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| 1. Night of the Demons Director: Kevin Tenney | |
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Reviews (49)
Bad girl Angela (Mimi Kincade) and her equally rowdy best friend Suzanne (Linnea Quigley, starring in pretty much nothing but B-movies) have invited 8 others to their Halloween party, in the deserted Hull House, a place which has had stories developed around it, legends of how the land there is possessed by evil. Story has it that the previous tenants went crazy and killed each other, but the teens pass it off as nothing serious. The partying groups arrive, with Jay and her girlfriend Judy (Cathy Podewell), as well as her old boyfriend Sal (Billy Gallo) along for the night. Also present are Judy's two friends, as well as Rodger (Alvin Alexis), a semi-religious and scared young man, and his friends Stooge and Helen. Eventually, the 10 teens begin to fool around with superstition, and they foolishly ignore all the stories they've heard about the place. A demon awakens in the bowels of the house, and it possesses one of the girls, and the process eventually passes around until only 3 of them remain human. Their attempts to escape become futile, as all the doors mysteriously lock themselves and all the exits are blocked. They find themselves trapped inside the large, old house, and must find a way out before the demons get to them. Night of the Demons is basically a fun horror flick that has no pretensions at all. The plot is a re-hash of The Evil Dead set inside a much larger house and the movie offers nothing particularly original, but it's certainly the kind of movie to watch on a late-night for some good spooky thrills and chills. Director Kevin Tenney is a crucial reason to making the film work. His style is definitely reminiscent of Sam Raimi's, and most horror buffs will get a sense of deja vu from the "demon" POV, but it's done just as impressively here, particularly in the first long tracking shot, which also conveys the immense size of the house as the camera pans over several hallways. Tenney's direction may not be incredibly original, but there's no doubt that he knows what angles to shoot and he keeps the proceedings entertaining the whole way. The movie builds up nicely, and it's all paid off in the last 45 minutes, which work as quite a rollercoaster ride of scares and chills. The second half plays like a chase film as the demons hunt down their human prey. Tenney's direction is all over the place, making the house seem like a large, complex maze with dead ends all over the place. There are some good shocks and suspense throughout, and you're also never really certain if anybody will even make it out alive at all. Also working to the movie's appeal is the gratuitous gore and make-up effects (courtesy of Steve Johnson), whichh are well done; and the excessive nudity. Let's face it, without these, the movie probably wouldn't be quite as fun. The gore effects include eye gougings, hideous demon transformations, and a real gruesome scene where a guy gets his tongue bitten off. Most of the nudity is supplied by Linnea Quigley, no surprise there. Ah, speaking of Quigley, there's the infamous lipstick scene (spoiler here), where she runs the lipstick in a circle around her breast until jams the whole thing inside her nipple. Pointless and illogical, yes, but undeniably odd and amusing. The script obviously doesn't make a whole lot of sense. Early on, it's shown that the demons like fire, but the humans later use flames to repel them, and it works. There are a lot of odd, dynamic changes in the characters, as if though writer Joe Augusty attempted to add twists in there, but isn't very effective because these characters aren't very well-developed in the first place. The good guy boyfriend turns out to be a loser, the wild guy is actually pretty nice, and the "dumb" and "scaredy-cat" blonde holds her own fairly well (to be fair, the transition for the blonde, Cathy Podewell, works pretty well). I'd say the acting's a bit subpar, but I suppose no one would really care. Cathy Podewell is quite a sexy actress, which is probably the reason she was given the lead role, but she can still act. Her biggest problem is that sugary-sweet voice of hers, which sounds completely out of place and makes her seem like too much of a nice girl. She and Rodger are probably the film's only likable characters, simply because they're the only ones who seem to show intelligence (though Podewell's dumb, big-breasted blonde routine at the beginning hinders that just a bit). Mimi Kincade has a lot of fun as Angela, the girl who eventually gets possessed and leads the other demons. Linnea Quigley similarly overdoes her performance, but is also equally fun to watch. Seeing her in several films, though, I have to wonder what all the clamor is about. She's not that good-looking and looks quite hideous here (probably due to the fact she wears make-up the entire movie). The only other performer who really registers is Alvin Alexis, who plays the scared Rodger fairly well. Night of the Demons is only for those who don't mind a bit of violence and nudity without much originality. Those looking for a superbly brilliant film should steer away, but the movie has "fun" spelled all over it. It's never dull and should keep its intended viewers entertained. Plus, it looks even better when placed in comparison to Lamberto Bava's awful "Demons."
