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| 1. Spider-Man 2 Director: Sam Raimi | |
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Amazon.com Reviews (251)
Two years after the events of the first movie, Peter Parker is still saving the day as Spider-man, while at the same time shirking his other responsibilities and trying to maintain and ordinary life. As he tries harder and harder, he comes to realize that for Spider-man, there is no ordinary life. He's failing college classes, losing his job, and not keeping up with his friends and family. Things get rougher when Harry Osborn's new ticket to progress has an accident. Professor Otto Octavius demonstrates the ability of his fusion device that will generate new, reusable power when something goes wrong. His additional limbs that were used to manipulate the fusion environment have been fused to his own spine. While the ads focus heavily on Doc Oc, the real plot here is Peter Parker's dilemna. Doc Oc might have seemed like an after-thought had not the writers kept Harry closely involved with Peter, reminding him again and again how he wants to kill Spider-man for what he did to his father. I don't blame the critics who dislike the movie. For most of it, Peter is in misery, as his life spirals down the toilet due to the conflicting sides of Spider-man and Peter Parker. There's humor dispersed evenly throughout to make the experience a little lighter. It's a hard movie to watch because of this, as Peter has to decide between what he wants and the responsibility he has, and even I was a little uncomfortable as his suffering continued. But Sam Raimi's never been one to leave the audience without a pay-off, either. His love for the material continues to show as it did in the first movie, making Spider-man 2 even more visually dynamic and dramatically endearing than its predecessor. Bruce Campbell also makes a cameo, but people probably guessed that months before it was announced, and that was still months before the movie was released. The musical score is as spectacular as before, and Danny Elfman wisely maintains the theme he composed for the first movie. Rather than simply supporting the movie or carrying it, the music works with it, something rarely accomplished in film. I honestly can't think of something negative to say about this movie. I don't think I could have been more pleased. The goal set after Spider-man was a hit was to make the second one even better, and the film-makers succeeded. I can only wonder if they will be able to do the same for the third after such an excellent film as this.
Toby McGuire once again stars as Peter Parker/Spiderman, now confronting a new enemy Dr. Octopus (Alfred Molina). The special effects were awesome, no doubt about that, however unlike the first one, the second half is pure nonsense and I was left unsatisfied. Alfred Molina as Dr. Octopus is tremendous, just like Willem Dafoe's characters as "Green Goblin" we see his rise to power. (Spoilers) Yet Raimi's dumb writers in the second half of the film have him playing as a patsy. Spiderman clashes with Dr. Octopus several times and actually the fights are fair, however Dr. Octopus eventually gets Mary Jane (Dunst, who really doesn't do much as far as acting) and uses that to his advantage while creating a new weapon. Tobey as Spiderman again like the first film is not a strong presence, yet I know some nerds are trying to hype him up to be like Christopher Reeve but please give me a break. He will never have the same charisma as him. Alfred Molina is great as Dr. Octopus, but the story seems to go nowhere and we get the same crap from the same movie, like Parker, still being the nerd recluse who is unable to go after what he wants, though this is hilarious in retrospect, but then becomes tiring. The special effects and action are what saves "Spiderman2" from being a disappointment as far acting and plot go, and that wasn't a surprise was it. Still though I was left wanting more, and the cheap ending and the way Dr. Octopus out of the thin blue sky has a change of hear for not killing "Spiderman" was pathetic though, that wouldn't have happened really, still I know there will be many nerds seeing the movie 10 times and saying it was the greatest movie ever, but they aint kidding anybody. "Spiderman 2" is what it is a great special effects bonanza with some great action scenes, but not great character development and predictable plot lines.
