orient Express. Sherlock is hired to guard a valuable diamond. Of course someone is murdered on the train and he must solve the crime.

Watching this film feels, in a sense, like coming home. Sherlock is THE iconic detective and when he's around, you never worry too much because you are sure no one is going to get the better of him. He is a direct precursor to James Bond, except with more emphasis on intelligence. In many ways it is more entertaining to watch these old films than more modern entertainments. Here you know the acting is going to be good and the dialogue snappy. The film moves along at a brisk pace - in fact, it is so short it wouldn't even be considered a feature by today's standards. Nigel Bruce's Watson may not be as Arthur Conan Doyle imagined him, but it makes sense in the film series: one needs a comic counterpoint to Holmes' dry wit.

However old these films get, I find them very enjoyable.

The DVD itself is bare necessity, but the picture is good enough and the cost is very inexpensive.

One of the Best Holmes
Next to the brilliant Scarlet Claw(undoubtedly the best in the series) this is one of my faves in the series with Rathbone & Bruce. The entire film(with the exception of the very beginning and end) takes place on a speeding train from London to Edinborough. The plot(be sure to watch Rathbone's slight-of-hand!) involves a diamond called the Star of Rhodesia, and there are many strange characters on the train.There is some good comic relief as Dr. Watson conducts an interview with one of the passengers who is addicted to the study of mathematics(like Col. Sebastian Moran--Another Holmes Foe!). If you are a fan of Universal horror, you will recognize that same old stock footage of the train station and scenes of train speeding into the night(used a decade earlier in The Black Cat), and Lestrade is along for this one. I always enjoyed Dennis Hoey as Lestrade.It is interesting in that we do not ever find ourselves at 221 B-Baker Street in this one. I am a confirmed Sidney Toler Charlie Chan addict as well, and be sure to read my reviews on that subject!

A ticket to mystery
This is not the best of the Basil Rathbone, Nigel Bruce pairings but nonetheless this is an enjoyable outing.
Terror by Night is one of those I put on late at night to watch curled up on the sofa with a cat by my side. The rhythm of the train and the steadfast bond between Holmes, Watson and Lestrade creates one of the most relaxing murder mysteries ever put on film. The deliberate pace may not please all, but to those with a taste for it this is the mystery equivalent of a good house wine.

Murder on the Scotland Express
The 11th film in Universal's series of Sherlock Holmes films starring Basil Rathbone as the Great Detective and Nigel Bruce as his faithful companion, Dr. Watson.

With only one more film to go following this 1946 release, it's not surprising that there's little fresh about this entry, but it hardly matters. The draw is still Rathbone and Bruce, as well as Dennis Hoey's Inspector LeStrade, all of whom deliver typically energetic performances.

The setting is novel, though, with Holmes and Watson aboard a train bound from London to Edinburgh, acting as bodyguards for the "Star of Rhodesia," a precious jewel whose owner is murdered.

Of course, a train is the perfect setting for a mystery, but as "Murder on the Orient Express" would prove twenty-eight years later, the claustrophobic atmosphere severely limits the action. But with a brisk running time of only 60 minutes, "Terror by Night" never threatens to bore.

Brian W. Fairbanks

A must for all Sherlock Holmes fans
If you are a fan of Basil Rathbone as Sherlock Holmes then this DVD will complete your collection of this actor's works. The picture quality of the film is far better than the VHS. The picture is clearer and the sounds are crisper. Some people may think it is not one of the best pictures Basil made, but no Sherlock Holmes collection will be complete without it. Basil and Nigel Bruce give such a wonderful performance that it grows on you every time you watch it. I have been waiting a long time to see all 14 movies on DVD, and I am happy to see that dream become a reality ... Read more

Reviews (11)

"This is another fine mess you've gotten me into!"
Vincent Price and Peter Lorre were the Laurel & Hardy of horror films. Their by-play in this film and in THE RAVEN and TALES OF TERROR is priceless (sorry). And when you add Boris Karloff to the mix, you suddenly have Moe, Larry and Curly, with Basil Rathbone more-than-ably filling in the Vernon Dent/Bud Jamison role.

Why all this comedy name-dropping? Simply to underscore the fact that this is a classic comedy. "Why did I ever escape from prison?" mourns Lorre when forced into another murderous midnight recruitment venture for their undertaking establishment. "It was so nice and peaceful!" And watch Vincent's face as he suddenly wipes off his hands when giving Lorre a leg-up, growling, "What DID you step in? Wipe your feet, for pity's sake!"

Watch Boris' graphic maunderings about Egyptian mummification processes ("they yank out the brain with a hook!") at the dinner table and the excellent, underrated Joyce Jameson's grossed-out reactions. Watch Basil's oh-so-superior sneers as he threatens to evict Vincent & Co. in orotund dialogue worthy of a Snidely Whiplash meller-drammer. Watch the dead Rathbone return to life again. . .and again . . .and again . . . and again . . .and again, with Vincent's facial reactions getting broader each time. Watch Lorre carry on with the shapely Jameson as the romantic lead (that alone is worth the price of admission!)

The film's comic premise is richly endowed with black humor, put-downs, slapstick, a frenetic, prolonged chase, and a first-rate cast that makes the most of every line, pratfall and bit of business ("time for your medicine, old man!") Watch and enjoy.

"What Place Is This?"
This is a hilarious movie! I love it. Vincent Price plays an undertaker, as he has taken over his father-in-law's business. Peter Lorre plays his assistant, Boris Karloff plays the hard of hearing father-in-law, & Basil Rathbone wants the rent money. And of course there is Rhubarb (the cat) playing the role of Cleopatra! Oh, & you may want to wear ear plugs during the singing! Yikes! And just when you think everyone is dead, well you thought wrong! You have to see it to know what I'm getting at.

Brrrrr!
This movie is a great.
Vincent Price, Peter Lorre, Boris KArloff, and last but not least, BASIL RATHBONE star in this hilarious black comedy about two aspiring undertakers who are having trouble getting customers, so they kill people just so they can give them a funeral. This movie had me laughin so hard I was crying, especially the part where Basil Rathbone chases Peter Lorre out of his house, quoting lines from Macbeth all the while. And who could forget the utter disgust on Vincent Price's face as he cries in absolute horror "What did you STEP in?!?"Absolutely hilarious.

Classic Video Fun!
This is a great movie if you like to see the classic horror stars letting their hair down.
There's nothing serious in this film but the fun.
Vincent Price and Peter Lorre are the center of attention with Boris Karloff and Basil Rathbone playing the comedy role you never expected to see.
The sets are 1960's B movie stuff, but it just adds to the atmosphere.
If you're looking for something entertaining to watch on movie night this is one to put in the lineup.
I got this and "The Raven" at the same time. Both are funny!

