Amazon.com

Bill Murray does warmth in his most consistently effective post-Stripes comedy, a romantic fantasy about a wacky weatherman forced to relive one strange day over and over again, until he gets it right. Snowed in during a road-trip expedition to watch the famous groundhog encounter his shadow, Murray falls into a time warp that is never explained but pays off so richly that it doesn't need to be. The elaborate loop-the-loop plot structure cooked up by screenwriter Danny Rubin is crystal-clear every step of the way, but it's Murray's world-class reactive timing that makes the jokes explode, and we end up looking forward to each new variation. He squeezes all the available juice out of every scene. Without forcing the issue, he makes us understand why this fly-away personality responds so intensely to the radiant sanity of the TV producer played by Andie MacDowell. The blissfully clueless Chris Elliott (Cabin Boy) is Murray's nudnik cameraman. --David Chute ... Read more

Reviews (239)

it's going to last you the rest of your life!
Groundhog Day is the funniest movie of the 90's. Brilliant performance by Bill Murray who plays a cocky weatherman Phil Connors who covers Groundhog day every year in the small town of Punxatawnee that he hates. The day end with him being stuck there because of a blizzard that he didn't predict...and what more, he relives groundhog day over and over again...taking advantage of it, taking his own life, making a move on his producer Andie Macdowell which turns out to be his first lesson in reviewing his inner cruelty and becoming a better person, and a local hero!

This movie is straight out funny...it will make you crack up with every viewing. Watch out for Stephen Tobolowski in his bizarre role as Ned Ryerson, and a cameo appearance by the film's director (and Murray's costar in Ghostbusters) Harold Ramis.

The features are well worth the money too.

A tale of love, hope, and redemption
This is a terrific movie - hilarious, uplifting, and deeply romantic and heartwarming.

Bill Murray and Andie McDowell are perfect in this film, Murray as the cynical, infinitely self-centered TV weather newscaster, and Andie McDowell as his radiant and relentlessly uplifting TV producer and love interest. The plot has been rehashed many times by others, so I won't repeat it again.

The thing that makes this movie so memorable, and makes it stand out from all others is not the comedy, which is enjoyable, but the deeper themes behind it.

What are these themes? In reading the other 226 reviews, people have mentioned everything from Buddhist karma and reincarnation, Nietzsche and existentialism, Kubler Ross, the Seven Sins, and Gurdjieff -Ouspensky and the Fourth Way. Comparisons have been made to themes from the Twilight Zone, and Frank Capra movies like "It's a Wonderful Life".

Yes, I suppose all of these themes are present, and people will interpret this movie in the religious or philosophical context with which they are most familiar. Which is why it's a bit surprising that so far nobody has mentioned the main theme that stood out immediately for me in this movie.

Above all the existentialism and New Age themes that might be found in this movie is a very old fashioned one - at its core, this movie is a moral tale of love, hope, and redemption.

Bill Murray's character is stuck in time, stuck in purgatory, stuck in a perpetual rut of endless reincarnation and immortality, whatever you want to call it. His character, Phil Connors asks, "What would you do if you were stuck in one place and every day was exactly the same, and nothing that you did mattered?"

Connors first uses his recursive immortality to dive even deeper into the Seven Sins, and then sinks into despair, hopelessness, and attempted suicide. But gradually, he awakens to the possibility that his choices of action do matter, and discovers that through caring for the other people in this town, he is able to regain hope in his own life again. It is this genuine turn in becoming a better person that wins the heart of Andie McDowell's character and earns him redemption from this purgatory.

Another reviewer had mentioned a link to the theme of making hard choices in the "Lord of the Rings". Thanks to "Groundhog Day", I came to understand one question from LOTR that had always bothered me - why would any immortal being (i.e., elves like Arwen and Haldir in LOTR) ever give up their immortality? The answer: maybe immortality becomes tiresome and meaningless if one cannot make a difference in this world, maybe leaving immortality to gain the love of another is truly more worthwhile.

There was just one other aspect of this idea that came to mind - what if whoever or whatever had kept Phil Connors stuck in time had continued to keep him there even after his transformation? We like to think that love and hope always leads to redemption. What if it doesn't? That's one real-life possibility which is not explored in this movie, but nevertheless, it is still a terrific movie.

Renaissance Man Extraordinaire - Carpe Diem
There are so many messages behind this great movie with Bill Murray and Andie MacDowell. He is head over heals for MacDowell from the start, but as an arrogant weatherman, he seems to just tick her off from the start as well.

Imagine waking up every morning and it is the same day over and over again? Well, Murray has this happen to him. Every time he does his day becomes one disaster after another until he finally gives in and figures out he can use each day to improve himself and his life a little at a time.

The message here is clear. We all have a life that is made up of the same day everyday, what we choose to do with that day is really up to us. Do we want to improve our lot in life or just go along with being ourselves in a boring unfulfilled endless life that is a cycle of recurring themes?

This movie shows anyone, even though it is a comedy, that each day we have a choice to make the day what it can be. Murray plays Phil Connors, on Ground Hog Day when the ground hog's name is also Phil...go figure. Connors is as arrogant as they come and he just keeps trying so hard to impress people.

He goes from egotisical and self serving to seeing himself to get the girl of his dreams, Rita. It would be nice to know how many days of Ground Hog Days he spent there. You can see him go from this to a renaissance man who really cares about people, loves life and takes each day and uses it to improve himself.

Rita, although the same person and not being influenced or affected by being in Ground Hog day, comes to really like Phil. This movie makes us laugh at ourselves and our humanity. And by the end of the movie, he shows that he can have a positive effect on everyone he comes in contact with.

So when you hear the song, "I've Got You Babe," and the announcers saying, "It's Ground Hog Day....." remember to use the day to its fullest.

Perfect
G.D really is nearly perfect. I never tire of it. At the same time I think most people miss the point. (By the way, I've NOT seen the Special Edition.)

I'm facinated each time watching the totally self centered Bill Murray caught in this marvelous time paradox, living the same day over and over. He goes through differing stages: fear and confusion; euphoria, when he realizes he can do ANYTHING without consequence; despair, when he realizes that life is meaningless if one pursues selfish pleasures without goals; and finally a peaceful self actualization when he dedicates himself toward self improvement and the humanitarian goals his situation gives him the opportunity to pursue.

It gives one pause to consider what each of US would do in a similar circumstance.

Oh, it's really funny, too.

Groundhog Day a classic
In 1993 , director Harold Ramis genius of dark comedies like ''Analyze This'' casted Bill Murray as Phil Connors in this dark but mostly enjoyable movie named GroundHog Day.

Bill Murray plays Phil Connors a weatherman, who covers everything from weather to Ground Day. Phil isn't happy with his life, in fact he realizes that he is repeating the same routine over and over again. From work in the morning,to
talking to the annoying Ned Ryanser( Stephen Tobolowsky), while listening to Sonny and Cher in the morning to covering the stupid GroundHog Day, Phil is repeating the same day over and over again. Of course the irony here as done by the plot, is that he is the only that knows it. It's like an episode the ''Twilight Zone'' (which I reviewed too on other sites). Eventually Phil has a mental breakdown in which he plans to do whatever he wants. He comes completely unglued when realizing how wasted his life had become, and thus wants to change it.

I use the term breakdown because well Phil isn't exactly a nice guy, he's arrogant and obnoxious. We hardly sympathize with this guy, much less that he is miserable.
However, the point the movie makes is the guy realizes he has been wasting his life away and wants to change it, although Phil's change doesn't go ahead smoothly.

He drives reckless around the train tracks, gets arrested, steals a bagfull of money from a couple of dumb cops, charms his way into sleeping with a beautiful young girl and yet finds out that he still isn't happy. Until he puts the moves on Rita (Andy McDowell), his producer. McDowell is the few actresses that I know that has limited acting potential but her beautiful presence can convey some emotions making her sympathetic.

However, in order to get close to Rita, Phil has to get info on her likes and dislikes from her friends. This angle in the movie, really made me a little sick, because even we are suppose to sympathize with Phil, he hasn't really changed all that much. Rita, eventually finds out Phil's motives and slaps him in the face, and telling him to get lost. LOL No surprise there, in fact Rita's action sums up my argument that Phil hasn't really changed all that much despite his aim to not repeat the same day, he is still repeating his same behavioral patterns.