The story, unlike the original, instead focuses on the negatives of being Spider-Man; Peter Parker is struggling to balance a life of his own, but Spidey always gets in the way. He even forgets his own birthday! And it also shows the effects it has on his family and friends, especially Mary Jane. And to top it all off, Doctor Otto Octavius, a brilliant scientist, is turned into Doctor Octopus, complete with four mechanical arms attached to his body, thanks to a failed fusion experiment. The battles between Spidey and his foe were terrific, unsurpassed by most action films to date. But I found myself wanting more of these scenes...in the end, you really sympathize with Peter, but I just wish we could've seen our favorite webslinger in action more. But at least the ending was good (left WIDE open for Spider-Man 3.) ... Read more | |
| 2. Spider-Man Director: Sam Raimi | |
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Reviews (1047)
Spider-Man embodies the heroics created by Stan Lee and Steve Ditko who had graced the popular Marvel Comics to become an comic icon as a crime-buster - and now the film further increases the fanaticism. It is a US 140 million blockbuster and gaudy with sleek costumes and galvanizing stunts. It is digitally-enhanced F/X to capture panoramic swings in its most realistic and The Times Square action-sequence is one of the most dazzling in cinematic history. Yet the superhero adventure fails to surprise because of its conventional storyline of good-vs-evil. The self-discovery and mutation renders so much punch that the second-half falls relatively lack-lustre. Fortunately Spider-Man spins a complex web of humanity and empathy for the characters - and Tobey Maguire as the lead is the emotional core who captivates with his vulnerability in handling his growth traumas, doubts and fears. No less sterling is Willem Dafoe who is all hysterics and maniacal in his split personality inherited from the aftermath of a blundered experiment. Kirsten Dunst as his love-interest Mary Jane, James Franco as his buddy and even his uncle Ben played by Cliff Robertson show surprising dimensions. Spider-Man is thus an evocative tale of a hero struggling with his adolescence, betrayal and murder. And Sam Raimi displays the same sensitivity here with his eariler works like Darkman with his flawed avenger. He directs it with eye-popping visuals like Army of Darkness and the comic hero resonates in its true-self. Its brooding hero is what makes Spider-Man a nifty web - and Maguire has definitely triumphed the cynics with his soulful spin.
2. Implications: How is Spiderman's understanding of "with great power comes great responsibility" an example of contemporary American thought? Think specifically about the nature of evil and the propensity toward intense individual classification when one's existence becomes threatened. 3. Evolution: Spiderman was a hero born out of the 60s, springing from both the dangers of genetic manipulation and the problems of substance abuse (in the form of Oscorp Chemicals). Raimi makes little mention of the chemical abuse in the story, and paints it in a much simpler picture of the probable evil in man's soul and the strange world of pseudoscience. Therefore, it is obvious that in many ways, the film departs from its traditional conditioning while remaining loyal to the original personalities of the characters. In which ways is Spiderman the hero shown to be a creation of the contemporary age, versus a creation of the 60s, in the film? 4. Realism: America has a long history, not only in comics but in legendary history, of people who take the law into their own hands. If a being like Spiderman existed, could he survive in our real world, or is he only a dream? 5. Stageplay: Spiderman is classicly a cynic, an individual thinker, an avid contemporarian (someone "in" the times), a man of passions (versus someone who could care less), an irreligious jokester and a man who is not sure of his destiny, but lives to succeed. Do you feel Maguire fulfills this role? Some critics say he is too much of a "boy" to fill Spiderman's shoes, while others claim it is his boyishness that charms us into belief. What do you think?
The second reason is, of course, the actors. From Tobey Maguire's clumsy but lovable Peter Parker to Kirstin Dunst's beautiful Mary Jane Watson to Willem Dafoe's deliciously evil Green Goblin, the actors most definitely made the movie. The producers certainly picked the right people to handle the characters. The only downside to this movie was that the opening credits were too long and too boring. ... Read more | |
| 3. The Evil Dead Director: Sam Raimi | |
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Reviews (473)
This disc presents the film in its original 1.33:1 aspect ratio with an extremely sharp transfer with strong color definition. Audio is presented in a great 5.1 surround mix or 2.0 original mix. The disc includes an impressive list of bonus features including: For the price, this is a great version of the flick. Pick it up!
