Amazon.com essential video

Kathy Bates stars as an unhappy wife trying to get her husband's attention in this amusing and moving 1991 screen adaptation of Fannie Flagg's novel Fried Green Tomatoes at the Whistle Stop Cafe. After befriending a lonely old woman (Jessica Tandy), Bates hears the story of a lifelong friendship between two other women (Mary Stuary Masterson and Mary-Louise Parker, seen in flashback) who once ran a cafe in town against many personal odds. The tale inspires Bates to take further command over her life, and there director Jon Avnet (Up Close and Personal), in his first feature, has fun with the film. Bates develops a real attitude toward her thickheaded spouse at home and some uppity girls in a parking lot, but dignity is generally the key to Avnet's approach with the story's crucial relationships. Tandy is a joy and clearly loves the element of mystery attached to her character, and Masterson and Parker are excellent in the historical sequences. --Tom Keogh ... Read more

Reviews (88)

Fried Green Tomatoes
Reviewed Date: October 2003
Studio: Universal Studios
Genre: Drama
Exposure: Color
Running Time: 130 Minutes
Rating: PG-13
Release Year: 1991
Directed By: Jon Aunet

Starring: Kathy Bates, Mary Stuart Masterson, Mary-Louise Parker, and Jessica Tandy.

Co-Starring: Gailard Sartain, Stan Shaw, Cicely Tyson, Gary Basaraba, Grace Zabriskie, Richard Riehle, Grayson Fricke, Lashondra Phillips, Enjolik Oree, Nick Searcy, and Ginny Parker.

If you want to see a good movie for the whole family, "Fried Green Tomatoes" is the movie for you. It shows friendship, compassion, humor, laughter, and real life encounters.

The setting takes place in the late 1980's and takes you back in time a half century to the town of Whistle Stop, Alabama.

"Fried Green Tomatoes" is a movie for anyone. It can make the best of us laugh and cry through the entire movie. "Fried Green Tomatoes" is a movie that gives you two different stories within itself. One story takes you back to the 1930's. The other part of the story takes place in the 1980's between Ninny Threadgooda, telling the story of her past to help her new friend Evelyn get her life together.

The frienships made within the movie show that this woman do hold their friendships in very high regards. The friendship in the 1930's would help both women to get through some really tough times. The friendship in the 1980's between Ninny and Evelyn keep these two ladies on track.

I give this movie 5 stars because it is a movie for anyone. Also because it shows how good friends will help a loved one in need of there help at a drop of a hat. This movie is just a well rounded movie, filled with emotion.

Better than Steel Magnolias
Fried Green Tomatoes is two stories in one ---- depressed housewife Kathy Bates befriends an elderly woman (Jessica Tandy) who tells her the story of two best friends (Mary Stuart Masterson and Mary-Louise Parker) who ran a cafe in the 1930s. The tale of the friends depicts domestic violence, pregnancy, childbirth, and two accidents involving trains. But the courage and spirit that the women have, as told by Tandy to Bates, encourages Bates to stop being a victim in her own life, particularly to her all right but insensitive husband.

The movie does a great job of showing the trials and tribulations of being a woman but how female friendship can conquer all. It is even more riveting to see it set in a time when women -- particularly unmarried women of dubious sexuality --- have to overcome obstacles set by society in general and its views of what a woman's role is. TOWANDA!!!!!

fried green tomatoes, food for the soul
I have seen this movie probably 20 times in my life and I have to say it is definetly a personal favorite in my collection. This movie touches on so many emotions that it will have you angry, sad, touched, uplifted, empowered and roaring with laughter. This movie is told to a fed-up repressed housewife (kathy bates) by a sweet ,lonely ,vivacious old woman (ninny) during visits to a nursing home after a chance meeting. The intertwined story is about Idgy a Tom-boy who distances herself with the world due to a tragedy at a young age. As Idgy ages the only person she is close with is her "hired hand" Big George and his mother Sipsy. Idgy's mother becomes concerned with Idgy and decides to have Ruth ( a girl from idgy's past) come and stay with them to try to reach Idgy. At first Idgy is stand offish but soon they become best friends that is, until Ruth leaves because she marries. I dont' want to "spoil" the rest of the story so I'll leave that alone for the time being. As Ninny tells Mrs. Couch (kathy bates) they become close friends and Mrs. Couch begins to become empowered by the strong women in the stories and making some changes in her own life. It touches on tough topics such as racism, spousal abuse, death, tragedy, loneliness, fear of death, and fear of life for some. This dvd is a must watch and own for your dvd collection.

Great Southern Storytelling on the Screen
I'm always surprised how badly great storytelling makes it to the screen. Particularly, great Southern stories, which tend to make it to the big screen replete with caricatures and stereotypes. I recall, with particular sadness, the movie adaptation of Midnight in the Garden of Good and Evil. While this adaptation to the screen of Flagg's tremendously moving novel does have its share of simple, stereotypical southern "archetypes", these are largely drawn from Flagg's book, and are largely essential to the story. It is, without a doubt, one of the most enjoyable movies I have ever seen and, ten years after first seeing it, it still brings raucous laughter and tears to my eyes. It's the classic "story within the story", and begins with the introduction of a tenacious elderly widow to a repressed younger southern housewife in a nursing home in rural Alabama. What starts off to the housewife as polite and indulgent small talk of past acquaintances with a likely senile elderly woman turns rapidly into an engrossing story with what must be the best "hook line" in storytelling ("Why anybody would have thought she killed that man is beyond me!"). This story then becomes a parable which the housewife uses to change her life for the better.

While certainly a moral parable of the greater value systems of past times, and of loyalty and courage in the face of bigotry and oppression, the story never loses its infectious humor, despite some genuinely tragic events. The lesbian theme of the book is only mildly hinted at, and one would almost overlook it were one not to deliberately search for it. Some of the more brutal aspects of the book are retained, with the rampant racism and wife-abuse still harrowingly reflected, if toned down. Consequently, younger viewers may best appreciate the film in the company of an adult. Regardless, this is one of the best "feeling good" movies I have ever seen, and being a Southerner from an area very near that depicted in the book, makes me pine for the South in profound ways. It's a film about empowerment and, more importantly, the empowerment one gains through friends, and through standing up for one's friends, and through an unshakable belief in self-respect.

No little credit for the success of the film goes to the incredibly strong performances of Masterson as the tom-boyish Idgie Threadgood, and Marie Louise-Parker as Ruth Jamison, along with the underrated performance of Stan Shaw, one of TV's great character actors, as Big George. However, the film's strongest performances come from three grande dames of the screen (and stage): Cicely Tyson, as Sissy, Jessica Tandy, as Ninny Threadgood, and Kathy Bates, as Evelyn Couch. While Tandy and Bates have received their due, Tyson's performance, as always, is often overlooked.

To Wander!!!!
A story of friendship and love, and how they can both intertwin. Mary Stuart Masterson (Somekind of wonderful) and Mary louise-Parker (Boy's on the side) Displaying fabulous performance's along with Jessica Tandy (Driving miss Daisy) and Cathy Bates (Misery). The whole story surrounding a relationship that can not be defined. My Favourite film ever! However i think some people are wrong with one aspect surrounding Ninny and Idgie. That they are one and the same! Best Quote- " Face it girl's.... I'm older and have more insurance"
A film for any Mary Stuart masterson Fan. ... Read more

Description

Based on the true story of the life and times and love affair of mobster Sam Giancana and America's songbird, Phyllis McGuire. Their too public relationship and tense atmosphere of the times could put an end to her career - and his life! ... Read more

Reviews (2)

Really A Thrill
What a great movie. I loved everything about it. Mary Louise Parker has never been more radiant. In this movie, she has it all: talent, attitude, romance, and a little humor on the side. And speaking of wornderful performances, John Turturro gives, in my opinion, one of his best. We love to hate him and he makes being a gangster seem glamorous and suprisingly ethical. The added "gansta" crimes only add to the plot of this movie, as does the story of the stunning McGuire sisters. By the end you with laugh and cry and flat out have a good time. It is a nice change from all of the other garbage around. Excellent!

