Amazon.com

Sometimes movies are built around a great idea begging for a story, in this case pairing ballet legend Mikhail Baryshnikov with tap great Gregory Hines. The resulting storm of dance in White Nights, as one would expect, is great, but the story is a little forced. Baryshnikov plays (in parallel to his own life) a Russian defector to the U.S. who ends up a prisoner in the motherland after his plane is forced to land in Leningrad during an emergency. Hines is an American expatriate who gets involved with the situation. Director Taylor Hackford (An Officer and a Gentleman) punctuates an escape scenario and relationship dilemmas with as many dance sequences as possible, and the result is a wobbly, unconvincing tale with some furious footwork. Fortunately, performances carry the day, as the two male leads are both very strong as actors, and the supporting cast--Isabella Rossellini, Helen Mirren, and filmmaker Jerzy Skolimowski (Moonlighting)--is terrific.--Tom Keogh ... Read more

Reviews (29)

It was great when I saw it in high school...
I recently saw this again and sheesh.... it's all about perception. This film is very 80s...very very very '80s. Seeing Mikhail Baryshnikov dancing in tights was worth the experience of the rest of the movie when I saw this back in the carefree days of high school.

Great and convincing acting by Isabella Rossellini, Helen Mirren and Gregory Hines don't save this from being what seems in this day and time to be a ridiculous story. It's easy to forget what a threat the Soviet Union was at the time... and how scary the thought of being trapped in communist Russia really was... neighbor spying on neighbor, eavesdropping equipment everywhere and just cold, dreary days one after another. This is a film best enjoyed by folks who can remember what it was like be around in the 80s w/ the fear of nuclear war. This is hardly a "timeless" piece, but still enjoyable.

Eleven pirouettes!
Baryshnikov does eleven pirouettes straight. What more can you ask for? Anyway, the movie was very good. It was a dark, communist Soviet Union film, with a lot of tension. But most importantly, Gregory Hines and Mikhail Baryshnikov were fantastic. It is superhuman what they can do.

every thing
the beauty,grace, and syncronozation of these two men dancing from such different backgrounds and styles was magnificent. The love, trust, and faith under such difficult situations was indescribable. The story with its action and psychological background kept me riveted to the screen (5 OR SIX TIMES OR MORE!) When do I order my dvd?!!!

Breathtaking!
Wonderful dancing, great story, good music too and Barisnikov back to his roots. Altough the Kirov scenes were filmed in Portugal. Opening scene is lovely.....

Most beautiful!
I love this movie. It's my all time favourite and it's great to see it's out on DVD. Mikhail Barischnikow is of course the greatest dancer and performs his artistry. The storyline is breathtaking. All actors and actresses are simply supreme. It was Isabella Rosselini's first movie role . I saw this movie the first time in the cinema and it was the first time I saw Gregory Hines - who will truely be missed. He was a great actor and step dancer. This movie is one of the greatest but only a few people seem to know ... Read more

Amazon.com

Although scarcely seen in its original 3-D, and entirely out of sight for a decade and a half after its producer-star died, Hondo has maintained a high rep among John Wayne fans--and it wasn't even directed by Howard Hawks or John Ford. (Actually, Ford did shoot some second-unit stuff while visiting Wayne on location.) Half-breed Hondo, companioned only by an antisocial dog, tends to be more sympathetic toward the Apaches than toward the white society he occasionally scouts for. He falls into uneasy friendship with a New Mexico farmwoman (Geraldine Page) whose husband deserts her for long stretches, and whose son (Lee Aaker) is blood brother to the local Apache chieftain. A good, spare frontier tale--Louis L'Amour via James Edward (Angel and the Badman) Grant--in which danger and solace come in unexpected ways. John Farrow, who did direct, brings it in at a lean 84 minutes. Page was Oscar^®-nominated for this first film role. --Richard T. Jameson ... Read more

Reviews (24)

Even John Wayne can't save this movie
Hondo has all the makings of a fine movie....great actors and an interesting story line. Unfortunately, it falls short. John Wayne gives a good performance as Hondo Lane, a half-breed Apache turned gunfighter turned Army dispatch rider. However, director John Farrow should have been tortured by the Apaches for turning what could have been a great film into little more than a typical western movie matinee. The scenes are choppy and a couple leave you wondering why they weren't left on the editing floor. Also typical western movie flaws -- John Wayne carrying a 94 Winchester lever action more than twenty years before it was introduced, people setting up horse and cattle ranches on land that could barely support a few goats, Indians patiently waiting for the settlers to circle their wagons and then riding around them like targets at a shooting gallery, and the inside of Geraldine Page's cabin looking like a photo spread from Ladies Home Journal. And speaking of neatness (as one other reader's review accurately pointed out), everything looks too clean. Only actor Ward Bond as Buffalo Baker looked the part. Comments on accuracy aside, this movie gets only two stars for three reasons - bad direction, bad direction, bad direction!

An effective western.
Based on a Louis L'Armour novel this movie contains a pretty standard western plot: a frontier scout risks his life during an Indian uprising. It is notable for the fact this is one of those John Wayne films that is rarely shown on TV, and only became available on video four or five years ago. It also is a western that marks the development of a more sympathetic attitude towards the American Indians by Hollywood. Make no mistake the Duke and the cavalry are presented as the good guys; but their opponents, the Apaches, fight because the whites broke the treaty. The Apache leader,Victorio, mourns the loss of his sons killed by whites, and even Duke's Hondo remarks that the Apache way is a "good way of life."

I have to agree with an earlier review that the direction is a little spotty. The screen sometimes blacks out between scenes which gives the impression that the film is about to go into a commericial break! However, the action scenes are fantastic especially the Duke's barroom brawl, the blood-right duel, and the thrilling chase from the Apaches. The ending, though, is cliched with the settlers circling their wagons and the Apaches obligingly riding around them just begging to be shot. Overall, this is a very entertaining, and fast-paced western.

John Wayne's forgotten western classic
This exciting and colorful 3D film was released over 50 years ago and remains an enjoyable action adventure today. With its distinctive peppermint-striped titles, "Hondo" is John Wayne's film and he is the title character who rides out of the desert to come to the aid of a young woman and her boy at their isolated ranch against the backdrop of Apache smoke signals and war drums. Hondo Lane is drawn to the plain yet steely Angie Lowe who is also interested in the dusty stranger but refuses to leave her ranch, instead choosing to wait for her ne'er-do-well husband who has abandoned them to their fate in Apache land. The film has a matter-of-fact approach in the relationship between Lane and Angie, and although there is tension between them in the beginning, Angie is convinced of the stranger's sincerity and is keenly aware that Johnny enjoys the man's presence on their ranch. Johnny's character is a key part of the film's plot as both Lane and Apache leader Vittorio seek to guide him towards manhood with the values of their very different social mores. The Apaches are presented as a fierce but proud people, as personified by Vittorio, who adopts Johnny as a blood brother because of the bravery and courage he displays in protecting his mother from the menacing sub-chief Silva. The battle scenes are exciting and colorful, with the blue and yellow cavalry colors contrasting with the dusty, brown-skinned calico-shirted warriors mounted on all manner of striking ponies against bright blue skies and thick, fluffy clouds. The sound effects during the battles, of whistling bullets and whizzing arrows striking their targets, are realistic and superb. The movie was filmed in Camargo, Mexico, an arid desert country studded with isolated, cone-shaped mesas, and the music score has a heroic quality that smoothly underscores the action sequences.

Hondo Rules
As the great Al Bundy said "Your life is meaningless compared to Hondo"

Great flick...but this is a flat print of a 3-D movie
HONDO is an excellent western, featuring terrific performances by Wayne and Geraldine Page. The VHS release in welcome, but the film is compromised a bit here since it is robbed of the original stereoscopic 3-D presentation. It is one of the better 3-D movies (in fact, the only one to win an Oscar (G.Page).

