Reviews (6)

The boys are working on a farm. Here comes John Garfield.
This is the forth Dead End Kids film. (Dead End [1937], Crime School [1938], Angeles With Dirty Faces [1938]). A boxer (John Garfield) has a little party after his fight. In a apartment, Johnnie trys to swing a punch at a nosy reporter, but he is so drunk he misses and ends-up passed out in a chair. Another man hits the reporter over the head with a whiskey bottle. The reporter McGee ends up dead. Later, they decide to make Johnnie take the fall. Johnnie is innocently drunk-sleep. The bad man and woman try to make there getaway, but with the police catching them, they go off the road and instantly die. They think it is Johnnie who is dead. But one detective is on the hunt. Johnnie runs away and he comes across a farm where the delinquent Dead End Kids (Leo Gorcey, Huntz Hall, Billy Halop, Bobby Jordan, Gabriel Dell, Bernard Punsly) have been sent to work. There he meets the boys who he trys to reform. Also a woman at the date farm, Peggy (Gloria Dickson), softens his heart too. Meanwhile a detective (Claude Rains) is close on the trail. This is a good film for Billy Halop, who practically steals the film. Great acting from Halop. Good performances by May Robson who played the Grandma on the farm. Filmed at Palm Desert, California. Great ending. Get a hankercheif. On this DVD version, Alpha Video only offers an "index" which is a chapter selection. Very good print of film.

John Garfield meets the Dead End Kids
Future superstar, John Garfield, is cast as a boxer on the lam from a (false) murder rap.
Claude Raines is miscast as the detective who pursues him.
Garfield winds up at a farm where the ever-popular Dead End Kids are too.
There's plenty of action, drama and intrigue as Garfield gets involved with the farm's gorgeous owner and the Dead End Kids, who come to idolize him.

A Very Thirties Film
The always intense John Garfield stars as a boxer framed for the murder of a newspaper reporter who was about to expose the real story behind his carefully crafted public image. Conveniently, the real killer and the only witness to what really happened are both killed in a car accident, leaving Garfield without a defense. So he takes off, ends up in California and gets mixed up with the Dead End Kids, a girl, and an old lady who befriend him, not knowing his real identity. There's a lot left to luck in this film as dogged detective Claude Rains chases after the boxer. The Dead End Kids are an acquired taste, although in this film they aren't as grating as they would become in later years. Garfield, as usual, is very watchable and believable. Rains, on the other hand, is miscast as the detective and never for a moment seems convincing. Ann Sheridan is equally miscast as Garfield's drunk girlfriend, although she makes a quick exit in the film, despite her uncalled-for high billing. Gloria Dickson, the girl he falls in love with, has a few good moments, but lacks star quality. The script has a number of holes in it, but it also has some good moments. I particularly enjoyed the dramatic water tower sequence, as the boys must try to escape from a water tower where the water is going down. This is very much an old fashioned movie, especially in the boxing scenes, but that is also part of its appeal, since it is a great example of the kind of film Thirties audiences enjoyed.

Boxer on the lam hobos to Arizona date farm.
One of the original six DEAD END KIDS films, this "The Fugitive"-style story involves a world-class boxer(John Garfield) who is thought to be dead (but he's not) and also a murderer (but he's not). On the lam with a new identity and little money he hobos his way to an Arizona date farm where the Dead End Kids are on rehabilitation off of New York's East Side and being taken care of by a gorgeous farmer (Gloria Dickson). Garfield is a bad influence on the kids but somehow he is where he belongs. When a boxing promoter offers $500 a round for anyone who can stay in the ring with his champion, Garfield can't resist coming out of hiding to go for the prize. There is an investigation sub-plot (with Claude Rains doing what Tommy Lee Jones did in "The Fugitive") but here it is totally useless and just doesn't work. The ending is even more useless. Regardless, there is much to like due to great direction (Busby wasn't very good at telling the story but boy did he know where to put the cameras and how to fill up the screen), great acting (John Garfield brings compassion to a dislikable character, the reliable Dead End Kids are in top form, and Gloria Dickson is very appealing).