Sugartime is a Goodtime
Sugartime is an interesting and entertaining movie. It is most interesting when Mary-Louise Parker is on screen. She is prim and beautiful and is a perfect offset to Turturro's portrayal of Sam Giancana. The movie tries its best to place historical references to Kennedy, Hoover, et al. Sugartime is an excellent choice for a fun, enjoyable evening. ... Read more

Reviews (46)

THE CLIENT
A sterling cast headed by Oscar - nominated Susan Sarandon makes this slick thriller the adaptation of a John Grisham bestseller. Mark Sway (Brad Renfro) witnesses the suicide of a Mafia lawyer, who confesses that the mob was behind the murder of a U.S. senator. Mark's brother is traumatized into a coma by the incident; gangster Barry Muldano (Anthony LaPaglia) is soon on Mark's trail, and in desperation, he arrives at the office of recovering alcoholic lawyer Reggie Love (Sarandon). With the mob after them, and a ruthless federal attorney Roy Foltrig (Tommy Lee Jones) trying to force Mark to reveal what he knows, Love battles to guarantee the safety of her client and his family. The relationship between Reggie Love and Mark Sway is the center of the film, adding considerable character development to plot's routine elements. Director Joel Schumacher helmed another Grisham adaptation, A Time To Kill, in 1996.

Excellent Movie From a Terrible Book
"The Client" is a movie that profiled the American Justice system drenched with beaurocracy, and the particular story of a young child and his family caught up in it. An 11 year old backwoods punk kid named Mark Sway (Newly introduced Brad Renfro), is a witness to the suicide of a lawyer involved in a high profile Mafia case. Being the only witness, he is now pressured by the US Attorney's office to talk...and by the Mob not to. US Attorney Roy Fortrigg is played flawlessly as always by award winning actor Tommy Lee Jones, who battles Mark's dedicated lawyer (Susan Sarandon) to make the boy tell all and vault himself to Governor of Louisianna. If I was making this movie, I would think that it would fall apart on the child's role...but it didnt. Brad Renfro was as good as they come, playing a stubborn punk kid who refused to be intimidated by Fortrigg, and tried not to let the Mob get to him either. Another stellar performance was played by Kim Coates, one of the big Mob boss's henchmen. After seeing "The Client" I checked out a few other of his roles...needless to say they were mostly the "bad guy" parts. The movie was gripping in every sense with suspense, action and hardball legal dialogue that trully capture the reality of a high-profile criminal justice case. From start to finish I enjoyed the movie very much and cant turn it off to this day if I flip by it on television. I think "The Client" is a great purchase idea...and again I dont recommend the book.

Reggie to the Rescue.
You gotta hand it to John Grisham: Nobody has the various lawyer cliches down pat as well as him - in fact, it almost seems as if he invented or at least, reinvented many of them. As in most of his thrillers, we get a whole handful in "The Client": the slimy mafia lawyer, the power-hungry politician-to-be, the self-aggrandizing ambulance-chaser, the grandfatherly judge and, of course, the motherly family law practitioner who turned to legal practice after overcoming a few troubles of her own. I think that leaves only the greedy corporate attorney, his cousin the corrupt judge and their perpetual antagonists, the starving public interest lawyer and the inquisitive student prodigy unrepresented here; but still, not a bad collection for a single thriller, even by Grisham. (And that doesn't even include the count of dumb and/or malicious cops, slick tabloid journalists and ruthless mobsters running around in this story.) But never mind: "The Client" is one of John Grisham's best-ever novels, and this movie surpasses many another big-screen adaptation of his books by several leagues. For Grisham at the top of his game is also an excellent storyteller, and in the hands of director Joel Schumacher his tale of beleaguered eleven-year-old Mark Sway who gets in trouble by becoming the reluctant last confidant of suicidal defense attorney Jerome "Romey" Clifford comes to life in spot-on and truly gripping fashion.

Although not even a teenager yet, Mark (Brad Renfro) is as tough as they come - a Memphis trailer park kid who gets most of his education on life's really important aspects from TV, has already helped his mom (Mary-Louise Parker) get rid of the wife-beating guy he now calls his "ex-father," and since then has been the man in the house, taking care of his eight-year-old brother Ricky whenever their mother is at work (i.e., most of the time). So Mark doesn't scare easily; and even if he really is afraid, he'd rather drop dead than admit it. But with both the mob *and* the feds on his trail - the former out to kill him before he can share the dirty little secret they suspect Romey has spilled before blowing out his brains, the latter hell-bent on making him share that very secret - even Mark has to face the fact that he is in way over his head ... and yes, he's scared, too; and not just a little. Worse, his brother is out cold, in hospital being treated for post-traumatic stress disorder because watching Romey's suicide was more than his delicate eight-year-old soul could take, and their mother is in hospital with Ricky on the doctor's orders because Ricky might need her when he wakes up. (Consequently she's also out of a job, because her sweat-shop employer doesn't take kindly to this sort of family emergency). Reluctantly, Mark therefore concludes that he needs an attorney. And in short order, he lands on the doorstep of Regina "Reggie" Love (Susan Sarandon), middle-aged but only a few years out of law school, through which she put herself after her husband left her for a younger woman, not without depriving her of their children's custody and branding her an unfit mother. But what starts as a hesitant relationship at best on Mark's side soon turns out his one stroke of luck, because Reggie is probably the only lawyer in town not afraid to take on even powerful U.S. Attorney "Reverend" Roy Foltrigg (Tommy Lee Jones) and the FBI, and ultimately willing to put her own job at risk for her client.

While condensing some of its elements, the movie's screenplay follows Grisham's novel fairly closely, taking part of its dialogue straight from the book. Yet, "The Client" lives not only from John Grisham's gripping story but also - and primarily - from its characters and outstanding cast, including the ever-reliable J.T. Walsh (FBI Agent McThune), William H. Macy (Ricky's doctor), Anthony Edwards (Reggie's assistant Clint), Ossie Davis (Judge Roosevelt) and Walter Olkewicz ("Romey" Clifford). Unquestioningly most memorable, however, is the quintet at the movie's center. Brad Renfro was selected by Schumacher for his first-ever screen appearance as Mark because he had a somewhat similar background as the story's hero and thus, an intuitive understanding that, along with his innate toughness, ultimately proved more convincing than the acting skills of more experienced child actors; and indeed, he so compellingly carries his part that he deservedly garnered a 1995 Young Artists Award. Susan Sarandon earned another Oscar nomination for her portrayal of Reggie, who actually listens to her clients and makes sure even those of their desires that may seem trivial to others are taken care of; such as Dianne Sway's wish for a walk-in closet. (Sarandon's Academy-Award nomination was her fourth after "Atlantic City," "Thelma & Louise" and "Lorenzo's Oil;" but although she had to wait yet another year to finally score an Oscar with "Dead Man Walking," "The Client" at least won her a BAFTA Award). Tommy Lee Jones plays the bible-quoting Foltrigg with his tongue firmly planted in his cheek and thus, although occasionally terrifying, makes him a more complete and almost even likeable character; much more so than he is in Grisham's novel. Mary-Louise Parker's Dianne Sway truly brings to life the young besieged trailer park mom desperately trying to get a grip on her life, and Anthony LaPaglia finally is simultaneously frightening and unintentionally funny as the slick but not overly bright mob killer Barry "The Blade" Muldanno, the source of Clifford's (and consequently everybody else's) problems.

So, watch this for the outstanding performances of the five central characters as well as the fine ensemble cast, for one of John Grisham's most gripping yarns, and for Joel Schumacher's excellent editing and sense of place. This may not be a major milestone in movie history (except regarding Brad Renfro's career of course), but it's without question one of the best thrillers of the past 15 years and easily recommended on that basis alone.