Phil though in order to impress her and to change himself, starts doing bizarre, yet unreal things that get him attention and he does start to become nicer. This is where the movie gets ridiculous, because even though this is a comedy, I found the rest of the movie to be predictable, superficial, yet enjoyable
Phil becomes a gifted ice sculpter (who knows where he learned this) as one scene, where his cutting a sculpture of an ice angel is shown. Then Phil saves a guy from choking to death, a kid from a falling tree and a host of other surprises. LOL

Yes Harold Ramis does go a bit over the top with this Phil guy, obviously a lot of the stuff he pulls of is almost impossible giving Phil's background, but Ramis is again trying to show the point (although laughingly bad) that Phil is changing. He now has a heart and will do anything to be with this nice woman and of course by Phil doing this he has filled that empty void that he had when he was repeating the same unfulling routine of covering that stupid Groundhog Day in Pennsylvania.

Ramis is actually a buddy of Murray going back to the old days of their ''SCTV'' days, and ''Ghostbusters'' days, so these two talented comedian can pull the hijinks in the film with some realism.

Still though Ramis does do a good job of making us think about the movie and Phil itself and gives us that scary thought that we perhaps might end up like Phil, a shriveled, ugly man who has been repeating the same stupid routine yet doesn't have the capacity to see that this misery is at his own doing.

LOL ... Read more

Amazon.com

Bill Murray was heading toward a career peak on the back of comedies such as this one from 1981, the second film in his ongoing collaboration with director Ivan Reitman (the two went on to make Ghostbusters). Murray plays a chronic loser who joins the army and fails to find a fan for his ironic sensibilities in his by-the-book sergeant (Warren Oates). When push comes to shove, however, the smirking hero takes charge of his ragtag unit and turns them into fighting machines, albeit to the rhythm of hit songs by Manfred Mann and Sly Stone. The film is occasionally funny, but it mostly plays like any one of a dozen underachieving comedies featuring players from Saturday Night Live and SCTV. --Tom Keogh ... Read more

Reviews (58)

Bill Murray wants you
In one atypical morning, loser Murray loses his job, car, apartment, and girlfriend. This was pretty much his own doing, and since one stupid move deserves another, he and pal Ramis enlist in the army. His whole platoon is comprised of misfits,who give drill sergeant Warren Oates a run for his money. But when he's injured during basic training, Murray leads the platoon in completing basic training by themselves. This captures the attention of the general, who decides that these go-getters must be assigned to a special mission in Italy. The assignment in question is the EM-50, a killing machine disguised as an RV. Murray and Ramis, while on post, decide to take it for a little joyride. This results in the rest of their platoon being captured and held behind the iron curtain. Murray and a reluctant Ramis set off to rescue their counterparts. Very funny start to finish, with a hilarious scene in a mud wrestling club. Great supporting cast includes John Larroquette, John Candy, Judge Reinhold, and P.J. Soles. Screenwriter Ramis shines in his first on camera role. A welcome member of the "Animal House" genre.

A very funny movie!
When John Winger (played by Bill Murray) finds his life sliding away from him, a television commercial shows him an organization that can help him turn his life around, the United States Army! Dragging his friend Russell Ziskey (Harold Ramis), he joins up, and runs into a stone wall in the shape of Drill-Sergeant Hulka (Warren Oates). Together with the other misfits in his outfit (John Candy, Judge Reinhold, John Diehl, and others), Winger games the system and turns the US Army every which way but loose! [Color, released in 1981, with a running time of 1 hour, 41 minutes.]

This is a very funny movie! Unfortunately, it is rated R, and is NOT for younger viewers. The violence is pretty tame, and there are a few swear words used, but the main problem is that there are several nude scenes. So, if you buy this, you will need to watch it when the kids aren't around, just like me. But, it is a hilarious movie, and one that you will enjoy watching over and over again.

Lighten up, Francis...
I'm a bit perplexed by the reviews criticizing this movie because of its unrealistic depiction of the Army. Do these same people complain that "Animal House" doesn't accurately display college life or that "Vacation" isn't what a family trip across the country is really like? (Hey, I live in St. Louis and could easily take exception to the outright offensive inaccuracies in "Vacation", but I still love the movie!) This is a comedy, folks. It's not "Saving Private Ryan" or "Band of Brothers", and it never claims or tries to be. It uses exaggeration and absurdities to make us laugh. It isn't striving for realism, although to its credit, I have heard plenty of people say that this is the best movie they've ever seen at giving you the feel for what its like going into the service, and that their own drill instructor was identical to Sgt Hulka.

The first half of this movie is just about the funniest comedy ever made. Bill Murray and Harold Ramis are the perfect slobs with shiftless lives who try to maintain what's left of their dignity by enlisting in the Army. Their chemistry is wonderful and they truly are believable as out-of-shape but likable losers. Virtually every line and every character is memorable (Psycho, Ox, Cruiser, that lady in the cab, John Laroquette, and of course Russell and Winger), and this has to be the most quotable movie in history. No, John Candy would not have spoken to a superior officer that way when he gets off the bus (or at least not have gotten away with it), but that's what's so funny about it! And speaking of Sgt. Hulka, Warren Oates should have been given an Oscar nomination for this role. He's the high point of the movie for me, and his intense, over the top performance reminds me of Robert Shaw in "Jaws"- some actors are so good that they can chew scenery and get away with it. So for the first half of the movie, there's not an unfunny moment. Maybe basic training isn't like this, but the scenes are so well-done that a generation of adolescent guys has grown up thinking that it is and have no doubt gone into the military with this movie in the back of their minds.

The second half of the movie sort of devolves into a bearable but not great action movie, with its contrived plot about the stolen military RV and the rescue mission across the Czech border. Still, the same characters are present and continue to sustain the movie until the end. Great music, too- I don't think this has ever been issued as a soundtrack but it contains one of the most memorable themes ever written for a movie.

The DVD itself is passable- no extras, somewhat grainy video, unspectacular sound. But we surived watching it over and over again on basic cable with plenty of edits and subpar picture quality, so I can't complain too much. I suppose someday it will be given a "Special Edition" with a commentary and a retrospective from the stars, but the movie stands on its own without anything fancy.

Bill's in the army now!
John Winger(Bill Murray) quits driving taxicabs and enlists in the army with his teacher roommate(Harold Ramis). They experience the typical army life,filled with commanders,guns and best of all,pretty girls. The late John Candy gives great moral support as one of the soldiers. The then-little-known Sean Young is one of the girls whom the guys meet while in the army. One of Murray's most memorable post-Saturday Night Live films. Murray and Ramis later filmed the two GHOSTBUSTERS movies and Ramis directed 1993's GROUNDHOG DAY,starring Murray and Andie MacDowell.

This is why I joined the Army...
What? You mean the Army isn't really like this movie? Okay, so it's a comedy and it isn't meant to be like the Army, but it is meant to be funny, which it really is.

Bill Murray and Harold Ramis play the part of unlikely Army recruits bumbling their way through their training to somehow manage to get their entire platoon transferred to Europe for a top secret assignment, which Murray manages to ruin and get his platoon captured behind the iron curtain.

This comical movie is packed with one-liners and gags that typify comedies of the early 80's, and like many other movies of this era, the occasional gratuitious nude scene help keep the movie interesing if you like that kind of thing.

John Laroquette and John Candy round out the cast. Laroquette plays the part of the company commander. ... Read more

Reviews (74)

Tom Keogh...SHOVE IT!!
OK, Tom's review is by far one of the worst that I have seen for this movie...I can't believe it was posted. He obviously is not a Ghostbuster fan, but if you are a fan of the first movie, you will definately love this flick. Ironically Dana Barrett(Sigorney Weever) is suckered in by the world of the supernatural again, and who else but the Ghostbusters to help her...and her baby, Oscar(yes, like the hotdog), out of a fix with Vigo the Carpathian. It's a great movie to sit down with the family and eat popcorn on a Friday night with or to sit and watch by yourself. Very entertaining, and the comedic chemistry of Bill Murray, Harold Ramis, Dan Akroyd, and Ernie Hudson add together to make one of the best films of the 89 year. Loads of fun! This one goes a little further, because it has a massive river of slime, and the bathtub tries to eat Dana and her baby. Great stuff. I hope you enjoy this movie as much as I have over the past few years that I have owned it. So, if you have a night with the family, make it a GB night. :^)

Ghostbusters II
So, after risking their lives by crossing the streams and barely averting NYC from a disaster of biblical proportions, the guys in grey are sued out of business and shunted off into their own stupid little jobs. Even Dana Barett, the love interest from the first movie, has a baby, but w/o Venkman, who now runs a shoddy psychic talk show.
But when the guys are called into court over charges of Ray's causing a power outage, two dead killers return from the grave to menace the judge and jury. Reluctantly, the recalcitrant judge rescinds the previous sentence and the guys are back, blasting away and having a whole new car.
Unfortunately, while it has a strong start and good performances, the plot holds up like a wet paper bag. Never boring, but a bit of an anticlimax, especially with the end villain. Zhuul and Vinz Clortho are far superior to Vigo's half-possessing of Ray and a museum clerk, and the end battle doesn't make much use of his supposedly wizard-like abilities.
Final Analysis: While have a good start and entertaining performances, Ghostbusters II, unlike its predecessor, is a film that doesn't really pull you in (if you'll pardon the pun).