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| 2. Savage Streets Director: Danny Steinmann | |
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Reviews (7)
thanx
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| 3. Pumpkinhead 2: Blood Wings Director: Jeff Burr | |
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Reviews (27)
I was blown away by Pumpkinhead. Being a long time fan of Mr. Winston's works behind and in front of the camera. Stan Winston's Pumpkinhead was a work of genius that should have been revisted yes but, not by someone of far less caliber of the original creator. Pumpkinhead of the first film seemed so lifelike and down right nasty in manner and appearence was do to Stan's amazing animatronic demon. PH2 is badly noticeble as a man in rubber suit job. The story was great (the background story not the ill handled plot) it added more to the legend when the research into the myth went on. The story of the myth itself was great but the story placed around it as the outer shell and ultimately lacking movie. It was made to obviously splash gore and sex into the film. The first left these elements out and stuck close to some of the old school formulas of horror. PH2 goes clearly for the 90's and mid 80's belief which still holds true to todays horror films I might add that sex and gore are the big draws to horror. Which in this reviewers mind can actually be a draw back to horror films. One scene with yes, that was the scream queen in this drivel of a sequel humping with a victim in a scene so badly thrown in just for the sake of having such a scene in this film. This follow up is a huge let down in many ways. It isn't even so bad it's good. I've seen movies so badly thrown together that they are worth watching to pick on but this one isn't such a film. The only redeeming quality is the deeper exploration of the Pumpkinhead lore. I advise watching Stan Winston's Pumpkinhead. This badly thrown together expansion is worth a watch for the moments we get a further peek into the demon's legend. As other viewers of this film put it: Pumpkinhead as mortal is a let down. The bad effects are a let down. The by far most heinous crime of this film would be the badly slapped together plot and acting and even directing of this movie. The only reason I will add this film to my collection is the fact that in all I am a Pumpkinhead fan and would ike to own it for the fact that it is related to the more superb first film. I am distrubed that a great horror film was mocked by this sequel. Most who saw the two and had expected more of the second film because of the first know how I felt upon seeing this picture. I wish sometimes that I never discovered that Pumpkinhead was followed up. Laters- Ace
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| 4. The Prophecy 3: The Ascent Director: Patrick Lussier | |
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Reviews (24)
While delivering on the action and gore started in the first two movies, this one leaves you actually thinking. This is what sets this movie apart from all the others of its genre. Some people have commented that the questions left at the end might indicate a sequel. The questions this movie leaves you with can't be answered by a sequel. They're answered in this movie, but you half to look for them. (That may be a problem for some.) If being left thinking bothers you, don't watch this movie. For the rest of you, this movie delivers on the questions raised in the other movies about Angels, The Word, and God in general. This movie was the perfect conclusion to the trilogy. "Get used to it!" ... Read more | |
| 5. Still Smokin' Director: Tommy Chong | |
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Reviews (29)
Fans of the classic comedy duo know the REAL reson these two would want to spend time in Amsterdam of all places on the globe (duh!). To have sexy blonde Hotel maids (and bell hops) go goo-goo-gaa-gaa over these two aging dope glorifiers is not credible at all. The bite and spontaneous humor we remember from their original cult classic "Up In Smoke" is completely missing from this stupid follow-up. The 70s comedy albums are still "the s*it" today, with laughs every 10 seconds. "Still Smokin'" is about as dumb as a film gets. Why not revive the Three Stooges to save the day? Put out your butt and forget this DOA stinker!*
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| 6. Silent Night, Deadly Night Director: Charles E. Sellier Jr. | |
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Reviews (17)
On Christmas Eve little Billy Chapman saw his parents brutally slaughtered by a man wearing a Santa Claus outfit. Needless to say this traumatized poor Billy. After spending years in an orphan house raised by strict nuns Billy seems to have become a well behaved and perfectly sane young man. At the age of 18 Billy gets a job in a department store and everything is going just fine until... he's forced to dress up as jolly ol St. Nick himself. At this point something snaps inside him sending him into a psychotic frenzy and killing anything and everyone around him. This is a typical 1980's horror movie. Bad acting, some T&A, a thin plot but some great killing scenes. This is a must see for any fan of the genre!!
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| 7. Beach Babes From Beyond Director: David DeCoteau | |
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Reviews (1)
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| 8. Killer Eye Director: David DeCoteau | |
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Reviews (18)
A goofy scientist is trying to view the eighth dimension. His test subject is accidentally infected by something from said dimension. It swells into the giant eye. The eye swarms around an apartment building by using the air vents. Huh? The vents are about four feet by three feet. The scientist has a wife who tries to bed every male in the film (except Weird Bill) as she wants it all the time. Two male bodybuilders who do heavy drugs and hang out in their underwear are one of her targets. They are also a target for the Eye. Anyway, the Eye runs around the building feeling up women and blasting people with green rays. Luckily it is sensitive to light. In the end it is cornered (don't know why it couldn't get away) and flees back to its home dimension. Really bad film. The bodybuilders apartment is a two-story studio with the door on a landing in the top half. The script occasionally calls the lab the attic and the attic the lab. To make it worse, the bodybuilders place has a peaked ceiling with beams (shouldn't that one be at the top?). So we have a film with a bad script, bad acting (I love Weird Bills fake voice), lots of nudity, strange characters, and a monster eye. It's so bad, what's not to like?