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| 4. Army of Darkness (Widescreen Director's Cut) Director: Sam Raimi | |
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Reviews (477)
A brilliant, entertaining and hilarious final in the awesome Evil Dead series with wit, humor, skill, good special effects and great battle scenes. Sam Raimi is a genius of a filmmaker, Bruce Campbell is definitely a great actor portraying a lovable moronic hero. Like i said, this movie isn't a horror flick, it's really a Fantasy comedy adventure and doesn't have gore like the last two flicks but this movie is also enjoyable for the whole family. I own this movie on DVD in 2-versions such as the Cut U.S. version with happy ending and the Director's cut with alternate ending, this is a must see movie. Also recommended: Lord of the Rings: Fellowship of the Ring, The Evil Dead, Evil Dead II, The Princess Bride, The Neverending Story, The Dark Crystal, Conan The Barbarian, The Crow, Lord of the Rings: The Two Towers, Harry Potter and The Sorcerer's Stone, In The Army Now ( Pauly Shore), The Flight of Dragons, Return of the King, The Last Unicorn, Gladiator, The Wizard of Oz, Excalibur and Mulan.
The movie begins where EVIL DEAD 2 ended: Ash has been transported to the 13th century and is surrounded by the Army of King Arthur. He is assumed to be a member of a rival army and is taken prisoner. After defeating a couple of Deadites in the pit, he is declared to be the prophecized hero who will rid the kingdom of the evil that has befallen it. However, Ash, being the befuddled hero he is, makes things worse and almost destroys any chance he has of returning home. ARMY OF DARKNESS is hilarious. It's filled with comedy and all sorts of literary and pop culture references from The Three Stooges to Gulliver's Travels to JASON AND THE ARGONAUTS to Frankenstein. I found myself laughing about every three minutes and some of the one-liners just rock: "Give me some sugar, baby" and "I'm going to cut your gizzard." Of course, this movie isn't for everyone. There are some people who would be offended and some who would see this movie as garbage. However, I see the movie as pure genius and great fun. Whatever.
There were a number of flaws in this particular DVD. The first thing I noticed was really bad pixellation in many scenes. They did a great job in many cases of cleaning up any scratches or flaws in the source film, but then they did a really bad job of DVD compression. I'm sure the other editions aren't any worse on that score, and hope that they're better. Also, this cut is actually missing some of my favorite scened and lines. The worst offense is that the line "Good, bad - I'm the guy with the gun" (which for me has always epitomized Ash) was replaced by "I'm not that good". In the commentary, Campbell and Raimi actually note that they prefer the "Good, bad" line... So why not include it in the "director's cut"? They also deleted an early fight scene, just after Campbell's arrival, and went back to what was apparently the original ending. I really liked the ending in S-Mart, though. I also found the editing on the windmill scene in this edition less cohesive than the theatrical release. The commentary by Campbell and Raimi was very good, since those two have a long history together, and really seem to have loved making this movie. Still, though, it was clear that they could see some of the same issues I mentioned above, leaving me baffled as to why they didn't work together to make this edition a true reflection of what they think the "best" version of "Army of Darkness" would be.
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| 5. Evil Dead II Director: Sam Raimi | |
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Amazon.com Reviews (344)
The gore in Evil Dead II is WAY over the top. (If you've seen Arthur's battle with the Black Knight in "Monty Python's Holy Grail"... THAT'S the sort of gore I'm talking about.) Campy lines are thrown around in here the like you've not heard since the Batman TV series. The Premise: Ash (Ashley Williams for those who saw the first one) and his girlfriend drive up to a secluded cabin in the woods for a weekend of fun. They come across a tape recording of ancient incantations...that, when played, release an unseen evil that stalks them. When the cabin owner's daughter and team show up, the evil comes for them all! If you don't try to take this movie seriously, you won't be dissapointed. One of the film's scenes was once rated in the top ten fight scenes of all time: Ash versus... his hand. Now, for the DVD goodies! If you're an Evil Dead fan, this Limited Edition MUST be in your collection. If you just like slapstick/comedy/horror, you can't lose with this one. When it comes down to it, if legions of undead started roaming the Earth, I'd want Ash nearby! Not just for protection, but also for comic relief!