Drunk again, huh?
I LOVE this film!! Vincent Price is just hysterical as the undertaker who needs to drum up some business, Peter Lorre is great as the assistant, Basil Rathbone is the landlord who wants his year's rent, and Boris Karloff just can't hear a thing. "What? Sugar?? There ya go!" Basil just keeps on coming back to life, quoting from "Hamlet" as he goes along, and Peter Lorre laments about his dear Annabel. Joyce Jamison is Annabel, who is Felix Gillie's love interest. Annabel is married to Waldo (Vincent Price) and Boris Karloff is her father. The funeral speech by Karloff is just priceless. Needless to say, as soon as Rathbone's character is buried we hear: "What place is this??" Great. If you haven't seen this movie yet, YOU HAVE TO!! And I agree with the comment: "Where is the DVD??" Get with it MGM, we still need this one and The Raven, and The Tomb of Ligeia....I have to finish my Vincent Price DVD collection! ... Read more

Reviews (11)

Nothing less than 4 stars
As a great fan of original Sherlock Holmes episodes I think pretty much all of Sherlock Holmes are 4 out of 5 stars. But I think this one might be 41/2 stars. With a origial plot that any criminal would like to do (if you hypnotism really worked on someone who didn't want to be hypnotized.) Ever since I was seven-years-old I liked this movie more than some color movies and loved the radio episodes starring Basil Rathbone and Nigel Bruce. You should a least see this movie some how.

From The Back of The MY Box. I changed some word around
"The original Sherlock Holmes and Dr. Watson are back once again doing battle against a contemporary day Jack the Ripper! The clues left next to the scene of the crime point a finger at a major member of Parliament, but Holmes believes there's something a bit odd going on possibly his arch nemesis, Professor Moriarty might somehow involved! The trail leads the world's record detective to a group of blackmailers using the shadowy art of hypnotism, and as previously deuced, led by the evil professor! Woman In Green is a great detective story, full of trilling mystery and wonderful story telling."

Cast list

WOMAN IN GREEN Staring BASIL RATHBONE? NIGEL BRUCE With HILLARY BROOKE? PAUL CAVANAGH HENDRY DANIELL? EVE AMBER SALLY SHEPHERD ? MATTEW BOULTON Based on the Characters Created by SIR ARTHUR CONAN DOYLE Produced and Directed by ROY WILLIAM NEIL

Nearing the End
Rathbone and Bruce made 14 Holmes and Watson films; it's a real shame that four of the weakest are in the public domain and keep turning up while the rest are out of print. This one, from late in the series, at least has the virtue of a script by Bertram Millhauser, who wrote the best of them and was most responsible for the distinctive tone of the series: sly humor mixed with slightly horrific mystery. Two of his most memorable creations, the Spider Woman and the Creeper, went on to lives of their own in other Universal horror movies. As for The Woman in Green, it's a blend of Jack the Ripper and Conan Doyle's "The Empty House," with a nice film noir ambience and some clever twists. Unfortunately, the ending is lame and one senses the fact that, after seven years, 10 films, and hundreds of radio broadcasts, Rathbone has begun to weary of playing Holmes. Film trivia note: someone colorized this a few years ago, and didn't even bother to put Hillary Brooke in a green dress. Go figure.

Henry Daniell as Professor Moriarty
The title of this Sherlock Holmes adventure, "Woman in Green," refers to the character played by Hillary Brooke (who previously had a minor supporting role in "Voice of Terror"), but the star villain is actually Holmes' arch-nemesis, the diabolical Professor Moriarty. The last time he clashed with the great detective in "Secret Weapon," the greatest criminal mastermind in all of fiction plunged to his death in an elevator shaft. And yet his resurrection here, never explained, doesn't really feel like a cheat, certainly not with the great Henry Daniell in the role. Few actors could convey evil as effectively, and he makes you believe Moriarty could survive anything. In his autobiography, Basil Rathbone praised Daniell's Moriarty as the best, high praise indeed when one considers his competition includes both George Zucco and Lionel Atwill.

Daniell's presence is the one element that elevates this otherwise standard Holmes thriller to a position near the top of the heap. Still, the standard was pretty high with this series thanks to the superb direction of Roy William Neill and the always electrifying performance of Basil Rathbone. Less appealing this time around is Nigel Bruce's Dr. Watson who bumbles more than ever and, in an amusing yet somehow cruel scene, is publicly humiliated when he's hypnotized for laughs after protesting that anyone with even an "ounce of character" could never be put under a spell. By this time in the series, one wishes the good doctor was shown a bit more respect.

Predictable fun
Dead women are missing fingers all over London. The police are baffled as there is no pattern to the madness. Sherlock Holms on the other hand knows that it is the alleged to be dead Moriarty and the fingers point to a more sinister crime.

Holmes Squares Off Against the Best Moriarty
Yes, after having seen Lionel Atwill and George Zucco step up to the plate as the nefarious master criminal Moriarty, I can safely say that Henry Daniell brings the most to the role. ....

As slight as the story line may be (hypnotized men of means/rank are made to believe they committed murder and then are blackmailed), I must recommend you study the acting very carefully. Rathbone (Holmes), Bruce (Watson) and Daniell (Moriarty) are really doing an awful lot in the way of characterization. I love how Rathbone just hides a smile when he looks at the dunderheadings of Bruce.... These men are real pros, imbuing the scene with real tension. Daniell is particularly good, when his mouth drawn up grimly as he spars verbally with Rathbone. ...

I enjoyed "The Woman in Green" much more than I had expected to, thanks to the first-rate acting. Nice to know that some childhood favorites still hold up when you see them years later! ... Read more

Reviews (3)

Another good episode...
It is remarkable to me just how much these early Sherlock Holmes' movies influenced the later James Bond films. Ian Fleming makes reference to Sherlock in From Russia With Love, where the Russians refer to the English as having a Sherlock Holmes mentality with regard to James Bond within the British Secret Service.

More remarkable to me is the trademark of - as Dr. Evil would put it - putting Sherlock Holmes in an easily escapable situation by planning an overly elaborate and exotic death and then not actually witnessing his demise but assuming that all goes to plan. I mean, this is Sherlock-Freaking-Holmes here, don't you think that he's going to think of a way out of that garage?

At this stage in the game, without Professor Moriarity to chase around, Holmes is usually pitted against a femme fatale, as in the case of this movie. It is another pleasant mystery in which Holmes must crack a code and then rescue the MacGuffin before the bad guys do. I especially appreciate the nod to Samuel Johnson and Boswell, whose relationship was the precursor to Holmes and Watson.