'Busting Makes Me Feel Good! (A lot Less In This Movie)
One of the main problems with GHOSTBUSTERS II is that it came out five years too late and that everything from the first film was invalid. In the first film the Ghostbusters literally save New York City and were heroes. In the sequel, we find out that that they are prohibited from "ghostbusting" and owe the city a hefty bill for the destruction incurred at "spook central" (Dana Barrett's /Sigourney Weaver apartment building near Central Park from the first movie). In the sequel, they have to literally start from scratch to re-establish themselves along with a new Ghostbusters logo. The rest of the plot is interestingly inventive but not as thrilling or memorable as from the original Ghostbusters (who can forget Gozer, Zhule, the Stay Puft Marshmellow Man). The heroes have to stop an evil spirit from the 16th Century, Vigo the Carpathian (currently inhabiting a painting of his own image being restored at a museum by Dana Barrett). He wants to come back to life by taking over Dana Barrett's baby boy, Oscar while "enlisting" the aid of Dana's boss,Janosz (an annoying Peter MacNicol with a european accent). At the same time his evil presence is oozing pink ectoplasmic slime (the first movie had green slime) being fed by all the negative vibes in New York City. Also,as in the first movie, the antagonizer against the Ghostbusters business was a man from the EPA (which was hilariously original and inventive), in this film it's the the mayor's campaign manager (Kurt Fuller). GHOSTBUSTERS II's production values and special effects are excellent along with the chemistry and comraderie among the cast and characters. However, it feels like it could have been a preliminary draft of ideas for it's characters instead of a sequel (i.e. The Statue of Liberty compared to the Stay-Puft Marshmellow Man). The filmmakers should have taken out the "trying to re-establish themselves" plot from the script, and concentrate on a more inventive and earth-shattering storyline which is the point of any sequel. The hype on the first GHOSTBUSTERS poster states "Coming This Summer To Save The World" and the film lived up to that hype. GHOSTBUSTERS II did not have that kind of atmosphere. Lastly, as stated earlier, the film came out five years too late. To show what five year can do, in the first film, there was a catchy pop tune by Ray Parker, Jr. In this film, it is replaced by an unmemorable rap song...rap had become contemporary by the time the film was released.

The Funniest Movie Ever!
The funniest part of this movie was when a lady's mink coat came alive. I liked the way the ghostbusters sucked up ghosts.
If you liked the Gremlins, you'll enjoy this movie.

Good...
Being such a huge fan of this film's predecessor, I was bound to be somewhat overtly critical of the sequel. Ghostbusters 2 is by far not a bad movie, but it could've been a lot better. On a creative level, the script/plot is basically the same as the first movie... It's kinda like watching the first one, just throw a baby into the mix. A rehash, you could say. Anyway, it isn't all that bad. The jokes are funny, performances are strong... More could've been done with the script and plot basically to make it more unique and original. ... Read more

Reviews (220)

A Solid Comic Gem
Bill Murray, Dan Aykroyd and Harold Ramis are the ultimate ghost hunters in the entertaining supernatural comedy hit "Ghostbusters". After being fired from the University, three paranormal investigators (Murray, Aykroyd & Ramis) open their own ghost extermination business. When an evil being from a spiritual dimension invades New York, these unlikely heroes become the only ones that could save Manhattan. "Ghostbusters" is a creative mix of witty humor and amusing fantasy. This engrossing 80's comedy features an imaginative storyline, memorable characters and great visual effects. Bill Murray, Dan Aykroyd and Harold Ramis deliver some excellent comic performances. The cast also includes Rick Moranis, Annie Potts, Ernie Hudson and Sigourney Weaver.

Columbia TriStar has certainly put some effort in developing this Collector Series DVD. The smash-hit comedy is presented in its theatrical 2.35:1 widescreen format. The DVD contains a great video transfer with fine sharpness. The 5.1 Dolby Digital sound is well-balanced and quite clear. The DVD features an amusing commentary with director Ivan Reitman and crew, deleted scenes, trailers, behind-the-scenes featurettes and inventive animated menus. With its clear widescreen presentation and clever supplemental extras, "Ghostbusters" is one of the best Columbia TriStar DVDs and earns a winning "A".

Incredible DVD for an incredible movie
My words simply cannot do justice to this amazing DVD release. If you haven't seen "Ghostbusters", you really don't know what you're missing.

Incredibly entertaining, "Ghostbusters" is a comedy about paranormal scientists who go into business for themselves in New York City. The Ghostbusters (played finely by Bill Murray, Dan Aykroyd, Harold Ramis, and Ernie Hudson) go around Manhattan eliminating the spooks and spirits that trouble people. Director Ivan Reitman's 1984 masterpiece takes an interesting premise and works wonders with it. Funny and suspenseful, "Ghostbusters" features first-rate acting, witty writing, and some impressive special effects.

This Collector's Series DVD release is unmatched in quality. The anamorphic widescreen presentation makes the film look better than ever before. And the tons of extra features that Columbia has included allows "Ghostbusters" to excel on DVD. Included a three in-depth featurettes, audio commentary (with an innovative "live video" option that shows their silhouettes), deleted scenes, conceptual art, storyboards, trailers, and so much more. The 3-D animated menus are a nice touch. This DVD is highly recommended as it surpasses all the other discs in my collection. If you like "Ghostbusters", you certainly won't be disappointed with this release.

Central Park West was never funnier.
No need to tell anyone that GHOSTBUSTERS was the best comedy of the 80s (and probably better than anything in the 90s). Without resorting to adolescent potty humor (like PORKY'S or AMERICAN PIE), GHOSTBUSTERS relied on a super script, powerful directing, and the best acting jobs of the cast's careers. It did NOT rely on the special effects. As another reviewer perfectly put it, the special effects served the plot, not the other way around.

What I do need to tell you is that what makes this set worth the price is the gravy: all those extras, like the interviews, special effects demonstrations, and storyboards. The transfer to dvd is great and the enhanced soundtrack complete the value.

Still StayingPuft
The movie is classic. Period. Nuff said. End of discussion. Bill Murray is a legend. Every man should have at least one Bill Murray DVD in his collection, and if you only have one, then Ghostbusters has to be it. Sure others will go on about Caddyshack and blah, blah, blah. Those people are idiots. Sure Cadyshack was great, but it is no Ghostbusters. Ghostbusters started a completely new genre: modern sci-fi comedy.

The DVD itself is great. Nice menus, engaging commentaries, etc., but the DVD still feels a little "light" on extras for such a classic movie. Hopefully it'll get the royal DVD treatment on it's 20th anniversary release.

still holds up
This film phenomenon still holds up two decades later, with still passable special effects and great lines and performances from a very talented cast -- Bill Murray at his acerbic best, Rick Moraniss, Dan Ackroyd, Sigourney Weaver et al. DVD extras are very good and include: a text commentary (which works very well), a video, an original making-of featurette and a 1999 featurette, a sfx featurette, trailer, drawings and storyboard comparisons and 10 deleted scenes. The film can only be heard or subtitled in English.

Revisit your past -- you won't be disappointed! ... Read more

Amazon.com

The writing-directing team of Charles Shyer and Nancy Meyers (Father of the Bride) made this sweet satire about a high-powered yuppie executive (Diane Keaton) who unexpectedly becomes a mom and finds she can't successfully integrate the role into her busy life. Typical of the Shyer-Meyers films prior to Myers taking the director's reins on the wonderful Parent Trap, Baby Boom is a little wooden and more sentimental than genuine. But there are entertaining moments, for sure, and Keaton is a delight. --Tom Keogh ... Read more

Reviews (32)

Diane Keaton as a Working Mom
I was a fan of this movie the first time I saw it on cable. I always thought of it as a classic in my book. This was before I saw Working Girl even or Look Who's Talking. Which in this case is a little of both movies into one.
Diane Keaton plays J.C. Wiatt a hugly successful business woman in the 80's. And works for a huge advertising company. In the process of almost making partner in the company she recieves an inheritence from some cousins she hasn't seen in ages. It turns out it's a baby girl Elizabeth. Now she's conflicted of working but at the same time deciding to give up Elizabeth for being a partner or possibly doing both. She learns that she just can't give up with Elizabeth and she has fallen in love with her. However, she learns it's too hard to work full time in a demanding business and raise a baby girl at the same time.
So they move to a country side where quite a few things go wrong. A city girl in the country trying to make it on her own and raising a baby girl. She then starts a business on her own which can land her back at her old business.