TENSE ADAPTATION OF GRISHAM'S NOVEL
In his first film, Brad Renfro (Apt Pupil) walks away with THE CLIENT. His performance carries the entire movie, and he is a jewel. From his southern accent to his bullheaded obstination, Renfro creates a portrait of a child looking for love and leadership. He and his little brother witness the suicide of a gangland lawyer, who before dying tells Renfro where the body of a murdered senator is hidden. Tommy Lee Jones as a slick Federal attorney decides that Renfro knows the location and wants the boy to talk. Bright Renfro decides he needs a lawyer and ends up with Susan Sarandon, in her fourth Oscar nominated performance. Of course, since the little boy has become a media darling, the bad guys want him too. The expected chase begins, but not before some touching and exciting sequences occur.
Director Joel Schumacher keeps things moving nicely and elicits strong performances from a rather starstudded cast: Mary Louise Parker as Renfro's mom; Ossie Davis as a no nonsense judge; Micole Mercurio as Sarandon's nice mama; Anthony LaPaglia as the slimy murderer; Anthony Edwards as Sarandon's assistant, and Bradley Whitford as the yuppie lawyer. Ultimately though, it's the power of Renfro and Sarandon's performances that catapult this movie into its stratosphere. Sarandon and Renfros scenes together sparkle and their final scene is a real tearjerker.
Grisham liked this adaptation and he should: it's a very good movie.

I plead the 5th
I have always been a John Grisham fan, so even the movies will get my top vote. This movie depicts what you should and should not do when you witness and/or are told about a crime, and the pain you could endure if the wrong people find out you know about this crime. This is a wonderful plot with great acting from Susan Sarandon, Tommy Lee Jones, etc. I recommend that if you haven't watched this movie yet, then give it a try. You'll like it. ... Read more

Amazon.com essential video

Kathy Bates stars as an unhappy wife trying to get her husband's attention in this amusing and moving 1991 screen adaptation of Fannie Flagg's novel Fried Green Tomatoes at the Whistle Stop Cafe. After befriending a lonely old woman (Jessica Tandy), Bates hears the story of a lifelong friendship between two other women (Mary Stuary Masterson and Mary-Louise Parker, seen in flashback) who once ran a cafe in town against many personal odds. The tale inspires Bates to take further command over her life, and there director Jon Avnet (Up Close and Personal), in his first feature, has fun with the film. Bates develops a real attitude toward her thickheaded spouse at home and some uppity girls in a parking lot, but dignity is generally the key to Avnet's approach with the story's crucial relationships. Tandy is a joy and clearly loves the element of mystery attached to her character, and Masterson and Parker are excellent in the historical sequences. --Tom Keogh ... Read more

Reviews (88)

Fried Green Tomatoes
Reviewed Date: October 2003
Studio: Universal Studios
Genre: Drama
Exposure: Color
Running Time: 130 Minutes
Rating: PG-13
Release Year: 1991
Directed By: Jon Aunet

Starring: Kathy Bates, Mary Stuart Masterson, Mary-Louise Parker, and Jessica Tandy.

Co-Starring: Gailard Sartain, Stan Shaw, Cicely Tyson, Gary Basaraba, Grace Zabriskie, Richard Riehle, Grayson Fricke, Lashondra Phillips, Enjolik Oree, Nick Searcy, and Ginny Parker.

If you want to see a good movie for the whole family, "Fried Green Tomatoes" is the movie for you. It shows friendship, compassion, humor, laughter, and real life encounters.

The setting takes place in the late 1980's and takes you back in time a half century to the town of Whistle Stop, Alabama.

"Fried Green Tomatoes" is a movie for anyone. It can make the best of us laugh and cry through the entire movie. "Fried Green Tomatoes" is a movie that gives you two different stories within itself. One story takes you back to the 1930's. The other part of the story takes place in the 1980's between Ninny Threadgooda, telling the story of her past to help her new friend Evelyn get her life together.

The frienships made within the movie show that this woman do hold their friendships in very high regards. The friendship in the 1930's would help both women to get through some really tough times. The friendship in the 1980's between Ninny and Evelyn keep these two ladies on track.

I give this movie 5 stars because it is a movie for anyone. Also because it shows how good friends will help a loved one in need of there help at a drop of a hat. This movie is just a well rounded movie, filled with emotion.

Better than Steel Magnolias
Fried Green Tomatoes is two stories in one ---- depressed housewife Kathy Bates befriends an elderly woman (Jessica Tandy) who tells her the story of two best friends (Mary Stuart Masterson and Mary-Louise Parker) who ran a cafe in the 1930s. The tale of the friends depicts domestic violence, pregnancy, childbirth, and two accidents involving trains. But the courage and spirit that the women have, as told by Tandy to Bates, encourages Bates to stop being a victim in her own life, particularly to her all right but insensitive husband.

The movie does a great job of showing the trials and tribulations of being a woman but how female friendship can conquer all. It is even more riveting to see it set in a time when women -- particularly unmarried women of dubious sexuality --- have to overcome obstacles set by society in general and its views of what a woman's role is. TOWANDA!!!!!

fried green tomatoes, food for the soul
I have seen this movie probably 20 times in my life and I have to say it is definetly a personal favorite in my collection. This movie touches on so many emotions that it will have you angry, sad, touched, uplifted, empowered and roaring with laughter. This movie is told to a fed-up repressed housewife (kathy bates) by a sweet ,lonely ,vivacious old woman (ninny) during visits to a nursing home after a chance meeting. The intertwined story is about Idgy a Tom-boy who distances herself with the world due to a tragedy at a young age. As Idgy ages the only person she is close with is her "hired hand" Big George and his mother Sipsy. Idgy's mother becomes concerned with Idgy and decides to have Ruth ( a girl from idgy's past) come and stay with them to try to reach Idgy. At first Idgy is stand offish but soon they become best friends that is, until Ruth leaves because she marries. I dont' want to "spoil" the rest of the story so I'll leave that alone for the time being. As Ninny tells Mrs. Couch (kathy bates) they become close friends and Mrs. Couch begins to become empowered by the strong women in the stories and making some changes in her own life. It touches on tough topics such as racism, spousal abuse, death, tragedy, loneliness, fear of death, and fear of life for some. This dvd is a must watch and own for your dvd collection.

Great Southern Storytelling on the Screen
I'm always surprised how badly great storytelling makes it to the screen. Particularly, great Southern stories, which tend to make it to the big screen replete with caricatures and stereotypes. I recall, with particular sadness, the movie adaptation of Midnight in the Garden of Good and Evil. While this adaptation to the screen of Flagg's tremendously moving novel does have its share of simple, stereotypical southern "archetypes", these are largely drawn from Flagg's book, and are largely essential to the story. It is, without a doubt, one of the most enjoyable movies I have ever seen and, ten years after first seeing it, it still brings raucous laughter and tears to my eyes. It's the classic "story within the story", and begins with the introduction of a tenacious elderly widow to a repressed younger southern housewife in a nursing home in rural Alabama. What starts off to the housewife as polite and indulgent small talk of past acquaintances with a likely senile elderly woman turns rapidly into an engrossing story with what must be the best "hook line" in storytelling ("Why anybody would have thought she killed that man is beyond me!"). This story then becomes a parable which the housewife uses to change her life for the better.

While certainly a moral parable of the greater value systems of past times, and of loyalty and courage in the face of bigotry and oppression, the story never loses its infectious humor, despite some genuinely tragic events. The lesbian theme of the book is only mildly hinted at, and one would almost overlook it were one not to deliberately search for it. Some of the more brutal aspects of the book are retained, with the rampant racism and wife-abuse still harrowingly reflected, if toned down. Consequently, younger viewers may best appreciate the film in the company of an adult. Regardless, this is one of the best "feeling good" movies I have ever seen, and being a Southerner from an area very near that depicted in the book, makes me pine for the South in profound ways. It's a film about empowerment and, more importantly, the empowerment one gains through friends, and through standing up for one's friends, and through an unshakable belief in self-respect.

No little credit for the success of the film goes to the incredibly strong performances of Masterson as the tom-boyish Idgie Threadgood, and Marie Louise-Parker as Ruth Jamison, along with the underrated performance of Stan Shaw, one of TV's great character actors, as Big George. However, the film's strongest performances come from three grande dames of the screen (and stage): Cicely Tyson, as Sissy, Jessica Tandy, as Ninny Threadgood, and Kathy Bates, as Evelyn Couch. While Tandy and Bates have received their due, Tyson's performance, as always, is often overlooked.