Name That Tune
Basil Rathbone and Nigel Bruce star in their final film as Sherlock Holmes and Dr. Watson. This time, the duo is on the tracks of a gang stealing music boxes that mysteriously hold key information that will lead to much money. The music boxes are made in prison by a bank robber, who encodes the clues, but they are sold at an auction before his partners can buy them. There's nothing they won't do to get their hands on the boxes, including murder. There's not much new in this film that hasn't been seen in the other films of the series, although the music box angle is an interesting way of transferring information. Rathbone doesn't play this one with much energy ... maybe he was getting tired of the role, while Bruce is his usual, bumbling self. Although hardly the best in the series, fans of the duo will want to check it out.

Their final engagement
Not one of the best in the series of the Rathbone/Bruce series but none the less one of the classics. If your a Basil Rathbone fan as many of you are, this one is a good one to add to your collection. ... Read more

Reviews (17)

It's Holmes Against Moriarty--and the Nazis!
Although the first two movies Basil Rathbone made as Sherlock Holmes ("The Hound of the Baskervilles" and "The Adventures of Sherlock Holmes") were in the original Victorian setting, Hollywood subsequently decided that even Holmes could pitch in during the propaganda years of World War II. And so, he donned modern dress and rode about in fast cars in pursuit of Nazi collaborators, aided as ever by Dr. Watson (Nigel Bruce), who oddly enough was still wearing a suspiciously Edwardian collar.

"Sherlock Holmes and the Secret Weapon" is one such vehicle. Somewhat prophetically, the secret weapon is a type of super bomb and its inventor is a much-sought-after fellow. So Holmes goes over to the mainland to fetch him and bring him to the right side, England. While the inventor is very glad to be rescued from the Nazis by Holmes, for some inexplicable reason, he keeps leaving the flat, giving Basil Rathbone an opportunity to put on greasepaint and go scouring the wharves for this guy in cognito as a toughened seaman. That's actually the second disguise BR wears; before the movie's over, he'll indulge a few more times. Well, the upshot is that with all of his goings-about, the stupid inventor eventually gets kidnapped by Holmes' nemesis, Dr. Moriarty (Lionel Atwill), who of course puts him to the screws to get info out of him. Will Holmes get there in time? Since this review is being written in English not German, I think you can figure it out for yourself.

Rathbone does a pretty good job in his various incarnations; actually, what strikes me most about him aren't his disguises, but his rather unique coiffure when he's being just plain Holmes. It is a style where the locks around his temples are brushed forward, not back, to make him look as though he were just about to set his hair in curlers. I know he does sport this hairdo again in "SH in Washington", but sad to say, this attempt to make Sherlock Holmes a trendsetter in the world of hairstyles came to naught. Ah well, what he does well, he does well, and so after the culprits are rounded up, Holmes ends the piece by reciting from the "this blessed isle" speech of "Richard II", demonstrating once again that British pluck that did indeed forestall Nazi domination. Not great cinema, but fine for easy viewing.

Rathbone, gloriously brilliant as Sherlock Holmes
The second film in Universal's series of Sherlock Holmes adventures starring Basil Rathbone as the Great Detective and Nigel Bruce as Dr. Watson, "Sherlock Holmes and the Secret Weapon" was one of several titles in the series to fall into the public domain, hence its availability over the years in numerous bargain bin editions of poor quality. Thanks to UCLA's restoration program, this title is now available in all its original black and white glory.

Like Universal's first entry in the series, this one drags Holmes out of his original Victorian era habitat to match wits with the Nazis. But those disappointed with the modernization gimmick should be happy to learn that Holmes' arch-nemesis Professor Moriarty is on hand, as well, this time in the person of the magnificent Lionel Atwill who brought his creepy elegance to some of the best films Universal made in the 40s.

The plot has little to do with "The Dancing Men," the Arthur Conan Doyle story referred to in the credits, and this film is neither as visually striking or as well-written as "Sherlock Holmes and the Voice of Terror," or most of the 10 films to come, but it has Rathbone, incadescently brilliant as the greatest master detective of them all, and that's enough to make it a winner.

Brian W. Fairbanks

This is NOT the UCLA restored version!!
Despite what several customers have written (one even chastising others for slamming this DVD "when it hasn't even been released yet") this is NOT THE RESTORED VERSION, this is the dupey, scratched, and horrid sounding transfer that's been around for several years. MPI, not Focus Film, is the distributor of the new restored versions of this series. That said, if you come across a used copy of this version cheap (and I mean CHEAP!!) it has a few nice extras not found on the MPI, like the re-issue trailer (ironically looking better than the feature itself on this disc), and a generous helping of Rathbone / Bruce radio shows that are fun. But for the feature itself the UCLA restoration is the ONLY way to go.

The Needle to the Last, eh Holmes?
It's one of the paradoxes of Basil Rathbone's wartime anti-Nazi Sherlock Holmes films (Voice of Terror, SH in Washington, and this one) that while the plots and settings are mostly terrible, he is so good in them. Despite a bizarre wind-swept hairstyle meant to make him look younger, he blazes through every scene with so much bite and attack that you hardly register how flimsy the plots are. Here he also has great acting rapport with Lionel Atwill, who makes a wonderfully repulsive Professor Moriarty -- a heavy lidded cockroach with nice hints of sadism and depravity (it may not have been acting, kids). At the climax, changed into a lab coat in order to drain Rathbone's blood "drop by drop," he's as over-the-top sinister as Seinfeld's arch-nemesis Newman. The movie itself is ancient kiddie matinee fare, but it benefits from director Roy William Neill's attention to staging and atmosphere. It also looks fairly sharp in this UCLA restoration -- don't even think of buying any other edition, all of them faded, choppy public-domain prints.

This Version will be better than Any previously available.
I am frustrated that reviews of past DVD releases of this title are listed under this upcoming restored version. This is ludicrous and laziness on the part of someone!!! How can a review be asking customers to not buy this edition when it hasn't even been released to the public yet!! Furthermore it slams the quality of an upcoming RESTORED VERSION. WAKE UP!!!!!
I am writing this pre-review to express my Great Expectations and excitement over the upcoming DVD release of the 14 Sherlock Holmes movies made by Basil Rathbone and Nigel Bruce.
For those of us who have loved and worn out our VHS versions of these films, I am sure that I speak for many of us in expressing incredible anticipation and near shock that someone has finally recognized the need to release a "restored version" of these timeless classics.
We are told that they have been "Preserved and restored in 35mm by the UCLA Film and Television Archive." This is marvelous and I have already pre-ordered Vol. 1 and Vol. 2 from MPI Home Video.
I so hope that the entire 14 movies, are ultimately released in restored condition. Especially the rarest of them, "The Scarlet Claw" which has rarely been shown on televison and only been available on VHS sporadically.
To me and many others I know, Basil Rathbone is the definative Holmes. Not just because he looks alarmingly similar -as much as is humanly possible- to Sidney Pagets drawings of Holmes from the Strand Magazine illustrations, but mostly we love Rathbone because he portrayed the same Holmes that we as readers get through the buffer of Dr. Watson explaining away not magnifying Holmes' shortcomings.
Jeremy Brett chose to amplify every negative aspect of Holmes' personality that in the written versions Watson explained away. Rathbone's Holmes has been demeaned visciously over the past years and hopefully the respect and dignity that he gave his portrayals will be seen in all their accuracy and glory with these new digitally restored releases. ... these will have to be the best quality versions of these classics ever released...so for all of us who have cursed the incomprehensibly awful releases of these films over the years...our time has almost come. Show your support for this effort by ordering a restored version of American Film Histroy.
Much Thanks to UCLA, MPI, and Whoever was ultimately responsible for the idea of doing this!!!! ... Read more