Don't confuse the awful red/blue 3-D TV showings in the early 90's with the original polarized (clear glasses) 3-D...it isn't the same thing at all and the TV version looked nothing like the original 3-D did.

Try to catch this one at a 3-D revival sometime, to experience the movie as intended. ... Read more

Amazon.com

What can two little mice possibly do to save an orphan girl who'sfallen into evil hands? With a little cooperation and faith in oneself,anything is possible! As members of the mouse-run International RescueAid Society, Bernard and Miss Bianca respond to orphan Penny's call forhelp. The two mice search for clues and, with the help of an old cat namedRufus, track Penny to the clutches of the evil Madame Medusa in adilapidated ship in Devil's Bayou. It turns out that Medusa is using Pennyto locate and retrieve the Devil's Eye Diamond--a stone she'll stop atnothing to possess. With a cunning plan, courageous acts, cooperation fromlocal animal life, and lots of faith, Bernard and Miss Bianca helpPenny find the diamond and escape from Medusa. The result of theiradventure is that Bernard and Miss Bianca become close friends and Pennygets adopted. This somewhat dark, classic 1977 animated Disney film is based on MargerySharp's The Rescuers and Miss Bianca, and features the AcademyAward-nominated song "Someone's Waiting for You." Voice talents includeEva Gabor as Miss Bianca, Bob Newhart as Bernard, Geraldine Page as MadameMedusa, and Jim Jordan (radio's Fibber McGee) as Orville Albatross. Followedby the sequel The Rescuers Down Under. (Ages 5 to 11) --TamiHoriuchi ... Read more

Reviews (38)

Nero!!...Brutus!!....Stop that making that noise in there!!!
The Rescuers is one of my all-time favorite Disney films to watch. I saw this movie when I was 6 years old and now that I'm 21, I still love this movie.
The story begins when a little girl named Penny is kidnapped by a evil woman named Madame Medusa who forces Penny to search and find a large diamond called the Devil's Eye, thats hidden in a underground cove called Devils Bayou. Penny, however, manages to send messages in bottles to get help from the outside, and the R.A.S. Rescue Aid Society, the secret organization that's composed of mice from around the world answer Penny's call for help and they send two mice Bernard, who's the janitor, and a agent from Hungray named Miss Bianca. The only way to get to Devil's Bayou is the Albatross Air Service that's ran by Orville, a bumbling, wise-cracking albatross who's the pilot, flight annoucer, and the plane.
When they do get to Devil's Bayou, Bernard and Bianca witness a escape attempt made by Penny, who get snatched by Medusa's two bumbling pet alligators, Nero and Brutus.
My favorite scene is where Nero and Brutus are trying to catch Bernard and Bianca when they're trapped in a pipe organ, and while Nero is playing the organ, Brutus trys to catch them when the air comes up through the pipes.
If you want a good family classic to watch, give The Rescuers a try, I love it.

I didn't know
I didn't know that Disney was planning are releasing this movie on dvd, until today. And I watched this movie tonight. I had a vhs copy of this movie around. And I think this was the first Disney movie to have a sequel, and this movie was out about 13 years, before the sequel to this movie was made. It tells a story about 2 mice, 1 a janitor and the other a lady on a mission to save a young girl named Penny that was kidnapped from an orphanage. As the movie opened, Penny (Michelle Stacey) drops a bottle that is a cry for help, and the bottle finds its way to New York, where a couple of mice discovers it, and the Recure Aid Soceity calls to order, a meeting. A janitor mouse named Bernard (Bob Newhart) brings ladder (that is really a comb), cames the comb, and goes inside, manges to get the message out of the bottle, but keeps falling back to the bottom of the bottle. The message is all watered out, and a mouse named Miss Bianca (Eva Gabor) manges to make out some of the message, including Penny's name. Miss Bianca decides to ask to take the misiion, even though Bernarnd doesn't think it is a good idea for Miss Bianca to go alone. So the chairmouse, decides for Miss Bianca to selct a co-agent to go with her, and she has a lot of vanletters, which makes it hard for her to chose, and she picks Bertand.

Theatre Gem
I remember my parents taking me to see this gem of a film in the theatre. I was captivated by the cute girl Penny and the two mean gators. This film was a fun Disney film. It seemed weird when they released "Resuers Down Under" WAY before this one?!?!? But now you can complete or expand your Disney collection with this piece of Disney Gold!

Cool film!
Although this film doesn't particularly follow the same story line as the forgotten Margery Sharp classic, I have to admit that the film is better in it's own way. To start, in the book, the rescuers, janitor Bernard, Lady Miss Bianca and sailor mouse Nils go into the Black Castle to rescue a Norweian poet, but this is just some no-one who you really don't get to know that well, since he comes at the end of the book and barely even speaks, you can't feel for the character, however, Penny is filled with charming personality, and you learn to love her as you watch the film. Nils was a very charming little mouse in the book, too bad he wasn't in Disney's film. Then Madame Medusa is a great villain compared to the boring jailers and gate keepers in the book, since they do nothing to stop the young poet from scaping. In Disney's film, Madame Medusa has held Panny captive for months because she needs her to find the world's largest diamond, and the rescuers are flying into a journey to her rescue. Lovable film, pretty disappointing DVD, hopefully Disney will give us another, better edition.

There unconfirmed rumors that a new sequel, The Rescuers III: Journey to the Black Castle is in the works, and this time, little cute Nils would be joining us, I would loooove to see that!

R-E-S-C-U-E, Rescue Aid Society....
When a young girl's plea for help it found via bottle in the ocean, Miss Bianca of the Rescue Aid Society, along with her partner Bernard, go on an action packed adventure to rescue her.

Young Penny had disappeared from Morningside Orphange one day and no one has seen her since. With a tip from the Orphange's wise old cat, the two mice track down a pawn shop run by Madame Medusa. She is the one, along with her goofy sidekick Snoops, who kidnapped Penny and is holding her hostage deep in the bayou on a rundown Riverboat. Time after time Penny attempted to escape, only to be tracked down and brought back to her prison by Medusa's two pet crocodiles. The only reason Medusa is holding Penny hostage is because Penny is the only person small enough to fit down into the cave where Medusa's greatest desire, the Devil's Eye diamond, is at.

With the help of Miss Bianca, Bernard and some of the swamp's resident critters, Penny manages to bring Medusa her coveted diamond, outsmart her crocodiles and escape back to the orphanage and, ultimitly, unite Penny with the family she so yearned for.

A touching tale. I can see why this is considered a classic! ... Read more

Reviews (17)

I will never forget this movie
I have not seen this movie since it was first aired on TV many years ago, but I will never forget it. It is one of the most moving films I've ever seen, and on my list of favorite movies of all time. (This list includes El Norte, Careful He Might Hear You, The Good Fairy, My Man Godfrey, McCabe & Mrs. Miller, Black Orpheus, Dersu Uzala, Notorious, The Shop Around the Corner, Big Lebowski, 12 Angry Men and Whistle Down the Wind, just to give you an idea of my taste.) I wish they would re-release The Dollmaker on DVD, but I'd settle for VHS if I could get it.