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| 6. Floundering Director: Peter McCarthy | |
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Reviews (8)
I think some of the negative comments about this movie ought to be greeted with a "Whoa, dudes--get a sense of humor." Or, "Don't be offended, man, it's only a movie." Or maybe, "Uh, the soundtrack is awesome, dude." (Oh, god, people really did talk like that!) The dream sequences fooled me at least twice. They were funny. Funniest line: when the trash lady pulls her rifle out of her cart and says "Vive la Revolution!" Second funniest line: "What kind of music do you want to hear?" "The farm report." Okay, this was no masterpiece, and any episodic movie sans plot is not going to rival The Godfather at IMDb. And James LeGros ain't no Marlon Brando. And if you've ever been to Venice Beach...well, you know it's a freak show. But I think director and screen writer Peter McCarthy did a nice job of bringing that slacker street scene to life. I think the big mistake was to headline actors like Steve Buscemi, John Cusack, Ethan Hawke, and Billy Bob Thornton when they only had cameos. That should have been made clear up front. And there was more than a touch of the kind of sixties moral pretension that we've all grown a little tired of. But bottom line for me, this was a funny movie.
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| 7. Hard Target Director: John Woo | |
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Amazon.com Reviews (53)
After getting fired as the monster in "Predator," Van Damme broke into cinema with his star turn in "Kickboxer." Or maybe it was "Bloodsport." Big difference. Somehow, Hollywood deemed him "successful," and he graduated to big-budget fare like "Universal Soldier" and that one flick with Patricia Arquette on a farm, where Ted Levine played a bad guy (shocker). Around the same time, John Woo got sick of working with Chow Yun-Fat, and decided to quit making Hong-Kong-style action flicks in Hong Kong, and make Hong-Kong-style action flicks in America instead. The two men joined forces, and with Yancy (hic) Butler as the heroine, perpetrated "Hard Target" upon us all. In a casting/dialogue-coaching stroke of genius, Van Damme is enlisted to play a Cajun named Chance. When asked about the origin of his moniker, he cryptically replies "Mi'mamma Too Kwan." Exactly who this Kwan character is supposed to be, we never learn. Maybe it's a deleted scene with a martial arts master, or something (I'm guessing James Hong played him. James Hong ALWAYS plays guys named "Kwan"). Rounding out the cast is Lance Henriksen, who can check off another entry in his "the movie stunk, but Lance Henriksen was cool" list. "Hard Target" is basically an urbanized re-telling of "the Most Dangerous Game," where bad guys hunt the good guy. "Surviving the Game," the one with Ice-T, is better. Sort of. At least "Hard Target" treats us to a scene where two characters shoot at each other from opposite sides of a row of windows...with nary a scratch. It's even funnier than Chance's mullet. On second thought, NOTHING is funnier than Chance's mullet. The staggering box-office results from "Hard Target" paved the way for such Van Damme classics as "Sudden Death" and...uh..."Friends" -- while Woo busted blocks with "Windtalkers" and "Paycheck." And I saw this in the THEATER.