A goofy scientist is trying to view the eighth dimension. His test subject is accidentally infected by something from said dimension. It swells into the giant eye. The eye swarms around an apartment building by using the air vents. Huh? The vents are about four feet by three feet. The scientist has a wife who tries to bed every male in the film (except Weird Bill) as she wants it all the time. Two male bodybuilders who do heavy drugs and hang out in their underwear are one of her targets. They are also a target for the Eye. Anyway, the Eye runs around the building feeling up women and blasting people with green rays. Luckily it is sensitive to light. In the end it is cornered (don't know why it couldn't get away) and flees back to its home dimension. Really bad film. The bodybuilders apartment is a two-story studio with the door on a landing in the top half. The script occasionally calls the lab the attic and the attic the lab. To make it worse, the bodybuilders place has a peaked ceiling with beams (shouldn't that one be at the top?). So we have a film with a bad script, bad acting (I love Weird Bills fake voice), lots of nudity, strange characters, and a monster eye. It's so bad, what's not to like? The DVD has no special features except a small group of trailers for other films. There is not even a scene selection option. At least it does have tracks.
The reviewer below covers most of it & the two other movies he mentioned - 'Hideous' & 'Head of the Family' - I do like, but unfortunately this one just doesn't have anything going for it. A giant eye going around, for want of a better phrase, having sex with people does sound like it could be funny....but it isn't. I hate to give a Full Moon movie only two stars beause I'm definitely a fan, but to be honest, this barely deserves one! Come on people, get a grip, this isn't even a good bad movie!
And shall we touch upon the amazing special effects? Let us do more than touch. Let us beat them senseless with a baseball bat. Much like the plot they are awful and practically nonexistent. Would I recommend this movie? Oh yes. While a truly awful movie, it certainly isn't as bad as BEAST OF YUCCA FLATS, but then what is? It will go on my shelf with HIDEOUS and HEAD OF THE FAMILY. For the lovers of insanely mind numbing films, and I'll admit to being one, it is well worth owning.
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| 9. Graduation Day Director: Herb Freed | |
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Reviews (4)
"Graduation Day" starts with an opening sequence so cheesy, so horrifyingly awful to behold, that it almost made me turn the film off. Imagine, if you dare, the camera panning across your typical high school track and field event. Since the film takes place in that painful gray area between the late 1970s and early 1980s, most of the people we see look so geeky that even Bill Gates would have stigmatized them. Feathered coifs, lame T-shirts, lots of smiles caked in braces, and a background song with a decidedly disco motif that had me grinding my teeth into powder nearly sent me running to the local mental motel. As bad as the first five minutes of "Graduation Day" is, there truly is a method to the madness. We see a young girl beating her feet around the track, straining to pull into the lead and finish first as her testosterone drenched coach roars her on to victory. The girl does win, but she collapses and dies immediately after crossing the finish line amidst roars of shock from the crowd. It turns out the hapless young lady trained so hard to compete in the race that she ignored her deteriorating health, as did her domineering coach. You just know after seeing this unfortunate incident that someone will seek bloody revenge for the now dead girl. Someone does start turning the student body into mincemeat shortly after the track and field fiasco, with special attention paid to the other members of the track team. We know this because the killer, who is some doofus clad in a sweatshirt with a hood, has a team picture of the track jocks he holds up to the camera every chance he or she gets. Every time the murderer offs one of the dead girl's teammates, he draws a red 'X' over that person's face in the snapshot. The kids die in various tepid ways. One of the girls dies in the locker room, one jock gets his on a trail running through the dense forest behind the school, and one girl dies outside of a party at the roller skating rink (!). I would like to tell you the kills are memorable in a way that puts all other slasher films to shame, but I won't lie to you. The whole slice and dice situation is quite mediocre for the genre as a whole. Several subplots take up large segments of the film, such as the put upon principal dealing with angry parents, a geeky music teacher who sleeps with his female students, and the sister of the dead girl who arrives home from the Navy to confront her angry stepfather and the apathy of the student body. The overbearing coach gets screen time too. So why is "Graduation Day" a memorable film possibly worth viewing? Maybe it has something to do with the in your face early 1980s atmosphere. Check out that party at the roller skating rink. Man, oh man is that scene about as close as you can get to a time warp back to the days of early MTV, New Wave music, and Valley Girl speak. The band banging away in the background alone should give anyone who lived through that time a serious case of the flashbacks. The presence of Linnea Quigley in one of her first screen appearances also speaks well for the film, or maybe not depending on your views. The best element of the film, however, is the warped conclusion. Up to the end of the movie "Graduation Day" just sort of meanders along, not quite sure of itself, but the film takes a dive into the depths of weird when we finally discover who has been dispatching some of the locals. The atmosphere and the conclusion helped "Graduation Day" when nearly every other element failed to deliver. Why, for example, is there a kid walking around in a football uniform at the end of the school year? I thought football season ended before Christmas. Sometimes it is better to avoid such pesky questions and instead focus on the positives. Since Troma Films released "Graduation Day," you can expect a boatload of lame extras typical of every Kaufman and company disc. This one has an interview with Linnea Quigley, trailers, a lousy sketch on how to stage an arm dismemberment, and a shameless plug for Kaufman's book about filmmaking (By the way, if you need to learn how to make a film from a guy like Kaufman, you should probably keep you day job flipping burgers.). Give "Graduation Day" a chance if you like slasher films. Sure, there are films with more gore and better atmosphere, but there are also worse ones than this movie. What a ringing endorsement, eh?