Mountain Magic
I'm not sure what year this wonderful film was released and it's hard to believe it's not available on tape yet. The down home charm of this folklike movie has made me actually wear out my old home taped copy after excessive viewing. Jane Fonda's portrayal of this homespun Kentucky mountain woman was absolutely fantastic. It was also good to see Helm on screen again continuing to play his often southern mountain character. These two actors together made quite a team showing us their poor, yet hard working and surviving family during war and less prosperous times in our country. A talented craftswoman and hard working wife that has a somewhat dreamer of a husband that works hard and learns to appreciate the life they already had was all they really needed. Each character, in their own way uses the skills they were given to improve their families lives and survive the times. This movie, as well as, a few select others I can think of, gave me that view into some of past times of people living nickel to nickel, company housing projects,coping with extreme family tragedy, food that is precious to life, hard work that pays off in the end and the importance of family values. I feel like a very fortunate person each time I watch this emotionally moving story. Well worth seeing.

The Dollmaker
This was a wonderful movie and book and I would love to own a copy on DVD. I wonder why some of the best movies seem to take the longest to be done on DVD?

THE BEST TV MOVIE EVER MADE
This is without a doubt the best acting Jane Fonda has ever done. If this movie had been a theatrical release, her performance would have won her an oscar. This is the most moving and beautiful family film I have ever seen. The child actors in this film are amazing beyond words and Helms casting as the husband of Fondas character is perfect. The soundtrack alone I would pay a fortune to own. Lucky for me,I do own a copy of the video and have enjoyed it many times.

The Dollmaker...all time great.
I absolutely love this movie and never get tired of watching it. I would really love to own it on DVD. Does anybody know of a place where I could find that?? ... Read more

Reviews (4)

Outstanding Movie And Excellent Book
For starters this movie depicts everything that is detailed/explained in the original title "Native Son". I do not know precisely which movie one of the previous reviewers from Decatur, Georgia was watching, but I can most definitely assure that it was not Native Son.

The cast performed almost as good as the cast members in the original story. I think the book and the video are an excellent combinational method for those reading the novel and attempting to visual what the entire concept of this novel is all about. In short I think the video is well deserving of a 4 star rating.

NATIVE FLOP
The cinematic presentation of Richard Wright's classic is once again another flop. Although it is far better than the original adaptation of the book into a movie (filmed in 1949), it fails to capture the essence of Bigger Thomas. How can such a film with a star studded cast fail so miserably? After all, now you have actors who can really act!

Native Son lacks passion.Bigger comes across as poor Black boy gone wrong with his cowardly behavior. His white liberal benefactors personalities are benign. Jan (Matt Dillon) just doesn't impress me as an ardent communist. Mary Dalton ( Elizabeth McGovern) comes across as a bubble head. Even Oprah Winfrey's begging plea to let her son live, is a sham. Where is the political and heated fervor of the era? John Karlen's role as Max, the lawyer for Bigger, was a waste of time. He wasn't convincing as a passionate lawyer out to save this oppressed black boy.

Most film adaptations of books fall short in staying true to the author's story. This second adaptation falls through period. I found it a great disappointment in the acting as well as the script. Someday, somehow, some one will do this great novel justice and present us with a blockbuster film filled with not only passion but with a sense of what formed this Native Son. I recommend this movie to put in your video archive along with its original version.

Big Letdown From the Book
After reading the book, the movie leaves a lot to be desired. There were just way too many things left out of the movie.

The film did have an exceptional cast, and the acting was terrific. I was somewhat suprised at how well Matt Dillon play Jan Erlone. The setting was pretty good too. The scenery was put together nicely, as it did look like the 1940's.

Unfortunately, the editing from the novel made the film seem quite choppy. Having read the book, you got into the minds of the characters, especially that of Bigger's. The movie skipped over too many things, not allowing you to do this, which was a fairly big letdown.

Not reading the book might leave you with a different impression of the film, because, once again, the acting is wonderful. But, having read the book, I couldn't enjoy the movie. Way too many important scenes were taken out of it. It is really not a good adaptation.

Book better than movie
Well, after reading Native Son, I thought it would be a good idea to rent the movie to get visual of what happened in the book. Well, that was all I got out of this movie...

There wasn't anything wrong with the acting or set, it was the script. They simply cut way too much out of the book. Here are some examples:

-After Bigger killed Mary and they found the bones in the furnace, Bigger ran from the house (as he did in the book), and then all of a sudden he's on roof tops getting chased and then caught. In the book he was on the run with Bessie for a few days and then he killed her. -In the book, they had two inquests and in the movie they only had one...no mention of Bigger fainting in the first inquest. -They completely cut out the trial in the movie, only playing soundbytes. They only showed the sentencing. In the book, Bigger's lawyer gave a 16 page statement on Biggers behalf. -Bigger's mother (Oprah Winfrey) assumed the role of both his mother and the priest in the movie.

Well, those are a few examples. If I hadn't read the book I wouldn't have known what was going on in Bigger's head, which was what made the book so good. I don't think Richard Wright would be too impressed with this movie. ... Read more

Reviews (23)

Fantastic Classic! Acting at it's best!
This movie was extremely well done and absolutely brilliant. The Trip to Bountiful is pre-Driving Miss Daisy and far better. Geraldine Page who portrays an elderly woman is trapped in her son's apartment with his hateful wife. She plans an escape to try and see her hometown Bountiful before she dies. It's sort of like The Wizard of Oz meets Driving Miss Daisy, with the "getting home" theme, and the friends she encounters on the journey. This movie delivers Geraldine Page at her best, she carries the picture at an awesome pace that will exploit all of your emotions. DVD is calling for this picture, buy this and enjoy classic film making at its best! Look for Rebecca Demorney and John Heard in supporting roles.

When You Just Want to go Home
I have been waiting for a long time for this movie to be released as a DVD. What is taking so long?
Since this is one of my most favorite movies, I keep the video in a special place until the DVD comes out. And, I believe you need to be a little older to understand the longing and need to "go home" one more time. I have felt this way.
My elderly aunt watched this with me some time ago and she felt such intense anger at the daughter-in-law who could not comprehend anyone's feelings but her own. The more I watched the film over the years, however, I felt a sort of compassion for the daughter-in-law who felt her life's being overshadowed by the emotional needs of her mother-in-law. Yet, the feelings of exhilaration and joy felt by Geraldine Paige's character at finally escaping on the bus to Bountiful were so moving. My favorite part is where the mother-in-law is taken back to her old house by the sheriff, his heart moved by this old woman who just wanted to feel the dirt of home one more time - to derive strength from her family's roots. Just to hear the old red bird and remember the scissortail. Nostalgia is selected memory, and her memories are both happy and pitiful. Yet, her strength to have endured them all is enriching and inspiring.
I wish more movies were made like this today. This is the kind you can share with a grandchild or an elderly aunt. Both will remember it in different ways.

Bountiful Geraldine Page,one of THE GREATEST
not much too say...HOW CAN ONE SPEAK on SUCH ARTISTRY????
THE GREAT Miss PAGE....only one boo-boo..Miss PAGE WAS ALIVE WHEN SHE WON THE OSCAR!! I remember the LA Times showing her the NEXT DAY HOLDING HER OSCAR!!
HELLOOOO!!DVD! DVD!! RAH RAH RAH!!

Utterly Breathtaking!
I just read the reviews of Trip to Bountiful and felt like I needed to write my own to add to this great group of intelligent and tasteful Bountiful fans.

Today was the first time I'd seen Bountiful in its movie form. I live in Nashville, TN, and a theatre troupe I was involved with here put it on several years ago, and I can say that I had the honorable position of being assistant stage manager and set construction assistant in that great show. What a wonderful play to put to life, even on the small stage. Everyone in the production team and in the audience was moved by it every single performance.

When I was watching the film today, it was so interesting seeing the parallels between the play and film version, and I really felt like the film was respectful to Foote's original vision. What a breathtaking movie! Has anyone seen the earlier made-for-TV version of it? I have not, and I wonder how it compares to this version...