Van Damme actually delivers a pretty good performance this time around with his usual cheesy one-liners. Particularly where after taken in custody when investigating a crime scene is subdued by cops and taken to the station. A receptionist scolds him about trespassing being a criminal offense. Van Damme points to his bruised forehead with "Yes, that Officer was nice enough to mention that." A very good supporting cast includes Lance Henriksen as sadistic mercenary (he can play this kind of role in his sleep by now) Emil Fouchon and Arnold Vosloo as his sidekick Van Cleef. Add them with a crack team of hitman and that can only spell big trouble in game hunting. Wilford Brimley is a particular welcoming standout as Uncle Douvee. RECOMMENDED TO ANY JOHN WOO OR MARTIAL ARTS FAN! ... Read more | |
| 8. Candyman Director: Bernard Rose | |
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Amazon.com Reviews (100)
Attractive, intelligent and wry university researcher Helen Lyle (an excellent, hitherto overlooked Virginia Madsen) stumbles onto the horrifying legacy of The Candyman, while compiling a research paper on Urban Legend. She and her friend Bernadette (Kasi Lemmons) investigate further, and what ensues is a genuinely disturbing movie, choc-full of decent performances, excellent direction and an exquisite score by Phillip Glass. The premise is simple: Urban Legend comes to life, starts rampage, must be stopped. It's the actors that make 'Candyman' a treat, and Madsen and Lemmons give great performances, believable as disaster-plagued Women-Of-The-Ninties. Madsen, in particular, does a brilliant job in the role of the hapless Helen, being by turns businesslike and frail. Tony Todd as the titular Candyman is one of the most memorable villains of modern Horror, and gives a sensual, menacing performance as the Villain. His voice and screen presence make the flesh crawl, while simultaneously exuding charisma. Bernard Rose's direction (he also wrote the screenplay, from an old Clive Barker story) is standard-setting. The grim, gritty vistas of Cabrini Green and the sepia-toned flashback sequences are memorable and chilling, and spiralling arial shots coupled with choppy cut-sequences make for a visual feast. The score, too, helps the picture enormously, and Glass' solo piano is the stuff of horror classics. An original and excellent horror, 'Candyman' deserves its place as a true classic of the Genre. Neither pretentious nor ironic, it's a brilliantly realised vision of a modern nightmare. Get it.
That's enough to get you started without giving away too much. In the right atmosphere, this movie can be down right frightening. The use of sound in the film is phenomenal. The constant switch between silence and Philip Glass' creepy score is wonderful. On top of that, Tony Todd's resonating deep voice will send chills down your spine when he calls out Helen's name. The movie is starts very slow paced in order to keep the suspense up, and then explodes.
All proceeds as one would expect until a murderer using the Candyman legend as a cover is caught by the police. Helen comforts a boy by telling him that the Candyman is not the boogeyman, just a bad man trying to scare and cause harm. This is the turning point of the movie. By destroying the boy's belief in Candyman, Helen invites the entity who describes his state as "to be but not to exist". Candyman is because others believe in him. Helen has destroyed this so he must now revive his legend and resuscitate belief in him. Helen encounters him in a parking garage where he commands her to "be my victim". The next thing she knows, she is lying in the young mother's apartment next to her dead dog with a bloody knife in her hand. From this point Helen descends into madness with murders and a kidnapping surrounding her while her husband's cheating ways are revealed. Eventually Candyman asks Helen to join her in the non-existence of legend. To save a child, Helen agrees and sacrifices her life so the child might live. The worst thing about the movie is a rather cheesy ending that confirms Helen's entry into Urban Legend-hood. Candyman is a well written thriller. It's overabundance of gore overshadows the existential elements. All the actors perform their parts with aplomb. Virginia Madsen is more than believable as a woman on the edge of a breakdown, while Tony Todd was born to play the Candyman. His tall and imposing stature combined with a deep and creepy voice can be truly unnerving at times. Forgive the ending and you have a great horror film. ... Read more | |
| 9. Easy Wheels Director: David O'Malley | |
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Reviews (2)
The bad guys are a biker gang of women who wear what appear to be leather jackets with the letters WOW written on the back (later we find out that the jackets reverse to be bowling league jackets). WOW stand for Women of the Wolf. They are kidnapping babies for fun and profit, says one of the girls but the truth goes much deeper. The leader of the WOW, played by Eileen Davidson, was abandoned by her parents afer a shoot out with the law and was subsequently raised by wolves. So now she has plans to create a new generation of fearless independent women by kidnapping baby girls and taking them to the woods to be raised by wolves. It is up to the Born Losers to take on this bevy of beautiful biker babes and put an end to the kidnapping. Davidson will have to choose between the attraction she feels for LeMat and the culmination of her feminist ideals. Absolutely fantastic but probably is not appropriate for kids.
