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| 1. An Awfully Big Adventure Director: Mike Newell | |
![]() | list price: $19.98
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Description Reviews (19)
The film starts out as a lovely coming-of-age film about a young woman's first experience in theatre. What it turns into about two thirds of the way through is a sad, sordid tale of incest, suicide and denial. It's as if the writers suddenly started smoking something while they were trying to finish the script. The performances in the film are worth sitting through it. Georgina Cates who plays Stella, the central character, is quite good. Alan Rickman is wonderful as always as the dashing matinee idol on his way to being washed up. The great delight is Hugh Grant as a snotty, prissy summer stock director. It's probably the most over-the-top I've seen him and I loved it. I was surprised to see this listed as a comedy, but not sure where else you'd put it. It's a tough movie to pin down. Not a movie for everyone, but it is a guilty pleasure for those of us who would watch Alan Rickman read the phone book.
I recently purchased a copy of the video, and realize now that while it loses nothing upon further viewing, An Awfully Big Adventure benefits greatly from a second watching. The dialogue becomes clearer the more you listen to it and the nuances of the characters and the story become more pronounced. Even though my first reaction to the film was favorable, I still think that one cannot judge this movie fairly after only seeing it once (although if you enjoyed it the first time, you probably will again). I have a feeling that nearly all of the reviews here are by first-time watchers, and while you shouldn't entirely discredit their remarks, keep in mind that, like most complex movies, An Awfully Big Adventure only gets better the more you watch it. I also feel that it cannot be stressed enough that this is not a happy, uplifting movie. "Disturbing" is a word used often to describe it, but the word that comes to my mind is "uncomfortable." There's really nothing at the end of the film to redeem all of the sadness, as is common in most movies. Thus, if you don't like to watch depressing movies, DON'T WATCH AN AWFULLY BIG ADVENTURE. And if you're an Alan Rickman or Hugh Grant fan (both of whom are great) and insist upon seeing it, don't write a review that discourages others from watching it just because it was too dark for your tastes. *I haven't read the novel of the same title by Beryl Bainbridge, but I've heard that it helps to clarify the confusing points in the movie, besides being a good book. Just a thought...
That said, it is a super film. Set in 1947, the story centers on sixteen-year-old Stella Bradshaw, who has lost her mother in the war and lives with her aunt and uncle. Stella joins an amateur theatre company and falls instantly in love with the company's slimeball of a director, Meredith Potter. It doesn't take long for her to be lured into the milieu's seedy underbelly, and eventually she has her first (and second and third...) sexual encounter with P.L. O'Hara, star of the company's production of "Peter Pan". The end of the movie will certainly be found disturbing and/or sad by most (hence my omission of the fifth star in rating the movie), but it's still worth watching - most likely more than once, so you can start to fill in the details you might have missed before. (There's a whole lot of information packed into this plot, and it's very easy to let stuff slip by!) The cast, of course, is wonderful. Georgina Cates is well cast as Stella, and very pretty too. Her characterization of the shy, unsure-of-herself girl is engaging and well thought out. (She looks about twelve until a scene where we see her topless. Then the illusion is pretty much shattered.) Alan Rickman, as P.L. O'Hara, is great as usual. The big surprise here for me was Hugh Grant's performance as Meredith Potter. He is actually playing a character here - and a nasty one at that. That alone is worth watching the movie! The supporting cast is terrific as well. It was fun to see such first-rate actors bringing such life to such teeny roles (for example, Edward Petherbridge, who has all of approximately fifteen seconds onscreen). To sum up, An Awfully Big Adventure - though certainly disturbing in places - is an awfully good film.