It's got a great cast with: Diane Keaton who's really amazing in this role, and other's such as: Harold Ramis (Ghostbusters), Sam Shepard (Black Hawk Down), James Spader, and many more noticable stars. In the start of the movie the narrorator is none other than newswoman Linda Ellerbee.

The DVD I was a bit disappointed in it's only got a theatrical trailer and not much else. I was hoping maybe for some interviews and behind the scene's. So if your a fan you can still get the VHS version or if your a DVD collector then this is a good movie to add to your collection.

So All in all I would give a review of the movie a B+ and the DVD itself a C.

Terrific for a snowy night
I bought this video for a solitary reason: it starred Diane Keaton. As usual, she turns in a brilliant performance. She's never disappointed me in any of her movies, counting this one. Keaton's character, J.C. Wiatt, shows a fabulous transition from a tiger lady to a doting mother. My favorite scenes were the ones in the airport, when Wiatt first learns she has a baby on her hands, when she yells at the plumber at the well, when she confesses all her problems to the vet (Shepard), when Shepard rescues her, and finally the ending- it's so sweet and so unpredictable. This movie emits warm vibes,and is a must-see during a snowy night with the lights turned off. The only complaints I have about this movie is that Shepard's character should have shown a little more emphasis on what he should have been doing. I excepted him to be a witty,teasing character. And while he is, it isn't seen very well. I wanted more conversations between those two, a little vulnerability. Plus, I would have liked to see some more mother-daughter time between Wiatt and baby Elizabeth. But I still declare this film a must-see, especially since Keaton is in it.

She Did It Her Way!
This review refers to MGM's DVD edition of "Baby Boom".....

They call her "The Tiger Lady". She's a woman of the 80's.She's a high powered ad exec,with a six figure income,has an apartment to die for, which she shares with her significant(but slightly dull)other(also a six figure income),and is about to become a partner in the firm.She's J.C.Wiatt,a real go-getter. She has it all. Or does she?

Diane Keaton turns in a touching and funny performance as this dynamic woman, whose life is suddenly turned upside-down by a surprising inheritance. No, not money or a family heirloom, this inheritance is "Elizabeth"....a bouncing bundle of joy who melts the heart of the Tiger Lady and will melt yours as well.A toddler was not part of J.C.'s plan.How will she juggle her career and motherhood? And what about romance,can that ever be part of her future now? It doesn't look good. But when life hands J.C. Wiatt lemons(and a baby)...she does it her way...she makes applesauce!

Written by Nancy Meyers and Charles Shyer(who also directed), it is a nostalgic look back at the evolving baby boomer.A marvelous supporting cast includes Harold Ramis, Sam Wanamaker,Sam Shepard, and James Spader as the protoge from hell. It's a sweet and funny feel good tale. The music by Bill Conti gives the perfect feel to the story.

The DVD is presented in widescreen(1.85:1) and the sound is in Dolby Digital stereo surround. The picture is good. Not the shaprest I've seen on a film this recent, but a nice view.The surround sound is nice. The music and dialouge both clear and disguinishable.There is a theatrical trailer and it may be viewed in French(also stereo) and has subtitles in French and Spanish, but none in English. If you are interested in this film and are needing English subtitles, there is a German edition(PAL)with English captioning out there. I did not see it sold here at Amazon though.

"Baby Boom" is a fun romantic comedy that was nominated for Golden Globes for Best Motion Picture(Comedy/Musical) and Best Actress(Comedy/Musical).4 stars.

Thanx and enjoy......Laurie

I can't stop you from watching this, but...
Maybe you'd really like this film if you are nostalgic about the way Hollywood once portrayed rich people. It's amusing to watch Diane Keaton and spouse cooped up in a miniscule, overpriced Manhattan co-op filled with chrome and glass furniture and talk about how much money they make and how many hours per week they work. If you are the sort who likes watching dozens of women in dorky dark skirts and helmet hair trotting to their next power lunch, this movie is for you, Mister (or Sister). The script achieves a few high points in its unintended humor (or irony) when we hear that Diane is paid "zillions" a year to tell investors that a company must trim "operating expenses" in order to "become profitable".

Into this odd "business is evil" morality play comes a baby for whom Diane eventually develops maternal feelings, as well as a rugged country dude who can give her what she "really needs". Who knows? Even the bad 80's music groups have nostalgia value. Maybe this movie is next.

One of Diane Keaton's Finest Roles
Diane Keaton shines in this wonderful comedy about a working woman who inherits a baby from a cousin she "hasn't seen since 1954." Keaton portrays J.C. Wiatt, a Management Consultant who never stops working. Then she finds out that her cousin, in his will, left her his baby daughter Elizabeth (played by Michelle and Christine Kennedy, who are too cute!) to care for. At first, J.C. does not want to have anything to do with having a baby. She's too wrapped up in work. The turning point to me is when Elizabeth gets sick and J.C. has to care for her. It is then that you can tell that she starts to bond with Elizabeth. Unfortunately, Steven (Harold Ramis), the man who she lives with, doesn't agree with this situation and leaves. Eventually, J.C. finds herself paying more attention to Elizabeth than with work which does not make her boss (Sam Wanamaker) too happy. He decides to lower J.C.'s status in the company and promotes Ken (James Spader) to her status. J.C. decides that she should move. Also, the transformation Diane makes from full-time worker to full-time mom is great. I do believe that Diane Keaton show her maternal side in this film. She is so natural with children.

What happens next is so sweet. She moves to this Vermont home where everything you can think of goes wrong, she gets "yupped" and "noped" by everyone there, and basically goes crazy and vows she will go back to New York. But then she meets Dr. Cooper (Sam Shepard) and everything slowly changes for her. As a romance begins, so does another career move for J.C. She invents 'Gormet Baby Food' which the Food Chain, where she used to work, wants to buy. The ending is wonderful. I loved it. I'm not going to give that away...If you want to know the ending, rent the movie. You won't be disappointed! ... Read more

Reviews (239)

it's going to last you the rest of your life!
Groundhog Day is the funniest movie of the 90's. Brilliant performance by Bill Murray who plays a cocky weatherman Phil Connors who covers Groundhog day every year in the small town of Punxatawnee that he hates. The day end with him being stuck there because of a blizzard that he didn't predict...and what more, he relives groundhog day over and over again...taking advantage of it, taking his own life, making a move on his producer Andie Macdowell which turns out to be his first lesson in reviewing his inner cruelty and becoming a better person, and a local hero!

This movie is straight out funny...it will make you crack up with every viewing. Watch out for Stephen Tobolowski in his bizarre role as Ned Ryerson, and a cameo appearance by the film's director (and Murray's costar in Ghostbusters) Harold Ramis.

The features are well worth the money too.

A tale of love, hope, and redemption
This is a terrific movie - hilarious, uplifting, and deeply romantic and heartwarming.

Bill Murray and Andie McDowell are perfect in this film, Murray as the cynical, infinitely self-centered TV weather newscaster, and Andie McDowell as his radiant and relentlessly uplifting TV producer and love interest. The plot has been rehashed many times by others, so I won't repeat it again.

The thing that makes this movie so memorable, and makes it stand out from all others is not the comedy, which is enjoyable, but the deeper themes behind it.

What are these themes? In reading the other 226 reviews, people have mentioned everything from Buddhist karma and reincarnation, Nietzsche and existentialism, Kubler Ross, the Seven Sins, and Gurdjieff -Ouspensky and the Fourth Way. Comparisons have been made to themes from the Twilight Zone, and Frank Capra movies like "It's a Wonderful Life".

Yes, I suppose all of these themes are present, and people will interpret this movie in the religious or philosophical context with which they are most familiar. Which is why it's a bit surprising that so far nobody has mentioned the main theme that stood out immediately for me in this movie.

Above all the existentialism and New Age themes that might be found in this movie is a very old fashioned one - at its core, this movie is a moral tale of love, hope, and redemption.

Bill Murray's character is stuck in time, stuck in purgatory, stuck in a perpetual rut of endless reincarnation and immortality, whatever you want to call it. His character, Phil Connors asks, "What would you do if you were stuck in one place and every day was exactly the same, and nothing that you did mattered?"