Entertaining Drama
They Made Me A Crimminal is not remembered as a classic drama, but the film still provides predictable entertainment sixty-one years after its theatrical release. Busby Berkeley's direction is excellent as the sequences involving the car crash, Garfield's train ride, and the water tower appear realistic. The fight scenes in the ring are a bit histrionic, but at least Berkeley used enough extras to create a boxing arena type atmosphere- John Avildsen (Rocky) are you reading this? The film contains a credible cast with John Garfield in the lead as Johnny a prize fighter on the run. Gloria Dickson as Peggy gives a Sylvia Sydney type performance as a reformer intent on reabilitating juvenille deliquents. Huntz Hall, Leo Gorcey, Gabriel Dell, and the rest of the Dead End Kids are the NYC teens who idolize tough Johnny, but respect Peggy. Cluade Rains plays a newspaperman who wants to rip the veil of deceit from Johnny's persona. Ann Sheridan receives top billing over Gloria Dickson and for no good reason. Sheridan's role as Goldie is brief and totally unconvincing as a drunken floozie riding the coat tails of Johnny's ring success. For those that enjoy happy endings with morality values, this 90 minute film will not disappoint you. ... Read more

Amazon.com essential video

A truly perfect movie, the 1942 Casablanca still wows viewers today, and for good reason. Its unique story of a love triangle set against terribly high stakes in the war against a monster is sophisticated instead of outlandish, intriguing instead of garish. Humphrey Bogart plays the allegedly apolitical club owner in unoccupied French territory that is nevertheless crawling with Nazis; Ingrid Bergman is the lover who mysteriously deserted him in Paris; and Paul Heinreid is her heroic, slightly bewildered husband. Claude Rains, Sydney Greenstreet, Peter Lorre, and Conrad Veidt are among what may be the best supporting cast in the history of Hollywood films. This is certainly among the most spirited and ennobling movies ever made.--Tom Keogh ... Read more

Reviews (386)

Bogart's Best and one of the best films ever!
Wow, where to start. Quite simply, this has to be one of the greatest movies ever made. Now realize that this is coming from me, a 16-year-old! I don't consider myself anything of a film expert, but I know a good film when I see one. It's hard to imagine that the part of Rick was originally scripted for Ronald Reagan, but Bogart's performance is flawless, as is Bergman's. I also find it somewhat ironic that it spawned a catch phrase that was never spoken verbatum in the film, but aside from that, wow. A lot of people may find the storyline somewhat dry by today's standards, but I love it. All of the actors have marvelous voices. Casablanca only gets better 'As Time Goes By' (neat little reference, eh?), and I highly recommend it to anyone with a pulse and a soul. If you must see one more movie before you die, it doesn't get any better than Casablanca.

Also, Bogart fans should check out "The Maltese Falcon" and "The Enforcer".

Special Edition... PHOOEE!!!
I'm holding out for a 16:9 colorized version with Dolby Digital EX 9.1! I mean when I watch Casablanca and I here the gun shot at the end, I want to HERE GUN SHOT AT THE END!!! Also Ingrid Bergman is no Maryland Monroe.

As close to perfect as a film can get...
One of the greatest, and certainly one of the most quoted, films in cinema history, Casablanca brings all the essential elements to the big screen - adventure, romance, intrigue, suspense, and of course, evil Nazi bad guys (if you doubt this last one as an essential element, then reference the success of the Indiana Jones films). With a director and cast second to none, Casablanca makes a strong case for consideration as the best movie ever made - cementing its status as a must-see film.

The story begins in a place called Rick's, a popular watering hole in Vichey controlled Morocco on the outskirts of Nazi dominated Europe. An important travel hub, Casablanca plays host to innumerable colorful characters with any number of varying agendas. Arms dealers, spies, and revolutionaries walk side-by-side through streets littered with pickpockets. But at Rick's, everyone seems to enjoy themselves. Owner Rick Blaine (Humphrey Bogart) seems content with his life of serving customers and making money until she walks in - Ilsa Lund (Ingrid Bergman), the love of his life.