I felt like Bountiful was so reminiscent of O'Neill's Long Day's Journey into Night, which is arguably my all-time favorite play/film. Bountiful tapped into those same deep-seated emotions O'Neill was remarkable for affecting, and I felt really drawn into the life and struggles of Carrie Watts. Thank you Geraldine Page for one of the most memorable performances I've ever seen!

Anyway, I just thought I'd chime in with my two cents to some fellow fans. Best wishes, and here's hoping for Bountiful's speedy release on DVD!

Warm And Loving Trip
"The Trip To Bountiful" is one of the best films released in 1985. It explores an elderly woman held "captive" by her daughter-in-law who treats her like a child. As her heart condition worsens, her yearning to return to her long-lost town, Bountiful, becomes stronger. Throughout her journey, she feels increasing peace and harmony with nature and within herself. Many twists and turns occur throughout her vacation that keeps the audience interested. Such emotion expressed in those words give the movie the heartwarming feel that has been lost in many movies that were released afterward. Few knew that such horrible way of living can turn so warm so quickly.

Geraldine Page rightfully won her overdue Oscar for Best Actress for her role as the unhappy elderly woman. Unfortunately, she passed away before she could accept her award, but her legacy lives on. John Heard and Rebecca De Mornay play wonderful supporting roles as the son and the daughter-in-law. Every actor portrays their role with heavy heart and soul, never holding back a drop of emotion. Such raw talents give "The Trip To Bountiful" the extra heartwarming effect.

"The Trip To Bountiful" is a great movie for those looking for a power drama. This will keep audiences entertained for many years to come. The producers of this movie need to give lessons to modern day movie producers to teach them how to make movies correctly. ... Read more

Reviews (9)

OUTSTANDING AND WELL DONE
I thoroughly enjoyed this movie and highly recommend it to anyone who has yet to see it. It has all the elements for a great epic.....a storyline with action/adventure, romance, and well developed characters. It's perfect for Civil War buffs as well as teachers/parents who are looking to encourage interest in the Civil War. I do however confess that as much as I enjoyed the Blue and the Gray, the miniseries North and South is a notch better and I highly, highly recommend this movie as well.

The Blue and the Gray Stretches the Truth
Although this movie has OK acting, some scenes are unrealistic. I doubt that soldiers would be "marching" down the road not in line and using their rifle slings. This didn't happen. Rifle slings were only used back then to handle a hot rifle. Soldiers marching throughout the movie were out of step. One obvious mistake to me was their 1970's hairstyles. Women had long hair hanging down, which was not how it was worn in the 1860's. In one scene, a cannon on a hilltop is firing at advancing federals. The cannon is pointed upwards, way over the federal's heads and yet it is ripping giant holes in their lines. The movie kind of switches around Grant's famous saying at the end of the war "The war is over. The rebels are our countrymen again." However, the movie was correct in the fact that Grant ordered his men not to celebrate, but probably not in the manner that was shown in the movie. In short, this movie was good entertainment with good acting, but not one that your should rely on for historical accuracy. Instead, try Gettysburg, which I found to be quite accurate. The new movie Gods and Generals has Jackson wearing obvious shoulder pads in his jackets throughout the movie. I thought it kind of ruined the journey back into time.

The Blue and the Gray
It's a great show movie to watch in school for Social Studies. I watched it in class and it's extremely interesting and really good. It's quite accurate and shows fantical abolitionist John Brown and his case. The whole particular movie is about a young Virginia reporter, John Geyser, trying to stay neutral while his brothers are fighting for the south and his cousins for the North. It has some funny scenes too like when Malicar encounters a Rebel and they get to talking.

The Blue And The Gray
We watched this movie in school when we were studying the Civil War. My whole class agreed that it was the coolest movie we had to watch in school. It's about a dude named John who is a war reporter. He tries to stay neutral when his brothers are fighting for the south and his cousins for the north. He has a best friend named Jonas and a girlfriend named Cathy. Jonas kissed Cathy and the whole class laughed our heads off. A lot of the movie was sad though. But really cool.

A Teaching tool for the Civil War
The series Blue and Gray is a great tour de force of the American Civil War. This series is a great teaching tool for middle school teachers who want to capture the passion and reality of America's greatest struggle for their students. The movie neither sugar coats nor overplays the tragedy of the war on soldiers or civilians. A longer complete version of this mini-series is available on video, and if Amazon could add it to their list, it would fill the small voids left by this shorter version. Overall, my favorite CW movie. ... Read more

Reviews (5)

I Am Dancing As Fast As I am
I lived her life and it is almost 20 years since I read the book and saw the movie and it still haunts me. Today I am fine, and I can say nothing more than that book really helped me to believe in myself.

not easy going but rewarding
Although her screen persona in such films as Starting Over and It's My Turn was being the nice girl next door, Jill Clayburgh
also took some chances. Just think of her vomiting in An Unmarried
Woman and her incestuous opera singer in Bernardo Bertolucci's
Luna. This film is based on Barbara Gordon's book and what probably
helped Clayburgh to deliver her searing performance is that her
husband playwright David Rabe both produced and did the screenplay,
and the director was Jack Hofsiss who did The Elephant Man on stage to
such acclaim. Her Barbara is barely likeable - obsessive-compulsive,
hostile, chain-smoking and valium addicted. It's fascinating to see
how she conceals her pills, and clear that she lacks the support to
accomodate her impulsive decision to withdraw. She is told that valium
withdrawal is as traumatic as opiate withdrawal, and having an
alcoholic abusive lover doesn't help. As Barbara withdraws, Clayburgh
goes all out - convulsing, drooling, shrieking, maniacal, with wild
mad eyes and Frances Farmer hair. When she is eventually
institutionalised we see the anger that the valium had suppressed as
she rages at her therapist played by Dianne Wiest, who matches
Clayburgh. Wiest's first film had been Clayburgh's It's My Turn and
it's generous to think that Clayburgh helped her along with this role,
before she found greater success with Woody Allen. The film is
actually full of interesting actors in small roles - John Lithgow,
David Margulies, Kathleen Widdoes, Daniel Stern, Joe Pesci, Anne de
Salvo, Ellen Greene, Richard Masur, Jeffrey de Munn, and Geraldine
Page as a poet with cancer who Barbara is making a doco on. The poetry
we hear her recite is by Marsha Rabe. Occasionally Page slips into
Method-overdrive, with her hands and her little girl voice, and she
kills the meaning of the title, but mostly she is believable. The
casting of Nicol Williamson as Clayburgh's lover however doesn't quite
work. He is certainly creepy but we never understand his reluctance to
get Barbara medical help during her withdrawal. Hofsiss gives us two
great images - Clayburgh walking down a long corridor after having
been insulted by Page, aggresively wiping away her tears, and her
running on the beach in a white gown. The music of Stanley Silverman
and the Primavera String Quartet is particularly beautiful and
moving. Also Clayburgh is dressed very stylishly here, that is when
not draped in her crazy lady pyjamas.

I want to buy this video
I have looked everywhere for this video on Vhs. I can't understand why the price is so high. If anyone can suggest where i might find it please let me know. This is the most true to factual movie I remember seeing and my sister is ill with a similar disease. I would like to help by getting this movie and letting my sister, mother, and rest of the family view it. It is very informative. Please help.