Connors first uses his recursive immortality to dive even deeper into the Seven Sins, and then sinks into despair, hopelessness, and attempted suicide. But gradually, he awakens to the possibility that his choices of action do matter, and discovers that through caring for the other people in this town, he is able to regain hope in his own life again. It is this genuine turn in becoming a better person that wins the heart of Andie McDowell's character and earns him redemption from this purgatory.

Another reviewer had mentioned a link to the theme of making hard choices in the "Lord of the Rings". Thanks to "Groundhog Day", I came to understand one question from LOTR that had always bothered me - why would any immortal being (i.e., elves like Arwen and Haldir in LOTR) ever give up their immortality? The answer: maybe immortality becomes tiresome and meaningless if one cannot make a difference in this world, maybe leaving immortality to gain the love of another is truly more worthwhile.

There was just one other aspect of this idea that came to mind - what if whoever or whatever had kept Phil Connors stuck in time had continued to keep him there even after his transformation? We like to think that love and hope always leads to redemption. What if it doesn't? That's one real-life possibility which is not explored in this movie, but nevertheless, it is still a terrific movie.

Renaissance Man Extraordinaire - Carpe Diem
There are so many messages behind this great movie with Bill Murray and Andie MacDowell. He is head over heals for MacDowell from the start, but as an arrogant weatherman, he seems to just tick her off from the start as well.

Imagine waking up every morning and it is the same day over and over again? Well, Murray has this happen to him. Every time he does his day becomes one disaster after another until he finally gives in and figures out he can use each day to improve himself and his life a little at a time.

The message here is clear. We all have a life that is made up of the same day everyday, what we choose to do with that day is really up to us. Do we want to improve our lot in life or just go along with being ourselves in a boring unfulfilled endless life that is a cycle of recurring themes?

This movie shows anyone, even though it is a comedy, that each day we have a choice to make the day what it can be. Murray plays Phil Connors, on Ground Hog Day when the ground hog's name is also Phil...go figure. Connors is as arrogant as they come and he just keeps trying so hard to impress people.

He goes from egotisical and self serving to seeing himself to get the girl of his dreams, Rita. It would be nice to know how many days of Ground Hog Days he spent there. You can see him go from this to a renaissance man who really cares about people, loves life and takes each day and uses it to improve himself.

Rita, although the same person and not being influenced or affected by being in Ground Hog day, comes to really like Phil. This movie makes us laugh at ourselves and our humanity. And by the end of the movie, he shows that he can have a positive effect on everyone he comes in contact with.

So when you hear the song, "I've Got You Babe," and the announcers saying, "It's Ground Hog Day....." remember to use the day to its fullest.

Perfect
G.D really is nearly perfect. I never tire of it. At the same time I think most people miss the point. (By the way, I've NOT seen the Special Edition.)

I'm facinated each time watching the totally self centered Bill Murray caught in this marvelous time paradox, living the same day over and over. He goes through differing stages: fear and confusion; euphoria, when he realizes he can do ANYTHING without consequence; despair, when he realizes that life is meaningless if one pursues selfish pleasures without goals; and finally a peaceful self actualization when he dedicates himself toward self improvement and the humanitarian goals his situation gives him the opportunity to pursue.

It gives one pause to consider what each of US would do in a similar circumstance.

Oh, it's really funny, too.

Groundhog Day a classic
In 1993 , director Harold Ramis genius of dark comedies like ''Analyze This'' casted Bill Murray as Phil Connors in this dark but mostly enjoyable movie named GroundHog Day.

Bill Murray plays Phil Connors a weatherman, who covers everything from weather to Ground Day. Phil isn't happy with his life, in fact he realizes that he is repeating the same routine over and over again. From work in the morning,to
talking to the annoying Ned Ryanser( Stephen Tobolowsky), while listening to Sonny and Cher in the morning to covering the stupid GroundHog Day, Phil is repeating the same day over and over again. Of course the irony here as done by the plot, is that he is the only that knows it. It's like an episode the ''Twilight Zone'' (which I reviewed too on other sites). Eventually Phil has a mental breakdown in which he plans to do whatever he wants. He comes completely unglued when realizing how wasted his life had become, and thus wants to change it.

I use the term breakdown because well Phil isn't exactly a nice guy, he's arrogant and obnoxious. We hardly sympathize with this guy, much less that he is miserable.
However, the point the movie makes is the guy realizes he has been wasting his life away and wants to change it, although Phil's change doesn't go ahead smoothly.

He drives reckless around the train tracks, gets arrested, steals a bagfull of money from a couple of dumb cops, charms his way into sleeping with a beautiful young girl and yet finds out that he still isn't happy. Until he puts the moves on Rita (Andy McDowell), his producer. McDowell is the few actresses that I know that has limited acting potential but her beautiful presence can convey some emotions making her sympathetic.

However, in order to get close to Rita, Phil has to get info on her likes and dislikes from her friends. This angle in the movie, really made me a little sick, because even we are suppose to sympathize with Phil, he hasn't really changed all that much. Rita, eventually finds out Phil's motives and slaps him in the face, and telling him to get lost. LOL No surprise there, in fact Rita's action sums up my argument that Phil hasn't really changed all that much despite his aim to not repeat the same day, he is still repeating his same behavioral patterns.

Phil though in order to impress her and to change himself, starts doing bizarre, yet unreal things that get him attention and he does start to become nicer. This is where the movie gets ridiculous, because even though this is a comedy, I found the rest of the movie to be predictable, superficial, yet enjoyable
Phil becomes a gifted ice sculpter (who knows where he learned this) as one scene, where his cutting a sculpture of an ice angel is shown. Then Phil saves a guy from choking to death, a kid from a falling tree and a host of other surprises. LOL

Yes Harold Ramis does go a bit over the top with this Phil guy, obviously a lot of the stuff he pulls of is almost impossible giving Phil's background, but Ramis is again trying to show the point (although laughingly bad) that Phil is changing. He now has a heart and will do anything to be with this nice woman and of course by Phil doing this he has filled that empty void that he had when he was repeating the same unfulling routine of covering that stupid Groundhog Day in Pennsylvania.

Ramis is actually a buddy of Murray going back to the old days of their ''SCTV'' days, and ''Ghostbusters'' days, so these two talented comedian can pull the hijinks in the film with some realism.

Still though Ramis does do a good job of making us think about the movie and Phil itself and gives us that scary thought that we perhaps might end up like Phil, a shriveled, ugly man who has been repeating the same stupid routine yet doesn't have the capacity to see that this misery is at his own doing.

LOL ... Read more

Reviews (74)

Tom Keogh...SHOVE IT!!
OK, Tom's review is by far one of the worst that I have seen for this movie...I can't believe it was posted. He obviously is not a Ghostbuster fan, but if you are a fan of the first movie, you will definately love this flick. Ironically Dana Barrett(Sigorney Weever) is suckered in by the world of the supernatural again, and who else but the Ghostbusters to help her...and her baby, Oscar(yes, like the hotdog), out of a fix with Vigo the Carpathian. It's a great movie to sit down with the family and eat popcorn on a Friday night with or to sit and watch by yourself. Very entertaining, and the comedic chemistry of Bill Murray, Harold Ramis, Dan Akroyd, and Ernie Hudson add together to make one of the best films of the 89 year. Loads of fun! This one goes a little further, because it has a massive river of slime, and the bathtub tries to eat Dana and her baby. Great stuff. I hope you enjoy this movie as much as I have over the past few years that I have owned it. So, if you have a night with the family, make it a GB night. :^)

Ghostbusters II
So, after risking their lives by crossing the streams and barely averting NYC from a disaster of biblical proportions, the guys in grey are sued out of business and shunted off into their own stupid little jobs. Even Dana Barett, the love interest from the first movie, has a baby, but w/o Venkman, who now runs a shoddy psychic talk show.
But when the guys are called into court over charges of Ray's causing a power outage, two dead killers return from the grave to menace the judge and jury. Reluctantly, the recalcitrant judge rescinds the previous sentence and the guys are back, blasting away and having a whole new car.
Unfortunately, while it has a strong start and good performances, the plot holds up like a wet paper bag. Never boring, but a bit of an anticlimax, especially with the end villain. Zhuul and Vinz Clortho are far superior to Vigo's half-possessing of Ray and a museum clerk, and the end battle doesn't make much use of his supposedly wizard-like abilities.
Final Analysis: While have a good start and entertaining performances, Ghostbusters II, unlike its predecessor, is a film that doesn't really pull you in (if you'll pardon the pun).