A couple of years earlier, as the Nazis moved into Paris, Rick and Ilsa fell in love. But in the act of fleeing the Nazi advance, Ilsa sent Rick a note at the train station informing him that she could not go with him. She offered no explanation. Now, she was appearing in his establishment with her husband - fugitive and Nazi resistance leader Victor Laszlo.

As the hours unfold, and the Nazis search for Laszlo in an attempt to cut off his escape, Rick learns the whole story. When he met Ilsa in Paris she was married to Laszlo, but she thought he was dead - a victim of the Nazi regime. But before she could flee Paris with Rick, she learned that her husband had escaped a Nazi concentration camp. She stayed behind to care for him.

Needing help to aid her husband's escape to the United States, Ilsa appeals to Rick. It is clear that they still love each other. But will Rick use his influence and connections to help himself and Ilsa or Victor Laszlo? Will his idealism prevail over his hard pragmatism? The Third Reich is closing in on Victor Laszlo and only Rick can save him...

The DVD Report

Legend!
Casablanca is one of the few movies that is every bit as good as its hype.The story moves at a frantic, but believable, pace.Like all of the great ones, this film is not tarnished by its age.The unfortunate thing is that, in 2005, so much of the dialogue has so fully entered our cultural lexicon that the new viewer may be disappointed as to how cliche it sounds.Yet, none of the lines like "play it again Sam," "...out of all of the gin joints" and "this is the beginning of a beautiful friendship," were ever heard before Casablanca's release. Sure, Bogey is stupendous as is Bergman but what about Claude Rains? He practically steals the title role away from Rick.His character is incredibly complex and interesting.It is somewhat amusing as to the favorable spin that the French are given, but we must remember that back in 1941 they were a defeated ally.

Courtesy
Anyone notice that even Nazi's were more courteous than our own slimy FBI and ATF agents? ... Read more

Amazon.com essential video

In this 1942 melodrama, founded on the novel by Olivia Higgins Prouty (who also wrote the novel on whichStella Dallas was based), Bette Davis stars as Charlotte Vale, a dowdy, repressed woman who, overwhelmed by her domineering mother, is on the verge of a nervous breakdown. She finds help at a sanitarium from a kind psychiatrist (Claude Rains), who turns her into a beautiful, confident woman. As a new person, she takes a pleasure cruise, where she meets Jerry (Paul Henreid), an architect trapped in an unhappy marriage, saddled with a troubled daughter. The two fall in love, but, of course, the romance is doomed. Yet their paths cross on occasion, and, despite their feelings, Charlotte finds satisfaction in helping Jerry's depressed child. The film will seem familiar to new viewers--the campy style was the pattern for many tearjerkers to come, and its most famous line has been oft repeated ("Don't ask for the moon--we have the stars"). But the heartstrings are tugged, and as Paul Henreid chivalrously lights two cigarettes and hands one over to the doleful-eyed Davis, pull out the box of tissues--you're gonna need 'em.--Jenny Brown ... Read more

Reviews (46)

The Ultimate Woman's Picture
At a time when Hollywood paid more attention to its female audience and made films for them, this may be the best of the bunch. A padded Bette Davis stars as Charlotte Vale, an overweight, unattractive spinster bullied by the mother who never wanted her. On the verge of a nervous breakdown, her sister-in-law arranges for her to meet a psychiatrist played by Claude Rains, and after spending time at his "hospital", she emerges thinner, beautiful, and more prepared to face the world, a world which include Paul Henreid, a married man that she falls in love with while on a post-recovery cruise. It's the kind of role an actress must love, and Davis plays it with restraint and class. Rains is good as usual, and Henreid delivers one of his best performances. The supporting cast is excellent, with Gladys Cooper pulling out all the stops as the tough mother and Mary Wickes bringing a gentle humour to her role as a nurse. The musical score by Max Steiner is excellent, and of course, there are the famous moments of Henreid lighting two cigarettes at once, something that wouldn't work in today's movies, but is quite effective in this film. With it's Ugly Duckling/Cinderella angle and it's sense of romance, this has to be the ultimate woman's picture. It knows its audience and delivers.