I saw this movie when it came out and I loved it.
The characters are so pitiful that at times, I hate to say it, but they made me laugh.The mixture of their patheticness and how they dealt with their problems made me laugh at times, and that appealed to me. I want to see it again now that I am 18 years older and see if it still appeals to me. Thanks :-)

Interesting
I like it because it has the guy who played Merlin in the movie Excalibur in it. ... Read more

Amazon.com essential video

Sweet Bird of Youth has the Tennessee Williams penchant for provocation and Southern depravity--although at this point, the bloom is somewhat off the hothouse flower. Paul Newman is a cad who dreams of glory; he's returned to his hometown towing a dissolute, over-the-hill Hollywood star (Geraldine Page re-creates her Broadway role), certain she'll be his meal ticket. He's ruined the only girl he really loved (day-dreamy Shirley Knight), who just happens to be the daughter of the town's boss (Ed Begley, in an Oscar^®-winning role). The play's more shocking elements have been euphemized, in the custom of the era's Williams movie adaptations. Director Richard Brooks handles it with intensity, and Rip Torn (who was married to Page) has some wicked moments, but the movie is bound to its theatrical roots and its inability to mention racism, syphilis, or castration. And that's Tennessee Williams without the hot sauce. --Robert Horton ... Read more

Reviews (5)

Censorship didn't stop anything.
Based on the hit Tennessee Williams play, this exciting drama stars Paul Newman as a slick young opportunist who returns to his home town with an ageing movie queen(Geraldine Page), but runs head-on into trouble with the town's corrupt boss(Ed Begley in an Oscar-winning performance). As is the case with his 1958 film version of Tennessee Williams' CAT ON A HOT TIN ROOF, director Richard Brooks was forced to clean up this Williams play for the movies. But those blasted censors didn't hurt anything. Like CAT, SWEET BIRD OF YOUTH is still a gritty, powerful, and brilliant film. Every one of the performers delivers a top-notch portrayal. But the film ultimately belongs to Geraldine Page whose funny and touching portrayal of the fading star is, quite simply, one of the greatest performances ever captured on film.

GERALDINE! BRILLIANT GERALDINE!
THE STUDIO MAY HAVE CLEANED UP AND SANITIZED THIS FILM LIKE THEY DID WITH ALL OF TENNESSEE'S WORK BUT IT IS STILL A WONDERFUL FILM. PAUL NEWMAN AND ED BEGLEY ARE JUST GREAT AND SHIRLEY KNIGHT AND MADELINE SHERWOOD ARE TOP NOTCH BUT ONCE AGAIN THE DIVINE GERALDINE PAGE COMMANDS THE FILM! WHAT A SPECTACULAR ACTRESS THIS WOMAN WAS!!!

"Easter? How appropriate. I feel positively resurrected!''
Another of Tennessee Williams great plays skillfully adapted for the screen. Geraldine Paige is simply brilliant as the faded star, and Paul Newman gives a powerful performance as her companion. Ed Begley is wonderfully sinister, and Mildred Dunnock has the best line:"You? You can go straight to hell!"

a must see.
If you are interested in great acting and a great movie, watch this one. Geraldine Page, Madeline Sherwood, Ed Begley and Paul Newman are all first rate. The story was sanitized a bit so as not to shock an early 1960s audience (or lose Southern box office receipts), but it is still ripe with sleaze. If you miss Sweet Bird of Youth, don't profess to be a film buff.

Another fabulous performance by Page
As in her portrayal of Alma in Tennessee Williams' "Summer and Smoke," Geraldine Page is electrifying, recreating the role she originated on Broadway. This time, however, she has a leading man worthy of her talents. Paul Newman proves he has more than his looks to rely on; it is to his credit that Page never overshadows him in their extended scenes together. The rest of the cast is excellent as well. The film itself strays from Williams' stage version (which included such topics as venereal disease and castration) in several respects, but also has some intriguing additions, especially the scene between Ed Begley and Madeleine Sherwood. But the real reason to watch this film is for Geraldine Page -- what an actress. She is missed. ... Read more

Amazon.com essential video

Although indisputably a film by Woody Allen, Interiors is aboutas far from "a Woody Allen film" as you can get--and maybe more people could have seen what a fine film it is if they hadn't been expecting what Allen himself called "one of his earlier, funnier movies."An entirely serious, rather too self-consciously Bergmanesque drama about a divorcing elderly couple and their grown daughters, it is slow, meditative, and constructed with a brilliant, painterly eye.There is no music--a simple effect that Allen uses with extraordinary power. In fact, half the film is filled with silent faces staring out of windows, yet the mood is so engaging, hypnotic even, that you never feel the director is poking you in the ribs and saying, "somber atmosphere."Diane Keaton, released for once from the goofy ditz stereotype, shines as the "successful" daughter. Some of the dialogue is stilted, and it's hard to tell whether this is a deliberate effect or simply the way repressed upscale New Yorkers talk after too many years having their self-absorption sharpened on the therapist's couch. Fanatical, almost childish self-regard is the chief subject of Allen's comedy--it's remarkable that in this film he was able to remove the comedy but leave room for us to pity and care about these rather irritating people. --Richard Farr ... Read more

Reviews (30)

He knows women so well; too bad they hate him.
Woody Allen probably knew that Interiors would be panned by his most loyal fans, his most ardent critics (Pauline Kael), and even the always honorable motion picture industry. How he managed to ignore what might have been insurmountable difficulties for another is a feat of no small measure; how he managed to craft this dramatic gem is "an impossibility commensurate with two like snowflakes" (from Woody's Getting Even). Mary Beth Hurt shines as Joey, a passionate but ambivalent actress-photographer-copywriter, who cannot transcend her pressing responsibility as daughter to a delusional and depressed woman, Eve (Geraldine Page). She has two sisters (a theme to be further explored in Allen's later Hannah and her Sisters), one of whom is fairly irrelevant and indifferent to her life (the only underdeveloped character in the film), the TV actress Flynn. The other sister Renata (Diane Keaton) is a highly successful poet who has distanced herself from Joey while she deals with complex emotional issues stemming from an abusive, alcoholic husband (Richard Jordan) and her own artistic "paralysis." Woody weaves the stories together with dignity and grace, and Gordon Willis' superlative cinematography pays homage to Bergman's Sven Nyqvist (the beachwalking scene could be Persona in color) while infusing his own creative vision into each shot. Woody's comic flair is nonpareil, and his unique cinematic concept is timeless and powerful. With Interiors, Woody indelibly makes his mark as one of the finest dramatists of the 20th century as well.

Not the best Allen film around, but still interesting!
Woody Allen follows in the steps on Ingmar Bergman in filming the falling apart of women and sisters. The sisters are all very much different from each other. Joey [played by Mary Beth Hurt in a performace that makes me want to gag.] is the sister who can not find herself, even though we're told she has so many talents. You just feel like smaking her and saying, "Hey, there's people who have it a lot rougher than you out in the world." The two best things about this film are Geraldine Page and Maureen Stapleton, who were both nominated for Oscars. Stapleton plays the fathers new love interest who isn't like by the whole family, but ends up winning them over. Page brilliantly plays the fragile and distraught mother who is on the verge of suicide. The ending scenes are unavoidable as the story progresses. A great film to watch if your a fan of Allen's or Bergman's. It's also a great film to watch if your a fan of Geraldine Pages.
5 1978 ACADEMY AWARD NOMINATIONS:
BEST ACTRESS-GERALDINE PAGE
BEST SUPPORTING ACTRESS-MAUREEN STAPLETON
BEST DIRECTOR-WOODY ALLEN
BEST ORIGINAL SCREENPLAY-WOODY ALLEN
BEST ART DIRECTION

visceral and subdued
This emotional film may appeal to refugees from nauseating and intelligence-insulting Hollywood tear-jerkers. The film exposes expression and suppression of emotion in the educated upper middle class family of origin. The emotional tension rises higher and breaks down more hysterically than in his films that address marriage and the sexual relationship.