'Busting Makes Me Feel Good! (A lot Less In This Movie)
One of the main problems with GHOSTBUSTERS II is that it came out five years too late and that everything from the first film was invalid. In the first film the Ghostbusters literally save New York City and were heroes. In the sequel, we find out that that they are prohibited from "ghostbusting" and owe the city a hefty bill for the destruction incurred at "spook central" (Dana Barrett's /Sigourney Weaver apartment building near Central Park from the first movie). In the sequel, they have to literally start from scratch to re-establish themselves along with a new Ghostbusters logo. The rest of the plot is interestingly inventive but not as thrilling or memorable as from the original Ghostbusters (who can forget Gozer, Zhule, the Stay Puft Marshmellow Man). The heroes have to stop an evil spirit from the 16th Century, Vigo the Carpathian (currently inhabiting a painting of his own image being restored at a museum by Dana Barrett). He wants to come back to life by taking over Dana Barrett's baby boy, Oscar while "enlisting" the aid of Dana's boss,Janosz (an annoying Peter MacNicol with a european accent). At the same time his evil presence is oozing pink ectoplasmic slime (the first movie had green slime) being fed by all the negative vibes in New York City. Also,as in the first movie, the antagonizer against the Ghostbusters business was a man from the EPA (which was hilariously original and inventive), in this film it's the the mayor's campaign manager (Kurt Fuller). GHOSTBUSTERS II's production values and special effects are excellent along with the chemistry and comraderie among the cast and characters. However, it feels like it could have been a preliminary draft of ideas for it's characters instead of a sequel (i.e. The Statue of Liberty compared to the Stay-Puft Marshmellow Man). The filmmakers should have taken out the "trying to re-establish themselves" plot from the script, and concentrate on a more inventive and earth-shattering storyline which is the point of any sequel. The hype on the first GHOSTBUSTERS poster states "Coming This Summer To Save The World" and the film lived up to that hype. GHOSTBUSTERS II did not have that kind of atmosphere. Lastly, as stated earlier, the film came out five years too late. To show what five year can do, in the first film, there was a catchy pop tune by Ray Parker, Jr. In this film, it is replaced by an unmemorable rap song...rap had become contemporary by the time the film was released.

The Funniest Movie Ever!
The funniest part of this movie was when a lady's mink coat came alive. I liked the way the ghostbusters sucked up ghosts.
If you liked the Gremlins, you'll enjoy this movie.

Good...
Being such a huge fan of this film's predecessor, I was bound to be somewhat overtly critical of the sequel. Ghostbusters 2 is by far not a bad movie, but it could've been a lot better. On a creative level, the script/plot is basically the same as the first movie... It's kinda like watching the first one, just throw a baby into the mix. A rehash, you could say. Anyway, it isn't all that bad. The jokes are funny, performances are strong... More could've been done with the script and plot basically to make it more unique and original. ... Read more

Amazon.com

You can hear the big gears clank in this glossy,oh-so-watchable remake of the classic 1939 film (and the popular AnAffair to Remember). Instead of updating the story with contemporary attitudes(as Warren Beatty did so successfully with Heaven Can Wait), this is avirtual carbon copy of the other films. The early scenes succeed as thetwo love birds (Beatty and real-life wife Annette Bening) banter withsmart, fun talk. But the dramatics never really work in the modern eraand romance doesn't blossom. Do we have to visit the Empire StateBuilding again? Why couldn't the man be the victim? Everything lookswrapped for Christmas: a lovely score, nice use of old songs, richdesigner clothes, familiar faces popping up everywhere, all surrounded byace Conrad L. Hall's glowing, luscious light. It comes off like a bigstill-life, no zeal with two big exceptions: Garry Shandling's comicportrayal of lawyerhood as Beatty's agent and the reappearance ofKatharine Hepburn. Seen for maybe 10 minutes, she packs more magic in her work than the entire rest of the movie. --Doug Thomas ... Read more

Reviews (34)

From a guy's point of view...
Okay, I'm not into chick flicks, but I like romantic movies. This movie is amazing because it avoids the pitfalls that alot of romantic movies fall into by not mixing an essential amount of testosterone necessary to keep a guy feeling like he's part of the scenario. (I absolutely abhored Best Friend's Wedding.) Movies that are of the same genre as this: An Affair to Remember? A classic, but by the time I was old enough to appreciate romance movies, I was intolerant of Cary Grant's accent. Sleepless in Seattle had it's moments. BUT, Love Affair nails it! It's funny, clever, romantic... Annette Benning commands the screen. Warren Beatty--I mean, does this movie strike an exact chord, or what? The chemistry is perfect because, aside from the tragedy it entails, it IS a true story! WB is depicted as a famous womanizing stud (which anybody who's been around for a few years is well aware that he actually was). One day traveling on a plane he meets the woman that's his soulmate. The way she 'operates' him is poetry in motion. Bottom line: The cast, the soundtrack, the storyline, the locations, Ray Charles in concert doing a Christmas song, the cruise ship, the walk on an island in Tahiti, the humor, etc. I could go on & on about how much I love this movie. I recorded this on cable several years ago and can't tell you how many times I've watched it. (Now it's on DVD...Y-E-A-H!!!) Ladies, are you having a hard time of getting your man to watch a romantic movie? Well this is your ticket! Take it from a guy, this movie absolutely rules! Just make sure you get some tissues for him too!

KATE HEPBURN MAKES THIS WATCHABLE
I have not seen the Cary Grant version so I had little to compare this predictable chickflick with. In fact the first 40 minutes or so can pretty much be skipped. I'd say the film even starts when Katherine Hepburn appears on the scene. She lends the movie its spine, the very reason our two protagonists come together, and the movie is a very decent romantic story from then on, with an occasional tinge of humor. Benning in particular is stunning with her understated rendition of a woman in emotional doldrums. A worthy rental overall, but not exactly a spectacular movie.

One of the Best Romance Movies
I have seen An Affair to Remember long before I watched Love Affair. Altho "An Affair..." became one of my favorite classics (along w/ Gone with the Wind and Casablanca), I personally prefer Love Affair because i was more moved by it. the actors are brilliant, especially Ms. Bening, whose eyes captivate the audience. she just GLOWS in it and Mr Beatty is effortless in playing himself. they give the film a sense of reality. the movies basks the audiences in feeling of excitement, despair and hope of falling in love. it's a classic. so yeah, don't forget the box of tissue. i can't get enough of this film!

A pale shadow of An Affair to Remember
I'm afraid this movie is at best a pale shadow of its predecessor (An Affair to Remember). Annette Benning and Warren Beatty are woefully short on precisely those qualities which made Deborah Kerr and Cary Grant (in the original) so unforgettable -- wit, charm, chemistry, and STYLE. The presence of Kathleen Hepburn was no help -- the scene between her and Benning seems so stiff and uncomfortable beside the genuinely warm and charming meeting between Kerr and Cathleen Nesbitt (a truly gracious and affectionate lady, playing Grant's grandma). The only thing in this remake which challenges the original is Ennio Morricone's (as always) beautiful and moving score. It has the one thing the film as a whole lacks -- conviction.

A Classic
It's a beautiful classic made during our time. If you love romance, this is a beatiful remake of a classic. Love the children's and Annette's rendition of the Beatles "I Will". Dissapointed that the song is not on the original soundtrack. I bought the VHS version in 96 and lent it to my friends. They all loved it. They kept wanting to borrow and replay it - for the song; as well as for the beautiful everything that best describes the the movie. The VHS is now kaput and I definitely have this in my list of the next one to add to my collection of DVDs. Hope you will enjoy it too. ... Read more

Reviews (114)

The movie is great but the DVD falls short
I love the National Lampoon's Vacation movie with Chevy Chase and the movie is wonderful and we all know that. My problem here is this 20th anniversary DVD Warner Bros put out First O.K the movie looks great the picture is wonderful and everything that's not the problem it is the real lack of special features that makes me rather dissapointed the best special feature the the commentary it is pretty entertaining there is alot of information that is useful but Harold Ramis who as you hear recorded his away from everyone else probably has the most useful information the others like Chevy Chase Dana Barron Anthony Michael Hall who is basically mute through out the whole darn thing and Randy Quaid and Matty Simmons once in a while come out with some good tidbits but they joke around too much. They talk about that alternate ending when they go to Roy Wally's Mansion instead make him and some people sing and dance for there dime's worth of entertainment and that is how the movie originally ended with no trip ever to Wally World with the Roller Coasters and such and no John Candy in the original ending and they tested the ending with a test audience and they laughed through out the whole film but got Strangly Quiet and never laughed again and just walked out sad. Guess What that alternate ending never made it on the DVD! You think after 20 years with so many loyal fans of this film they would release that ending for at least for interest just to see rare footage of this film. They just drive you nuts here on this DVD all of the special features except the Commentary which is cool everything else stinks. Where is the FEATURETTE? Where is the Making of...? Maybe some outtakes would have made this a bit more cooler and most of all for crying out loud release the alternate ending! What does Warner Bros got to lose! You also get on this DVD this family truckster gallery thing I don't know what else to call it you get this map of that ugly station wagon from the film and you pick highlighted things off of this picture of this wagon and just kind of guess what there going to talk about and it's not that great. I laugh because on that gallery they talk about 10 minutes in different galleries to Christie Brinkley? about her big scene and what she did on her SUMMER VACATION! Also talks to Dana Barron about "Why the heck she was missing from the other films"? also talks to the stunt guy who jumped that ugly station wagon in the desert and there some other stuff like the Theatrical Trailer OOH! and basically that's the movie your best here is the film itself and the commentary other than that it could have been a HECK of alot better maybe they redo the DVD and add better things because what is up with those bits of Chevy Chase Randy Quaid and Matty Simmons sitting with Atari sticks on the couch they act like they had to much to drink they don't make any sense.