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| 10. Shocker Director: Wes Craven | |
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Amazon.com Reviews (31)
Horace Pinker I think his name is? Is played by the bauld guy from X-Files (Skinner) who is a phychopath, killing not just people but entire fammilys, and some how a kid is having dreams of seeing him doing the murders, and eventualy helps in the capture and arrest of Horace. But Horace has made a pact with the devil or somthing? and when Horace is sent to the electric chair, it dont kill him. Horace becomes a ....well, a spirit type/electrical/ghostly kind of monster who has the ability to jump into other peoples bodys! Which pre-dates that idea in "Jason goes to hell" But the cool stuff is the FX, there not super great, but there fun to watch as Horace is able to get into TV's and shows and things. I really think it's a pretty funny horror-ry/comedy. It probably wont be for all tastes, I really like the soundtrack in the movie too. bit of Hard Rock and Metal went pretty good with it. I'm not sure if i'd recomend it to you or not? If you havent seen it, and happen to see it , then I urge you to consider giving it a glance.... But I guess it depends on everyones personal likes and dislikes really. The bonus features are nothing to praise. Just some production notes, biographies, and trailers... be cool if there was some deleted scenes or somthing? even an Audio commentary maybe? But if you wanna see a slahery kind of flick that isnt just a mistery guy walking around cutting people up, and want to venture to a funny sort of wacko who becomes an electrical ghost type of guy, then give it a rent if you can find it?
Ahem. Anyway, the plot: Horrace Pinker is a T.V. repairman by day, serial killer of whole families by night. He also walks with a limp (we find out later in the movie why that is). High school football player Jonathan seems unconnected to all this, until he has a dream where Pinker murders his family, and then finds out that it has really happened, leaving only Jon and his police leutenant foster dad left. Jonathan's dreams lead police to finding out the killer's identity, but that doesn't save Jon's girlfriend Allison, whom Pinker later kills. Finally Pinker is captured and sentanced to death by electric chair...and the film's second act begins. You see, Pinker practices black magic, and after his execution he becomes an evil spirit with the ability to jump into other people's bodies... I love pretty much everything about this movie. It's got an awsome 80's metal sountrack that you can really bang your head to, some really cool kill scenes and gore (the lip-chewing scene is probably the most shocking thing in the film) the killer is certainly Freddy-like in many ways, yet still different, in that he invades people bodies rather than their dreams. The good characters are also interesting enough and easy to root for. I especially liked the bit where Allison's ghost comes back to warn him that Pinker may be dead but isn't gone. I also like the thing where Pinker practices black magic, thus giving us an explanation as to how he's able to come back after death; Freddy was able to, apparently, just because he wanted to badly enough. I love the film's climax, and one other thing. (WARNING! MAJOR PLOT SPOILER!) I like how this film DOESN'T have one of those "Oh my God the killer/evil spirit's STILL ALIVE!" endings. Pinker is vanquished at the end, and since there were never any sequels, we know he's been permenantly laid to rest. If you like horror movies check this one out!
The budget for this film, in retrospect, does appear to have been somewhat low, but it only enhances the experience, giving it a street-level power. It's like comparing a lean 1980s Megadeth album to a one of the more recent, bloated Metallica albums. (Speaking of which, Megadeth offers up a pretty rocking rendition of an Alice Cooper song in the soundtrack; Iggy Pop and Paul Stanley contribute some songs as well.) Those high-production 1990s weren't a very good time for horror films anyway. Although this is an oversimplification, consider "Shocker" to be an indie-ish alternative to the glossy self-consciousness that's marred the horror genre of late. It should also be noted that the 1998 movie "Fallen" lifted more than one plot device from this film, so it's not like this film went unnoticed upon release. I'd definitely recommend that you buy "Shocker," or, if you're unsure, at the very least rent it. You will then know your destiny. ... Read more | |
| 11. Evil Dead II Director: Sam Raimi | |
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Reviews (344)
The gore in Evil Dead II is WAY over the top. (If you've seen Arthur's battle with the Black Knight in "Monty Python's Holy Grail"... THAT'S the sort of gore I'm talking about.) Campy lines are thrown around in here the like you've not heard since the Batman TV series. The Premise: Ash (Ashley Williams for those who saw the first one) and his girlfriend drive up to a secluded cabin in the woods for a weekend of fun. They come across a tape recording of ancient incantations...that, when played, release an unseen evil that stalks them. When the cabin owner's daughter and team show up, the evil comes for them all! If you don't try to take this movie seriously, you won't be dissapointed. One of the film's scenes was once rated in the top ten fight scenes of all time: Ash versus... his hand. Now, for the DVD goodies! If you're an Evil Dead fan, this Limited Edition MUST be in your collection. If you just like slapstick/comedy/horror, you can't lose with this one. When it comes down to it, if legions of undead started roaming the Earth, I'd want Ash nearby! Not just for protection, but also for comic relief!