One of Bette's Best
I can never decide whether VOYAGER is the best Bette Davis
movie or DARK VICTORY. She is fantastic as a spinster who
is dominated by her monster mother, beautifully played by Gladys
Cooper. After her nervous breakdown she begins a new life
and meets Paul Henried who of course is married but later she
is able to help Paul's child. This is the movie where he lights
two cigarettes and gives her one and ends with "Oh Jerry, let's
not ask for the moon, we have the stars" Fabulous score by
Max Steiner. Fine acting from Claude Rains, Bonita Granville,
Ilka Chase and in a very small role, Lee Patrick. They don't make 'em like this anymore so thank God for home video. The
DVD transfer is terrific.

Overwrought and Only Somewhat Convincing Melodrama
Davis plays nice with middling results. The acting is fine, to be sure, but I miss the feistyness of her better movies. A hapless neurotic woman breaks free of her tyrannical and hateful mother. She seeks therapy and begins to live her own life. She learns that life can't be perfect but it can always be better & happiness s not impossible. Could be seen as encouragement to wallflowers.

Now Voyager - Bette at Her Best
Bette made some terrific films.... this is my personal favorite along with "Mr. Skeffington"... the ONLY criticism is the biographies of the cast ONLY work with Ms. Davis.. the others on the menu do not function.... still.. the plus side is the stunning transfer of the film to DVD. It is fresh and few flaws are visible on this version. I saw the new version of "Sunset Blvd." just after seeing this film, and though "Voyager" is 8 years older, it looks far cleaner and crisper than "Sunset" does. Bravo to the restoration crew here! The film itself, is of course, a masterpiece and well worth the purchase price. A true gem!

A Classic for the Fans
'Now, Voyager' tells the story of hapless introvert Charlotte Vale (Bette Davis), her near-nervous breakdown machinated by her domineering Mother (Gladys Vale) and her subsequent recovery with the help of the dashing J.D. Durrance (Paul Henreid). Directed by Irving Rapper (Another Man's Poison), 'Now, Voyager' is another glorious slice of early forties melodrama, and a total Davis vehicle.

Not that that's a bad thing, actually. Her performance as Charlotte Vale is excellent, she's emotional and deep enough to be believable, and her private exchanges with JD and her Mother are excellent illustrations of the power of Ms. Davis as an actress. Henreid, too, is wonderful as the stiff and faithful JD, stern enough to cause Charlotte frustration yet likeable enough to generate sympathy from the audience.

The supporting cast are a credible bunch - Gladys Vale is an excellent Matriarch (where are the actresses of this calibre today?) and Ivisible Man Claude Rains is hugely charismatic as Dr. Jaquith, a Vermont-based psychologist who all-but saves Charlotte from herself. Comic relief is supplied in the shape of the always-entertaining Mary Wickes (the crotchety nun in the Sister Act movies) as Dora.

Direction is beautiful, with noir-esque interiors and excellent lighting techniques employed to best suggest the sense of Charlotte subsisting in a grim dictatorial household. Rapper's style is a strange contrast to the script, too - it's got a more organic flow about it than the sometimes-stilted dialogue. The score is provided by the genius Max Steiner and is, as one would expect from a man of this legendary reputation, exactly perfect for the tone of the piece.

DVD Quality is excellent, perhaps a little worn in places but on the whole, it's fantastic, and certainly better than a lot of other later DVD conversions. The extras are perfunctory (and indeed, as one reviewer pointed out below, half seem to be missing!) but they don;t make the picture.