To Wander!!!!
A story of friendship and love, and how they can both intertwin. Mary Stuart Masterson (Somekind of wonderful) and Mary louise-Parker (Boy's on the side) Displaying fabulous performance's along with Jessica Tandy (Driving miss Daisy) and Cathy Bates (Misery). The whole story surrounding a relationship that can not be defined. My Favourite film ever! However i think some people are wrong with one aspect surrounding Ninny and Idgie. That they are one and the same! Best Quote- " Face it girl's.... I'm older and have more insurance"
A film for any Mary Stuart masterson Fan. ... Read more

Reviews (8)

Earnest, Often Touching Drama
I read recently that upon becoming a mother several years ago, Oscar winning actress Sissy Spacek pulled back considerably on her career and began accepting a few acting assignments a year, usually ones of (what she felt was) social significance. Obviously the role of nurse Susan Lansing, who takes in an HIV-positive infant as a foster child, filled that particular bill. A PLACE FOR ANNIE is a socially conscious a film as one could ask for. It is also an OK drama in and of itself, although hardly a masterpiece...Of course, you have to be receptive to this kind of three-hanky dramatic fare. But hey, those of us who would even bother to sit down for this kind of weep-fest have to admit that basically we're suckers for the genre. It helps when you've got a stellar cast on hand (along with Spacek, you've got Joan Plowright, Mary-Louise Parker, LAW AND ORDER'S S. Epatha Merkerson and the young Jack Noseworthy, all very good indeed). And the kid is adorable. The film tugs shamelessly at the heartstrings, but it doesn't--completely--wear its heart on its sleeve. A lot of credit goes to the capable cast who tend to underplay their roles. Spacek--and the rest of the cast here--may be partial to socially conscious fare, but they're smart enough not to lay it on too thick.

A Movie To Cherish.
I am a lover of the, 'Hallmark Hall Of Fame' movies because they are clean and family oriented. Movies like 'A Place For Annie' helped seal their place in my home. I have a collection of these wonderful films and I will continue to collect them.

'A Place For Annie,' is a true story about a head pediatric nurse, 'Susan Lansing' (played by Sissy Spacek.) Lansing gets attached to an infant patient, (Annie) who at birth tested positive for HIV. Little Annie was also born addicted to heroine and was deserted shortly after birth by her birth mother. When no one would accept this baby, with HIV, as a foster child Susan decides to become Annie's foster mother. She makes it her mission to give this terminally ill child a home and love for as many days as the baby has left.

This movie is wonderful. The performances by the cast are spectacular. The plot is touching and considerably strong. The overall movie quality etc, is well above average. Very few movies are powerful enough to bring such emotion as this film delivers. Through tear filled eyes, I watched as this story of 'true miracles' unfolded. This movie illustrates the power of love and family and gives us the bitter with the sweet of real life. 'A Place For Annie,' is a movie to cherish, and I, BTW, highly recommend it to you. You will thank your lucky stars that you could, in some way, share in the life of Annie and her remarkable, adoptive mother.

I LOVED it!
I don't think I've ever seen any other movie made with so much passion, sensitivity, and love. When you watch it, you don't feel like you're watching a movie; the story is incredibly real, as is the acting and the presented situations. Infected with HIV and abandoned at birth by her AIDS infected single mother, little Annie is given a miracle when one of the nurses (Susan Lansing, played to perfection by Sissy Spacek)takes her in. Annie is well-established in her new home until Linda, her very young biological mother, returns for custody. Unable to provide for Annie and selfishly unwilling to leave her with Susan, Linda reluctantly moves in with Susan's family. Linda is then given a chance to understand her mistakes, take responsibility for them, and become more conscious of her love for Annie--conscious enough to do what is best for her, even though it is very hard. You will never forget this movie. I stumbled across it by accident in a local Hallmark store, and I am so lucky I did because it seems to be a difficult-to-find videotape. Do whatever you can to get your hands on this, but make sure you see it!

BEAUTIFUL movie!!!!!!!!!!!!!!!
This is one of the best movies I have ever seen. Not only is it just a really sweet story, but it also has a wonderful message behind it. The acting was excellent and they got an adorable pair of twins to play the role of little Annie. This movie has a lot of sensitivity in it. It all starts when Susan Lansing, a nurse at a local hospital, takes in an abandoned baby. This child, who tested HIV-positive at birth, seems to have nobody who is willing to take her in--nobody except Susan, that is. With the help of a supportive teenage son and a devoted nanny, Susan is able to create a lovingly stable living environment for little Annie. Everything is turned upside-down a year later, when Annie's birth mother returns to claim her. Linda Marsten, the baby's mother, is clearly very young, and her husband has died as a result of drug overdose. Emotionally unable to hand Annie over to her drug addicted birth mother, Susan invites Linda to come live with them in their home. It is during this time that Linda creates a close bond with her child and comes to terms with everything that she left behind when she abandoned her newborn baby at the hospital. At the same time, Linda and Susan learn to put their differences aside and use their shared love for Annie to develop a sort of unsteady friendship with each other. At the end of the movie, it is Linda's selfless love for her daughter that leads her to make the most difficult decision she has ever had to make that will ultimately shape Annie's future. The movie really made me want to cry, especially at the part where Annie was taken away from Susan for the first time when Linda took her for an overnight visit. I think that Mary Louise Parker (Linda) did an EXCELLENT acting job in this movie. She really knew the part well, and she knew how to perform it. When she first appeared in the movie, all I kept thinking was, "I hope Annie gets to stay with Susan, not this woman." But as the movie went on, the viewer gets a chance to see that Linda is just a troubled young parent who feels the consequences for her wrongdoing and has a hard time accepting love from others due to her painful past with her own mother. This beautiful film touched my heart immensely, and it quickly became one of my favorite movies. This is a sweet, touching, and overwhelmingly emotional movie that I enjoyed every minute of. It has so much depth, and it has a firm handle on many real-life struggles and situations. If you haven't seen "A Place for Annie" yet, now is the time to do so.

The Loving Heart
I have seen this movie before and I do not care what anyone says but I thought it was a terrific and touching movie. I cried through like the entire movie. I would really reccomend this movie to others because it has real life facts as well as fictions. I cried the most when Annie's birth mother said she didn't want to be saved if she died. She said when it's her time to just let her go. Again I don't care what anyone has to say about this movie because I loved it. ... Read more

Amazon.com

One of Woody Allen's best films of the '90s, Bullets over Broadway stars John Cusack as a virtual Woody surrogate, a neurotic, Jazz Age writer whose new play sounds wooden and unrealistic to a low-level mobster (Chazz Palminteri) assigned to watch over his boss's actress-girlfriend (Jennifer Tilly). When the hood starts contributing better story ideas and dialogue than what the official playwright can conjure, questions (not unlike those of Amadeus) about the price we pay to make art at the expense of other responsibilities are intriguingly raised. Palminteri gives a very interesting performance as the enforcer waking up to the desperate (and almost feminine) demands of his own creative psyche, and Dianne Wiest (who won an Oscar), Tracey Ullman, Jim Broadbent, and Jennifer Tilly are very funny together playing the ensemble cast of Cusack's play. --Tom Keogh ... Read more

Reviews (26)

Don't speak, just laugh!
Oh Woody, Woody, Woody. When he is funny, he is one of the best comic writers around, and in this movie his writing is hilarious. What other auteur in the cinema today can poke fun at those little idiosyncracies that we all see in ourselves, and get away with it?
Our hero, in a rare departure is not played by Woody Allen but rather, John Cusack, who gives a subtle performance, rather than the over-the-top pisstake by Kenneth Branagh in "Celebrity". He is trying to get his latest play staged, and can only do so by accepting money from the Mob and having a mobster's girlfriend, with no talent, take one of his lead roles. The humour that ensues centres around each of the plays characters, from the fading diva played by Dianne Wiest to the compulsive eater played by the magnificent Jim Broadbent, as they prepare for the play's debut on Broadway. All the performances are spot on and the only criticism comes in the ham-fisted fashion that the film concludes with a mobsters shootout and its all too happy ending.
Nevertheless this is well worth watching to hear great comic lines and the splendid cast who deliver them.