Reviews (11)

Elementary...
It had been years since I saw Basil Rathbone as Sherlock Holmes. It is always a good idea to trace something that has become a cliché back to its source. For better or worse, the character of Holmes will forever be inextricably linked to Rathbone.

The action in this film is similar to The Lady Vanishes or Murder on the Orient Express. Sherlock is hired to guard a valuable diamond. Of course someone is murdered on the train and he must solve the crime.

Watching this film feels, in a sense, like coming home. Sherlock is THE iconic detective and when he's around, you never worry too much because you are sure no one is going to get the better of him. He is a direct precursor to James Bond, except with more emphasis on intelligence. In many ways it is more entertaining to watch these old films than more modern entertainments. Here you know the acting is going to be good and the dialogue snappy. The film moves along at a brisk pace - in fact, it is so short it wouldn't even be considered a feature by today's standards. Nigel Bruce's Watson may not be as Arthur Conan Doyle imagined him, but it makes sense in the film series: one needs a comic counterpoint to Holmes' dry wit.

However old these films get, I find them very enjoyable.

The DVD itself is bare necessity, but the picture is good enough and the cost is very inexpensive.

One of the Best Holmes
Next to the brilliant Scarlet Claw(undoubtedly the best in the series) this is one of my faves in the series with Rathbone & Bruce. The entire film(with the exception of the very beginning and end) takes place on a speeding train from London to Edinborough. The plot(be sure to watch Rathbone's slight-of-hand!) involves a diamond called the Star of Rhodesia, and there are many strange characters on the train.There is some good comic relief as Dr. Watson conducts an interview with one of the passengers who is addicted to the study of mathematics(like Col. Sebastian Moran--Another Holmes Foe!). If you are a fan of Universal horror, you will recognize that same old stock footage of the train station and scenes of train speeding into the night(used a decade earlier in The Black Cat), and Lestrade is along for this one. I always enjoyed Dennis Hoey as Lestrade.It is interesting in that we do not ever find ourselves at 221 B-Baker Street in this one. I am a confirmed Sidney Toler Charlie Chan addict as well, and be sure to read my reviews on that subject!

A ticket to mystery
This is not the best of the Basil Rathbone, Nigel Bruce pairings but nonetheless this is an enjoyable outing.
Terror by Night is one of those I put on late at night to watch curled up on the sofa with a cat by my side. The rhythm of the train and the steadfast bond between Holmes, Watson and Lestrade creates one of the most relaxing murder mysteries ever put on film. The deliberate pace may not please all, but to those with a taste for it this is the mystery equivalent of a good house wine.

Murder on the Scotland Express
The 11th film in Universal's series of Sherlock Holmes films starring Basil Rathbone as the Great Detective and Nigel Bruce as his faithful companion, Dr. Watson.

With only one more film to go following this 1946 release, it's not surprising that there's little fresh about this entry, but it hardly matters. The draw is still Rathbone and Bruce, as well as Dennis Hoey's Inspector LeStrade, all of whom deliver typically energetic performances.

The setting is novel, though, with Holmes and Watson aboard a train bound from London to Edinburgh, acting as bodyguards for the "Star of Rhodesia," a precious jewel whose owner is murdered.

Of course, a train is the perfect setting for a mystery, but as "Murder on the Orient Express" would prove twenty-eight years later, the claustrophobic atmosphere severely limits the action. But with a brisk running time of only 60 minutes, "Terror by Night" never threatens to bore.

Brian W. Fairbanks

A must for all Sherlock Holmes fans
If you are a fan of Basil Rathbone as Sherlock Holmes then this DVD will complete your collection of this actor's works. The picture quality of the film is far better than the VHS. The picture is clearer and the sounds are crisper. Some people may think it is not one of the best pictures Basil made, but no Sherlock Holmes collection will be complete without it. Basil and Nigel Bruce give such a wonderful performance that it grows on you every time you watch it. I have been waiting a long time to see all 14 movies on DVD, and I am happy to see that dream become a reality ... Read more

Reviews (9)

The FIRST Dungeons and Dragons adventure!
This film, intended for kids, was a movie house favorite back in the 1960's. A handsome young man in love with the princess of his land takes on the quest to save her after she is kidnapped by an evil magician. There is some wonderful stuff here. A witch mother with a two headed servant, a special sword, armor and steed intended for Sir George when he reached manhood and a group of famous knights as companions for the quest who are from all over Europe. There is also some great campish humor in this film, especially when the "French" knight is drawn away by a pretty damsel singing in french and when he attempts to kiss her she turns into a horrible one eyed-monster, and upon being saved by Sir George he states: "I should have realized that such a beautiful woman would not be up so early in the morning!" The film also features silly ogres who throw logs like nine pins but get dizzy and fall over from watching a horse run in circles, the usual servant/sinister midgets who seem to terrify people by just standing around holding up their clenched hands and laughing mockingly,vaporous pools of death that knights on horseback seem to automatically lose their balance and fall into to die, caves full of ghostly witches that only the faith of an Irishman can confront and a genuinely good Dragon full of fire breathing fury at the end that is killed by our hero as he is about to feed on our princess. Classic stuff, darkly filmed in spots but deserves to be recognized as perhaps one of the earliest "questing" movies that a lot of fantasy minded gamers and movie makers were to benefit from some 35 years later.

SWORDS AND SORCERY
When watching a movie like "The Magic Sword", you have to smile at the camp and amateurism that often frequents a film like this. Bert I. Gordon did his first color movie with this one, and for the time it was made, the special effects are above average for this time. The dragon is hilarious; as are the conehead ripoffs. But, Estelle Winwood, what a wonderfully zany actress she was, and she steals the movie whenever she's on. Gary Lockwood, undeniably a hunk, is not the world's greatest actor here, although he went on to gain respect in the t.v. series, "The Lieutenant" and the movie, "2001." Anne Helm looks lovely but no more range than a Barbie Doll. Basil Rathbone is effectively hammy in his role as Lodac the evil sorcerer. One question though: they were supposed to encounter seven curses, I missed one somewhere?
Cheesy but enjoyable.