Having read all the Amazon reviewers' comments and a multitude of professional critics' articles I was still unable to get a sense of this film. The plot was somewhat clear, some reviewers having given away the ending (shame on them and what a shame), but the true atmosphere of the film still eluded me. Frankly, I couldn't convince myself this was a film I would enjoy. Having now viewed this unusual but very interesting film, I find that nothing prepared me for what it truly was about and what it had to offer as real entertainment. Lest I reveal more of the plot than I intend, I will instead stick mostly to my point and say that Alan Rickman is an actor of absolutely unbelievable talent. I say this after every film; he selects the widest range of roles of any actor, and he never gives a less than perfect + performance. His Captain Hook and O'Hara are sublime characters. He looks fantastic in both roles, of course. Again we get to see him dance, not the tango this time, but variety is the spice of his work. The love scenes, and I feel comfortable identifying them as 'love', because his character displays a sense of love despite his shallow nature; and also exhibits a desperate need for love that would be difficult to believe in this particular character if it were portrayed by a lesser actor. His comic reactions have perfect timing and his emotional reactions display feelings that overwhelm and pale the efforts of every other character in the film. This is a considerable feat because this film offers an usual, but solid, performance by Hugh Grant; a side of his talent I had not previously seen and which proved very intriguing. Georgina Cates as Stella, the naive young girl struggling to find both herself and her past, is flawless. She wears her feelings as open as a book on her sweet young face and states her thoughts as directly (and comically) as any adolescent innocent would. Apparently it is like learning the ukulele. This film is not a comedy; if it were not British, there probably would have been no humor at all. The British it seems have a way of inserting their own manner of dry wit and humor into the most serious of situations without ever losing their direction. Perhaps I have been viewing too many English films of late; as I had no trouble with the accents and understood every word clearly. There are other reviewers here who have certainly bested my efforts at describing Rickman's attraction in this film, as I think unfortunately my statements certainly fail to do justice to the work he does in 'An Awfully Big Adventure'. I continue to owe him thanks for the unusual scope of entertainment genres I have explored just because I am so awed by his abilities and do not want to miss of minute of an opportunity to watch him work. Others also have provided more of the plot and I too have fallen short of explaining the true nature of the film. All I am left to hope for is that I can encourage any fans of Rickman's or movie-lovers who enjoy the unusual, and who have not yet viewed this film, to get themselves a copy of this rare video and see just what the 'awfully big adventure' is truly all about. I think you will be awfully glad you did. ... Read more | |
| 2. Frankenstein: The True Story Director: Jack Smight | |
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(price subject to change: see help) Asin: 6303491022 Catlog: Video Sales Rank: 19928 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (27)
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| 3. Operation Daybreak Director: Lewis Gilbert (II) | |
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Description Reviews (10)
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| 4. There's a Girl in My Soup Director: Roy Boulting | |
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(price subject to change: see help) Asin: 6303578039 Catlog: Video Sales Rank: 31278 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (8)
Peter Sellers plays the role of a womanizing "galloping gourmet" type television celebrity (Robert Danvers) in 1970's London. This was a time when the Kings Road in London was an exciting hippie hangout, and not the commercial high street that it has become today. Goldie Hawn (Marion) plays the role of a very young and sexy hippie, whom Peter Sellers pick's up while parking his Rolls Royce on the Kings Road. Goldie has been rejected by her current drummer boyfriend at a party, because he wants to pass her along "like a tray of cakes" to his other mates. Feeling sad, rejected, and used she stands outside on the Kings Road pondering her dilemma. Just as Peter Sellers parks his car, he notices her. Being the consummate playboy, he decides that pursuing Goldie would be far more enjoyable than any stuffy house party. In his charming way he starts up a conversation with Goldie, in the hope of eventually seducing her. Goldie on the other hand is annoyed and sarcastically amused with Seller's slow round about way of picking her up. Obviously Goldie's boyfriend and his mates, don't bother with seduction in an age of "free love". In an act of revenge, Goldie decides to get back at her boyfriend and his mates by running off with Sellers. What was suppose to be a one night stand, ends up becoming an affair that