On the whole, 'Now, Voyager' is definitely one for the fans. It seems to have established all of the trademark Davis moves (cigarette, EYES, clipped accent, constantly jiggling arm) and is very stilted in some scenes, approaching Camp (see Charlotte's exchanges with the dreadfully annoying Tina Durrance for proof of this!). While it is an endearing and oftentimes emotionally-involving story, one can't help but feel that it will win no new fans to the genre.

Still, if you're fan, you can't go wrong with this. ... Read more

Reviews (1)

Rediscovered film noir gems
"Impact" and "The Second Woman" are excellent examples of the kind of quality programmers that Hollywood seemed to churn out effortlessly in its golden age. Both have clever, tight plotting, well-written dialogue and fine acting. Neither director is much remembered these days, but on the evidence here they deserve reassessment. "They Made Me a Criminal" is solid too, but not really a film noir and not as interesting as the other two. The quality of the prints on this triple-feature DVD is surprisingly good, and the whole package is an amazing bargain. ... Read more

Reviews (359)

Even After So Much Time Has Gone By
Only Citizen Kane was ranked higher when the American Film Institute announced its list of "America's Greatest Movies." (The Godfather, Gone with the Wind, and Lawrence of Arabia complete the top five.) My own opinion is that AFI ranked Casablanca higher than it deserves. Nonetheless, the film remains immensely popular among critics and film historians as well as so-called movie buffs. It received an Academy Award as best film in 1943, as did Michael Curtiz for directing it. Bogart and Bergman are joined by an especially strong supporting cast (notably Greenstreet, Henreid, Lorre, Rains, and Veidt). There really isn't much to the plot but the dialogue is first-rate. (Philip Epstein, Julius Epstein, and Howard W. Koch shared an Oscar for best screenplay.) It is tempting to over-analyze this film by, for example, devoting excessive attention to American versus European sensibilities during World War II, the conflict between what Rick and Ilsa want to do with what they think they ought to do, etc.

Obviously, the war in progress outside of Rick's cafe cannot be denied although he makes every effort to insulate himself and his clientele from it. There is no shortage of social and political issues and yet, in my opinion, the significance of the film -- and its enduring appeal -- is explained by the development of the relationship between Rick and Ilsa. The final resolution is necessarily somewhat ambiguous, I think, precisely because the relationship between two people in war time faces quite different challenges, obligations, and implications than it would otherwise. Ultimately, having recently seen this film again in a special edition, accompanied by an abundance of supplementary features (e.g. Roger Ebert's commentary, Lauren Bacall's Introduction, and about ten minutes of additional scenes and out takes), I think the film now has a special symbolic significance which could not have been evident when it was released in 1942. More specifically, it somehow dramatizes what so many of us also struggle with when seeking a balance of obligations to ourselves and to others as well as to certain values which sustain the human race, especially during crises which threaten its survival. Perhaps I make too much of this film but these are among the reasons why it continues to hold special meaning for me.

Rounding Up the Usual Suspects
(To the reader: This review is about the original MGM DVD release and NOT about the 2-disc edition just released.)

Casablanca!

The very name conjures up an exotic mix of adventure, intrigue, heroism, selfless sacrifice, and romance. Hear the title of this 1942 Best Picture winner and your memory will provide you with images of Humphrey Bogart, Ingrid Bergman, Paul Henreid, Dooley Wilson, Peter Lorre, and Claude Rains. Or maybe you'll hear snatches of Max Steiner's unforgettable score, with its interpolation of Herman Hupfeld's "As Time Goes By" and the stirring strains of "The Marsellaise."

Based on the stage play "Everybody Comes to Rick's" by Murray Burnett and Joan Allison, the movie tells a dramatic story of refugees fleeing from wartorn Europe and making a perilous trip to Casablanca in French Morocco. It is December 1941 and that French colony is under the control of "unoccupied France." Ostensibly neutral in World War II, Vichy France is nevertheless a German vassal state, as the arrival of Major Strasser (Conrad Veldt) clearly demonstrates.