Pure hilarity
As a die hard Woody Allen fan, I can honestly state that this is one of his best efforts. The characters are so incredibly good (dare I say delicious?) and the actors who bring them to life are equally exquisite. From Dianne Wiest ("Don't speak...Don't speak") to Jennifer Tilly ("Hey, Venus, where's that hooch?") to Chaz Palmentieri("You don't write the way people talk")to John Cusack ("I think I'll go now and get the psychiatric help I need"). The rest of the cast is equally marvelous, especially Tracey Ullman. She really is nothing short of brilliant in everything she does. This movie is just a delight throughout. It is truly droll and clever, never once loosing it's intelligence. The attention to detail is admirable, so much so that the film seemingly leaps out at you from the screen. I've seen this film more times than I care to mention and each time I find myself enjoying it more. Only Woody Allen could have devised such an ironic plot twist. He is, without question, the O. Henry of the cinema. One final note: No one, and I mean no one, can make New York seem more fabulous and intoxicating than Mr. Allen. All his films are love letters to this the greatest of American cities. This is to the person who accused Woody Allen of preaching through the Rob Reiner character: Give me a major break. He was spoofing the tendency of some over-indulgent artists to dramatize and take himself too seriously. Sometimes a cigar, my friend, is just a cigar. Don't read so much into things. It can sometimes get you into trouble.

Funny, funny, funny!!
And funny. Great casting, great script, funny dialogue and good directing. The wonderful thing about this whole flick -- Woody Allen decided NOT to be in it. One of his better decisions he's made in years. (Thanks for giving us a break and breather from your repeatible and stale roles Woody!) Don't miss this little-known gem.

Were they trying to make a movie that makes no sense?
I'm not stupid, but this movie made no sense whatsoever. I didn't understand one bit of the boring, mindless conversations, characters, their purpose, etc. And a plot..? Don't even ask. This "sophisticated" comedy (where they got comedy I'll never know as this wasn't the least bit funny) was dull, shallow entertainment. The theme I got out of this movie was "You're not always who you think you are." A theme that could have easily been told in half the time it took this long, dragged out film. Don't believe what the critics say about this. Siskel and Ebert rated it two thumbs up but what do they know? They gave Gosford Park (warning: stay away) the same rating (Actually, that last one was Ebert and Roeper, but they're basically the same). Take my advice and rent something that wasn't directed by Woody Allen. Every one of his movies I've had the nerve to sit through entirely (without falling asleep or turning it off), have been a complete waste of my time. I kept waiting for the ending thinking (and hoping) it would make the movie. It didn't. Those who enjoyed this movie obviously classify it as a work of art much like Shakespeare: boring, but a masterpiece nonetheless. The only reason to watch this movie (by renting it, NOT buying it) is to see the always brilliant Diane Weist in her Oscar-winning performance.

decent
this movie was enjoyable, but not the best woody allen i've seen. ... Read more

Reviews (306)

Electrifying and Suspenseful
My favorite film character of all time, the notorious Hannibal Lecter, is gracing film for the last time. Red Dragon is acted with delight and directed with the best. Brett Ratner shocked critics and audiences when he made Red Dragon work.

Anthony Hopkins returns as the cannibalistic doctor who was caught by Will Graham(Edward Norton). Will Graham retires from the FBI, but returns when asked to help find THE TOOTH FAIRY(Ralph Fiennes). The cast is asembaled well. The suspense is good and the overall atmosphere is fantastic.

The DVD is the best. I had to search everywhere for the Director's Edition and when I found it I was pleased. The Directors Edition includes another disc of extras that aim to please. The picture is fantastic and the sound is crystal clear. The extras include: criminal profile of Hannibal, life history of Hannibal, Hannibal's FBI case file, commentary, deleted scenes, (disc 2) directors journey, directors student film, screen tests, makeup application, and much much more.

So if you like thrillers and a good cast, this is a definate buy. If not, be sure to rent it.

Red Dragon Is A Red Hot Thriller
Red Dragon is a fresh remake of "Manhunter". It's the prequel to Silence Of The Lambs, the first film in the Hannibal Lecter Trilogy, whose story concludes with "Hannibal". Based on the novel by Thomas Harris, the suspenseful crime thriller marks the first time Hannibal Lecter appears as a powerful and villainous character. On DVD, it is an experience worth watching, especially for its innovative use of special features.

Anthony Hopkins is Hannibal Lecter, whose very presence, menacing albeit elegant, has become an American cinema icon. Hopkins hosts the DVD, which is quite a treat for his fans, and takes us on a tour of "the dungeon", chalk-full of his criminal profiles and behind-the-scenes looks on the making of the film. Danny Elfman provided the music and we are also treated to some of his more chilling orchestral pieces.

The erratic loner that is Ralph Feines character is similar to Norman Bates in Hitchcock's Psycho, unstable, threatening and unbelievably cruel. He lived in a large home by the swamps of the rural South, and there are hints that he was abused. Eventually, he loses grip on reality and transforms himself into "The Red Dragon", otherwise known as Satan the Devil as seen in the Book of Revelation. In psychotic delusion after seeing a William Blake painting, he is convinced he must do the Devil's work by bringing death and disaster in Apocalyptic proportions.

The F.B. I. agent played by Ed Norton tracks down the killer, and his mission becomes more urgent when the Red Dragon killer is bent on murdering his wife and child. The film is the most gruesome of the Hannibal Lecter films in my personal opinion. It has more R-rated visuals, blood, etc than any of the other films. Not even the dinner scene in Hannibal in which Lecter makes his victim eat his own brain is as shocking in material as some of the horrific atrocities the Red Dragon commits during his killing sprees. Evidently, this film is for a very mature audience, and to be taken as a film that exposes the terrible, inhuman and psychotic psychological make-up of crazed killers. The F.B.I. and police authorities can benefit immensely from watching this film. Other than the gore, the drama is full of suspense, and of course, Anthonly Hopkins as the incarcerated Dr. Lecter is a must see as always. He is witty, dark and humorous and makes his introduction in a film that begins the series.

So, You like the Good Doctor?
Then, Red Dragon is Ok, worth seeing. But, DO NOT MISS "MANHUNTER"!
Aside from some 80's stylings, most notably the closing music over the credits, while still fitting, dates Manhunter, however, appropriately.
Red Dragon is only compelling in that you "Get More", of the book.
The ending is truer.
The acting, and directing is clumsy.
It's difficult to watch Ed Norton fumble through Will Graham's wondeful legacy of Peterson's portrayol in "Manhunter".
Worse still, is watching Anthony Hopkins spew the same lines as Brian Cox, as the "Original" Hannibal Lechtor. Hideous.
Oh, Tony adds his own "Lechtorism's, but, this film is a money grab.
It's odd too, because Dino owns "Manhunter"!!
So, this movie is ONLY a Remake!
When you watch "Manhunter", you will see where Clarissa got her lines.....
"Silence", is the direct descendant of "Manhunter".
And, with Hannibal (the movie, not the book), being left unfinished, there will more than likely be another money grab, hopefully, however, from a book as brilliantly written as the first three.
Make no mistake, Red Dragon exists, simply to "fill a gap" in time, where something can be sold to those of us, who want more "Lechtor".
Manhunter is by far, the superior Movie.
The film's color, and score, all add to the tension, that was only since recaptured in "Silence".
In years to come, Manhunter will stand as the far more mature movie, as it draws on more time honored cinematic core values.

Red Dragon is difficult to watch also, with Lechtor's and Chilton's charachters, hopelessly "Made up" to look as if they're 20 some years younger than (the actors) actually are! It looks silly.
Yes, in the original movie, they were afraid "Red Dragon" would denote a karate film. "Manhunter" is derived from the fact that Will Graham, is Hunting the new serial killer, Frances Dolarhyde.
Bottom Line: I wouldn't advise you miss this movie, if you like the series. But, certainly don't choose this over the real original: "Manhunter". See them both, if you must.....
Dream much, Will?

Pete

"Manhunter", updated for the 2000s
Red Dragon, third in the line of "Hannibal Lector" series featuring Anthony Hopkins, is preceded by the 1986 Michael Mann film, Manhunter. Standing alone, Red Dragon is a good solid film from beginning to end; however, I feel those interested in buying this film or otherwise completing the legacy, should get an idea for how the two film versions of Thomas Harris' first Lector novel differ.