Modern interiors gut-hardeningly frame the confrontations and evasions. The interiors on their own would make it worth watching.

A Film That Deserves A Place In Every Art Collection
Revisiting INTERIORS written and directed by Woody Allen in 1978 it becomes apparent that this is one of the most important American films made. In this time of video art and digital manipulation of images, both in real time and in fixed entities, INTERIORS exemplifies the finest in what film can achieve. Without manipulation of scenery, without (gratefully) a senses-asaulting musical score, without GIMMICKRY - here is a film of brilliant writing, stunningly and beautifully subtle sets and costumes, and acting of the first degree. The angst so present in our society's family relationships is gently observed and explored and the results are a paean of understated simplicity and pain. It is difficult to single out any of the outstanding cast as 'best' and that is yet another proof of ensemble acting and directing at a zenith. Yes, it is unimaginable to leave behind the characters created by Geraldine Page, H.G. Marshall, Diane Keaton, and Maureen Stapleton, but again this is an indicator of how well and cohesive the experience provided by this movie is.

I have never been a Woody Allen fan: I find his comedies overwrought, self-absorbed, and frustratingly tedious. Seeing INTERIORS on a DVD, in the quiet of home, has altered my respect for this man. A dazzingly brilliant, thoughtful, elegy of a film.

Allen's Bergman homage
Woody Allen threw the film world a curveball in 1978 when he released not only his first straight dramatic film, but also the first film he directed that he didn't appear in. Although the film confused and possibly enraged some fans, it holds up today as, in my opinion, one of his most strikingly daring films.

It's obvious to anyone watching "Interiors" that this is an homage to Allen's favorite director, the great Ingmar Bergman. The quiet, the seriousness, the dysfunction -- it's "Cries and Whispers" for the Manhattan intelligentsia. While the film obviously pays tribute to Bergman, it's no mere copy. It has a life and style of its own, mainly due to the performances.

The film deals with a wealthy, successful man (E.G. Marshall) who decides to separate from his unstable wife (Geraldine Page). The wife is thrown into depression and suicide attempts. Her three daughters are there to help, but can only do so much. Diane Keaton plays the stable, earthy Renata. Her husband is a failed writer and an alcoholic (played by Richard Jordan). Joey (Mary Beth Hurt) is the neurotic, stuffy, moody one who can't seem to find happiness in any profession she attempts. Her husband is played by Sam Waterston, and he's probably the one normal person in the whole film. The third daughter, Flynn, is played by Kristin Griffith as a TV-movie actress whose films are always panned by her family, both in and out of her presence. Maureen Stapleton plays the role of Pearl, the feisty woman Marshall begins dating soon after his separation. His children are surprised that he wants to remarry so soon, and Joey shows open contempt for his choice of a new wife.

This is not "Bananas," "Sleeper," or even "Annie Hall." This is Woody Allen showing the dark recesses of family dysfunction. Geraldine Page is simply outstanding as the mentally unstable middle-aged woman. The scene where she "prepares" for her first suicide attempt is extremely dark and sad. Her final "beach" scene is beautifully shot. The rest of the cast does a great job, but she is head and shoulders above the rest.

It's interesting to see Allen stretch out with this style of filmmaking, and I think it works very well. He has obviously studied Bergman's works carefully. This is no mere copy, it's a beautiful homage.

The picture quality is good but not excellent for a DVD transfer. And as with all of Allen's discs, there's really not much in the area of extras -- just a trailer. But this is definitely a film to check out. ... Read more

Reviews (19)

Something For Joey---"I really loved it."
I first saw this movie when I was about 7 years old, it came on TV. I loved it. I saw it again when I was at a friend's home in college, it was contained in her video collection. I missed the opportunity to acquire a copy of it. I'm kicking myself now. The fact that it was a true story made the movie even more enjoyable. It portrayed true human compassion and spirit, I've seen few things since that have moved me more. John where ever you are today, I'm sure Joey continues to be with you. I've thought of this movie a few times throughout my life for my own personal reasons and it continues to keep me reminded of why I do what I do.

I would just love it if anyone would be willing to send me a copy through the US Mail System or by some other means. Don't worry about the cost of the blank video or the shipping, I would be more than pleased to accept responsibility. Wishing at some point that Amazon.com makes this video available once again. Take care to all the reviewers to this classic, past and future. Joseph.

A Movie that Withstands Time
I had seen this movie 4 or 5 times as a child. It made such a great impression on me that I have searched for it for 10-15 years. It shows the remarkable relationship between John and Joey Cappelletti. As Joey continues to request touchdowns from his brother, they build one of the strongest, most productive, relationships possible. Tears cannot help but be shed. Although in the end, Joey does pass away, John wins the one thing that will serve as a continual reminder of his brother--the Heisman Trophy. His love for Joey was the biggest motivator for his success. This is absolutely a "must see" movie. I bought it to share the experience with my children.

View on ESPN Classic
ESPN Classic will show "Something for Joey" on September 12, 2004. Check local listings for time in your area.

Something for Joey Info
Something for Joey is a great inspring movies. For anyone who is interested ESPN2 will be airing the film Sunday, Sept. 14 8pm and 10:30pm. Thanks

Please help me
I adored the movie "Something for Joey" My sister and I were both majorettes at PSU and she is in the movie in a band shot, however, that is NOT why I want it. My 11 year old son who is a MAJOR PSU fan has listened to me talk about this movie for years (...) ... Read more

Reviews (8)

Surprisingly sweet--without the calories or cavities!
I hadn't seen any of Jennifer Beals' early films when I watched THE BRIDE just the other night. From her more recent work (FOUR ROOMS, THE ANNIVERSARY PARTY and now THE L WORD), I know she is a first-rate actress, but didn't know what to expect from her beginning work (I still have to see FLASHDANCE.) Though I've read critics' reviews panning this film, I think THE BRIDE is quite good and deserving of the regard other "undiscovered" or "underground" films receive.

The story is straightforward enough: The infamous mad scientist Frankenstein creates a mate for his "monster" (whom will later be named Viktor). Things go wrong, however and Eva is left at the hands of Dr. Frankenstein (Viktor having run off when fire breaks out in the lab). Frankenstein (played to irritatingly perfect pompousness by Sting) has Eva all to himself and attempts to make her into a "proper lady."

The plot is not the main reason to watch this endearing movie, though it definitely keeps your interest with the main plot and the storyline involving Viktor after he flees the fire and meets up with a wonderful character played by David Rappaport. No, the real reason to watch is in the little touches, whether it be the memorable scene where Eva (played with incredible innocence and searching curiousity by Jennifer Beals) snarls at a cat during her first outing at a fancy dinner to meet the "important" people
or the tender friendship between Viktor and Rinaldo.

I don't want to reveal too much about where the movie goes but it does a surprisingly good job of capturing universal themes such as loneliness and searching for one's own roots. A big plus in its favor is that it comes closer to the original intent of Mary Shelley's novel than the old Hollywood versions and reminds us that Shelley's novel was never really about scary horror but the horrors in our fellow humans' behavior and our own isolation.