Cheesy rescue the princess from the sorcerer's dragon movie
Apparently Ray Harryhausen's big success with "The 7th Voyage of Sinbad" inspired all sorts of sword and sorcery epics (filmed in Cinemascope). Case in point would be this 1962 film, "The Magic Sword," a three-word title that makes the S&S genre perfectly clear. The film is directed and co-written by Bert I. Gordon, who gave us "The Cyclops," "The Amazing Colossal Man," and "Earth vs. the Spider," and actually ends up being one of his better efforts, helped, no doubt, by the money put into the film for color and special effects. But keep in mind that the rest of those films are really bad. "The Magic Sword" also stars the aging Basil Rathbone as the sorcerer, Lodac, and the young Gary Lockwood of "2001" fame as the hero, Sir George. Rathbone does well when he appears on screens, but the rest of the cast is not up to his level and the special effects are average at best (although the dragon at the end is the best of the bunch).

The story is by the numbers for this genre. Sir George has been raised by a witch named Sybil (Estelle Windwood), and has used her magic to spy on the beautiful Princess Helene (Anne Helm). She ends up being abducted by Lodac who plans to feed her to the aforementioned dragon. When the King (Merritt Stone) does the old bit about who ever rescues his daughter gets her hand in marriage, Sir George is off on his quest to the evil sorcerer's castle. Our hero is aided and abetted by six knights that he restores from being petrified. This is good because they have to face seven curses from Lodac and having seven knights makes it sound fair but we all know this is going to get down to just--ALL TOGETHER NOW--Sir George and the Dragon. Along the way Gordon to throw all sorts of witches, ogres, helpful little people, and the like at our band of heroes. I am sorry I missed it when "The Magic Sword" played on "Mystery Science Theater 3000" because this film is a natural for that venue. Still, this cheesy film can be enjoyed as such without the silhouetted talking heads.

Brings back memories
I am so glad I found this video. I've been trying to find out the title to this movie for a long time and when I found out that they still sell the video, I jumped on it right away.

I first saw this movie when I was a kid. I've always remembered the knights that came back to life to help the hero and I always found that fascinating. It's a kid's film and if your kid isn't too spoiled by the high-tech special effects of today, then I think they will like this movie.

THE MAGIC SWORD
I enjoyed this moviw trwemendously when I was a child. The fantasy of the movie at the time was very exciting. The idea that a night could have magic used to help him find himself, was a good pretense for a movie. I still remember this movie today as if I'd just finished watching it. ... Read more

Amazon.com

While it's been said that costars Leslie Howard and Norma Shearer are both too old and too lethargic to portray Shakespeare's star-crossed lovers in this Irving Thalberg production, one can have a good time with this film by simply basking in their star presence and enjoying the breadth of the play's adaptation. The opportunity for pageantry affords some lavish sets--typical of Thalberg and director George Cukor--in this 1936 movie, and the cinematography is sublime. Howard and Shearer are in excellent company with the likes of John Barrymore as Mercutio, Basil Rathbone, Edna May Oliver, Andy Devine, and Reginald Denny. Cukor (Love Among the Ruins, Little Women) brings his usual luster, intelligence, and compassion to characters so familiar in pop culture and the Western canon alike that it is hard to breathe new life into them. Yet that's precisely what he accomplishes with his stellar cast, and he makes each of them look even better because of it. --Tom Keogh ... Read more

Reviews (7)

A Close Tie With The 1968 Version
I actually saw this classic 1936 version staring Norma Shearer AFTER seeing the 1968 film with Olivia Hussey, and I have to say this one is also special in it's own way, and I would recommend it as worthy of viewing at least once. It features very beautiful sets and scenes, like the masked ball where Juilet dances as Romeo spies her the first time. Some of the acting is even better, like the role of Juliet's nurse(more believable). Although the two lead actors were in fact two old for the parts, I have read that during filming a white guaze type material was placed over the camera lens, to supposedly help mask the actors apparent ages. It's possible this may have been removed by film restorers who mistook it for distortion/age, but I'm not sure. Again If you enjoyed the 60's version, this one is close behind.

The Age of the Cast Undercuts the Production
This version of Shakespeare's ROMEO AND JULIET was very famous in its day, and a number of critics that I greatly admire continue to praise it even now. But I must sound a dissenting note: although it has its charms, I personally found the film somewhat difficult to sit through due to the age of the cast. On the stage, Shakespeare's star-crossed lovers are usually played by mature actors in full command of both Shakespearean language and their own art, and the physical distance between the stage and the audience allows the cast to create the illusion of youth. But the camera is merciless, particularly in close up, and this film production presents us with the middle-aged Leslie Howard, Norma Shearer, John Barrymore, and Basil Rathbone in roles that would be better served on the screen by much younger players.

To give the cast its due, several of the stars fought tooth and nail against making the film--most notably Leslie Howard, who even went so far as give press interviews stating that he was much too old to play Romeo in a screen production. When forced into the production by contractual obligation, Howard and his counterparts gave it their all, but sad to say the camera did not lie: they were indeed too old. Although some viewers are able to suspend disbelief to accept the stars in such youthful roles, I myself could not. I found it occasionally absurd, but more often embarassing, with the famous balcony a case in point. All of this might be forgiven if the stars actually generated any sense of passion, but they do not--and it is really here that their ages tell, for instead of the white-hot passions of youth that lead to disaster we have instead a gentle love story with an unhappy ending. Still, the film really is pretty to look at--it has an engraved quality in its glossy black and white--and if you close your eyes, you can enjoy the 'grand manner' readings, which is a great deal more than one can say for most cinematic Shakespearean interpretations. There is also Edna May Oliver's performance, and she is excellent in the role of Juliet's babbling nurse.

Fans of this film's stars will no doubt wish to add it to their library, and those interested in seeing how Hollywood approached Shakespeare in the 1930s will enjoy seeing it at least once--but I would hesitate to recommend this film to any one outside that circle. Most viewers will be happier with the later Franco Zefferilli version.

the beauty of the language
this is a lavish, wonderful production, with a cast that is so comfortable with the language. They bring out the beauty of the words, and clarity to their meaning.

Norma Shearer, despite being more than twice Juliet's age, plays her exquisitely...I find her to be the loveliest and most graceful of the screen Juliets I've seen.
Leslie Howard, who was 42 at the time, is splendid. With his perfect musical voice and enunciation, he's a joy to watch and listen to...what a pity that he didn't film more Shakespeare...a Howard "Hamlet" (which he had a huge success with on Broadway), would have certainly been a film treasure.
Also great is John Barrymore's flamboyant Mercutio, and Edna May Oliver is my all-time favorite Nurse.