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| 10. Return of the Living Dead Director: Dan O'Bannon | |
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Reviews (9)
As this whole thing is explained to two unsuspecting young men, they accidently release the top secret gas that starts to animate all dead things. The dead come walking demanding "brains." In this one it seems it is impossible to totally kill any of these re-animated dead. Even dismember them, the individual body parts keep coming looking for brains. Rather than the slow scarry looking creatures from the Romero flicks, these creatures can move just as quickly as living people, can talk, and in many cases are humorous looking. The humor is so well done that it never feels corny.
"Return" is in not a sequel to "Night" despite what the title might make you think. It is a brand new and highly original film from Dan O'Bannon of "Alien" fame. The movie is very good at mixing its horror elements with comedy. The story never takes itself too seriously and the comedy elements never get so silly that it hurts the horror portion of the movie either. If you are looking for a good old-fashioned fun movie then "Return Of The Living Dead" is an excellent choice.
end note: To the reviewer that writes as if he likes it and gave it one star? What planet are you from?
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| 11. Silent Night, Deadly Night Director: Charles E. Sellier Jr. | |
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Reviews (17)
On Christmas Eve little Billy Chapman saw his parents brutally slaughtered by a man wearing a Santa Claus outfit. Needless to say this traumatized poor Billy. After spending years in an orphan house raised by strict nuns Billy seems to have become a well behaved and perfectly sane young man. At the age of 18 Billy gets a job in a department store and everything is going just fine until... he's forced to dress up as jolly ol St. Nick himself. At this point something snaps inside him sending him into a psychotic frenzy and killing anything and everyone around him. This is a typical 1980's horror movie. Bad acting, some T&A, a thin plot but some great killing scenes. This is a must see for any fan of the genre!!
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| 12. Return of the Living Dead Director: Dan O'Bannon | |
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Reviews (25)
P.S. I've been all over Louisville and can't find the wharehouse or cemetary.........my guess is that it isn't really based on a true story! LOL
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| 13. Jack-O Director: Steve Latshaw | |
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Reviews (19)
The plot approaches total nonsense (what jumps to mind: shower scenes that appear from nowhere, along with footage seemingly cobbled in from a separate film), the characters are as obnoxious as is humanly possible, and the acting is the worst -- there is one fantastic scene at the end, where as the child is being buried by the monster, mumbles "No..." in a bored voice.. All said and done, Jack-O is quite possibly the ultimate b-movie; it goes far enough off the un-artisic scale to become art again.
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| 14. Fairy Tales Director: Harry Hurwitz | |
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Reviews (6)
The king of all flubbage comedy movies.
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| 15. Still Smokin' Director: Tommy Chong | |
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Reviews (29)
Fans of the classic comedy duo know the REAL reson these two would want to spend time in Amsterdam of all places on the globe (duh!). To have sexy blonde Hotel maids (and bell hops) go goo-goo-gaa-gaa over these two aging dope glorifiers is not credible at all. The bite and spontaneous humor we remember from their original cult classic "Up In Smoke" is completely missing from this stupid follow-up. The 70s comedy albums are still "the s*it" today, with laughs every 10 seconds. "Still Smokin'" is about as dumb as a film gets. Why not revive the Three Stooges to save the day? Put out your butt and forget this DOA stinker!*
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| 16. Virgin High Director: Richard Gabai | |
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| 17. Death Sport Director: Allan Arkush, Roger Corman, Nicholas Niciphor | |
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Reviews (7)
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