The Holiday Road...
It's hard to imagine now, but there was a time when Chevy Chase was cool and funny. In "National Lampoon's Vacation," Chase stars as Clark Griswold, a man determined to drive his family cross-country to see Wally World, "America's Number One Family Theme Park." In the opening scene, Griswold gets stuck with a monstrous (and monstrously ugly) automobile-like contraption dubbed the "Family Truckster."

Unfortunately for him, that's the highpoint of his trip down the holiday road.

Everything that can go wrong does so as the Griswold clan weathers hubcap theft, a sportscar-driving temptress, two deaths and an endless variety of indignities heaped upon Clark himself as the result of his obsessive need to be the perfect husband and father. Chase's wild-eyed expressions as he approaches the brink of insanity are hilarious.

Harold Ramis directs a script by John Hughes (who would later team-up with costar Anthony Michael Hall for a few 80s teen comedies). Beverly D'Angelo tags along as Griswold's long-suffering wife. In-laws and outlaws sharing in the misfortune include Imogene Coca (as cranky Aunt Edna),a hilarious Randy Quaid (they had to bring him back for the last two sequels), a briefly seen Brian Doyle-Murray and swimsuit superstar Christie Brinkley.

This is one of those classic American comedies you really need to have seen by now. It's worth owning inany format. Also watch for John Candy in a brief role near the end... and listen for Harold Ramis' distinct voice (he has one line).All that, and a nude D'Angelo, too; after all, this was the 80s.

The family vacation series of all time
This is one great movie the 1st from the Griswalds all 4 were funny they took a road trip to California.Blah Blah Blah
Yada Yada Yada this was a great movie to see funny Chedder.
Story 10 Acting 10 Directing 9 Action 10 Entertainment 10
Overall=49/50 wich is 98% a lot of laughs in this one

Buy if you like movies this is pretty insane for you.

4.5 stars - a comedy classic
INTRODUCTION:
National Lampoon's Vacation was the first film in the Vacation series of films. For many years, the film has been hailed as a comedy classic. And according to most viewers of this series, the first film is the best one of all. Are they right? And is this twentieth anniversary edition of the DVD a worthwhile buy if you already got the original DVD issue? Read on for my review.

BASIC PLOT:
The storyline of the film goes something like this. A middle-aged man working in the food preservation industry (Chevy Chase) wants to take his wife (Beverly D'Angelo) and children on a road trip to Walley World, one of the nation's biggest and best amusement parks. And he wants to do this in the new car he has ordered. But the vacation turns into a disaster almost instantly - the car company sends him the wrong car, and even once the vacation is in progress, one thing after another goes wrong - with each experience being even more devastating than the last.

FILM OPINIONS:

Anyone who calls this film a comedy classic is right. It's very rare that a film this funny comes along. The acting (Chevy Chase's in particular) is great, and the simplistic storyline prevents things from getting confusing. As has been previously stated, this film predated the Motion Picture Industry of America's PG-13 rating, so even though it's an R rating, it's really not much worse that a modern PG-13 is. If you haven't seen this movie yet, and you're a fan of comedies, what are you waiting for?

DVD:
The so-called "special edition" version of the DVD is a huge disappointment - this is why this set loses half a star. The commentary track is pretty bland, and the "new extras" are pretty much worthless. I recommend getting the original DVD release of the movie, as it is generally priced lower, and NO, you won't be missing anything if you get that version.

OVERALL:
Overall this film is a comedy masterpiece. Sure, the DVD could have been WAY better, but the movie itself more than makes up for this. Movies don't get a whole lot funnier than this one - so what are you waiting for? See it if you haven't yet!

Enjoyable, funny comedy
"Vacation" is an enjoyable, funny comedy that has spawned several sequels, but none have been as good as this one, the original. Chevy Chase is perfectly cast as "Clark Griswald," the determined father who leads his family from Illinios to see an amusement park in California. Along the way they encounter hilarious and sometimes truly bizarre situations. The remainder of the cast, with the exception of Christie Brinkley, are also excellent. I felt Brinkley's appearances in the movie were a distraction from the story, rather than adding to it. One cameo would have been okay, but not more than that.

Despite what you might think, "Vacation" is really not suited for little kids. The film is rated "R" because it has a fair amount of profanity, some of it quite strong, some nudity, and mature themes. ... Read more

Amazon.com

Vacation paved the way for the John Hughes movie dynasty of the 1980s.Written by Hughes (who would go on to write, direct, and/or produce The Breakfast Club, Ferris Bueller's Day Off, Uncle Buck, Home Alone, and so on) and directed by Harold Ramis (Caddyshack, Groundhog Day, Stuart Saves His Family), the first Vacation movie introduces us to the all-American Griswold family: father Clark (Chevy Chase), mother Ellen (Beverly D'Angelo), son Rusty (future Hughes staple Anthony Michael Hall), and daughter Audrey (Dana Barron).They all pile into the car for a cross-country road trip to Walley World, stopping along the way to view the world's biggest ball of twine. John Candy, Imogene Coca, and Randy Quaid (as yokel Cousin Eddie) pop up along the way.The movie was a big hit, and was followed by several sequels--National Lampoon's European Vacation, National Lampoon's Christmas Vacation, and National Lampoon's Vegas Vacation--but this one is still probably the freshest and funniest of the bunch.--Jim Emerson ... Read more

Reviews (114)

The movie is great but the DVD falls short
I love the National Lampoon's Vacation movie with Chevy Chase and the movie is wonderful and we all know that. My problem here is this 20th anniversary DVD Warner Bros put out First O.K the movie looks great the picture is wonderful and everything that's not the problem it is the real lack of special features that makes me rather dissapointed the best special feature the the commentary it is pretty entertaining there is alot of information that is useful but Harold Ramis who as you hear recorded his away from everyone else probably has the most useful information the others like Chevy Chase Dana Barron Anthony Michael Hall who is basically mute through out the whole darn thing and Randy Quaid and Matty Simmons once in a while come out with some good tidbits but they joke around too much. They talk about that alternate ending when they go to Roy Wally's Mansion instead make him and some people sing and dance for there dime's worth of entertainment and that is how the movie originally ended with no trip ever to Wally World with the Roller Coasters and such and no John Candy in the original ending and they tested the ending with a test audience and they laughed through out the whole film but got Strangly Quiet and never laughed again and just walked out sad. Guess What that alternate ending never made it on the DVD! You think after 20 years with so many loyal fans of this film they would release that ending for at least for interest just to see rare footage of this film. They just drive you nuts here on this DVD all of the special features except the Commentary which is cool everything else stinks. Where is the FEATURETTE? Where is the Making of...? Maybe some outtakes would have made this a bit more cooler and most of all for crying out loud release the alternate ending! What does Warner Bros got to lose! You also get on this DVD this family truckster gallery thing I don't know what else to call it you get this map of that ugly station wagon from the film and you pick highlighted things off of this picture of this wagon and just kind of guess what there going to talk about and it's not that great. I laugh because on that gallery they talk about 10 minutes in different galleries to Christie Brinkley? about her big scene and what she did on her SUMMER VACATION! Also talks to Dana Barron about "Why the heck she was missing from the other films"? also talks to the stunt guy who jumped that ugly station wagon in the desert and there some other stuff like the Theatrical Trailer OOH! and basically that's the movie your best here is the film itself and the commentary other than that it could have been a HECK of alot better maybe they redo the DVD and add better things because what is up with those bits of Chevy Chase Randy Quaid and Matty Simmons sitting with Atari sticks on the couch they act like they had to much to drink they don't make any sense.