Though I think the imaginitive and slightly bizarre Baz Luhmann/Leonardo DiCaprio version is fabulous and a must-see (as is the fight scene in the Zeffirelli production !) what makes this George Cukor version so special is the poetry of the language...if you want to hear the words spoken as I'm sure Shakespeare intended, give this film a try.

Better Than You'd Think
It's amazing how often the legendary Irving Thalberg was allowed to make M.G.M. "prestige pictures" that produced awed reviews and spotty box-office receipts. It's even more amazing how often he required his wife, actress Norma Shearer, to star in them, to the eventual detriment of her career. As good as Shearer was, she acquired a reputation as a star of stately, dull movies made to please no one but her husband.

The notable exception to Thalberg's run of worthy Shearer failures was "Romeo and Juliet". Although it conformed to the norm by not making much money, it was a very fine film, far better than most filmed Shakespeare.

Norma was 36 when the movie was shot, and it was feared she was a bit old for the part. The problem was tackled by hiring an even older Romeo, 43-year-old Leslie Howard. The supporting cast was the best in the business- John Barrymore as Mercutio, Basil Rathbone as Tybalt, Edna May Oliver as the Nurse, Reginald Denny as Benvolio, and Violet Kemble-Cooper as Lady Capulet. George Cukor was tapped as director, and Agnes de Mille choreographed the period dance that is the highlight of the lovers' first meeting.

Production values were extraordinary, even for a Shearer movie. The creamily lit photography flattered the stars, and the props and sets were magnificent. The exterior set for the balcony scene took up all of M.G.M's Stage Sixteen, then the largest soundstage in the world; there was so much real vegetation that the building began producing its own weather. The costumes were a bit over-the-top; those for the supporting cast are highly theatrical, and the star wardrobe is intended to flatter at the expense of authenticity (Shearer's hairstyle is that of a boy of the period, not a young woman).

All the lavishness in the world would not have mattered if the cast and crew hadn't delivered, but they did. Under the tutelage of Constance Collier, Shearer turned in a touchingly tender Juliet, actually getting the best contemporary reviews of any cast member. Howard's Romeo was a bit perfunctory, but still managed a nice sense of mischief in the early scenes. Basil Rathbone's prideful Tybalt was the part he was born to play, and Oliver's Nurse crammed the maximum of bawdiness and fun into a part badly cut to comply with the demands of the censors. The surprise casting- and performance- of the film was Andy Devine as Peter, the Nurse's servant. It should have been wildly incongruous, but Devine's raspy voice and simple demeanour were perfect for the part.

Two scenes stand out in the memory. One is the stately pavane being danced when Romeo first spies Juliet. Shearer's timing and subtlety serve her well here; she interacts with her nominal dancing partner, Paris, and with Romeo on the sidelines, keeping time to the dance and losing it, sending messages of love with her eyes while her body attempts vainly to maintain an appearance of propriety.

The other is Barrymore's turn as Mercutio; it's said he was drunk during much of the filming, and that the take of his biggest scene used in the final cut was the only usable one. None of Barrymore's problems show on film; his hooting, larky performance is a miracle of comic timing and not to be missed.

The film has its small problems; no one was able to lick the story's inherent lack of action at the end, and the vitality of the film lapses into talkiness in a few later stretches. There is a lapse of judgement in one place where Romeo and Juliet kiss; the otherwise original music switches to Tchaikovsky's "Romeo and Juliet", dragging the scene into cliche. And director Cukor later bemoaned the lack of "garlic and the Mediterranean" in the film's look and feel.

It's still something very rare on film: Shakespeare that is well and respectfully adapted for the screen, accessible to any viewer, and beautifully played. Of all the versions of "Romeo and Juliet" on film, this is the one that tells the story best.

The best version of "Romeo and Juliet " I've seen. Lovely!
I really enjoyed this movie, and recommend that people watch this version. Leslie Howard and Norma Shearer are perfectly cast in the roles of Romeo and Juliet. A must see, a beautiful performance. ... Read more

Reviews (17)

It's Holmes Against Moriarty--and the Nazis!
Although the first two movies Basil Rathbone made as Sherlock Holmes ("The Hound of the Baskervilles" and "The Adventures of Sherlock Holmes") were in the original Victorian setting, Hollywood subsequently decided that even Holmes could pitch in during the propaganda years of World War II. And so, he donned modern dress and rode about in fast cars in pursuit of Nazi collaborators, aided as ever by Dr. Watson (Nigel Bruce), who oddly enough was still wearing a suspiciously Edwardian collar.

"Sherlock Holmes and the Secret Weapon" is one such vehicle. Somewhat prophetically, the secret weapon is a type of super bomb and its inventor is a much-sought-after fellow. So Holmes goes over to the mainland to fetch him and bring him to the right side, England. While the inventor is very glad to be rescued from the Nazis by Holmes, for some inexplicable reason, he keeps leaving the flat, giving Basil Rathbone an opportunity to put on greasepaint and go scouring the wharves for this guy in cognito as a toughened seaman. That's actually the second disguise BR wears; before the movie's over, he'll indulge a few more times. Well, the upshot is that with all of his goings-about, the stupid inventor eventually gets kidnapped by Holmes' nemesis, Dr. Moriarty (Lionel Atwill), who of course puts him to the screws to get info out of him. Will Holmes get there in time? Since this review is being written in English not German, I think you can figure it out for yourself.

Rathbone does a pretty good job in his various incarnations; actually, what strikes me most about him aren't his disguises, but his rather unique coiffure when he's being just plain Holmes. It is a style where the locks around his temples are brushed forward, not back, to make him look as though he were just about to set his hair in curlers. I know he does sport this hairdo again in "SH in Washington", but sad to say, this attempt to make Sherlock Holmes a trendsetter in the world of hairstyles came to naught. Ah well, what he does well, he does well, and so after the culprits are rounded up, Holmes ends the piece by reciting from the "this blessed isle" speech of "Richard II", demonstrating once again that British pluck that did indeed forestall Nazi domination. Not great cinema, but fine for easy viewing.

Rathbone, gloriously brilliant as Sherlock Holmes
The second film in Universal's series of Sherlock Holmes adventures starring Basil Rathbone as the Great Detective and Nigel Bruce as Dr. Watson, "Sherlock Holmes and the Secret Weapon" was one of several titles in the series to fall into the public domain, hence its availability over the years in numerous bargain bin editions of poor quality. Thanks to UCLA's restoration program, this title is now available in all its original black and white glory.