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| 12. Lunatics-A Love Story Director: Josh Becker | |
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Reviews (4)
I highly reccomend this movie to fans of it's makers or pretty much anyone. It's inventive, stylish, funny and very good-hearted. It's like Crimewave meets romantic comedies.
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| 13. Army of Darkness Director: Sam Raimi | |
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Reviews (477)
A brilliant, entertaining and hilarious final in the awesome Evil Dead series with wit, humor, skill, good special effects and great battle scenes. Sam Raimi is a genius of a filmmaker, Bruce Campbell is definitely a great actor portraying a lovable moronic hero. Like i said, this movie isn't a horror flick, it's really a Fantasy comedy adventure and doesn't have gore like the last two flicks but this movie is also enjoyable for the whole family. I own this movie on DVD in 2-versions such as the Cut U.S. version with happy ending and the Director's cut with alternate ending, this is a must see movie. Also recommended: Lord of the Rings: Fellowship of the Ring, The Evil Dead, Evil Dead II, The Princess Bride, The Neverending Story, The Dark Crystal, Conan The Barbarian, The Crow, Lord of the Rings: The Two Towers, Harry Potter and The Sorcerer's Stone, In The Army Now ( Pauly Shore), The Flight of Dragons, Return of the King, The Last Unicorn, Gladiator, The Wizard of Oz, Excalibur and Mulan.
The movie begins where EVIL DEAD 2 ended: Ash has been transported to the 13th century and is surrounded by the Army of King Arthur. He is assumed to be a member of a rival army and is taken prisoner. After defeating a couple of Deadites in the pit, he is declared to be the prophecized hero who will rid the kingdom of the evil that has befallen it. However, Ash, being the befuddled hero he is, makes things worse and almost destroys any chance he has of returning home. ARMY OF DARKNESS is hilarious. It's filled with comedy and all sorts of literary and pop culture references from The Three Stooges to Gulliver's Travels to JASON AND THE ARGONAUTS to Frankenstein. I found myself laughing about every three minutes and some of the one-liners just rock: "Give me some sugar, baby" and "I'm going to cut your gizzard." Of course, this movie isn't for everyone. There are some people who would be offended and some who would see this movie as garbage. However, I see the movie as pure genius and great fun. Whatever.
There were a number of flaws in this particular DVD. The first thing I noticed was really bad pixellation in many scenes. They did a great job in many cases of cleaning up any scratches or flaws in the source film, but then they did a really bad job of DVD compression. I'm sure the other editions aren't any worse on that score, and hope that they're better. Also, this cut is actually missing some of my favorite scened and lines. The worst offense is that the line "Good, bad - I'm the guy with the gun" (which for me has always epitomized Ash) was replaced by "I'm not that good". In the commentary, Campbell and Raimi actually note that they prefer the "Good, bad" line... So why not include it in the "director's cut"? They also deleted an early fight scene, just after Campbell's arrival, and went back to what was apparently the original ending. I really liked the ending in S-Mart, though. I also found the editing on the windmill scene in this edition less cohesive than the theatrical release. The commentary by Campbell and Raimi was very good, since those two have a long history together, and really seem to have loved making this movie. Still, though, it was clear that they could see some of the same issues I mentioned above, leaving me baffled as to why they didn't work together to make this edition a true reflection of what they think the "best" version of "Army of Darkness" would be.
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