Red Dragon feels more like a psychological horror film than does Manhunter. Those who remember 80's police action films like Clint Eastwood's "Tightrope" or Silvester Stallone's "Cobra" will find Manhunter in common thriller territory. The tension in Red Dragon is strong throughout the film; however we see little development of the Francis Dolarhyde (Tom Noonan) serial killer (known as the Tooth Fairy). While we see the central elements that define his psychosis, we only barely glimpse at his struggle with his own humanity except for through emotion expressed in Ralph Feinnes' eyes. Tom Noonan's Francis is distant and perhaps zombie-like, and so the character is development more through subsequent scenes. Red Dragon is also more bloody -- appropriate for the times; whereas Manhunter has virtually no gore (that I can recall). Absent from Red Dragon is the 80's power pop-rock music that scores Manhunter. This is perhaps for the best as the music used in Red Dragon actually adds atmosphere to the scenes.

The central figure in Red Dragon, FBI agent Will Graham (Edward Norton) is more clearly defined as having a sixth sense that aids him in his investigations. This is less clear in Manhunter as it's arguable that Graham is just highly intuitive. However, William Petersen's portrayal of Graham is darker, more complex. This helps to enrich the drama even more since both the protagonist and antagonist seem to be living inside themselves, shut out from the rest of the world. Brian Cox portrays Hannibal Lector with confidence, but pales in comparison to Anthony Hopkins' more sinister performance. As good a film as Manhunter is, it is difficult to recommend movie fans from overlooking Red Dragon since the success of the film has been built largely on Hopkins' role as the good, er evil doctor.

The 4-star rating I gave to this DVD is not based on the caliber of the film itself but on it's presentation in the DVD and on the extras. The DVD is pretty much standard fare for today, which is a good thing; however, I didn't find myself overly thrilled about the extras.

Ok, but no Manhunter....
Red Dragon was a decent movie by itself, though it relied on the prestige of SOTL too much. It starts off adding an extra scene to include Anthony Hopkins, and continues this habit throughout the movie. These scenes are not in the book and do nothing to further the movie. Red Dragon has an all-star cast, though no one seems to put effort into their role. Most importantly, Edward Norton (playing Will Graham) fails to portray the innner conflict in Graham. He seems unaffected by the case, which couldn't be farther from the truth. Manhunter was a much better movie, with much better directing and acting. In Manhunter, William Peterson plays Graham and does the part much better. Peterson plays a dark, brooding investigator who is truly sacrificing a part of himself to take on the case. This self-sacrifice is the heart of the book, and was largely lost in Red Dragon. I recommend that anyone interested in Red Dragon watch Manhunter instead. ... Read more

Reviews (4)

Interesting, yet stick with Hamlet
Although the title of Stacy Title's 1999 film noir reinvention of the great bard's Hamlet may be the best thing about the film, it at least makes for an interesting viewing. Title takes Shakespeare's classic and updates it to a sleazy, dark, hot and decadent modern LA (which when you think about it, is not much a stretch). It's a well made film with some very creative, if not haunting flashback and dream sequences. The cast and their performances, for the most part is top notch. In small roles, Jacqueline Bisset and Mary-Louise Parker shine. Parker, who plays the drug and dog food sampling Julia/Ophelia, is the most sympathetic character in the film among a company of sociopaths, drug dealers, criminals and complete losers.

There lies the problem with the film. The characters are for the most part so unlikable, that one could almost care less if Jack (played deliberately over the top by Jonathan Penner) ever avenges his father's suspicious death. In fact, several times during the viewing I was hoping Title would break with Shakespeare and bump off Jack. His "love" scenes with Parker are crude and unaffectionate, making him even more unlikable. Penner's portrayal can be fun at times, yet it's hard to be compassionate or relate to a guy like Jack (unless maybe you are filthy rich, obsessed and have a fetish for sex in restrooms). When sleazy characters are well written, as they are in Scorsese's films, the audience can get to know, like them, even root for them. Here, they are shallow, heartless, almost totally unattractive, stupid at times and rather uninteresting (no, I did not like them). The climax is overblown and ridiculous. Fortunately and thankfully, few are left alive at the film's conclusion.

Still, despite all the flaws. I can't help but recommend the film for film noir fans or those who are looking for "something different" as the filmmaking itself is interesting and well done. With a better script and well-developed characters, it could have been a very good film. However, for great writing, stick with old Bill's Hamlet

Very good hip Hamlet....but no extras
Stacy Title, the director of the little-known but effective black comedy The Last Supper (about liberal yuppies who bump off arrogant right-wingers) here presents a modern re-working of Hamlet with lots of gunplay, sleek scene transitions, quirky character traits (check out the pharmacist--very funny small bit), and a real flair for visual panache.

As Jack, the Hamlet guy, Jonathan Penner looks too old to be in grad school, but overall he does a much better job than the horribly miscast Ethan Hawke in Michael Almereyda's 2000 version of Hamlet (whose supporting cast brilliantly outshone the leads). The always excellent Mary-Louise Parker is great as Julia (Ophelia) and in supporting roles, Maury Chaykin, Philip Baker Hall, Jonathan Banks, and Norman Reedus are all effective. Jacqueline Bisset and Jamey Sheridan make a nice evil couple (Jack's mother and uncle, the co-murderers of his father), and Chris Sarandon puts in a silent appearance as the father-ghost in a number of very effective flashbacks and current sightings--by Jack, of course.

It's true that this is a bit thin compared to the real Hamlet--in fact, more than a bit--but the director has sacrificed meat and potatoes for some tasty sauce. There's a lot of zing here and this is a very entertaining film, noticeably different in tone and temperament from any other Hamlet. Here there's a real emphasis on noir elements that come to the surface in sudden flashes or bursts of action making this more a thriller than anything else. Half-naked strippers, Mexican-American thug-cops, a crack-carrying gunman, and a crooked lawyer all contribute to the atmosphere.

Be advised that although the DVD case claims there is a trailer and behind the scenes footage, this is not true. There are NO extras at all. But it is a fun way to spend 90 minutes.

Confusing title, satisfying film
Hewing closely as it does to the basic outline of "Hamlet", I expected not to be surprised by "Let the Devil Wear Black"--but this movie is liberated enough to function admirably well on its own with its own quirks, internal logic, and occasional flashes of real wit.
Jonathan Penner, a stunningly beautiful actor, portrays a hero whose history of institutionalization keeps our response to his deep suspicion and contacts with his dead father ambivalent--is there a hideous conspiracy afoot, or is Jack just losing it?? Mary-Louise Parker is suitably fragile as his nut-house sweetheart, and the two share love scenes which, despite their graphic nature, still come off as tender and spontaneous, neither brutal nor obligatory.
The supporting performances were equally strong--not a false note in the bunch. Again, I was surprised to find this movie so engrossing, but I was entirely caught up in Jack's dilemma--and he even made me laugh out loud once or twice.

A little Pepto will do.
Hamlet set in the sleazy underworld of L.A.
I saw half of this on cable and thought what the hell, So I bought it and was pleasantly surprised. The Acting is Top notch, Great Character actors Maury Chaukin,Phillip Baker Hall. and Mary Louise Parker all do a fine job. The Alas poor Yorik Scene works really Well.
So if you like contemporary updates of the Bards work. Check this one out.
3 and 1/2 stars. ... Read more

Reviews (5)

Naked in New York
Oh dear, it's one of those films where the stars wish they hadn't made! Eric Stoltz does give an excellent performance and the plot i suppose is pretty good, but it's one of those classic 'it never gets started films' and when it tries to it falls into all your typical cliches!
Tim Dalton...why? I mean I think the guy is a superb actor but, what are you doing man? What was the point in his role? Why did he decide to do it and...Oh I think I have given up asking this now!! Come Back James Bond all is forgiven!