Like Universal's first entry in the series, this one drags Holmes out of his original Victorian era habitat to match wits with the Nazis. But those disappointed with the modernization gimmick should be happy to learn that Holmes' arch-nemesis Professor Moriarty is on hand, as well, this time in the person of the magnificent Lionel Atwill who brought his creepy elegance to some of the best films Universal made in the 40s.

The plot has little to do with "The Dancing Men," the Arthur Conan Doyle story referred to in the credits, and this film is neither as visually striking or as well-written as "Sherlock Holmes and the Voice of Terror," or most of the 10 films to come, but it has Rathbone, incadescently brilliant as the greatest master detective of them all, and that's enough to make it a winner.

Brian W. Fairbanks

This is NOT the UCLA restored version!!
Despite what several customers have written (one even chastising others for slamming this DVD "when it hasn't even been released yet") this is NOT THE RESTORED VERSION, this is the dupey, scratched, and horrid sounding transfer that's been around for several years. MPI, not Focus Film, is the distributor of the new restored versions of this series. That said, if you come across a used copy of this version cheap (and I mean CHEAP!!) it has a few nice extras not found on the MPI, like the re-issue trailer (ironically looking better than the feature itself on this disc), and a generous helping of Rathbone / Bruce radio shows that are fun. But for the feature itself the UCLA restoration is the ONLY way to go.

The Needle to the Last, eh Holmes?
It's one of the paradoxes of Basil Rathbone's wartime anti-Nazi Sherlock Holmes films (Voice of Terror, SH in Washington, and this one) that while the plots and settings are mostly terrible, he is so good in them. Despite a bizarre wind-swept hairstyle meant to make him look younger, he blazes through every scene with so much bite and attack that you hardly register how flimsy the plots are. Here he also has great acting rapport with Lionel Atwill, who makes a wonderfully repulsive Professor Moriarty -- a heavy lidded cockroach with nice hints of sadism and depravity (it may not have been acting, kids). At the climax, changed into a lab coat in order to drain Rathbone's blood "drop by drop," he's as over-the-top sinister as Seinfeld's arch-nemesis Newman. The movie itself is ancient kiddie matinee fare, but it benefits from director Roy William Neill's attention to staging and atmosphere. It also looks fairly sharp in this UCLA restoration -- don't even think of buying any other edition, all of them faded, choppy public-domain prints.

This Version will be better than Any previously available.
I am frustrated that reviews of past DVD releases of this title are listed under this upcoming restored version. This is ludicrous and laziness on the part of someone!!! How can a review be asking customers to not buy this edition when it hasn't even been released to the public yet!! Furthermore it slams the quality of an upcoming RESTORED VERSION. WAKE UP!!!!!
I am writing this pre-review to express my Great Expectations and excitement over the upcoming DVD release of the 14 Sherlock Holmes movies made by Basil Rathbone and Nigel Bruce.
For those of us who have loved and worn out our VHS versions of these films, I am sure that I speak for many of us in expressing incredible anticipation and near shock that someone has finally recognized the need to release a "restored version" of these timeless classics.
We are told that they have been "Preserved and restored in 35mm by the UCLA Film and Television Archive." This is marvelous and I have already pre-ordered Vol. 1 and Vol. 2 from MPI Home Video.
I so hope that the entire 14 movies, are ultimately released in restored condition. Especially the rarest of them, "The Scarlet Claw" which has rarely been shown on televison and only been available on VHS sporadically.
To me and many others I know, Basil Rathbone is the definative Holmes. Not just because he looks alarmingly similar -as much as is humanly possible- to Sidney Pagets drawings of Holmes from the Strand Magazine illustrations, but mostly we love Rathbone because he portrayed the same Holmes that we as readers get through the buffer of Dr. Watson explaining away not magnifying Holmes' shortcomings.
Jeremy Brett chose to amplify every negative aspect of Holmes' personality that in the written versions Watson explained away. Rathbone's Holmes has been demeaned visciously over the past years and hopefully the respect and dignity that he gave his portrayals will be seen in all their accuracy and glory with these new digitally restored releases. ... these will have to be the best quality versions of these classics ever released...so for all of us who have cursed the incomprehensibly awful releases of these films over the years...our time has almost come. Show your support for this effort by ordering a restored version of American Film Histroy.
Much Thanks to UCLA, MPI, and Whoever was ultimately responsible for the idea of doing this!!!! ... Read more

Reviews (9)

The FIRST Dungeons and Dragons adventure!
This film, intended for kids, was a movie house favorite back in the 1960's. A handsome young man in love with the princess of his land takes on the quest to save her after she is kidnapped by an evil magician. There is some wonderful stuff here. A witch mother with a two headed servant, a special sword, armor and steed intended for Sir George when he reached manhood and a group of famous knights as companions for the quest who are from all over Europe. There is also some great campish humor in this film, especially when the "French" knight is drawn away by a pretty damsel singing in french and when he attempts to kiss her she turns into a horrible one eyed-monster, and upon being saved by Sir George he states: "I should have realized that such a beautiful woman would not be up so early in the morning!" The film also features silly ogres who throw logs like nine pins but get dizzy and fall over from watching a horse run in circles, the usual servant/sinister midgets who seem to terrify people by just standing around holding up their clenched hands and laughing mockingly,vaporous pools of death that knights on horseback seem to automatically lose their balance and fall into to die, caves full of ghostly witches that only the faith of an Irishman can confront and a genuinely good Dragon full of fire breathing fury at the end that is killed by our hero as he is about to feed on our princess. Classic stuff, darkly filmed in spots but deserves to be recognized as perhaps one of the earliest "questing" movies that a lot of fantasy minded gamers and movie makers were to benefit from some 35 years later.

SWORDS AND SORCERY
When watching a movie like "The Magic Sword", you have to smile at the camp and amateurism that often frequents a film like this. Bert I. Gordon did his first color movie with this one, and for the time it was made, the special effects are above average for this time. The dragon is hilarious; as are the conehead ripoffs. But, Estelle Winwood, what a wonderfully zany actress she was, and she steals the movie whenever she's on. Gary Lockwood, undeniably a hunk, is not the world's greatest actor here, although he went on to gain respect in the t.v. series, "The Lieutenant" and the movie, "2001." Anne Helm looks lovely but no more range than a Barbie Doll. Basil Rathbone is effectively hammy in his role as Lodac the evil sorcerer. One question though: they were supposed to encounter seven curses, I missed one somewhere?
Cheesy but enjoyable.