The Holiday Road...
It's hard to imagine now, but there was a time when Chevy Chase was cool and funny. In "National Lampoon's Vacation," Chase stars as Clark Griswold, a man determined to drive his family cross-country to see Wally World, "America's Number One Family Theme Park." In the opening scene, Griswold gets stuck with a monstrous (and monstrously ugly) automobile-like contraption dubbed the "Family Truckster."

Unfortunately for him, that's the highpoint of his trip down the holiday road.

Everything that can go wrong does so as the Griswold clan weathers hubcap theft, a sportscar-driving temptress, two deaths and an endless variety of indignities heaped upon Clark himself as the result of his obsessive need to be the perfect husband and father. Chase's wild-eyed expressions as he approaches the brink of insanity are hilarious.

Harold Ramis directs a script by John Hughes (who would later team-up with costar Anthony Michael Hall for a few 80s teen comedies). Beverly D'Angelo tags along as Griswold's long-suffering wife. In-laws and outlaws sharing in the misfortune include Imogene Coca (as cranky Aunt Edna),a hilarious Randy Quaid (they had to bring him back for the last two sequels), a briefly seen Brian Doyle-Murray and swimsuit superstar Christie Brinkley.

This is one of those classic American comedies you really need to have seen by now. It's worth owning inany format. Also watch for John Candy in a brief role near the end... and listen for Harold Ramis' distinct voice (he has one line).All that, and a nude D'Angelo, too; after all, this was the 80s.

The family vacation series of all time
This is one great movie the 1st from the Griswalds all 4 were funny they took a road trip to California.Blah Blah Blah
Yada Yada Yada this was a great movie to see funny Chedder.
Story 10 Acting 10 Directing 9 Action 10 Entertainment 10
Overall=49/50 wich is 98% a lot of laughs in this one

Buy if you like movies this is pretty insane for you.

4.5 stars - a comedy classic
INTRODUCTION:
National Lampoon's Vacation was the first film in the Vacation series of films. For many years, the film has been hailed as a comedy classic. And according to most viewers of this series, the first film is the best one of all. Are they right? And is this twentieth anniversary edition of the DVD a worthwhile buy if you already got the original DVD issue? Read on for my review.

BASIC PLOT:
The storyline of the film goes something like this. A middle-aged man working in the food preservation industry (Chevy Chase) wants to take his wife (Beverly D'Angelo) and children on a road trip to Walley World, one of the nation's biggest and best amusement parks. And he wants to do this in the new car he has ordered. But the vacation turns into a disaster almost instantly - the car company sends him the wrong car, and even once the vacation is in progress, one thing after another goes wrong - with each experience being even more devastating than the last.

FILM OPINIONS:

Anyone who calls this film a comedy classic is right. It's very rare that a film this funny comes along. The acting (Chevy Chase's in particular) is great, and the simplistic storyline prevents things from getting confusing. As has been previously stated, this film predated the Motion Picture Industry of America's PG-13 rating, so even though it's an R rating, it's really not much worse that a modern PG-13 is. If you haven't seen this movie yet, and you're a fan of comedies, what are you waiting for?

DVD:
The so-called "special edition" version of the DVD is a huge disappointment - this is why this set loses half a star. The commentary track is pretty bland, and the "new extras" are pretty much worthless. I recommend getting the original DVD release of the movie, as it is generally priced lower, and NO, you won't be missing anything if you get that version.

OVERALL:
Overall this film is a comedy masterpiece. Sure, the DVD could have been WAY better, but the movie itself more than makes up for this. Movies don't get a whole lot funnier than this one - so what are you waiting for? See it if you haven't yet!

Enjoyable, funny comedy
"Vacation" is an enjoyable, funny comedy that has spawned several sequels, but none have been as good as this one, the original. Chevy Chase is perfectly cast as "Clark Griswald," the determined father who leads his family from Illinios to see an amusement park in California. Along the way they encounter hilarious and sometimes truly bizarre situations. The remainder of the cast, with the exception of Christie Brinkley, are also excellent. I felt Brinkley's appearances in the movie were a distraction from the story, rather than adding to it. One cameo would have been okay, but not more than that.

Despite what you might think, "Vacation" is really not suited for little kids. The film is rated "R" because it has a fair amount of profanity, some of it quite strong, some nudity, and mature themes. ... Read more

Reviews (74)

Tom Keogh...SHOVE IT!!
OK, Tom's review is by far one of the worst that I have seen for this movie...I can't believe it was posted. He obviously is not a Ghostbuster fan, but if you are a fan of the first movie, you will definately love this flick. Ironically Dana Barrett(Sigorney Weever) is suckered in by the world of the supernatural again, and who else but the Ghostbusters to help her...and her baby, Oscar(yes, like the hotdog), out of a fix with Vigo the Carpathian. It's a great movie to sit down with the family and eat popcorn on a Friday night with or to sit and watch by yourself. Very entertaining, and the comedic chemistry of Bill Murray, Harold Ramis, Dan Akroyd, and Ernie Hudson add together to make one of the best films of the 89 year. Loads of fun! This one goes a little further, because it has a massive river of slime, and the bathtub tries to eat Dana and her baby. Great stuff. I hope you enjoy this movie as much as I have over the past few years that I have owned it. So, if you have a night with the family, make it a GB night. :^)

Ghostbusters II
So, after risking their lives by crossing the streams and barely averting NYC from a disaster of biblical proportions, the guys in grey are sued out of business and shunted off into their own stupid little jobs. Even Dana Barett, the love interest from the first movie, has a baby, but w/o Venkman, who now runs a shoddy psychic talk show.
But when the guys are called into court over charges of Ray's causing a power outage, two dead killers return from the grave to menace the judge and jury. Reluctantly, the recalcitrant judge rescinds the previous sentence and the guys are back, blasting away and having a whole new car.
Unfortunately, while it has a strong start and good performances, the plot holds up like a wet paper bag. Never boring, but a bit of an anticlimax, especially with the end villain. Zhuul and Vinz Clortho are far superior to Vigo's half-possessing of Ray and a museum clerk, and the end battle doesn't make much use of his supposedly wizard-like abilities.
Final Analysis: While have a good start and entertaining performances, Ghostbusters II, unlike its predecessor, is a film that doesn't really pull you in (if you'll pardon the pun).

'Busting Makes Me Feel Good! (A lot Less In This Movie)
One of the main problems with GHOSTBUSTERS II is that it came out five years too late and that everything from the first film was invalid. In the first film the Ghostbusters literally save New York City and were heroes. In the sequel, we find out that that they are prohibited from "ghostbusting" and owe the city a hefty bill for the destruction incurred at "spook central" (Dana Barrett's /Sigourney Weaver apartment building near Central Park from the first movie). In the sequel, they have to literally start from scratch to re-establish themselves along with a new Ghostbusters logo. The rest of the plot is interestingly inventive but not as thrilling or memorable as from the original Ghostbusters (who can forget Gozer, Zhule, the Stay Puft Marshmellow Man). The heroes have to stop an evil spirit from the 16th Century, Vigo the Carpathian (currently inhabiting a painting of his own image being restored at a museum by Dana Barrett). He wants to come back to life by taking over Dana Barrett's baby boy, Oscar while "enlisting" the aid of Dana's boss,Janosz (an annoying Peter MacNicol with a european accent). At the same time his evil presence is oozing pink ectoplasmic slime (the first movie had green slime) being fed by all the negative vibes in New York City. Also,as in the first movie, the antagonizer against the Ghostbusters business was a man from the EPA (which was hilariously original and inventive), in this film it's the the mayor's campaign manager (Kurt Fuller). GHOSTBUSTERS II's production values and special effects are excellent along with the chemistry and comraderie among the cast and characters. However, it feels like it could have been a preliminary draft of ideas for it's characters instead of a sequel (i.e. The Statue of Liberty compared to the Stay-Puft Marshmellow Man). The filmmakers should have taken out the "trying to re-establish themselves" plot from the script, and concentrate on a more inventive and earth-shattering storyline which is the point of any sequel. The hype on the first GHOSTBUSTERS poster states "Coming This Summer To Save The World" and the film lived up to that hype. GHOSTBUSTERS II did not have that kind of atmosphere. Lastly, as stated earlier, the film came out five years too late. To show what five year can do, in the first film, there was a catchy pop tune by Ray Parker, Jr. In this film, it is replaced by an unmemorable rap song...rap had become contemporary by the time the film was released.

The Funniest Movie Ever!
The funniest part of this movie was when a lady's mink coat came alive. I liked the way the ghostbusters sucked up ghosts.
If you liked the Gremlins, you'll enjoy this movie.

Good...
Being s