An uplifiting Frankenstein film? Read on...
First of all, this isn't at all close to anything from the original novel by Mary Shelley. In the book, work begins on a bride for the creature, and is then abandoned, which leads to all sorts of unpleasantness.This film is sort of a exploration of how the story might have developed if work on the creatures mate had continued. Sting, of the Police, plays the Doctor, and Jennifer Beals plays his second creation. Obviously, his skills have improved from his first effort, however an accident in the lab leads to a fire, and the loss of the first creature, or so he believes. He then sets out to educate her as a continuing experiment. Meanwhile, the first creature is being educated by different experiences as he wanders the countryside, eventually befriending a dwarf who helps him find employment. Eventually, the creature and his intended bride cross paths again...with results which are perhaps unexpected, given their different backgrounds. This is perhaps the only Frankenstein film with an positive ending, attempting to show that even artificially created humans might have a soul, or a spirit, which seeks to rise above the limitations of the flesh. The set design of the film was good, especially 'the masoleum'. Jennifer Beals is gorgeous as 'The Bride', and the performance by Clancy Brown as the 'creature' is also good, as is David Rappaport as the dwarf. I enjoyed it.Ron

For fans of Frankenstein, Sting, or Jennifer Beals.
This movie is hard to review. I guess it's for fans of Frankenstein and/or Jennifer Beals. I can understand why some people won't like the picture. I enjoyed it. The relationship between the monster and the midget is very entertaining and touching. Jennifer Beals is so beautiful that who couldn't take your eyes of this picture for her alone! I do have to slam the comentary. The director rambles on about things that are not interesting. Directors should watch their movies and take notes and then record the comentary. This guy doesn't get to the point and changes topics while in the middle of sentences. Aside from that I am glad this film is out on DVD. The scenery is beautiful and it's a great escape from reality. Imagine if you can make yourself a bride that looks like Jennifer Beals. What a fantasy!!

Interesting and Dark
In 1985 when both Sting and Jennifer Beals were huge draws, this movie was created: A retelling of The Bride of Frankenstein. On a dark and stormy night, Baron Frankenstein works feverishly in his lab trying to bring to life the agreed to Bride of the monster previously created. Sting, as Frankenstein, is intelligent, determined, and methodical. He brings to life his newest creation and quickly discovers that the mistakes he made when creating the man have been corrected, bringing to life a beautiful woman. Upon seeing his bride, the monster (Clancy Brown)inadvertently hurts her. Frankenstein strikes the monster and removes the bride from the creature's grasp. A fight ensues and the monster flees into the night. The next day Frankenstein names the woman Eva and decides to teach how to be "as bold and as proud as a man." Meanwhile, the creature runs into a little person named Renaldo (David Rappaport) who understands what it is like to be an outcast and befriends him. As the movie progresses, we see two stories take place. Eva becoming "the new woman" and the creature learning about life and friendship.

I have always enjoyed this movie. Sting is great as Frankenstein and plays him with a hint of madness that such a man would likely have been. Jennifer Beals plays Eva with childlike innocence early on then shows the maturity of a bold, intelligent woman, but still she is disturbed about who she truly might be. (Check out the scene when she does discover the truth. Fantastic!) Clancy Brown, too, shows growth and maturity in the development of the creature (later named Victor by Renaldo) from clumsy, confusion to brave determination. Cary Elwes has the role of Josef, one of the Countess' guards. And how can we forget the late David Rappaport as the compassionate and insightful Renaldo. Through him we see the pain and prejudice he faces by being a little person.

The extras on the DVD are few, but nice to have. I don't recall ever seeing the trailer before so having it on the DVD was a plus. The Director's commentary could have been better. He admitted that it had been so long since he had seen the film. Knowing this, he should have watched it a few times and made notes. As it was, he forgot a lot of the information. Later in the film, he would comment that the movie never addressed this or never addressed that when in actuality, the movie had established those things earlier in the movie. To me, a great commentary is when the person commenting on the film is discussing the scene: either the actors or the background, or something relevant. This director sometimes went on little tangents that had nothing to do with the movie at all. I kept thinking "can we please talk about this movie?" There was some good information though about the French scenery, how Sting got the role, the relationships between the actors, and the loss of David Rappaport. So the commentary wasn't a total loss, but could have been better if the Director was better prepared.

An underrated little gem
Thank goodness for the current DVD boom. It seems that all the major studios, in a rush to get product on the shelves, are in the process of scouring through their back catalogues and releasing everything and anything available. The "Midnite Movies" series from MGM is a perfect example.
So likewise, Columbia has released The Bride on DVD. True, it is NOT a horror film, and yes, a musician is in the lead role(always a dubious casting move), but it does succeed on many levels. This retelling of The Bride of Frankenstein works more as a romantic fantasy, and the narrative chugs along at quick, engrossing pace, especially the sub-plot of Victor(the Monster) and Rinaldo. The many poignant moments between these two and the child-like demeanor of Victor gives the movie its soul. That said, the ending is a bit of a dissappointment, which the director freely admits to on the commentary track, which is filled with relevant and amusing anecdotes about the film itself.
So if anyone remembers this eighties artifact fondly, I say its a worthy addition to your collection. And listen to the commentary! ... Read more

Reviews (24)

A Little Swagger with your Pasta
"Chimes, Charlie, chimes..." The Pope of Greenwich Village was one of the great films of 1984 and offers a visually and thematically telling portrait of two small-time hustlers in Little Italy. Charlie, portrayed brilliantly by Mickey Rourke in his finest performance, is wed, in a brotherly sense, to his second cousin, Paulie, played with equal bravado by Eric Roberts. It is an Italian/NYC version of Of Mice and Men and proves that blood is thicker than water, and even a little thicker than a nice hot cup of laced espresso. Pay particular attention to the wonderful work of Burt Young as Bedbug Eddy -- a local boss that causes Charile and Paulie (not to mention Paulie's "thummmmb") a great deal of grief. Certain lines by Eric Roberts are unforgettable, Rourke's swagger is unparalleled, and great tracks ranging from Frank Sinatra to Mink deVille offer the wonderful back drop of the Village and equal dose of acoustic power. It is a New York movie, it is an Italian-American morality tale -- it's tough and gritty and damn good. Leave the gun, take the canolis...and the movie. -- Mr. Zelig

So Cool
How cool was Mickey Roarke? Check this film out and see for yourself. I love this movie. Micky plays Charlie a small time hood tryin to go straight in New Yorks little Italy, No matter how hard he tries he just can't escape the neighborhood or his Lowlife cousin Paulie,wonderfully acted by Eric Roberts. Yes at one time he could act too (See Star 80). Rounding out the cast are Geraldine Paige, Daryl Hannah and Kenneth McMillon, But the movie belongs to Rourke it was a springboard to things that never were to be. To bad.

one of the best mob flicks
This movie is chock full of stars. The one who is amazing is Tony Musante, Paulie's uncle. Take a look at a 1967 flick called the incident and he will show you what method acting is all about. His character in that flick is better than any in "the POPE" not to put down "the POPE" of course. Too bad they gave him this small role, cauz he was the original bad boy. Anyway, the pope is awesome, Roberts and Rourke are incedible and the flick is a classic. DONT FORGET MUSANTE IN THE INCIDENT.

An overlooked gem
Released at a time when comedies were measured by the number of exposed women's breasts or the quality of vomiting scenes, THE POPE OF GREENWICH VILLAGE was a refreshing movie that had actual character development and humor based on wit, not bodily functions. Paulie and Charlie (Rourke and Roberts) play two citizens of Little Italy that are on the criminal fringe, although they themselves are not criminals. But as they look around them, the criminals of the street are getting richer and the yuppies of the 80s even richer than that. When they are approached by Barney, a locksmith losing his sight (wonderfully portrayed by Kenneth McMillan) who has a plan for a quick score, the two fall in. Once they do, the pasta goes flying.

I won't go further into the plot. There are some great supporting performances here: Geraldine Page, Burt Young, Tony Musante, Phillip Bosco, and even Daryl Hannah. The direction is top notch. Check out this little period piece of a neighborhood that is rapidly disappearing.