Cheesy rescue the princess from the sorcerer's dragon movie
Apparently Ray Harryhausen's big success with "The 7th Voyage of Sinbad" inspired all sorts of sword and sorcery epics (filmed in Cinemascope). Case in point would be this 1962 film, "The Magic Sword," a three-word title that makes the S&S genre perfectly clear. The film is directed and co-written by Bert I. Gordon, who gave us "The Cyclops," "The Amazing Colossal Man," and "Earth vs. the Spider," and actually ends up being one of his better efforts, helped, no doubt, by the money put into the film for color and special effects. But keep in mind that the rest of those films are really bad. "The Magic Sword" also stars the aging Basil Rathbone as the sorcerer, Lodac, and the young Gary Lockwood of "2001" fame as the hero, Sir George. Rathbone does well when he appears on screens, but the rest of the cast is not up to his level and the special effects are average at best (although the dragon at the end is the best of the bunch).

The story is by the numbers for this genre. Sir George has been raised by a witch named Sybil (Estelle Windwood), and has used her magic to spy on the beautiful Princess Helene (Anne Helm). She ends up being abducted by Lodac who plans to feed her to the aforementioned dragon. When the King (Merritt Stone) does the old bit about who ever rescues his daughter gets her hand in marriage, Sir George is off on his quest to the evil sorcerer's castle. Our hero is aided and abetted by six knights that he restores from being petrified. This is good because they have to face seven curses from Lodac and having seven knights makes it sound fair but we all know this is going to get down to just--ALL TOGETHER NOW--Sir George and the Dragon. Along the way Gordon to throw all sorts of witches, ogres, helpful little people, and the like at our band of heroes. I am sorry I missed it when "The Magic Sword" played on "Mystery Science Theater 3000" because this film is a natural for that venue. Still, this cheesy film can be enjoyed as such without the silhouetted talking heads.

Brings back memories
I am so glad I found this video. I've been trying to find out the title to this movie for a long time and when I found out that they still sell the video, I jumped on it right away.

I first saw this movie when I was a kid. I've always remembered the knights that came back to life to help the hero and I always found that fascinating. It's a kid's film and if your kid isn't too spoiled by the high-tech special effects of today, then I think they will like this movie.

THE MAGIC SWORD
I enjoyed this moviw trwemendously when I was a child. The fantasy of the movie at the time was very exciting. The idea that a night could have magic used to help him find himself, was a good pretense for a movie. I still remember this movie today as if I'd just finished watching it. ... Read more

Reviews (9)

The FIRST Dungeons and Dragons adventure!
This film, intended for kids, was a movie house favorite back in the 1960's. A handsome young man in love with the princess of his land takes on the quest to save her after she is kidnapped by an evil magician. There is some wonderful stuff here. A witch mother with a two headed servant, a special sword, armor and steed intended for Sir George when he reached manhood and a group of famous knights as companions for the quest who are from all over Europe. There is also some great campish humor in this film, especially when the "French" knight is drawn away by a pretty damsel singing in french and when he attempts to kiss her she turns into a horrible one eyed-monster, and upon being saved by Sir George he states: "I should have realized that such a beautiful woman would not be up so early in the morning!" The film also features silly ogres who throw logs like nine pins but get dizzy and fall over from watching a horse run in circles, the usual servant/sinister midgets who seem to terrify people by just standing around holding up their clenched hands and laughing mockingly,vaporous pools of death that knights on horseback seem to automatically lose their balance and fall into to die, caves full of ghostly witches that only the faith of an Irishman can confront and a genuinely good Dragon full of fire breathing fury at the end that is killed by our hero as he is about to feed on our princess. Classic stuff, darkly filmed in spots but deserves to be recognized as perhaps one of the earliest "questing" movies that a lot of fantasy minded gamers and movie makers were to benefit from some 35 years later.

SWORDS AND SORCERY
When watching a movie like "The Magic Sword", you have to smile at the camp and amateurism that often frequents a film like this. Bert I. Gordon did his first color movie with this one, and for the time it was made, the special effects are above average for this time. The dragon is hilarious; as are the conehead ripoffs. But, Estelle Winwood, what a wonderfully zany actress she was, and she steals the movie whenever she's on. Gary Lockwood, undeniably a hunk, is not the world's greatest actor here, although he went on to gain respect in the t.v. series, "The Lieutenant" and the movie, "2001." Anne Helm looks lovely but no more range than a Barbie Doll. Basil Rathbone is effectively hammy in his role as Lodac the evil sorcerer. One question though: they were supposed to encounter seven curses, I missed one somewhere?
Cheesy but enjoyable.

Cheesy rescue the princess from the sorcerer's dragon movie
Apparently Ray Harryhausen's big success with "The 7th Voyage of Sinbad" inspired all sorts of sword and sorcery epics (filmed in Cinemascope). Case in point would be this 1962 film, "The Magic Sword," a three-word title that makes the S&S genre perfectly clear. The film is directed and co-written by Bert I. Gordon, who gave us "The Cyclops," "The Amazing Colossal Man," and "Earth vs. the Spider," and actually ends up being one of his better efforts, helped, no doubt, by the money put into the film for color and special effects. But keep in mind that the rest of those films are really bad. "The Magic Sword" also stars the aging Basil Rathbone as the sorcerer, Lodac, and the young Gary Lockwood of "2001" fame as the hero, Sir George. Rathbone does well when he appears on screens, but the rest of the cast is not up to his level and the special effects are average at best (although the dragon at the end is the best of the bunch).

The story is by the numbers for this genre. Sir George has been raised by a witch named Sybil (Estelle Windwood), and has used her magic to spy on the beautiful Princess Helene (Anne Helm). She ends up being abducted by Lodac who plans to feed her to the aforementioned dragon. When the King (Merritt Stone) does the old bit about who ever rescues his daughter gets her hand in marriage, Sir George is off on his quest to the evil sorcerer's castle. Our hero is aided and abetted by six knights that he restores from being petrified. This is good because they have to face seven curses from Lodac and having seven knights makes it sound fair but we all know this is going to get down to just--ALL TOGETHER NOW--Sir George and the Dragon. Along the way Gordon to throw all sorts of witches, ogres, helpful little people, and the like at our band of heroes. I am sorry I missed it when "The Magic Sword" played on "Mystery Science Theater 3000" because this film is a natural for that venue. Still, this cheesy film can be enjoyed as such without the silhouetted talking heads.

Brings back memories
I am so glad I found this video. I've been trying to find out the title to this movie for a long time and when I found out that they still sell the video, I jumped on it right away.

I first saw this movie when I was a kid. I've always remembered the knights that came back to life to help the hero and I always found that fascinating. It's a kid's film and if your kid isn't too spoiled by the high-tech special effects of today, then I think they will like this movie.

THE MAGIC SWORD
I enjoyed this moviw trwemendously when I was a child. The fantasy of the movie at the time was very exciting. The idea that a night could have magic used to help him find himself, was a good pretense for a movie. I still remember this movie today as if I'd just finished watching it. ... Read more