... the playwright
This is a descendant of the 1980's teen pic crossed with 1990's grunge directed by Daniel Algrant, with Eric Stoltz having left his girlfriend Mary-Louise Parker and while driving, reminisces, narrating to the camera. There are flashbacks to his childhood, his relationship, and the production of an autobiographical off-Broadway play "Master of my Emotions" (with such a title you know it's bound to flop, unless it is meant as an indication of the self-indulgence of some off-Broadway productions). Only the latter subplot brings this film some degree of interest since as characters Stoltz and Parker are dull, limp, dull. This performance makes you long for Peter Bogdanovich's Mask cos at least in that film Stoltz' makeup gave him something, and Parker appears to be doing Diane Keaton's Annie Hall schtick, using big eyes and odd hand movements. As Stoltz' mother, Jill Clayburgh is keen but given nothing to do except wear a lot of jewellry for eccentricity - get it? In the off-Broadway scenes we get a series of cameos. It's great to see Tony Curtis as the show's producer and his boxer intonation, cheeky smile and silver hair is a delight. Kathleen Turner as the play's lead actor brings some energy, and she carries a drag queen air. Algrant uses her movie-star glamour and pug-ugly face for comic effect. As Stoltz' friend, Ralph Macchio is a true surprise after those terrible Karate Kid titles. His violent reaction to news of his being fired suggests what Macchio might have brought to the Stoltz role, and his scenes with Stoltz carry real sexual tension. Timothy Dalton has a few scenes as a wolf and his snake eyes and dark features hint at a masculinity that his efforts as James Bond lack. Agrant tries for amiability by populating the soundtrack with groovy music and his sensibility includes fantasy and dream, a talking orangutang, stone faces come to life with the help of Whoopi Goldberg, a mariachi band, blackouts, squirrels and a nut factory, an amusing lazy-Susan editing technique, and parties attended by New York literati, including the ubiquitous Quentin Crisp.

great indie film
This is a great film to watch if you're into 'reality' films. The script has a very real feel to it, in the sense that its goal isn't to solve problems or to give everyone a warm fuzzy feeling. Its goal is to show you 'yeah, no one has it all together (although some have it together better than others).

The actors do a great job with the matierial, and the script is well written. I warn in advance that this is a film without a traditional 'plot', so if you don't like films where there's more talking than anything else, you may not like this film.

If you're patient with films, and aren't looking to be entertained, give Naked in New York a try.

Funny, honest, appealing
This movie depicted exactly the feeling you get at that weird moment ( whgich comes all too often) in your life when things aren't working just right and you can't figure out why. It depicts breaking up with that first love of your life with honesty, and an appealing self-depricating wit. I'd reccomend it highly to anyone who wants to see something a bit off beat and intelligent.

Mildly funny. Majorly confusing.
More than halfway through this movie I was still trying to figure out what the director was trying to say through his confused and strangely motivated characters. There are some funny moments, but these are buried among too many scenes that don't quite fit and odd exchanges between characters I couldn't bring myself to care about. ... Read more

Reviews (2)

Better Than You Think...
I was not expecting much from Cupid & Cate.
After all, after reading that the 2000 film would be broadcast on St. Valentine's week via the Hallmark Channel, I was subjected to the tortures of endless promos for the "Love and Romance" week.
In short, I was expecting the quintessential, dreaded and demonic cash seeking "Date Movie".
You know the drill, a cute little romantic alleged comedy, starring the likes of Sandra Bullock or Hugh Grant or even worse, Sandra Bullock and Hugh Grant TOGETHER.
Even commercials or online descriptions of the film, portrayed the film as something like: "The only thing standing in the way of true love for Cate....is her fiancée".

Hand me the remote.... Survivor in the Amazon is on!

To be honest, the film starts off just that way. It was easily predicted that the well meaning, but dull as watching paint drying fiancée would hit the road before the start of the second act. However, it quickly became apparent that the romantic aspects of the film, although genuinely portrayed by an excellent cast, were secondary. The film is primarily about the strained relationship between a father and daughter and how their experiences parallel one another.
It made for fascinating viewing, with outstanding performances from Philip Bosco and Mary-Louise Parker. After struggling to sit through the nearly banal Mr. Wonderful, where Ms. Parker was given 1 descent scene, here she really shines. One can easily see the development in her art over her performances from the early 90's. As good as her performance was in A Place For Annie, she's even better here. A very tender and above all, real performance. Peter Gallagher and Brenda Fricker are also standouts.
Added attractions to the film are beautiful autumn scenes and Ms. Parker's rather eccentric wardrobe (check out her hat during the christening scene, just stunning).
Cupid & Cate is highly recommended viewing and would actually make a better Father's Day DVD purchase than for Cupid's holiday.
I even forgot The West Wing was on.
Three and a half stars out of four.

Cute, but something's missing
Ok, so it sounded like a great plot for a movie--you know, lonely girl meets a great guy who "takes her away" from her life--that is, until he gets sick and, well, you know. Mary Louise-Parker is as charming as ever and can always deliver a line for a laugh. Peter Gallagher is also true to form--he is cute and romantic. Still, something is missing... For you guys out there I would definately call it a chich flick, one for the girls to watch with a bag of popcorn and a few tissues. All in all, not bad but then again certainly not oscar worthy. ... Read more

Amazon.com

This female-bonding film takes your basic soap opera and twists it inside out. Although director Herbert Ross draws superb performances from his actresses, he occasionally wallows in that maudlin, Hollywood melodrama in which close-ups are crucial. Remember, this is the man who directed Steel Magnolias. However, Ross also does something you don't expect: he makes you fall in love with his characters. Whoopi Goldberg is a down-on-her luck singer who hopes to start over in Los Angeles. Mary-Louise Parker is the realtor whose life is going nowhere. After Goldberg answers Parker's ad in the paper for a companion to drive to LA, these two completely different women grudgingly find themselves emotionally involved. Drew Barrymore enters the picture on the first leg of the trip when Goldberg insists on visiting her. After battling with her drug-dealing boyfriend, the flighty, sexy Barrymore throws in with them. During their trek west, the women learn to take life as it lands on them while recognizing true friendship. The film is enlightened in that it accepts the complications and blurred family ties of the '90s. At the heart of the story is the realization that people can expand past expected boundaries. The movie gels in other areas as well. The all-female soundtrack is powerful and works to underscore, not overpower, certain scenes. The same can be said of the supporting cast, specifically Anita Gillette and James Remar. --Rochelle O'Gorman ... Read more

Reviews (24)

Heart and Soul
This review refers to the WB/Regency DVD edition of "Boys on the Side".....

"Sometimes...if you don't have anyplace to go, it's probably best to stay where you are" is one of Whoopi Goldberg's bits of wisdom in this film. So that's what they did....

Two strangers, women who couldn't be more different then night and day begin on a journey that will take them places far better than their intended destination. A journey of life, discovery and a friendship that knows no bounds is what unfolds in this wonderful story.

The journey begins in New York. Jane(Whoopi Goldberg) and Robin(Mary-Louise Parker),both for their own reasons want to start a new life. Looking to share a ride to California, they meet and agree to make the trip together,even though from the outset it's obvious these two woman have nothing in common.When they hit Pittsburg, Jane stops in on good friend Holly(Drew Barrymore). There's trouble amiss in Holly's life though, her drug-dealing boyfriend is abusing her.The girl's take matters into thier own hands and free Holly(leaving the boyfriend tied up and injured), grab her and take her along with them.On the road with them we come to realize each has a secret of their own. As their stories unfold, these three very different woman become close and are there to help each other at any costs.The become their own little family. Men, as Robin's mother puts it,"are merely side dishes, you girls stick your fork in, when you want a taste."

It's not just a story for women though. It's a story of bonding. Sharing one's own strengths with the people you are close to. It's an emotional roller coaster, you'll need the kleenex for this one!(But there's lots of laughs as well).If you like "Terms of Endearment", you'll love this one.It's a story from the heart that will touch your soul.

The casting of the three stars is a stroke of genius. Goldberg, Parker, and Barrymore have a connection to each other that is a joy to watch.They put THEIR hearts and souls into this film. The supporting cast includes Anita Gillete, Estelle Parsons and Matthew McConaughey(who is just so,... well Matthew McConaughey).
The music is as much a part of the story as the characters and is excellent with songs by Bonnie Raitt, Melissa Etheridge,Pretenders,Sheryl Crow, and Whoopie herself does some singing.Oh and don't forget to see whose band is playing in "The Cantina".

The DVD is as beautiful as the movie. A sharp clear picture( a little dark in some places but nothing to distract from the enjoyment of the film),nice colors, and great sound(Dolby stereo surround)is what you'll find. You have the choice of widescreen or a standard format. There are no special features(might have been nice to have a music video with all this great music), but there are subtitiles in English and French and may be viewed in those languages as well.