Rourke's breakthrough performance!
"The Pope of Greenwich Village" could be considered Mickey Rourke's Swan Song. Rourke delivers a stellar performance laced with a brooding subtlety that prompts comparisons with Brando and McQueen. Eric Roberts, who is a seriously underrated talent of film, also offers an admirable performance. In contrast to Rourke, Roberts brings a comic element to the film. As a result, some scenes oscillate between compelling drama and off-beat comedy. There is an undeniable chemistry between these two actors and, hopefully, their work will be recognized in the future. Given their ostracism from the elitist enclaves of Hollywood, however, that does not seem likely. ... Read more

Reviews (7)

Something Else
I got to see this movie on Cable on Saturday evening by taping it, and yes, it was a good performance by Dean Martin. He was believeable. But Geraldine Page always took the cake and more. That lady knew she had her roles down pat. On one hand, I wanted to shake that young Yvette Mimeaux,and tell her to go and get some self esteem and a back bone. Always going behind her husband's back and believing any little thing folk told her. All in all, a good movie.

Great film but I still don't get the title
In one of his best performances, Dean Martin stars as Julian, a likeable, kindhearted neer-do-well who has hit the big time for the first time in his life. Geraldine Page, Wendy Hiller, and Yvette Mimieux are superb as the trio of women who are the most important people in his life. Page plays Carrie, Julian's sister whose deceptively fluttery and loving facade masks a selfish and manipulative woman. Hiller is his other sister, Anna, who seems the opposite by coming across as cool and aloof, but is the selfless one who loves Julian unconditionally. Mimiux plays Lily, Julian's insecure and emotionally fragile young wife. Julian's big time comes when he buys "worthless" swampland which turns out to be valuable and makes a small fortune by selling it to Cyrus Warkins, the most wealthy and powerful man in town. Unbeknownst to Cyrus, his abused wife Charlotte had given Julian--her ex-lover but now strictly friends--the inside dope so Julian splits half the proceeds with her to escape her nasty husband. Unfortunately, the arrangement goes entirely awry due to Carrie's devious machinations and skillful manipulation of the insecure Lily as a pawn in her ingenious scheme to have Julian dependent and all to herself the way he was before his new wealth--resulting in devastating consequences. This is an overlooked classic with powerhouse performances and a complex, multi-issue story subtly dealing with interracial relations and relationships, prejuduce, domestic violence, class distinction, and incest.

Toys in the Attic film
Though I didn't see the play or read the screenplay of L. Hellman's "Toys in the Attic," I have just seen the video and was entranced by the performances of Geraldine Page, Dean Martin, and Wendy Hiller!! What a movie!! Ms. Page never disappointed her audience, and 21 years later gave her Oscar-winning performance in "The Trip to Bountiful." I didn't realize how wonderfully Dean Martin could handle a dramatic role...Wendy Hiller stoicly is the older, common-sense sister who survives all the dysfunction in the siblings..what a movie!! Ms. Mimeaux is quite good as well. In my retirement, I'm trying to see the movies I missed when our children were small...this one is a "keeper."

PAGE AND HILLER ARE BRILLIANT...AS USUAL!!!
I LOVE THIS FILM! OF COURSE, I ADMIT, I'M PARTIAL TO 60'S FILMS ESPECIALLY GOOD OLD BLACK AND WHITE DRAMAS BUT PLEASE TAKE MY WORD ON THIS ONE...IF YOU ARE A GERALDINE PAGE FAN YOU CAN'T MISS THIS MOVIE!!! I'VE SAID IT BEFORE AND I'LL SAY IT AGAIN, THIS WOMAN WAS ONE OF THE GREATEST ACTRESSES EVER TO GRACE A MOVIE CAMERA...SHE DOES MORE IN 10 SECONDS OF SCREEN TIME THAN MOST ACTRESSES DO IN MOVIE AFTER MOVIE...TAKE NOTE: MISS ROBERTS, MISS RYAN, MISS JOLIE, ETC.! DEAN MARTIN IS ALSO EXCELLENT AND THE DIVINE WENDY HILLER IS SIMPLY STUNNING AS USUAL!

One of Dean's Finest!
This gripping melodrama based on Lillian Helman's stage play surely is an underated cinematic masterpiece and certainly in the tradition of "Streetcar Named Desire', "Cat on a Hot Tin Roof", and "Requim for a Heavyweight". The stark black and white adds to this family psycho drama of two sisters and their "returning" brother. Of course, things aren't as they seem in this homecoming and the twists and turns will hold you spellbound. In addition, this is certainly one of Dean Martin's best dramatic performances and one of his better if not widely accclaimed films. A stunning tale, it 's one of those classics that should be seen by more people than it has been. ... Read more

Reviews (5)

Wise-Cracks Galore in Tragi-Comedy -- Deep Message
Carol Burnett and Walter Matthau are middle aged singles at one of socialite Geraldine Paige's famous "parties". Seemingly inexperienced Burnett is unsure whether the wise-cracking and somewhat "obviously interested" Matthau is the real deal. Eventually they hit it off, get married, and have a son, whom they both adore.

Time passes, Burnett learns that Matthau freely shares his sexual talents with other women, which he does not attempt to hide. When their school age son is diagnosed with a terminal illness, Burnett breaks down. The couple seperates, all friends and acquaintances suggest Burnett get a divorce.

The ending may be somewhat predictable, but it's a much needed "up" from the depressing 20 minutes preceeding it. The brief interlude with Burnett and Paige in a "cat fight" is another welcomed distraction from compounding dramatic scenes. Matthau's constant witty remarks become an expected staple, although he does show emotion about the loss of his son.

This is definitely an "adult film", although rated PG. Many issues about urban life and society in general are tackled. Pre-teens would certainly be confused and unable to make sense of some of the plot. Fans of the leads will enjoy this film.****

Burnett and Matthau Shine in Deeply Touching Tragi-Comedy
This is a warm, witty, ingratiating film that many viewers can identify with. It's about two not particularly compatible people (Pete and Tillie) who meet, marry, have a child, then attempt to make sense of each other and their unhappy marriage. They become strangers, torn apart as much by his marital infidelities as by their opposite outlooks on life. After ten years of a very shaky domestic situation they face one of the worst parental nightmares imaginable - the loss of their child to a terminal illness. The maddening pain of this event brings them together but, at the same time, highlights their very different philosophical attitudes. Walter Matthau in the role of the cynical, non-religious, philandering husband is given the wittier lines in the script which he spuns with impeccable timing and perfect ironic intonation. Carol Burnett plays the soul-searching, self-agonizing wife who needs to find the meaning of her son's death. Was it divine retribution? Some viewers feel that Matthau and Burnett deadpan their way through the entire movie. Their response very likely stems from having anticipated an uproarious domestic situation-comedy (something like an "I Love Carol"), which this film is definitely not. With the notable exception of one hilarious scene in which Tillie and a bitchy friend (played to comic perfection by Geraldine Page) have a brawl, this is essentially a tragi-comedy. Moreover, the two super charismatic stars of the movie empty themselves to play their rather ordinary characters with straightforward, self-effacing honesty. By 1972, when this film was released, Matthau was a celebrated oscar-winning screen character actor. However, Burnett's transformation from the slapstick queen of TV variety shows to the fine dramatic actress of subtlety and detail seen here is astonishing. Some critics and viewers were not prepared for it but quite frankly that was their problem, not hers. Burnett delivers a tearful scene (in which Tillie vents all of her anger at God and the Virgin Mary) with overwhelming conviction, yet her acting remains beautifully controlled. It is the most deeply affecting moment in the movie, one that will haunt viewers long after the end credits have passed. "Pete 'n' Tillie" was nominated for several Academy Awards including Best Screenplay.

Pete 'N' Tillie: an uneven comedy-drama
Pete 'N' Tillie is a film without focus or a main point. It tells the story