Strasser's mission in Casablanca: to stop Czech underground leader Victor Laszlo (Henreid) from obtaining one of two exit visas stolen from two murdered German couriers and escaping from the Gestapo. Having tracked the defiant Laszlo after his escape from a Nazi concentration camp, Strasser is determined to capture the symbol of anti-Nazi resistance once and for all.

Accompanying Laszlo is the beautiful Ilsa Lund (Bergman), a young Norweigan student whom he married in secret before he was captured by the Gestapo in 1940. Devoted to her husband and his great cause, Ilsa has been at his side since Laszlo's miraculous escape and sudden reappearance in Paris.

Unbeknownst to Laszlo, however, his fate will now rest in the hands of American saloonkeeper Rick Blaine (Bogart). In the months following Victor's escape from the concentration camp he was reported as "presumed dead." In loneliness and despair, the grieving Ilsa met and fell in love with Rick in Paris shortly before the German occupation began. For a brief time the lovers were together, only to tragically part ways when news of Laszlo's return reached Ilsa.

Now, in the eve of America's entry into World War II, Victor Laszlo's fate hangs on the conflicting emotions felt by both Rick and Ilsa, as well as the shifting loyalties of French police Capt. Louis Renault (Rains).

The screenplay by Julius J. and Philip G. Epstein and Howard Koch is a wonderful mixture of romance, intrigue, drama and comedy (the latter provided both by colorful characters and witty exchanges). Director Michael Curtiz and producer Hal B. Wallis made Casablanca as one of many movies produced in 1942, never knowing that it would become a classic of Hollywood's Golden Era.

"As Time Goes By" This Is The Best Film You'll Ever See
From the first frame of "Casablanca" you know you are about to watch something special. There is not a moment in the film where you will find yourself bored or overwhelmed. It is perfect in every way. I have seen many films in my time and I am only 17. I have an extensive collection of over 180 DVDs and this is by far my most prized. I saw this film for the first time exactly one year ago and purchased this Two-Disc Special Edition the day it came out. Not a day goes by when this film does not pop into my mind.

There are many movies but very few great films. The few include Gone With the Wind, Wizard of Oz, Lawrence of Arabia, Schindler's List, The Godfather, and, of course, the rarely seen Imitation of Life. This is at the head of those. It is at the head of all films.

"Casablanca" is about Rick (Humphrey Bogart), the owner of an American bar in Morroco, who is visited by Ilsa (Ingrid Bergman), the object of a love affair in Paris a few years earlier. She is accompanied by her husband (Paul Heinreid) who knows nothing of this but is only interested in acheiving two exit visas because they are both wanted. What follows is the most romantic and thrilling film of all time.

The DVD transfer is nothing short of miraculous. The film looks like it had been filmed today in B & W. Even the mono soundtrack sounds breathtaking. The DVD does not shy away from some amazing special features. I don't want to spoil them but anyone will find them interesting. I promise you this is one of the finest DVD packages on the market.

So go out now and buy the film that recieved three Academy Awards for Best Picture, Best Director, and Best Screenplay; the film that was called the Second Greatest Film of All Time on the AFI's 100 Best List (it's second to Citizen Kane); and also called the Most Romantic Film of All Time by the AFI's 100 Most Romantic Films.

"Play it again, Sam."

Best Gin Joint in the world!
Simply the best movie ever made.
Bogie at his best, Bergman as always splendid! Add in a wonderful supporting cast headed by Peter Lorre, and the result is the perfect bittersweet love story. A must have for any Bogart fan, and a must see for everyone!

Black & White For A Reason
Ah, kids today. "Man, it's crap if there's no color to assist my info-ladened cranium!" Get a life. It's "Casablanca", for God's sake. It NEEDS to stay in B&W format. And, might I say, this film is a cult classic for more reasons than just minimalist acting. Dialogue: Heard of it, kids? It's what actors used to do instead of blowing (...)up or flying through the air in front of a blue screen. I love my DVD of "Casablanca", and cherish the fact that I don't have to rewind a tape to get to some of my favorite quotes. ... Read more