So get the popcorn, Kleenex, and maybe a side of Brad Pitt ready for this one.....enjoy..Laurie

one of my favorites...
It is a "chick flick" but a wonderful put together chick flick!!! Three women travel out from the East Coast area to the West Coast. As other reviewers have pointed out, one happens to be a straight woman with HIV, another one is a black lesbian and the third one is a white young woman who is pregnant by who? we don't know.

They bond and connect because in the process of going to the West coast, they have a confrontation with one of the woman's boyfriends.

The movie is very moving and very touching. And it will surely make you cry. It's about friendships...women friendships!! Through thick and thin they can really depend on each other. If you like movies that make you laugh, smile and cry than I recommend the movie. If you like a movie like Beaches (with Bette Midler and Barbara Hershey)-than you'll enjoy this one!!

progressive & interesting plot; indigo girls steal the show!
i'll admit it, i only saw this movie in the theater when it was released because i knew that the indigo girls had a few scenes in it. but when i am not just watching my copy for the indigo girls' bar scene, it is a really great movie and a lot more progressive than most "mainstream" movies out there. it brings three very different women together -- one lesbian, one victim of abuse, and one living with AIDS. the movie chronicles their friendship and how they overcame their own prejudices to better understand each other. though some of the movie is very cliche, all in all it's a pretty good flick.

for all you other indigo girls fans out there: watch for amy ray at the end of the flick as well. ;)

"I do the best I can, honey."
Herbert Ross' "Boys on the Side" is a road trip film with a different perspective. In the cinematic world, the road trip film typically revolves around a gang of friends who hit the road hoping to find their true calling along the way. There are highs and lows during this voyage of discovery, but ultimately matters end on a generally positive note. Not so with this film. "Boys on the Side" is a road trip film with such a depressing low at its conclusion that any joy found along the way is seriously muted.

Jane Deluca (Whoopi Goldberg) decides to head west after she loses her job in New York. She hooks up with Robin (Mary-Louise Parker) who is heading the same way and wants to share the driving with someone else. The pair picks up a third traveler in Pittsburgh when Jane's friend Holly Pulchik (Drew Barrymore) joins the westward trek in order to escape her abusive boyfriend Nick (Billy Wirth). Along the way there are a series of revelations with one in particular leading to a painful loss.

"Boys on the Side" is a film with the dramatic twists and turns of a soap opera. However, it fares much better in comparison because of the higher quality of acting and the more mature approach to the material. The whimsical interaction between the three women is a joy to watch as Goldberg, Parker, and Barrymore light up the screen from start to finish. Parker's performance is especially powerful and will most likely be the one aspect of the film that will continue to linger in your thoughts after it concludes. "Boys on the Side" is about the strong bond of friendship and how this strong bond helps friends to deal with the sad realization that life is difficult and unfair. It is not the easiest film to sit through but it is a rewarding experience for those that manage to do so.

Gritty, Funny, Heart-Wrenching, Inspiring
A mix of complex characters, believable in their actions and reactions, builds a powerful experience of the lives of three unique women. I espicially like the tension of unspoken love between the lesbian character (Whoopie Goldberg) and the frail young woman trying to find some joy in a hard life. The cameo by the Indigo Girls is a special bonus!
Get together some close girlfriends and some kleenex and enjoy! ... Read more

Reviews (16)

Oh what a tangled web we weave...

The cast alone is worthy of 5 stars - Ellen Degeneres, Mary-Louise Parker, Dermot Mulroney, Don Johnson and Patricia Arquette. The plot is a superb blend of lust, deception, greed and murder. I agree that Ellen's brash detective steals the show, although the ending seemed kind of abrupt. It is still beyond excellent and highly recommended!

A Good, Positive Review For Goodbye Lover.
Wow, I can't believe this film got bad reviews in the press! It made me a bit stand offish about renting it but I just had to anyways. Come on Patricia Arquette is one of my favourites and I also love "Ellen Degenious".

Speaking of Ellen, she steals the show here. If it wasn't for her amazing one liner dead pan comments throughout the film, I may not have enjoyed this as much as i did. I was laughing so hard at some of her dialogue and the perfect timing she used to deliver these lines. This may sound ludicrous, but i would nominate her for an oscar for this, if I ran things (but who am I! ).

Furthermore on the Ellen subject, my God! did she look stunning at the end of the film! I have never seen her look so damn beautiful! I was totally impressed, you have to check her out. Who knew she was so versitle and gorgeous!

This film has a dark, bitter edge to it and i loved it. Strongly recommend this one, FORGET WHAT THE CRITICS SAID!

THE ELLEN AND RAY SHOW
GOODBYE LOVER is a tasty and original film noir featuring incredibly good performances from its entire cast. Director Roland Joffe (Oscar nominated for THE MISSION and THE KILLING FIELDS) puts his tongue in his cheek and helms a story of battling femme fatales.
Patricia Arquette (brilliant) stars as a ditzy, sexually overactive wife to headstrong advertising executive Dermot Mulroney (also very good). She is also having an affair with Mulroney's brother, played beautifully by an unusually effective Don Johnson. Also involved is Mary Louise Parker as an assistant to both Johnson and Mulroney, who has the hots for ..hmmm...both the brothers? Soon, we know it's BODY HEAT all over when a plot is hatched to bump off Johnson for the four million dollar double indemnity insurance payoff. It's no plot spoiler to reveal Johnson exits the movie early and we see that there is more than meets the eye to the romantic shenanigans of all involved.
Then enters Ellen DeGeneres and Ray McKinnon as the detectives investigating Johnson's apparent accidental death. Generes is awesome; her one liners with McKinnon are priceless, harsh and incredible. Not one of her fans, I find myself in awe of her talent, particularly after this and FINDING NEMO. McKinnon as her Mormon, idealistic, and quite unintelligent partner, is a find! He's perfect as Ellen's foil and he brings a sense of moral uprightness and comic relief to this marvelous movie.
Some great moments: Arquette and Johnson getting it on in the choir loft while the choir sings Handel. Arquette and Johnson are both highly respected members of their church and take up the collection plate. Mulroney goes to hire a killer to off his wife, and we see this man hanging upside down and don't know why! We see "what if" thoughts from both Johnson and Arquette that mirror what they'd like to see. While questioning a cook in a restaurant, DeGeneres (who always seems to be eating), is stealing food while McKinnon questions the cook. At one point in the movie, Ellen asks her partner if he's gay. (How's that for political correctness?). We never learn why she asks that particular question, and in a particularly joyous moment near the end of the film, McKinnon pulls a joke that has you riveted to your seat.
This is a real find...it's worth buying, it's that good!

Ellen steals it...
This movie was better than it got credit for. Pretty good movie but Ellen Degeneres steals the show as the tough/rude cop.

Excellent
First of all, I would like to say that it is a shame that this movie is not a box office hit as it is highly entertaining. I hope it gets a well-deserved second look with its DVD. All the casts are superb including Patricia Arquette and Ellen degeneres. There is enough plot and twist to make this standard murder mystery plot fresh. And funny script make this even more enjoyable.

The plot basically is about the death of advertising executive (Don Johnson). His brother is the sole beneficiary of the insurance policy. So the police (Ellen de Generes) is suspicious. To say more will spoil the fun.

The DVD is OK. Both WS and FS versions included. The color is bright and clear. The 5.1 sound only active during wonderful music score by John Ottman. Overall this is a highy recommended DVD. ... Read more

Reviews (6)

It didn't really live up to my expectations
I really didn't think this was a nice adaption from the book. It was too short. But as far as the casting of the characters was concerned, that was very nice. I remember saying to myself while watching, "That is exactly what I thought Lucy should look like."

But then again, Saint Maybe is one of my very most favorite books, so of course I'm critical. It didn't really live up to my expectations

A beautiful movie
This movie is one that teaches you a lesson. It teaches you that forgiveness is easy for some, and not so easy for others. For anyone who loves to cry when watching a movie, this is a perfect one for you! Not only will you cry, you will laugh and just enjoy the movie. I reccomend it for people of all ages.

Forgiveness is more than saying I am sorry!
This film was an excellently produced film that was not preachy. Yet, it taught a poweful lesson in forgiveness of self. The young man in the film was a quiet powerful presence who grew from a callow self-centered youth into a man of integrity and honor. I was totally captivated by the writing, the acting, and the production design. Superior w