stretches over several days. Out of pride, chivalry or just an attempt to disprove Goldie's censorious characterization of "his type", Sellers somehow becomes entangled more in Goldies dilemma, and eventually takes her on a working wine tasting stay in France, which ends up as a holiday on the French Rivera. There are some very funny scenes of a Drunken mini-skirt wearing Goldie shocking conservative French women, which ends up costing Sellers a shelf full of "pas mal" wine, that Goldie knocks over in a wine seller. Later when checking into one of Seller's regular hotels on the French Rivera, Goldie plays a trick on Sellers by convincing the hotel management that she and Sellers have secretly married (so that they can stay in the bridal suite). The Bell Boy wishes them much Ha'penis... (aka: Happiness). While in a local disco, some off duty British journalists, snap a picture of Sellers and his new wife? The British media splash images of Sellers and his supposed wife all over the tabloids, much to the sadness of Seller's female fans, and the amusement of Sellers friends who mock or envy his bachelor ways. Eventually Sellers and Hawn make it back to London to face the music. Their fling has changed them both. The movie ends with a different twist on relationships... something which was quite new for 1970's audiences. Even though there was a great difference in age, Sellers and Hawn had a chemistry in this film... sort of like George Burns and Gracie Allen had. I have to admit that I've always been a fan of both Peter Sellers and Goldie Hawn. Having them both in the same film was a real treat for me. This film had a lot of personal attractions for me. For one thing, this film brought back childhood memories of my parents taking me to Europe during the mid 60's and early 70's. This movie is a very rare view of Europe in the 70's, something that isn't seen much anymore, for some reason. Movies of Europe during the hippie days aren't popular anymore I guess. It was also an interesting time in Goldie Hawn's career, as she made a two movies in Europe around this time "There's a Girl in my Soup 1970" (England and France) and "$ Dollars 1971" (West Germany)... (she must have lived in Europe during this time). At any-rate, if you enjoy movies of the 1970's... and if you like Peter Sellers and Goldie Hawn movies then, I'm pretty sure you'll like this old favorite of mine. The world lost a great talent when Peter Sellers died. But at least we have his movies to remember him by. ...DOES THAT ALSO INCLUDE TELEVISION? (Said in a Madras accent - from The Party 1968). LOL Enjoy the movie! PS: I've often thought this film would be great as a remake movie. Wouldn't it be interesting to have Goldie Hawn play the role of Peter Sellers... as an older woman trying to pick up some young guy, for a one night stand. Hollywood seems so starved for movie ideas, when all they have to do is look into their archives to remake an old movie, with a modern twist.
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| 5. Shadow on the Sun Director: Tony Richardson | |
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Reviews (1)
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| 6. Upstairs Downstairs Remembered - 25th Anniversary Director: Richard Marson | |
![]() | list price: $29.95
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Description Reviews (2)
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| 7. Privates on Parade Director: Michael Blakemore | |
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Reviews (1)
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| 8. Oliver's Story Director: John Korty | |
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Reviews (2)
The movie begins with Jenny's funeral and we watch Oliver go through the motions of living, but not really participating in anything except his work. One day, he meets a jogger played by Candice Bergen. They begin a relationship that is pretty much of a bore to all but the most devoted Ryan O'Neal fans (of which I am definitely one!). Ms. Bergen's portrayal is wooden and unappealing, and viewers are probably relieved when she announces she can no longer live with Jenny's ghost. The one good thing her character, Marcy Bonwit Nash, does is take Oliver on a tour of her company's Hong Kong factories. When Oliver sees the poor conditions there, he begins to gain respect for his father and the way the senior Barrett ran his mills. Oliver's long overdue reunion with his father is touching and we finally get a glimmer of hope at the end that Oliver has learned that living is for the living, and he will finally be able to live his life again. Not a great movie, but interesting and definitely worth seeing if you loved "Love Story."
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| 9. Shadow on the Sun Director: Tony Richardson | |
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Reviews (1)
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| 10. Party Time Director: Harold Pinter | |
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(price subject to change: see help) Asin: 6302518261 Catlog: Video Sales Rank: 22807 US | Canada | United Kingdom | Germany | France | Japan |
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